It's My Turn

1. Harlan

2. One Small Miracle

3. Writing's on the Wall

4. Bees in the Hive

5. Let Me Be Your Escort

6. Couch Potato [Instrumental]

7. Step into the Water

8. Beneath Still Waters

9. It's in My Mind to Wander

10. Hello Operator

11. Joan Henry

12. No Matter

Tracks:

A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
Nunsense: I Just Want To Be A Star - Christine Anderson
Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
The Madwoman Of Central Park: Better - Phyllis Newman
Greenwillow: Never Will I Marry - Anthony Perkins
Song Of Singapore: I Can't Remember - Loretta Swit & Company
Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
Tenderloin: Artificial Flowers - Patrick Wilson
State Fair: Driving At Night/Our State Fair - Company
Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
The Green Bird: O Foolish Heart - Company
Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
Snoopy!!!: Poor Sweet Baby - Pamela Myers
SeesawNobody Does It Like Me - Michele Lee
March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
Lunch: Perfectly Alone - Carol Burnett
3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
Godspell: All Good Gifts - Sal Sabella & Company
The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

A disappointment.......2001-12-15

There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.

Average customer rating:

Superhits: 1968 (Time Life Music)
Merrilee Rush and the Turnabouts , Mason Williams , Spanky and Our Gang , Marvin Gaye and Tammi Terrell , The Lettermen , The Vogues , Mama Cass , Classics IV , Bobby Goldsboro , and Sergio Mendes and Brasil '66
Manufacturer: Time Life Music
ProductGroup: Music
Binding: Audio CD
ASIN: B000SY01NE

Product Description

Song list: 1. A Beautiful Morning - The Rascals~~~2. Spooky - Classics IV~~~3. Light My Fire - Jose Feliciano~~~4. The Look of Love - Sergio Mendes and Brasil '66~~~5. Like to Get to Know You - Spanky and Our Gang~~~6. Classical Gas - Mason Williams~~~7. Angel of the Morning - Merrilee Rush and the Turnabouts~~~8. I Wish It Would Rain - The Temptations~~~9. Ain't Nothing Like the Real Thing - Marvin Gaye & Tammi Terrell~~~10. Do You Know the Way to San Jose - Dionne Warwick~~~11. Honey - Bobby Goldsboro~~~12. Hooked on a Feeling - B.J. Thomas~~~13. Stoned Soul Picnic - The 5th Dimension~~~14. Goin' Out of My Head/Can't Take My Eyes Off You - The Lettermen~~~15. Grazing in the Grass - Hugh Masakela~~~16. Turn Around, Look at Me - The Vogues~~~17. Wichita Lineman - Glen Campbell~~~18. (Theme from) Valley of the Dolls - Dionne Warwick~~~19. Dream a Little Dream of Me - Mama Cass~~~20. Abraham, Martin & John - Dion~~~21. I Heard It Through the Grapevine - Marvin Gaye~~~22. (Sittin' on) The Dock of the Bay - Otis Redding.

I've Suffered For My Art...Now It's Your Turn

Average customer rating:

Experience a Marshall Crenshaw concert!
Desperately disappointing
rockin' acoustic record
Alas, an Apt Title
Loses Something in the Translation

I've Suffered For My Art...Now It's Your Turn
Marshall Crenshaw
Manufacturer: King Biscuit Flower
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

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What's in the Bag?
#447
Life's Too Short
Miracle of Science
Marshall Crenshaw - Greatest Hits Acoustic

ASIN: B00005NW1S
Release Date: 2001-09-25

Tracks:

Television Light
Endless Sleep
Cynical Girl
Tell Me All About It
Better Back Off
Little Wild One (#5)
What Do You Dream Of
Dime A Dozen Guy
T.M.D.
Walk Away Renee
You're My Favorite Waste Of Time
Whenever You're On My Mind
There She Goes Again
Someday, Someway

Album Description

'I've Suffered for My Art...Now It's Your Turn' is the latest release from King Biscuit Flower Hour. Recorded live at the Stone Pony, Asbury Park NJ in February 2001, this CD features 14 tracks, including 'Someday, Someway', 'Television Light', 'You're My Favorite Waste Of Time' and more.

