Rage On

1. Big Wheels in the Moonlight

2. They Rage on

3. Five Generations of Rock County Wilsons

4. Twenty-Four Hour Love

5. Factory Town

6. Addicted

7. Heartache Just Around the Bend

8. Maybe I'm Missing You Now

9. Fool Me Once, Fool Me Twice

10. Long Long Island Nights

11. Those

Rage On,Dan Seals,Capitol,Country,Country & Western,Country-Pop

Average customer rating: Ultimate music for every time of day and every mood Would give 5 stars if sound quality where better Great collection for a great price 20 Fabulous Discs

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set] Manufacturer: Delta ProductGroup: Music Binding: Audio CD Mazurkas | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Clementi | Clementi, Muzio | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Paisiello | Paisiello, Giovanni | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rubinstein | Rubinstein, Anton | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Intermezzos | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music Airs | Vocal Non-Opera | Opera & Vocal | Styles | Music Box Sets at 30% Off | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Passion - Most Famous Orchestral Spectaculars [20 CD Set] Rendezvous of Angels - Concert Collection [20 CD Set] Little Night Music - Ultimate Mozart Collection [20 CD Set] Classical Masterpieces of the Millennium [20 CD Set] Classical Evolution: Spanish Guitar Music ASIN: B00012QLSW Release Date: 2003-12-09

Tracks:

1. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
2. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
3. Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
4. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
5. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
6. Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
7. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
8. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
9. Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
10. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
11. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
12. Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble

Tracks:

1. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
2. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
3. Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
4. Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
5. Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
6. Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble

Tracks:

1. Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
2. Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
3. Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
4. Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
5. Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
6. Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
7. Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
8. Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
9. Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
10. 12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky

Tracks:

1. Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
2. Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
3. Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
4. Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
5. Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
6. Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
7. Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
8. Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
9. Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble

Tracks:

1. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
2. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
3. Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
4. Overture Coriolan Op.62 - Dresdner Philharmonic
5. Overture Leonore No.2, Op.72 - Dresdner Philharmonic

Tracks:

1. Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
2. Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
3. Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
4. Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
5. Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
6. Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
7. Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
8. Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
9. Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
10. Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd

Tracks:

1. Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
2. Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
3. Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
4. Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
5. Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
6. Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland

Tracks:

1. Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
2. Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
3. Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
4. Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
5. Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
6. Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
7. Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
8. Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
9. Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
10. Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
11. Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch

Tracks:

1. Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
2. Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
3. Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
4. Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
5. Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
6. Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
7. Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
8. Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
9. Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
10. Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
11. Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
12. Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
13. Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
14. Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic

Tracks:

1. Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
2. Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
3. Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
4. Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
5. Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman

Tracks:

1. Rustle of Spring Op.32, No.6 - Jennd
2. Novelette in F Major Op.21, No.1 - Jennd
3. Songs Without Words: E Major Op.19, No.1 - Jennd
4. Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
5. Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
6. Songs Without Words: G Major Op.62, No.1 - Jennd
7. Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
8. Intermezzo in a Major, Op.76, No.6 - Jennd
9. Intermezzo in a Minor Op.76, No.7 - Jennd
10. Intermezzo in a Major Op.118, No.2 - Jennd
11. Intermezzo in E Flat Minor Op.118, No.6 - Jennd
12. Lyric Pieces: Arietta Op.12, No.1 - Jennd
13. Lyric Pieces: Folkevise Op.12, No.5 - Jennd
14. Lyric Pieces: Butterfly Op.43, No.1 - Jennd
15. Lyric Pieces: To Spring Op.43, No.6 - Jennd
16. Lyric Pieces: Notturno Op.54, No.4 - Jennd
17. Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
18. Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
19. Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
20. Melody in F Op.3, No.1 - Jennd
21. Humoresque in G Flat Major Op.101, No.7 - Jennd

Tracks:

1. Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
2. Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
3. Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
4. Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
5. Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
6. Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
7. Impromptu in B Flat Major D.935, No.3: Pito - Jennd
8. 6 Moments Musicaux D.780: No. 1 in C Major - Jennd
9. 6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
10. 6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
11. 4 Impromptus D.899: No. 1 in C Minor - Jennd
12. 4 Impromptus D.899: No. 2 in E Flat Major - Jennd
13. 4 Impromptus D.899: No. 3 in G Flat Major - Jennd
14. 4 Impromptus D.899: No. 4 in a Flat Major - Jennd

Tracks:

1. Sonata in a Major D.959: Allegro - Michael Endres
2. Sonata in a Major D.959: Andantino - Michael Endres
3. Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
4. Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
5. Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
6. Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
7. Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
8. Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres

Tracks:

1. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
2. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
3. Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
4. Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
5. Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
6. Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin

Tracks:

1. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
2. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
3. Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
4. Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra

Tracks:

1. Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
2. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
3. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
4. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
5. Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
6. Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
7. Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
8. Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
9. Fantasy on Weber's FreischVilmos Fischer

Tracks:

1. Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
2. Pictures at an Exhibition: Gnomus. Sempre Vivo
3. Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
4. Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
5. Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
6. Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
7. Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
8. Pictures at an Exhibition: Promenade. Tranquillo
9. Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
10. Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
11. Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
12. Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
13. Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
14. Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
15. Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
16. Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
17. Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
18. Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
19. Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
20. Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
21. Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
22. Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
23. Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
24. Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
25. Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)

Tracks:

1. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
2. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
3. Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
4. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
5. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
6. Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov

Tracks:

1. Prde Op.3, No.2 - Margarete Babinsky
2. Mdie Op.3, No.3 - Margarete Babinsky
3. Polichinelle Op.3, No.4 - Margarete Babinsky
4. Moment Musical Op.16, No.3 - Margarete Babinsky
5. Moment Musical Op.16, No.5 - Margarete Babinsky
6. Variations on a Theme by Corelli Op.42 - Margarete Babinsky
7. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
8. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
9. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
10. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
11. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
12. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
13. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
14. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
15. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
16. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
17. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
18. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
19. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
20. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
21. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
22. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
23. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
24. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
25. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
26. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
27. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
28. Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
29. Prde Op.23, No.5 - Margarete Babinsky

Tracks:

1. Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
2. Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
3. Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
4. Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
5. American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart

Album Description

This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.

Customer Reviews:

Ultimate music for every time of day and every mood.......2007-07-03

With 20 CDs in the collection, we have classical music for every mood and atime of day.

Would give 5 stars if sound quality where better.......2007-06-30

This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.

Great collection for a great price.......2007-06-27

I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.

20 Fabulous Discs.......2007-06-08

I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.

Average customer rating: Ladies & gentleman: The Lord'n Savior, God Almighty So Fashionable, and So Disappointing A nice combination of period nad tradiitonal Wait! Before you buy... La mas bella y fidedigna interpretacion que se pueda obtener

Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson Manufacturer: Archiv Produktion ProductGroup: Music Binding: Audio CD All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Pinnock, Trevor | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Otter, Anne Sophie von | Divas | Opera & Vocal | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Opera & Vocal | Holiday | Miscellaneous | Styles | Music General Christmas | Holiday Music | Special Features | Music Opera & Vocal | Holiday Music | Special Features | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Pinnock, Trevor | ( P ) | Performers, A-Z | Classical Music Blowout | Stores | Music Otter, Anne Sophie von | ( O ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Bach: Brandenburg Concertos / Orchestra of the Age of Enlightenment Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner Belcea Quartet ~ Debussy · Dutilleux · Ravel Beethoven: Symphony No 9 /ORR * Gardiner Tchaikovsky: Symphony 6 "Pathétique" in B minor Op. 74 ASIN: B0000057DB Release Date: 1990-10-25

Tracks:

1. Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
2. Messiah: Part One - 2. Accompagnato : Comfort Ye My People
3. Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
4. Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
5. Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
6. Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
7. Messiah: Part One - 7. Chorus : And He Shall Purify
8. Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
9. Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
10. Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
11. Messiah: Part One - 11. Air : The People That Walked In Darkness
12. Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
13. Messiah: Part One - 13. Pifa (Pastoral Symphony)
14. Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
15. Messiah: Part One - 17. Chorus : Glory To God In The Highest
16. Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
17. Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
18. Messiah: Part One - 20. Air : He Shall Feed His Flock
19. Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
20. Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
21. Messiah: Part Two - Air : 23. He Was Despised

Tracks:

1. Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
2. Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
3. Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
4. Messiah: Part Two - 27. Accompagnato : All They That See Him
5. Messiah: Part Two - 28. Chorus : He Trusted In God
6. Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
7. Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
8. Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
9. Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
10. Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
11. Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
12. Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
13. Messiah: Part Two - 36. Air : Thou Art Gone Up On High
14. Messiah: Part Two - 37. Chorus : The Lord Gave The Word
15. Messiah: Part Two - 38. Air : How Beautiful Are The Feet
16. Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
17. Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
18. Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
19. Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
20. Messiah: Part Two - 43. Air : Thou Shalt Break Them
21. Messiah: Part Two - 44. Chorus : Hallelujah
22. Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
23. Messiah: Part Three - 46. Chorus : Since By Man Came Death
24. Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
25. Messiah: Part Three - 48. Air : The Trumpet Shall Sound
26. Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
27. Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
28. Messiah: Part Three - 51. Chorus : But Thanks Be To God
29. Messiah: Part Three - 52. Air : If God Be For Us
30. Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen

Amazon.com essential recording

This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz

Amazon.com

Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey

Customer Reviews:

Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13

Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...

So Fashionable, and So Disappointing.......2007-02-01

This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.

Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?

Arleen Auger has a very sweet voice. And??

Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.

The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.

Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."

Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.

A nice combination of period nad tradiitonal.......2006-12-17

This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.

The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.

Wait! Before you buy..........2006-05-28

... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.

La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29

Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.

Average customer rating: Another good addition to collection Amazing CD Perfect! great from start to finish Don't buy this here

See the Sun Black Lab Manufacturer: blacklabworld.com ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Alternative Rock | Indie Music | Stores | Music Rock | Alternative Rock | Indie Music | Stores | Music Similar Items: Your Body Above Me Passion Leaves A Trace Soma Holiday Sleepwalker Nostalgia ASIN: B000BQPY04 Release Date: 2005-10-04

Tracks:

1. see the sun
2. remember
3. lonely boy
4. perfect girl
5. ecstasy
6. tell me why
7. without you
8. dream in color
9. learn to crawl
10. wide open
11. lifelike
12. circus lights

Product Description

The follow-up to Black Labs critically acclaimed Geffen debut Your Body Above Me (feat. "Wash it Away," Time Ago), See the Sun is a lush, epic union of heartbreak and rock & roll, diamond-cut lyrics set to hard candy melodies, raging guitars and gin-soaked stories of love, loss and redemption. Like U2 and Live and the Goo's getting drunk together. Like a five star hotel, you check in and youre sorry to check out. Their new album has a depth and emotional range that broadens with each listen. Grammy award-winning engineer Tom Lord-Alge (Live, Blink 182) mixed most of the album. What shines brightest is the band's pop sensibility the liquid swirl of "Remember," the epic sweep of "See the Sun," the raging loss of "Without You," and the open-armed surrender of "Lonely Boy." Black Lab has contributed to the soundtracks of Spider Man, Can't Hardly Wait, Varsity Blues, Permanent Midnight, Buffy the Vampire Slayer, Party of Five, What I Like About You, MTV's The Real World, and most recently, Blade: Trinity.

Customer Reviews:

Another good addition to collection.......2007-02-11

If you like black lab then what can I say you'll enjoy it. I'm not one to analyze every aspect. If it makes feel like moving then that is all I care. I think I almost like it better than their first. You won't waste your money.

Amazing CD.......2007-01-05

I've had this cd for over 2 months now and I can't stop listening to it. If you loved Black Lab back in the 90s, you will love them even more. Songs like Lonely Boy and Remember will stay in your mind for days. This is a must buy!!

Perfect!.......2006-12-26

Ever since I heard 'Learn To Crawl' on the Spider-Man Motion Picture Soundtrack I had a thirst to hear more of Black Lab's music. I bought this CD, praying I would not be let down. I wasn't one tiny bit. I LOVE this CD! I wasn't too pleased with Your Body Above Me, which I found moderately okay. I found this much superior. The only song I didn't like was Ecstasy, it just didn't have a catchy beat or lyrics and wasn't very memorable. With awsome songs like 'Lifelike' 'Wide Open' 'Without You' and 'Tell Me Why,' this CD will keep you entertained for hours while you hum along to your favourite songs. The lyrics were insightful and catchy. The music fitted perfectly to each and every song, each song being unique in it's own special way. Buy this CD, it's not a waste of money. Black Lab is an awsome bands which deserves more recognition. After listening for this, I have a thirst for a new album by Black Lab!

great from start to finish.......2006-10-30

This is a great,great CD. It is not as impressive as 'Your Body Above Me', which is truly a masterpeice, but this is a great CD. Fantastic vocals and melodies, unforgettable. A great CD from a truly incredible band. Glad to see they are still around and putting out great music, anxious to hear their next effort.

Don't buy this here.......2006-03-13

This is a very good album by a very underrated post-grunge band. This album is very different from "Your Body Above Me", but it's still a very solid, well-crafted effort. One gripe about it iss how rare it is,m though. It took me forever to find it, and I didn't want to pay $20 for it here, so I searched the internet. There is a webiste called Alternativeaddiction.com (google it). They loved this album, and they sell it for a mere $8 for download. And you pay through PayPal, so its a safe, fast transaction. So do yourself a fovor: but his great album and, if you haven't already, get "Your Body Above Me" (it's better). And buy "See the Sun" on Alternative Addiction's website.

Enjoy!

Average customer rating: It stays with them... It all started with Beethoven Not What I expected Music, history, culture, & intriguing story -Amazing! Great series, great collection

Classical Kids: Collection Manufacturer: Children's Book Store Distribution ProductGroup: Music Binding: Audio CD Fiction | Music | Arts & Music | Children's Books | Subjects | Books Dances | Ballets & Dances | Classical | Styles | Music Ecossaises | Ballets & Dances | Classical | Styles | Music Minuets | Ballets & Dances | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Caldara, Antonio | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Improvisation | Forms & Genres | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Bagatelles | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Variations | Forms & Genres | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Piccolo | Reeds & Winds | Instruments | Classical | Styles | Music General | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Children's Music | Styles | Music Compilations | Children's Music | Styles | Music Children's Music | Box Sets | Stores | Music Similar Items: The Classical Kids Collection: Volume 2: Tales of Enchantment and Classical Music Classical Kids Christmas Classical Kids: Hallelujah Handel! Tchaikovsky Discovers America World's Very Best Opera for Kids... in English! ASIN: B00000212C Release Date: 1995-01-09

Tracks:

1. Orchestral Suite #3, 1/Minuet in G+/Gigue in G+ (French Suite #5) - Studio Arts Orchestra, The Toronto Boys' Choir
2. Jesu, Joy of Man's Desiring/Chromatic Fantasy/Prelude in B - (WTC1) - Studio Arts Orchestra, The Toronto Boys' Choir
3. Introducing the Orchestra/Organ: Chorale Preludes, "Allein Gott" - Studio Arts Orchestra, The Toronto Boys' Choir
4. Brandenberg Concerto #5, MVT. 3 - Studio Arts Orchestra, The Toronto Boys' Choir
5. Flute Sonata C+, MVT. 2/Organ; "Es Ist das Heil"/Orchestral Suite ... - Studio Arts Orchestra, The Toronto Boys' Choir
6. Prelude in C (WTC1)/Orchestral Suite #2, MVT. 2 - Studio Arts Orchestra, The Toronto Boys' Choir
7. Bist du Bei Mir - Studio Arts Orchestra, The Toronto Boys' Choir
8. Orchestral Suite #2, Badinerie - Studio Arts Orchestra, The Toronto Boys' Choir
9. Orchestrak Suite #3, Air for the G-String - Studio Arts Orchestra, The Toronto Boys' Choir
10. Orchestral Suite #3, Gigue - Studio Arts Orchestra, The Toronto Boys' Choir
11. "Adventure in Music" - Studio Arts Orchestra, The Toronto Boys' Choir
12. Goldberg Variations/Art of Fugue - Studio Arts Orchestra, The Toronto Boys' Choir
13. "Liebster Jesu"/Flute Sonata in C, MVT. 4 - Studio Arts Orchestra, The Toronto Boys' Choir
14. "We Hasten, " Cantata #78 - Studio Arts Orchestra, The Toronto Boys' Choir

Tracks:

1. Symphony #7, MVT. 2
2. Symphony #5, MVT. 1
3. Piano Sonata, Op 90, MVT. 2/Flute Serenade, Op 23, MVT. 3/Violin ...
4. Pathue Sonata, Op 13, MVT. 2/Contradanse #1 in Major
5. Symphony #5, MVT. 2/Piano Sonata, Op 14 #2, MVT. 2/Flute Serenade, ...
6. Polonaise/La Marmotte/Country Dance in a Major/Fse/Flutnuhr
7. Sonatina in G Major/Minuet in G Major/Violin "Spring" Sonata, MVT. 1
8. Moonlight Sonata, Op 27 #2, MVT. 1
9. Flute Serenade, MVT. 2
10. Symphony #6, Storm
11. Nel Cor Piu Variations
12. Piano Concerto #1, MVT. 1/Piano Concerto #5, MVT. 2
13. Bass Excerpts from Symphony #9/Violin"Spring Sonata"/Rage Over a ...
14. Symphony #9, MVT. 4
15. Sonata Opus 49 #2, MVT. 2
16. Symphony #6, Shepherd's Theme

Tracks:

1. Lost in the Opera House: Oh Help Me (Zu Hilfe) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
2. Papageno and the Birds: The Best Birdcatcher (Der Vogelfer) - Russell Braun, St. Simon's Choir, Studio Arts Orchestra
3. Queen of the Night: You Must Free My Daughter (O Zittre Nicht) - Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra
4. Pamina Arrives, Papageno's Magic Bells: A Girlfriend (Ein Mhen) - Russell Braun, St. Simon's Choir, Studio Arts Orchestra
5. Castle of Sarastro: O Endless Night (O Ew'ge Nacht) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
6. Magic Flute: O Listen (Wie Stark) - Nils Brown, St. Simon's Choir, Studio Arts Orchestra
7. Escape: Let Us Hurry (Schnelle FWhat Tinkles So Brightly ... - Russell Braun, St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
8. Sarastro's Welcome: The Gods Above (O Isis) - Gordon McLeod, St. Simon's Choir, Studio Arts Orchestra
9. Attack of the Queen: The Powers of Night (Der H Rache)/This ... - Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra
10. Pamina's Lament: Oh, My Heart Is Broken (Ach, Ich F - St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
11. In the Labrynth: Seekers of the Light (Der, Welcher ...) - Nils Brown, Gordon McLeod, Marjorie Sparks, St. Simon's Choir, Studio Arts Orchestra, Monica Whicher
12. Papageno and Papagena: Ring, O Bells (Klinget Glhen) - Adriana Braun, Russell Braun, St. Simon's Choir, Studio Arts Orchestra
13. Conclusion: Our Journey Is Over [Bei Mern] - St. Simon's Choir, Studio Arts Orchestra

Tracks:

1. Four Seasons, Spring, I, RV 269
2. Piccolo Concerto, II, RV 293
3. Arriving at the Pietour Seasons, Autumn, I RV 293/Guitar/Flute ...
4. Violin Concerto in a Minor, I, RV 356
5. Four Seasons, Winter, II, RV 297
6. Guitar Concerto, II, RV 93
7. Venice by Day/Guitar Concerto, III, RV 93/Four Seasons, Autumn, ...
8. Sonata for Two Violins, II, RV 50/"Farnace", RV 711, [Recording Premier
9. Violin Concerto in a Minor, II, RV 356
10. Venice by Night/La Notte, I, II, III, RV 439
11. Island of the Dead/Four Seasons, Autumn, II, RV 293
12. Gardellino, RV 90/Beatus Vir, RV 597/Alma del Core/Violin Sonata ...
13. Concert Preparations/Piccolo Concerto, I, RV 443/Guitar Concerto, III,
14. Conclusion/Double Orchestra Concerto, II, RV 585/Guitar Concerto, ...

Customer Reviews:

It stays with them..........2005-10-24

I enjoyed reading the reviews of parents whose kids have recently discovered "Classical Kids." I'm about to order the boxed set for my kids, ages 21, 19 and 16 because the nineteen-year-old, who has a college radio show and loves a wide variety of music, remembers this series (then only on cassette) with great affection and wants to hear them again. Those of you wondering whether it's worth it or not to try to introduce kids to classical music this way, be assured it works. We've turned one of Mr. Bach's lines into a family "saying:" "the more you study, the more you know; the more you know, the more you appreciate; the more you appreciate, the more you love." A great series!

It all started with Beethoven.......2004-02-03

Many years ago I purchased my first CD in this series, "Beethoven Lives Upstairs." My children and I were delighted with it. I then discovered that there were more and searched them all out, one by one. My children, now 11, 9 & 5, have listened to these stories as they fall asleep for years. They each have a favorite composer and have gone on to learn more about them. These stories are a great introduction to some of our greatest composers. Not to mention a good intro to history, too!

Imagine my delight that they are now in one boxed set! Now when asked, I suggest this set. What a great way to get it ALL! I truly believe that by surrounding our children with a variety of good music (including POP music) and information they will grow up with a greater appreciation for music and the arts.

Not What I expected.......2002-09-20

I love the idea, but I don't want to expose my children to the stories in these cd's. They contain children talking back to their parents, disrespectful language, sorcery, etc. If you don't like Harry Potter, you won't like these CD's.

Music, history, culture, & intriguing story -Amazing!.......2002-04-08

My 6 year old son loves music...and stories! Here is the prefect combo. Lovely music of the composer accomapnies a fictional story which weaves the composer's life, the culture of his homeland as well as history...in an intriguing and fun way! Now, my son can pick out pieces he hears on the classical radio station. He really enjoys the stories and can tell people @ carnival in Venice, Italy and tidbits @ Beetoven and the Magic Flute by Mozart! A must for any child with any of these interests! We also have enjoyed the CD's and have learned lots!
I only can wonder...what took whomever so long to broaden our horizons in such a way! BRAVO!

Great series, great collection.......2001-04-22

We've had the CDs in this boxed set for over a year now. The Classical Kids series has been wonderful. We have two boys (now 6 and 8) and this has been a great introduction to classical music. At first, the kids loved the stories which provide a sense of history and place and, ultimately, keep the kids interested in the entire CD. As they listened (time and time again), they started to pay more attention to the musical portions. Recently, we've been able to tell that they've picked up a sense of the music as we've listed to classical music on the car radio. Time and again, they perk up when listening to a piece of music and surprise us by saying "That's Beethoven". Sure enough - they've picked up something about the style of music that's characteristic of Beethoven. Sometimes it's the snippet of music from the CD and other times it's just the rhythms that are characteristic of that piece. As a family, we all recommend this.

Average customer rating:

Handel: The Masterworks (Box Set) Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Concerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Trio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Baroque (c.1600-1750) | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Handel, George Frideric | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Vivaldi: The Masterworks (Box Set) Haydn: The Masterworks [Box Set] Mendelssohn: The Masterworks [Box Set] Dvorák: The Masterworks [Box Set] Schubert: The Masterworks [Box Set] ASIN: B00062FLI8 Release Date: 2004-11-30

Average customer rating: Stunning. . . . PORTRAIT OF AN ARTIST A world-changing musician CZIFFRA - A Keyboard Phenomenon

Les introuvables de Cziffra Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD Bourees | Ballets & Dances | Classical | Styles | Music Galops | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music All Works by Carl Philipp Emman. Bach | Bach, Carl Philipp Emman. | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Cziffra, György | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Lully | Lully, Jean-Baptiste | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rameau | Rameau, Jean Philippe | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Hummel | Hummel, Johann Nepomuk | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Etudes | Forms & Genres | Classical | Styles | Music Fantasies | Forms & Genres | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Character Pieces | Short Forms | Forms & Genres | Classical | Styles | Music Impromptus | Short Forms | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Toccatas | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Classical | Box Sets | Stores | Music Similar Items: Liszt: Works For Piano Rendez-vous de Senlis Georges Cziffra Plays Chopin, Liszt & Franck (EMI Classic Archive) Chopin: uvres pour piano Liszt: Piano Concertos; Totentanz; Hungarian Fantasy ASIN: B000002SBW Release Date: 2002-08-12

Tracks:

1. La Campanella, Grande Etude De Paganini No. 3
2. Nocturne No. 3 In A Flat Major, Reve D'Amour
3. Mephisto Valse (D'Apres Le Faust De Lenau)
4. Les Jeux D'Eau A La Villa D'Este
5. Valse Oubliee No. 1
6. Rhapsodie Espagnole
7. Valse Impromptu
8. La Ronde Des Lutins, Etude De Concert No. 2
9. Grand Galop Chromatique
10. Apres Une Lecture Du Dante, Fantasie Quasi Sonata (Extrait From 'Les Annees De Pelerinage')

Tracks:

1. Polonaise D'Eugene Oneguine (Tchaikovsky)
2. Rigoletto, Paraphrase De Concert (Verdi)
3. Tarentelle De Bravoure Sur Des Theme De 'La Muette De Portici' (Auber)
4. Valse De Faust (Gounod)
5. Improvisation Sur Les Themes De Guillaume Tell (Rossini)
6. Valse Triste (Vecsey)
7. Tritsch Tratsch Polka (Johann Strauss)
8. Le Beau Danube Bleu, Paraphrase (Johann Strauss)
9. Danse Hongroise No. 5 (Brahms)
10. Fantaisie Roumaine (Improvisation Dans Le Style Tzigane)
11. Le Vol Du Bourdon (Rimsky-Korsakov)

Tracks:

1. Islamey, Fantaisie Orientale
2. Toccata In C Major, Op. 7
3. Andante Et Rondo Capriccioso In E Major, Op. 14
4. Rondo In E Flat Major, Op. 11
5. Polonaise In C Major, Op. 89
6. Rondo A Capriccio In G Major, Op. 129
7. Andantino In B Minor
8. Bourree In E Flat Major
9. Sonata In C Major, K159
10. Le Tic Toc Choc ,Ou Les Maillotins
11. Les Barricades Mysterieuses
12. L'Anguille
13. La Bandoline
14. Les Petits Moulins A Vent
15. Les Folies Francaises Ou Les Dominos
16. La Poule
17. Le Rappel Des Oiseaux
18. Gavotte En Rondeau

Tracks:

1. Variations In C Major, Sur 'God Save The King', WoO 78
2. 12 Variations In A Major, Sur Un Theme Russe (Wranitzky), WoO 71
3. 32 Variations In C Minor, WoO 80
4. Fantaisie In F Minor, Op. 49
5. Book 1 - Variations Sur Un Theme De Paganini, Op. 35
6. Book 2 - Variations Sur Un Theme De Paganini, Op. 35

Tracks:

1. I. Grave - Allegro Molto E Con Brio, Sonata No. 8 In C Minor, Op. 13
2. II. Adagio Cantabile, Sonata No. 8 In C Minor, Op. 13
3. III. Rondo, Sonata No. 8 In C Minor, Op. 13
4. I. Allegro - Sonata No. 10 In G Major, Op. 14
5. II. Andante - Sonata No. 10 In G Major, Op. 14
6. III. Scherzo -Allegro Assai - Sonata No. 10 In G Major, Op. 14
7. I. Andante Con Variazioni - Sonata No. 12 In A Flat Major, Op. 26
8. II. Scherzo (Allegro Molto) - Sonata No. 12 In A Flat Major, Op. 26
9. III. Marcia Funebre (Andante Maestoso) - Sonata No. 12 In A Flat Major, Op. 26
10. IV. Allegro - Sonata No. 12 In A Flat Major, Op. 26
11. I. Andante - Allegro -Allegro Molto Vivace - Sonata No. 13 In E Flat Major, Op. 27
12. II. Adagio Con Espressione - Sonata No. 13 In E Flat Major, Op. 27
13. III. Allegro Vivace - Sonata No. 13 In E Flat Major, Op. 27

Tracks:

1. Preambule Carnaval Op9
2. Pierrot Carnaval Op9
3. Arlequin Carnaval Op9
4. Valse Noble Carnaval Op9
5. Eusebius Carnaval Op9
6. Florestan Carnaval Op9
7. Coquette Carnaval Op9
8. Replique Carnaval Op9
9. Papillons Carnaval Op9
10. A.S.C.H., S.C.H.A., Lettres Dansantes Carnaval Op9
11. Chiarina Carnaval Op9
12. Chopin Carnaval Op9
13. Estrella Carnaval Op9
14. Reconnaissance Carnaval Op9
15. Pantalon Et Colombine Carnaval Op9
16. Valse Allemande - Intermezzo: Paganinni Carnaval Op9
17. Aveu Carnaval Op9
18. Promenade Carnaval Op9
19. Pause Carnaval Op9
20. Danse Des Davidsbundler Contre Les Philistins Carnaval Op9
21. I. Des Abends Fantasiestucke Op12
22. II. Aufschwung Fantasiestucke Op12
23. III. Warum? Fantasiestucke Op12
24. IV. Grillen Fantasiestucke Op12
25. V. In Der Nacht Fantasiestucke Op12
26. VI. Fabel Fantasiestucke Op12
27. VII. Traumeswirren Fantasiestucke Op12
28. VIII. Ende Vom Lied Fantasiestucke Op12
29. I. Allegro - Carnaval De Vienne, Op. 26
30. II. Romanze - Carnaval De Vienne, Op. 26
31. III. Scherzino - Carnaval De Vienne, Op. 26
32. IV. Intermezzo - Carnaval De Vienne, Op. 26
33. V. Final - Carnaval De Vienne, Op. 26

Tracks:

1. Fantaisie Hongroise In F Major For Piano And Orchestra
2. Totentanz, Paraphrase Sur Le 'Dies Irae' Pour Piano Et Orchestre
3. Variations Symphoniques Pour Piano Et Orchestre
4. I. Allegro Molto Moderato - Concerto For Piano And Orchestra In A Minor, Op. 16
5. II. Adagio - Concerto For Piano And Orchestra In A Minor, Op. 16
6. III. Allegro Moderato Molto E Marcato - Andante Maestoso - Concerto For Piano And Orchestra In A Minor, Op. 16

Tracks:

1. I. Adagio Sostenuto Assai - Concerto No. 2 For Piano And Orchestra In A Major
2. II. Allegro Agitato Assai - Concerto No. 2 For Piano And Orchestra In A Major
3. III. Allegro Moderato - Concerto No. 2 For Piano And Orchestra In A Major
4. IV. Allegro Deciso - Concerto No. 2 For Piano And Orchestra In A Major
5. V. Marziale, Un Poco Meno Allegro - Concerto No. 2 For Piano And Orchestra In A Major
6. VI. Allegro Animato - Concerto No. 2 For Piano And Orchestra In A Major
7. I. Allegro Maestoso - Concerto No. 1 For Piano And Orchestra In E Flat Major
8. II. Quasi Adagio - Concerto No. 1 For Piano And Orchestra In E Flat Major
9. III. Allegretto Vivace - Allegro Animato - Concerto No. 1 For Piano And Orchestra In E Flat Major
10. IV. Allegro Marziale Animato - Concerto No. 1 For Piano And Orchestra In E Flat Major
11. I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
12. II. Andante Semplice - Prestissimo - Tempo 1 - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23
13. III. Allegro Con Fuoco - Concerto No. 1 For Piano And Orchestra In B Flat Minor, Op. 23

Customer Reviews:

Stunning. . . . .......2007-01-10

I bought this set with some trepidation, since I didn't know what to expect from Cziffra's playing of composers other than Liszt. I had only heard him in his mercurially brilliant Lisztian incarnation, and didn't know how he would do with a less flamboyant style.
I have been very pleasantly surprised, especially at his Beethoven and his Schumann. I found that he kept the spontaneity of his Lisztian interpretations, but channelled it chronologically into insightful and spontaneous Beethoven interpretations, while respecting most of the rules and performance practices of the Classic era.
His Schumann was mercurial and spontaneous in a Romantic fashion, also, and - of course - brilliantly digitally played. As to the Liszt, it's par excellence; I've never heard that music played with such spontaneity and
digital fluency.
The sound quality is surprisingly good, altho somewhat uneven. I highly recommend this set to anyone who loves great piano-playing. My favorite pianist is still Richter, but Cziffra takes first prize in his Liszt, and runs a close second with other composers' music.

PORTRAIT OF AN ARTIST.......2006-10-15

The eight discs making up this set are invaluable to anyone interested in this extraordinary musician and pianist. His career was cut tragically short, and while it lasted he was most in demand to display his astounding technique in Liszt. He did it because he could. Not being enormously attracted to Liszt I was slow in coming to know Cziffra, but when I did what struck me forcibly was that the picture I had been given of him was seriously misleading. Any suggestion that he was a wilful virtuoso who turned the standard classics into something of his own is 180 degrees wide of the mark, and this selection enables us to hear what his playing was really like in music ranging from Lully and Couperin to the late 19th century, taking in on the way Rameau, Scarlatti, C P E Bach, Beethoven, Hummel, Chopin, Mendelssohn and Schumann. Liszt is here in the shape of the two concertos, the Totentanz and the Hungarian Fantasy plus some solos, my collection of least favourite romantic concertos is enhanced with his renderings of the Grieg and Tchaikovsky, but relief from these is provided with Franck's symphonic variations. Among the non-Liszt solo pieces we are given a number usually thought to call for exceptional virtuosity, namely Schumann's toccata, Mendelssohn's rondo capriccioso and Brahms's Paganini variations. Balakirev's Islamey is here too, but in a version of Cziffra's own, and so are some of his own virtuoso arrangements including one of the Flight of the Bumblebee as well as four similar efforts from Liszt.

Cziffra himself didn't aid popular comprehension by saying that he couldn't play Beethoven. I already owned his Waldstein, but here we have four more sonatas plus some smaller pieces, all early works. If I have a fault to find with his Waldstein it's that it is rather understated. What I don't fault at all is his sense of Beethoven's idiom, and the only flash of Cziffra's phenomenal technique comes where there can be no objection in the up-and-down octaves near the end. These are normally played glissando, because to finger them in strict time is impossible, allegedly. Even Horowitz can't do that - but Cziffra can. This really sums up his way of doing things - the technique is exercised strictly when needed, and then not in a showy way unless the sense of the music demands that. Try the Mendelssohn rondo here - light-fingered in the main rondo theme, relaxed in the episodes - then hear Serkin on Aura in his 1957 recital in Lugano, high-tension and full-speed-ahead. Serkin brought the audience to its feet, Cziffra is simply enjoying the piece, and very Mendelssohnian he sounds. Or again the Schumann toccata. Richter won raptures from the critics for his handling of the rat-tat fortissimo chords near the end while making no concessions to the tempo. He does that no better than Cziffra, if as well. The difference is that Richter `makes more' of the supposedly virtuoso sequences earlier. Now how about Cziffra's Beethoven here? It is natural, idiomatic and kept within a certain volume-level. There is no showing off let alone messing around. If Cziffra recalls anyone it is Kempff, and these performances would be safe models for teachers. In Schumann it's the same story. Not everyone could play Traumeswirren like this, and here and there the finger-work had me rubbing my eyes, but I keep sensing that Cziffra is not even aware that he's doing anything exceptional. The idiom is dead right, the rubato is natural, the lyricism is spontaneous if less `warm' than some, the sense of the overall structure is effortless - and I could say all that about Chopin's F minor fantasy too.

I can't avoid Liszt, but some comparisons are interesting. This high-powered Totentanz has been rightly praised, but both in this work and in the first concerto I feel that Michelangeli beats Cziffra at what is supposedly Cziffra's own game. I hear Michelangeli as Cziffra's solitary equal as a technician, but in second-rate music like this spontaneity and dexterity are trumped by an above-it-all Olympian aloofness, and Cziffra undoubtedly does not take the ultra-care that Michelangeli takes over perfect evenness of touch, sublime poise in the rhythm and super-perfection in the trills. (In the matter of trills, you can hear what Cziffra can do when he puts his mind to it in the fiendish 4th variation in book 1 of Brahms's Paganinis). In the 2nd concerto Cziffra is the best I have yet heard. In sheer technical address neither he nor anyone surpasses Richter, but where I like Cziffra better is in an aspect of his playing that gets too little attention, namely his natural and unaffected lyricism. In the Hungarian Fantasy, the Liszt solos and the various arrangements I imagine Cziffra is unsurpassed and unsurpassable, not that I propose to research that matter much.

The Grieg and Tchaikovsky concertos are here too. Cziffra adopts moderate tempi in the outer movements of the Grieg as the composer directs. The first movement of the Tchaikovsky is done as I like it, insofar as I like it at all. The introduction is taken fast, rather as Horowitz and Toscanini take it although I miss Toscanini's direction. The last movement however is taken at a very moderate pace, with the excitement saved for the end. Later performances are of some French music. In these pieces, as in the Scarlatti sonata, I wouldn't say that Cziffra stands out particularly - with one telling exception, Couperin's Barricades Mysterieuses, atmospheric and bewitching. Was this what they told you to expect from Cziffra?

He was a natural, a child of the gods. The near-unbelievable technique was an important part of his gift, but what I prize most is his lyric manner - simple, innocent and clear-eyed. His actual touch is not one that you could identify within seconds, as you could identify that of Horowitz, Serkin, Richter or Michelangeli, but it is utterly free from affectation. The better you know him, the more you will love him.

A world-changing musician.......2006-01-30

I've not a lot to add to Alan Thorpe's review except to say that to be young when Cziffra burst upon the world in 1956 after he left Hungary & started playing in western Europe was sheer intoxication--and it wasn't all Liszt either! Like Richter, who appeared at the same time, he played Schumann in a way that opened up entire new fields of tonal & interpretive possibility. I must say, too, that from the start, I admired his Beethoven--I like lyrically played Beethoven! Why shouldn't Beethoven sing as well as growl? He did write some lovely songs, after all. Cziffra's versions of Op.13, Op.14/2 & Op.26 on this set are very satisfying--I just wish they had managed to include a recording of his version of the Waldstein, too.

CZIFFRA - A Keyboard Phenomenon.......2001-05-26

Issued in 1991 by EMI France to celebrate Cziffra's 70th birthday this 8 CD boxed set is a bargain. The first CD is all Liszt and contains some of the most spellbinding playing you are ever likely to hear. Fire and brimstone reign as Cziffra tears up the keyboard in the Dante Sonata's demonic moments; surely a whiff of sulphur as he spontaneously combusts during the Mephisto-Valse; the Rhapsodie espagnole and Grand Galop chromatique {see him sweat playing this on Philip's `Great Pianists of the 20th Century video.}. As a contrast, be seduced by his heart-melting rendering of the third Liebestraume; the caprice of the Valse-Impromptu; and have the waters of `Les Jeux d'eau a la Villa d'Este' ever cascaded so onomatopoeically and with such a transcendental variety of touch and nuance. More diablerie follows on disc 2 with transcriptions by Liszt and those {in} famous ones by Cziffra himself. I have never heard a more demonic Gounod/Liszt ` Valse de Faust'; Auber/Liszt `Tarantelle de bravura'; or Tchaikovsky/Liszt Polonaise from `Eugene Onegin'; as for Cziffra's playing of his own transcriptions and paraphrases, especially the Strauss `Tritsch-tratsch polka' and Rimsky-Korsakov `Flight of the Bumble-bee; well, they are in a class of their own. Both Katsaris and Volodos recorded the latter pieces but I'm afraid they cannot compare with Cziffra's sheer electricity and panache. You will now need an ice pack as disc 3 opens with Balakirev's Islamey which starts steadily enough compared to say Simon Barere's famous account {now on APR} but increases in excitement as Cziffra adds all kind of gypsy embellishments as he builds to a fiery conclusion. Excitement is also the key to the next piece; Schumann's Toccata, which Cziffra plays with effortless abandonment and joie de vivre as he also does Mendelssohn's Rondo Capriccioso. Cziffra loved to play Baroque music and the rest of this disc is taken up by mainly short but characterful pieces by Couperin, Lully, Rameau and Krebs. Many were recorded in the 1980s and sound better if played back at a reduced volume level as they were obviously too closely miked. Cziffra once said that he couldn't play Beethoven so preferred to leave it to others who could. He did record a number of sonatas and this selection includes very fine accounts of the `Pathetique'; No. 13 in E flat Op27/1 {companion to the `Moonlight'};and Op. 26 in A flat. He brings a full cantabile to the latter works opening movt. and to the Adagio of the `Pathetique'. Elsewhere he plays with refinement and elegance; everything is in the best possible taste and there is nothing to offend, but those who like their Beethoven a bit more rough and gruff could be a bit disappointed as they might also be with Cziffra's Brahm's Paganini Variations which are technically stunning but find Cziffra musically out of sorts. The Schumann disc finds him on top form. Like many great artists Cziffra loved to play Schumann and he was equally at home with Eusebius { the dreamer} as he was with Florestan { the impetuous side of his character} and this is self evident in his brilliantly characterful accounts of Carnaval, Fantasiestücke, and Carnaval de Vienne - the latter piece highly praised by Cortot after he heard Cziffra during a Paris radio broadcast in the late 1950s. Discs 7 and 8 are all concertante works and show Cziffra at the very height of his stupendous powers. Again Cziffra has his demon up in the most astounding Liszt Totentanz ever recorded; a Hungarian Fantasy with all the improvisational colours of a band of gypsy fiddlers and an ideally recreative performance of the second concerto to make all others sound four-square . To cap this there is a fabulous Grieg concerto in which Cziffra dares to improvise the end of the Lisztian style cadenza; a meltingly beautiful slow movt with an excitingly brilliant finale. Last but certainly not the least, a very poetic reading of Franck's Symphonic Variations and a Tchaikovsky first concerto which combines thrilling virtuosity with all those individual touches that only a genuinely recreative artist can bring to such a familiar masterpiece. This collection is a splendid tribute to one of histories greatest pianists - an artist who knew the authentic meaning of ` bravura'.

Average customer rating: One of the best examples of fusion music out there. Dorsey Rocks It Out in Beethoven Style Good Clean Fun Too Electric No Bust

Beethoven or Bust Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Ecossaises | Ballets & Dances | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Rondos | Forms & Genres | Classical | Styles | Music Bagatelles | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Variations | Variations | Forms & Genres | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Bachbusters Busted Time Warp The Well-Tempered Synthesizer Switched-On Bach II ASIN: B000003CUI Release Date: 1990-10-25

Tracks:

1. Rondo A Capriccio In G Major Op. 129: 'Rage Over A Lost Penny'
2. Eleven Bagatelles, Op. 119: Mixed Bagatelles - Andante-Allegretto
3. Six Bagatelles, Op. 126: Mixed Bagatelles - Allegro
4. Seven Bagatelles, Op. 33: Mixed Bagatelles - Presto
5. I. Adagio sostenuto: Sonata No. 14 In C-sharp Minor, Op. 27, No. 2 ('Moonlight')
6. II. Allegretto: Sonata No. 14 In C-sharp Minor, Op. 27, No. 2 ('Moonlight')
7. III. Presto agitato: Sonata No. 14 In C-sharp Minor, Op. 27, No. 2 ('Moonlight')
8. 15 'Eroica' Variations, Op. 35: Various Variations
9. Sonata No. 6 In F Major, Op. 10, No. 2: III. Presto
10. Six Ecossaises, WoO 83 (1823)
11. Fur Elise (Albumblatt) WoO 59 (1808)
12. Sonata No. 18 In E-FLat Major, Op. 31, No. 3: II. Scherzo: Allegretto vivace
13. Symphony No. 9 In D Minor ('Choral'), Op. 125, Mvt. 4: Ode to Ludwig

Customer Reviews:

One of the best examples of fusion music out there........2007-05-14

This ranks right up there with Jesse Cook and Sarah McLachlan on my list of modern recordings. Dorsey obviously adores the music of Beethoven. Full, rich sound with lots of good base notes and just the right touch at all time.

Dorsey Rocks It Out in Beethoven Style.......2006-06-08

This is one of the very first CDs I bought, way back in 1988 when it was released, and, as it turns out 18 years later, it's still one of my favorites. Why would a near-20-year-old classical recording -- of synthesized origin, no less -- continue to be a favorite?

Perhaps it's a bit of nostalgia. Perhaps it's my love of neo-classical that made me gush over this album nearly 20 years ago when it was fresh, and yet even today. Perhaps it's the fact that I can take this disc into my vehicle, crank the volume and get blown away by the bass in tracks 1 - "Rage Over a Lost Penny", 4, 11 - "Für Elise", and 12. Track 1 literally blew the sound coil off the cone of my subwoofer on one particularly enthusiastic playback. Perhaps it's the fact that this thing is pure digital (when DDD meant something) and sounded amazing when it came out -- and still does; it's a great reference disc for putting speakers through their paces. Perhaps it's because Beethoven was a musical genius and the appeal of his work transcends time and instrumentation. Perhaps it's because Dorsey is an artist and has masterfully translated these beautiful ancient works into something reverently (and occasionally reverently comically) modern. Perhaps it's a combination of all the above.

Dorsey succeeded in making classical music FUN with this recording! "Beethoven or Bust" complemented his previous effort, "Bachbusters" perfectly, even though the two composers' styles were so different. Oh, and it is apparently pretty solid stuff technically and stylistically -- "Beethoven or Bust" was #1 on the Classical charts for nearly half a year in '88 and the #2 album of the year, so the naysayers have some explaining to do. This is not just another "Switched-on Bach". A previous reviewer said that Dorsey has a heck of a sense of humor - you just have to read the liner notes to see that this is true!

Bottom line is you'll enjoy -- even love! -- this disc unless you're a die-hard classical fan that can't quite accept the shift of classical music into the electronic world. The irony of this situation is that most of the great ancient composers were on the cutting edge of music technology of their time and would undoubtedly have used synthesizers if they had them at the time. Buy this album. Denny Krane.

Good Clean Fun.......2005-12-16

First off, one needs to understand that Don Dorsey has a great sense of humor in order to fully appreciate his recordings. Years ago, he made a splash with his Telarc release titled "Bachbusters" which presented Bach keyboard pieces on the Synclavier with explosive sonics. This disc is a followup to Bachbusters and although it didn't sell as well or receive as much praise as its predecessor, I actually like it more. I find this disc to have more artistry and musicality and still provide plenty of sonic punch. If you doubt that claim, then que up track 11 (Fur Elise), crank the volume knob to 11 and get ready to see the coil from your subwhoofer get launched across your listening room floor. For more good clean fun, try track number 1, then perhaps skip up to the Moonlight Sonata (tracks 5 through 7). This is great stuff, but to enjoy it to the ultimate, your sense of humor will need to approach that of Mr. Dorsey's.

Too Electric.......2002-03-11

While we like rock and "electric" renditions of classical, couldn't give this CD away. A bit tooo electric.

No Bust.......1999-10-15

This is another highly entertaining CD from Mr Dorsey. While not as good as Bachbusters, is still delightful, particularly the Moonlight Sonata and the Bagatelles. Even though this recorded early in the CD age, the sound is full and rich.

Average customer rating: A great country album

Rage On Dan Seals Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Country | Styles | Music Similar Items: The Best of Dan Seals Walking the Wire All Jacked Up These Days ASIN: B00000DQUO Release Date: 1990-10-25

Tracks:

1. Big Wheels in the Moonlight
2. They Rage on
3. Five Generations of Rock County Wilsons
4. Twenty-Four Hour Love
5. Factory Town
6. Addicted
7. Heartache Just Around the Bend
8. Maybe I'm Missing You Now
9. Fool Me Once, Fool Me Twice
10. Long Long Island Nights
11. Those

Customer Reviews:

A great country album.......2005-07-04

For a while in the eighties, Dan Seals (formerly one-half of England Dan and John Ford Coley) was very popular on country radio stations, having a string of hits that all went to number one on the country charts. He maintained that success with this album although this album marks the end of his successful run. He recorded one more album for Capitol after this one but the singles from it only got limited airplay and Dan's career as a hit-maker ended rather suddenly.

With half the songs written or co-written by Dan (often with Bob McDill) and the other half written by other top songwriters, this album is a classic. The contribution of Bob McDill is particularly interesting as he wrote many songs for Don Williams, whose style is similar in many ways to Dan's. On four of the songs, Baillie and the Boys (Kathie Baillie, Michael Bonagura and Alan Le Boeuf) provide backing vocals.

The album begins with an upbeat trucking song (Big wheels in the moonlight) and ends with a song (Those) in which Dan expresses his wish that people would help those less fortunate than themselves. In between are many other excellent songs include Five generations of Rock County W