| 1. Right or Wrong |
| 2. Time Changes Everything |
| 3. Corrine, Corrina |
| 4. Big Beaver |
| 5. New San Antonio Rose |
| 6. Take Me Back to Tulsa |
| 7. Cherokee Maiden |
| 8. Home in San Antone |
| 9. Miss Molly |
| 10. My Confession |
| 11. Texas Playboy Rag |
| 12. Roly Poly |
| 13. Stay a Little Longer |
| 14. My Window Faces the South |
| 15. Fat Boy Rag |
| 16. Three Guitar Special |
| 17. Deep Water |
| 18. Bubbles in My Beer |
| 19. Blues for Dixie |
| 20. South |
Bob Wills,Bob Wills,St. Clair Records,Country,Country & Western,Leader,Pop,Songwriter,Traditional Country,Western Swing
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The Essential Bob Wills 1935-1947
Bob Wills and His Texas Playboys Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000288D Release Date: 1992-10-13 |
Tracks:
- Osage Stomp
- Steel Guitar Rag
- Right Or Wrong
- Time Changes Everything
- New San Antonio Rose
- Bob Wills Special
- Twin Guitar Special
- Take Me Back To Tulsa
- A Maiden's Prayer
- Home In San Antone
- Misss Molly
- Texas Playboy Rag
- Stay A Little Longer
- Roly Poly
- New Spanish Two Step
- Sugar Moon
- Brain Cloudy Blues
- Fat Boy Rag
- Deep Water
- Bob Wills Boogie
Amazon.com essential recording
The Essential Bob Wills might more accurately be called The Essential Bob Wills and His Texas Playboys. While Wills was certainly the charismatic stage presence, talent scout, songwriter, and Western-swing mastermind, the Playboys--one of the best bands to ever grace this earth--most shine on these early sides. From horn-heavy, big-band-inspired recordings such as "Osage Stomp" and "Right or Wrong" to fiddle-driven, closer-to-country classics such as "Take Me Back to Tulsa" and "Stay a Little Longer," it was primarily the incomparable playing of pianist Al Stricklin, steel legend Leon McAuliffe, and the other Playboys, not to mention the smoother-than-smooth vocals of the great Tommy Duncan, that made this band the Southwest's flagship two-steppin' outfit and that make these 20 tracks truly "essential." --David CantwellCustomer Reviews:
The Essential Bob Wills & His Texas Playboys.......2006-07-20
Aahhh-hah, I've found the essential single disc collection of Wills' hottest sides.......2006-03-16
Bob Wills will always be the king!.......2005-02-20
As good a nintroduction as any ,to Bob Wills' Playboys' musi.......2004-08-28
Bob Wills is Still the King.......2004-03-12
As such it shows the enormous diversity of the playboys over the years. Until around 1945, Wills fronted what was really two bands. One was a Western Swing combo includings fiddles and guitars, steel and one or two horns and rhythm. The other was a full scale big band with reed and brass section along with the Western Swing instruments. The big band played originals and stock arrangements written for big bands for big band top hits like In the Mood.
Particularly during the mid 1930s, some Wills recordings were everything in between the full swing band and just fiddle and rhythm accompaniment. While he was quite faithful as long he recorded to the old ranch dance sounds he had grown up playing with his dad, Wills welcomed any kind of inovative music by his players. In the 1940s the band featured the Charlie Christian influenced guitar solos of Jimmy Wyble and Cameron Hill who went on to work for Spade Cooley and the near rock style hot metal blues guitar solos of Lester Bernard Junior. In the late 1940s and early 1950s Wills would use Tiny Moore and Johnny Gimble both on electric mandolin and fiddle who would take bebop influenced solos even though both were also great traditional fiddlers (In fact, it is Johnny Gimble, not Bob Wills, who is the main fiddle player on their great 1950s hit on the traditional Texas fiddle tune, "Faded Love" )
After WWII Wills dropped the big band and had a western swing combo with usually one horn either a trumpet or a sax, and rarely he had fiddler Louis Tierney double on sax along with the trumpet. The key instruments in the combo were usually a steel guitar, electric mandolin, and electric guitar section plus two or three fiddles, along with a rhythm section, although for a while in the 1950s, Wills had both an old Hawaiian Steel guitar AND one of the new pedal steels.
The music here is great, terrific and wonderful. The playboys had fun. Current ideas about genre, especially sterotypes about country music have to be dropped. Wills's band did not consider themselves as part of country music, but as part of pop music and Jazz. They never had much to do with the Southeastern "Country Music" operation that was growing up around Nasheville. In fact in 1945 when the Playboys were the biggest grossing act in all popular music (bigger than Sinatra or Glenn Miller or Bing Crosby who actually had a big hit on Wills' San Antionio Rose and who performed withthe Playboys during WWII bond drives!) they were finally invited on the Grand Ole Opry. They almost left without performing when the Opry explained it didnt allow drums and horns, and Wills said he would leave if he had to do that.
The Playbou image was originally associated with kind of "collegiate" a 1920's Jazz age image if you look at the photographs of the original Playboys in their "college" sweaters. They adopted the cowboy image only in the late 1930s when they began to perform in Western pictures.
As a Black performer of blues among other things, I love Tommy Duncan's Blues singing and do several of his songs just as he does them, and get a great response from audiences when I do.
The big problem is that Columbia keeps putting out these one records with some, but not all of the Wills stuff they recorded. If you buy these you end up with three or four recordings of the same tune. Wills is so good, that you will find you need it all. Seriously consider getting a bigger set, because you will need it all.
As has been said this is just the Columbia stuff from 1936-1947. MGM put out a terrific collection of ALL THEIR recordings from 1947 to about 1953 called Boot Heel Drag. Also there are about 10 CDs of the tiffany transcriptions that Rounder has out. These were non commercial recordings the band made to be sold to radio stations along with commercials for a furniture company. They are all between around 1945 and 1949 and are looser, hotter, more informal and include more pop and jazz material than what was issued by Columbia or MGM.
Finally there is For the Last Time, the only reunion done of the old band with Bob. Bob fell into a comma that he never recovered from during the session and there was even more emotion in the playing on that Album.
Bob Will's shouting and hollering is part of the act. As has been said it comes out of the old minstrel shows, but also is much like what you would have heard from a lot of the black jazz men of the 1920s especially Louis Armstrong. It gave a special push to his soloists. Also at a time when most band leaders had no regard for the career of band members, Wills' calls of the names of his performers made them stars in their own right and glorified the instrumental excellence of their solos.