Customer Reviews:

Experience a Marshall Crenshaw concert!.......2005-10-08

It is just like being at the show. Great selection of songs with great monologue in between.

Desperately disappointing.......2005-03-21

After having been swept up by Marshall's electronically enhanced music, it was disappointing and disillusioning to hear it in the Muzak format. This is one album that should be passed over for the earlier renditions.

rockin' acoustic record.......2003-07-24

This is a great sampler for new fans, as well as a great addition to your Marshall Crenshaw collection. Super cross section of tunes. I love the talk in between songs, gives you a great sense of "being there." Much better production than other live disc, which is cut up and choppy. If your a fan- you gotta have this.

Alas, an Apt Title.......2003-01-06

Did he listen to these tapes before releasing them?

Marshall Crenshaw has an ear like no one else -- for the pop hook, the unforgettable guitar lick, the surprising chord change, the addictive chorus. His brilliant studio albums over the past 20 years haven't received anywhere near the notice they deserve. Nor have there been enough of them -- I guess that explains why so many of us snatch up anything he releases!

However, this one won't get a second listen. (Okay, maybe a second, but no THIRDS!)

The songs are great but pale in comparison to the studio originals. The playing and singing are sloppy and reveal nothing new. The sound and arrangements are surprisingly amateurish coming from someone with such meticulous studio standards (and amazing studio technique!) And shy guy that he is, the onstage patter is limited and predictable.

By all means, support this guy by buying his complete studio catalog - but you can safely skip this one.

Loses Something in the Translation.......2002-06-09

Marshall Creshaw is an outstanding musician. As such, he should understand that it is incumbent on the musican to take a few minutes to repurpose/rearrange a song for acoustic presentation. Many of these cleverly crafted electric pop songs just don't translate easily in an unplugged format. They are presented with the same vibe and tempo as they are when Crenshaw is backed by a full band.

Tracks:

This Merry Pleasant Spring
Woods, Rocks And Mountains
April Is In My Mistress' Face
No More Shall Meads Be Deck'd With Flow'rs
Lute Solo: The French King's Masque
Come My Celia
O Death, Rock Me Asleep
Where The Bee Sucks
Full Fathom Five
Come Away, Hecate
The Willow Song
Lute Solo: Alman, 'Hit And Take It'
Dear, Do Not Your Fair Beauty Wrong
Come Hither You That Love
Have You Seen But A White Lily Grow
I Must Complain
Nothing On Earth
Fain Would I Wed
Miserere, My Maker
O That Mine Eyes
Lite Solo: Alman
Care, Charming Sleep
Cupid Is Venus' Only Joy
O Let Us Howl
As Life What Is So Sweet
Turn, Turn Thy Beauteous Face Away!
Take, O Take Those Lips Away

Customer Reviews:

Too cool for some.......2005-02-22

Julianne Baird is breathtakingly good at what she does: intelligent, stylistically convincing, technically brilliant ornamentation, in a sweet, phenomenally accurate voice. I love it. Those not accustomed to this sort of thing, though, may find it lacking emotional immediacy. Consider also Kathleen Battle with some of the same material: not that she's better, but the appeal is more directly sensual rather than intellectual.

Ethereal and Hauntingly Beautiful.......2003-11-05

How could you go wrong with the clear seraph voice of Julianne Baird accompanied by the delicate skill of Ronn McFarlane on the Lute. Not only is the talent exceptional but the composed works of Lute music divine.

You listen to each song and are carried away to time/place devoid of any worry let alone any task other than to listen to Julianne and Ronn execute perfection. You truely feel part of the Elizabethan Court listening to this CD it is both beautiful and dark simutaneously.

Another fabulous feature to this CD is the simplicity of the recording of only lute and vocals with no special effects. To retain the warmth and purity of the composition it was recorded on location in 'The Troy Savings Bank Music Hall' in Upstate New York and is one of the finest acoustical settings in the world. Unlike modern pop music Lute music as written needs no manipulation or adjustment in the studio if executed by skilled artists and musicians in an acoustical atmosphere and this recording does exactly that.

