After the Last

1. Spread Thin

2. Suject to Change

3. Fly Out

4. 5

5. Sailin' On

6. All In

7. Loose Brick

8. Borrow and Spend

9. Details

After the Last,Red Thread,Badman Records,Country,Pop,Popular Music,Rock,Spaghetti-western guitar licks, and driving stop-start rhythms with wistful, somber vocals that croon like a weathered cowboy who's seen too many rodeos.

Average customer rating: Great western soundtrack a very memorable cd a very memorable cd a very memorable cd Truly Incredible

All the Pretty Horses (2001 Film) Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Country | Styles | Music New Traditionalist | Contemporary Country | Country | Styles | Music General | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: All the Pretty Horses The Straight Story: Music from the Motion Picture Soundtrack Street Talk Think a Second Time Gladiator: Music from the Motion Picture ASIN: B000056KYJ Release Date: 2001-01-16

Tracks:

1. Cowboy's Dream
2. Canyon Sonata
3. All the Pretty Horses
4. Purty Dad Gum Good
5. After the Rain
6. Mild Cello Blues
7. Malarki Opus in D Major
8. John Grady's Angel
9. Edge of the World
10. Get My Boots
11. Strawberry Tango, Pt. 1-2
12. King of Horses
13. Far Away (Alejandra's Phone Call)
14. Porque
15. Love Montage
16. Ain't That a Drag
17. My Last Days on Earth/What's It Like to Be Dead?
18. Long Journey Home
19. Candles and Lies
20. Rainy Room
21. Far Away
22. Far Away (Reprise)
23. Cowboy's Dream/All the Pretty Horses [Medley]

Amazon.com

Novelist Cormac McCarthy's literary vision of the wild west is given wide-screen treatment by maverick director Billy Bob Thornton and a cast that includes Matt Damon, Penelope Cruz, and Bruce Dern. Professional country music journeyman Marty Stuart has performed with father-in-law Johnny Cash, Earl Scruggs, and Doc Watson, in addition to a successful solo career. In his soundtrack scoring debut, he provides short, meditative instrumental pieces that are subtly explosive--rife as they are with strains of old-school country and bluegrass. Cinematic strings and orchestral percussion add a welcome menacing edge, augmenting the rustic approach without crossing over into a compromised "countrypolitan" sound. If anything, it might be nice to hear these themes extended. As it stands, the 23 listed tracks are covered in a little under 50 minutes, with many of the cuts barely lasting more than a minute or two. They stand as a new genre of cinematic country minimalism. --Rob O'Connor

Customer Reviews:

Great western soundtrack.......2004-02-28

This is a must buy for fans of western soundtracks.It mixes beautifully symphonic music with Guitar music and spices it up all together with a south of the border flavor. Haunting music that will make you want to never take it out of your cd changer. It also
Features two vocal pieces, the first a spanish song sung by the very talented Raul Malo of the country group the mavericks, the second song is a beautiful ballad sung by Marty Stuart. Though I never owned any cd's of Marty Stuart he earns my respect with composing this film score.(cowboy hats off to you Mr.Stuart)

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

a very memorable cd.......2003-07-04

I thoroughly enjoyed this soundtrack cd. It soars high on ambiance, romance, and easy listening.

Truly Incredible.......2003-03-12

This album is a masterpiece. Within the first strums of the guitar, you feel as though you are among the southwestern hills. It has immediately become one of my favorites of all-time. The songs are filled with beautiful imagery, enchanting tunes, and haunting melodies. The shortness of the songs in unnoticable, as each song blends into the next, and the album itself serves as one epic journey. It is not meant to be listened to a song at a time, but as a whole. As I said, it is truly incredible. I would recommend it to absolutely anyone.

Average customer rating: sparse After the Rain...The Soft Sounds of Erik Satie Such beautiful music nice Meditative Satie

After the Rain...The Soft Sounds of Erik Satie Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Rogi, Pascal | ( R ) | Featured Performers, A-Z | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The Best of Erik Satie Satie: Piano Works The Magic of Satie Ravel: Piano Works Satie: Gymnopédies No1-3; Gnossiennes No1-6 ASIN: B00000427P Release Date: 1996-03-12

Tracks:

1. Gymnopedie No.1
2. Gymnopedie No.2
3. Gymnopedie No.3
4. Gnossienne No.1
5. Gnossienne No.2
6. Gnossienne No.3
7. Gnossienne No.4
8. Gnossienne No.5
9. Gnossienne No.6
10. Nocturne I
11. Nocturne II
12. Nocturne III
13. Nocturne IV
14. Nocturne V
15. Avant-Dernieres Pens: I. Idylle, A Debussy/II. Aubade, A Paul Dukas/III. Meditation, A Albert...
16. Pieces Froides-Trois Airs A Fuir
17. Pieces Froides-Trois Danses De Travers
18. Deux Reveries Nocturnes
19. Prde De la Porte He Du Ciel - Pascal Roge P

Customer Reviews:

sparse.......2007-03-11

If you enjoy simple accoustic piano arrangements played simply and beautifully you will enjoy this music.Satie has a moody and haunting way with his compositions

After the Rain...The Soft Sounds of Erik Satie.......2007-02-15

Excellent rendition of intimate Satie. Very evocative of Paris. Cool and quiet.

Such beautiful music.......2007-01-12

Eric Satie has composed some of the most beautiful music in the world. One of the few musical pieces that bring out real emotion in me.

nice.......2007-01-05

a good introduction to satie's music. Well played, excellent recording.
Nuff said!

Meditative Satie.......2006-12-24

As with any composer there are many ways to competently interpret their work. If you like Satie's music played to bring out its meditative, dreamy qualities, this is the recording for you.

Average customer rating: A musical treasure-box a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Holborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by White | White, Robert | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Solo Instrumental | New Age | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Byrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Holborne, Anthony | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music White, Robert | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Bargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Dowland: Complete Lute Works, Vol.1-5 William Byrd: Consort Songs Bach: The Landowska Recordings Britten Conducts Britten Janácek: Operas ASIN: B000004CYV Release Date: 2007-03-13

Tracks:

1. First Booke Of Songes: I. Unquiet Thoughts
2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
4. First Booke Of Songes: IV. If My Complaints Could Passions Move
5. First Booke Of Songes: V. Can She Excuse My Wrongs
6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
7. First Booke Of Songes: VII. Dear, If You Change
8. First Booke Of Songes: VIII. Burst Fourth My Tears
9. First Booke Of Songes: IX. Go Crystal Tears
10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
11. First Booke Of Songes: XI. Come Away, Come Sweet Love
12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
16. First Booke Of Songes: XVI. Would My Conceit
17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
18. First Booke Of Songes: XVIII. His Golden Locks
19. First Booke Of Songes: XIX. Awake, Sweet Love
20. First Booke Of Songes: XX. Come, Heavy Sleep
21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

