| 1. If You Got The Money |
| 2. Vous And Moi |
| 3. Seven Spanish Angels |
| 4. City Of New Orleans |
| 5. To All The Girls I Loved Before |
| 6. Still Is Still Movin' To Me |
| 7. Milk Cow Blues |
| 8. Pancho And Lefty |
| 9. Till I Gain Control |
| 10. Mama Don't Let Your Babies Grow Up To Be Cowboys |
| 11. Angel Flying Too Close To The Ground |
| 12. On The Road Again |
| 13. Always On My Mind |
| 14. Ou Est Tu Mon Amour |
| 15. Please Don't Talk About Me When I'm Gone |
| 16. Roll In My Sweet Baby's Arms |
| 17. Good Hearted Woman |
| 18. Blue Skies |
| 19. Georgia On My Mind |
| 20. Blue Eyes Crying In The Rain |
Live in Amsterdam,Willie Nelson,Sony,Country/Bluegrass
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Magik: Live in Amsterdam
DJ Tiësto Manufacturer: Black Hole ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NH0I Release Date: 2001-08-21 |
Tracks:
- Fratty Boy - Afterburn
- Eyeball (John Johnson Remix) - Sunburst
- Voyage - Yahel & Eyal Barkan
- Surreal (En Motion Remix) - Free Radical
- Forever Young - Fire & Ice
- Purple Cloud - The Swimmer
- Silence (DJ Tiesto's In Search Of Sunrise Remix) - Delerium
- Viola (Armin Van Buuren Remix) - Moogwai
- Wasteland - Kamaya Painters
- Sixty Nine Ways - Cloud 69
- Escape From Nowhere - Airwave
- Gothic Dream (John Johnson Remix) - Dawnseekers
- Till We Meet Again (Album Mix) - Push
- No Hesitation - VDM
- Cloudwalking - Pulser
Customer Reviews:
a classic.......2006-12-16
A solid release, but it's live all right.......2006-09-25
Takes a while.......2006-09-21
One of the best trance cd's ever!.......2006-07-16
Everything he's done and why he does it!.......2006-04-27
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Ana! Live in Amsterdam
Ana Popovic Manufacturer: Ruf (Idn) ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000850GS8 Release Date: 2005-07-26 |
Tracks:
- Intro
- Don't Bear Down On Me
- Sittin' On Top Of The World
- Love Me Again
- Comfort To The Soul
- Navajo Moon
- Night By Night
- Bigtown Playboy
- Won't Let You Down
- Jaco
- Long Way Home
- My Man/Long Lost Love
Album Description
This CD was recorded on January 30, 2005, at the Melkweg in Amsterdam. It was home-court advantage for Ana Popovic--the native of Belgrade has lived in Holland for several years. The refrain of her first song, "Don't Bear Down on Me," can be taken as the motto of the whole evening: "I'm here to steal the show." And indeed, that's what Ana does! The 29-year-old proves with her own songs and fresh interpretations that she is an excellent and expressive guitarist with a powerful voice. Her groovy music is not aimed at blues purists--she stands for modern and cross-border blues with elements of rock, soul, and jazz.Customer Reviews:
Excellent guitar player.......2006-12-07
I've seen her in a live gig and I absolutely do recommend you to do the same if you ever get the chance.
Five stars from me here.
Loved it.......2005-08-18
She Looks good,sounds good and she is very plesant.
She signed autographs for a couple of hours.
Give it a listen
.
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Youth Are Getting Restless: Live in Amsterdam
Bad Brains Manufacturer: Caroline ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000HT2 Release Date: 1990-05-10 |
Tracks:
- I
- Rock For Light
- Right Brigade
- House Of Suffering
- Day Tripper/She's A Rainbow
- Coptic Times
- Sacred Love
- Re-ignition
- Let Me Help
- The Youth Are Getting Restless
- Banned In D.C.