Tracks:

It's A Typical Day
The Way To A Man's Heart
Love In A Home
Medley: Jubilation T. Cornpone / (What's Good For) General Bullmoose (Is Good For The U.S.A.)
Unnecessary Town
The Country's In The Very Best Of Hands
There's Room Enough For Us
Progress Is The Root Of All Evil
If I Had My Druthers
Oh Happy Day
Matrimonial Stomp
Namely You
Hello, Dolly!
Once Upon A Time
Somewhere
Sunrise, Sunset
Who Can I Turn To (When Nobody Needs Me)
A Quiet Thing
Make Someone Happy
What Kind Of Fool Am I?
Long Ago
The Sweetest Sounds
As Long As He Needs Me
Theme From "Golden Boy"

Album Description

The jaunty Gene DePaul score for the musical play "Lil' Abner" based on the comic strip by Al Capp is heard instrumentally - and it's quite a show! "Broadway Bouquet" from 1965 is an important part of the famed Faith "string" album series - perhaps the pinnacle of his rich string sound that spanned gorgeous melodies and counterlines across sections of the large orchestra. (Bill Halvorsen)

Album Description

Pianist Percy Faith, a pioneer of the Easy Listening genre, had a successful and lengthy career as the in-house conductor and arranger for Columbia Records. Faith was renowned for his musical interpretations of Broadway and motion picture music. These two reissues from Collectables on 1 CD were originally released in 1965. 24 tracks. 2003.

Customer Reviews:

It's not stereo.......2005-01-10

I bought this solely for "Once Upon a Time", and was dismayed that the CD is mono, not stereo. The quality of the recordings leaves much to be desired, as many of them lack the pristine quality I'm used to on a CD.

classic arrangements by the classic gentlemen ~ Percy Faith.......2004-02-16

Two albums from the Columbia Records people blending different decades "Li'l Abner" (originally released CL 955 in 1956) and "Broadway Bouquet" (originally released LS 9156 in 1965), sharing the unmistakable style of the "Percy Faith Touch" ~ you know in an instant you're in for the best of the best ~ Duke Ellington was so taken with Faith's arrangements, that he would give anything to be able to arrange in that fashion.

Let's begin with "IT'S A TYPICAL DAY" along with "LOVE IN A HOME", both from "Li'l Abner", wonderful opening counterparts and the stirring arrangements by Maestro Percy Faith ~ "JUBILATON T. CORNPONE", uplifting cue that will keep bouncing in your head for hours, maybe even days ~ "IF I HAD MY DRUTHERS", one of the forgettable tunes from the show ~ "NAMELY YOU", has to be the best and favorite song of the Johnny Mercer and Gene De Paul score ~ by the way, these two composers penned the lively screen musical "Seven Brides for Seven Brothers", both scores were sure winners from two talented songwriters, Percy Faith steps up to the podium and takes it to another level.

Now with "Broadway Bouquet", we have perfection within the realm of lush arranging, so flawless "HELLO, DOLLY!" (Jerry Herman), "ONCE UPON A TIME" (Adams/Strouse), "SOMEWHERE" (Sondheim/Bernstein), "SUNRISE, SUNSET/FIDDLER ON THE ROOF" (Harnick/Bock) (one of my all-time favorites, can't get enough of this score), "WHO CAN I TURN TO (WHEN NOBODY NEEDS ME)" (Bricusse/Newley), "A QUIET THING" (Ebb/Kander), "MAKE SOMEONE HAPPY" (Comden/Green/Styne), "WHAT KIND OF FOOL AM I?" (Bricusse/Newley) (two of the best songwriters in the business), "LONG AGO" (David Heneker), "THE SWEETEST SOUNDS" (Richard Rodgers) (his credit of compositions goes through the ceiling, will never be another like 'em), "AS LONG AS HE NEEDS ME" (Lionel Bart) (a wonderful classic that is still popular by today's standards), "THEME FROM "GOLDEN BOY" (Adams Strouse) (another team of composers that have made an impact on the Broadway scene) ~ an example of the "Percy Faith Touch", so effortless, you feel like you're floating on a cloud ~ falls into Percy's many albums of fabulous string arrangements, they grabbed the attention of the listener and wouldn't let go. Can't think of any other arranger/composer who left such a great legacy as this man!

