| 1. Be With Me |
| 2. One of My Reasons Why |
| 3. She Will |
| 4. We Fell in Love Anyway |
| 5. Between a Rock and a Heartbreak |
| 6. No More Tears |
| 7. That Close |
| 8. Whatcha Gonna Do About Her |
| 9. From Now On |
| 10. Nothin' Like Love |
Be with Me,David Slater,Capitol,Contemporary Country,Country
Average customer rating:
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Mendelssohn: Elijah
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002XV31A Release Date: 2005-02-15 |
Tracks:
- Introduction: As God The Lord Of Israel Liveth
- Overture
- No.1 Help, Lord! Wilt Thou Quite Destroy Us?
- No.2: Lord! Bow Thine Ear To Our Prayer!
- No.3: Ye People, Rend Your Hearts
- No.4: If With All Your Hearts
- No.5: Yet Doth The Lord See It Not
- No.6: Elijah! Get Thee Hence
- No.7: For He Shall Give His Angels Charge Over Thee
- Recitative: Now Cherith's Brook Is Dried Up
- No.8: What Have I Do To Do With Thee?
- No.9: Blessed Are The Men Who Fear Him
- No.10: As God The Lord Of Sabaoth Liveth
- No.11: Baal, We Cry To Thee: Hear And Answer Us!
- No.12: Call Him Louder, For He Is A God!
- No.13: Call Him Louder! He Heareth Not!
- No.14: Lord God Of Abraham, Isaac And Israel!
- No.15: Cast Thy Burden Upon The Lord
- No.16: O Thou, Who Makest Thine Angels Spirits
- No.17: Is Not His Word Like A Fire?
- No.18: Woe Unto Them Who Forsake Him!
- No.19: O Man Of God, Help Thy People!
- No.20: Thanks Be To God!
Tracks:
- No.21: Hear Ye, Israel; Hear What The Lord Speaketh
- No.22: Be Not Afraid, Saith God The Lord
- No.23: The Lord Hath Exalted Thee
- No.24: Woe To Him, He Shall Perish
- No.25: Man Of God, Now Let My Words Be Precious
- No.26: It Is Enough; O Lord Now Take My Life
- No.27: See, Now He Sleepeth
- No.28: Lift Thine Eyes To The Mountains
- No.29: He, Watching Over Israel, Slumbers Not
- No.30: Arise, Elijah, For Thou Hast A Long Journey
- No.31: O Rest In The Lord
- No.32: He That Shall Endure To The End, Shall Be Saved
- No.33: Night Falleth Round Me, O Lord!
- No.34: Behold! God The Lord Passed By!
- No.35: Above Him Stood The Seraphim
- No.36: Go, Return Upon Thy Way
- No.37: For The Mountains Shall Depart
- No.38: Then Did Elijah The Prophet Break Forth
- No.39: Then Shall The Righteous Shine Forth
- No.40: Behold, God Hath Sent Elijah
- No.41: But The Lord, From The North Hath Raised One
- No.41a: O Come Everyone That Thirsteth
- No.42: And Then Shall Your Light Break Forth
Customer Reviews:
Wonderful, but not my first choice.......2007-04-07
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.
THE BEST recording of the BEST oratorio ever..........2006-08-15
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.
That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.
All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.
Too bad there are so few recordings of Elijah.......2006-07-03
Average customer rating:
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Hello, Dolly! (1964 Original Broadway Cast) (Deluxe Edition)
Jerry Herman , and Carol Channing Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000099SZ0 Release Date: 2003-06-03 |
Tracks:
- Prologue
- I Put My Hand In
- It Takes a Woman
- Put on Your Sunday Clothes
- Ribbons Down My Back
- Motherhood
- Dancing
- Before the Parade Passes By
- Elegance
- Hello, Dolly!