- Sailin' On
- Fearless Vampire Killer
- At The Movies
- Revolution (Dub)
- Pay To Cum
- Big Takeover
Customer Reviews:
Sound.......2007-06-29
GREAT BAD BRAINS CD!.......2006-08-29
The Bad Brains at full throttle.......2006-04-22
This live album captures the Brains at what they did best, play mind-blowing shows. Being masters at both light-speed hardcore riffage and playing chilled out reggae and dub. This album combines both genres giving you a breather from the amazing and brutal hardcore assault with reggae interludes in between.
The Bad Brains' lineup was filled with talent in every instrument with Darryl and Earl providing a solid and groove filled rythm section, Dr. Know on lead guitar riffing and soloing at the same level or better than any metal guitar gods. Finally, HR on vocals which are correctly credited on liner notes as "throat". Indeed, HR uses his voice as another instrument: shaman-like chants, crooning, wailing, screaming, reggae stylin' and sometimes even barking. HR is on pair with Mike Patton and Maynard James Keenan when it comes to vocals.
Separeted like a three act play, the album is divided into sets of hardcore tracks separated by reggae interludes: Day Tripper / She's a Rainbow, The Youth are Getting Restless and Revolution. It is worth noting that Day Tripper / She's a Rainbow has one of the gooviest bass lines, better than anything put out by Marley or King Tubby.
All hardcore tracks are amazing, a few standouts: House of Suffering, Coptic Times, Banned in DC, Big Takeover.
Hardcore is an acquired taste, like a fine wine, the first time you sip it out of a glass the taste might be kind of nasty but with time it becomes a greate pleasure. The same thing happens with the Bad Brains.
It is a shame that the Brains don't tour anymore, it would be amazing if somebody would put live footage from this tour on DVD.
Enjoy.
The Originators.......2004-05-04
Bad Brains at their height.......2003-12-19
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Live in Amsterdam
Fishbone Manufacturer: High Times Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00099ICC0 Release Date: 2005-05-31 |
Tracks:
- X-Qz Me Dr.Mad Vibe, Housecall Pull-ease {Angelo C. Moore and Fishbone}
- Alcoholic {Angelo C. Moore, Kendall Jones, Norwood Fisher}
- Just Allow {NorwoodFisher}
- In The Heet Of Anger {Angelo C. Moore, Norwood Fisher, Fish Fisher}
- Aids & Armageddon {David Bearwald}
- R U Wid Id {Norwood Fisher}
- Cholly {AngeloC. Moore, Kendall Jones, D. Kahne}
- Ma & Pa {Angelo C. Moore, Kendall Jones}
- Skankin To The Beat {Walter A. Kibby, Angelo C. Moore}
- Premadawnutt{Norwood Fisher}
- chimm Chimms Bad Ass Revenge {Fishbone ʻ96, DallasAustin}
- Bonin In The Boneyard {Norwood Fisher, Angelo C. Moore, D. Kahne}
- Sunless Saturday {Kendall Jones}
- Swim {John Bigham}
Album Description
This is the Fishbone album fans have been waiting for. Shot and recorded in digital 24 track at the world famous Melkweg Theatre in Amsterdam, Holland during the infamous High Times Cannabis Cup. This is Fishbone at it's most inspired. They are a well oiled Punk/Ska/Funk factory, this being the last night of a 14 week grueling American and European tour. The smoke filled venue filled with thousands of blissed Fishbone fans shakes with the thunderous grooves as the band plays songs that span their 20 year career. The DVD is 1 hour and 20 minutes.Customer Reviews:
closest to the real thing..........2005-11-30
The Indie-label Struggle.......2005-10-31
Stoned delight in the stoners' capital.......2005-09-30
From Angelo Moore's bizarre opening rap, to the sonic blitz of "Sunless Saturday" and the turbo-charged skank of "Cholly", this is pure killer vibes.
How could a band so talented be treated so shabbily by the music industry? Moore's bitter rant, which closes the DVD version, spells out just how used and abused Fishbone were.
Tragic. But at least we have this souvenir of their greatness.