In fact, Bob's call to Leon McAuliffe "take it away leon" became a stock phrase in the whole US population in the 1940s and 1950s.
Bob Wills is still the King
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Take Me Back to Tulsa
Bob Wills Manufacturer: Proper UK Boxed Sets ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005TO15 Release Date: 2001-12-03 |
Tracks:
- Nancy Jane - Fort Worth Doughboys
- Sunbonnet Sue - Fort Worth Doughboys
- Osage Stomp
- Get With It
- Spanish Two Step
- Maiden's Prayer
- I Ain't Got Nobody
- Who Walks in When I Walk Out
- Oklahoma Rag
- Smith's Reel
- Weary of the Same Ol' Stuff
- No Matter How She Done It
- Bluin' the Blues
- Red Hot Gal of Mine
- Steel Guitar Rag
- What's the Matter With the Mill?
- Sugar Blues
- Basin Street Blues
- Too Busy
- Fan It
- There's No Disappointment in Heaven
- Swing Blues No. 1
- Playboy Stomp
- T for Texas (Blue Yodel No. 1)
- Never No More Hard Times Blues
- Oozlin' Daddy Blues
Tracks:
- Black Rider
- Pray for the Lights to Go Out
- San Antonio Rose
- Carolina in the Morning
- Silver Bells (That Ring in the Night)
- Beaumont Rag
- Twinkle, Twinkle Little Star
- Whoa Baby
- I Wonder If You Feel the Way I Do
- My Window Faces the South
- That's What I Like About the South
- Waltz You Saved for Me
- Prosperity Special
- Don't Let the Deal Go Down
- You're Okay
- Lone Star Rag
- Corrine, Corrina
- Bob Wills Special
- Time Changes Everything
- Big Beaver
- New San Antonio Rose
- I Knew the Moment I Lost You
- Twin Guitar Special
- Take Me Back to Tulsa
- Takin' It Home
- Please Don't Leave Me
- Cherokee Maiden
- Dusty Skies
- My Life's Been a Pleasure
Tracks:
- We Might as Well Forget It
- Home in San Antone
- Liberty
- Miss Molly
- You're from Texas
- Goodbye Liza Jane
- My Confession
- Texas Playboy Rag
- Roly Poly
- Stay a Little Longer
- Just a Plain Old Country Boy
- New Spanish Two-Step
- I'm Feelin' Bad
- Cotton Eyed Joe
- Brain Cloudy Blues
- Bob Wills Boogie
- Fat Boy Rag
- Good Man Is Hard to Find
- Little Bit of Boogie
- Along the Navajo Trail
- Baby Won't You Please Come Home
- Betcha My Heart
- Chinatown
- Dinah
- Frankie Jean
- Hawaiian War Chant
Tracks:
- I'm a Ding Dong Daddy
- Milk Cow Blues
- My Gal Sal
- Red River Valley
- Sugar Moon
- Sweet Jennie Lee
- Girl I Left Behind Me
- At the Woodchopper's Ball
- Blues for Dixie
- Bubbles in My Beer
- Can't Get Enough of Texas
- Cotton Patch Blues
- Cowboy Stomp
- Crazy Rhythm
- Deep Water
- Don't Be Ashamed of Your Age
- Keeper of My Heart
- Little Cowboy Lament
- Thorn in My Heart
- Ida Red Likes to Boogie
- Boot Heel Drag
- Faded Love
- I Laugh When I Think How I Cried Over You
- I'll Be Lucky Someday
- I Didn't Realise
- Rock-A-Bye Baby Blues
- Jolie Blon Likes the Boogie
- End of the Line
Album Description
UK budget-price box-set featuring the pioneer of western swing, he played blues, rags, stomps, ballads and jazz in a style that became much imitated. 119 tracks and including a 52 page illustrated booklet. Four standard jewel cases housed in a slipcase. 2001.Album Details
Compilation featuring 109 Tracks from the King of Western Swing. Includes Every Important Track Recordedbetween the Years 1932 and 1950 as Well as a 52 Page Booklet with a Biography, Session Details and Rarephotos.Customer Reviews:
amazing collection.......2007-06-01
"What A Great Deal !.......2006-06-29
"Come in, Tommy...".......2006-01-06
Tommy Duncan, Wills' favorite featured vocalist, appears here on many sides, including Time Changes Everything (my personal Bob Wills favorite) and many others. Besides the early Columbia sides, there are examples of his Decca years and other smaller labels. A few of my own favorites include My Little Cherokee Maiden (close runner-up to Time Changes Everything as my favorite Bob Wills record) Sunbonnet Sue (recorded with Milton Brown and His Brownies before Bob formed the Playboys) Maiden's Prayer, Steel Guitar Rag, Basin Street Blues, San Antonio Rose, Silver Bells, Lone Star Rag (an overlooked masterpiece, and one of the catchiest instrumental tunes you've ever heard), Take Me Back To Tulsa, Miss Molly, My Confession, Roly Poly, Hawaiian War Chant, Sugar Moon, Bubbles In My Beer, Deep Water, Faded Love (which Bob wrote and Patsy Cline had a monster hit with) and I Laugh When I Think How I Cried Over You (what a great title!).
For anyone who doesn't know, Bob Wills was a fiddle player who played his first professional gig as a young boy, substituting for his father at a barn dance. Although he grew up around Western music, the Wills family lived in a poor area where there were many black families, and very early he was exposed to and grew to love the Blues and other forms of traditional African-American music. Legend has it that he once rode fifty miles on horseback to attend a Bessie Smith recital, and was the only white person in the audience. He was one of the founding members of Milton Brown and His Brownies, the band credited with creating the style of music now known as Western Swing. When he started his own band, the Texas Playboys, he took a cue from Count Basie and included Brass, Horns and rhythm instruments, and if he couldn't claim to actually invent Western Swing, he certainly perfected it. In the 1940's he was one of the highest paid bandleaders in the US.
Bob was most famous for his "calls" or "hollers". When the band got hot, he would frequently holler "Ahhhhh-hahhhh" or prod them along with such exclamations as "Take it away, Leon" or "Here's that old piano pounder". Or, if the band was playing below his expectations, he would shout, "Johnny in key, please" or virtually anything else that came into his mind.