1. Second Booke Of Songs: I. I Saw My Lady Weep
2. Second Booke Of Songs: II. Flow My Tears
3. Second Booke Of Songs: III. Sorrow, Stay
4. Second Booke Of Songs: IV. Die Not Before Thy Day
5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
6. Second Booke Of Songs: VI. Time's Eldest Son
7. Second Booke Of Songs: VII. Then Sit Thee Down
8. Second Booke Of Songs: VIII. When Others Sing Venite
9. Second Booke Of Songs: IX. Praise Blindness Eyes
10. Second Booke Of Songs: X. O Sweet Woods
11. Second Booke Of Songs: XI. If Floods Of Tears
12. Second Booke Of Songs: XII. Fine Knacks For Ladies
13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
15. Second Booke Of Songs: XV. White As Lilies Was Her Face
16. Second Booke Of Songs: XVI. Woeful Heart
17. Second Booke Of Songs: XVII. A Shepherd In A Shade
18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
19. Second Booke Of Songs: XIX. Shall I Sue
20. Second Booke Of Songs: XX. Toss Not My Soul
21. Second Booke Of Songs: XXI. Clear Or Cloudy
22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

1. Third Booke Of Songs 1603: I. Farewell, Too Fair
2. Third Booke Of Songs 1603: II. Time Stands Still
3. Third Booke Of Songs 1603: III. Behold A Wonder Here
4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
9. Third Booke Of Songs 1603: IX. What If I Never Speed?
10. Third Booke Of Songs 1603: X. Love Stood Amazed
11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
17. Third Booke Of Songs 1603: XVII. I Must Complain
18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

1. A Pilgrimes Solace: I. Disdain Me Still
2. A Pilgrimes Solace: II. Sweet Stay Awhile
3. A Pilgrimes Solace: III. To Ask For All Thy Love
4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
6. A Pilgrimes Solace: VI. Were Every Thought An Eye
7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
8. A Pilgrimes Solace: VIII. Tell Me, True Love
9. A Pilgrimes Solace: IX. Go Nightly Cares
10. A Pilgrimes Solace: X. From Silent Night
11. A Pilgrimes Solace: XI. Lasso vita mia
12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
14. A Pilgrimes Solace: XIV. Thou Mighty God
15. A Pilgrimes Solace: XV. When David's Life
16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
3. A Pilgrimes Solace: XIX. Up Merry Mates
4. A Pilgrimes Solace: XX. Welcome Black Night
5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
2. Mr. Henry Noell Lamentations: II. Domine ne in furore
3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
6. Mr. Henry Noell Lamentations: VI. De profundis
7. Mr. Henry Noell Lamentations: VII. Domine exaudi
8. Lachrimae: Lachrimae Antiquae
9. Lachrimae: Lachrimae Antiquae Novae
10. Lachrimae: Lachrimae Gementes
11. Lachrimae: Lachrimae Tristes
12. Lachrimae: Lachrimae Coactae
13. Lachrimae: Lachrimae Amantis
14. Lachrimae: Lachrimae Verae
15. Lachrimae: Mr. John Langton's Pavan
16. Lachrimae: Mr. Nicholas Gryffith His Galiard
17. Lachrimae: Sir John Souch His Galiard
18. Lachrimae: Semper Dowland Semper Dolens
19. Lachrimae: Mr. Giles Hobies Galiard
20. Lachrimae: The King Of Denmark's Galiard
21. Lachrimae: Sir Henry Umpton's Funerall
22. Lachrimae: Mr. Henry Noell His Galiard
23. Lachrimae: The Earl Of Essex Galiard
24. Lachrimae: Mr. Bucton His Galiard
25. Lachrimae: Mr. George Whitehead His Almand
26. Lachrimae: Captain Digorie Piper His Galiard
27. Lachrimae: Mr. Thomas Collier His Galiard
28. Lachrimae: Mrs. Nichols Almand

Tracks:

1. Sacred Songs: Sorrow, Come!
2. Sacred Songs: I Shame At Mine Unworthiness
3. Sacred Songs: An Heart That's Broken And Contrite
4. Psalms: Psalm 100: All People That On Earth Do Dwell
5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
6. Psalms: Psalm 130: Lord To Thee I Make My Moan
7. Psalms: Psalm 104: My Soul Praise The Lord
8. Psalms: Psalm 100: All People That On Earth Do Dwell
9. Psalms: Psalm 134: Behold And Have Regard
10. A Prayer For The Queen's Most Excellent Majesty
11. Instrumental Music: Solus cum sola pavan
12. Instrumental Music: Lachrimae
13. Instrumental Music: Galliard
14. Instrumental Music: Pipers Pavan
15. Instrumental Music: Lachrimae
16. Instrumental Music: Lady Rich Galliard
17. Instrumental Music: Earl Of Essex Galliard
18. Instrumental Music: If My Complaints
19. Instrumental Music: Lachrimae Doolande
20. Instrumental Music: Lord Willoughbie's Welcome Home
21. Instrumental Music: My Lord Chamberlaine His Galliard
22. Instrumental Music: Comagain
23. Instrumental Music: Pavan Lachrymae
24. Instrumental Music: Sorrow Stay

Tracks:

1. Lute Music: Preludium
2. Lute Music: Lachrimae
3. Lute Music: Can She Excuse
4. Lute Music: Dr. Case's Pavan
5. Lute Music: Melancholy Galliard
6. Lute Music: Sir John Smith, His Almain
7. Lute Music: Fantasia
8. Lute Music: A Dream
9. Lute Music: Almain
10. Lute Music: The Queen's Galliard
11. Lute Music: Coranto
12. Lute Music: Resolution
13. Lute Music: Mrs. Vaux Galliard
14. Lute Music: Almain
15. Lute Music: Mr. Dowland's MIdnight
16. Lute Music: Fantasia
17. Lute Music: Loth To Depart
18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
19. Lute Music: The Earl Of Essex, His Galliard
20. Lute Music: Pavan
21. Lute Music: John Dowland's Galliard
22. Lute Music: Aloe
23. Lute Music: The Lady Clifton's Spirit
24. Lute Music: What If A Day
25. Lute Music: Mr. Giles Hobie's Galliard
26. Lute Music: Come Away (Song arrangement)
27. Lute Music: Galliard
28. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Lachrimae (Basic Version)
2. Lute Music: Galliard To Lachrimae
3. Lute Music: [Jig]
4. Lute Music: Galliard On 'Wasingham'
5. Lute Music: Complaint (Ballad Setting)
6. Lute Music: Mignarda (Galliard)
7. Lute Music: Semper Dowland Semper Dolens (Pavan)
8. Lute Music: The Frog Galliard
9. Lute Music: A Fancy (Fantasia)
10. Lute Music: Fancy (Fantasia)
11. Lute Music: Piper's Pavan
12. Lute Music: Captain Digorie Piper's Galliard
13. Lute Music: Lady Laiton's Almain
14. Lute Music: Dowland's Galliard
15. Lute Music: Dowland's First Galliard
16. Lute Music: Tarleton's Jig
17. Lute Music: Walsingham (ballad Setting)
18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
19. Lute Music: Sir Henry Guilforde, His Almain
20. Lute Music: Pavan (Related To 'Lachrimae')
21. Lute Music: Mr. Langton's Galliard
22. Lute Music: Mrs. Clifton's Almain
23. Lute Music: Galliard
24. Lute Music: Lady Hunsdon's Puffe (Almain)
25. Lute Music: Galliard
26. Lute Music: Go From My Window (Ballad Setting)
27. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Pavana Johan Douland
2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
3. Lute Music: La mia Barbara
4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
5. Lute Music: Lachrimae
6. Lute Music: Farewell Fancy (Chromatic Fantasia)
7. Lute Music: Farewell (On The 'In Nomine' Theme)
8. Lute Music: The King of Denmark's Galliard
9. Lute Music: Mrs. Vaux's Jig
10. Lute Music: Mrs. Nichol's Almain
11. Lute Music: Galliard
12. Lute Music: Lord Strang's March
13. Lute Music: Mrs. Winter's Jump
14. Lute Music: Can She Excuse (Galliard)
15. Lute Music: The Shoemaker's Wife, A Toy
16. Lute Music: Mrs. Norrish's Delight
17. Lute Music: Galliard
18. Lute Music: Mrs. White's Thing (Almain)
19. Lute Music: Mrs. White's Nothing
20. Lute Music: The Frog Galliard
21. Lute Music: Solus cum sola
22. Lute Music: The Lord Viscount Lisle, His Galliard
23. Lute Music: Orlando Sleepeth (Ballad Setting)
24. Lute Music: Robin (Ballad Setting)
25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