Highly recommend to ALL fans of Percy Faith ~ thanks to Collectables for releasing this collection from the vaults of Columbia Records ~ so listeners sit back, relax and enjoy a small part of Maestro Percy Faith's fabulous career!

Customer Reviews:

great, great!!!.......2006-12-05

This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!

Average customer rating:

As usual, there's always a downside.
impressive
perhaps the furthest out of Kronos' recordings
Short stories greater than life
very inconsistent

Short Stories
Steven Mackey , Sofiya Gubaydulina , Pandit Pran Nath , Hank Dutt , David Harrington , Joan Jeanrenaud , John Sherba , I.F. Stone , Terry Riley , Krishna Bhatt , John Constant , and Kronos Quartet
Manufacturer: Â© 1993 Elektra Entertainment
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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Howl U.S.A.
Released: 1985-1995
White Man Sleeps
Rosa: The Death of a Composer
Night Prayers

ASIN: B000005J1X
Release Date: 1993-03-09

Tracks:

Digital
Spoonful
Spectre
Cat O' Nine Tails (Tex Avery Directs the Marquis de Sade)
Quartet Euphometric
Physical Property
Soliloquy from How It Happens (The Voice of I. F. Stone)
Quartet No. 2
Aba kee tayk hamaree (It is my turn, Oh Lord)

Customer Reviews:

As usual, there's always a downside........2005-12-07

If you like adventurous music then this is an excellent pick, 75 minutes of interesting sound effects and rhythms. But, as is often the case, there are no liner notes which, especially when listening to composers with whom one is unfamiliar, cheapens the offering. Borrow it from a library or buy it second hand. Maybe Kronos will eventually get the message.

impressive.......2003-12-10

but it also impresses me how new music could possibly survive without fabulous recording and explosive effects.

perhaps the furthest out of Kronos' recordings.......2001-04-26

SHORT STORIES is an outstanding collection of new music. "Digital" by Elliot Sharp is all percussion, presumably produced with violin, viola and cello. "Spoonful," the great Willie Dixon song, is arranged for strings much like "Purple Haze" before it. "Spectre," by John Oswald, probably best known for his electronic manipulations of the Grateful Dead, is a piece that starts out inaudibly, and then all of a sudden gathers into what sounds like a UFO taking off! Cowell's "Quartet Euphometric" is a short, lovely piece, the most conventional on the album.

And that leaves the 5 longer pieces, each one masterful in its own right, and adding to an amazing overall effect: 1) John Zorn's "Cat O' Nine Tails," in which he applies his quick change methodology to the string quartet to hilarious effect, 2) Steven Mackey's "Physical Property" for electric guitar and quartet, with stunning rhythms and textures, 3) Scott Johnson's "Soliloquy" featuring a tape of I.F. Stone, the radical journalist, who questions the persistence of barbarism and tribalism, and asks, "...is it necessary to repeat after 2,000 years all the things you people learned in Sunday school?! How -- how absent-minded -- how forgetful!", 4) Sofia Gubaidulina's "Quartet No. 2", which is sinuous and splendid -- Kronos have done their part to put her before the public -- and 5) Pandit Pran Nath's "Aba Kee Tayk Hamaree," with the voice of the North Indian master, and his disciple Terry Riley on tamboura, a reverent way to close, and the first chance for myself and many others, I'm sure, to hear him.

Of the Kronos releases I've heard, SHORT STORIES is the furthest out, with the least reference to the early 20th century, and the greatest risk-taking vis a vis the classical music establishment. It works! Fantastic!

Short stories greater than life.......2001-01-24

This is one absolutely brilliant collection of compositions, from the beginning to the end of this CD, offering 75 minutes of music. It starts with a vivid and pulsating Digital, continues with Willie Dixon's Spoonful, transformed here into some sort of avant-garde blues (!?) performed with an intensity of Jimi Hendrix. Cat O' Nine Tails, appropriately subtitled as "Tex Avery Directs the Marquis de Sade", is a graphic performance, and with its humor, witty references and brief genre zip-zapping throughout the piece it's characteristic for John Zorn. Steven Mackey plays electric guitar with the Kronos Quartet in his own energetic and exiting piece, Physical Property.

Scott Johnson's 13 minutes long Soliloquy makes me think that I have an advantage in not being a native English speaker because the sense of music of the foreign language always remains (at least to me it does). The inherent music in one's own mother tongue with all its melody, rhythm and texture usually goes unnoticed. By using the short edited parts, or "loops", of I.F. Stone's lecture I feel Kronos does exactly that: brings out the music of the English language and accentuates it with their own instrumental backing. It's a functional and artistically justified method, I feel, justified by the beauty of the composition and the text itself.

One of the highlights of the CD is certainly Sofia Gubaidulina's Quartet No. 2. It brings a sense of eeriness and menace, maintaining the suspense, not unlike some of impressive and disturbing compositions of Krzysztof Penderecki. It would certainly quality as "musica non grata" to the totalitarian Soviet regime of the former USSR, Gubaidulina's country of birth.

John Oswald's Spectre is an experience for itself. It is, simply, one of the most amazing, intense and breathtaking compositions I have ever heard. Like Cat O'Nine Tails, Physical Property and Soliloquy, it was written for Kronos Quartet. It was meticulously recorded in numerous but seamless layers of overdubs and in that sense it was really written for a huge string orchestra of, say, thousand string instruments all of which played by Kronos. It starts with sounds of the quartet's tuning-in out of which one single note is sustained. It sounds fragile and shallow at first but soon after subtly gains strength and depth. As its timbre becomes richer and richer, one gradually becomes aware of numerous other tones that co-exist with the first one, thousands of them, almost the same, but not quite. They start to interact, bumping into each other. And then... the pitch gets slightly higher, the sound constantly gains power in a mighty spiral, a tornado of sound that sucks you in and throws you out. Like a soul leaving the body, as in some Castaneda's novel. This is how I imagine shooting heroine must be like, as sometimes depicted in movies, where a little bit of blood is let into the syringe and then the mixture injected back. Musical Eros & Thanatos... One could say Spectre might be a musical metaphor for life itself, from birth to death with a promise of infinity or immortality.

It's the music like this, fresh and adventurous, that brings all deserved praise to the Kronos Quartet. Short stories? No. More like synopses for epic novels, greater than life.

very inconsistent.......2000-12-10

Like other Kronos releases, the music on one track will be fantastic, and on the next will be awful. I love Elliott Sharp's "Digital" (how he did that with a string quartet is beyond me), Henry Cowell's "Quartet Euphometric" and Stephen Mackey's "Physical Property." The Johnson, though, is tedious, and the Zorn piece is fantastically irritating and goes nowhere, and the Pandit Pran Nath is extremely boring. Oh well. Buy it if you can get it cheap.

Average customer rating:

The best ever version
The Golden Cast of D'Oyly Carte!
The Definitive Recording

Gilbert & Sullivan: Patience
Philip Potter , Kenneth Sandford , Mary Sansom , Jennifer Toye , and D'Oyly Carte Opera Company
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

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Gilbert & Sullivan: The Gondoliers

ASIN: B0000041VE
Release Date: 1989-07-21

Tracks:

Overture
Act One: Twenty love-sick maidens we
Act One: Still brooding on their mad infatuation
Act One: I cannot tell what this love may be
Act One: Twenty love-sick maidens we
Act One: The soldiers of our Queen
Act One: If you want a receipt for that popular mystery
Act One: In a doleful train two & two we walk all day
Act One: Twenty love-sick maidens we
Act One: When I first put this uniform on
Act One: Am I alone & unobserved?
Act One: If you're anxious for to shine
Act One: Long years ago-fourteen, maybe
Act One: Prithee, pretty maiden-prithee
Act One: Though to marry you
Act One: Let the merry cymbals sound
Act One: Now tell us, we pray you
Act One: Heart broken at my Patience's barbarity
Act One: Stay, we implore you, before our hopes are blighted
Act One: Your maidens hearts, ah, do steel

Tracks:

Act One: Come, walk up, and purchase with avidity
Act One: We've been thrown over, we're aware
Act One: And are you going a ticket to buy?
Act One: Hold! Stay your hand!
Act One: True love must single-hearted be
Act One: I hear the soft note of the echoing voice
Act One: But who is this, whose god-like grace
Act One: List Reginald, whilst I confess a love
Act Two: On such eyes as maidens cherish
Act Two: Sad is a woman's lot who, year by year
Act Two: Silvered is the raven hair
Act Two: Turn, oh turn in this direction
Act Two: A magnet hung in a hardware shop
Act Two: Love is a plaintive song
Act Two: So go to him & say to him
Act Two: It's clear that the mediaeval art
Act Two: If Saphir I choose to marry
Act Two: When I go out of the door
Act Two: I'm a Waterloo House young man
Act Two: After much debate internal, I on Lady Jane decide

Customer Reviews:

The best ever version.......2002-06-07

The wonderful cast transports you to the realms of Gilbert and Sullivan, to make you feel that you are experiencing a first night in 1881! John Reed, as Bunthorne, an aesthetic poet is superb, camp, subversive and a complete fraud. If anyone is not aware, the story of the opera is based upon the idiosyncracies of the Aesthetic movement in England of the 1880's and Gilbert used the public parodies of his friend Oscar Wilde as his major source. The rest of the cast, chorus and orchestra , under the long experienced 'Goddie' are superlative and make for one of the finest line-ups in D'Oyly Carte history. Revel and enjoy, for this is quite the best.

The Golden Cast of D'Oyly Carte!.......1999-04-13

My wish had always been to see John Reed and the D'Oyly Carte Company in a performance of Patience. My mother had done so, remarking that, 'You'd need patience to watch it', she was coloured in her opinion, since she wanted to see 'The Mikado', but had gotten the wrong tickets! The recording, made in 1961, is superb in every detail. You are with the cast, on stage, in the auditorium, it is such a 'live' performance. The dialogue is delivered exquisitely, whilst the singing is uniformerly of the highest standard. I recently portrayed 'Bunthorne' and throughout my performances, I felt that I was continuing the legacy of Gilbert and Sullivan. All the past history of performers were there. I feel that Patience is a magical Savoy Opera. Do not miss the opportunity to own such a definitive performance. Maybe the subject of the 'Art Nouveau' periodof Victorian England is dated, but as one critic has already stated, every generation 'throws up' its poseures, to be knocked. 'Ah, me! lack aday!' BUY IT!

The Definitive Recording.......1998-12-09

For those who prefer the traditional Savoyard renderings of the G&S canon, this is far and away the best recording of this parody of the cult of celebrity. John Reed leads the cast as a delightful Bunthorne, and the recording contains all of the opera's dialogue. "HMS Pinafore," "The Mikado," and "The Pirates of Penzance" may be better known, but "Patience" is deserving of a wider audience.

Average customer rating:

You Turn Me On

Manufacturer: Zutty Records
ProductGroup: Music
Binding: Audio CD
ASIN: B0009VD2LO

Product Description

Jill Zutty's third album. Exploring the mainstream genre with similar styles to Sheryl Crow, Tori Amos, Michelle Branch, and Matchbox 20. Jill is working with the National Foundation for Cancer Research (NFCR), and as an upcoming compilation CD with the National Breast Care Foundation. Her music can be heard in the US as well as overseas.

Average customer rating:

Debut from new, spunky, talented up-&-comers in bluegrass

It's My Turn
Michelle Nixon & Drive
Manufacturer: Pinecastle
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

General | Bluegrass | Country | Styles | Music
ASIN: B0000AGWOO
Release Date: 2003-08-19

Tracks:

Harlan
One Small Miracle
Writing's on the Wall
Bees in the Hive
Let Me Be Your Escort
Couch Potato [Instrumental]
Step into the Water
Beneath Still Waters
It's in My Mind to Wander
Hello Operator
Joan Henry
No Matter

Customer Reviews:

Debut from new, spunky, talented up-&-comers in bluegrass.......2003-08-20

For Michelle Nixon, bluegrass is a meaningful music that has remained real. She sings it because she loves it. Raised in rural Virginia, it wasn't long before Michelle was singing, at age 14, every weekend. She started a popular country group called Slate River. The Female Vocalist for Virginia then met Vernon Hughes and Clyde Bailey about 12 years ago at a bluegrass festival, and she has been singing, playing and writing bluegrass music ever since. With four recording projects under her belt, she's well on her way to achieving her goal of playing the Grand Ole Opry. While Michelle is on a fast track, the members of her band, Drive, are also putting on full steam ahead. Vernon Hughes, Jim Green, Justen Haynes, Eddie Shifflett, and Jason Davis all admit that balancing both personal and band goals can be a challenge, but the group seems focused on success.

"It's My Turn" is their new debut album. "That project is so special to me!" Nixon once told me. "I really love the songs on it. Working with Tom T. and Dixie Hall has been a dream come true. My band is without a doubt the best. I love these guys, and I am so proud of what we are doing and have done on this CD." The album opens with a spirited rendition of "Harlan," written by the Halls. "I especially like the way Michelle phrases some of the words like 'Kentucky,'" says Shifflett, "and 'mama's washin''. We always pick on her about her country accent." It's those little things that make this album down-home friendly and genuine. Another Tom T. and Dixie Hall song on the project is "Joan Henry," about John Henry's steeldriving daughter. The project includes a few of Michelle's originals, such as "Let Me Be Your Escort" and "No Matter." The former is a bluesy story of a soldier being taken to Heaven's pearly gates by an angel. The latter is a peppy song of lingering love, which Michelle wrote "after watching the expression of a close friend's face during a brief encounter with his ex-spouse." Another of Nixon's self-penned compositions, "The Writing's on the Wall," was inspired by her own personal experience. "My marriage license hangs on the wall in a pretty gold frame," Nixon told me. "It reminds me daily that nothing comes easy what is worth having." The Dallas Frazier country song, "Beneath Still Waters" is given a new sound. The instrumental, "Couch Potato," allows the band members to shine with some blazing instrumental breaks.

On the project, Hughes sings lead on "When the Bees are in the Hive," a traditional song whose earliest recorded version that I'm aware of dates back to the Skillet Lickers. "I have a lot of fun playing songs like the older songs that Vernon sings," says Jason Davis. "I like those songs that just groove." The gospel selection, "Step Into the Water" finds its way onto this new project. Vernon Hughes admits that he is "kinda partial to the older, smoother three-part harmony ballads, our gospel material especially and really fast instrumentals." Finally, the CD ends with an infectious rendition of "Hello Operator" that is sure to get your toes tappin'. According to Michelle, "This cut really DRIVES! Vocally and musically it's well executed and you can't help but love the classic Jimmy Martin ending. When it's over, it's over!"

While music is a large part of her life, Michelle Nixon also raises three children, owns a business (Hide-A-Way Hair Design), teaches Sunday School, and loves to camp, fish and play sports. Fortunately, this up-and-coming bluegrass band is doing what it takes to be successful. "We all have similar goals for our careers," explains Nixon. "You can only be as fast as your slowest person. You also need to let your fans and friends know how much you appreciate them being there with you. Without them, there would be no show. Be as personable as you can, but be genuine."

Because of the strong support of family, friends and fans that they are receiving, I expect Michelle Nixon and Drive to go a long ways with their music. If all goes well this year, they hope to be playing bluegrass on a full time basis real soon. "The music that Michelle Nixon and Drive play is powerful," stresses Eddie Shifflett. "The group has spunk and talent, especially Jason and Justen, our banjo and fiddle players. As for Michelle, all she has to do is open her mouth and the crowd is all hers. People just love her. She is a great vocalist and as for my opinion, she takes a back seat to none. She's the new bomb in bluegrass music so look out female vocalists, here she comes." Based on this album showcase, I expect them to go far and fast. We certainly could see Nixon on the Grand Ole Opry soon. The band is aptly named -- Drive is clearly what they have. (Joe Ross, staff writer, Bluegrass Now)

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