For many years during the height of his popularity, Bob and his music were rejected by the orthodox country music establishment for being too "jazzy" and ignored by the jazz world for being too "hillbilly". Western Swing is a blend of jazz and western music - it is primarily dance music, with a strong emphasis on vocals (like country), but it also includes jazz instruments like saxophone and trumpets. What makes it most unique are instruments that are traditionally associated with country music (like fiddles and steel guitars), being employed in a "swing" or jazz fashion. Any performance by Bob Wills Texas Playboys incorporates spotlight solos, improvisation and other musical trademarks generally associated with jazz. In other words, his band and his music are totally unique.
Fortunately, there was a revival of interest in Bob Wills and his music which started in the 1960's and continues to this day. After his death in 1974, there was an explosion of new Western Swing bands, with young admirers anxious to copy the Bob Wills sound and keep Western Swing alive. Even country music has finally paid him his due, for today Bob Wills is proudly embraced and revered in country circles as a pioneer and a true original. He is now acknowledged as one of the first to incorporate African American rhythm and Jazz into country music, and his influence has been acknowledged by such diverse artists as Elvis Presley, Willie Nelson, Merle Haggard and even Elvis Costello.
If you are not familiar with Bob Wills, you can't go wrong with this set as an introduction, especially at this price.
HERE THEY ALL COME!.......2005-09-13
Red Hot Jazz Cowboy blues band!.......2005-01-13
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The King of Western Swing: 25 Hits (1935-1945)
Bob Wills and His Texas Playboys Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000063CZ Release Date: 1998-04-21 |
Tracks:
- New San Antonio Rose
- Osage Stomp
- Never No More Hard Times - Blues
- Steel Guitar Rag
- Sugar Blues
- Fan It
- Right Or Wrong
- Whoa Baby
- That's What I Like About The South
- Lone Star Rag
- Corrine, Corrina
- Bob Wills Special
- Time Changes Everything
- Big Beaver
- Take Me Back To Tulsa
- Dusty Skies
- We Might As Well Forget It
- Home In San Antone
- You're From Texas
- Goodbye, Liza Jane
- Texas Playboy Rag
- Roly Poly
- Stay A Little Longer
- New Spanish Two-Step
- I'm Feelin' Bad
Customer Reviews:
Great Gift.......2007-01-09
Just One Great Time!.......2006-02-27
Imagine you are someone struggling to eke out a living in the midst of the Great Depression. So you got a couple of bucks and try for a little diversion in a dusty roadhouse in the southern middle of the country. To your surprise and delight you are entertained by a largish group of really good musicians playing an unfamiliar mix of big band, country and blues.
Some of the earliest amplified music and nice pedal steel guitar work can be heard in this collection. A sign of the times of the music can be glimpsed in lyrics like: "Ain't got no blues, got chickens out in my yard..."
I like that this collection is in mono, and that the sound quality doesn't come close to current standards. It's damn fine music, presented as it was at the time. Take a chance.
Ten years in the evolution of western swing . . ........2005-01-03
The swing-band sound predominates starting with the 1938 recordings ("Whoa Baby," track 8) at a time when the band grew to 18 members. There follow some great standards, "Corrine, Corrina" (1940), "Take Me Back to Tulsa" (1941), "You're From Texas" (1942), and "Stay a Little Longer" (1945). Among the songs are vocals by young Tommy Duncan (born 1911) and younger Leon McAuliffe (born 1917), whose clear, mellow voices ring bright and sweetly smooth. Many songs are also graced by the sound of McAuliffe's wonderful steel guitar.
A short booklet with this CD recounts the career of Bob Wills and his band. For each of the 25 tracks, the notes identify the location and date of recording (tracks 1-15 in Texas; tracks 16-25 in Hollywood). With 70 minutes of music, this CD is a great value.
Columbia hang your head in Shame.......2003-12-12
Of course you can go upscale and get the Bear Family Box and other compilations.
This CD has some great stuff that isn't on the anthology and some of the other collections as well as stuff that isn't. Most of the good stuff on this record is from the pre-WWII band.
During the war the Playboys went through a lot of changes. Tommy Duncan joined the navy the day after war started. Wills himself was drafted. Wills showed up for the Army with his chauffer, his Cadillac limousine, and fretted about being woken up before 9 a.m. or doing anything that would roughen his fiddle playing hands! Wills was allowed to quit the army--something almost no one else was allowed to do during WWII--after he agreed to raise a lot of money for War bonds. Leon McAuliffe who had learned to fly working for Wills who had his own plane to fly the Playboys around in, became a flight instructor for the military. Etc. Etc.
During the War itself Wills fronted the largest and according to those who heard it--it was never recorded due to the various recordinjg bands and vinyl shortages during the war--most beautiful big band aggregation he ever had. However, the band tended to shift to a group dominated by fiddles, and a trio with steel guitar, guitars, and tiny moore and later Johnny Gimble's electric mandolin with only one horn.
This is the band you hear on the Tiffany transcriptioons which were all made in 1946 and 1947.
I would also not dismiss the MGM years that followed the Columbia contract from the late 1940s into the mid 1950s. MGM has come out with a complete collection of Wills in those years, entitled The Boot Hill Drag, which has some of the hottest swingingest music ever made. And the stuff Wills recorded in the very late 1950s and early 1960s for Liberty with the return of Tommy Duncan and Joe Holley were as good as anything recorded in the 1930s or 1940s though it had a cleaner, jazzier, sound and even featured Vicki Carr singing backup on some numbers. If you like fiddle choirs, you will like some of the Liberty Tunes where Wills rounded out his own fiddle sections with a violist out of the Lawrence Welch Orchestra!
To be sure, if you don't have any Bob Wills Music this is as good as any set to start with. The music is good enough for you to chase after it. This is Wills from 36 to 46 basically. Then you just get all the rest. The man kept making music until 1973. You really need it all!
Best one-volume CD available.......2002-01-26
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Tribute to the Music of Bob Wills & the Texas Playboys
All the Voice Manufacturer: Turnip The Music Group ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002URC Release Date: 1996-01-30 |
Tracks:
- Red Wing (Instrumental) - Chet Atkins
- Big Balls In Cowtown - George Strait
- Yearning (Just For You) - Vince Gill
- Bring It On Down To My House - Ray Benson
- Deep Water - Garth Brooks
- Blues For Dixie - Lyle Lovett
- Billy Dale - Dolly Parton
- Across The Alley From The Alamo - Johnny Rodriguez
- Old Fashioned Love - Suzy Bogguss
- Ida Red - Huey Lewis
- Misery - Marty Stuart
- I Wonder If You Feel The Way I Do - Merle Haggard
- Hubbin' It - Huey Lewis
- Corine, Corina - Brooks & Dunn
- Still Water Runs The Deepest - Willie Nelson
- All Night Long - Leon Rausch
- Got A Letter From My Kid Today - Ray Benson
- Dusty Skies - Riders In The Sky
Amazon.com
Ray Benson's Asleep At The Wheel deserve admiration for keeping alive the sounds of western swing, but with a rhythm section that's usually straight-up-and-down stiff, The Wheel's recordings mainly just leave you craving their inspirations. The 18-song Tribute overcomes this problem by loading up on singers who do their best to swing even when the band doesn't. George Strait, doing "Big Balls In Cowtown," is a natural, of course, as are the offerings from Willie Nelson, Merle Haggard, Lyle Lovett and Dolly Parton. Even Garth Brooks' go at "Deep Water," who mimics Strait to perfection here, is a pleasant surprise. --David CantwellCustomer Reviews:
Country Swing.......2006-03-10
Texas Swing.......2005-10-11
Well worth it with a lot more than What Amazon tells You.......2004-03-16
This works well because a lot of the people he uses on the record are veterans of the Western Swing revival Merle Haggard and Ray launched in the 1970s from different directions, although you might not know it now. It works because the band sounds looser, a bit wilder, and not as concerned with perfection and style as it does on their studio records, which, by the way I think are terrific.
Of course the Amazon listing here is incorrect. All of these tunes have guests. Red Wing for example has the one the only, the Tyler Rose, the greatest living Western Swing musician, the guy that Bob Wills had play Faded Love rather than himself, Johnnie Gimble on both fiddle and Mandolin. Ray gets by the problem of the racial insensitivity of "Across the Alley from the Alamo" by having Johnny Rodriguez sing it, and Susie Bogus does a great job on the early Wills Tune "Old Fashioned Love."
Marty Stuart has always been a great musician, starting out playing in Lester Flatt's band when he was 15, and being an ace on both guitar and mandolin. Besides some good picking on some of the other tunes, he does a great version of the great tune Misery, a tune from the days of the Wills/Duncan reunion in the late 1950s and early 1960s that should be better known.
Riders in the Sky join in with the band to do a great harmony on one of Cindy Walker's masterpiece "Dusty Sky." This song is so much more powerful about the dust bowl and the farm crisis of the thirties than anything that Woody Guthrie wrote. They say Tommy Duncan who had been destroyed as a farmer by the dust bowl droughts, broke down in tears when they recorded it. On the original recording you can hear Bob Wills trying to keep him going.
Haggard, well Haggard recorded the same tune he sings on this record with Bob Wills. Can't get better than that!
Even Huey Lewis gives us a little taste of where he was in the 1970s with a great version of Will's Hubbin' It!
The only thing I don't like here is Brooks and Dunn's Corrina Corrina. It has nothing to do with Western Swing, just your country rock rendition that sounds like a thousand other top 40 country recordings, although done with flavor and a solid dance beat.
Asleep at the Wheel have never been reconstructionists. They have never tried to sound like the Texas Playboys, even in the early days when they were able to include former Texas Playboys like Johnny Gimble, Tiny Moore, and others on their records. They always have tried to have a hot, jamming sound. So, they are the ideal band for this kind of tribute.
They are really, really jamming and jamming hard drawing in the talents of other pickers and singers and making this a real event.
First of two great tributes to the king of western swing.......2003-09-06
Big names featured here include George Strait (Big ball's in Cowtown), Vince Gill (Yearning just for you), Garth Brooks (Deep water), Dolly Parton (Billy Dale), Merle Haggard (I wonder if you feel the way I do), Huey Lewis (Holding it), Corrine Corrina (Brooks and Dunn) and Willie Nelson (Still waters run the deepest). Huey and Willie also feature on Ida Red. All of their performances are superb, although my favorite track here is Old-fashioned love (Suzy Bogguss).
All the tracks here are brilliant. Your favorites may be different from mine, but if you like real country music that swings, Texas style, this is for you.
Bob Wills is still the King!.......2002-12-17
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Lone Star Beer & Bob Wills Music/For All Our Cowboy Friends
Red Steagall Manufacturer: Koch Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004785W Release Date: 2000-03-14 |
Tracks:
- Lone Star Beer And Bob Wills Music
- My First Night Without You
- Under The X In Texas
- Someday (You'll Want Me To Want You)
- Neons And Nylons
- Truck Drivin' Man
- Alexis From Texas
- Whatever Made Me Think
- I Saw Your Face In The Moon
- The Walls Of This Old Honky Tonk
- Rodeo
- For All Our Cowboy Friends
- Dawson Legate
- Rodeo Blues
- Two Pairs Of Levis And A Pair Of Justin Boots
- Freckles Brown
- My Adobe Hacienda
- Bandito Gold
- The Night The Copenhagen Saved The Day
- Little Joe The Wrangler
- My America
Amazon.com
This CD pairs two prime Red Steagall records from the mid-1970s and reveals just why the Texan has become a pillar of Western music. The 1976 collection Lone Star Beer and Bob Wills Music marks the pinnacle of his recording career, offering a wonderful assortment of Western swing and Texas tonk. The title creed remains his biggest hit, but there are a number of other original songs--barroom ballads like "Neons and Nylons" and "Whatever Made Me Think" and two-steppers like "My First Night Without You" and "The Walls of This Old Honky Tonk"--that display his ample gifts as a direct, down-to-earth songwriter (he was a successful songwriter before he was a performer). Steagall enlisted a superlative cast of musicians including guitarist Leon Rhodes, fiddler Johnny Gimble, and steel man Sonny Garrish to help him carry out his vision. For All Our Cowboy Friends, from the following year, is a quaint and heartfelt tribute to the cowboy and rodeo lifestyle (he was a rodeo rider and horse breeder before he was a songwriter) that oozes personality and authenticity. Together, these two albums form a definitive Western music manifesto. --Marc GreilsamerCustomer Reviews:
Red Steagall CD.......2007-05-14
Lone Star Beer & Bob Wills Music is a good track, but For All Our Cowboy Friends is a GREAT track.
Two classic western albums.......2005-01-14
Lone star beer and Bob Wills music, the first album here, is a western swing album. Red wrote or co-wrote five of the songs here including the title track. One of the other songs is a brilliant cover of Truck driving man, perhaps the best-known song here. In its way, this album is a fitting tribute to Bob Wills although none of his songs are covered here.
For all our cowboy friends, the second album, is a collection of cowboy songs. Red wrote six of the ten songs here including the title track. There are covers of My adobe hacienda and Little Joe the wrangler but Red avoided all the cowboy classics. With original songs as good as Red contributed to this album, he had no need to record the oldies although I'm sure he could have done them superbly.
The albums presented here are far removed from the commercial mainstream but there is a significant market for this type of music. If you enjoy western swing music by such as Bob Wills or Asleep at the wheel, buy this. If you enjoy cowboy music by such as Marty Robbins or Michael Martin Murphey, buy this. If you enjoy traditional country music with plenty of steel guitar and fiddle, buy this. But if you don't enjoy any of those types of music, look for something else.
Red's the Best!.......2003-01-29
Best of Red Steagall.......2001-07-10
good news and not-quite-good news.......2000-03-29
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For the Last Time
Bob Wills and His Texas Playboys Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002TOF Release Date: 1994-04-19 |
Tracks:
- Playboy Theme
- Yearning (Just For You)
- Faded Love
- What Makes Bob Holler
- Stay All Night (Stay A Little Longer)
- Goin' Away Party
- Big Ball's In Cowtown
- Keeper Of My Heart
- Twin Guitar Boogie
- Bubbles In My Beer
- Blue Bonnet Lane
- When You Leave Amarillo (Turn Out The Lights)
- San Antonio Rose
- I Wonder If You Feel The Way I Do
- My Shoes Keep Walking Back To You
- Miss Molly
- I Can't Go On This Way
- That's What I Like 'Bout The South
- Silver Lake Blues
- Milk Cow Blues
- Comin' Down From Denver
- Baby, That Would Sure Go Good
- She's Really Gone
- Crippled Turkey
Amazon.com
In 1973, 40 years after founding the Texas Playboys, Bob Wills gathered many of his Playboy stars from the past in a Dallas studio for a final hurrah. On December 2 the Playboy alumni enjoyed a homecoming meal at the Wills house, and the following day they entered the studio as Wills guided the session from his wheelchair (put there by a debilitating stroke in 1969). Among the musicians were three vital contributors to the very first Playboy session in Dallas in 1935--pianist Al Stricklin, drummer Smokey Dacus, and steel player Leon McAuliffe--as well as guitar great Eldon Shamblin (who joined in 1937) and disciple Merle Haggard, who'd waxed his own Wills tribute in 1970. With Wills mustering only the meekest of hollers, the Playboys joyously rolled through an assortment of Wills favorites, not knowing they would never see their leader again. Tired from the session, Wills left after only six songs and was unable to return for the next day's session. With Hoyle Nix filling in for Wills, the musicians completed the record with tears in their eyes. Wills had a second stroke the next day, lapsed into a coma, and never regained consciousness, perhaps content in his final long sleep for having heard his distinctive music one last time. --Marc GreilsamerCustomer Reviews:
The King Is Dead... Long Live The Knig.......2007-03-30
Bob Wills, For the Last Time!.......2007-03-24
Fiddle Playing,Footstompin,Handclappin FUN!.......2007-01-07
Bob Wills.......2006-07-10
Bob Wills is STILL the King.......2006-06-28
All in all, this is country music at its best. Be aware: if you listen to country radio today, you probably have never heard anything like this. This is REAL. This is music that you can tap your feet to and appreciate the lyrics. It is not the cookie cut crap that comes from the radio today.
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Legends of Country Music
Bob Wills and His Texas Playboys Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GRTR2E Release Date: 2006-08-29 |
Tracks:
- Sunbonnet Sue
- Nancy Jane
- Osage Stomp
- Get With It
- Spanish Two Step
- Maiden's Prayer
- I Ain't Got Nobody
- Who Walks In When I Walk Out
- Oklahoma Rag
- Sittin' On Top Of The World
- I Can't Be Satisfied
- Waltz In D
- She's Killing Me
- Bluin' The Blues
- Steel Guitar Rag
- Trouble In Mind
- What's The Matter With The Mill
- Basin Street Blues
- Red Hot Gal Of Mine
- Too Busy
- Crippled Turkey
- Bring It On Down To My House, Honey
- Right Or Wrong
- Swing Blues #1
- White Heat
Tracks:
- Steel Guitar Stomp
- Rosetta
- Blue Yodel No.1
- I'm A Ding Dong Daddy (From Dumas)
- Oozlin' Daddy Blues
- Black Rider
- Down Hearted Blues
- Pray For The Lights To Go Out
- San Antonio Rose
- Silver Bells
- Beaumont Rag
- Whoa Babe
- Ida Red
- Yearning
- I Wonder If You Feel The Way I Do
- Prosperity Special
- You're Okay
- Liza Pull Down The Shades
- That's What I Like 'Bout The South
- My Window Faces The South
- Don't Let The Deal Go Down
- Lone Star Rag
- That Brownskin Gal
- Corrine Corrina
- Time Changes Everything
- Bob Wills Special
- Big Beaver
Tracks:
- New San Antonio Rose
- Liebestraum
- Lyla Lou
- Maiden's Prayer
- The Girl I Left Behind Me
- I Knew The Moment I Lost You
- Twin Guitar Special
- Take Me Back To Tulsa
- Takin' It Home
- Cherokee Maiden
- Dusty Skies
- My Life's Been A Pleasure
- Drop Us Off At Bob's Place
- Home In San Antone
- That Hot Lick Fiddlin' Man
- Miss Molly
- My Confession
- Ten Years
- Let's Ride With Bob
- Bluer Than Blue
- Hang Your Head In Shame
- Texas Playboy Rag
- Roly Poly
- Stay A Little Longer
- I Can't Go On This Way
- I'm Thru Wasting Time On You
- New Spanish Two Step
Tracks:
- Sugar Moon
- Brain Cloudy Blues
- Bob Wills Boogie
- Fat Boy Rag
- The Kind Of Love I Can't Forget
- Hometown Stomp
- Misery
- Deep Water
- Bubbles In My Beer
- Papa's Jumpin'
- Sally Goodin'
- Still Water Runs The Deepest
- Blues For Dixie
- Keeper Of My Heart
- Ida Red Likes The Boogie
- Boot Heel Drag
- Faded Love
- St. Louis Blues
- Cadillac In Model 'A'
- Heart To Heart Talk
- Wabash Blues
- A Big Ball In Cowtown (We'll Dance Around)
- Pan Handle Rag
- Blue Bonnet Lane
- What Makes Bob Holler
- Goin' Away Party
Amazon.com
Though Bob Wills has long been heralded as a country-music icon (an inspiration for artists from Merle Haggard and Willie Nelson through Lyle Lovett and Asleep at the Wheel, and toasted by Waylon Jennings in "Bob Wills Is Still the King"), the Texas fiddler considered himself more of a jazz bandleader. The Texas Playboys' signature dance-floor style of Western swing encompassed blues, jazz, country, and pop standards, with a sophistication at odds with the era's image of "hillbilly music." This four-disc centennial anthology (a little late, as Wills was born in 1905 and died in 1975) documents the musical progression of the band and its music from regional phenomenon to national treasure. The 105 tracks (remastered, but all previously released) showcase the legendary "twin guitars" of Leon McAuliffe and Eldon Shamblin, the smooth crooning of Tommy Duncan, the irrepressible spirit of Wills himself, and a songbook of classics such as "New San Antonio Rose" (with lyrics added to the original instrumental), "Take Me Back to Tulsa," and "Faded Love." In jukeboxes and roadhouses throughout the Southwest, it is Bob Wills, not Benny Goodman, who remains the "King of Swing." --Don McLeeseCustomer Reviews:
Love Western Swing.......2007-06-08
Terrific Western Swing.......2007-05-06
Legends of Country Music.......2007-04-11
What makes Bob holler?.......2006-10-03
The recording quality of this cd is so far above everything else I've heard that it must be stressed here.