Great Music, Great DVD, a must for fishbone fans!!!!.......2005-09-21
Fishbone rocks live.......2005-08-31
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In Amsterdam: Live at the Bimhuis
Fred Hersch Manufacturer: Palmetto Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000E1XODA Release Date: 2006-02-21 |
Tracks:
- A Lark
- The Nearness Of You
- Evidence
- At The Close Of The Day
- O Grande Amor
- The Peacocks
- Don't Blame Me
- Valentine
Customer Reviews:
Wow.......2006-06-30
Buy three copies, since you'll want to give the extras as gifts.......2006-04-12
An Introduction to Intimate Interpretation.......2006-03-16
1. The music is personal and technical at the same time.
Ok, in music there are two schools: touch and techncality. Those at the extreme of each do not venture into the other realm. Some musicians are so technically superb that they do not let the spontenaety of emotion add to thier work. In the other camp, some pianists are so emotional they squeak and miss notes trying to make the music "float".
On this recording, Mr. Hersch combines both schools correctly. He has a tinge of Keith Jarret(Koln Concert), Ahmad Jamal (The Awakening), Bill Evans (Since We Met), and the spacial qualities of Thelonious Monk. On this album, he's addresses all schools and does a great job at it.
2. This was one great engineering job.
How many instances have you suffered the sorrows of a good performance with a bad sound quality. Much like the touch/technics problem mentioned above; another great challenge of any recording is great performance/production. There are a few greats in this line: Sunday At The Village Vanguard (Bill Evans), Blue Train (John Coltrane), Piano Reflections (aka Duke Plays Ellington) (Duke Ellington), and many more.
This album is a marriage of music and mastering. The natural reverb of the new Stienway at the Bimhius is easily captured here. In addition, you can tell the room is medium-sized (listen to the slight compression of the monsterous chords in the middle section of A Lark). The applause is clear and has no distortion; it's easy to hear the harmonics of the piano and the dynamics he plays. I haven't heard a recently-recorded piece sound this good in YEARS!
3. The selections allow you to see what Fred can do.
It's easy to record an album (ok, I still listen to 'wax') that uses all new recording you create to showcase you abilities. That's fine with me. However, to me--if you can recreate the magic in the standards; you can easily win my acclaim by shoving yourself into a mold cast in the past and recreating the shape of that music.
Put another way: listen to Fred play The Peacocks. Until this recording, Bill Evans (You Must Believe in Spring) was my ultimate version--to me, Fred might have beaten that version. Fred allows you to fully experience the music by taking his time and allows the music to capture your soul.
To be brief: This CD shocked me! I never planned to buy it; but now I can't put it down. I'm hoping that he will be in my area so I can catch him.
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Live in Amsterdam
Candy Dulfer Manufacturer: Bmg/Ariola ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000058BET Release Date: 2001-02-05 |
Tracks:
- Bob's Jazz
- Omara's Dance
- For The Love Of You
- Sax-A-Go-Go
- Lily Was Here
- Synchrodestiny
- Nikki's Dream
- Pick Up The Pieces
- Dance 'Till You Bop Revisited
Album Description
Live release for the photogenic Dutch saxophonist who's worked with Prince, Dave Stewart (who appears on this release),Pink Floyd, Van Morrison and Aretha Franklin to name a few.Best known for her 1990 international hit, 'Lily Was Here' (included here). Additional artists include urban diva AngieStone on 'For The Love Of you'. Recorded at the Paradisco Club in Amsterdam. 2001 release. Standard jewel case.Album Details
2001 Live Recording. Includes a Selection of Classics Like 'bob's Jazz', 'pick Up the Pieces', 'sax-a-go-go' and a Completely Reworked Version of 'jamming', plus Recent Tracks Like 'island Lady' and '2025'. Soul Diva Angie Stone Guests on the Isley Brothers Classic 'for the Love of You'. Eurythmic Dave Stewart Guests on their Hit 'lily was Here' and Together They Debut a New, Catchy Track Titled 'synchrodestiny'.Customer Reviews:
Really good.......2003-12-23
Execellent live recording.......2003-04-10
Outstanding Performance!!.......2001-12-27
I usually change cd's in my cars about once a week. I have had this cd in one or the other for 2 months and I am still not tired of it! Every track seems to grow on you even if you are hearing the song for the first time! My kids (4 and 10) even find themselves singing along with portions of the album.