- It Only Takes a Moment
- So Long Dearie
- Finale
- I Put My Hand In [*] - Mary Martin
- Before the Parade Passes By [*] - Pearl Bailey
- Hello, Dolly! [*] - Pearl Bailey
- So Long Dearie [*] - Mary Martin
- Love, Look in My Window [*] - Ethel Merman
- World, Take Me Back [*] - Ethel Merman
- On Recording Hello, Dolly! [*] - Carol Channing
- When Did You Sense That Hello, Dolly! Would Be a Hit? [*] - Carol Channing
- On the Title Number [*] - Carol Channing
- "Dolly Changed Me..."; the Book [*] - Carol Channing
- Plot [*] - Carol Channing
- Optimism, And Finding One's Character [*] - Carol Channing
- Prime of Life [*] - Carol Channing
Amazon.com
Sitting in the balcony at the final preview of this 1964 Jerry Herman show, still very much in school and long before my career as a critic began, I knew somehow that I was witnessing theatrical history. Even as that callow youth, I was certain that Carol Channing had been born to play the role of Dolly Gallagher Levi, the meddling turn-of-the century New York widow who had been adapted from Thornton Wilder's straight play The Matchmaker. Channing has proved me right by playing the role ever since, of course, miraculously only improving with age. Beyond Dolly herself, however, the musical emitted a synergistic exuberance (at least five years before we used the word "synergy"). The supporting cast, including David Burns, Eileen Brennan, and Charles Nelson Reilly, were terrific. Herman's tunes and lyrics were sublimely crafted both to create their characters and stand alone. (The title song took on a life of its own.) The show's designers, librettist Michael Stewart and director Gower Champion, combined to transport the audience to 60 years earlier in little old New York. This wasn't all just my opinion: Hello, Dolly! won a record 10 Tonys. The original cast recording can still take you to that other time and place, even if you didn't see the original show. But, at the risk of offending my inner adolescent, the 1994 revival, naturally starring Channing, was even better--both on stage and on disc. --Robert WindelerCustomer Reviews:
Wonderful Soundtrack.......2007-06-27
DOLLY WILL NEVER GO AWAY.......2007-05-17
The excitement is there, but............2007-01-24
Goodbye, Dolly!.......2005-10-30
For starters, this is not the classic musical that afficianados would have you believe, nor is it Jerry Herman at his best (that honor goes to "Mame"). Rather, this is a fair to middling score with three socko numbers (title tune not included), three rather fine songs (title song included) and the rest either average or inadequate. "Put On Your Sunday Clothes" and "Before the Parade Passes By" are two of the most galvanizing songs ever written for the Broadway stage and no singer can detract from their euphoric energy (though Carol Channing tries -- more on that later). "So Long, Dearie", though slower in tempo than Barbra Streisand's definitve rendition, is a showstopping character song that's both clever and compelling. These three numbers are what gives "Dolly" it's class and they are three of the best things Herman ever wrote. Then we have "Dancing", "Elegance" and (gulp!) the by now overly familiar title song, each an accomplished tune that propels the plot with, well, elegance. The song "Hello, Dolly!" may now annoy as a Broadway warhorse, but it was as fresh as daffodils when it first premiered. The rest of the score, sadly, isn't up to these standards. "It Takes a Woman" and "It Only Takes a Moment" are indistinguished at best, and "Ribbons Down My Back" is downright annoying. Worse still, "I Put My Hand In" is a lackluster opener that pales in comparison to "Just Leave Everything to Me", its replacement in the movie and a bonifide Jerry Herman rouser. And "Motherhood" sounds like exactly what it was, a stage wait for the scenery to move in. Totally expendable.
The second problem here is that this may be the worst sung original cast recording in Broadway history. Charles Neslon Reilly's wobbly tenor struggles to maintain pitch, Eileen Brennan's stilted soprano sounds more like light operetta than musical comedy, and David Burns makes his movie counterpart, Walter Matthau, sound like Mario Lanza in comparision. Then there is Dolly, the incomprehensibly overrated Carol Channing. From her first froggy notes in "I Put My Hand In" you know it's going to be rough sledding and, sure enough, she croaks and screeches her way through one song after another, rendering most of what she sings unlistenable. Channing's voice is thin, harsh and completely unequalized throughout its range and she effectively saps all of the charm out of "...Sunday Clothes" and "Parade". By the time the recording has ended, you want to banish this CD to a deserted island. But wait, there's more! An almost unrecognizable Mary Martin starts the "extras" on this disc with a shock. Some of her last recordings, these "Dolly" numbers unfortunately display how Martin's once lovely instrument had deepened and thickened over the years. A full throttle but somewhat tremulous Ethel Merman fairs little better on some poorly recorded songs added to the show when she took over. These two giants actually make the songs Pearl Bailey does on this disc seem all the more astonishing. While arguably not as talented as Martin or Merman (although, in reconsidering this recording and her career, I think I'm entirely wrong in that observation), Bailey hits a home run on each of her renditions and her recording of the title song is absolutely definitive. Someone should quickly get the cast recording of her "Dolly" back in circulation. "She" and "we" deserve it.
The final problen here is a lengthy recent interview with Ms. Channing that has to be heard to be believed. Does she actually think we're buying the idea that she was doing high kicks in the studio while recording her songs? Please! She barely catches her breath between phrases. And her comparing her premonition that the show would be a hit to a passage in the bible is as laughable as it is sacriligious. Yes, she may have done the show over 5000 times, but she lucked into a classic without earning her own classic status. No wonder all she could do was repeat herself for the rest of her career. Stick with Streisand.
And I guess from the reviews of THIS review, disliking Channing is sacriligous. I better watch my back.
Toxically Corny!!!!.......2005-01-22
I've even asked people who DO like B'way what is the deal with her? I hear it's that she has charisma. OK, since when does charisma equal talent (I honestly believe they are NOT the same thing).
And I have even tried to listen to other musicals over the years, and I just CANNOT get the appeal of it on ANY level! I guess this is well-done as these things go (there is work involved), but I just CANNOT understand what the fuss is all about.
Signed,
One perplexed Owl.
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The 3 Tenors in Concert 1994
Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002IZE Release Date: 1994-08-30 |
Tracks:
- Le Cid: O Souverain, O Juge, O Pere
- Maravilla: Amor, Vida De Mi Vida
- Werther: Pourquoi Me Reveiller
- Spring Is Here: With a Song In My Heart
- Granada
- Non Ti Scordar Di Me
- 'A Tribute to Hollywood': My Way
- Tribute To Hollywood: Moon River
- Tribute To Hollywood: Because
- 'A Tribute to Hollywood': Singin' In the Rain
- Tu, Ca Nun Chiagne
- Pagliacci: Vesti la Giubba
- Turondat: Nessun Dorma!
- 'Around the World': America
- 'Around the World': All I Ask Of You
- 'Around the World': Funiculi, Funicula
- 'Around the World': Sous Les Ponts De Paris
- 'Around the World': Brazil
- 'Around the World': Be My Love
- 'Around the World': Marechiare
- 'Around the World': Lippen Schweigen
- 'Around the World': Santa Lucia Luntana
- 'Around the World': Those Were the Days
- 'Around the World': Te Quiero Dijiste
- 'Around the World': Torna A Surriento
- Encores: La Donna E Mobile
- Encores: Libiamo Ne' Lieti Calici
Amazon.com
It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience. Much of the fun and flavor of the concert is dependent on seeing the action, though, and without the visuals you notice flaws in the singing much more. Domingo comes off as the more solid performer, and his voice is in far better shape than the other two. But if you crave big, high, and loud--and you don't take your opera too seriously--you'll love this disc. --David VernierCustomer Reviews:
Un gran concierto.......2005-07-19
Give em a 3.5.......2004-01-25
This event, like the first one in Rome, has a magnificent setting but, like Rome, the show was marketed mainly to the American audience. They still include the dreadful "Maria" with the hilarious pronunciation and even added "With a Song In My Heart" (or, as Carreras is wont to sing, "Weeth a Soeeng een My Haht"). Though some may deride the choice of encores, they were almost perfect. The Three Tenors, despite their prior celebrity, are creations of our culture of entertainment in ways that Caruso could only dream about.
Synopsis: Carreras stands out, Domingo substitutes volume for quality and Pavarotti soars when he doesn't have to.
The Most Enjoyable Evening IN !!!!!!!!!!!.......2003-05-01
Hmmmm...........2002-04-21
Last Encore of songs missing off C.D........2002-02-06
Many thanks for your time,
With kind regards,
Pam Sargeant.
Average customer rating:
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Free
Chris Dodd , Fiona Pears , Anthony Chadney , Ben Crawley , Christopher Robson , and Raoul Platt Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002RUAAQ Release Date: 2004-10-05 |
Tracks:
- I Am The Day
- Stay With Me
- Voca Me
- A Song Of Enchantment
- Ave Verum
- Do Not Stand At My Grave
- When A Knight
- A New Heaven
- I Vow To Thee My Country
- Lament
- Twilight
- Be Still My Soul
- Adoramus
Amazon.com
English composer Robert Prizeman has taken a conventional English boy's choir--usually a haven for sweet songs and ecclesiastical renderings--and made them contemporary without selling out any of their intrinsic charm. Their stacked choral voices and lead sopranos, dressed up with electronica rhythms, synthesizers, and strings still sound like they could be coming from the church balcony, even while they exude an Enya-like appeal. While there are adaptations of Gregorian chants and Sibelius hymns, most of the songs are Prizeman originals based on those styles, with texts often drawn from Latin Liturgy. Except for the chilled romanticism of "Stay With Me," and the rhythm driven "Adoramus," whose chorus sounds like a Harry Potter incantation, few of the songs on Free have the anthemic pop appeal of "Salva Me" or "Vespera" from previous albums. Instead, Prizeman has opted for a more serene sound on Free, even with their first video from the disc, the yearning "I Am the Day." Some of it, like Prizeman's setting of a Walter de la Mare poem on "A Song of Enchantment," gets lugubrious. But most of Free floats on gentle soprano breezes, intrinsically innocent, even if the boys might be smoking cigarettes behind the altar. --John DilibertoCustomer Reviews:
HEAVENLY.......2007-06-19
Sweetest voices ever!.......2007-06-16
Awesome.......2007-01-04
Soothing and thought provoking.......2006-02-23
Pure Crystal.......2006-02-20
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066RO5 Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulleyCustomer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
Never Sounded Better.......2006-03-16
Somewhere Over The Rainbow.......2006-02-24
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
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City of Angels (1990 Original Broadway Cast)
Cy Coleman , David Zippel , James Naughton , and Randy Graff Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000272K Release Date: 1990-02-09 |
Tracks:
- Prologue-Theme From City Of Angels
- Double Talk
- What You Don't Know About Women
- You Gotta Look Out For Yourself
- The Buddy System
- With Every Breath I Take
- The Tennis Song
- Ev'rybody's Gotta Be Somewhere
- Lost And Found
- All You Have To Do Is Wait
- You're Nothing Without Me
- Stay With Me
- You Can Always Count On Me
- Alaura's Theme
- It Needs Work
- L.A. Blues
- With Every Breath I Take-Duet
- Funny
- I'm Nothing Without You
- Epilogue-Theme From City Of Angels
- Double Talk Walk
Amazon.com
Cy Coleman and David Zippel's City of Angels is a seductive depiction of 1940s Los Angeles, capturing swinging jazz, torchy ballads, witty lyrics, and even a Manhattan Transfer-like Greek chorus (arranged by ManTran guru Yaron Gershovsky). James Naughton and Gregg Edelman star as Stone and Stine, respectively a tough Raymond Chandleresque PI and the writer who dreams up his adventures. Randy Graff plays Stone's long-suffering secretary and Dee Hoty the requisite femme fatale. Loads of atmosphere and tasty songs such as "What You Don't Know About Women," "With Every Breath I Take," "You're Nothing Without Me," and "You Can Always Count on Me" make City of Angels a modern classic. It won 1990 Tony Awards for Best Musical, Leading Actor (Naughton), Featured Actress (Graff), Best Book (Larry Gelbart), and Best Original Score. --David HoriuchiCustomer Reviews:
Fun Show, Average Score.......2007-02-21
Cleverness personified.......2006-10-16
Fantastic Jazz Musical That's FUN!!!.......2006-04-14
3) What You Don't Know About Women
6) With Every Breath I Take (destined to be a classic)
9) Lost and Found (wonderful solo)
10) All You Have To Do Is Wait (FUN! FUN! FUN SONG!!! Hilarious as well)
11) You're Nothing Without Me
13) You Can Always Count On Me (Randy Graff's Tony!)
Great Jazz-Oriented Score.......2005-06-25
Double Talk
What You Don't Know About Women
With Every Breath I Take [beautiful song!]
Lost And Found
You're Nothing Without Me [the show's hit]
You Can Always Count On Me
Funny
Great cast ... great buy!
I love it!.......2005-02-22
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Funny Girl
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005V3WI Release Date: 2002-01-29 |
Tracks:
- Overture
- I'm The Greatest Star
- If A Girl Isn't Pretty
- Roller Skate Rag
- I'd Rather Be Blue Over You (Than Happy With Somebody Else)
- His Love Makes Me Beautiful
- People
- You Are Woman, I Am Man
- Don't Rain On My Parade
- Sadie, Sadie
- The Swan
- Funny Girl
- My Man
- Finale
Customer Reviews:
it doesn't get better than this............2007-07-18
How did the life story of Fanny Brice transfer to the screen, and on vinyl and CD? It was done with style, class and great humor. What's more, a wonderful score by Jule Styne did wonders in conveying the range of emotions, triumphs and successes that Brice experienced during the course of her career--this encompasses her formative years as a young performer, to her more "domesticated" years [if you can call them that!]. FUNNY GIRL was also a star-making vehicle for [then] twenty-one year old Barbra Streisand. The score includes the larger-than-life "I'm The Greatest Star," the hilarious "His Love Makes Me Beautiful," and one of Streisand's most recognized songs, "People." You will love this soundtrack, and I guarantee it will make you want to see the film afterwards. Though, as a little girl, I felt as though this music was filled with so much color and life already, I could SEE the film through hearing the songs. Brilliant and incomparable.
cd heaven.......2007-01-19
Nothing Rains on this Parade.......2007-01-04
Streisand in prime vocal condition.......2006-09-16
The film score of FUNNY GIRL does vary greatly from it's Broadway counterpart. The roles of Mrs Brice and Eddie Ryan don't get much to sing (with the deletion of "Who Taught Her Everything?" and "Find Yourself a Man"). Fanny's solo numbers "Who Are You Now?" and "The Music That Makes Me Dance" were abandoned in favour of numbers that the real Fanny was famous for ("I'd Rather Be Blue" and "My Man"). I believe the producers committed the cardinal sin with the deletion of "The Music That Makes Me Dance", a ballad far more memorable and moving than the show's big number "People" (and I know a lot of others feel the same way). Nevertheless, the film soundtrack of FUNNY GIRL is the perfect sonic representation of Streisand's greatest hour on celluloid.
I own the earlier Sony CD pressing (which is full of analogue hiss, reverb and noise), yet from what I hear about the more recent "remaster", the quality of the overall recording is virtually the same. Highly-recommended, but don't expect miracles with sound quality.
Needs more songs. Missing SECOND HAND ROSE........2006-08-08
unconfortable that important songs are MISSING. Can you
imagine SECOND HAND ROSE is missing, and Barbra sings it a little
different from the version she did in MY NAME IS BARBRA TV special. I also love the part where Barbra sings " Mr Anstein,
Mr. Arnstein, what a beautiful name". Those two sequences could be combined into a song. I also would have loved a little spoken
comedy in this soundtrack, such as Barbra as Baby Snooks scene,
where she meets the reporters and ends with "the name is Arnstein". Barbra is marvelous in this comedy scene. Barbra is
perfect as a stand-up comedienne, and she would be great
acting such a part in a film.
Barbra recorded the song PEOPLE countless times over the last
decades. Why was SECOND HAND ROSE left out of the soundtrack.
There is enough space on the Audio CD to include this song, as
well as additional ones. A few Bonus songs of Barbra singing
Fanny Brice songs that were considered but that were left out
of the film, would be most welcomed. Looking forward to the next
edition of this soundtrack. hoping that it will be the definite
edition. We Barbra Streisand fans deserve the best.
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Peace Like a River
James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell Manufacturer: Mormon Tabernacle ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00020H9W0 Release Date: 2004-06-22 |
Tracks:
- Sweet Peace
- Be Still, My Soul
- Peace Like a River
- All Things Bright and Beautiful
- Lord Is My Shepherd
- This Is My Father's World
- Wayfarin' Stranger
- Lord, Make Me an Instrument of Thy Peace
- Swing Low, Sweet Chariot
- Deep River
- Lamb
- Child's Prayer
- It Is Well With My Soul
- Count Your Blessings Instead of Sheep
- Gaelic Blessing
- Thou Gracious God, Whose Mercy Lends
- Come, Let Us Anew
Customer Reviews:
Beautiful.......2007-06-14
A few bright spots, but also some disappointments.......2007-01-19
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.
This CD Deserves SIX Stars!.......2005-11-05
every good adjective .......2005-08-06
Fabulous!.......2005-05-29
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Be Thou My Vision
Manufacturer: Collegium ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00030ES2S Release Date: 2004-10-01 |
Tracks:
- Be Thous My Vision
- Open thou mine eyes
- I will sing with the spirit
- A gaelic Blessing
- Wings of the morning
- O be Joyful in the Lord
- All things bright and beautiful
- I will lift up mine eyes
- As the bride groom to his chosen
- A prayer of Saint Patrick
- Loving Shepherd of thy sheep
- Look at the world
- O clap your hands
- The Lord is my light and my salvation
- Lord, make me an instrument of thy peace
- I believe in springtime
- God be in my head
- A Clare Benediction
- For thy beauty of the earth
- Thy perfect love
- The Lord bless you and keep you
Customer Reviews:
A Listening Treat .......2007-03-08
Be Thoy My Vision CD.......2007-02-19
Really good, but don't listen to it all at once........2007-01-07
A must for choral music fans.......2006-09-19
An outstanding collection of Rutter's hymns.......2005-11-22
This collection includes many of Rutter's church hymns recorded over a period of 20 years performed by The Cambridge Singers, a group of Brits, that are conducted by the composer. Ergo, these performances must be considered definitive.
Many of Rutter's popular hymns are included here. "O be joyful to the Lord" and "All things bright and beautiful", a popular children's hymn done here by adults, follow "Wings of the morning" on tracks 5-7. Others you may have performed in church represented here are "O clap your hands", "Lord make me an instrument of your peace", "For the beauty of the earth", "Look at the world" and "The Lord bless you and keep you" among the 21 assembled hymns.
While The Cambridge Singers, on their Web site, identify themselves principally as an a capella group, I was pleased when I received this CD to find all the hymns supported by a full orchestra, the esteemed City of London Sinfonia. The renditions are uniformly lovely although some listeners may find the singing a bit on the white side lacking brilliance and individuality. Everything is done in keeping with Rutter's score markings and style.
The recording tends to be a little variable given the 20-plus year difference in performances. The most recent copyright listing is 2003, the same year "Wings of the morning" was published. I don't hear an appreciable difference in that recording than the others but still hear some age in older works.
If you seek a Rutter hymn collection you can't go wrong here. You have wonderful English performers mated to the composer in his more popular works. I'd recommend this without reservation to anyone seeking this collection.
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Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta
Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003FQQ Release Date: 1994-08-16 |
Tracks:
- Song of the Vagabonds
- I'm Falling in Love With Someone
- Streets of New York
- Neapolitan Love Song
- Desert Song/One Alone
- Every Day Is Ladies' Day with Me
- Donkey Serenade
- Softly, As in a Morning Sunrise
- Drinking Song
- When You're Away
- I Love to Go Swimmin' With Wimmin
- I Might Be Your Once-In-A-While
- Marianne
- Serenade
- Indian Summer
- When I Grow Too Old to Dream
- Gypsy Love Song
- Golden Days - Jerry Hadley, Mario Lanza
Music Album:
- Best Female Country Hits of 2003 [Karaoke]
- Best of Boxcar Willie [Import]
- Best of Tony Joe White [Import]
- Big Bad John [Import]
- Big Chief Quetoos, Paiute Country Fiddle
- Big Ones: Greatest Hits V.1 [Import]
- Bluegrass Originals
- Country Collection [Box set]
- Country Collection: Donna & Lynn [Import]
- Country Greatest: EMI Years [Import]