What makes Bob Holler? If he were alive today this reproduction of his great music would!
A moving tribute to a great musician !.......2006-09-22
It's important for such compilations to include a musician's big hits, as well as a sampling of their entire repertoire and influential pieces. We hear many favorites like "Big Ball in Cowtown," "Bubbles In My Beer," "Roly Poly," "Take Me Back to Tulsa" and "Stay A Little Longer." "San Antonio Rose" and "New San Antonio Rose" are both included, the former written in just 30 minutes when Wills needed another number at a recording session. Pandhandle Rag was a top ten hit in 1949. We're given the 1969 version here. Leon McAuliffe's influential "Steel Guitar Rag" appears on disc #1. In the 1960, Wills made the charts with "Shape Up or Ship Out" and "I Don't Love Nobody." Unfortunately, these songs are not provided. And how in the heck could they not have included "Across the Alley from the Alamo"? Oh well ... can't have everything.
With 105 tracks in total, this compilation certainly tells the musical story with both old-time fiddling (e.g. Osage Stomp) and country-styled jazz (e.g. Trouble in Mind, Basin Street Blues) well represented. But don't forget about the times that Bob Wills lived and played his music in, just after the Depression. Many of his fans were poor, the working folks in need of a charismatic performer to look up to. Somewhat of a folk hero, Bob Wills and his Texas Playboys traveled the backroads to rural areas in a large bus with a big longhorn steer head on the front. With heavy emphasis on the backbeat and guitar chords played over a moving bass line, the music was infectious an designed for dancing. And then there were the great lyrics, often sung by the great Tommy Duncan. Excellent notes, in a booklet with many excellent historic photographs, are an added bonus in this legends series. All I can say, is that it's a moving tribute to a great musician. So, to quote Bob Wills, "Aaaaa-haaaa!" (Joe Ross, Roseburg, OR.)
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Tiffany Transcriptions, Vol. 2
Bob Wills and His Texas Playboys Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000333U Release Date: 1993-09-28 |
Tracks:
- Take Me Back To Tulsa
- Faded Love
- Right Or Wrong
- Bring It On Down To My House
- Cherokee Maiden
- Steel Guitar Rag
- Stay A Little Longer
- Roly Poly
- Cotton Eyed Joe
- Time Changes Everything
- Corrine, Corrina
- Ida Red
- Maiden's Prayer
- San Antonio Rose
Amazon.com essential recording
Merle Haggard once said that to simply call Bob Wills's music "country" would be like calling Louis Armstrong just a trumpet player. Wills was a synthesizer and innovator, along with Jimmie Rodgers and Elvis Presley the great integrator of black and white musical styles, and one of the pillars of modern country music. The Tiffany Transcriptions are the most important and comprehensive of all of Wills's recordings, and volume 2 is a fine window on his creation of Western swing. Made for radio syndication in the late '40s at the height of the Texas Playboys' popularity, these recordings feature Wills's premiere ensemble and some of his tastiest songs: "Take Me Back to Tulsa," "Faded Love," and "San Antonio Rose." Given the age of these recordings, the fidelity is quite good, and the handling of diverse styles, from blues to jazz to ragtime to honky-tonk, is always fresh and versatile. --Roy KastenCustomer Reviews:
this is the real deal made for anyone with ears........2003-09-09
This is the real deal in regard to Western Swing. The Tiffany recordings were done for the Tiffany Furniture Company of Oakland in the period after WWII. They were sold to radio stations as music to play over the air along with or without commercials for the furniture company. This was done durign a time when playing normal commercial records on the radio was a rare or new thing.
If you look on the discography you will find there were more than a hundred of recordings done by Wills over the years for this operations. So even if Rounder has put out seven or eight volumes of this music, they are still just offering the best of the collection. These were rare treats among the collectors. I remember first hearing about them around 1977 when a friend of mine who lived in NYC mentioned he knew someone in Indiana who had taped copies of these records. I remember how I treated the tape he made me like a golden jewel, carrying it with myself personally when I moved.
People I know who actually heard the Texas Playboys play during the 1930s and 1940s say these recording say this is the way the Playboys sounded at their best live. This is the repertoire. Since it was officially a non-commercial recording, they recording all the songs they would play at live dates, and not just songs they recorded which were usually filtered by the Columbia, MGM, and MCA operation to make sure they recorded songs that had the right publishing andwere charting for others. This recording is atypical of the Tiffany recordings in that there are no non-Western Swing pop hits and I think almost every tune here was actually recorded on the Playboys' Columbia Records.
On other Tiffany recordings you can hear the Playboys make wonderful music on Nat King Cole's Straighten up and Fly Right, Basie's Swing Blues, Ellington's Take the A Train, Dinah Shore's Sentimental Journey, and even a gret instrumental on the theme from the movie Mission to Moscow!
The quality isn't always as good as the Columbia and MGM sides, but that is because they simply recorded all day whenever the tour schedule took the Playboys into San Fransisco, cutting tunes without rehearsals, on the first take, cutting five or six or seven sides in a day, as opposed to the standard recording studio concept of 4 sides in three hours, which was never met. However, on a number of these tunes they really cut lose in instrumentals they way they don't on the commercial disks. If you love the repartee between Bob and the Band, you get a lot more of that on these tunes.
