Music For Dead Things

1. Exhumation

2. Black Gardenias

3. Embalming Sonata

4. Fetid Fugue

5. The Walking Dead

6. Funeral March

7. Cemeterial Burial

8. Forever Dead?

9. Theme For Dead Earnest

10. Final Resting Place

Editorial Reviews

About the Artist
DEAD EARNEST passed on to his final reward, such as it was, a number of years ago, but has crept from his crypt one recent dark and stormy night just for the sole purpose of recording this unique album of "real live funeral music!" His keyboard artistry is remarkable, considering the fact a number of his digits have fallen off. It can be honestly proclaimed that DEAD EARNEST is RIPE for a hit with "MUSIC FOR DEAD THINGS." Well, for sure he's RIPE, anyway.

Product Description
"MUSIC FOR DEAD THINGS" is REAL LIVE FUNERAL MUSIC! It's appropriately CREEPY, EERIE, and DEAD-RAISING! Great for your basic EXHUMATIONS, AUTOPSIES, and yes, even FUNERALS! Would make GREAT MORBID MONSTER MOVIE THEMES!!! Perfect for MONSTER RALLIES, GHOST SHOWS, and HAUNTED HOUSES! You're gonna DIG these DISTURBING DIRGES, and wonder why NOBODY ever thot of this BEFORE! Actually we DID, and everybody LAUGHED at us. Well, heh-heh, "they're" NOT laughing NOW!!!!! (Nobody will ever FIND "them" either! Not where THEY'RE buried!!!!!) LOWLY-ACCLAIMED DE-COMPOSER "DEAD EARNEST" plays like a vile wild child (often simultaneously!!) performing on his HAMMOND B-3 ORGAN, YAMAHA GRAND PIANO, and GRAVEYARD HARPSICHORD to make this BRAND-STRANGLING NEW "MUSIC" from ELECTRIC LEMON RECORD CO. "MUSIC FOR DEAD THINGS" is definitely something to listen to while you wait to get EMBALMED! De-compositions include EXHUMATION, BLACK GARDENIAS, EMBALMING SONATA, FETID FUGUE, THE WALKING! DEAD, FUNERAL MARCH, CEMETERIAL BURIAL, FOREVER DEAD?, the very hallucinogenic THEME FOR DEAD EARNEST, and frightfully-foreboding FINAL RESTING PLACE it's a SCREAM!) WARNING: Do NOT listen to this album in the dark or while taking a shower!

Tracks:

Pomp And Circumstance March No. 1 In D Major - London PO; Solti, G.
Karelia Suite: Alla marcia - Philharmonia Orchestra
Jubel March - Vienna PO; Boskovsky, W.
Funeral March Of A Marionette - Orchestra Of The Royal Opera House, Covent Garden
Tannhauser: Grand March - Philip Jones Brass Ensemble; Howarth, E.
Rinaldo: March - English Chamber Orchestra
Saul: Dead March - English CO; Bonynge, R.
Aida: Grand March - Philip Jones Brass Ensemble
Radetzky March - Vienna PO; Boskovsky, W.
Marche militaire - Wiener Philharmoniker
Athalia: War March Of The Priests - Vienna PO; Dohnanyi, C.v.
The Nutcracker: March - National Philharmonic Orchestra
The Love For Three Oranges: March - London PO; Weller, W.
Le Prophete: Coronation March - London Philharmonic Orchestra
La Damnation de Faust: Hungarian March - Chicago SO; Solti, G.
Persian March - Wiener Philharmoniker
Aladdin Suite: Oriental Festive March - San Francisco SO; Blomstedt, H.
The Ruins Of Athens: Turkish March - Carlo Curley
The Occasional Oratorio: March - San Francisco SO; Blomstedt, H.
Pomp And Circumstance March No. 4 In G Major - London Philharmonic Orchestra

Tracks:

Crown Imperial (Coronation March) - London PO; Norrington, R.
Music For The Funeral Of Queen Mary: Funeral March - Baroque Brass Of London
Prince of Denmark's March (Trumpet Voluntary) - London PO; Norrington, R.
March - Philip Jones Brass Ensemble
Marche triomphale - London PO; Norrington, R.
Egyptian March - Wiener Philharmoniker
Joyeuse March - Swiss Romande Orch; Ansermet, E.
Napoleon March - Wiener Philharmoniker
A Midsummer Night's Dream: Wedding March - Montreal SO; Dutoit, C.
Russian March - Wiener Philharmoniker
Carmen, Suite No.2: Marche des contrebandiers - Montreal SO; Dutoit, C.
The Tale Of Tsar Saltan: March - London Symphony Orchestra
Mlada: Procession Of The Nobles - Kingsway Orch; Camarata, S.
Spanish March - Wiener Philharmoniker
Things To Come: March - National PO; Herrmann, B.
Washington Post - Philip Jones Brass Ensemble
Entry Of The Gladiators - National PO; Herrmann, B.
Colonel Bogey - Philip Jones Brass Ensemble
The Dam Busters - National PO; Herrmann, B.
The Stars And Stripes Forever - Philip Jones Brass Ensemble

Customer Reviews:

Solid Basic March Collection.......2006-08-07

Great solid basic collection, a real bargain with mostly outstanding performances. Having played several in bands and orchestras and sung one (the Rimsky Mlada), I have a good idea how they should go. As other other commentators say, there are better individual recordings, such as anything by Fennell and the Eastman band. The organ pieces just don't do this music justice, although a real cathedral organ can come close, but that's beyond these discs. The Nielsen Aladdin March is the new one for me. Berlioz by Solti is great! Buy it!

Bold and brassy mixes well with the rest.......2004-08-14

I am impressed most by the variety in 40 Famous Marches on 2 CDs, a Double Decca release. The performers include Philharmonic Orchestras, a Brass Ensemble, Chamber Orchestra, organ, Symphony, and for nine selections, the Wiener Philharmoniker. I am not sure if the word schmaltzy ought to be applied to any of this, but the Wiener Philharmoniker often exhibits a unique sound which is not quite the same as any of the other selections. The final five selections are all performed by the Philip Jones Brass Ensemble under Elgar Howarth in ADD/DDD format in 1983 and 1985. Two of those five are rousing marches by John Philip Sousa, another called `Entry of the Gladiators' is typical of songs played by live bands at circuses, and the remaining two are from movie soundtracks. `Colonel Bogey' is famous from the movie about British prisoners of war building a railroad bridge for the Japanese in World War Two, the Bridge over the River Kwai.

The major source of variety in these 40 selections is that many of them are taken from operas and even a ballet, Tchaikovsky's famous `The Nutcracker--March.' I originally found this collection when I was searching for `Funeral March of a Marionette' by Charles Gounod (1818-1893) which has a theme that is famous from its use by a television series hosted by Alfred Hitchcock. If you can't remember how that goes, you ought to buy this collection and listen for it early: it is selection 4 on the first CD. The main theme was fun to play and easy to learn in a book of piano lessons, but the rest is quite whimsical and worth listening to, and people who play organ with pedal notes might still be able to find music for playing the entire arrangement, difficult though it is for someone like me, who becomes confused when too many things are going on at the same time.

There was something on this CD that sounded weird, and I had to check to see what it was, and it was just someone playing the organ, but he was trying to play `The Ruins of Athens -- Turkish March' by Ludwig van Beethoven (1770-1827).

Something by Handel sounds so much like the beginning of a movie that I expect someone to start singing, `The hills are alive with The Sound Of Music,' but this CD is something else. The first CD starts and ends with marches from `Pomp and Circumstance' by Edward Elgar, so people who have been to a lot of graduation ceremonies will be expecting plenty of familiar music. The 6:32 time is slightly longer than the Wagner's `Tannhauser -- Grand March' on the first CD, but long graduation ceremonies may play it even longer, until all the diplomas are handed out.

Verdi, Strauss, Schubert, Prokofiev, Berlioz, these famous composers might be recognized by people who know music, but the `Wedding March' by Felix Mendelssohn is famous with everybody for what it is used for. If you haven't heard it lately, maybe you should hear it a few times so you won't be so nervous the next time it comes around.

40 Famous Marches - a great collection!!.......2003-11-21

This is a wonderful collection. What a wide collection of exciting pieces, all in one affordable package!! It encompasses so many composers and styles, from the majesty of Elgar and Walton, to upbeat Sousa to schmaltzy Strauss. It also includes such classic marches as Meyerbeer's Coronation, a pinnacle of the French opera style, the timeless Wedding March of Mendelssohn, and the brilliant organ piece, Marche Triomphale of Sigfrid Karg-Elert. There are also some interesting oddball selections like the mysterious Things to Come of Bliss (composed for the H.G. Wells film), the jaunty Chabrier marche, and oriental flair of Nielsen's Aladdin.
In reading some of the other criticisms, it is true that the Philip Jones Brass Ensemble perhaps is not the best or most noted ensemble. However, overall, the pieces they play are either Sousa or patriotic-sounding tunes. Their only forays into the true classical realm are the Grand Marches from Tannhauser and Aida, and they are not half bad. So don't let those pieces keep you from buying the CD - 1) because most of the songs they do play are great and 2) they only play in 1/4 of the music....

Classics on Parade.......2003-05-01

If you're looking for a collection of marches from classical music, this would be a fine one to get.
It contains recordings made from 1958 to 1996 by some of the world's great orchestras, plus several numbers by the Philip Jones Brass Ensemble, and four arranged for organ.
The first 35 marches include many of the best-known classical marches, plus three "coronation" marches, written as far back as the end of the seventeenth century (The Prince of Denmark's March) up to 1954 (The Dam Busters). The last five pieces are "popular" marches played by the Jones Ensemble.
The liner notes give a nice history of marches, including where most of the ones in this collection fit into that scenario.
A great collection of marches by classical and popular music "masters".

Too, too much Philip Jones Ensemble.......2003-04-17

A mixed bag of music, 40 FAMOUS MARCHES compiles a good many marches - some not too common.

The CD has it's high points:
1. Chicago Symphony (under Solti!) playing Berlioz's Hungarian March (love that trombone excerpt - BAM!)
2. London Philharmonic playing Prokofiev's "The Love for Three Oranges" March
3. Elgar's Pomp and Circumstance No. 1 (also London Philharmonic)

BUT... There's some real stuff on here, too. I must concur with a prior reviewer: FAR TOO MUCH Philip Jones Brass Ensemble. Case in point - Sousa's Stars and Stripes Forever, as played by PJBE is completely devoid of the energy and fire it needs. The trombone countermelody at the end is just NOT THERE (you'll strain to hear it). There's just no way this is right. PBJE is great in their setting, but this is just not it.

Tracks:

The Poet Acts
Morning Passages
Something She Has to Do
"For Your Own Benefit"
Vanessa and the Changelings
"I'm Going to Make a Cake"
An Unwelcome Friend
Dead Things
The Kiss
"Why Does Someone Have to Die?"
Tearing Herself Away
Escape!
Choosing Life
The Hours

Album Description

In 2002 Philip Glass composed the soundtrack score to the Stephen Daldry film "The Hours". The film went on to receive 9 Acadamy Awards nominations, including one for `best score'.

At the beginning of the film, Daldry depicts the timelessness of small daily events, how the real elements of life are patterns that repeat across time. The movie opens with three women from three different eras intercut, all doing similar things. There's Virginia Woolf (Nicole Kidman) in 1923, a troubled young mother (Julianne Moore) in 1951 and a woman (Meryl Streep) in 2001 making preparations for a party later that evening. In one location flowers are bought, in another displayed, in another discarded. Philip Glass' score intensely underlines the images with a sense of strangeness and sympathy.

Michael Riesman, Mr. Glass' longtime musical director and producer of the film score recordings, created solo piano adaptations of the original score and has been performing them in concert.

Orange Mountain Music is very happy to release a CD of studio recordings of this beautiful and emotional work performed by the brilliant pianist and intimate interperter of Philip Glass' work, Michael Riesman.

Customer Reviews:

Philip Glass' Musical Score for 'The Hours' Distilled.......2007-03-28

Returning to view the masterfully created cinematic production of Michael Cunningham's THE HOURS always leaves the reminder that much of the atmosphere that made the film work so well on every level was the musical score composed by Philip Glass. The soundtrack recording from the film remains for this listener a constant companion and now there is yet another extension of the eloquence of Glass' achievement.

Glass' longtime musical colleague is Michael Riesman, a gifted pianist as well as a composer who had the fine thought of distilling Glass' already minimalist score for piano solo. And in this recording Riesman performs his composer-sanctioned transcriptions with not only impeccable musical skill but also with the knowledge of both the Cunningham novel and the Virginia Woolf novel 'Mrs. Dalloway' on which it was based. The result is far more richly varied series of vignettes than most would have thought possible.

For those who are devotees of Philip Glass' compositions, from the very large symphonies and operas to the chamber ensemble and solo instrumental works, this series of piano transcriptions will prove rewarding. Reisman makes Glass' ideas crystalline, allowing us to hear the very subtle differences in the music he created for each character and each emotion.

For those less familiar with Philip Glass' music but very familiar with the film 'The Hours', this recording will provide an hour of nostalgia and clean swept elegance that can be heard at any moment (any hour!) of the day. Highly Recommended. Grady Harp, March 07

Great music.......2007-02-03

This recording captures the essence of Glass minimal composition, and has the same feeling and emotion that his other solo piano recordings contain.
This is also a good recording since there is only two songs that are borrowed from other recordings, namely Floe and Metamorphosis #3. Floe is a beautiful song on solo piano, and actually sounds better without the flute in my opinion.

A fine addition to your Glass library........2006-08-21

Let's get this part out of the way: Ghastly movie, beautiful music. One of Philip Glass's richest scores transcribed for piano and ready to be re-experienced on a different, core level. Glass has always been an acquired taste. If you enjoy his work, this is worth adding to the collection.

Beautiful piano.......2005-09-21

I loved this soundtrack when I first heard it on the film and to hear it with solo piano--in it's most basic true form--is so fantastic. It has even more emotion simplified.

Exquisite . . . .......2005-08-16

masterpiece from Philip Glass, it reflects all movie emotion since movie beginning until the end. You can go from calm and quiet short periods to an inevitable rush. A barely bearable anxiety.

Average customer rating:

You fools!
Missing Theme Song - but otherwise not bad
Fine score, but a consumer warning for the CD
Thomas Newman is a Genius!
Almost perfect for the film, loses points as a cd

Jarhead

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Jarhead (Widescreen Edition)
Jarhead
The New World
Munich

ASIN: B000BVRM1S
Release Date: 2005-12-06

Tracks:

Welcome To The Suck
Raining Oil
Battery Run
Mirage Bedouin
Don't Worry Be Happy - Bobby McFerrin
No Standard Solution
8 Men 5 Camels
Full Chemical Gear
Unsick Most Ricky-Tick
Morning Glory
Bang A Gong (Get It On) - T-Rex
Desert Storm
Desert Sunrise
Zoomies
Horse
Pink Mist
Jarhead For Life - Naughty By Nature
O.P.P. - Naughty By Nature
Dickskinner
Permission To Fire
Dead Anyway
Scuds
Listen Up - Public Enemy
Fight The Power - Public Enemy
Soldier's Things - Tom Waits

Amazon.com

For his third collaboration with director Sam Mendes (after American Beauty and The Shawshank Redemption), composer Thomas Newman has come up with one of his finest scores. The music mixes modern atmospheric quasi-rock touches with Middle Eastern influences (with particularly great success on the tracks "Welcome to the Suck" and "Zoomies."). The latter manifest themselves in both the beats and the instrumentation--the credits include soloists on exotic instruments such as the bowed cumbus (a type of banjo-like lute) and the processed xaphoons (a sax made of bamboo). All the more jarring, then, when the CD's handful of songs pop up. (It's quite a jolt to hear Bobby McFerrin's "Don't Worry Be Happy" after four eerie instrumental tracks.) The other song picks are obvious but well chosen: T-Rex's "Bang a Gong (Get It On)," "Naughty by Nature's "O.P.P.," Public Enemy's "Fight the Power," and Tom Waits's "Soldier's Things." Still, it's Newman's work that propels this CD, not the pick-up songs. Surprisingly, Wagner's "Ride of the Valkyries," which figures in one of the movie's most memorable scenes (when soldiers watch Apocalypse Now), isn't included here. --Elisabeth Vincentelli

Customer Reviews:

You fools!.......2006-10-27

I am reading all the negative reviews of this soundtrack, and most of them mention the absence of Kanye West's "Jesus Walks." One reviewer gives the album one star because he was "misled" into buying the album.

Um, hello? This is an instrumental score for the film! NOT a Various Artists soundtrack! This is, you may have noticed, an album that falls under the name of Thomas Newman! If anyone bought this expecting other music, then it's entirely their own fault. It even says on the front: "MUSIC BY THOMAS NEWMAN."

That said, I'd also like to correct Amazon on something - they said this is Newman's third outing with Mendes, the other two being "Shawshank Redemption" and "American Beauty."

Shawshank was directed by Frank Darabont, NOT Sam Mendes.

Mendes' other pairing with Newman was actually on 2002's "Road to Perdition," which is another great soundtrack I'd heartily recommend purchasing.

Missing Theme Song - but otherwise not bad.......2006-03-01

If you've watched the previews for this film, you're likely expecting a song called Jesus Walks by Kanye West to be on the soundtrack but it's not there - very annoying. But otherwise it's a pretty good CD of music to listen to while you work out or drive fast.

Fine score, but a consumer warning for the CD.......2006-01-20

Thomas Newman's original music for JARHEAD is not only typically daring with many unconventional sounds (utilizing samples, electronic treatments and exotic percussion), but one of his most stirring, rock-influenced efforts as well (as with the opening track, "Welcome to the Suck"). At first I thought there were no melodies as memorable as "Dead Already" from AMERICAN BEAUTY or "Road to Chicago" from ROAD TO PERDITION, but the 3/4-time march used in both "Raining Oil" and "Desert Storm" has grown on me. Of course the CD is recommendable for Newman's score alone. But...

...while one doesn't buy a CD of this nature primarily for the extra songs, one does expect the extras to be competently presented when they appear. So I was taken aback to hear Public Enemy's "Fight the Power" at a faster tempo and higher pitch than usual, as though mastered from a sped-up tape. I can't think of any intentional reason for this, so I'm assuming it was a mistake, but either way I found it not only annoying in itself but because of "Fight the Power"'s thematic significance, with its reference to the Bobby McFerrin tune heard earlier in the movie. ("'Don't Worry Be Happy' was a number one jam/Damn if I say it you can slap me right here".)

So then, while I like the Thomas Newman score a lot, I'm docking the CD a star for the sped-up "Fight the Power". Caveat emptor.

Thomas Newman is a Genius!.......2006-01-07

Thomas Newman is brilliant as always and delivers beautifully. Having read the book prior to the motion picture, Thomas Newman truly brings Swofford's tale to life. If you enjoyed The Horse Whisperer or the Shawshank Redemption score, then you'll thoroughly enjoy Jarhead.

Almost perfect for the film, loses points as a cd.......2005-12-23

Make no mistake - Jarhead proves Thomas Newman's abillity to write music for film. He is not making the music in order to show off his amazing talents, he is making the music so it is perfect for the film. Whereas some composers might score depressing scenes with grand sweeping movements trying to make themselves look like complex composers, Newman knows what will enhance the scene and what won't, and what can convey the message required.

Ultimately, this describes Jarhead perfectly. I have seen the movie and music is seamless and perfect for it. For the most part, there is a sonic texture created, with guitars and drums to represent the bravado of the characters. If you are a fan of Newman's stirring orchestral works this is definitely not something you would like. Newer fans of "American Beauty" and the like will find things to enjoy here, but not in as vibrant or pleasing a way as in that album. The score on it's own is just not as exciting or involving as it could be. It is interesting in it's own right, but not very pleasing to hear. However, there are many good tracks interspersed throughout the score to take you to the good spot.

Overall, Jarhead warrants a 4.5/5 for the film, but on a cd, it's score drops to 3/5. It is pleasant at times, and mostly an interesting CD, but there are too many Newman masterpieces to consider this one high on your buying list. Then agan, if you are a Newman fan, this CD should satisfy you're urge to see what the guy is up to. Final score? Three out of five.

Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song

Average customer rating:

Great CD! Check it out!
Get this CD!

Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Kiri Te Kanawa - Ave Maria
Kiri Te Kanawa Classics
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Kiri Te Kanawa Sings Verdi and Puccini Arias

ASIN: B00000J28B
Release Date: 1999-06-08

Tracks:

Suor Angelica: Senza Mamma
Louise: Depuis Le Jour
The Last Rose Of Summer
Adriana Lecouvreur: Ecco, Respiro Appena
Mefistofele: L'altra Notte In Fondo Al Mare
All the Things You Are
The Pearl Fishers: Ma Voila Seule... Comme Autrefois
Always
Smoke Gets In Your Eyes
Turandot: Signore, Ascolta!
Greensleeves
Andrea Chenier: La Mamma Morta
Die Tote Stadt: Gluck, Das Mir Verblieb
Annie Laurie

Customer Reviews:

Great CD! Check it out!.......2003-01-24

I got this CD on a shopping spree a while back and I just totally forgot to listen to it until now and I am sure glad that I did. I'm not very familiar with Dame Kiri's work on the whole, but this CD does a great job of introducing the tremendous breadth of style and vocal character that she has. If for no other reason, buy this CD for the traditional and popular songs. I've never heard these pieces done with such beautiful style, clarity and comfort in the diction.

Get this CD!.......2000-01-23

This CD is absolutely wonderful! The range of songs on the CD show just how versitile Kiri Te Kanawa really is. Anyone who appreciates a beautiful voice will be rewarded by this CD time and time again. It is a must buy!

The String Quartet Tribute to Bon Jovi: Count Me In

Average customer rating:

It's an interesting idea.....
Bon Jovi???
A stunning and pleasant surprise

The String Quartet Tribute to Bon Jovi: Count Me In

Manufacturer: Vitamin Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00009KU9E
Release Date: 2003-06-10

Tracks:

Bad Medicine
Always
Bed Of Roses
Living On A Prayer
Wanted Dead Or Alive
Lay Your Hands On Me
Keep The Faith
Runaway
I'll Be There For You
It's My Life
Everyday
One Of Those Things

Customer Reviews:

It's an interesting idea............2006-12-28

....but it ultimately fails. I just can't get behind it. Everything seems off tempo or out of tune, and the violin or cello that is supposed to portray Jon's voice is just annoying and sounds closer to a cat in heat than Jon Bon Jovi.

Bon Jovi???.......2004-01-21

As a huge fan of Bon Jovi, I was mistaken in thinking this had anything to do with the group as opposed to the group writing these songs at one time - It's as if a string quartet of some pretty good musicians recorded Jovi's songs with a fiddle as Jon's voice - I'm sorry, but I should have done without.

A stunning and pleasant surprise.......2003-12-06

I was browsing the music section of a store in October and under the Bon Jovi listing, I happened upon this tribute album. I had never heard of this before, and being the rabid fan that I am, as well as having an appreciation for classical music, I decided to pick it up. I wasn't really sure what to expect from it, as Jon Bon Jovi's voice can not be substituted by anything.

With that being said, I was blown away by this album. While it is true that some songs (Bed of Roses, Always, I'll Be There for You) would naturally translate into the smooth flowing music created by a string quartet, the tracks originally sounding harder (It's My Life, Everyday, Lay Your Hands On Me) take on a flavor all their own.

Tracks:

Sonnet: When most I wink
If I could choose
The Primrose
A Dirge
The Devon Maid
Dawn and Evening
Where'er my bitter teardrops fall
E'en as a lovely flower
Blow, blow, thou winter wind
Go not, happy day
Night lies on the silent highways
A Dead Violet
Cradle Song
Lean close thy cheek
Fair Daffodils
Adoration
So perverse
Tears, idle tears
The Violets Blue
Come to me in my dreams
My pent-up tears oppress my brain
Music, when soft voices die
Far, far from each other
Where is it that our soul doth go?

Tracks:

All things that we clasp
Love is a rose
Dear, when I look into thine eyes
Isobel
O that it were so!
Strew no more red roses
Where she lies asleep
Love went a-riding
Thy hand in mine
So early in the morning
Mantle of Blue
The Last Invocation
When you are old and gray
Into her keeping
What shall I your true love tell?
'Tis but a week
Day after Day
Speak to me, my love!
Dweller in my deathless dreams
Goldenhair
Journey's End

Average customer rating:

MORTUARY MUSIC MADE FOR MOURNING!
MAUDLIN MUSIC FOR MORBID MOURNERS
THIS CD MAKES YOU THE LIFE OF THE FUNERAL!

