La Dolce Vita

Disc: 1

1. Paparazzi

2. Right Guy Meets Right Girl

3. Dal Momento Che

4. Rama Lama Lama Bossa Mix

5. Champagne Music - Robert Passera

6. Aborigens in Rio

7. Night Club Tropez - Sam Paglia

8. Comment Ta Dire Adieu - Montefiori Cocktail

9. Man & A Woman - 45 Dip

10. Summer Sun - Koop

See all 15 tracks on this disc

Disc: 2

1. Dolce Vita - Nino Rota

2. Fly Me to the Moon - Julie London

3. I Wanna Be Loved by You - Marilyn Monroe

4. You're the Top - Dean Elliot

5. More - Bobby Darin

6. Good Life - Tony Bennett

7. Besame Mucho - Ray Conniff

8. Monica

9. Lollipop - The Chordettes

10. Bye Bye Love - The Everly Brothers

See all 15 tracks on this disc

Tracks:

Se Quel Guerrier Io Fossi...Celeste Aida
La Donna E Mobile
Una Furtiva Lagrima
Qual Turbamento...Salve Dimora
O Dolce Incanto...Chiuder Gli Occhi
Che Gelida Manina
Recondita Armonia
E Lucevan Le Stelle
Dovunque Al Mondo
Recitar!...Vesti La Giubba
Intanto Amici, Qua...Viva Il Vino Spumeggiante
Mamma, Quel Vino E Generoso
Non Colombelle!...Ah! Tu Ch'Odi Lo Mio Grido
Che Avvien?...Ah! Non V'Avvicinate...No! Pazzo Son!
Cujus Animam
Panis Angelicus
Ingemisco
Ave Maria
Core 'Ngrato
Funiculi, Funicula - Chorus

Tracks:

'O Sole Mio
La Serenata
La Danza
Aprile
Mattinata
Torna A Surriento
L'Ultima Canzone
La Vita E Inferno...O Tu Che In Seno
E La Solita Storia Del Pastor
Un Di All'Azzurro Spazio
Andrea Chenier...Corragio!...Si, Fui Soldato
Come Un Bel Di Di Maggio
Di' Tu Se Fedele
Forse La Soglia Attinse...Ma Se M' E Forza Perderti
Rachel, Quand Du Seigneur
Puisqu'on Ne Peut Flechir...Vainement, Ma Bien-Aimee
Io Son Sol...Ah! Dispar, Vision
Ah! Non Mi Ridestar
Quanto E Bella - Chorus
Nessun Dorma - Chorus

Customer Reviews:

The Art of Gigli.......2007-03-09

After Caruso's death, Beniamino Gigli became one of the most renowned tenors in the world. His rich voice well justified his reputation. While some of his mannerisms (the little "cries" and "catches" in his voice) can be a bit overdone, they were not atypical of the time. A few reactions to specific cuts.

"Celeste Aida" from Verdi's opera is smoothly sung; his rich voice serves to good effect. As already noted, the little "cries" are unfortunate, but hardly an issue. His higher notes flow smoothly from lower ones, in a seamless fashion. It would have been nice to hear him try for the piano at the end, but he did not choose to do so. Any way you slice it, a nice version of a glorious aria.

"La donna e mobile" is taken at a rather slow pace. It is smoothly sung but does not really catch the spirit of the wretched Duke. He shows wonderful breath control. This is more a workmanlike than scintillating version. On the other hand, "Che gelida manina" is wonderful. Smooth, elegant singing. A very well done high note. An iconic version.

The twin arias from "Tosca," "Recondita armonia" and "E lucevan le stelle" are very well executed. His rendering of the final "la vita" in the latter aria is, again, noteworthy.

And now for something completely different. . . . "Funiculi funicula" is spritely sung, in good spirits, and it is a lot of fun! Most enjoyable. "O Sole mio," likewise, is well rendered. As previously noted, some "off putting" cries, but the warm, full voice more than makes up for such mannerisms. He does not overpower this song with operatic technique. The end result is most satisfying.

"La danza" befuddled the great Caruso (in his version, his breathing fell apart at one point). But not Gigli. Well sung, good breath control. Bravo Gigli!

Back to opera. . . . "Nessun dorma" is well sung. The vocalization is smooth. Gigli's voice soars over orchestra and other voices. The final "Vincero" rings out.

While this CD is not without some questions, as noted above, it is worth 5 stars for its full portrayal of the work of Gigli. As such, it can be recommended for anyone who wants a comprehensive introduction to this singer.

Gigli Is A Wonderful Singer!.......2006-07-31

It's an honor for me to be "the first" to review this recording for Amazon. As "opera lovers" know, Gigli was "the greatest tenor in the world" for many years after the death of Caruso. If you haven't heard Gigli, a great treat is in store for you! He had "penache" and drama in the way he sang. Plus he had a beautiful tonal quality! I could go on and on but if you "pass this guy up" you'll be missing some beautiful and dramatic singing from a "world class" singing actor.

Besides listening to Gigli on Cd, you'd be doing yourself a favor to buy a movie in which Gigli appears and sings. The movie is called "Non Ti Scordar di Me". I'll try to find it on amazon or from "The Bel Canto Society" and give it a "review" also. It's an "old movie" but it has a VERY touching story, is well acted, and you get to see and hear Gigli which is a great treat since he has been gone for at least 50 years. He "comes alive" in this CD and in the movie. You will "thrill" to the sound of his voice. Enjoy! Email:boland7214@aol.

Fellini Rota: Music from the Classic Films of Federico Fellini

Average customer rating:

Fellini + Rota = Magic
"two legends of film & music ~ Fellini - Rota!"

Fellini Rota: Music from the Classic Films of Federico Fellini

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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La Dolce Vita
The Essential Nino Rota Film Music Collection
Nino Rota: Music For Film

ASIN: B0009JPVNI
Release Date: 2005-06-07

Tracks:

Lo Sceicco Bianco (The White Sheikh): Lo Sceicco Bianco (The White Sheikh)
I Vitelloni: I Vitelloni
La Strada: La Strada
Il Bidone (The Swindle): Il Bidone (The Swindle)
Le Notte Di Cabiria (The Nights Of Cabiria): Le Notte Di Cabiria (The Nights Of Cabiria)
La Dolce Vita: La Dolce Vita
Boccaccio '70: Drink More Milk
8 1/2: Otto E Mezzo
Giulietta Degli Spiriti (Juliet Of The Spirits): Giulietta Degli Spiriti (Juliet Of The Spirits)
Fellini Satyricon: Fellini Satyricon
I Clowns (The Clowns): I Clowns (The Clowns)
Roma: Roma
Amarcord: Amarcord
Il Casanova (Casanova): Il Casanova (Casanova)
Prova D'Orchestra (Orchestra Rehearsal)

Customer Reviews:

Fellini + Rota = Magic.......2006-10-31

Orchestrated and conducted by Derek Wadsworth and performed by The City of Prague Philharmonic Orchestra, the scores on the CD "Fellini Rota: Music from the Classic Films of Federico Fellini" are marvelous and unforgettable and I am never tired of listening to them. The CD is one of the favorites in my collection.

Rota's melodies have everything in them: Italy's shining sun, her blue sky, the sound of her sea. They've got ancient wisdom of Rome and eternal innocence of a child. They are in Cabiria's smile, Gradisca's walk, Anita's fountain, Juliet's quiet loneliness, it the songs of Gelsomina's trumpet, in La Saraghina's lurid dance on the beach. Rota filled his tunes with beauty, poetry, romance, longing, regrets and dreams that may never come true but they are beautiful dreams anyway. Sweet and melodical, gentle and rhythmical, kind and lovely, they keep playing after the films are over, all characters disappear from the screen and what is left behind is "a little orchestra of Hope with Love as its conductor". The last that we hear in is the magic music of Rota, bringing affirmation, hope and love.

"two legends of film & music ~ Fellini - Rota!".......2005-06-26

The City of Prague Philharmonic Orchestra (The Czech Symphony Orchestra) performs the gems by composer Nino Rota for the films of Federico Fellini...scores are orchestrated and conducted by Derek Wadsworth and recorded at FHS studios, Prague on February 1993...Silva Screens latest reissue release "SYMPHONIC: FELLINI-ROTA", has all the romantic and poetic scores from the classic films of Fellini...as Rota's music remains in your mind with haunting and forbidding themes that will stay with you the rest of your days.

Rota has the ability to capture the moments from each cue in his scores with Symphonic Suites and Themes:
1952 - LO SCEICCO BIANCO (The White Sheikh)
1953 - I VITELLONI (Franco Fabrizi/Franco Interlenghi/Alberto Sordi)
1954 - LA STRADA (featuring Anthony Quinn/Giulietta Masina/Richard Basehart)
1955 - IL BIDONE (The Swindle) (Broderick Crawford/Richard Basehart/Giulietta Masina/Franco Fabrizi)
1957 - LE NOTTE DI CABIRIA (The Nights of Cabiria) (Giulietta Masina/Francois Perier/Amadeo Nazzari/Franca Marzi/Dorian Gray)
1960 - LA DOLCE VITA (Marcello Mastroianni/Anita Ekberg/Anouk Aimee/Alain Cluny/Yvonne Furneaux/Nadia Gray/Lex Barker)
1962 - BOCCACCIO '70 (Anita Ekberg/Romy Schneider/Sophia Loren)
1963 OTTO E MEZZO (8 1/2) (Marcello Mastroianni/Claudia Cardinale/Anouk Aimee/Barbar Steele/Sandra Milo)
1965 - GIULIETTA DEGLI SPIRITI (Juliet of the Spirits) (Giulietta Masina/Mario Pisu/Valentina Cortese/Sylva Koscina)
1969 - FELLINI - SATYRICON (Martin Potter/Hiram Keller/Max Born/Salvo Randone)
1970 - I CLOWNS (The Clowns) (cinematic essay of the dying artistry of the circus clown - documentary)
1972 - ROMA (Peter Gonzales/Flora Florence/Pia De Doses/Marne Mairland/Gore Vidal/John Francis Lane/Anna Magnani)
1973 - AMARCORD (Puppela Maggio/Magali Noel/Armando Bracia)
1976 - IL CASANOVA (Casanova) (Donald Sutherland/Tina Aumont/Cicely Brown/Carmen Scarpitta)
1979 - PROVA D'ORCHESTRA (Orchestra Rehearsal) (Baldwin Baas/Clara Colisomo/Elizabeth Labi/Claudio Ciocca)

Nino Rota's tapestry is fine and the weave is just right...one only has to close your eyes and visualize the characters that came to life on the big screen...Rota's music was a large part of the picture...as you sit back and soak up each passage and counterparts that prevail...you know right then and there why music is so important for any film.

Silva Screen Records Ltd., Nic Raine(producer), Reynold da Silva(executive producers) James Fitzpatrick(project director), Yusuf Gandhi and Cherie Mathisen(album co-ordinators)...please stand up and take a bow for the rare gems you've given us...heads up for all "film-score-buffs" worth their salt, this is a keeper...and a big thank you to NINO ROTA (1911-1979)for sharing the legacy of his music with the world.

Total Time: 69:00 on 15 Tracks ~ SIL 3013 ~ (6/07/2005)

Average customer rating:

You've never heard "The Godfather" like this
Italian Scala and Muti feels Rota!

Nino Rota: Music For Film
Nino Rota , and Riccardo Muti
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Film Music of Nino Rota
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ASIN: B0000029ZF
Release Date: 1998-01-13

Tracks:

The Godfather: I. Sicilian Pastorale
The Godfather: II. The Immigrant (The Godfather II)
The Godfather: III. The Pickup
The Godfather: IV. Kay (The Godfather II)
The Godfather: V. Love Theme
The Godfather: VI. A New Carpet (The Godfather II)
The Godfather: VII. Godfather's Waltz
The Godfather: VIII. End Title (The Godfather II)
8 1/2: La passerella di addio
La Dolce Vita: La tromba di Polydor
Prova D'Orchestra: I. Risatine Maliziose (Malinconiche)
Prova D'Orchestra: II. I Gemelli allo Specchio
Prova D'Orchestra: III. Valzerino No. 72
Prova D'Orchestra: IV. Attesa
Prova D'Orchestra: V. Galop
Prova D'Orchestra: VI. Risatine Maliziose (Finale)
Rocco E I Suoi Fratelli: I. Titoli
Rocco E I Suoi Fratelli: II. Canzone Barese ('Paese mio')
Rocco E I Suoi Fratelli: III. Milano e Nadia
Rocco E I Suoi Fratelli: IV. Terra Lontana
Rocco E I Suoi Fratelli: V. Finale - Nadia
IL GATTOPARDO: I. Titoli
IL GATTOPARDO: II. (No.6) Viaggio a Donnafugata
IL GATTOPARDO: III. (No.19) Angelica e Tancredi
IL GATTOPARDO: IV. (No.11) Angelica e Tancredi
IL GATTOPARDO: V. (No.7) I Sogni del Principe
IL GATTOPARDO: VI. (No.3) Partenza di Tancredi
IL GATTOPARDO: VII. (No.21) Amore e ambizione
IL GATTOPARDO: VII. (No.22) Quasi in porto
IL GATTOPARDO: IX. Finale

Customer Reviews:

You've never heard "The Godfather" like this.......2003-08-13

For me the highlight of this disc is a short suite from "Rocco and His Brothers," with some pungent accordion work and 1950's jazz influences. This is glorious and rarely performed music, and conductor Riccardo Muti and the fine La Scala musicians should be thanked for presenting it so beautifully. (The film itself, available on DVD, is one of Visconti's best and well worth seeking out.) But there isn't a stale moment anywhere.

The melancholy themes from "The Godfather" have probably never been played so well. The famous opening trumpet solo, combining loneliness and menace in equal parts, is beautifully done, as are the relatively upbeat selections from "8-1/2" and "La Dolce Vita." Throughout the production, it is marvelous to hear these scores played with such passion and commitment, and the La Scala musicians sound sweepingly involved.

But for many listeners the highlight will be the dazzling and haunting waltzes from "The Leopard," with their melodic arcs echoing the grand scale of Visconti's masterpiece. This is truly evocative film writing.

An excellent introduction to Rota's music, played with suave intensity by one of the best conductors in the world. (For those interested, Muti and La Scala recorded another Rota CD with additional dances from "The Leopard," as well as music from "La Strada" and the "Concerto for Strings" -- also highly recommended.)

Italian Scala and Muti feels Rota!.......2001-07-25

Perhaps this is the most powerfull collection of film music of Nino Rota, and Muti knows and feel this music. Splendid perfomance and sound.

English and Italian Renaissance Madrigals

Average customer rating:

A "Regular People" Review
Not stilted but powerfully alive
Better at Italian than English

English and Italian Renaissance Madrigals

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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All At Once Well Met: English Madrigals; The King's Singers
Renaissance Madrigals
Olde English Madrigals & Folk Songs at Ely Cathedral
Madrigal History Tour
The Oxford Book of English Madrigals

ASIN: B000031WJ8
Release Date: 2000-04-11

Tracks:

Cantiam Lieti Cantiamo
E D'Un Bel Matin D'Amore
Quella Bella E Biancha Mano
Una Leggiadra Nimpha
Venite Amanti Insieme
Divini Occhi Sereni
Con L'Angelico Riso
Madonna, Il Tuo Bel Viso
Fuggi, Fuggi, Cor Mio
Si Liet' E Grata Morte
Se La Dura Durezza
Ahime, Ahime, Dov'E 'L Bel Viso
Madonna, S'Io V'Offendo
II Bianco E Dolce Cigno
Donne, Venete Al Ballo
Morir Non Puo Il Mio Cuore
Se La Mia Vita
Mia Benigna Fortuna
Ancor Che Col Partire
O Sonno
Chi La Gagliarda
Madonna Mia Fa
Medici Noi Siamo
Quando Sara Mai Quel Zorno
Matona, Mia Cara
Tre Ciechi Siamo

Tracks:

O Grief Even On The Bud
When Lo By Break Of Morning
April Is In My Mistress' Face
The First Part
The Second Part
Sweet Nymph Come To Thy Lover
The First Part
The Second Part
Miraculous Love's Wounding
Adieu Sweet Amarillis
Weep O Mine Eyes
The Silver Swan
The First Part
The Second Part
Since Robin Hood
Fire And Lightning
Strike It Up Tabor
See, See, The Shepherds' Queen
Come Sable Night
Sweet Suffolk Owl
In Nets Of Golden Wires
Draw On Sweet Night

Customer Reviews:

A "Regular People" Review.......2007-03-20

So I was on a Renaissance kick for a while and picked this up, first of all, great value. I enjoy listening to a few of these every now and then but can't take too much at once, check out the previews and if you interested, go for it!

Not stilted but powerfully alive.......2005-02-24

My idea of stilted is to sing these madrigals in the phony, glee-club RP style endured for so many years, that made precious, quaint curiosities of them. The Elizabethan pronunciation on this CD is an eye and ear-opener. We may appreciate how much of that speech actually endures in regional accents in both the US and UK. More importantly, this CD brings us the sounds of the long-forgotten English human beings of the Renaissance, people who drank, fought and screwed, who brought us Shakespeare and the King James Bible. I love this recording.

Better at Italian than English.......2003-07-25

A stilted style and even more stilted attempts at Renaissance-English pronunciation make the English Madrigal disk a terrible disappointment. All emotional content -- the mellow, lumimous melancholy with flashes of fire that characterizes English music at its best -- has been drained in this attempt to kill, skin, and stuff these madrigals in order to present them as museum pieces. The pronunciation problem is particularly galling -- if these songs are going to be made incomprehensible to modern English speakers, where, then, is their cultural home?

Tracks:

Amarilla, mia bella
Vittoria, mio core!
O cessate di piagarmi
Gil sole dal Gange
Toglietemi la vita ancor
Pur dicesti, o bocca bella
Sebben, crudele
Come raggio di sol
Per la gloria d'adorarvi
Il mio bel foco; Quella fiamma
Teco, si, vengo anch'io
Nina
O del mio dolce ardor
Nel cor piu non mi sento
Plaisir d'amour
Caro mio ben

Amazon.com

Those who prefer 17th- and 18th-century music performed in a "historically correct" manner may balk, but these "old songs and arias" ("arie antiche") are beautifully presented and sung. It's not that Ramón Vargas approaches them in a verismo style or that he overexclaims them. Rather, he sings with ardor, generous portamento, and a Romantic, cushioned voice filled with vibrato and expression. At the same time, Vargas embellishes the vocal line in very much the style popular and proper 200 and 300 years ago, and these embellishments are attractive and in excellent taste. But the voice is the thing, and it's gorgeous and beautifully used. The opening, earliest song (for instance) is sung sweetly and softly from start to finish--it's hard to recall the last time one heard such sustained elegant, gentle vocalism from a major tenor. Vargas never overstates his case, and by refusing to do so, sells us these brief, lovely items one at a time. Another winner from this unique tenor. --Robert Levine

Customer Reviews:

misguiding.......2007-04-09

Those who love Mr Vargas' singing will probably be satisfied.
His voice is beautiful and this repertoire is most apt to show it to advantage. His technique is good (some problems with pianos), his agility commendable.

Those instead looking for an adequate rendering of old arias will find this compilation lacking: he chose (as declared in the booklet) to ignore philologicas and stylistical issues, singing them beautifully but also romantically, as late Donizetti or early Verdi. Problem is that this, to educated ears, sounds incredibly wrong, nearly inaudible.

A pity: with more attention to style this could have been a useful compilation for singing students too. Such as it is, it is only good for Mr Vargas' fans.

He missed the point.......2005-11-12

I am sorry I bought this album. I did not listen to the sound bytes first...my bad! Vargas croons his way through music that has been orchestated out of all recognition. It sounds syrupy and sentimental, not intensely emotional. The Carissimi is a joke! The Scarlatti is painful to hear. There are too many fine performances of 17th & 18th century music out there for this to pass muster. For example, if you want to hear Bononcini as he should be sung, listen to Martin Oro or Gerard Lesne. My recommendation is a most emphatic "NO".

A (perhaps too) romantic approach to some old favorites.......2003-11-27

Ramon Vargas is probably the most elegant and classy tenor singing today. If I may be forgiven an ethnic cliche, the Mexican singer's voice reminds me of dulce del leche ice cream - rich, sweet, and smooth as caramel. Having sung both on stage and on records a wide operatic repertory ranging from bel canto to French works to Puccini and Verdi, Vargas now turns his efforts to this album of arie antiche entitled (rather unimaginatively, I think) `Nel Mio Cuore' - In My Heart. Nearly all lovers of classical vocal music are familiar with the songs represented on this disc; many singers have recorded them and just about everybody who has ever had a voice lesson has studied at least some of them. The defining feature of these songs - which is why they are used by voice students - is that while it is easy to learn the basics of singing them, it takes true expertise to handle all their technical challenges and to bring out all their nuances. If some misguided performance practice decisions make the CD a less than total success, Vargas' vocal beauty, excellent technique and total commitment make this a mostly very enjoyable listen.

