In the mythical Porter Hall, Tennessee, they don't use fancy recording-studio tools to give singers perfect pitch, and they care more about irrepressible emotion ("I know that she hates me now / And I pray she dies") than soft-soaping sentiment. In other words, they like their music raw, raggedy, and honkin', full of spirit and sass. And that's what you get on this memorable debut from the group by the same name as this nonexistent town, which sounds like the crossroads of Porter (Wagoner) and (Tom T.) Hall, but was actually inspired by a character in the movie Beyond the Valley of the Dolls. It figures, considering the goings on in the songs--an "angel" leaves her drunken mate "face down," a perpetual loser moans of getting "Screwed Blue," and a couple goes nine rounds in record time ("Your eyes they fill with whiskey-black hate / I would leave but you are my date"). The mix is so screwy that the drums nearly drown out the electric guitar, and singers Molly Conley and Gary Roadarmel sound as if they recorded their parts in a tool shed. But heck, that's part of the fun. Visit Porter Hall, Tennessee, now, before all the tour buses come. --Alanna Nash
Welcome to Porter Hall Tennessee,Porter Hall Tennessee,Slewfoot,Country,Country & Western,Pop
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Welcome to Porter Hall Tennessee
Porter Hall Tennessee Manufacturer: Slewfoot ProductGroup: Music Binding: Audio CD ASIN: B000060OHL Release Date: 2002-03-26 |
Tracks:
- Screwed Blue
- Halfway There (I'm Gone)
- Golden Chain of Hate
- Angel Without Wings
- Drunkard and the Angel
- Don't Bury Me
- Old Kentucky Home
- Middle Tennessee
- Slip Inside the House
- Crosses to Hang
- I've Got a Hedge
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In the mythical Porter Hall, Tennessee, they don't use fancy recording-studio tools to give singers perfect pitch, and they care more about irrepressible emotion ("I know that she hates me now / And I pray she dies") than soft-soaping sentiment. In other words, they like their music raw, raggedy, and honkin', full of spirit and sass. And that's what you get on this memorable debut from the group by the same name as this nonexistent town, which sounds like the crossroads of Porter (Wagoner) and (Tom T.) Hall, but was actually inspired by a character in the movie Beyond the Valley of the Dolls. It figures, considering the goings on in the songs--an "angel" leaves her drunken mate "face down," a perpetual loser moans of getting "Screwed Blue," and a couple goes nine rounds in record time ("Your eyes they fill with whiskey-black hate / I would leave but you are my date"). The mix is so screwy that the drums nearly drown out the electric guitar, and singers Molly Conley and Gary Roadarmel sound as if they recorded their parts in a tool shed. But heck, that's part of the fun. Visit Porter Hall, Tennessee, now, before all the tour buses come. --Alanna NashCustomer Reviews:
can't wait for new alblum.......2007-04-25
This disc is a perfect tonic.......2005-10-02
Come on Home to Porter Hall.......2003-03-21
Molly Conley and Gary Roadarmel are the heart and soul of the band trading off vocal leads and harmonies. The music sounds as if its fairly steeped in Jack Daniels with that loose drawl (or should I say slur) and each track comes off as if your are enjoying shots in a bar with broken chairs, concrete floors, and one of the best bands in town smack dab in the middle of Porter Hall Tennessee. By the looks of the back of the CD, Porter Hall lies somewhere close to the geographical center of the eponymous state, but don't book your greyhound ticket just yet, cuz I'm specting you won't find the place on a map. But thanks to Conley and Roadarmel you can enjoy their music.
The song's lyrics are harsh and fierce and belie a stripped down life encountered with cheap alcohol and brazen emotion. There is a sense of the Southern gothic as people sleep on the couch and get themselves knee-deep in cheap wine. Others go to sleep with a bottle of whiskey so they don't wake up alone and yet others build hedges around them so they won't feel the tempting fires of temptation.
So Porter Hall Tennessee was born again from punk roots but it sure sounds like they brought the best together of two genres and came up with something authentic. I'll be looking out for what this group does next and checking the greyhound station for when they open up that stop in Porter Hall. Saaaaa-looooot!
Needs better songs.......2002-08-30
Down-home country and rockabilly.......2002-04-13
The albumýs rough edges arenýt the product of sloppiness or lack of ability, theyýre a choice to make music free of the finishing polish required for country radio success. The drums shuffle rather than boom, the rhythms move with the organic give-and-take of a band, and the vocals show the emotional cracks and crevices puttied flat by Nashvilleýs punch-in overdubs.
Roadarmelýs opening run at Randy Jonesý "Screwed Blue," is a terrific piece of rockabilly heartbreak. Played live, Ruth Griffinýs walking bassline and Roadarmelýs electric guitar surely pull dancers to the floor. Conleyýs singing balances strength and vulnerability, with more than a hint of Lucinda Williamsý warble, and an extra helping of hillbilly twang. Both singers (along with mandolin player Jason Sligh) provide harmonies, as well.
In addition to a trio of covers (including Gene Wilcoxýs "Golden Chain of Hate," with its memorable opening, "Whiskey, whores, and overtime have taken her place now that sheýs gone"), Roadarmel and Conley contribute eight originals. Itýs to their credit that these tales of broken, lost and discarded loves appeal as classic themes rather than hackneyed subjects. Highlights include Roadarmelýs tortured last-call, "Drunkard and the Angel," and Conleyýs ballad of disaffection, "Halfway There (Iým Gone)."
Potential fans shouldnýt waste their time searching a map of Tennessee for Porter Hall - itýs a state-of-mind (or, really, a state-of-music), and this CD is the only road in.
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