1. Lute Music: The Lady Russell's Pavan
2. Lute Music: Fancy (Fantasia)
3. Lute Music: Sir John Langton's Pavan
4. Lute Music: Earl Of Derby, His Galliard
5. Lute Music: A Coy Toy
6. Lute Music: Fortune My Foe
7. Lute Music: [Almain]
8. Lute Music: Mr. Knight's Galliard
9. Lute Music: Sir John Souch His Galliard
10. Lute Music: Tarletone's Riserrectione
11. Lute Music: The Lady Rich, Her Galliard
12. Consort Music: Lachrimae Pavan
13. Consort Music: Can She Excuse Galliard
14. Consort Music: Captain Piper's Pavan And Galliard
15. Consort Music: The Frog Galliard
16. Consort Music: Round Battell Galliard
17. Consort Music: Fortune My Foe
18. Consort Music: Dowland's First Galliard
19. Consort Music: Katherine Darcie's Galliard
20. Consort Music: Tarleton's Jigge
21. Consort Music: Almain a 2
22. Consort Music: Mistress Nichols Almain a 2
23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
25. Opusculum: Mr. John Langton Pavan And Galliard
26. Opusculum: La mia Barbara Pavan and Galliard
27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

1. Consort Music: Mistress NIchols Almain
2. Consort Music: Volta a 4 ('Ioh. Douland')
3. Consort Music: Were Every Thought an Eye
4. Consort Music: Lady If You So Spite Me
5. Consort Music: Pavan a 4
6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
13. A Musicall Banquet: VIII. Far From Triumphing Court
14. A Musicall Banquet: IX. Lady, If You So Spite Me
15. A Musicall Banquet: X. In Darkness Let Me Dwell
16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Average customer rating: For historical reference, a must have. A real rarity a voice teacher and early music fan What a beautiful voice! A new world opened in front of me.

Moreschi - The Last Castrato Manufacturer: Pearl ProductGroup: Music Binding: Audio CD All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Arias for Farinelli Moreschi: The Last Castrato (Life & Times) Farinelli The World of the Castrati: The History of an Extraordinary Operatic Phenomenon Farinelli ASIN: B000000WYS Release Date: 1993-01-21

Tracks:

1. Domine salvum fac
2. Et incarnatus est, Crucifixus
3. Ideale
4. Ave verum
5. Tui sunt coeli
6. Ave verum
7. Crucifixus
8. Crucifixus
9. Pie jesu
10. Hostias et preces
11. Preghiera
12. Ave Maria
13. Incipt lamentatio
14. Laudamus te
15. Improperia
16. La cruda mia Nemica
17. Oremus pro pontifice
18. Pope Leo XIII

Customer Reviews:

For historical reference, a must have........2007-05-09

If you're looking for the best quality recording, it's not due to the recording technologies of that time; Allessandro Moreschi died in 1922. But, if you want to hear how a castrato could sound like, it's a great recording reference. Sound quality is average; a lot of hiss and clicks. The singer or the singing "seems" average too: a lot of scooping (remember: different times, different singing techniques, different tastes; could be the result of singing in the acoustics of the Sistine Chapel). But, I don't regret my choice because I wanted a recording I could go back to and appreciate the evolution of singing throughout history.

A real rarity.......2007-05-07

Very interesting and rare recordings of the last castrato, even if his voice was at that time already rather exhausted. The most fascinating thing is to hear from living the voice of a Pope of the XIXth Century as Leo XIII was.

a voice teacher and early music fan.......2006-10-03

Professor Alessandro Moreschi (1858-1922),made in 1902-3 about 10 recordings all devoted to 19th century religious music. For us today the great question is: how far do Moreschi's records allow us to form any notion of the characteristics of castrato singing in the great periods? To that question there can be no certain answer, but I think that the resemblance must be slight! To begin with Moreschi's technique, far from being impeccable, often sounds shaky; in some passages he fumbles for his notes and wavers almost comically as Florence Foster Jenkins herself. These vocal shortcomings can hardly be ascribed to the singer's advanced age, for in his mid-forties he ought to have been not far past him prime. Ancient though the records are, they are reasonably well-recorded and probably give a fairly accurate impression of Moreschi's tone quality, if not his volume. The voice, unquestionably a soprano, resembles that of neither boy or woman, being stronger than the one and less sauve than the other. And I am totally sure that he is a long way from Farinelli. He is surprising, but never exquisite. The most painful for me to listen to were:'Ave Verum' Mozart- 'Crucifixus' from 'Petite Messe Solenelle' Rossini-and 'Ave Maria' Schubert. My problem with this disc is no doubt the fact that I would not want anyone to think that Moreschi's voice even in his prime was in any way equal to the great castrati singers of the 17th century!!!!

What a beautiful voice!.......2005-08-16

Moreschi's voice is incredibly beautiful. You have to get beyond the fact that this is an old recording and just listen to him hit those high notes without sounding shrill or breaking apart. In the end, this is your only chance to listen to a real castrato, and a good one at that.

A new world opened in front of me........2005-08-16

As a long-time lover of classical music but an amateur in opera I got interested into the opera voices and the castrato voices especially since I read a book about the castratos (Anne Rice: Cry to Heaven).
I was at first slightly shocked about the CD. Spoiled by our standards today I had to get used to the voices and especially to the low quality of the recordings (1902-04). The more I was listening the better I liked it. I started to understand that this long ago poeple were feeling different and therefore singing different. So many more emotions and so much suffering, you can hear it in the music if you can open up to it and, ignore the bad technical part of it.
I don't regret buying this rare recording since it gave me more than just music.
Thanks for saving these recordings and thanks to Amazon for making it possible to buy them.

Average customer rating: Fine anthology but still prefer her "Four Last Songs" recording RIP DAME ELIZABETH (1915-2006) SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY ¡PERFECT! PERFECTA INTERPRETACIÓN

The Very Best of Elisabeth Schwarzkopf Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by J.S. 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Tracks:

1. Ach War Ich Schon (Fidelio)
2. Non So Piu (Le Nozze Di Figaro)
3. Porgi, Amor (Le Nozze Di Figaro)
4. E Susanna Non Vien!...Dove Sono (Le Nozze Di Figaro)
5. Mi Tradi Quell'Alma Ingrata (Don Giovanni)
6. Come Scoglio (Cosi Fan Tutti)
7. Leise, Leise, Fromme Weise (Der Freischutz)
8. Dich, Teure Halle (Tannhauser)
9. Einsam In Truben Tagen (Lohengrin)
10. Wie Fremd Und Tot (Die Verkaufte Braut)
11. Bruderchen, Komm, Tanz Mit Mir (Hansel Und Gretel)
12. Da Geht Er Hin (Der Rosenkavalier)
13. Es Gibt Ein Reich (Ariadne Auf Naxos) - Richard Strauss
14. Das War Sehr Gut (Arabella)

Tracks:

1. Jauchzet Gott In Allen Landen
2. Bist Du Bei Mir
3. Ridente La Calma
4. An Die Musik
5. Der Musensohn
6. Nachtviolen
7. Der Musensohn
8. Auch Kleine Dinge
9. Mein Liebster Ist So Klein
10. Verschling' Der Abgrund
11. Ich Hab' In Penna
12. Wiegenlied Im Sommer
13. Mausfallenspruchlein
14. In Dem Schatten Meiner Locken
15. Mignon (Kennst Du Das Land?)
16. Gsatzli (Swiss Folksong)
17. Fruhling
18. Im Abendrot
19. Muttertandelei
20. Zueignung
21. Klange Der Heimat (Die Fledermaus)
22. Es Lebt'Eine Vilja (Die Lustige Witwe)
23. Im Chambre Separee (Der Opemball)
24. Wien, Du Stadt Meiner Traume

Amazon.com

Elisabeth Schwarzkopf was certainly one of the greatest singers of her own, or indeed any other time. An obsessive perfectionist, her flawless technique and intonation over a huge range, vocal flexibility, breath control, phrasing, stylistic versatility, and above all her focused, radiantly beautiful sound were matchless and incomparable. All these are on full display on this generous 2-CD set, which features over a dozen arias, songs by Schubert, Wolf and Richard Strauss, and some lighter fare. The recordings were made between 1950 and 1967, and the singing becomes better and better, the voice richer and more varied, the expression deeper and more immediate. Not surprisingly, the peaks come in the arias from her signature roles in Mozart's Figaro, Don Giovanni, and Cosi fan tutte; Richard Strauss' Ariadne, Rosenkavalier, and Arabella, which rise to real ecstasy; and arias from Weber's Freischütz and Smetana's Bartered Bride, which are wonderfully intimate and touching. She is less convincing in roles she never sang on stage, and the "childish" voice she cultivated especially for Hänsel and Gretel is unnatural and contrived. The same is true of the last two "popular" numbers, which sound condescending and artificial. The songs, however, have all her customary finesse and inwardness; the Wolf group, perhaps chosen for its gentle humor, is charming, while Strauss' "Four Last Songs" (represented by two) shimmer and soar. Schwarzkopf's singing had instantly recognizable characteristics: a tendency to hold back both vocally and emotionally, giving a sense of noble restraint, but also of cool detachment; excessive use of color and nuance, creating a fussy, calculated and somewhat artificial air. Only rarely does she "let go" with full voice and spontaneous feeling. However, as these recordings show, she invariably inspires admiration and captures ear and heart through the inimitable, glorious beauty of her voice. --Edith Eisler

Customer Reviews:

Fine anthology but still prefer her "Four Last Songs" recording.......2006-11-06

The engineering and audio quality of these 1960's performances are surprisingly good. The songs are wonderfully peformed and cover a range of periods and styles, but I find myself returning to her recording (also re-released on CD) of Strauss' "Four Last Songs", which I would give 6 stars -- my favorite recording of all time.

RIP DAME ELIZABETH (1915-2006).......2006-08-04

This set is a fine tribute to this extraordinary singer and musician. I was saddened to read about her passing. She had a long life (90 years) and inspired a whole generation of singers and music lovers throughout the world.

SCHWARZKOPF ----- ONE OF THE GREATS OF THE TWENTIETH CENTURY.......2006-01-29

Elisabeth Schwarzkopf's career is what legends are made of. She is every bit as fundamental to classical singing in the twentieth century as is Maria Callas. Schwarzkopf sang with refinement, polish, beauty of voice, and meticulous articulation. She was the greatest Mozart and Strauss soprano of her day; her ability to sing the operetta music of Lehar, Suppe', and Johann Strauss has not been equalled; she performed with distinction orchestral compositions of Mahler, Brahms, Bach, and Handel; her Schubert, Schumann, Wolf, and Mahler lieder were exemplary. She sang many operatic roles, far more than many people realize, and was certainly the definitive Marshallin in "Rosenkavalier" throughout the 1950's and 1960'. I saw her many times in recital in Chicago, and even at the time of her farewell (which I was fortunate enough to see), she was sublime. All of the superlative qualities of Schwarzkopf are generously demonstrated throughout these two wonder CD's. Virtually every item is magnificent (though obviously some will prefer some to others) and has the detailed Schwarzkopf imprint stamped right into the music. This CD, great as it is, represents only a very small part of the greatness of Schwarzkopf. I already own tons of her operas and recitals, from which many of the items here come from. But for the sake of completeness, I will probably add it. A person who loves great singing can never have too much of the art of Elisabeth Schwarzkopf. She's a vocal icon.

¡PERFECT!.......2005-02-10

I only want to say that you can hear, in this double cd, one of the great singers of all time. Elisabeth Schwarzkopf. Why? Because she sings all the arias and lieder with pure of tone, brilliance, perfect inflexion, modulation, excellent control breath, measured vibrato, and, all above, great emision of colours. She is master in this art.

PERFECTA INTERPRETACIÓN.......2005-02-09

La mejor recopilación de la discografía de Elisabeth Schwarzkopf. Su belleza de voz, la impecable hilación de frases, y, sobre todo, su expresiva interpretación son algunas de las sorpresas que se podrán escuchar en estos dos discos. Sin duda, UNA DE LAS MEJORES SOPRANOS DEL SIGLO XX.

Average customer rating: Horowitz: The Last Recording absolutely outstanding The Last and One of the Very Best Some Enchanted Evening ... Last, but Not Least

Horowitz: The Last Recording Manufacturer: Sony ProductGroup: Music Binding: Audio CD Mazurkas | Ballets & Dances | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Horowitz in Moscow Horowitz At Home Horowitz Live and Unedited [includes Bonus DVD] The Magic of Horowitz Horowitz: Discovered Treasures ASIN: B000009IG6 Release Date: 1990-03-30

Customer Reviews:

Horowitz: The Last Recording.......2006-03-27

This album was the last ever made by this awesome legend of piano-playing. Recorded at his own home in six sessions over twelve days, it is stunning to realise that this performance comes from a man of 86 years of age. I thought I had heard just about everything he had ever recorded. This album includes music he had never before played publicly at least not in the USA - or recorded.
Haydns Eflat Sonata No 49 sparkles from start to finish, full of typical Horowitzian colour and drama, yet classical in flavour and beautifully balanced.
A Mazurka, two Nocturnes and two Etudes by Chopin, and Liszts arrangement of Wagners Liebestod follow, each pianistically fabulous in terms of colour, multiple singing melodic lines, textural richness and clarity.
The popular and much-hackneyed Fantasie Impromptu flows unexpectedly quieter than one usually hears it played, which is rather refreshing. I took a while to get used to the absence of sentimentality in the middle section.
The Weinen Klagen Praeludium is a gem. This late Liszt composition is not particularly well-known. In his later years Liszt explored and developed visionary harmonic ideas, which are exemplified in the richly chromatic Praeludium. Horowitz brings its darkly exquisite harmonies to life with turbulent intensity. Although it comes second to last, I understand this was the last piece of music recorded for this disc, therefore the last ever recorded by the maestro. This recording was completed on 1st November 1989. The maestro died on November 5th 1989.
A few quirky features here and there, but it would not be vintage Horowitz without those. Essential listening for piano music lovers and especially Horowitz fans.

absolutely outstanding.......2006-02-24

There are a few "bests" here in my opinion so lets list them one by one. This is the best Haydn by far. Horowitz really brings the piece to the summit of artistry but also interpretation. It so hard to comprehend how a pianist can take the aristrocratic and relatively reserved Haydn sonatas and turn them into a potpourri of colors. Everything is here - the typical surreptitious Haydnian staccato - a slow movement with real cantabile. Its a shame that Horowitz didn't record more Mozart and Haydn.
Horowitz playing of both of the etudes here are just sensational. How creative can you get?!!! Bringing out inner voices and colliding/merging them with others. Also the first nocturne is the best I have ever heard.
I must be frank and say that the fantasie-impromptu didn't make me too happy. Its played a little bit sloppy and I don't understand what he is trying to convey with the middle section which plays kind of fast and loud. I think this might have to do witht the fact that the piece is overplayed but who knows.

This is a pianist that has no limits. He can play 1000 different types of staccato, legato, etc... but he also has emotion. Horowitz is up there in heaven looking down and shaking his head at all the immitators.

The Last and One of the Very Best.......2005-11-23

It is truly amazing to think that Horowitz was 86 years old when he made this recording. The virtuoso passages of Chopin that require fingertip pyrotechnics are played with flawless precision and a sense of nuance and shading that is exquisite. At his very best, Horowitz took music to a level where he made the piano into his palette and painted a marvelously subtle musical picture. On the slower passages, every note and even the intervals between the notes exhude a calm self-assured artistry. This is not just wonderful music; it is sheer poetry. As Murray Perahia writes in his touching essay in the CD insert, Horowitz felt that what made a composer truly classical was "an intensity and purity of expression where every note matters, every note has meaning." One certainly hears and feels that intensity and purity on this CD.

There is also a noticeable improvement in sound quality on this CD, that was recorded digitally, in comparison to earlier Horowitz recordings I have heard from the analog era. How fortunate we should all feel that he lived into the digital era and was still playing at such a sublime level into his final years, so that he could leave us this musical legacy. My personal favorite on this CD is track 6, the "Fantaisie-Impromptu, Op. 66 of Chopin, which is played with dazzling scintillating brilliance and, at the same time, superb control, subtlety, and deep emotion. However, a close second for me is the tenth track, Liszt's "Weinen, Klagen, Sorgen, Zagen" a Prelude based on a theme from Bach's Cantata No. 12. Horowitz's performance of this composition is achingly beautiful. The CD booklet has an excellent essay by Murray Perahia in English, with German, French and Italian translations. A wonderful CD and fitting memorial to one of the greatest pianists of the twentieth century.

Some Enchanted Evening ..........2004-01-28

I make the case that Chopin is the father of modern music in my review of Horowitz's "The Last Romantic" ..... and this CD provides more evidence ..... think of the extraordinarily haunting melody and chords of "Some Enchanted Evening" ..... this song was lifted directly from Chopin's Etude 1 No. 25 and you can hear it on this disc.... beautifully played by Chopin's greatest interpreter (in my opinion). The disc also includes "Fanatasie Impromptu" ... one of the tunes that opened the ears of this pop and jazz fan to 'classical' or 'romantic' music.

Last, but Not Least.......2003-04-27

Vladimir Horowitz had just celebrated his 86th birthday when sessions for this recording began in October of 1989. He had recently been lured to Sony Classical by their new director, Gunther Breest, who had signed Horowitz on at Deutsche Grammphon in 1985. One advantage that Sony carried, besides a bigger paycheck, was the latest technology. This recording utilized Sony's then new 20-bit technology, which resulted in a more defined sound picture for this most subtle of pianists.

The contents of this CD were all new to the Horowitz discography. By the late 1980s, Horowitz had refined and stripped down his art to the essentials. There are none of the histrionics of his early recordings, nor any of the attempts to prove to the listener that he could still play the fastest and the loudest which marred some of his recordings from the 1970s.

Horowitz was stimulated by Haydn's diverse pianistic textures and whimsical changes of mood. The first movement, a bouncy Allegro, is a perfect demonstration the "controlled freedom" of Horowitz's late period. While following the same basic pulse, Horowitz introduces tiny alterations of tempo which keeps the music flowing coherently, without sounding metronomic. The rapidly ascending scale passages here are played with a dazzling evenness of touch. The slow movement, a true cantabile, is phrased as though it were being sung rather than played. The minor key outburst is, for a rarity, truly shocking. The Finale is played with a gentle virtuosity which never goes beyond the bounds of appropriate Haydn style.

Horowitz recorded more of Chopin's music than that of any other composer. He was justly famous for his performances of Chopin's Mazurkas, which seamlessly blended the dance and poetic elements. The performance of the C minor Mazurka here makes one regret he didn't record many more.

Horowitz was fanatically passionate about Ignaz Friedman's performances of the Nocturnes, but recorded surprisingly few himself. Many of his earlier recordings of the Nocturnes were played on too large a scale, with a prevalent note of hysteria. The two Nocturnes presented here are another story indeed. There is a rare sense of repose, at times an almost deathly calm, about these performances. There is also Horowitz's rare ability to weight the various elements of melody, harmony, and accompaniment, down to the smallest micron. Horowitz' floating of the top, middle, and lower lines, interweaving them effortlessly, is in many ways more stunning than any kind of thundering virtuosity.

But if it's the more obvious kind of virtuosity you want, it is amply demonstrated in the Fantasie-Impromptu. Played at an extremely fast tempo, Horowitz demonstrates here that fidelity and freedom with regard to the score can coexist. He is one of the few pianists who bothers to repeat the first phrase as a quieter echo of the forte statement--as indicated in the score. He also preserves the structure of the piece by maintaining the initial tempo in the central section rather than slowing down to chase rainbows--and he adds some tiny embellishments along the way.

Horowitz is technically and musically on top of the A-flat Etude, but the E Minor Etude suffers from an overstressed ending.

Horowitz was very selective about which Liszt he chose to preserve on recordings. For this recording, he chose the rarely played Prelude from Weinen, Klagen, Sorgen, Zagen, a desolate reworking of a theme from J. S. Bach's Cantata No. 12. Horowitz masterfully alters the mood for each variation, while maintaining the inner continuity of the piece.

Naturally, the Wagner/Liszt Liebestod (literally, "Love/Death") would have extramusical implications due to the circumstances of the recording. It is true, Horowitz plays the aria as if he knew this would be his swansong, giving the performance all the eroticism, lyricism, and thundering virtuosity he could muster, for the last time. He died on Sunday, November 5th, four days after the Liebestod was taped.

This recording is a must for all Horowitz admirers, indeed, for all those who value great piano playing. The informative and moving liner notes are by Horowitz's friend and junior colleague Murray Perahia, who was with the Maestro the day before he died.

Average customer rating: Lousy - don't buy it! Lackluster Great music; forgettable setting Fun, but not the best of PDQ Bach Some good tracks

P.D.Q. Bach: The Short-Tempered Clavier Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Bach, P.D.Q. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music General | Comedy | Miscellaneous | Styles | Music General | Comedic Music | Comedy | Miscellaneous | Styles | Music Similar Items: 1712 Overture & Other Musical Assaults Music for an Awful Lot of Winds and Percussion The Wurst of P.D.Q. Bach Oedipus Tex & Other Choral Calamities Ill-Conceived PDQ Bach Anthology ASIN: B000003D0T Release Date: 1995-08-29

Tracks:

1. Opening And Introduction
2. I. C Major
3. II. C Minor
4. III. C-Sharp Major
5. IV. D Major
6. V. D Minor
7. VI. E-Flat Major
8. VII. F Major
9. VIII. G Minor
10. IX. G Major
11. X. A Major
12. XI. A minor
13. XII. B-Flat Major
14. Introduction
15. I. Toccata Et Fuga Obnoxia
16. II. Chorale Prelude (Ave Maria Et Agnus Dei)
17. III. Fantasia Sopra
18. IV. Lullaby And Goodnight
19. Introduction
20. I. Spiel Vorspiel
21. II. Entrada Grande
22. III. Smokski The Russian Bear
23. IV. Toccata Ecdysiastica
24. Calliope Frustration
25. Introduction
26. I. Chorale 'Orally'
27. II. Chorale Prelude On An American Hymn For The Last Sunday Before The Fourth Day Of The Seventh Month After New Year's Eve
28. III. Chorale Variations On 'In Der Nacht So Hell, Der Petrus Ist Mein Freund'
29. Epilogue

Customer Reviews:

Lousy - don't buy it!.......2007-05-04

My boyfriend listened to the whole disc, and hated every bit of it.
I heard a couple tracks, and wanted to turn it off after two songs.
Not anywhere near as clever or entertaining as his ILL-CONCEIVED album,
which is the first PDQ we've listened to.

Hello, hello hello howdy do,
my name is Zinging-able-nessedly,
but my frrrrrieeeeeeeeennnndddsss, just call me Zing!

Lackluster.......2003-03-07

I agree with most of the other individuals who have written comments. The first piece, "The Short Tempered Clavier" is, by far, the best piece on the CD. The other works seem oddly derivative of it. There isn't the usual variety in the pieces which Schickele includes (one or two instrumental, one or two vocal). My personal suspicion is that since, years ago, Schickele announced his intention to stop his P.D.Q. Bach work in order to focus on serious compositions, this CD may have been part of a contractual obligation, or, perhaps, just an effort to get the last of the P.D.Q. Bach pieces recorded.

While the "Short Temepered Clavier" is a good piece, its probably not worth the price of the CD. If you were looking for a good P.D.Q. Bach album, I'd buy "Oedipus Tex" or "1712 Overture" or even the lesser-known (but really funny) "Lieberslieder Polkas and Twelve Quite Heavenly Songs".

Great music; forgettable setting.......2003-02-14

I'll get the bad news out of the way first. The "setting" for this performance is allegedly a Senate committee hearing room, where they are debating some ridiculous amendment to the Constitution. All of the sections of the CD where the Professor is just talking to the Senators are rather dull -- I guess Schickele was trying to get in his verbal jokes, like he does in his (hilarious) live performances, but it just falls flat here.

On to the good stuff. The Short-Tempered Clavier is some of PDQ's most inventive writing yet. Of all the solo piano PDQ music that Schickele has put out, this is some of the most cerebral ... There are quotes from other works that you don't hear until you've listened 3 or 4 times -- they're deeply imbedded. The fugue subjects are all quite ridiculous -- Beethoven's 5th, "The Worms Crawl In...", etc. (except for the last), and they are given the full PDQ treatment. The last one (in B-flat) is notable in that the fugue subject is B-A-C-H (see J.S. Bach's "Art of the Fugue", Liszt's treatment, etc.), which PDQ also manages to *invert* (something that old J.S. did once in a while, to show off his stuff). But as soon as you think the fugue might be getting serious, there is an outburst of "For He's a Jolly Good Fellow". Then back to the fugueing. Marvelous stuff.

PDQ does the same thing in the Toccata -- it starts out with the theme of Dad's warhorse Toccata & Fugue in D minor -- only the subject is inverted (it goes up instead of down). This is an example of the oft-mentioned principle that the more you know about music theory and history, the funnier PDQ's stuff is.

Not PDQ's best work, but some of it is close. Not Schickele's best CD, but not bad, either.

Fun, but not the best of PDQ Bach.......2002-04-18

Others have written here of the slight difference between Peter Schickele's "early" and "late" PDQ Bach performances, hence it is slightly surperfluous to say that the more recent Telarc recordings (of which this is one) lack the sparkle and 'zany' character of the earlier ones from the 1970s.

They are certainly still as clever: "The Short-Tempered Clavier" is of course a spoof of J. S. Bach's "Well-Tempered Keyboard", laced with quotations from other areas of the pianists repertoire as well as having the odd snatch of a very familiar tune here and there.

The whole disc is set out as the document of a lecture given by Peter Schickele to a group of skeptical, 'unmusical' US senators, with the PDQ Bach keyboard works woven in as musical examples. Hence, as well as the title work (played on piano), the programme also features appearances by a theatre organ (on which is played the "Pochelbuchlein" - "The Little Pickle Book"), a calliope (used for the "Sonata da Circo" - "Circus Sonata" - the rendition of which is cut short by the explosion of the instrument!) and the organ of the King Congregational Church (get it?!) which is little more than two synthesisers stacked on top of each other.
Each piece is fun, although the impact of the musical jokes will vary depending upon how musically-minded the listener is. In other words, musicologists, pianists and organists are likely to get the most laughs out of the programme. The liner notes add an extra dimension to the fun by containing, as well as a "scholarly essay" on the history, discovery and publication of the music, various quips about those involved in the production of the recording, with in-jokes including a 'specification' of the King Congregational Church organ...

Take it or leave it ... as a Christmas or birthday gift for a musical friend or family-member, it wouldn't be a bad choice.

Some good tracks.......2002-03-01

I enjoyed the Short-Tempered Clavier pieces tremendously. Played masterfully by Christopher O'Reilley, they are witty and delightful. A new suprise is always around the corner, and upon my first listen I found myself grinning and sometimes laughing out loud.

Then comes the rest of the album.

In the succeeding pieces, Schickele uses the same jokes, the same tunes, and crummy synthesized instruments that become so annoying that I just want to turn the thing off.

Do yourself a favor and leave after the first act.

Average customer rating: Comedian Harmonists

Definitive Collection Manufacturer: Arena Records UK ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Ellington | Ellington, Edward Duke | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kreisler | Kreisler, Fritz | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Strauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Oldies | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Comedy | Miscellaneous | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Cabaret | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Broadway & Vocalists | Imports | Stores | Music Pop | Imports | Stores | Music Similar Items: The Comedian Harmonists The Harmonists Comedian Harmonists Auf Wiederseh'n Finest Selection of: Comedian Harmonists ASIN: B0000648OR Release Date: 2001-11-02

Tracks:

1. Wenn Ich Vergnn
2. Uch Wollt' Ich W Ein Huhn
3. Veronika, Der Lenz Ist Da
4. Bin Kein Hauptmann, Bin Kein Gros Tier
5. Ein Freund, Ein Guter Freund
6. Creol Love Call
7. Bist Nicht Die Erste
8. Baccarole
9. Der Sch Blauen Donau
10. Quant il Pleut
11. Ein Bisschen Leichtsinn Kann Nicht Schaden
12. Ich Hab' Fh 'Nen Blumentopf Bestellt
13. Jetzt Trinken Wir Noch Eins
14. Ist Die Liebe Der Matrosen
15. Liebling, Mein Herz L Dich Gr
16. Irgendwo Auf Der Welt
17. Ali Baba
18. Maria Marie
19. Auf Dem Heuboden
20. Liebesleid
21. Tout le Jour
22. Wir Sind Von Kopf Bis FuAuf Liebe Eingestellt
23. So Ein KuKommt Von Allein
24. Musketier Marsch
25. Mein Kleiner, Graktus

Tracks:

1. Hoppla, Jetzt Komm'ich
2. Kannst du Pfeifen, Johanna
3. Tea for Two
4. In Der Bar Zum Krokodil
5. Eine Kleine Frsweise
6. Eins, Zwei, Drei, Vier Glh Bin Ich Nur Mit Dir
7. Die Liebe Kommt, Die Liebe Geht
8. Heute Nacht Oder Nie
9. Hallo, Was Machst du Heut' Daisy
10. Ich Khre Hand Madame
11. Auf Wiedersehen Mein Frein, Auf Wiedersehen Mein Herr
12. Kleiner Mann, Was Nun
13. Hein Spielt Abends So Schuf Dem Schifferklavier
14. Mein Lieber Schatz Bist du Aus Spanien
15. Onkel Bumba Aus Kalumba
16. Perpetuum Mobile
17. Leb' Wohl Gute Reise [Farewell, Have a Good Journey]
18. Wenn Die Sonja Russisch Tanzt
19. Morgen MuIch Fort Von Hier
20. Wenn Der Wind Weht er das Meer
21. Puppenhochzeit
22. Was Dein Roter Mund Im Fr Sagt
23. Es Fein Anderer Weg Zur Seligkeit
24. SchLisa, Ssa
25. Wochenend und Sonnenschein
26. Auf Wiedersch'n My Dear

Customer Reviews:

Comedian Harmonists.......2003-05-23

A wonderful Selection of great Harmonies and Novelty Tunes by this Relatively Unknown Group in America , This terrific German Group is a must for anyone that enjoys Good Harmony and just Plain Vocal Fun with Sounds and Lyrics. Highly Recommended and Enjoyable.

Average customer rating: Great set of wartime rarities Cure for the Blues Standard Transcription Collection

(Not) Your Standard Spike Jones Collection Spike Jones Manufacturer: Collector's Choice ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Miscellaneous | Styles | Music General | Comedy | Miscellaneous | Styles | Music Contemporary Comedy | Comedy | Miscellaneous | Styles | Music Novelty Music | Comedic Music | Comedy | Miscellaneous | Styles | Music General | Comedic Music | Comedy | Miscellaneous | Styles | Music Similar Items: Strictly for Music Lovers Fonk Spike Jones - Greatest Hits Spiked!: The Music of Spike Jones The Spike Jones Story ASIN: B00007JR3K Release Date: 2003-04-08

Album Description

Holiday blues comin' on? Well, put a spike in `em! Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet—79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

Customer Reviews:

Great set of wartime rarities.......2003-05-14

Spike Jones was the king of the novelty song performers, with hits like "Der Fuehrer's Face" and the parody version of "Sheik of Araby" becoming huge hits during World War II. This is a swell 3-CD set, gathering a full eighty-one of Jones' best tracks from his 1940s heyday, drawn from an extensive archive of radio broadcasts made for the Standard Transcription service. The tightness of his City Slickers band is amply demonstrated in these manic, kookily orchestrated performances. Toots, squonks, blatts and bleats whiz by at lightning speed, as one daffy song after another will delight devoted fans. Amazingly, Jones had the unusual, almost unique ability to perform a repertoire almost entirely made up of comedic material, and yet still be quite listenable and engaging. His jazz chops were hardly in question, and from time to time Jones would dash off a non-novelty ballad or two, just to give the rubes something to think about. Of course, just as often he would perform a song that *sounded* like a straight ballad, but would turn out to be another goof. (One great example of this is the sultry "Serenade To A Jerk," sung in slinky, burlesque tones by Myrtle Horwin.) This collection may seem a little overwhelming, but like his studio recordings, these radio performances have a certain brilliance and joie de vivre about them that will leave you enchanted. Definitely worth checking out!

Cure for the Blues.......2003-04-25

Here's the zaniest, wildest and just plain sickest Collectors' Choice Music exclusive yet-79 tracks from Spike Jones and his City Slickers! These represent Spike's complete Standard Transcription sides, but these tunes are anything but standard; Mr. Jones brought his full bag of tricks for these non-commercial recordings (made in Hollywood during the early `40s). Add to that the fact that most of these have never been on CD or even LP, and any lover of Spike's mayhem-filled mixture of laughs and hot licks is going to flip over this set! Notes and great pictures accompany this 3-CD walk on the wacky side from the greatest novelty band of all time.

Standard Transcription Collection.......2003-04-12

This collection has remastered material from the large stack of Standard Transcription discs from the early 1940's. There are many songs not recorded on RCA, many on the theme of wartime ("48 Reasons Why"), and the quality is excellent. The packaging is threadbare but this is an essential CD package for true music lovers.

Average customer rating: Don't Remeber THIS "Alamo" Defending the Alamo Excellent CD Enjoyable a-typical score None Better

The Alamo Manufacturer: Hollywood Records ProductGroup: Music Binding: Audio CD Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Similar Items: The Alamo (Widescreen Edition) Three Roads to the Alamo: The Lives and Fortunes of David Crockett, James Bowie, and William Barret Travis The History Channel Presents The Alamo The Patriot: Original Motion Picture Score (2000 Film) Remembers the Alamo ASIN: B0001NBN6G Release Date: 2004-04-06

Tracks:

1. Flesh And Honor
2. 300 Miles Of Snow
3. What We're Defending
4. El Bexareno
5. La Zandunga
6. Who Took Their Loved Ones
7. Listen To The Mockingbird Sing
8. The Evacuation Of Bexar
9. The Calm After The Storm
10. The Visitation Of Saint Ursula
11. Quiet Mountain
12. They Ain't Bear
13. Bonham's Ride
14. Sell Our Lives Dearly
15. Night Falls On The Alamo
16. Deguello De Crockett
17. The Last Night
18. The Battle Of The Alamo, Part 1
19. The Battle Of The Alamo, Part 2
20. The Battle Of The Alamo, Part 3
21. The Battle Of The Alamo, Part 4
22. The Battle Of The Alamo, Part 5
23. The Battle Of The Alamo, Part 6
24. The Death Of Crockett
25. Runaway Scrape
26. Blood, Or Texas

Amazon.com

Carter Burwell cut his film scoring teeth on many a Coen brothers movie, quickly gaining a reputation for a quirky, human-scaled inventiveness that informed everything from jazz and folk to orchestral music and even the well-timed nod to Morricone. That often introspective sensibility is well paired to director John Lee Hancock's revisionist take on the legend of San Antonio's fabled doomed fortress, which focuses more on the conflicted human dimensions of its characters than familiar cardboard, pop culture heroics. Burwell's use of orchestral pomp is deliberate and decidedly restrained; more often the composer leans on spare, evocative passages of simple, though ever-inventive folk-based music (like the elegiac "Quiet Mountain") played by various combinations of guitar, banjo, and violin. Vintage traditional Mexican and American tunes are also given their atmospheric due via Jennifer Hammond's and Craig Eastman's arrangements of "La Zandunga" and "Listen to the Mockingbird Sing," respectively. But its Burwell's own peculiarly modernist instincts that inform both tradition ("Crockett's DeGuello") and his own masterfully understated cues, particularly the bleak, almost gothic emotional landscape of his six-part "Battle of the Alamo Suite" and its bittersweet coda, "Blood or Texas." --Jerry McCulley

Customer Reviews:

Don't Remeber THIS "Alamo".......2006-07-21

When making another version of a film that has already been made producers,directors,performers,and score composers are too often tempted to "do it differently",as if by twisting and turning a basic premise they will succeed..The classic film version of"The Alamo"is and remains the John Wyane version,which was nominated for several academy awards.Granted,the John Wyane version had little to do with actual history,but,then again,the purpose of the film industry has always been to entertain,not to teach..John Wyane,who produced and directed,as well as being the star of that film chose Dimitri Tiomkin to score his film.
Tiomkin,and old-line symphonic genius,provided a magnificent score,at once adventurous and poingnant..
The people responsible for this version of"The Alamo"decided to teach,rather than entertain,and,at the same time attempted to be politically correct as well.Thus,the mythic aspects inherent in the John Wyane version were replaced by morally ambiguous nonsense,and heroics were more or less eliminated in favor of a rather desperate survival theme,coupled with some added imperialistic touches with the addition of the Sam Houston charecter as a major player along with Bowie,Crockett,and Travis.
The people responsible for this film ,having many fine symphonic-oriented composers to choose from instead opted for minalmism by Carter Burwell..One can hardly imagine,for instance,a five-star gourmet meal served on a foam plate,with plastic knife and fork.Likewise one can hardly imagine a would-be epic western (even if it is very revisionist)bearing a score that plays like a new-age snoozer...But this is exactly what Burwell has given us...There are no epic themes here...There is an enormous orchestra credited as having participated in this project however when one listens to the finished product one is hard-pressed to HEAR any evidence of this participation.
John Wyane's script called for a lot of action on-screen,and Tiomkin obligingly provided very suitable musical themes..
The script for this new film does not call for very much action,even short-changing the audience during the final battle scene by shooting it in near-darkness,and underscoring it with a dirge-like monotone.
This new film was"troubled"from the very start.Ron Howard was supposed to direct but he didn't.The cast was shuffled around several times.Some "Main"charecters were eliminated entirely ,although thier traces continued to show up in the trailers released for this movie..While on the subject of the trailers for this film,the music used in them was 110% better than the Burwell claptrap..Scenes featured in the trailers were actually NOT in the finished film.The film was scheduled for a christmas opening,a slot usually reserved for top-of-the-line oscar contenders,and was then,suddenly yanked,and later released in April,where it died a much-deserved death after about a week in theatres,a colossal flop.
The film was terrible,and part of this is due to the Burwell score which is terrible-plus.

Defending the Alamo.......2005-09-09

I enjoyed the film and, in particular, the intelligent and sensitive portrayal of David Crockett but...so much had been cut by the time it was released as a DVD in England. The soundtrack is pleasant enough so if you liked it on the screen you will enjoy the CD but we do not have the Deguello on its own, (but have the haunting duo with David Crockett's fiddle), and we do not have the saucy little tune played at San Jacinto. On balance, worth buying.

Excellent CD.......2005-06-22

This is an excellent CD. If you are interested in this CD you will love "Audio Tour of the Alamo and Old San Antonio of the Wild West". This CD will gudie you around the Alamo Battlefield in present day San Antonio sshowing yu the actual locations of events of the battle. To hear a sample of this audio tour go to
http:www.alamoaudiotours.com you can also purchase this CD here on Amazon.com

Enjoyable a-typical score.......2005-03-05

Most war movies have underscore's that pulse with energy and power of battle. Carter Burwell takes another course. His music is melancholy and some people have taken the celtic sounding music and complained out it but I found the music to be powerful and perfectly fitting with the movie. The Alamo is also enjoyable as a single listening experience although it does help to have seen the movie. I particularly enjoyed the track where Crockets fiddle is combined with the Mexican "Slit Throat" band. Overall, I found this cd to be enjoyable and it gets better every time i listen to it.

None Better.......2004-12-01

A few comments about the movie The Alamo, if you would indulge me for a moment. It is pertinent. I didn't have high expectations for this film, the trailers I saw made it out to be another larger-than-life, ain't-afraid-of-nothing, cliché-filled motion picture. We lived in San Antonio for several years, it is a great town filled with wonderful people. We visited the Alamo on several occasions. It is a holy place for Texans, sacred, and being "non-Texans" I am sure most of the locals felt we really couldn't appreciate or even grasp the significance of the place, the honor of those who fought and died there. I must admit it was all somewhat lost on me. Thus, I was fully expecting this movie to be overdone and nauseating, especially considering I am not the biggest fan of two of the lead actors (Billy Bob Thorton and Dennis Quaid).

OK, please bear with me, I will get to my point in a second. We ended up renting the film as I had heard the cinematography was sensational (it was). But my biggest surprise was the film itself. Not the script, not the actors, but the entire film. I can't really put into words how good it was, not perfect, but an excellent motion picture and probably an accurate depiction of the individuals and events as they occurred. And both Thornton and Quaid were exceptional...they deserve Oscars come January, and it will be a shame if they don't get them.

Now, concerning this soundtrack. To put it simply, if this CD isn't the best soundtrack winner for 2004, then there is a conspiracy going on. It isn't on Amazon's editors picks, nor the customer's favorites list, I chalk that up to being it was just recently released. However, it should be on both, and highly competitive for the top honors this year. It is simply that good. Carter Burwell set a new standard with the soundtrack for O Brother, Where Art Thou? and may have exceeded it with this one. The music here just puts the visualizations of the movie back into my head...the music retells the story as well as the images.

The bottom like is fairly straightforward, if you liked the movie than you owe it to yourself to get this soundtrack. There is absolutely no way you will be anything other than engrossed in it.

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3. Anthems: a Celebration of Australia [Import]
4. BlueGrassRoots: The Best of Bluegrass and More Live from etown
5. Boogie Woogie Country Gal [Extra tracks] [Import]
6. Boots and Stockings
7. Breathe [CD-single] [Import]
8. Cactus Hunters
9. Chalee Tennison
10. Clinton Gregory

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