Music For Dead Things
Dead Earnest
Manufacturer: Electric Lemon Record Company
ProductGroup: Music
Binding: Audio CD

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Transylvania

ASIN: B0006I7ER8
Release Date: 2004-11-09

Tracks:

Exhumation
Black Gardenias
Embalming Sonata
Fetid Fugue
The Walking Dead
Funeral March
Cemeterial Burial
Forever Dead?
Theme For Dead Earnest
Final Resting Place

Album Description

"MUSIC FOR DEAD THINGS" is REAL LIVE FUNERAL MUSIC! It's appropriately CREEPY, EERIE, and DEAD-RAISING! Great for your basic EXHUMATIONS, AUTOPSIES, and yes, even FUNERALS! Would make GREAT MORBID MONSTER MOVIE THEMES!!! Perfect for MONSTER RALLIES, GHOST SHOWS, and HAUNTED HOUSES! You're gonna DIG these DISTURBING DIRGES, and wonder why NOBODY ever thot of this BEFORE! Actually we DID, and everybody LAUGHED at us. Well, heh-heh, "they're" NOT laughing NOW!!!!! (Nobody will ever FIND "them" either! Not where THEY'RE buried!!!!!) LOWLY-ACCLAIMED DE-COMPOSER "DEAD EARNEST" plays like a vile wild child (often simultaneously!!) performing on his HAMMOND B-3 ORGAN, YAMAHA GRAND PIANO, and GRAVEYARD HARPSICHORD to make this BRAND-STRANGLING NEW "MUSIC" from ELECTRIC LEMON RECORD CO. "MUSIC FOR DEAD THINGS" is definitely something to listen to while you wait to get EMBALMED! De-compositions include EXHUMATION, BLACK GARDENIAS, EMBALMING SONATA, FETID FUGUE, THE WALKING! DEAD, FUNERAL MARCH, CEMETERIAL BURIAL, FOREVER DEAD?, the very hallucinogenic THEME FOR DEAD EARNEST, and frightfully-foreboding FINAL RESTING PLACE it's a SCREAM!) WARNING: Do NOT listen to this album in the dark or while taking a shower!

Customer Reviews:

MORTUARY MUSIC MADE FOR MOURNING!.......2005-01-13

This CD is not one to play in the dark. It is just plain creepy, and sounds exactly like what you hear down at the undertaker's parlor. It's a combination of weird stuff played on organ, piano, and harpsicord, by somebody who calls himself Dead Ernest, and he must be, because this music is like out of the cemetery. It's perfect for Halloween, haunted houses, or funeral services, and might be used for monster movie music themes. If you're looking for spook stuff, you found the right CD.

MAUDLIN MUSIC FOR MORBID MOURNERS.......2004-11-27

What we have here is just the sort of thing your neighborhood mortician might enjoy programming into his parlor. The stuff FUNERALS are made from, and just really creepy. Some of the music, like Black Gardenias, is really beautiful, yet morbid at the same time. Other things, like Cemeterial Burial or Theme for Dead Earnest, are right from a horror movie. Some of these compositions (er, DE-compositions!) are reminiscent of Dracula or Frankenstein title themes. "Dead Earnest" is credited as the musician on this CD who plays a Hammond organ, grand piano, and harpsichord. I think it's him on the CD cover, and if so, he is definitely DEAD. If you're into grave music, this is your cup of tana. I am, so it is. I VERY highly recommend Music For Dead Things. No doubt a lot of dead things will agree with me.

THIS CD MAKES YOU THE LIFE OF THE FUNERAL!.......2004-11-10

There's nothing "grateful" about this dead! Music for Dead Things is just that - slow, somber, spooky stuff to creep everybody out whether you're having a seance, a spook show, or a very laid-back funeral (is there any other kind?) Some of the music includes "Black Gardenias" - it starts out with the death march - "Theme for Dead Earnest" (the walking dead who supposedly plays all this stuff and is featured on the CD cover!), and "Cemeterial Burial", a perfect piece for any memorial service! If you're dead when you listen to this stuff it will raise you, and if you're not, when you hear "Fetid Fugue" or "Final Resting Place", you'll wish you were! Perfect for a dark and stormy night. The organ, grand piano, and musty old harpsichord set the mood. All you have to do is provide the casket & corpse!!!

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