As Vargas says in his brief comments, he wants to sing this music in a more 'romantic', (i.e. unrestrained and overtly emotional) manner than many other performers do, to bring a 21st century sensibility to mostly 17th and 18th century music. Vargas as a child was a soloist in the choir of the Basilica Guadalupe of Mexico City, and it was standard procedure there to sing sacred music from this and earlier periods that way. While this approach to the actual singing works very well, I am not entirely happy with the decision to use a small 'salon' orchestra instead of the usual piano or harpsichord, and I suspect many will agree with me on this. I don't object to orchestral arrangements on principle - the arrangements of the arie antiche recorded by Richard Tucker on the superb CD 'The Soul of Italy' work very well, particularly the delightful 'Gia sole del Gange'. On this disc, however, few of the arrangements (by Sascha Goetzel and Joseph Turrin) really enhance the music or make it more interesting, and sometimes they just get in the way. Perhaps in an actual salon or concert setting, this wouldn't be as big a problem. In general, the best arrangements are the most quiet and unobtrusive ones, such as 'Nina' or 'Plaisir d'amour', allowing Vargas to sing softly and tenderly instead of just ardently. The major exception to this is actually the best track on the disc, `Sebben crudele', where the music helps Vargas' anguish and pain reach appropriately operatic proportions. Gluck's `O del mio dolce ardor', an actual opera selection often sung with orchestra, also responds well to this treatment. For most of the other selections, however, it might be helpful to play individual selections or a few at a time instead of the entire album at once, and I wouldn't advise playing it at much more than medium volume.

The good news, though, is that Vargas sings this music with real passion, warmth, and style. The arrangements may require him to sing the music more loudly than many singers do but he never forces or shouts - his heart may be on his sleeve, but is sincere and never vulgar. He pays close attention to the meaning of the words and is musically sensitive and expressive. His Italian diction is excellent, although his French could be a bit crisper. His long experience with bel canto operas makes runs and articulated grace notes easy for him, and he inserts some lovely decorations. The musicians, led by pianist Katherine Chu, do an excellent job with what they are given, and Vargas should actually have been credited as their conductor. I note particularly the beautiful wind playing in 'Teco, si, vengo anch'io'.

In addition to Vargas' comments, there are also notes on the music and full texts and translations. However, I thought the tone of the notes was just a bit too defensive of the more 'modern' approach. All the musicians are listed by name, a nice touch.

The sheer beauty of Vargas' voice, his enthusiasm and his sincerity should set aside most objections to the performance decisions made here. However, I would definitely recommend a more 'traditional' piano-or-harpsichord-accompanied set of this music alongside this if you don't already have one. Cecilia Bartoli's 'Se Tu M'Ami' is essential, and I would also suggest that if you are interested in hearing the music sung by a tenor, you should listen to Alfredo Kraus, especially since many opera lovers consider Vargas to be an heir to this late great Spaniard. Also, Vargas' 'Canzoni' album, from a live concert in Mexico City, shows how wonderful his voice sounds with piano in Italian and Mexican songs - including 'Gia sole del gange' sung in much the same way it is here. It's at super-budget price, too. Still, `Nel Mio Cuore' will give admirers of this lovely tenor the opportunity to wallow in a wonderful voice and experience the heart of an artist.

Adequate.......2003-05-20

Lovely music, but somehow I find it not very involving. Listen to it some, if possible and see if it really is what you are looking for.

Highly Recommended.......2003-03-10

Every beginning classical singer works on these arias that Vargas chose for this album, so naturally, they are often heard and almost always abused. Vargas makes them music again. Absolutely stunning work. He is the real thing - voice, brains and musicality. This combination is sadly lacking in many of todays top operatic stars.

Average customer rating:

The Complete Caruso

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001TSWQO
Release Date: 2004-11-09

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La Dolce Vita
Nino Rota
Manufacturer: Cam
ProductGroup: Music
Binding: Audio CD

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Il Casanova Di Fellini (1976 Film)

ASIN: B00000IKPI
Release Date: 2002-01-01

Tracks:

Titoli Di Testa: Canzonetta/Notturno II/Cadillac
Dolce Vita: Arrivederci Roma/Caracalla's/La Bersagliera
Dolce Vita: In Via Veneto
Patricia: Canzonetta/Entrata Dei Gladiatori/Parlami Di Me (Valzer)
Lola (Yes Sir, That's My Baby): Parlami Di Me (Valzer)/Stormy Weather
Via Veneto E I Nobili
Blues: La Dolce Vita Dei Nobili
Notturno O Mattutino
Dolce Vita: La Bella Malinconica
Dolce Vita Nella Villa Di Fregene: Can Can/Jingle Bells/Blues - La ...
Dolce Vita (Finale)

Album Details

One of the Most Famous Fellini Movies featuring the Fantastic Marcello Mastroianni and Anita Ekberg. All the Music from this 1960 Classic was Composed by Nino Rota.

The Essential Nino Rota Film Music Collection

Average customer rating:

essence of Fellini...
Excellent!
"premier composer of Italy (1911-1979) ~ Nino Rota"

The Essential Nino Rota Film Music Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music
Similar Items:

Film Music of Nino Rota
Nino Rota: Music For Film
Nino Rota: La Strada; Il Gattopardo; Concerto Soirée
Fellini Rota: Music from the Classic Films of Federico Fellini
Romeo & Juliet

ASIN: B0000AGWLP
Release Date: 2003-08-26

Tracks:

The Taming Of The Shrew-Overture
The Glass Mountain-Legend Of Glass Mountain
Romeo & Juliet-Romeo
Romeo & Juliet-Juliet
Romeo & Juliet-Feast At The House Of Capule
Romeo & Juliet-Love Theme
Romeo & Juliet-Epilogue
Death On The Nile-Nile Journey
The Godfather-Waltz
The Godfather-Love Theme
The Godfather II-Sicilian Pastorale/The Immigrant
The Godfather II-Finale
Juliet Of The Spirits-Suite
La Dolce Vita-Suite

Tracks:

Histoires Extraordinaires-Toby Dammit
Lo Sceicco Bianco (Thet White Sheikh)
Otto E Mezzo (81/2)
I Vitelloni
Il Dibone (The Swindle)
The Nights Of Cabiria
Boccaccio '70
Fellini Satyricon
I Clowns, (The Clowns)
Roma
Amarcord
Casanova
Prova D'Orchestra (Rehearsal)
La Strada-Suite

Customer Reviews:

essence of Fellini..........2007-05-09

As evocative as any perfume, this CD brings forth clear images of the films for which this music was written. Makes a charming background for any party, seemingly brainless fun, yet sophisticated and delightful. Also good to cook to...

Excellent!.......2007-04-22

For this release, Silva Screen released their previous disc of Music from Fellini films, along with the best tracks from Nic Raine's 1998 recording of the complete score of Romeo and Juliet, as well as Paul Bateman's 2001 Godfather Trilogy disc, along with a few new tracks and other tracks from Silva's back catalog of music.

The last two tracks of the first disc, and the entire second disc is devoted to Fellini Films. All of the Fellini tracks are from 1993's "Music From Fellini Films", with Derek Wadsworth conducting the City of Prague Philharmonic (then credited as the Czech Symphony), with the exception of "Toby Dammit" which was recorded for this disc with Mario Klemens conducted.

"The Taming of the Shrew" is from Silva Screen's successful 2001 "Shakespeare at the Movies" set, while Death On The Nile and the Glass Mountain have been newly recorded for this set.

In conclusion, if you had the first disc of Rota/Fellini music then perhaps this would not be worth it, but overall this is a superb collection with that previous release in its entirely (remastered in HDCD surround sound, I might add), along with the best tracks from the Godfather Trilogy and Romeo and Juliet, with some more films sprinkled about, its a must-have, for anyone who wants a taste of Rota for less than $25.

"premier composer of Italy (1911-1979) ~ Nino Rota".......2003-08-26

The City of Prague Philharmonic Orchestra performs the gems by composer Nino Rota, conducted by Derek Wadsworth, Paul Bateman, Nic Raine and Mario Klemens. This latest release "The Essential Nino Rota Film Music Collection", has all the romantic and poetic scores ever conceived. Rota's music remains in your mind with haunting and forbiding themes that will stay with you the rest of your days.

Rota has the ability to capture the moments from each cue in his scores with "THE TAMING OF THE SHREW", "THE GLASS MOUNTAIN", "LA DOLCE VITA" and "ROMEO & JULIET, the tapestry is fine and the weave is just right. That's just for starters, listen and recall the score from "THE GODFATHER" and "THE GODFATHER II", one only has to close your eyes and visualize the characters that came to life on the big screen, the music from Rota was a large part of this. And Disc Two with "THE NIGHTS OF CABIRIA", "AMARCORD" and "LA STRADA", can sit back and soak up each passage and counterparts that prevail.

Silva Screen Records and James Fitzpatrick (producer), please stand up and take a bow for the well deserved rare gems you've given us. This can only be one of the most sought after collections complete in every detail for any "film-score-buff" worth his salt. As you listen to this CD, you can visualize each scene the cue is recalling. And speaking for one and all movie music collectors----this is a keeper!

Customer Reviews:

beautiful perfomances of exsquisite madrigals.......2005-10-01

The first 3 books of Gesualdo's madrigals don't have the startling chromaticism and the violent rhythmic contrasts of the 5th and 6th books, but they're rich pieces nonetheless and here and there are hints of the over the top imagination of the later works. These performances are characterized by accurate intonation and lovely timbre. This is one of my favorite recordings of Italian madrigals.

Average customer rating:

Tutto Fellini

Manufacturer: Sunny Side
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Nino Rota: La Strada; Il Gattopardo; Concerto Soirée
8 1/2: Original Motion Picture Soundtrack
Fellini Rota: Music from the Classic Films of Federico Fellini
Nino Rota: Music For Film
Il Postino (The Postman)

ASIN: B000BLI3FC
Release Date: 2005-11-08

Tracks:

LUCI DEL VARIETA / VARIETY LIGHTS music by Felice Lattuada
LO SCEICCO BIANCO / THE WHITE SHEIK music by Nino Rota
I VITELLONI / SPIVS music by Nino Rota
LAMORE IN CITTA / LOVE IN THE CITY music by Mario Nascimbene
LA STRADA music by Nino Rota
IL BIDONE / THE SWINDLE music by Nino Rota
LE NOTTI DI CABIRIA / NIGHTS OF CABIRIA music by Nino Rota
LA DOLCE VITA music by Nino Rota
BOCCACCIO 70 music by Nino Rota
8 1/2 / EIGHT AND A HALF music by Nino Rota
GIULIETTA DEGLI SPIRITI / JULIET OF THE SPIRITS music by Nino Rota
TRE PASSI NEL DELIRIO / SPIRITS OF THE DEAD music by Nino Rota
FELLINI SATYRICON / FELLINI SATYRICON music by Nino Rota
I CLOWNS the clowns music by Nino Rota
ROMA FELliniS ROMA music by Nino Rota

Tracks:

AMARCORD music by Nino Rota
IL CASANOVA DI FEDERICO FELLINI FELLINIS CASANOVA music by Nino Rota
PROVA DORCHESTRA ORCHESTRA REHEARSAL music by Nino Rota
LA CITTA DELLE DONNE CITY OF WOMEN music by Luis Bacalov
E LA NAVE VA AND THE SHIP SAILS ON music by Gianfranco Plenizio
GINGER E FRED GINGER AND FRED music by Nicola Piovani
INTERVISTA FELLINIS INTERVISTA music by Nicola Piovani
LA VOCE DELLA LUNA THE VOICE OF THE MOON music by Nicola Piovani

Album Description

In the 2-CD set, TUTTO FELLINI (All Fellini), the 33 tracks of this double CD take the listener in an musical journey where all the 33 movies by Federico Fellini are the stopovers. From VARIETY LIGHTS (LUCI DEL VARIETA) to THE VOICE OF THE MOON (LA VOCE DELLA LUNA) Fellini's first and last movies. Nino Rota's music on 16 tracks illustrates Fellini's masterpieces like LA STRADA, LA DOLCE VITA and EIGHT AND A HALF. All tracks have been re-mastered in Dolby-Surround.

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