John Krondes - John Krondes is the son of the late veteran composer Jimmy Krondes. Jimmy Krondes was responsible for such standards as "The End" by Earl Grant, "Warm" by Johnny Mathis, and several others.
John Krondes is currently in the process of recording his first album. Through his campaign to make hit records, John has surrounded himself with some of the most talented musicians in the industry today. John met "The Jordanaires" by coincidence in Las Vegas recently, and Fatefully fell into a magical music making combination set to make music history. The Jordanaires are part of music history of this century in their own right. One by one, some of the biggest names in music began to join the team. John began to play with hit makers such as Drummers Steve Gadd, and Anton Fig, Guitar player Ira Siegel, Saxophonists Lanny Morgan and George Young, Trombonist Tom "Bones" Malone of the Blues Brothers Fame, and countless others.
The Jordanaires - The Jordanaires are famous the world over. The "Jordanaires" were the magical vocal group that sang with Elvis Presley on most of his many hit records since the early days of his career. The Jordanaires can be heard backing up Elvis on smash hits such as "Can't Help Falling In Love", "It's Now Or Never", "Are You Lonesome Tonight", "Return To Sender", "Don't Be Cruel", and several others. The divine vocal harmonies of The Jordanaires date back more than forty years, as The Jordanaires were heard singing with acts such as Eddie Arnold, long before Elvis ever started to shake.
The Lord works in strange ways, as this unlikely dynamic pool of talent has somehow found each other. The rest is history in the making as John Krondes has joined forces with the "Jordanaires" and the finest hit makers in the music business today.
Band Members: John Krondes: - Lead Vocal, Piano, Bass Guitar The Jordanaires: Vocals - (Gordon Stoker, Neal Matthews, Duane West, and Ray Walker) Steve Gadd - Drums Ira Siegel - Lead Guitar Tommy Dimanso - Guitar Featuring: The "All Night horns" and the "All Night" Orchestra
Product Description
"The End", The Official Theme Song for The End of the Twentieth Century, was originally recorded in 1959 by Earl Grant. Written by Jimmy Krondes and Sid Jacobson, "The End" to this day remains a big standard worldwide. This beautiful new arrangement is performed by John Krondes with The Jordanaires. Featuring a full orchestra and some of the most recognized musicians in the business, this new work promises enjoyment for generations to come.
Produced by John Krondes, this timeless new musical masterpiece was created to commemorate the people, the trials and tribulations, triumphs, calamities, and monumental moments of the last one hundred years.
As the story of the Twentieth Century comes to a close, you'll find it's all been told...but "The End" signifies a new beginning, a new time, a new world for peace, love and understanding for all mankind.
THE END,The Jordanaires,John Krondes,Funky Sound of America
Average customer rating:
|
Pirates Of The Caribbean: At World's End
Manufacturer: Walt Disney Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P0J02E Release Date: 2007-05-22 |
Tracks:
- Hoist the Colours
- Singapore
- At Wit's End
- Multiple Jacks
- Up Is Down
- I See Dead People In Boats
- The Brethren Court
- Parlay
- Calypso
- What Shall We Die For
- I Don't Think Now Is the Best Time
- One Day
- Drink Up Me Hearties
Amazon.com
The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth VincentelliCustomer Reviews:
Wow.......2007-07-17
Movie Soundtrack Review.......2007-07-16
Get on the freeway, roll down the windows and DRIVE!.......2007-07-16
If you gotta' travel the road to work, school, etc.
or you gotta' run errands or you are just in the
mood to GO -
Well, get in the car, get on the road, stick in this CD,
roll the windows all the way down, turn up the sound,
and DRIVE!
Have a ball!
AHOY!.......2007-07-14
Pirates Of The Caribbean:At World's End CD.......2007-07-13
Average customer rating:
|
An End Has a Start
Editors Manufacturer: Fader Label ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PUAZDW Release Date: 2007-07-17 |
Tracks:
- Smokers Outside The Hospital Doors
- An End Has A Start
- The Weight of The World
- Bones
- When Anger Shows
- The Racing Rats
- Push Your Head Towards The Air
- Escape The Nest
- Spiders
- Well Word Hand
Album Description
Following the debut release 'The Back Room', the English indie-rock band is back with their 2nd album. Their brand of sweeping indie rock is frequently compared to the sound of bands such as Interpol, Joy Division, Echo and the Bunnymen, Franz Ferdinand, Kitchens of Distinction, The Chameleons, Big Country and U2. 1st single: Smokers Outside The Hospital Doors. Sony/BMG. 2007.Customer Reviews:
Retreat! Retreat!.......2007-07-18
Much of the edginess, menace and urgency of "The Back Room" has been ditched in favor of a fuller, more anthemic (almost Coldplay-ish) sound and more blatantly mopey lyrics (running heavily to broken hearts/bones). More unfortunately, the catchiness quotient has gone down quite a bit, and the songs start to sound the same after a while. The album is heavily frontloaded and starts to run out of steam halfway through.
It's certainly not a bad album - I can truthfully say that I like it, but I really wanted to LOVE it. Despite some very good moments (basically tracks 1-4) and some nice soaring guitar work, much of the material is just not very memorable. I won't be shouting out these choruses with my friends like we do with most of the songs on "The Back Room". Still, I will keep listening to it and maybe it will grow on me, and I will be looking forward to their third album.
I would give this album 3-1/2 stars, but I can't bring myself to round it up to four. Overall, "An End Has A Start" is a disappointment for me. Sophomore slump? Yes indeedy.
By the way, I could apply much of the above commentary to Interpol's "Our Love To Admire", another decent but somewhat disappointing effort.
REACHING FOR A BIGGER SOUND (3.9 stars).......2007-07-17
Leading off with the first single, Smokers Outside the Hospital Doors, the record does in fact sound bigger. The single is a good starting point but it clocks in a bit too long and as some have pointed out, is a little too Coldplay-ish, but I find it still pretty good none-the-less. By the time the second track starts up, you can notice the step up in production. The production on the entire record is rich and full, with a rather large nod going to producer Jacknife Lee. Adding things like a stronger vocal mix for Tom, string sections, and even a choir attest to this bigger, fuller sound.
So how are the "tunes" though? In short, much like (their debut) The Back Room. About half of An End Has a Start can point to a "sister" tune off of the Back Room. Bones for example, is the new Munich while the pacing and sound of Escape the Nest is pretty much what is found on Camera or Fall. Similarities aside, a fan of Editors is going to love the new album. I somehow find it dynamic without it being as hook driven as their first release. There are a couple of forgettable songs on here, but the overall quality of production and songwriting far outweigh any shortcomings. It's a bit of a "grower" as they say, but over time, I'll be happy to mark the doorframe.
P.S.
Anyone thinking about the deluxe package of An End Has A Start, might want to pass unless they HAVE to have it, as it really doesn't have much to offer than an over-sized bound book type of package. There isn't any lyrics or extras photos or anything. Just an FYI.
Unfairly Criticized. .......2007-07-17
No sophomore slump!!.......2007-07-17
The sound isn't drastically different this time around, still gloomy and upbeat in the right places, with loads of piano, jangling and rippling guitar sounds. Lead singer Tom Smith has a rich, sonorous voice, which fits the songs perfectly.
This though is a bit more guitar driven with wider "stadium" sounds a-la Coldplay or U2. Perfect example is opening cut and lead off single, the stadium-esque "Smokers outside the hospital doors".
More upbeat is the title track "An end has a start" with fiercely pulsing guitars. My favourite track though is the lovely midtempo "Weight of the world" with lyrics pondering death, and lines like "Every little piece of your life/Will mean something to someone". Pensive, yet catchy!
"Bones" is a driving dance/rocker with a catchy guitar riff. "When anger shows" reminds me a wee bit of "Wires" by Athlete. "The racing rats" (full of nice jangly and wailing guitars) is a nice dance/rocker with lyrics like "If a plane were to fall from the sky/how big a hole would it leave/In the surface of the earth".
Lowering the tempo, there's the piano driven "Put your head towards the air" (which builds in intensity), "Escape the nest" (brilliant guitars), the simply stunning "Spiders", and closing piano epic, the melancholic "Well worn hand".
Look out for even bigger things from The Editors!!
Every little piece of your life .......2007-07-17
And while their second album "End Has A Start" sticks mostly to the same sound, the Birmingham band does try to embellish their music with more epic stylings and stronger lyrics. It's not brilliant, but it has the dark, moody stirrings of potential genius in the future -- and in the present, it's just a stirring listen.
"Pull the blindfold down/So your eyes can't see/Now run as fast as you can/Through this field of trees," Tom Smith intones over a bed of ringing guitar and solid piano-drums combos. "I can't shake this feeling I've got/My dirty hands, have I been in the wars?... We've all been changed/From what we were/Our broken parts/Left smashed off the floor."
Then they kick into a dancier melody with the title track, a sort of dirty disco sound about "You came on your own/And that's how you'll leave." But it rings more of a single than of the overall album, which explores darker corners: dark rippling guitar pop, high-speed rockers, a gentle piano finale, thudding sinuous rock, and soaring epic pop of the type bands like Snow Patrol do.
"End Has A Start" is not really an album for someone seeking novelty and originality, but for music that's loaded down with influence from other bands, played with passion. It isn't as immediately endearing as their debut, but as it winds on darkly through the different songs, it becomes more interesting and likable -- even powerful in moments.
Ringing, cycling guitar takes center stage in most of these songs -- almost every song is awash in silvery expanses of this sound, sometimes reaching epic heights. There are some exceptions, like "Bones," where the Editors twine some driving, spare riffs instead. And Ed Lay's solid drums set down solid beats, with the occasional interlude of piano or ripply synth blips.
Smith has a lovely voice, no doubt about it -- deep, resonant and smooth. And the songs he sings are more mature, more complex in their wording, and more bittersweet in their themes. "In the end all you can hope for/Is the love you felt to equal the pain you've gone through... Bones, starved of flesh/Surround your aching heart/Full of love."
Editors still lean on their influences too much, but they are growing strong in other areas. I wouldn't say it has reached brilliance yet, but their music is slowly growing up toward it.
Average customer rating:
|
At the End of Paths Taken
The Cowboy Junkies Manufacturer: Zoe Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVIXIW Release Date: 2007-04-17 |
Tracks:
- Brand New World
- Still Lost
- Cutting Board Blues
- Spiral Down
- My Little Basquiat
- Someday Soon
- Follower 2
- It Doesn't Really Matter Anyway
- Blues Eyed Saviour
- Mountain
- My Only Guarantee
Amazon.com
The Cowboy Junkies' gothic Americana takes a psychedelic hue on At the End of Paths Taken, replete with Beatlesque string sections and snarling, distorted guitar leads. It's an often epic album, exemplified by the opening track, "Brand New World," which starts off like a lament and ends with a triumph of surging strings. Atop it all sits singer Margo Timmins. She's the lover everyone wants, a voice that is at once world-weary and inviting, domineering and seductive. She's the perfect vehicle for writer and brother Michael Timmins--especially on an album that deals with adult themes--because if nothing else, Margo sounds like an adult, a woman who has experienced the world and life and things that maybe we shouldn't talk about. A mother's frustration never sounded as ominous and threatening as on "Cutting Board Blues." Sitting astride a buzzsaw guitar riff and a groove of doom, she talks about walking away from it all, leaving her cutting board behind. Many of the themes concern adulthood and children with a sense of despair about the world those children are entering on songs like "My Little Basquiat." There are moments of light and hope on At the End of Paths Taken, but overall it is a deliriously dark and brooding album. --John DilibertoAlbum Description
Despite its title, the new Cowboy Junkies album, At the End of Paths Taken, is as much about new beginnings as it is about endings. It is also about human connections, the struggle to sustain those connections over time, and the complexities that can arise even when those connections are maintained. It is, in other words, a classic Cowboy Junkies album - a suite of smart, richly textured songs that value subtlety over broad, generic strokes, songs that prize insight and casual revelations over easily digestible clichés. Family lies at the heart of the album's eleven songs, and, of course, that is appropriate, too. Three of the band's members - singer Margo Timmins; songwriter, producer and guitarist Michael Timmins; and drummer Peter Timmins - are siblings, and bassist Alan Anton has been a member since the group formed in Toronto in 1985. Few bands have lasted nearly as long with their original line-up intact, and fewer still have created as consistently satisfying a body of work.Customer Reviews:
The Junkies Just Improve With Age.......2007-06-21
Fantastic.......2007-05-02
Highlights of the album are Cutting Board Blues, My Little Basquiat, Follower 2, and It Doesn't Really Matter. The album reminds me of Open in some ways - a big departure in sound from their previous albums. I'd rank it up there with One Soul Now, which is my favourite album of theirs in the last decade (Caution Horses remains my personal favourite).
Buy the album - and don't forget to see the band live if they're coming to your neck of the woods (unfortunately no Texas dates yet - drat).
What a great CD..........2007-04-21
Same Talent, Different Direction.......2007-04-21
I have noticed these same changes in other artists' music as they have matured. In most cases, I have found these developments disappointing (Sting, Annie Lennox, Tori Amos, Peter Gabriel) as it seems like the angst and edge that originally drove these artists' creativity later gave way too something over-worked, something more science than art, something more benignly pleasant than engaging. In this case, however, I am not disappointed for the most part. Margo's hauntingly beautiful voice is still entrancing (although its changed a little too). The family themes are real rather than overly sentimental. The Cowboys still have some edge, as shown in Cutting Board Blues. And there's still some of that forlorn feeling of their earlier work in Spiral Down. It Doesn't Really Matter Anyway has a little of each and is a great song. Someday Soon didn't work for me at all, but maybe its just a matter of taste. Also, even though Mountain could be a great song, I don't like the rambling male voice in the background, its too distracting. And I wasn't hip on the kids' voices in My Only Guarantee, even though it would also be an otherwise great song. (Maybe these two songs waded into the "over worked" category just a bit).
Ultimately, while there are selected albums out there that I like better than any of the Cowboy Junkies albums that I have, I think the Cowboy Junkies could easily be characterized as consistently being the best band of the last three decades. They deserve more recognition than they have received in the U.S, but perhaps a lack of commercial success in the U.S. is part of what has kept them so great over the years. Also, Cowboy Junkies, if you read this - thank you for coming to Idaho to play. I never thought I'd get a chance to see you live and it was wonderful.
Average customer rating:
|
End of Silence
Red Manufacturer: Red Int / Red Ink ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000FIHJLU Release Date: 2006-06-13 |
Tracks:
- BREATHE INTO ME
- LET GO
- ALREADY OVER
- LOST
- PIECES
- BREAK ME DOWN
- WASTING TIME
- GAVE IT ALL AWAY
- HIDE
- ALREADY OVER, PT. 2
Album Description
Deriving from a variety of influences such as Muse, Chevelle, Blindside and Linkin Park, Red brings a unique blend of heavy guitars, intense string arrangements and dynamic vocals. They are quickly gaining fans with an exceedingly intense live show every bit as compelling as their debut cd. Already touring heavily in the mid-west and west coast, Red has quickly made many fans along the way. With over 20,000 friends on myspace, the band makes it a priority to write each and every fan back personally. Randy Armstrong says, "It is important that our fans see us as genuine guys who care." The songs on their debut release deal with the struggles that all humans face, while leading listeners to a place of redemption in the midst of the brokenness. Red hopes their music impacts people in a way that causes them to not feel alone in their struggles. Randy explains, "I hope that our music has a profound impact on people. You never know what people are dealing with in their every day lives, but I am willing to bet that at some point, we all have experienced the same feelings of anger, sadness, confusion, etc. Our music talks about a lot of those times that we have struggled dealing with those feelings and the situations that caused them. I hope our music makes them feel like they are not struggling alone." Produced by Dove nominated producer Rob Graves and mixed by Ben Grosse, End of Silence releases June 13th. The band will be touring with Day of Fire this spring then playing at many major festivals this summer and will continue to hit the road throughout the fall.Customer Reviews:
Awsome CD.......2007-07-16
Christian Rock SUCKS.......2007-06-21
Surprise, Surprise!.......2007-06-08
This is the second time this year that I went out on a limb and just bought some music that someone had recommended in their review of some other album (both of which were garbage albums from previously great bands).
This is the second time this year that I've been surprised at how good my "limb" decision music is (the other was Stage, which I've since decided is one of the greatest rock albums I've ever heard).
Although End of Silence is relatively short, it fills that time frame with great songs. The Already Over tracks are probably my favorite; they contrast each other perfectly with a mix of heavy riffs, piano, violin, and screaming/crooning lyrics that really set the tone for the whole CD.
The only negative that I found with the work, as a whole, was that RED seems a little short on variety, which could make the album a slightly predictable. It's certainly not redundant, though, and as they mature I'm sure they'll experiment with new sounds.
The Bottom Line: At 4.2 stars, it's a definite buy.
I love RED!.......2007-06-06
Surprise!!.......2007-05-28
Anyway, I bought this cd for the song Breathe Into Me (who didn't?), and I am very impressed with the rest of the cd. I was a little surprised for the "Christioan Rock" categorization, but there have been others that surprised me in this way as well. This bands vocals, guitars, percussions, pianos and strings are all VERY well done, and make every second of this production worth the listen. A bold piece, all the tracks here are the best one.
Average customer rating:
|
The Lord of the Rings: Fellowship of the Ring - The Complete Recordings
Howard Shore Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BNI90O Release Date: 2005-12-13 |
Tracks:
- Lord of the Rings: The Fellowship of the Ring/Prologue: One Ring ...
- Lord of the Rings: The Fellowship of the Ring/The Shire
- Lord of the Rings: The Fellowship of the Ring/Bag End (Featuring ...)
- Lord of the Rings: The Fellowship of the Ring/Very Old Friends
- Lord of the Rings: The Fellowship of the Ring/Flaming Red Hair
- Lord of the Rings: The Fellowship of the Ring/Farewell Dear Bilbo
- Lord of the Rings: The Fellowship of the Ring/Keep It Secret, Keep ...
- Lord of the Rings: The Fellowship of the Ring/A Conspiracy Unmasked
- Lord of the Rings: The Fellowship of the Ring/Three Is Company
- Lord of the Rings: The Fellowship of the Ring/The Passing of the Elves
- Lord of the Rings: The Fellowship of the Ring/Saruman the White
- Lord of the Rings: The Fellowship of the Ring/A Shortcut to Mushrooms
- Lord of the Rings: The Fellowship of the Ring/Strider
- Lord of the Rings: The Fellowship of the Ring/The Nazgul ...
Tracks:
- Lord of the Rings: The Fellowship of the Ring/Weathertop
- Lord of the Rings: The Fellowship of the Ring/The Caverns of Isengard
- Lord of the Rings: The Fellowship of the Ring/Give Up the Halfling
- Lord of the Rings: The Fellowship of the Ring/Orthanc
- Lord of the Rings: The Fellowship of the Ring/Rivendell
- Lord of the Rings: The Fellowship of the Ring/The Sword That Was ...
- Lord of the Rings: The Fellowship of the Ring/The Council of ...
- Lord of the Rings: The Fellowship of the Ring/The Great Eye
- Lord of the Rings: The Fellowship of the Ring/Gilraen's Memorial
- Lord of the Rings: The Fellowship of the Ring/The Pass of Caradhras
- Lord of the Rings: The Fellowship of the Ring/The Doors of Durin
- Lord of the Rings: The Fellowship of the Ring/Moria
- Lord of the Rings: The Fellowship of the Ring/Gollum
- Lord of the Rings: The Fellowship of the Ring/Balin's Tomb
Tracks:
- Khazad-Dum
- Caras Galadhon (featuring Lament for Gandalf, performed by Elizabeth Fraser)
- The Mirror of Galadriel
- The Fighting Uruk-hai
- Parth Galen
- The Departure of Boromir
- The Road Goes Ever On (part 1)
- May It Be (composed and performed by Enya)
- The Road Goes Ever On (part 2. featuring In Dreams, perfomed by Edward Ross)
- Lord of the Rings: The Fellowship of the Ring/Khazad-D
- Lord of the Rings: The Fellowship of the Ring/Caras Galadhon ...
- Lord of the Rings: The Fellowship of the Ring/The Mirror of Galadriel
- Lord of the Rings: The Fellowship of the Ring/The Fighting Uruk-Hai
- Lord of the Rings: The Fellowship of the Ring/Parth Galen
- Lord of the Rings: The Fellowship of the Ring/The Departure of Boromir
- Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
- Lord of the Rings: The Fellowship of the Ring/May It Be
- Lord of the Rings: The Fellowship of the Ring/The Road Goes Ever ...
Amazon.com
As fans of Peter Jackson's Lord of the Rings trilogy know, each film exists in two versions: the theatrical one and the extended one that appeared on DVD. This luxurious box set--which also comes with a detailed essay on the movie's musical themes--features the full extended score, so many cues not on the CDs of the individual movies are included. Granted, the majority of listeners will be perfectly happy with the shorter versions of the scores--it's a safe bet that most people can live without hearing, say, Ian McKellen's 35-second-long ditty "The Road Goes Ever On" at the beginning of "Bag End," or Viggo Mortensen's performance of his own composition, "The Song of Lúthien," within the track "The Nazgûl." But if you're a completist and/or a devotee of Howard Shore's pounding tympani and overwhelming choral compositions (featured particularly prominently on disc 3, a large chunk of which is devoted to a battle scene), then this set is a dream come true. Audiophiles should note that the fourth disc, a DVD, offers the score in Dolby Digital 5.1 Surround Sound. Fire up those speakers so the whole shire can hear. --Elisabeth VincentelliAlbum Description
An epic film score receives epic treatment with The Lord of the Rings: Fellowship of the Ring/Complete Recordings. Released for the first time on CD, the complete score for the first film in the Lord of the Rings trilogy contains more than 180 minutes of music on three CDs plus a DVD-Audio disc of the entire score in Surround Sound. Breathtaking and majestic, the 2001 Oscar and Grammy winning score compsted by Howard Shore also includes Enya's Oscar nominated "May It Be." For fans of any of The Lord of the Rings films, the Fellowship of the Ring/Complete Recordings is an essential experience.Customer Reviews:
Beautiful.......2007-06-15
Awesome.......2007-06-12
Excellent Music tracks from Movie.......2007-05-03
Complete?.......2007-04-07
Great Collection, Poor Packaging.......2007-04-03
My only complaint is the somewhat flimsy cardboard box that houses the contents of this musical treasure. Mine came damaged, and considering the price, I expected better packaging. This is a minor quabble on my part and NO, I havent returned it due to the fact that the music itself Is what I truly treasure, It just would have been nicer to have recieved it undamaged.
Music-5
Packaging-3
*for the record I had rated this Item 5 stars not the 3 stars that is showing at the top of my review*
Average customer rating:
|
Light at the End of the World
Erasure Manufacturer: Mute U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OLHGD4 Release Date: 2007-05-22 |
Tracks:
- Sunday Girl
- I Could Fall In Love With You
- Sucker For Love
- Storm In A Teacup
- Fly Away
- Golden Heart
- How My Eyes Adore You
- Darlene
- When A Lover Leaves You
- Glass Angel
Album Description
Recorded in Autumn 2006 in a converted home studio in Maine, LIGHT AT THE END OF THE WORLD is ERASURE'S return to pop form after 2006's critically-acclaimed acoustic album, UNION STREET. Features the single, "I Could Fall In Love With You". Andy Bell declares: "This album is to show people that our pop isn't finished... it's saying we can still do it, we can still write great songs".Customer Reviews:
Vintage Vince and Andy - Welcome Back Erasure!.......2007-05-31
More upbeat and peppy than "Nightbird" (which I also loved), "Light at the End of the World" sounds like a cross between "Cowboy" and "Wild!" to me -- with a little bit of "Chorus" and "I Say I Say I Say" thrown in for good measure. "Sucker For Love" sounds like an updated version of "La Gloria", and it's even more fun. "Sunday Girl" is a perfect synthpop masterpiece. "I Could Fall In Love With You" puts me in mind of "Don't Say Your Love Is Killing Me", and so it goes on with all Vince's vintage bleeps, buzzes, and knob-twiddling. By the way, if you've got quick ears, you'll also here echoes of "Always", "Treasure", "Snappy", "Crown of Thorns", and even "March On Down The Line". Listen closely! :)
It sounds like he's dusted off some of the old analog keyboards and sequencers, to great effect. Andy's vocals are in tip-top shape, only stretched a little on the deepest notes (like the notes he used to lose himself in so beautifully on "You Surround Me"). A fantastic album, and it couldn't come at a better time.
Welcome back, Erasure!
STOP! Stand there where you are...and DON'T buy this version of the CD!!!.......2007-05-23
Average customer rating:
|
Out Of Africa: Music From The Motion Picture Soundtrack
Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002O4X Release Date: 1990-10-25 |
Tracks:
- Main Title (I Had A Farm In Africa)
- I'm Better At Hello (Karen's Theme l)
- Have You Got A Story For Me
- Concerto For Clarinet and Orhestra
- Safari
- Karen's Journey - Siyawe (African Traditional)
- Flight Over Africa
- I Had A Compass From Denys (Karen's Theme II)
- Alone On The Farm
- Let The Rest Of The World Go By
- If I Know A Song Of Africa (Karen's Theme III)
- End Title (You Are Karen)
Amazon.com essential recording
The great irony of John Barry's Academy Award-winning score for Out of Africa (which also took the Oscar as Best Picture) is that it almost never was; director Sydney Pollack had originally envisioned the film with native African music, going as far as laying the indigenous score down as he was editing. But the weight of John Barry's arguments--not to mention his considerable track record and composing gifts--held sway, and the composer delivered on his intent: a lush, romantic masterpiece for the ages. --Jerry McCulleyCustomer Reviews:
Simply beautiful.......2007-01-11
CD has missing track.......2006-12-03
I was puzzled to learn that some time between my buying the LP record and the issuing of this CD, the track "The Music of Goodbye (love theme from Out of Africa)" was omitted. It's not that this song, sung by Melissa Manchester, is a must-have; it's more that it's sneaky to leave off tracks when you reissue a soundtrack in another format.
Disappointed.......2006-11-10
Worth Buying!.......2006-11-06
Great Album.......2006-11-04
Average customer rating:
|
The Low End Theory
A Tribe Called Quest Manufacturer: Jive ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000004X7 Release Date: 1991-09-24 |
Tracks:
- Excursions
- Buggin' Out
- Rap Promoter
- Butter
- Verses From The Abstract
- Show Business
- Vibes and Stuff
- The Infamous Date Rape
- Check The Rhime
- Everything Is Fair
- Jazz (We've Got)
- Skypager
- What?
- Scenario
Amazon.com essential recording
De La Soul are remembered as the premier Native Tongues posse, those rappers who got low-key, self-consciously thoughtful, and jazzy in the face of gangsta's hardcore threats. But A Tribe Called Quest may have been even stronger, especially on their excellent second album, the bass-thumping, heavily jazz-sampled The Low End Theory. According to the opening "Excursions," rapper Q-Tip's old man says the disc's jazz-rap "reminded him of bebop," and Q calls himself "prominent like Shakespeare." But if Charlie Parker had ever written poetic couplets and backed them with funky-drummer and Ron Carter-on-bass grooves this irresistible, he might have been as big as the Bard and Brother James combined. --David CantwellCustomer Reviews:
Easily a classic!.......2007-05-26
This is a must buy for any rap fan, just like Illmatic.
My Favorite Group of All-Time .......2007-02-14
So why the hell is A Tribe Called Quest so popular. In three words, "Beats, Rhymes, Life". This album is a consummate link between the jazz and hip hop generation showing that they originate from the same center, as displayed in the amazing "Excursions". It also displays the growth of a young and hungry Phife Dawg becoming a star lyricist rather than a sidekick in the shadows as exemplified in "Buggin' Out" and "Butter". "Show Business" is one of the greatest songs that attacks major labels which signs acts and crosses them over because they don't have respect for real hip hop. The videos for arguably the three greatest singles on any hip hop record, "Check The Rhime" "Jazz" and "Scenario" were so groundbreakingly fresh that their ideas are still being jacked by video makers todays. Who can forget Busta Rhymes breakthrough performance.
Overall, this album captures everything great about hip hop and what it used to be. I could quote lyrics on this album all day. I could rave about the creative use of sampling and chances Tribe took to risk ridicule or alienation. Tribe is popular because they were able to connect with their fanbase that so many bubblegum critics and so-called artists could never hold a candle to. So grab a Q-Tip and clean your ears out because "The Low-End Theory" is timeless music. As a poetic Q-Tip once said, "I love my young nation" - and it loves him back.
one of the worst groups ever.......2007-02-04
It's like Butter Baby!.......2006-11-14
Standout Tracks:
All of them.
Check it out!
This album provides some of Hip Hops intelligent rhythms and fun lyrics........2006-09-22
All through the album the beats are deep and the bass is funky without being overbearing. There are a few tracks that are less than superb, but the album is still great. "Buggin' Out," "Butter," "Rap Promoter," "Rhymes and Stuff," "Jazz," and "Scenario" are all perfect. All these tracks either have your heads nodding, hips shaking, and minds working. The way the music matches Q-tips rhymes flawlessly always astounds me and Phife's lyrics keep the beat going.
Q-Tip and Phife are two of the most skilled lyricists and MCs of all time, and their vocal contributions to Ali's beats do nothing but enhance them. This album stands out as their finest. For those who do not listen to hip hop, this would be an excellent choice for a "symbol" rap album. I know few who have failed to be satisfied, and most are mesmerized. As for rap fans, none should be allowed to call themselves a hip hop head if they do not already have this laying around your rack/desk/or shelf.
Average customer rating:
|
The End of History
Fionn Regan Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QFAG3K Release Date: 2007-07-10 |
Tracks:
- Be Good Or Be Gone
- The Underwood Typewriter
- Hunters Map
- Hey Rabbit
- Black Water Child
- Put a Penny In the Slot
- The Cowshed
- Snowy Atlas Mountains
- Noah (Ghost In a Sheet)
- The End Of History
- Abacus
- Bunker Or Basement
Amazon.com
Imagine a whimsical, sunnier Nick Drake. Or perhaps a young Donovan for the 21st century. With his lithe, limber, and conversational tenor complemented by the subtle virtuosity of his acoustic guitar, the Dublin troubadour sustains an engaging intimacy even when his material seems on the slight side (more precocious than profound). Though his childlike innocence extends to the hand-lettered lyrics in the CD booklet, he invokes the literary influence of Saul Bellow and Paul Auster on "Put a Penny in the Slot." Much of this self-produced release finds Regan playing solo (often with double-tracked harmonies), with the spare employment of strings, piano, and percussion making their use all the more striking. An unlisted bonus cut seems to channel the range of Jeff Buckley. --Don McLeeseAlbum Description
The community of musicians can be divided into two categories -- those who want to create and those who do so because they have no other choice. As he proves on his dauntingly mature, intriguingly nuanced Lost Highway debut, The End of History, singer-songwriter Fionn Regan clearly falls into the decidedly rarefied latter category.The soft-spoken 26-year-old coaxes an intoxicating array of emotion and detail into his fragile-yet-gripping songs -- a body of work that's already elicited comparisons to forebears as varied as Nick Drake for his guitar playing and to Woody Guthrie for his wordplay. It's easy to understand why, given the filigreed acoustic finger-picking and raw lyrical stance of songs like the cinematic "Be Good or Be Gone" the menacing "Snowy Atlas Mountains" or the allegorical "Hey Rabbit" with its social conscience, songs that paint intensely vivid pictures -- so vivid, in fact, that Regan hesitates to elaborate as to their deeper origins.
He keeps the frills to a minimum on the dozen-song collection, getting his point across with little more than voice, acoustic guitar and piano (most of The End of History's songs were captured in one or two takes) he never gives the idea that he's practicing minimalism for its own sake. That comes into particularly sharp focus when one hones in on his guitar playing, a beguiling brew of rhythmically sturdy finger-picking (the backbone of "Hunters Map") and (as on the twinkling "Abacus"), lissome passages in which every note resonates with crystalline clarity.
Customer Reviews:
God Bless Computer Generated Recommendations!!.......2007-07-18
What I discovered was an alluring, delicate and emotional piece - an incredible journey that you will want to share after your first listen (hence this review). Like other sites that recommend similar artists, Fionn is often grouped with the legends (Dylan, Drake, Cohen) and today's singer-songwriters like Conor Oberst, Elliott Smith(rip) and Damien Rice... but Fionn also seems to be his own musician and while there might be some influence in his music, the album is totally unique.
Fionn's lyricism and blending of melodies stand out on several tracks. While "Be Good or Be Gone" seems to be the flagship song with an amazingly unique video (check it out), other tracks like "Hunter's Map," "Snowy Atlas Mountains," and "Abacus" are phenomenal songs that you will never tire of.
To wrap it up... The End of History is a versatile album you can play when alone on a cold, snowy day but also the perfect album to play when having friends over for dinner. You'll never have to get up to skip over a track... and at the end of the day, isn't that what we all want?
Average customer rating:
|
Film Music Of Hans Zimmer
Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PAU032 Release Date: 2007-06-26 |
Tracks:
- Symphonic Suite
- Now We Are Free (Vocal Version)
- The Village - The City Of Prague Philharmonic Orchestra
- Main Title
- Chevaliers De Sangreal
- Kyrie For The Magdalene
- Las Vegas
- Main Theme
- Main Title
- Heart Of the Volunteer
- Suite
Tracks:
- Roll Tide
- Eternal Father, Strong To Save
- Restless Elephants
- Walking Talking Man
- Eptesicus
- Vide Cor Meum
- You're So Cool
- End Title
- Main Theme
- The Kraken
- Symphonic Suite
- Now We Are Free (Instrumental Version)
Customer Reviews:
All the Silva Zimmer tracks under one roof.......2007-06-27
There are plenty of new tracks here conducted by producer James Fitzpatrick (Crimson Tide, The Thin Red Line, Thelma & Louise, The Da Vinci Code, Green Card, Driving Miss Daisy, and Pirates of the Caribbean: Dead Man's Chest.)
Recycled tracks from previous Silva Screen CDs are:
Gladiator - Symphonic Suite - 2002's The Fantasy Album and 2005's EPICS
Gladitor - Now We Are Free (Vocal) - 2005's Epics
The Da Vinci Code - Kyrie for the Magdelene - 2006's Greatest Cinema Choral Classics
Rain Man - 1994's Music from the Films of Tom Cruise
Days of Thunder - 1994's Music from the Films of Tom Cruise
Pearl Harbor - 2004's Longest Day: Ultimate World War Themes
The Last Samurai - 2005's EPICS
Batman Begins - 2006's Comic Strip Heroes
Hannibal - 2001's Cinema Choral Classics III
The Rock - 1998's Hollywood Stars: Music from the Films of Sean Connery
Pirates of the Caribbean: Curse of the Black Pearl - 2005's EPICS
Gladitor - Now We Are Free (Instrumental) - 2004's Reel Chill
Highly recommended for fans who are not familiar with Hans Zimmer's music, or those who want to hear a different take on it.
Producer James Fitzpatrick states in the informative liner notes that "the orchestrators, arrangers and myself decided to go for a totally symphonic approach and treatment of the music : as if the music has been arranged for the concert hall....Other tracks are all essentially orchestral but with a few subtle synthetic additives, mostly in the "bottom end" and the percussion department."
Definitely worth a spin, and a welcome release to put all the Silva Zimmer tracks in one fine collection.
Edited to add: Mark Ayres provides (uncredited) additional keyboards and percussion on "The Rock".
"Essential Music of Hans Zimmer ... City of Prague ... Silva Screen Records".......2007-06-26
A list of the selections from the Hans Zimmer Film Score Book (in the order in which they appear)
Disc One:
1. Gladiator - Gladiator Suite
2. Gladiator - Now We Are Free (vocal)
3. The Thin Red Line - The Village
4. Thelma & Louise - Main Theme
5. The Da Vinci Code - Chevaliers De Sangreal
6. The Da Vinci Code - Kyrie For The Magdalene
7. Rain Man - Las Vegas
8. Rain Man - Main Theme
9. Days Of Thunder - Days Of Thunder
10.Pearl Harbor - Heart Of The Volunteer
11.The Last Samurai - The Last Samurai
Disc Two:
1. Crimson Tide - Roll Tide
2. Crimson Tide - Eternal Father, Strong To Slave
3. Green Card - Restless Elephants
4. Regarding Henry - Walking, Talking Man
5. Batman Begins - Eptesicus
6. Hannibal - Vide Cor Meum
7. True Romance - You're So Cool
8. Driving Miss Daisy - End Credits
9. The Rock - The Rock
10.Pirates Of The Caribbean: Dead Man's Chest - The Kraken
11.Pirates Of The Caribbean: The Curse Of The Black Pearl - Pirates Of The Caribbean: The Curse Of The Black Pearl
Bonus Track:
12.Gladiator - Now We Are Free (Instrumental version)
Arrangements & Orchestrations :
1. Nic Raine (Gladiator, Now We Are Free (with Gareth Williams)
2. Matt Hohensee (The Thin Red Line)
3. Gareth Williams (Now We Are Free (with Nick Raine), Thelma & Louise, Green Card, Driving Miss Daisy
4. Christopher Tin (The Da Vinci Code, Chevaliers De Sangreal, The Last Samurai, Pirates Of The Carribean - The Curse Of The Black Pearl
5. Richard Harvey : The Da Vinci Code & Kyrie For The Magdalene
6. Mark Ayres (arranger & performer) : Rain Man, Days Of Thunder, Regarding Henry, The Rock (arranger with Nic Raine)
7. Dominic Nunns : Crimson Tide, Pirates of The Caribbean : Dead Man's Chest
8. Adam Saunders : Batman Begins
9. Patrick Cassidy : Hannibal
10.Dan Head : True Romance
Additional Keyboards & Percussion on "Now We Are Free", "Thelma & Louise", "Chevalier de Sangreal", "Crimson Tide", "Green Card", "Driving Miss Daisy" & "The Kraken" by Gareth Williams
Silva Screen Records has brought film music to another level in soundtracks, flawless from the very first note to the last, pure perfection --- There is no other label I know of today that could come close to what they have done in film score/soundtrack albums --- All in all, this outstanding, fantastic and moving release with awesome material will have film music collectors crying for more!
Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Rick Clark and Gareth Williams (associate producers) a tremendous asset to every project they undertake --- and the label which made it all possible ... Silva America --- and of course HANS ZIMMER our featured composer.
Total Time: 107 mins on 2 CD's ~ SILCD 1238 ~ (6/26/2007)
Music Album:
