Old Guitar & Me [Import]

Product Description
Jenks 'tex' Carman was a True American Original. His Unique Style of Hillbilly Hula Music Would Never have Made a Dent in Nashville, but on the West Coast He was Embraced. Playing a Bizarre Style of Hawaiian Steel Guitar, with Little Sense of Timing, Tuning, Meter Or Rhythm, Jenks 'tex' Carman was on a Musical Island all of his Own. Jenks 'tex' Carman Brought Such Diverse Influences as Hawaiian Steel Guitar, Vaudeville, Cowboy Ballads, the 'punk' Attitude of Rockabilly and Acoustic Country Blues Together in an Act that was as Novel as it was Perverse. This is but One Half of the Complete Recordings that Carman Did for Sage and Sand Records in the Late 1950s

Old Guitar & Me,Jenks Tex Carman,Bear Family,Country,Country/Bluegrass

Average customer rating: A Man and His Art - Magnificently Captured What can you say - it's Segovia! EVERYBODY KNOWS Immortal guitar WOW

Art of Segovia Andres Segovia Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Segovia, Andrés | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | International | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Segovia, Andrés | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music Segovia, Andrés | ( S ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Essential Guitar: 33 Guitar Masterpieces The Segovia Collection 300 Years of Guitar Masterpieces The Best of Andrés Segovia: The Millennium Collection Spanish Guitar Music ASIN: B00006B66L Release Date: 2002-10-08

Tracks:

1. Andante
2. Andantino
3. Lento
4. Romance De Los Pinos
5. Madronos
6. Serenata Burlesca
7. Variations On A Theme From Mozart's 'The Magic Flute'
8. Mesto E Calmo
9. Theme, Variations & Finale
10. Cancion Mexicana No.X
11. Sevillana, Op.29
12. Sarabanda
13. Capriccio Diabolico, Op.85
14. Tonadilla For Guitar On The Name Of Andres Segovia
15. No.1 In E Minor
16. No.3 In A Minor
17. Guitarreo
18. Segovia, Op.29

Tracks:

1. If My Complaints
2. Now, O Now I Need Must Part
3. Sarabande
4. 1. Prelude (Transposed In D Major)
5. 4. Tempo Di Bourree
6. Courante
7. 3. Gavotte En Rondeau
8. Aria E Corrente
9. Moderato
10. Menuet In G Major
11. Andantino Variato
12. No.7 In A Major
13. 2. Canzonetta
14. 2. Quasi Lento (Preludio)
15. 1. Andantino Poco Allegretto (Allegretto)
16. 2. Il Vecchio Castello
17. Allegretto
18. Tres Calme Et Doucement Expressif
19. No.4 In E Flat Minor
20. 5. Asturias. Leyenda - Preludio
21. 7. Zambra Granadina
22. Estudio Sin Luz
23. Allegro Con Brio

Amazon.com

DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan Davis

Customer Reviews:

A Man and His Art - Magnificently Captured.......2007-04-06

This 2-CD set produced by Deutche Grammmophon and first released in 2002 is one set of the hundreds that could have been or the dozens that actually have been made and sold successfully all over the world. The exceptional feature of this particular collection is not, of course, the performer. Quite to the contrary, the miraculous consistency of stylings and performance are amongst the most remarkable aspects of the man who was, arguably, the 20th Centry's virtuoso supreme of the classical guitar, Andres Segovia (1893-1987.) Rather, it is the collection itself - the pieces chosen to be produced on this one set - this, to steal a German word, gestalt. While his style did not remain constant throughout his long life and career, by the time he had developed his most masterful skills that included doing his own arrangements - the era represented on this particular set (1951-1960) - his playing had become completely his own - unchallenged and unmatched by even other clearly great guitarists with whom he shared this era.

There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.

Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.

What can you say - it's Segovia!.......2007-02-10

I saw Segovia perform live in my youth. What a treat! Anyone who loves Classical Guitar should love this collection.

EVERYBODY KNOWS.......2007-01-13

EVERYBODY KNOWS THAT ANDRES SEGOVIA WAS/IS THE WORLD'S GREATEST CLASSICAL GUITAR PLAYER. THIS CD IS A COMPILATION OF HIS RECORDINGS FROM THE THE EARLY 50'S TO THE LATE 60'S. HIS GUITAR MASTERY IS UNQUESTIONED AND HE IS AN INSPIRATION. I WISH I COULD PLAY GUITAR LIKE ANDRES SEGOVIA (BUT I CAN'T AND I NEVER WILL!).

Immortal guitar.......2006-08-02

Two CD's with Segovia's immortal music - an incredible treat at a great price!

WOW.......2006-02-23

Even though there is hiss from the original analog recordings this one is a must. Segovia! What more can you say. Anyone who likes classical guitar will love this.

Average customer rating: A piece of heaven Great CD A bit of a yawn-er Exquisitely good music! Great Music!

Heartland: An Appalachian Anthology Manufacturer: Sony ProductGroup: Music Binding: Audio CD Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by O'Connor | O'Connor, Mark | ( O ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Country | Styles | Music Outlaw & Progressive Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Traditional | Bluegrass | Country | Styles | Music General | Contemporary Folk | Folk | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Appalachian Journey Short Trip Home Appalachia Waltz / Ma, Meyer, O'Connor Uncommon Ritual The Telluride Sessions ASIN: B00005KIZP Release Date: 2001-07-03

Tracks:

1. Short Trip Home
2. Johnny Has Gone For A Soldier
3. 1B
4. Appalachia Waltz
5. Soldier's Joy
6. Sliding Down
7. BT
8. Butterfly's Day Out
9. College Hornpipe
10. Fancy Stops and Goes
11. Old Tyme
12. Emily's Reel
13. Slumber My Darling
14. Death by Triple Fiddle
15. Amazing Grace
16. Song of the Liberty Bell (folk version)

Amazon.com

The likes of Yo-Yo Ma, Sam Bush, Edgar Meyer, Joshua Bell, and Mark O'Connor can be heard on Heartland, a compilation featuring the best tracks from Sony's ongoing Appalachian-themed series of CDs. Individually, these folk and classical stars have little in common, but when they meet to play these new bluegrass-meets-chamber-music arrangements, the results are pure magic. It's hard to pinpoint these Americana-tinged tunes--they could fit in either Carnegie Hall or a grange hall--but they're all great; this is as much Aaron Copland's version of roots music as it is Bill Monroe's. Whether on fast-and-furious breakdowns such as "Death by Triple Fiddle" or on mellow, almost New Agey instrumentals such as "Sliding Down" (featuring Bela Fleck on the banjo), these musicians excel. Guest vocals by James Taylor and Alison Krauss break up the instrumentals, though instrumental virtuosity is the real highlight of this disc. If you like what you hear on this sampler, check out the Grammy Award-winning Appalachian Journey next. --Jason Verlinde

Customer Reviews:

A piece of heaven.......2006-02-01

Heartland is a haven and a piece of heaven. I was transported.

Great CD.......2004-03-16

Great violin, appalachian music, brings out your country roots, beautiful song by Allison Krauss, good mix of slow and up beat songs, excellent cd!

A bit of a yawn-er.......2003-04-22

If you are planning to open up a high-end gift shop specializing in handcrafted wind chimes and micro-bakery scone mixes and the like, then you must have this CD playing for your customers. It might have a certain appeal there that it did not find in my living room. Not to say that the musicianship is not utterly outstanding, which it is most certainly. Aside from Short Trip Home, which is why I purchased this CD in the first place, I found the rest of the pieces somewhat vapid considering the caliber of the artists. Again, it has its appeal in an easy listening realm, but this was not what I was looking for.

Exquisitely good music!.......2002-05-04

Didn't expect an outstanding cd, don't know exactly why i got it,maybe because of yo yo and bela, but every piece is played
beautifully, even the vocal piece by James Taylor. The album is almost too good to be called Heartland, every piece is a class act. Bravo!

Great Music!.......2001-11-09

I drive alot commuting to and from my job. This music has served as the perfect backdrop to an lovely Indiana fall! I'm sure I'll recall those colorful images as I continue to listen to this CD through the colorless days of winter!

Average customer rating: Selection of Songs? If you are a violin lover, buy it This is "THE" Greatest Hits alum by Perlman This is a relaxing, however, somewhat disjointed collection.

Itzhak Perlman's Greatest Hits Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Duets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music General | Paganini, Niccolò | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sarasate | Sarasate, Pablo de | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Scherzo | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Perlman, Itzhak | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: Itzhak Perlman's Greatest Hits, Vol. 2 Cinema Serenade Concertos From My Childhood / Perlman, Foster Masters of the Bow Itzhak Perlman - A la carte / Lawrence Foster ASIN: B000002RZO Release Date: 1998-02-17

Tracks:

1. Salut D'amour, Op.12
2. Songs Without Words, Op.19: Sweet Remembrance
3. Humoresque
4. Berceuse, Op.16
5. Flight Of The Bumble-Bee
6. The Girl With The Flaxen Hair
7. The Swan
8. Cavatina, Op.85, No.3
9. The Old Folks At Home
10. Liebesfreud
11. Moto perpetuo, Op.11
12. Vocalise, Op.34, No.14
13. String Quartet Op.11, No.1: Andante cantabile
14. Songs My Mother Taught Me, Op.55, No.4
15. Guitarre, Op.45, No.2
16. Romance In A Major, Op.94, No.2
17. Nocturne In E Flat, Op.55, No.2
18. Zapateado, Op.23

Customer Reviews:

Selection of Songs?.......2006-07-02

Perlman is a man of extraordinary clarity and tonality also one of my favorite violinists. After I finish practicing a piece I usually find a recording to listen to different interpretations. Most of them are by Perlman and Heifetz. Unfortunately this album has some obscure songs and the songs itself do not do justice to Perlman what some other songs may have done. Still it is important to broaden the scope, so I would recommend this to all music connoisseurs :). btw i'm only 16 so...don't take this review too literal huh?

If you are a violin lover, buy it.......2003-01-19

It's beautiful. Simply put.

This is "THE" Greatest Hits alum by Perlman.......2000-12-03

Perlam is already a great player like the whole world knows. But the music selection couldn't better! I espacily like the piano accomplimant. Perlman pays the pieces with true style. The working realtionship between Perlman and the Pianist is truly incredible. Before geting any of Perlman's other greatest hits albums, get this one!

This is a relaxing, however, somewhat disjointed collection........1998-11-12

This collection of familiar tunes will provide a relaxing hour with one of the world's premier violinists. However, the combination of "The Old Folks at Home" and "Motto perpetuo" is somewhat difficult to assimilate. At any rate, Perlman is a listener's joy!

Average customer rating: Classic Songs Performed By One Of The Greats Of American Music The Best of Doc Watson Doc Watson Is a National Treasure Doc Watson is a fast guitar picker and bluegrass innovator! Doc Watson - A musician's musician

The Best Of Doc Watson 1964-1968 Doc Watson Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Old-Time Country | Traditional Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Appalachian | North America | International | Styles | Music General | Country | Indie Music | Stores | Music Bluegrass | Country | Indie Music | Stores | Music Traditional Country | Country | Indie Music | Stores | Music Traditional Folk | Folk | Indie Music | Stores | Music Similar Items: Sittin' Here Pickin' the Blues The Essential Doc Watson Doc Watson on Stage (Featuring Merle Watson) Trouble in Mind: Doc Watson Country Blues Collection The Three Pickers ASIN: B00000IIW2 Release Date: 1999-04-20

Tracks:

1. Muskrat
2. Country Blues
3. Rising Sun Blues
4. Tennesse Stud
5. Down In The Valley To Pray
6. Dill Pickle Rag
7. Otto Wood The Bandit
8. Windy And Warm
9. Little Sadie
10. Blue Railroad Train
11. Omie Wise
12. Intoxicated Rat
13. Tom Dooley
14. Alberta
15. Beaumont Rag
16. Shady Grove
17. My Rough And Rowdy Ways
18. The Train That Carried My Girl From Town
19. Black Mountain Rag
20. Grandfather's Clock
21. The Cyclone Of Ryecov
22. Doc's Guitar
23. Crawdad Hole

Amazon.com

Few musicians are as adept as Doc Watson is at making the remarkable seem routine. Song after song on this 23-track label retrospective demonstrates effortless flat-picking virtuosity. Listen to the fleet, precise picking on "Beaumont Rag," and you'll immediately recognize why the North Carolinian's skills are the envy of just about anyone who's ever tried to master folk guitar. Yet his plainspoken baritone vocals on "Tennessee Stud," "Shady Grove," "Little Sadie," and others speak of his devotion to his songs. Watson in his prime could play rings around just about any picker alive, but he's never gone in for hollow showboating. Culled from six of the nine albums Watson recorded for Vanguard between 1964 and 1971 (though the most recent inclusions here are from 1968), this album is a condensed alternative to the four-disc Vanguard Years box set. Four previously unreleased tunes add to the value of this worthy intro to an American master. --Steven Stolder

Customer Reviews:

Classic Songs Performed By One Of The Greats Of American Music.......2006-02-23

After being born blind in a small mountain town in North Carolina, Doc grew up playing guitar with local musicians. But it wasn't until 1960, at age 37, that Doc was "discovered" by folk music archivist, Ralph Rinzler and brought to play in New York City. Doc became a popular figure in the folk music scene of the early 60's and his legend has grown ever since. I used to go see him play at a small club in Black Mountain, North Carolina when I was attending a nearby school, Warren Wilson College, in the late 1980's.

This album is a treasure trove of American folk classics with Doc's distinctive voice and hot picking making for a beautiful and inimitable sound. A close listening to the words of these songs will show just how rich, profound and meaningful they truly are. There is none of the "corniness" often associated with some of the more commercialized folk music. But instead Doc belts out powerful tales of murder and mayhem, wild women and rebellious "rounders" off to get drunk and raise hell. Some of these songs almost remind me of Old Testament stories in their ability to use dark and sometimes lurid subject matter to convey the true meaning of the human condition. Of course, you also have straightforward gospel songs like "Down In The Valley To Pray" which offer redemption to all of us wayward sinners. All in all this is a beautiful record of extraordinary songs by one of the masters of American music - the great Doc Watson.

The Best of Doc Watson.......2006-01-29

Doc Watson is one amazing guitar picker, human being, and musician. I`ve been a fan of his for more than forty years.

Doc Watson Is a National Treasure.......2005-06-22

Arthel "Doc" Watson is perhaps the finest flatpick guitar player to ever pick up a guitar and this generous 23-track anthology goes a long way to support that claim. All tracks are taken from the six studio albums he recorded for Vanguard from 1964 through 1968.

I first heard Doc Watson on the Nitty Gritty Dirt Band's WILL THE CIRCLE BE UNBROKEN where he performed his signature song "Tennessee Stud," included here from his classic SOUTHBOUND album. While not as good a singer as he is a guitar player, there is an earthy quality to his vocals, which is especially effective on the a capella gospel number "Down in the Valley To Pray."

On many of these tracks, Watson is accompanied by his son Merle on second guitar. Listen to their delicate interplay on the instrumental "Dill Pickle Rag."

As an added bonus, the final four tracks are previously unreleased. First, is a solo performance of "Grandfather's Clock" with Watson accompanying himself on guitar and harmonica. Next is the Carter Family's tragic tale of "The Cyclone of Ryecov." Then there is the brief (1:23) guitar workout "Doc's Guitar." The final is the traditional "Crawdad Hole" performed live.

Doc Watson is one of our national treasures, and if you're looking for a solid introduction to his music, this is an excellent place to start. [Running Time - 65:55] VERY HIGHLY RECOMMENDED

Doc Watson is a fast guitar picker and bluegrass innovator!.......2001-03-08

As an impressionable teenager in the mid 1960s, I was one of the youngest members of the Seattle Folklore Society (the folks who later started the Northwest Folklife Festival). In those early days, they would rent small halls and bring in old black blues musicians like Rev. Gary Davis, Mance Lipscomb and Jesse Fuller, and relatively unknown folk musicians like Buffy Sainte Marie and Doc Watson.

Watson is an incredibly talented blind guitar and banjo picker from the Blue Ridge Mountains with a resonant voice. The night I saw Doc Watson, he was ushered to a lone chair at the center of a small stage, and within one or two songs, I felt like I was sitting at his kitchen table, as he sang songs from the mountains of North Carolina with a decidedly bluegrass flavor. At the time, I just knew he was one of the fastest flat-picking and fingerpicking guitarists around, who held the respect of anyone who had taken up the instrument in the Sixties.

What I didn't know then was that Watson is largely responsible for shifting bluegrass guitar from a supportive rhythm guitar role (so that fiddlers and banjo pickers could shine) to playing leads, which is standard practice these days.

Vanguard Records, the company that released these original 1960s era recordings, came out with this "Best of" album in the late 1990s, with over 65 minutes of tunes, many of which have become standards by other artists, like "Rising Sun Blues" (known to most of us as "The House of the Rising Sun," although with a different tune), "Tennessee Stud" (a great horse song), "Down in the Valley To Pray" (an inspiring white spiritual), "Tom Dooley" (quite different from the Kingston Trio version), "Alberta" (about a girl, not a province in Canada), "Black Mountain Rag" (still one of my favorite bluegrass guitar instrumentals, "Grandfather's Clock" ("...it stopped short, never to go again when the old man died"), "Doc's Guitar" (if only I could play half that fast), and "Crawdad Hole."

While a few cuts on this album are done with a bluegrass band, on most he is alone, or with one other guitarist (including his late son, Merle). On these more intimate cuts it still feels like he's sitting at his kitchen table playing just for me (or you, if you get this CD). If you like bluegrass, or simply some of the best acoustic guitar ever recorded, this is highly recommended!

Doc Watson - A musician's musician.......2000-10-07

As a bluegrass musician myself, as well as a choral singer my tastes range from Baroque to Folk and classic Rock. In that wide disparity, if I had to count the five finest musicians I know, Doc would be a must in the group. Real musicians love fine music, regardless of the genre, and Doc's clean, crisp delivery - both vocal and (of course, mainly) playing is literally without peer. Doc's finest are so enjoyable that I can listen to them over and over. I never hesitate to 'turn on' another music lover to Doc; indeed I spent a pleasant half hour one day introducing Maestro Leroy Kromm, director of the San Jose Symphonic Choir, to Doc's fine work. Leroy agreed with me that here was a pearl among masters.

Average customer rating: THE MOST INCREDIBLE BOX-SET I HAVE EVER BOUGHT! a must for johnny cash fans. great purchase More than a boxed set Ship spoiled for a hap'worth of tar

Unearthed Johnny Cash Manufacturer: Lost Highway ProductGroup: Music Binding: Audio CD Cowboy | Country | Styles | Music General | Country | Styles | Music Old-Time Country | Traditional Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music Traditional Folk | Folk | Styles | Music Country Gospel | Christian & Gospel | Styles | Music General | Opera & Vocal | Styles | Music General | Rock | Styles | Music Rockabilly | Oldies & Retro | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Country | Box Sets | Stores | Music General | Rock | Box Sets | Stores | Music Classic Rock | Box Sets | Stores | Music Similar Items: American III: Solitary Man Unchained American Recordings American V: A Hundred Highways Personal File ASIN: B0000TLA9Q Release Date: 2003-11-25

Tracks:

1. Long Black Veil
2. Flesh & Blood
3. Just The Other Side
4. If I Give My Soul
5. Understand Your Man
6. Banks Of The Ohio
7. Two Timing Woman
8. The Caretaker (fka Who's Gonna Cry)
9. Chunk Of Coal
10. I'm Going To Memphis
11. Breaking Bread
12. Waiting For A Train
13. Casey
14. No Earthly Good
15. The Fourth Man In The Fire
16. Dark As A Dungeon
17. Book Review
18. Down There By The Train

Tracks:

1. Pochohantas
2. I'm A Drifter (Version 1, Heartbreaker version)
3. Trouble In Mind
4. Down The Line
5. I'm Movin' On
6. As Long As
7. Heart Of Gold
8. The Running Kind (with Tom Petty)
9. Everybody's trying To Be My Baby (with Carl Perkins)
10. Brown-Eyed Handsome Man (with Carl Perkins)
11. T Is For Texas
12. Devil's Right Hand
13. I'm A Drifter (Version 2 Flea version)
14. Like A Soldier with Willie Nelson
15. Drive On (Alt Lyrics)
16. Bird On A Wire (Live with orchestra)

Tracks:

1. Singer Of Songs
2. The L & N Don't Stop Here Anymore
3. Redemption Song (with Joe Strummer)
4. Father & Son (with Fiona Apple)
5. Chattanooga Sugarbabe
6. He Stopped Loving Her Today
7. Hard Times
8. Wichita Lineman
9. Cindy (with Nick Cave)
10. Big Iron
11. Salty Dog
12. Gentle On My Mind
13. You Are My Sunshine
14. You'll Never Walk Alone
15. The Man Comes Around (Alt take)

Tracks:

1. Never Grow Old
2. I Shall Not Be Moved
3. I Am A Pilgrim
4. Doo Lord
5. When The Roll
6. If We Never Meet Again This Side Of Heaven
7. I'll Fly Away
8. Where The Soul Of Man Never Dies
9. Let The Lower Lights Be Burning
10. When He Reached Down
11. In The Sweet Bye And Bye
12. I'm Bound For The Promised Land
13. In The Garden
14. Softly & Tenderly
15. Just As I Am

Tracks:

1. Delia's Gone
2. Bird On A Wire
3. Thirteen
4. Rowboat
5. The One Rose
6. Rusty Cage
7. Southern Accents
8. Mercy Seat
9. Solitary Man
10. Wayfaring Stranger
11. One
12. Hung My Head
13. The Man Comes Around
14. We'll Meet Again
15. Hurt

Amazon.com

Over the course of five mesmerizing CDs, Unearthed shows us just how Johnny Cash's now-legendary handful of recordings for American Records came to be. Four discs feature previously unreleased tracks from the famed Rick Rubin-produced sessions. Through their inconsistencies and quirks (and, more often than not, brilliance), they shed light on how Cash's final records were shaped, edited, and produced. Here we get some creative pairings: Fiona Apple providing guest vocals on Cat Stevens' "Father & Son," and the late Joe Strummer duetting with Cash on Bob Marley's "Redemption Song." Neither are the definitive statements that some of Cash's covers from this period are (his glorious takes on Nick Lowe and Danzig, to name just two), but they're still very much worth hearing. Most riveting are the numerous traditional numbers, the songs that were clearly closest to the Man in Black's heart. "Banks of the Ohio," Billy Joe Shaver's "Old Chunk of Coal," Stephen Foster's "Hard Times," and the entire disc of previously unreleased gospel tunes are powerful statements, tunes where you feel privileged to hear Cash--despite declining health and failing voice--sing one more time, the way he wanted. The last disc of this monumental set is a "best-of" compilation of tracks that did make it on the American individual discs, a reminder of just how groundbreaking these sessions were. Perhaps the biggest highlight in this awe-inspiring set is its vast liner notes, a loving collection of essays and recollections that highlight the history and stories behind this eclectic array of songs. --Jason Verlinde

Album Description

Not just your average box set of re-packaged music, 'Unearthed' is a 5 CD box containing 79 tracks from the American Recordings era. 'Unearthed' contains 4 entire discs of never-before-heard recordings. 'Unearthed' also contains 'My Mothers Hymn Book' a complete never released solo acoustic spiritual album. Deluxe packaging includes 104 page hard cover book, never before seen photo's and Johnny's personal comments, thoughts and memories about every song on the box. Lost Highway. 2003.

Customer Reviews:

THE MOST INCREDIBLE BOX-SET I HAVE EVER BOUGHT!.......2007-04-25

One thing you need to do is buy this box-set and the next thing you need to do is listen to it and be absolutely astound with the lyrics and just how great this collection this is. You will NOT be disappointed. I guarantee it!

a must for johnny cash fans........2007-03-29

i personally believe that you should have everything that johnny cash recorded with rick rubin. together they made stunning americana music that is a pinnacle of the genre. this box set is very, very wonderful. i would suggest that you first get the 5 individual volumes of mr cash's "american recordings," then pick this up as icing on the cake. the only reason that i don't think this to be quite 5 star worthy is that disc 4 is an all gospel set titled "my mother's hymn book," which, while still a very good listen, is not quite up to par with the other cash/rubin work. also, disc 5 is simply a collection of tracks from the previous american recordings releases and is completely pointless here, as all true cash fans will already have these. anyway, the voice of mr cash is an amazing instrument to hear, truly spine-tingling on many of the songs collected here, and i highly, highly recommend that you pick this massive gathering of performances up.

great purchase.......2007-02-12

I received the boxed CD set quickly and in great condition. I'm very satisfied with this purchase.

More than a boxed set.......2007-02-07

Several other reviewers went into great detail on each CD in this set, and I see no need to duplicate their comments, so I'll keep it as brief as possible.

I assume, if you're reading these reviews, you're familiar with Cash's albums on the American label and are interested in hearing more. If that's the case, definitely buy this set - it is very much worth the money. Other than the final "best of American" CD (which seems pointless, as others have mentioned), every CD in this set is simply outstanding. This is not a box set of rejects and b-sides, but a collection of songs that could have been award-winners on their own. It really is hard to believe some of these songs didn't make the cut when they put the original American albums together. It's even hard to recognize some of the covers, because they all sound like Cash originals. His passion, distinctiveness, and talent are evident on just about every song.

Beyond the beauty of Cash as an artist, these discs stand out because of the incredible sound. They are very clean, clear, and pure-sounding.

For any fan of Cash - long time listener or newcomer - this is a set well worth the price. It contains a little bit of something reminiscent of every stage of his career. Simply great.

Ship spoiled for a hap'worth of tar.......2006-08-30

This box set is nearly five star- nearly, but not quite. I have to agree with other reviewers about the fifth disc; it's unlikely that many are purchasing this without already owning the American Recordings, so the 'best of' fifth disc is bound to mean buying the same music for the second time. The packaging is so good that it's a real shame that it's let down by careless, sloppy, disrespectful typos (e.g. 'Roseanne' is spelled three different ways). It's just as easy to get it right- and at this price it's fair to expect that the Lost Highway Label should have taken a little time and professional pride, just like Johnny did.

Average customer rating: L O G short review... great cd Very satisfied! Eclectic songs that are as sure to become as classic & influential as J.D. Crowe's seminal works Very Good Stuff!

Lefty's Old Guitar J.D. Crowe & the New South Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD General | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music Traditional | Bluegrass | Country | Styles | Music General | Jazz | Styles | Music Rounder Records | Specialty Stores | Music Similar Items: Life in a Song More Behind the Picture Than the Wall Long List of Heartaches Slidin' Home Blind Man Walking ASIN: B000FKO5E2 Release Date: 2006-10-10

Tracks:

1. Mississippi River Raft
2. Left's Old Guitar
3. Just Loving You
4. Rovin' Gambler
5. In My Next Life
6. You Can Be A Millionaire With Me
7. I Only Wish You Knew
8. Loneliness
9. I'm A Hobo
10. Too Often Left Alone
11. Blue Bonnet Lane
12. She Knows When You're On My Mind Again

Amazon.com

At the age of 69, J.D. Crowe enters his fifth decade of recording surveying the past and the present--and seeing nothing but pure bluegrass. Even when employing nonstandard instruments like pedal steel (played by Nashville genius Doug Jernigan) or breaking the rules of Scrugg-style banjo all over again, Crowe continues to draw on the sound and style that made the first New South album (Rounder 0044) a landmark. The low- and high-tenor blend of Rickey Wasson and Dwight McCall echoes the classic harmonies of Tony Rice and Ricky Skaggs, and the instrumental brilliance is always subordinate to good songs--contemporary in feel yet indebted to an honest, rural-based lyricism and durable, flexible old-time traditions. The band rocks through the public domain "Roving Gambler," jumps freights nimbly on "I'm a Hobo," and then subverts the myths on "In My Next Life," a devastating portrait of rural, working life and dreams. Cindy Walker's chestnut "Blue Bonnet Lane" is a showcase for McCall's sugary-smooth high lead singing and, of course, Crowe's wicked little banjo fills, while the title track, a highlight of New South live sets for years, is especially welcome. The album's only stumble is "You Can Be a Millionaire with Me," which makes an unfortunate equation between capital accumulation and soul salvation. Ultimately, music this rich doesn't need saving. --Roy Kasten

Customer Reviews:

L O G short review..........2007-04-07

Good stuff from JD and his band, now with acoustic bass. Also has some nice steel (Doug Jernigan) that bluegrass purists probably won't like but its only on two songs, deal with it. As usual, JD's backup work is exemplary and Ron Stewart plays nice fiddle. If you like semi-traditional bluegrass, you won't be disappointed with this CD. Erik The Pope recommends it!

great cd.......2007-02-08

This was for my husband,he thinks it is great.The performance of the music,the price,and on time delivery was great.

Very satisfied!.......2007-01-18

I heard only one cut on the radio & decided to take a chance on this CD - a gift purchase for someone who is very very much into this genre music. He said the CD was great & lent it to me. Bottom line: great addition to anyone's music collection....VERY happy with the purchase.

Eclectic songs that are as sure to become as classic & influential as J.D. Crowe's seminal works.......2006-12-30

Playing Time - 34:10 -- From Kentucky, J.D. Crowe began his career as a member of Mac Wiseman's band in 1955. Thus, "Lefty's Old Guitar" is also somewhat of a half century celebratory milestone for J.D. After an early stint with Jimmy Martin, he formed his own group in 1968, The Kentucky Mountain Boys (with Doyle Lawson and Red Allen). The New South first took the stage in 1974 with Tony Rice, Ricky Skaggs and Jerry Douglas. Abut 2002, Rounder Records re-released "My Home Ain't in the Hall of Fame" (the band's seminal 1978 album). Over the years, band alumni have included Keith Whitley, Jimmy Gaudreau, Paul Adkins, Wendy Miller, Gene Johnson (Diamond Rio), Tony King (Brooks and Dunn), and many others. In 1999, J.D. and The New South put out the album "Come on Down to My World," that introduced us to Dwight McCall's singing and mandolin playing. A year later, however, some of their bandmates left to form another stellar group, Wildfire. That 1999 album was the band's last studio album until "Lefty's Old Guitar" hit the mark.

Today, the award-winning banjo player's band is comprised of some masterful pickers and singers - Dwight McCall (mandolin, vocals), Rickey Wasson (guitar, vocals), Ron Stewart (fiddle), and Harold Nixon (bass). Crowe, of course, also typically sings a baritone harmony in choruses. Their vocal blends are resonant, full of joy or sung with pathos, when needed. For their highest, lonesomest sound, check out "She Knows When You're On My Mind Again," that lays in Cia Cherryholmes' high baritone harmony on the very top. While Wasson does most of the lead vocalizing on "Lefty's Old Guitar," McCall's sumptuous high voice belts out the verses' lyrics on his own self-penned "I Only Wish You Knew," Larry Sparks' "Just Loving You," and Cindy Walker's "Blue Bonnet Lane."

Their contemporary repertoire is arranged with shared breaks and crafty instrumental fills. "Lefty's Old Guitar" has been a long time, about seven years, in coming. I guess that the band and record label felt that the current personnel had now solidified into a very cohesive unit of impeccability. Crowe has always been astute about incorporating some country feeling into his music. Doug Jernigan's pedal steel on two cuts doesn't bother me, and I appreciate their not feeling a need to put drums or percussion into the mix. Other producers (usually Nashville-based) feel that `power' bluegrass music needs drums to present commercial, radio-friendly fare. J.D. Crowe proves that it just ain't so! One thing I did find missing from their successful formula, however, would be a hard-driving barnburner that really challenges the instrumental picking and bowing prowess of highly regarded award winners like Ronnie Stewart. However, the set still provides some eclectic ups and downs in tempos for songs that are as sure to become as classic and influential as some of J.D. Crowe's seminal works. (Joe Ross, staff writer, Bluegrass Now)

Very Good Stuff!.......2006-11-19

JD Crowe has struck gold with this CD! This CD sounds contemparary without sacrificing the traditional bluegrass sound. This CD contains great arrangements that fit bluegrass but leave the listner guessing at what may happen next. This is the best I have heard from Crowe since the Skaggs/Rice days. The song selections, vocals and instrumentations are as good as anything else current in bluegrass today. JD's banjo picking sounds very youthful and full of that great tone that has set him apart from other pickers of his generation for so many years. To me Scruggs, Crowe and Fleck are what define great banjo playing. Thanks JD for a great CD!

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Gotta love him. 2 Years & Only 10 Songs Gary Moore!

Old New Ballads Blues Gary Moore Manufacturer: Eagle Records ProductGroup: Music Binding: Audio CD General | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Modern Blues | Blues | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music General | Rock Guitarists | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Arena Rock | Classic Rock | Styles | Music Similar Items: Full Circle One Night In Dublin: A Tribute To Phil Lynott Close as You Get You & Me Blue Me ASIN: B000F3AB0Q Release Date: 2006-05-02

Tracks:

1. Done Somebody Wrong
2. You Know My Love
3. Midnight Blues (2006)
4. Ain't Nobody
5. Gonna Rain Today
6. All Your Love (2006)
7. Flesh and Blood
8. Cut It Out
9. No Reason to Cry
10. I'll Play the Blues for You

Album Description

Gary Moore's brand new studio album "Old, New, Ballads, Blues" continues his exploration of the blues through the combination of classic blues tracks written by the likes of Otis Rush and Willie Dixon and new self-penned songs. Gary has had the fortune in the past to have played with both Albert Collins and Albert King and is currently on the BB King farewell tour of the UK. "Old, New, Ballads, Blues" fits right into the pocket of Gary's platinum-selling album "Still Got the Blues". This great new album should bring Gary right up to the top in the blues and blues rock market.

Customer Reviews:

Gotta love him........2007-01-16

Much improved voice, same great guitar. Slow album, especially on his two remakes. Country sound on No Reason To Cry (beautiful solo). This CD would have been a 6 stars had he mixed in a thunderstorm to the background of Gonna Rain Today.

2 Years & Only 10 Songs.......2006-05-15

Let me get this out of the way right away I have been a fan of the man since the 70's (yes that makes me old)and I run to the store the moment I hear of a new disc coming out. That said this disc is just way to short on new songs and in length. I could have done without the new versions of "Midnight Blues" and "All your Love" There was nothing wrong with the originals. As for the rest of the disc I rated it only four stars because he is leaning to much on remaking other people tunes and not enough of his own originals. I know I should be grateful that they still let him make music but coming from a guy who has released so much great music in the last 25 - 30 years this would of been a whole lot better if he had "Moore" originals. Don't get me wrong this is still a killer CD just give me more "Moore" next time, and how about touring the US of A we haven't seen you over hear since '91. The best songs on the disc are Flesh and Blood, Cut It Out, & No Reason to Cry. Thanks for the music now get back in the studio and release some more tunes. Even the non-originals are good but just way to many

Gary Moore!.......2006-05-06

Gary Moore! What a wonderful new album from this incredible musician!

His singing has continued to get better, either from coaching, practice, age, or some combination. This is a really well-sung album. And of course, his playing is just always spot-on and so highly fired-up.

He has continued to build his talent and energy as a guitarist! ... and that amazing driving fire that underlies everything is just as complete as ever. He pours his full personality into this music.

You might think that Gary "jams" lots of his playing. However, if you go back and listen to any of the cuts off of "Still Got The Blues", for example, and then find live versions of the same cuts, you will quickly see that he leaves nothing to chance. His composition is planned in detail, but the execution is still so entirely inspired that it comes out as spontaneous jam - the best of both worlds.

Gary uses a horn section on a couple of songs to great effect and I like the range of tones, such as the semi-clean leads on the remake of Midnight Blues (2006). Gonna Rain Today is flat-out beautiful.

To me, Gary is the most meaningful blues/rock player of all time. He did it with great talent, discipline and lots of focused work. This album continues fully in his track record of excellent, beautiful art.

Gary, if you ever read amazon reviews, man, you did it again. This album is just a treasure and I'm just grateful you made another one!

Average customer rating: Six string heaven Great stuff, but not enough of it the Quintessential Doc ( THE MAN ) The best of Doc in instrumental form.

Foundation: Doc Watson Guitar Instrumental Collection, 1964-1998 Doc Watson Manufacturer: Sugarhill [Country] ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Old-Time Country | Traditional Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music General | Country | Indie Music | Stores | Music Bluegrass | Country | Indie Music | Stores | Music Traditional Country | Country | Indie Music | Stores | Music Traditional Folk | Folk | Indie Music | Stores | Music Similar Items: 33 Acoustic Guitar Instrumentals 58957: The Bluegrass Guitar Collection Trouble in Mind: Doc Watson Country Blues Collection Strictly Instrumental Black Mountain Rag ASIN: B00004U1G6 Release Date: 2000-07-25

Tracks:

1. Black Mountain Rag
2. Windy & Warm
3. June Apple
4. Doc's Guitar
5. Stone's Rag
6. Victory Rag
7. Nashville Pickin'
8. Medley: Fiddler's Dram/Whistling Rufus/Ragtime Annie (Raggedy Ann)
9. Billy In The Lowground
10. Rainbow
11. Dill Pickle Rag
12. Salt River/Bill Cheatham
13. Lonesome Banjo
14. Texas Gales
15. Tucker's Barn
16. Cannonball Rag

Amazon.com

Deep Gap, North Carolina's Doc Watson is considered one of country music's most influential guitar players. Watson's blend of Appalachian folk, blues, country, gospel, and bluegrass first gained steam nationally during a 1963 Newport Folk Festival appearance, and this anthology of instrumentals begins with "Black Mountain Rag" from his self-titled debut record from the following year. Foundation borrows 16 tracks from 11 albums--nearly 35 years worth of material--from his earliest recordings for Vanguard through the '70s and '80s duets with his late son Merle (who accompanies on banjo and guitar). Doc's voice serves only as an introduction to several of the collection's live numbers, letting his strings do the talking where it counts: on cap-tipping covers of songs by John D. Loudermilk, Maybelle Carter, and Molly O'Day, and on the nearly half-dozen rags that best display Doc's trademark flat-picking frenzy. --Scott Holter--

Customer Reviews:

Six string heaven.......2002-12-05

A flatpicking fan's delight. Ya can't beat Doc Watson when he gets those strings a-ringing, although I have to confess being more partial to his vocal numbers, myself. Sixteen sterling examples of Watson's flawless guitar playing, gathered from various old Vanguard albums.

Great stuff, but not enough of it.......2001-12-13

Clocking in at a spare 31:36, this CD collects sixteen instrumental cuts from a small selection of Doc's output during these 25 years. This collection is a good starting point for newcomers to Doc's fine guitar (and banjo) playing, but for the avid fan it provides only highlights of his career and little more. We get a taste of flat picking, and a taste of finger picking, with a little banjo playing thrown in on the side. Still, it's hard to complain about an artist who is truly a national treasure, and whose picking is unsurpassed. It's just so good one wishes that they had included much, much more.

the Quintessential Doc.......2001-10-02

I first heard Doc when I was A boy. Being that my mother is from Kentucky, I was blessedly afforded the gift of bluegrass. Being A Yankee from Michigan, this type of music was lost on my friends but Lawdy, not on me. My first experience with Docs music was through the hands of my uncle Nathen who would play everything you could imagine and then some. But,... But when he got to Doc, time stood still. I tell you these things as when I listened to this collection, time stood still with meaning for me. "Docs guitar" still leaves me speachless, and "Windy and Warm" is a lovely coalition of two generations (God rest Merle) coming together, one at his fathers feet, to gift the world with the glory of artisans. I have been a guitarist for 27 years and yet still I stand in rapt awe of his magesty on the guitar.

( THE MAN ).......2000-10-20

THE MAN

Doc has always been THE MAN to a lot of picker's,even the top picker's today, like Tony Rice,Norman Blake,& so on,it might seem like straight picking,but try and do some of his song and you'll find out different. When I frist started playing I started out with the guitar, listing to the Stanely Brother's, then I heard Doc play, and was in awh, I did'nt no you could pick a guitar that fast and smooth. And then I heard Tony Rice play and he would start out like Doc but then take it a different level, and now today I here young picker's play, start out like Tony Rice, but take it a new level, but it all started with THE MAN (Doc Watons). Its a must bye if you dont have these recordings already in your (Library), bye this one, sit back, and listen to the picking of Doc and the picker's of today and you'll see what I'am talking about, and you will also say yes he is (THE MAN)... thanks

The best of Doc in instrumental form........2000-08-20

Doc Watson is a man who has had enormous influence on the the emergence of the acoustic guitar as a lead instrument in the folk/bluegrass genres. Without a doubt, Doc is the guy who blazed the trail and showed just what the guitar could do. This album is a fitting tribute to Doc and showcases a selection of tunes that span his career.

While all of these cuts have been previously issued, this instrumental album is a first and should not be missed by any serious Doc Watson fan. It is truly magical to hear Doc's playing through the years on this CD. While his own style is remarkably similar throughout, the variety of artists who accompany him that make the tunes quite different and varied. This CD demonstrates just how special a player Doc is.

Average customer rating: Awesome Doc & Merle Watson Outstanding bluegrass Doc Watson Is a Musical Treasure An excellent cd overall

Black Mountain Rag Doc Watson , and Merle Watson Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Traditional Blues | Blues | Styles | Music Acoustic Blues | Blues | Styles | Music Alt-Country & Americana | Country | Styles | Music General | Country | Styles | Music Old-Time Country | Traditional Country | Country | Styles | Music General | Traditional Country | Country | Styles | Music General | Bluegrass | Country | Styles | Music General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Appalachian | North America | International | Styles | Music Rounder Records | Specialty Stores | Music Similar Items: Sittin' Here Pickin' the Blues Trouble in Mind: Doc Watson Country Blues Collection Doc Watson on Stage (Featuring Merle Watson) The Best Of Doc Watson 1964-1968 Southbound ASIN: B000H5VF2A Release Date: 2006-09-19

Tracks:

1. Black Mountain Rag
2. Smoke, Smoke, Smoke
3. Black Pine Waltz
4. Red Rocking Chair
5. Twinkle, Twinkle
6. Below Freezing
7. Mole In The Ground
8. Liza/Lady Be Good
9. Down Yonder
10. Cotton Row
11. Sadie
12. Leaving London
13. Guitar Polka
14. Fisher's Hornpipe/Devil's Dream
15. Along The Road
16. Bye Bye Bluebelle/Smiles
17. Sheeps In The Meadow/Stony Fork
18. Take Me Out To The Ballgame
19. Blackberry Blossom
20. Gonna Lay Down My Old Guitar

Customer Reviews:

Awesome Doc & Merle Watson.......2007-03-08

This repackaging of classic cuts just before Merle's death has excellent sound quality, with Doc at his musical peak. Mark O'Connor fiddle backup is awesome. Some of the most important Doc songs, a great example of an American legend.

Outstanding bluegrass.......2007-01-04

This is an excellent CD of music by a phenomenal bluegrass musician and his equally good son. Great CD for any bluegrass lover's library.

Doc Watson Is a Musical Treasure.......2006-10-31

This is the companion album to 2004's SITTIN' HERE PICKIN' THE BLUES. That album expanded 1985's PICKIN' THE BLUES by adding a handful of tracks from RED ROCKING CHAIR (1981) and DOC AND MERLE WATSON'S GUITAR ALBUM (1983). All three of those albums were from Doc's association with the Flying Fish Label.

Now, two years later, Rounder puts out BLACK MOUNTAIN RAG, which includes the remaining eight tracks from RED ROCKING CHAIR and the remaining 9 tracks from GUITAR ALBUM. In addition, there are two tracks ("Leaving London" and "Bye Bye Bluebelle/Smiles") from the 1996 compilation WATSON COUNTRY, as well as "Blackberry Blossom" from 1990's NORMAN BLAKE & TONY RICE 2.

Quite simply, Doc Watson is one of the best flat-pick guitarists--period. And his son Merle (who tragically died in 1985) is an equally talented guitarist, especially his slide guitar playing. I was first introduced to Doc Watson on the Dirt Band's WILL THE CIRCLE BE UNBROKEN and have been a fan ever since. Doc is incapable of putting out a bad album, and his albums for the Flying Fish label in the early Eighties are all excellent. HIGHLY RECOMMENDED

An excellent cd overall.......2006-10-19

"Smoke, smoke, smoke that cigarette. Puff, puff, puff, but if you smoke yourself to death tell St. Peter at the golden gate that you hates to make him wait, but you just gotta have another cigarette."
- Smoke, Smoke, Smoke, Track 2

Just recently got this album, and am only just beginning to appreciate it. The guitars are all very crisp, and the other instruments compliment the simple old-time and bluegrass tunes nicely. An extremely wide variety of tunes, all of which are masterfully played by the contributing musicians. Particular tracks to look for are "Smoke, Smoke, Smoke", "Below Freezing", and "Gonna Lay Down My Old Guitar", the last of which has a particularly interesting chord progression, making interesting use of a diminished chord to make for a curious but well-chosen closer. Black Mountain Rag deserves my stars for having strong performances all around and moreover, for being a well-mixed final product.

Music Album:

1. One Good Well
2. Open Road
3. Outsider [Import]
4. Phantom 309 [Import]
5. Poems Prayers & Promises [Import] [Original recording remastered]
6. Pop Hits Monthly Karaoke - COUNTRY Aug 2005
7. Prince of Egypt (Nashville) [Soundtrack]
8. Secret of Life
9. Sleepy Eyed John [Import]
10. Sounds Like Bluegrass to Me

Music Album