What these records represent for the history of Western Swing is priceless. The guitar trio sound grew out of the duos that Eldon Shamblin and Leon MacAufliffe did with Wills before WWII. When Jimmy Wyble (who went on to be one of the key Jazz guitarists of the 1950s and 1960s) and Cameron Hill came in during the War and were joined by Noel Boggs, that sound was perfected. On these sides we hear it bluesier and hotter played by Junior Barnard or Eldon on guitar, Tiny Moore on Mandolin, and Boggs or Herbie Remington on steel guitar. You don't get as much of this on the contemporary Columbia sounds, although you did on the first MGM sides there was a revival.
It's interesting people are picking on Cherokee Maid claiming it's not contemporary. Merle Haggard cut an exact reproduction of it using members of the playboys around 1980 (of course Merle was using former playboy Tiny Moore as a regular member of his band and using Eldon and Johnny Gimble in his regular band alot then too). It went right to number one on the country Charts and stayed there about a month. Not contemporary?
This isn't history. Its laid back jazz bluesy music, played for fun.
Listen to it
And I thought Volume 1 was good..........2003-08-05
It should be said outright that the music on this CD is not pure "country", but today's musical labeling and categorizing systems would put it there (and you will find Bob Wills in the "Country" section of music stores), probably due to the cowboy hats, the steel guitar, and whooping of the band. The truth is that this is rich music combining country, jazz and swing. The musicianship and singing are top notch. "Country Swing" would probably be the most forgiving modern label.
This CD collects the "popular songs" that were played during the Tiffany sessions of the mid-forties. However, the CD booklet doesn't explain what methodology was used to determine what a "popular" a song is (are these "hits" or "most requested" or "most played" or "most bought"???). The CD is subtitled "Best of the Tiffanys" and it's unclear what this means. Nonetheless, the music is what's important here, even if the cover design scares you off (and there's nothing subtle about the cover of this CD).
There are amazing songs here, and it's easy to think that some of these songs were "hits" in their day. "Take Me Back To Tulsa", "Ida Red" and "San Antonio Rose" are obvious standouts. The music is upbeat, fun, and exhilarating. One track "Maiden's Prayer" is slow and melodically beautiful with it's harmonizing multiple fiddles. The guitar solos are searing jazz and there are trumpet solos that at first almost sound out of place (but when you realize that this is not just "country" music, you also realize that they're right in place).
There are of course anachronisms since this music was made over sixty years ago. "Cherokee Maiden" would not fly in today's market with it's "tribal" drumming, etc. Some of the lyrics are also right out of a different time (because, well... they are). "Take Me Back To Tulsa" includes these lines:
Little bee sucks the blossom
The big bee gets the honey
Little men raise the cotton
The beer joints get the money
There are not many lyrics like this still around, for better or worse depending on your point of view.
If you're looking to expand your musical horizons (on an enjoyment or a historical level), this CD and/or Volume 1 of the Tiffany Transcriptions are good places to start.
A Perfect Introduction to Western Swing.......2000-10-30
Vocals too dated to be enjoyable........2000-08-24
The instrumentation is fine but the singing will send cold chills down your spine if you are not familiar with Bob Wills' style. Just when you think to yourself that this doesn't sound so bad, a noise like a tomcat just got his genitalia caught in a bicycle sprocket wheel will emanate from the song you are listening to. This probably sounded pretty hot in 1946 but it just don't do it today (for me at least)
I would stay away from these Tiffany Transcriptions and buy some newer versions of these songs by the Texas Playboys or some of the tribute CDs' by other artists.
Now I know what Waylon meant when he sang "Bob Wills is King.......1999-04-14
Average customer rating:
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King of Western Swing
Bob Wills and His Texas Playboys Manufacturer: Jsp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000O591AQ Release Date: 2007-05-15 |
Tracks:
- Sunbonnet Sue
- Nancy Jane
- Osage Stomp
- Get With It
- I Can't Give You Anything But Love
- Spanish Two Step
- Maiden's Prayer
- Wang Wang Blues
- St. Louis Blues
- Good Old Oklahoma
- Blue River
- Mexicali Rose
- I Ain't Got Nobody
- Never No More Blues
- Who Walks In When I Walk Out
- Old Fashioned Love
- Oklahoma Rag
- Black And Blue Rag
- Sittin' On Top Of The World
- Four Or Five Times
- I Can't Be Satisfied
- Smith's Reel
- Harmony
- She's Killing Me
- Weary Of The Same Old Stuff
Tracks:
- No Matter How Seh Done It
- Bluin' The Blues
- Steel Guitar Rag
- Get Along Home Cindy
- Trouble In Mind
- What's The Matter With The Mill
- Sugar Blues
- Basin Street Blues
- Red Hot Gal Of Mine
- Too Busy
- Back Home Again In Indiana
- Fan It
- Mean Mama Blues
- Bring It On Down To My House
- Right Or Wrong
- Swing Blues #1
- Swing Blues #2
- White Heat
- Dedicated To You
- Playboy Stomp
- Steel Guitar Stomp
- Rosetta
- Bleeding Hearted Blues
- Tie Me To Your Apron Strings Again
- Never No More Hard Times Blues
Tracks:
- Sunbonnet Sue
- The New St. Louis Blues
- I'm A Ding Dong Daddy From Dumas
- Oozlin' Daddy Blues
- Black Rider
- Everybody Does It In Hawaii
- Alexander's Ragtime Band
- Blue Prelude
- Sophisticated Hula
- Pray For The Lights To Go Out
- Gambling Polka Dot Blues
- Keep Knocking (But You Can't Come In)
- Loveless Love
- Oh Lady Be Good
- Way Down Upon The Swanee River
- Oh You Beautiful Doll
- Moonlight And Roses (Bring Mem'ries Of You)
- I Wish I Could Shimmy Like My Sister Kate
- Tulsa Stomp
- Empty Bed Blues
- Little Red Head
- San Antonio Rose
- Little Girl, Go Ask Your Mama
- Carolina In The Morning
- The Convict And The Rose
Tracks:
- Silver Bells
- Dreamy Eyes Waltz
- Beaumont Rag
- Twinkle Twinkle Little Star
- If I Could Bring Back My Buddy
- Whoa Babe
- Ida Red
- Yearning (Just For You)
- I Wonder If You Feel The Way I Do
- Prosperity Special
- Drunkard's Blues
- You're Okay
- Liza Pull Down The Shades
- That's What I Like 'Bout The South
- My Window Faces The South
- The Waltz You Saved For Me
- Don't Let The Deal Go Down
- You Don't Love Me (But I'll Always Care)
- No Wonder
- Lone Star Rag
- There's Going To Be A Party (For The Old Folks)
- I Don't Lov'a Nobody
- That Brownskin Gal
- Corrine Corrina
- Let Me Call You Sweetheart (I'm In Love With You)
Customer Reviews:
Very Pleased!.......2007-07-05
Average customer rating:
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Anthology 1935-1973
Bob Wills and His Texas Playboys Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000032MM Release Date: 1991-07-02 |
Tracks:
- Maiden's Prayer
- Steel Guitar Rag
- Right Or Wrong
- Time Changes Everything
- Corrine, Corrina
- Big Beaver
- New San Antonio Rose
- Take Me Back To Tulsa
- Cherokee Maiden
- Home In San Antone
- Miss Molly
- My Confession
- Texas Playboy Rag
- Roly-Poly
- Stay A little Longer
- Basin Street Blues
Tracks:
- My Window Faces The South
- Fat Boy Rag
- Three Guitar Special
- Deep Water
- Bubbles In My Beer
- Blues For Dixie
- South
- Cotton Patch Blues
- Boot Heel Drag
- Faded Love
- St. Louis Blues
- Cadillac In Model 'A'
- Heart To Heart Talk
- The Jobob Rag
- Blue Bonnet Lane
- What Makes Bob Holler
Amazon.com essential recording
Building on the sacred tradition of the Texas fiddle band, Wills's Western swing became country music's answer to big-band jazz. Wills gave his Playboys ample room for advanced improvisation, adding instruments (drums, horns, piano, electric guitar) that were not associated with country music. He drew on a variety of styles--not just fiddle tunes and jazz standards, but also polka, blues, mariachi, and Dixieland--punctuating the music with his light-hearted exhortations. This 2 CD compilation provides an overview of his career: from his early Columbia hits with steel guitarist Leon McAuliffe and rhythm guitarist Eldon Shamblin to his final 1973 session, which he conducted from a wheelchair. For those wanting to delve deeper, Columbia's box set and Rhino's nine-volume Tiffany Transcriptions focus more thoroughly on Wills's prime. --Marc GreilsamerCustomer Reviews:
For the money this set is tops!.......2005-11-03
"Enjoy" Joe Kopeck / Parkville,Maryland
the galvanized washin' tub.......2004-07-14
As good as it gets.......2004-07-14
Without getting into the history: this is just good music suitable for anyone at any time with ears.
This is the real deal in regard to Western Swing. The Tiffany recordings were done for the Tiffany Furniture Company of Oakland in the period after WWII. They were sold to radio stations as music to play over the air along with or without commercials for the furniture company. This was done when playing normal commercial records on the radio was a rare and new thing.
If you look on the discography you will find there were more than 200 recordings done by Wills over the years for this operation. So even if Rounder has put out ten volumes of this music, they are still just offering the best of the collection. These were rare treats among the collectors. I remember first hearing about them around 1977 when a friend of mine who lived in NYC mentioned he knew someone in Indiana who had taped copies of these records. I remember how I treated the tape he made me like a golden jewel, carrying it with myself personally when I moved.
People I know who actually heard the Texas Playboys play during the 1930s and 1940s say these recording say this is the way the Playboys sounded at their best live. This is the repertoire. Since it was officially a non-commercial recording, they recording all the songs they would play at live dates, and not just songs they recorded which were usually filtered by the Columbia, MGM, and MCA operation to make sure they recorded songs that had the right publishing andwere charting for others.
On other Tiffany recordings you can hear the Playboys make wonderful music on Nat King Cole's Straighten up and Fly Right, Basie's Swing Blues, Ellington's Take the A Train, Dinah Shore's Sentimental Journey, and even a gret instrumental on the theme from the movie Mission to Moscow!
The recording quality isn't always as good as the Columbia and MGM sides, but that is because they simply recorded all day whenever the tour schedule took the Playboys into San Fransisco, cutting tunes without rehearsals, on the first take, cutting five or six or seven sides in a day, as opposed to the standard recording studio concept of 4 sides in three hours, which was never met. However, on a number of these tunes they really cut lose in instrumentals they way they don't on the commercial disks. If you love the repartee between Bob and the Band, you get a lot more of that on these tunes.
What these records represent for the history of Western Swing is priceless. The guitar trio sound grew out of the duos that Eldon Shamblin and Leon MacAufliffe did with Wills before WWII. When Jimmy Wyble (who went on to be one of the key Jazz guitarists of the 1950s and 1960s) and Cameron Hill came in during the War and were joined by Noel Boggs, that sound was perfected. On these sides we hear it bluesier and hotter played by Junior Barnard or Eldon on guitar, Tiny Moore on Mandolin, and Boggs or Herbie Remington on steel guitar. You don't get as much of this on the contemporary Columbia sounds, although you did on the first MGM sides there was a revival
If you have one CD, get this one so you can listen to the Sally Gooden on it. It is a unique recording, of which the Hot Club of Cowtown is only a pale imitation, since they only really have a trio, and this adds in guitar, steel guitar and other instruments. You must have that cut!
Fascinating band but too many steel guitars for my taste.......2004-05-15
Wills' best band, judging from aural evidence, was probably his postwar group of 1946-48 with the superb Junior Barnard on guitar and Millard Kelso, his finest pianist and a real jazz swinger. Without having heard the complete set, then, I would probably recommend the Tiffany transcriptions as aural highlights of a great country band that could provide some truly unexpected jazz thrills. As an overview of his complete career, however, this Rhino set is probably quite accurate in showing the real mix of jazz to fiddle band music the Wills group played.
Your willingness to buy this set will probably depend on your interest in Texas fiddle music in general and Wills in particular. I personally find that the 17 tracks I really like give me constant enjoyment, however. Wills' band was a truly happy one, with an esprit de corps that didn't always exist in more polished and sophisticated groups of the time, and I do believe that both the least and most sophisticated musical listeners will find something here of high quality and lasting pleasure.
Bob Wills Is Still The King.......2000-04-26
Music Album:
- Bob Wills & His Texas Playboys - 24 Greatest Hits
- Box of Willie [Box set]
- Brooks & Dunn/Rascal Flatts
- Buck Owens Sings Tommy Collins
- Christmas...Not Just Any Night
- Classic Gospel Fiddle Playin'
- Classic Recordings [Import]
- Classics by Willie Nelson
- Clayton Lee
- Complete D Singles Collection: The Sounds of Houston, Texas, Vol. 6 [Box set]