Do not hesitate! Even if you only barely like jazz, this is a no-brainer! Order it!
Fan-SAX-tic.......2001-04-25
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Live in Amsterdam
Fela Anikulapo Kuti Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004XT2R Release Date: 2001-07-24 |
Tracks:
- M.O.P. (Movement Of The People) Political Statement No.1
- You Gimme Shit I Give You Shit
- Custom Check Point
Customer Reviews:
More Classic Fela Reissued.......2003-07-12
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25th Anniversary: Live in Amsterdam
Toto Manufacturer: Eagle Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000CABI1 Release Date: 2003-10-07 |
Tracks:
- Girl Goodbye
- Goodbye Elenore
- Child's Anthem
- I'll Supply The Love
- Gift With A Golden Gun
- While My Guitar Gently Weeps
- Bodhisattva
- Africa
- Waiting For Your Love
- Georgy Porgy
- Lion
- Hydra
- English Eyes
- Till The End
- I Won't Hold You Back
- Rosanna
- Afraid Of Love
- Hold The Line
- Home Of The Brave
Album Description
Subtitled - Live In Amsterdam. 2003 live release featuring 19 tracks. Eagle Records.Customer Reviews:
25 years later ToTo is still explosive.......2006-01-21
FANTASTIC!!!.......2005-08-31
Embarassed.......2005-03-01
Just for Fans.......2004-12-09
good to be 'Live'.......2004-03-29
the 3 brothers are from . This is a good live cd, the songs sound
crisp,clean,and yet raw , meaning theres a little edge to them but not to the point where your not listening to a toto cd, meaning the sound is great which you get when you listen to a toto cd. When I go to a concert I want the songs and sound to sound just like the cd I bought and when you see toto in concet thats just what you get. I liked the arrangements on the songs
the vocals were good but his voice sounded a little weak on a couple songs but I know he has a great singing voice . The playing is outstanding of course and this is a good cd if your a
toto fan, or just a music fan
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Martha Argerich: Live from the Concertgebouw, 1978 & 1992
Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004LCAQ Release Date: 2000-05-09 |
Tracks:
- Piano Concerto No. 25 In C, K. 503: Allegro maestoso
- Piano Concerto No. 25 In C, K. 503: Andante
- Piano Concerto No. 25 In C, K. 503: III. Allegretto
- Piano Concerto No. 1 In C, Op. 15: Allegro con brio
- Piano Concerto No. 1 In C, Op. 15: Largo
- Piano Concerto No. 1 In C, Op. 15: Allegro scherzando
Amazon.com
The relationship between pianist Martha Argerich and the recording studio has always been an on/off affair. Consequently, many of her discs derive from live concert tapings. EMI is doing a great service to the pianist's legion of fans by issuing excellent-sounding live broadcast recordings, like the two concertos contained on this disc. Mozart's C Major Concerto K. 503 is new to Argerich's discography. Her skittish fluidity in the passagework of the outer movements downplays the music's operatic overtones, stressing instead the music's big-boned virtuosic parameters. Occasional patchy tone and unsettled entrances are a small price to pay for Szymon Goldberg's sensitive, well-balanced support at the helm of the Netherlands Chamber Orchestra. Why are the cadenzas unaccredited (Mozart left none for this work)? Argerich made a studio recording of Beethoven's joyfully brash First Concerto with the Philharmonia Orchestra under Giuseppe Sinopoli for DG in the late 1980s. This 1992 live version, however, finds the mercurial virtuoso in more spontaneous, rabble-rousing fettle. At the same time, she conveys more breadth and breathing room in the slow movement. Heinz Wallberg and the Concertgebouw Orchestra turn in an alert, yet firmly rooted orchestral framework that supports the soloist without indulging her headstrong tendencies. One might expect a pianist of Argerich's capabilities to let rip in Beethoven's longer, wilder, first-movement cadenza, but she opts instead for the more frequently played shorter one. --Jed DistlerCustomer Reviews:
The young Argerich gives us an astonishing K. 503 and later a very fine Beethoven First.......2006-06-13
After my first listen I checked the Gramophone review to see if anyone shared my amazement and found that the reviewer called this "as radiant, vital and carefree a performance as any within living memory." Absolutely.
In the Beethoven First the partnership isn't quite as magical. Heinz Wallberg starts out the orchestral part in pretty routine fashion, although the Concertgebouw plays with gorgeous tonal balance. This is 1992, and I expected Argerich to charge blazing into the solo part. As it turns out, she is nearly as effervescent and carefree as in the Mozart. Does a live setting make her this genial? I'm not sure that Beethoven's music is so inspired that taking all the repeats is justified--the timing stretches out to 34 min.--but with such infectious playing I was happy to hear every note. Wallberg is at his best in the slow movement, which he conducts with extra intensity to counterpoint Argerich's hypnotic legatos. The rondo finale is dashed off at a nice, buoyant pace, and the orchestra skips alongside Argerich to delightful effect--there's no pounding or exaggeration from her, either, despite her fiery reputation.
All in all, a complete delight.
The inimitable Argerich in classical vein.......2004-02-21
The squarer, more straightforward style of the Beethoven Concerto needs less subtlety of listening. Again Argerich tosses off the frequently intricate piano writing with irresistible dash. (She plays the shorter, less virtuosic of Beethoven's two complete cadenzas for the first movement.) The long slow movement is played with melting tenderness and beautiful work from the solo winds. This is yet another wonderful souvenir of this very great pianist's art.
Beethoven playing at its best.......2004-01-01
Unfortunately, the disc opens with the Mozart. While it is not a bad performance, something is missing. I find that Argerich seems much less "comfortable" in this concerto than in the Beethoven (considering her statements about Mozart and Beethoven in her interviews, this seems appropriate). The Mozart is ultimately ruined for me in the Allegretto--the piano entrance is played with such blazing speed that it is difficult to discern what's really going on.
The Beethoven, on the other hand, is brilliant. It is played a little slower than her childhood debut, but is endlessly more mature. The tender moments are played with such delicacy and finesse, that I feel almost as if time has stopped. Her runs, no matter what tempo or dynamic, are always crystal-clear and shaded with wonderful color. And while the third movement may be a little on the brisk side, the playing is always nuanced. No matter what the music calls for, she delivers it accurately, musically, and with astonishing control.
If the quality of a recording should be judged on how many times I can spin the disc in my player and not grow tired of it, this one is a real winner. One thing remains true: I gain something more with each listen.
Wit, energy, and joy! A choice disk..........2002-06-24
Some people feel they haven't given a proper critique of a recording without giving a list of flaws in the performance details. To that I saw they are missing the whole point of the thing. Live music is about the moment and going after something. The fact that there are rough spots means almost nothing when the artistry is still in tact. And with Argerich the piano playing is rock solid fun and both orchestras do a great job in matching her vitality.
Both of these concertos require the pianist to make the music sing, but in different ways. The Mozart is witty in its sheer musical facility. Mozart is able to conceive anything and pull it off seemingly out of thin air. I am always amazed at his quicksilver imagination and it is in full power in this concerto and in this performance.
The Beethoven is wonderful, but it is obvious that it is more of a constructed wit. It is still very funny and powerful and poetic. I guess the difference is really that Mozart seems almost improvised and the Beethoven seems more thought out. Not that Mozart seems anything less than perfect nor does the Beethoven sound labored. It is just the way the payoffs are gained makes them sound that way to me.
In any case, these are two wonderful pieces and two superb performances. I love listening to this CD. Enjoy!
"classical" style?.......2000-07-30
In interviews, Argerich often talked about how much Beethoven and Mozart meant to her. It will be surprising for most people to know that she's interested in theoretical essays in order to know how something was played in each period. She said, "Trying to know what the interpretations were like in each period is a question of respect for the composer who created that music that I love." She also says that she understands Beethoven more than she does others. Indeed, when we listen to her play, her love for the music is apparent.
With Mozart, however, it's a more interesting case. What we hear in her Teldec Mozart recordings certainly is quite different from that in this concerto performance. (It is also interesting to see her play Mozart fourhands in the DVD "Martha Argerich and Friends") This is not to say which Argerich is better, but I do think that as a Mozart interpreter she's more mercurial and maybe somewhat less consistent than as a Beethoven player. In fact, Argerich confessed that "with Mozart, the sound of the modern piano gives me some trepidation." Fortunately, we don't sense any of that mixed feeling in this EMI live recording. This performance has the youthful exuberance, the sense of improvisation, and a truly singing quality that are so essential (yet so rarely heard) in a Mozart performance. Her problem with Mozart on the modern piano doesn't seem to exist; instead, we hear the instrument fully utilized in her heartfelt singing style. It is healthy, full-blooded, full of colors, and with the greatest sincerity. Her impeccable musical taste and intelligence give the interpretation authority and integrity. Her virtuosity adds extra brilliance and excitement. This is a dream performance of Mozart's K. 503.
By the way, I'm curious to know how many people actually listen to music with the score on their hands. Following the music score can be a great distraction and it prevents the listener from being completely open to what the music and performer really says. In reality, the music notation of Mozart and Beethoven is often ambiguous and they had such improvisatory habits and flair while performing that I think it's wrong for today's performers (and listeners as well) to blindly follow the score as if it's the bible.
Also, I'd like to point out a mistake of one of the reviewers. In Argerich's DG recording of Beethoven concertos, she didn't conduct the orchestra herself. She was paired with conductor Sinopoli. However, she did play with London Sinfonietta without a conductor in her old EMI recording of Beethoven and Haydn concertos.
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Magik, Vol. 6: Live in Amsterdam
DJ Tiësto Manufacturer: Black Hole ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004XMWL Release Date: 2000-08-21 |
Tracks:
- Fratty Boy
- Eyeball [John Johnson Remix] - Sunburst
- Voyage - Eyal Barkan,
- Surreal [En Motion Remix] - Free Radical
- Forever Young
- Purple Cloud
- Silence [Dj Tiesto's in Search of Sunrise Remix] - Delerium
- Viola [Armin Van Buuren Remix] - Moogwai
- Wasteland - Kamaya Painters
- Sixty Nine Ways - Cloud 69
- Escape from Nowhere - Airwave
- Gothic Dream [John Johnson Remix] - Dawnseekers
- Till We Meet Again [Album Mix] - Push
- No Hesitation
- Cloudwalking
Album Description
Sixth installment in Black Hole Recordings live DJ series. 15 tracks mixed & recorded live in Amsterdam by DJ Tiesto. Tracks, Afterburn 'Fratty Boy', Sunburst 'Eyeball' (John Johnson Remix), Yahel Ft. Eyal Barkan 'Voyage', Free Radical 'Surreal' (En Motion Mix), Fire & Ice 'Forever Young', The Swimmer 'Purple Cloud', Delerium 'Silence' (DJ Tiesto's In Search Of Sunrise Remix), Moogwai 'Viola' (Armin Van Buuren Mix), Kamaya Painters 'Wasteland', Cloud 69 'Sixty Nine Ways', Airwave 'Escape From Nowhere', Dawnseekers 'Gothic Dream' (John Johnson Remix), Push 'Till We Meet Again' (Album Mix), VDM 'No Hesitation' & Pulser 'Cloudwalking'. 2000 release.Album Details
Trance/techno. DJ Tiesto Has Recorded his New Magik Compilation in Front of a Live Audience on June 23rd at the Latest Wildlife Party at the Melkweg Amsterdam.Customer Reviews:
THIS IS "NOT" THE #1 Trance album of All time.......2007-02-12
A few mind blowing songs though
Well worth it
Its not the best ever, but well worth it
THIS IS THE #1 TRANCE ALBUM OF ALL TIMES!.......2006-07-20
this is till this day the # 1 electronic music mix in my eyes, and iv been a fan since i first started listening to music!
Great live set from Tiesto.......2005-11-22
Amazing...Tiesto Does Not Disappoint.......2001-09-08
Tiesto will spin you into Euphoria..........2001-08-29
Music Album:
