Too Blue

1. Too Blue

2. I Ought to Know You

3. What You Gonna Do

4. Stormy Waters

5. Just One Year Ago

6. Don't Tell Me Stories

7. Things I Wish I'd Said

8. Squirrel Tail

9. Feeling Mighty Fine

10. Carolina Time

11. I Want to Go Where No One Knows Me

12. Mountain Way of Life

13. Blind Beggar

14. Love Grown Cold

Tracks:

Wish I Could
Sinkin' Soon
The Sun Doesn't Like You
Until The End
Not My Friend
Thinking About You
Broken
My Dear Country
Wake Me Up
Be My Somebody
Little Room
Rosie's Lullaby
Not Too Late

Amazon.com

Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening "Wish I Could" (about a boyfriend lost to war), intimations of mortality in "The Sun Doesn't Like You," and the post-election horrors of "My Dear Country." The last seems to channel the inspiration of Brecht/Weill, while the equally bleak "Sinkin' Soon" is set to a jaunty Dixieland rag. Throughout, Jones's vocal intimacy and melodic warmth remain as disarmingly understated as ever. The soulful "Thinking of You," the countryish "Wake Me Up," and the syncopated "Be My Somebody" reflect the captivating style of her previous work. Although too much in the same midtempo mode becomes a dreamy lull, cut by cut, Jones's voice is irresistible. --Don McLeese

From Blue Note

Album Details

1. "Wish I Could" (Norah Jones-Lee Alexander): Norah Jones: vocals; Jesse Harris: acoustic guitars; Julia Kent: pizzicato cello; Jeffery Ziegler: bowed cello

2. "Sinkin' Soon" (Lee Alexander-Norah Jones): Norah Jones: vocals, piano; Daru Oda: vocals; M. Ward: vocals; Jesse Harris: guitjo; Kevin Breit: mandolin; J. Walter Hawkes: trombone; Lee Alexander: bass; Andy Borger: drums, slit drum, pots and pans

3. "The Sun Doesn't Like You" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: bass; Andy Borger: drums; Paul Bryan: Chamberlain keyboards

4. "Until The End" (Norah Jones-Lee Alexander): Norah Jones: vocals, Wurlitzer, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: bass; Andy Borger: drums; Larry Goldings: Hammond B-3 organ

5. "Not My Friend" (Norah Jones): Norah Jones: vocals; Jesse Harris: acoustic guitars; Adam Levy: backwards electric guitars; Lee Alexander: bass; Andy Borger: marimba, cymbals

6. "Thinking About You" (Norah Jones-Ilhan Ersahin): Norah Jones: vocals, Wurlitzer; Chuck Mackinnon: trumpet; Rob Suddith: tenor sax; Lee Alexander: bass; Tony Mason: drums; Devin Greenwood: Hammond B-3 organ

7. "Broken" (Norah Jones-Lee Alexander): Norah Jones: vocals, electric guitar; Julia Kent: outro cellos; Lee Alexander: pizzicato, bowed basses

8. "My Dear Country" (Norah Jones): Norah Jones: vocals, piano; J. Walter Hawkes: trombones; Jose Davilla: tuba; Bill McHenry: tenor sax; Larry Goldings: Hammond B-3 organ

9. "Wake Me Up" (Norah Jones-Lee Alexander): Norah Jones: vocals, acoustic guitars; Lee Alexander: bass, lap steel; Andy Borger: drums

10. "Be My Somebody" (Norah Jones): Norah Jones: vocals, Wurlitzer; Richard Julian: vocals; Tony Scherr: electric guitar; Lee Alexander: bass; Andy Borger: drums; Larry Goldings: Hammond B-3 organ

11. "Little Room" (Norah Jones): Norah Jones: vocals, acoustic guitar; Lee Alexander: bass; Daru Oda: whistle

12. "Rosie's Lullaby" (Norah Jones-Daru Oda): Norah Jones: vocals, Wurlitzer; Daru Oda: vocals; Adam Levy: electric guitar, vocal; Robbie McIntosh: electric guitar; Lee Alexander: bass; Andy Borger: drums

13. "Not Too Late" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano, Mellotron; Lee Alexander: bass; Andy Borger: drums

Produced by Lee Alexander

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Come Away with Me
Feels Like Home
New York City

Customer Reviews:

LOVE IT!.......2007-07-19

What's not to love about Norah? She once again gives us super music on this cd. Can't think of anything bad to say about it.

The Voice and the Soul.......2007-07-15

Bought this CD after hearing "Wish I Could" on the radio; this is a gorgeous, hauntingly beautiful, moving song.

I too am surprised to see the strongly negative reviews here. Her 3 CDs have sold more than 39 million copies worldwide, so there is clearly a strong fan base somewhere! The added plus on this third CD is that Norah wrote or co-wrote every song, so we are gaining a glimpse into her musical soul as well as hearing the beauty of her voice.

There are some real gems here. "Sinkin' Soon" evokes 1930's jazz with its honky-tonk piano (played by Norah) and its wah-wah trombone. "Until the End" has country roots. "Not My Friend" is a mellow, dreamy, wistful song with dagger-sharp lyrics. "My Dear Country" is a lament about what election day hath wrought. The final title cut, "Not Too late," winds things up on an optimistic note.

It is not surprising that Norah has good musical genes. Her father, Ravi Shankar, brought his sitar to the Beatles and Indian music to a global audience. Norah's seamless blending of country, jazz, blues, pop, and folk brings great talent and aural delight to a new musical generation.

Not as strong as the her first two releases.......2007-07-11

In my opinion, this CD is simply not as strong as her first two CDs. Most of the songs are fine, but forgettable. A couple are just a bit weird-sounding for my taste. Out of her 3 CDs, I preferred "Come Away With Me", although I understand that Ms. Jones feels that her current CD is a truer reflection of her musical style.

Right after I bought this CD, I was privileged enough to see her in concert. She is clearly talented, and has an accomplished band. The concert was wonderful and was over before I knew it. Her performance got rave reviews in the local newspaper the next day.

I look forward to her next release, mostly to see how her artistic style evolves.

Not her best.......2007-07-11

I own all three of her CDs. Come Away with Me is the best IMO. Her passion and talent shine through. Each song was worthy to be on the CD. In Feels Like Home, it seemed she relaxed a bit, had a little more fun, but lost some of the passion, a couple of the songs were not up to what I expected, but passed as entertaining. This third CD is the worst. My impression was that now that she has made a name for herself she can put any track on a CD without much scrutiny. I have listened to it a few times, but it just doesn't do anything exciting for me. A big disappointment.

Insipid and inoffensive, uninspired and uninspiring.......2007-07-08

That's about the highest praise I can muster for this effort. It isn't that it's BAD, but it just never achieves "lift off."

I wish I could wax enthusiastic, but after quite a few listens at this point, I don't think my opinion is likely to change appreciably.

Time for Ms. Jones to find her passion. It isn't evident on this CD.

Average customer rating:

Not Too Late
Norah Jones is superb
Disappointing Trend
Norah In General
No Mere Grammy Guzzler

Not Too Late
Norah Jones
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Norah Jones and The Handsome Band - Live in 2004
Not Too Late
The Little Willies
Feels Like Home (CD+DVD)
Feels Like Home

ASIN: B000KRN07S
Release Date: 2007-01-30

Tracks:

Wish I Could
Sinkin' Soon
The Sun Doesn't Like You
Until The End
Not My Friend
Thinking About You
Broken
My Dear Country
Wake Me Up
Be My Somebody
Little
Rosie's Lullaby
Not Too Late

Amazon.com

Album Details

1. "Wish I Could" (Norah Jones-Lee Alexander): Norah Jones: vocals; Jesse Harris: acoustic guitars; Julia Kent: pizzicato cello; Jeffery Ziegler: bowed cello

5. "Not My Friend" (Norah Jones): Norah Jones: vocals; Jesse Harris: acoustic guitars; Adam Levy: backwards electric guitars; Lee Alexander: bass; Andy Borger: marimba, cymbals

7. "Broken" (Norah Jones-Lee Alexander): Norah Jones: vocals, electric guitar; Julia Kent: outro cellos; Lee Alexander: pizzicato, bowed basses

8. "My Dear Country" (Norah Jones): Norah Jones: vocals, piano; J. Walter Hawkes: trombones; Jose Davilla: tuba; Bill McHenry: tenor sax; Larry Goldings: Hammond B-3 organ

9. "Wake Me Up" (Norah Jones-Lee Alexander): Norah Jones: vocals, acoustic guitars; Lee Alexander: bass, lap steel; Andy Borger: drums

11. "Little Room" (Norah Jones): Norah Jones: vocals, acoustic guitar; Lee Alexander: bass; Daru Oda: whistle

13. "Not Too Late" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano, Mellotron; Lee Alexander: bass; Andy Borger: drums

Produced by Lee Alexander

Deluxe DVD content includes:

1. "Thinking About You" (Music Video)

2. "Until The End" (Music Video)

3. "Sinkin' Soon" (Music Video)

4. Interview with Norah

5. "Thinking About You" (behind the scenes at the video shoot)

6. "Sinkin' Soon" (behind the scenes at the video shoot)

PLUS two live bonus tracks from Rehearsals.com filmed in Burbank, CA, in November 2006.

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Come Away with Me
Feels Like Home
The Little Willies

Customer Reviews:

Not Too Late.......2007-05-13

The product is what I expected. It arrived on time and in the condition advertised.

Norah Jones is superb.......2007-05-06

I bought this CD / DVD right before attending her show here in Boston. It is a great CD. I haven't watched he DVD yet.

Disappointing Trend.......2007-03-23

I loved Norah's first album, her second was good, but not as good, the third had me wondering and this last album is a real disappointment. I think Norah believes she has to have dark and somber themes in order to be considered a serious artist, but her strength lies in her soothing, comforting, sensuous, "wrap me in a warm blanket" voice, which is largely absent from this work.

Norah In General.......2007-03-17

This album is another solid performance from one of my favorites.
I have listened to it many many times and I like it better as listen to it more. Once again we have the voice and the piano. There are a few new moves she shows us but nothing heart stopping.
At the end of the day I don't think most of us care what she sings frankly, her voice is addicting and is like a drug to us. Oh you say you wish she would sing something different and stretch her talent and grow and yada yada but most of us would listen to her no matter what she sings because you become so addicted to the voice and sound that it doesn't really matter if she is singing an old country song like Cold Cold Heart, an early rockabilly like Love Me (from the Little Willies) a Bob Dylan number or somthing of her own composition. In the end it is just the soothing that we want and that is what she does. Her music is sometimes interesting, sometimes a little boring but always soothing. Even if she is talking about a broken heart and lost love she is making us feel like with her voice to hang on to we can make it.
So I love her and listen to whatever she puts out. I am not enough of a music expert to judge her artistically, I like what I like and if it sounds good to me I say it is good. Norah..you are as good as it gets.

No Mere Grammy Guzzler.......2007-03-13

Like her 2004 sophomore effort, "Feels Like Home," Norah Jones' latest maintains the sound that brought her national acclaim while still furthering her artistic endeavors.

"Not Too Late" proves she is not given to relying on a cash- cow formula; she not only continues to add inflections of country like last time around, but she eschews the American songbook in favor of a uniformly original array of songs -- all of which she co-wrote. This aids the record's warm, intimate atmosphere, which glimmers and glows despite the absence of the late legendary producer, Arif Mardin.

The slinky blues of "Thinking About You" is the ideal lead single. With its plaintive melody, organic jazz horns and restrained yet expressive vocals, it is musical chocolate cake. "Sinkin' Soon," meanwhile, is the most perplexing track. With its curious lyrics ("Like the oyster crack in the stew/The honey in the tea/Like the wheel of cheese high in the sky/We're gonna be sinkin' soon), the song sways and jerks with Jesse Harris (writer of her monster hit "Don't Know Why") on banjo and drummer Andy Borger working pots and pans. It continues the theme of fame's fickle nature that began with "Carnival Town" on her last LP.

In spite of her popularity with white collar right-wingers, Jones is not afraid to infuse her music with passionate liberal beliefs. With its lush, nervous mix of pianos and guitars, "Wish I Could" is the story of a lonely war widow and even lonelier other woman ("She says love in the time of war's not fair/He was my man but they didn't care/I don't tell her that I once loved you too"), while "Broken" finds a soldier irrevocably hardened by war ("He's got blood on his shoes and mud on his brim/Did he do it to himself or was it done to him?").

"My Dear Country," with a cabaretlike interlude, waxes on a terrifying election and a "deranged" politician without naming names:

"I cherish you my dear country/I love all the things that you've given me/And most of all that I am free/To have a song that I can sing/On election day."

The soothing "Wake Me Up" appropriately follows with its resigned, world-weary attitude, bringing in sounds of the heartland that continue in "Rosie's Lullaby" and the fun-loving "Be My Somebody," the latter marked by cheeky lyrics: "Last night was a record to be broken/It broke all over the kitchen floor."

"Little Room" attempts to shed her fuddy-duddy image with sexual undertones, while "Not My Friend" finds her safe in her own company -- not content to maintain a relationship with someone who wishes her unhappiness.

"The Sun Doesn't Like You" and "Until the End" are full of grace and character, and "Not Too Late" closes the disc with spare piano/vocal simplicity. Its optimistic message provides a perfect conclusion and its overwhelmingly pristine melody makes it an instant classic.

If "Come Away With Me" was rich, delicious comfort food, "Not Too Late" is more complex and sophisticated. Making artistic leaps and bounds, Jones proves that she is not a Grammy guzzler laughing all the way to the bank -- she is an artist's artist.

This limited-edition version contains a DVD jam-packed with goodies, most notably the eye-popping video for "Sinkin' Soon," while iTunes has an exclusive alternate version of the aforementioned track available.

With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)

Average customer rating:

with a song in my heart/pal joey sound tracks
With A Song In My Heart CD
A Jane Froman double feature.
"Pal Joey's" Pal
another great twofer from DRG

With a Song In My Heart (from the 1952 film)/ Pal Joey (with 1952 cast members)

Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Jane Froman: With A Song In My Heart / Yours Alone - Original Recordings 1930-1952
My Heart Speaks
I'll Cry Tomorrow
I'll Cry Tomorrow
Susan Hayward Double Feature: Smash-Up/Tulsa

ASIN: B0000AGWH6
Release Date: 2003-08-26

Tracks:

Opening
It's A Good Day
Tea For Two
Blue Moon
That Old Feeling
Embraceable You
Get Happy
I'll Walk Alone
They're Either Too Young Or Too Old
I'm Thru With Love
An American Medley
WIth A Song In My Heart
Overture
You Mustn't Kick It Around
I Could Write A Book
Chicago
That Terrific Rainbow
What Is A Man?
Happy Hunting Horn
Bewitched
Pal Joey
The Flower Garden Of My Heart
Zip
Plan You Now, Dig You Later
In Our Little Den
Do It The Hard Way
Take Him
Bewitched (Reprise)
Finale

Album Description

First time collection on CD! This Jane Froman package features the 1952 Broadway Revival of "Pal Joey" (where Jane provided the lead vocals for Vivienne Segal) along with the original soundtrack to "With Song in My Heart" - the 1952 film starring Susan Hayward in the life story of Jane Forman (Jane provided vocals for the film). The classic Rodgers & Hart "Pal Joey" album also features a standout performance from a young Elaine Stritch singing her showstopper "Zip." Digitally Remastered.

Customer Reviews:

with a song in my heart/pal joey sound tracks.......2007-03-31

I actually was so pleased to see a CD available because I have been longing for the movie "with a song in my heart" to become available on VHS and then on DVD, and it never has, so now at least I can enjoy the songs from the movie. The cast track from Pal Joey was just an added bonus.

With A Song In My Heart CD.......2007-03-19

I saw the film, "With A Song In My Heart" when I was twelve or thirteen years old and have wanted the sound track for many years. As an impressionable teenager in the 1950s, I have collected over time many of the films from that time on VHS or DVD, to satisfy my memories of the period. I regret that this particular film is not available on VHS or DVD, but, this CD is the next best choice. It is really enjoyable to hear the richness and depth of the voice of Jane Froman, who was one of the best singers of the time. I can still recall many scenes from the film and this CD revives the memories so well.

A Jane Froman double feature........2006-09-16

This DRG CD pairs two recordings starring Jane Froman.

WITH A SONG IN MY HEART

Susan Hayward played Jane Froman in the film but Froman herself dubbed the vocals. This album of songs was originally issued as a 10" Lp. None of the tracks are taken from the film: They are all studio re-recordings. Later, Capitol re-released it as a 12" LP with two extra songs added. It is that expanded [program included here. Froman is in great voice, though the orchestrations are overly lush and string heavy. Still, the songs include such standards as "It's a Good Day", "Get Happy", and "Embraceable You" making for an enjoyable mini-concert.

PAL JOEY

Capitol's cast album of the 1952 revival has long been a collector's item. The original Lp was deleted in 1960 and did not resurface until Broadway Angel released it on CD (briefly) in 1993. As the stars of the revival Harold Lang and Vivienne Segal had already made a studio cast album for Columbia - an album that helped inspire the revival - they were unable to re-record their songs for Capitol, and the label turned to Jane Froman and Dick beavers to fill in. The revised orchestrations sound dated now, but here is a chance to hear Elaine Stritch singing "Zip" and to enjoy the lusty voice of Helen Gallagher early in her career.

In the end it's the WITH A SONG IN MY HEART selections (making their debut on CD here) that make this CD worthwhile. For PAL JOEY the studio recording (available from SONY) is preferable, however if one is so inclined you can assemble your own cast album of the '52 revival by combining tracks from both releases.

"Pal Joey's" Pal.......2006-07-30

While the legubrious and over-orchestrated songs from the film "With a Song in My Heart" are typical of their era (and Jane Froman's stilted renditions are what once stood for emoting) the "Pal Joey" cast recording is an absolute delight. The orchestrations are bouncy and jazzy in a way that has long been forgotten, and the performances (except for the aforementioned Ms. Froman, whose Vulgnarian renditions are at times quite disconcerting, and who hits the sonic notes like lazer beems but misses the emotional ones by a country mile) are exceptional. Helen Gallagher deserved her Tony from the evidence of this recording, with Elaine Stritch not far behind her. But the overall impact surpasses any recording of "Joey" including the historic one that lead to this revival. There's energy, intensity and a whole lot of fantastic song writing (leave it to to Rogers and Hart) to satisfy any musical theater fan. A must have for anyone who loves "Old Broadway."

another great twofer from DRG.......2004-01-21

Jane Froman was one of the top vocalists of her era. Froman's greatness is celebrated in this new 2-on-1 album, which comprises the film soundtrack of WITH A SONG IN MY HEART as well as the 1952 Broadway revival cast album of PAL JOEY.

WITH A SONG IN MY HEART was the life story of Jane Froman, with the lovely Susan Hayward in the lead role. Froman herself supplied the singing for the film. Numbers include "It's a Good Day", the bittersweet and humorous "They're Either Too Young or Too Old", "Blue Moon", "Get Happy", "Tea for Two" and "I'm Thru with Love".

The 1952 Broadway revival of PAL JOEY was the result of the huge success of a studio album released by Columbia the year before (which featured Vivienne Segal reprising her original role of Vera and Harold Lang as Joey). Segal and Lang headlined the new revival with Helen Gallagher (SWEET CHARITY, HAZEL FLAGG) as Gladys Bumps and Elaine Stritch (ON YOUR TOES, GOLDILOCKS) as reporter Melba Snyder.

Having already recorded their roles for the Columbia album, Segal and Lang saw little need in re-recording them for the revival album on the Capitol label. Instead, the roles of Vera and Joey were covered by Jane Froman and Dick Beavers.

The cast album suffers on many levels. First, the absence of Segal and Lang is quite distracting, and secondly the new Overture can't even compare with the scintillanting original.

The Columbia studio album is the version to buy in addition to this, though both albums have their strong and weak points. As per usual, Elaine Stritch brings her impressive and formidable comic timing to the fore in the show-stopping "Zip", and Helen Gallagher's silvery voice is perfect for "That Terrific Rainbow".

Tracks:

Too Long In Exile
Big Time Operators
Lonley Avenue
Ball & Chain
In The Forest
Till We Get The Healng Done
Gloria
Good Morning Little Schoolgirl
Wasted Years
The Lonesome Road
Moody's Mood For Love
Close Enough For Jazz
Before The World Was Made
I'll Take Care Of You
Instrumental / Tell Me What I Want

Customer Reviews:

One of many neglected albums by Mr. Van Morrison..........2007-06-04

This is one of my favorite Van albums. This one is really good and terribly underrated. Most of Van's 90's work is unjustly ignored, but he's been very consistent throughout his career and has put out an amazing amount of quality work. This album has a very cool, mellow, jazz feel to it, even though it's more than that. I love the arrangements here, especially the interplay between the organ and the piano. The best songs are the title track, the intense Til We Get the Healing Done, the new version of Gloria, the bluesy Big Time Operators, and the gentle ending of the album, with 3 songs intertwining (I'll Take Care of You/Instrumental/Tell Me What you Want). This is a Van album I revisit a lot.

One Of Van's Best.......2004-02-18

In some of my other reviews of Van Morrison recordings, Too Long In Exile has served as a point of comparison, but for some reason I never got around to reviewing the CD itself.
I bought this on cassette way back when it was issued but hadn't listened to it for years until I recently bought it on CD. When I shoved it in the CD player, it brought forth a flood of memories.
When originally released, the big selling point was a couple of duets Van did with his long time idol John Lee Hooker. I am going to go against the general positive commentary on the results of their collaboration. I think both songs they did together pollute and dilute the CD both musically and in spirit. Gloria was lame and commercial in the original and the insertion of Hooker into the remake made it worse. Wasted Years is in fact a waste of vinyl.
It is the strength of most of the other material which makes Too Long In Exile one of Van's best despite the aforementioned duets. Highlights are Big-Time Operators, his rant against those who tried to cheat him in the music business; a heartfelt version of the 50s classic Lonely Avenue; Van's surrender to love on Ball and Chain; an excellent bluesy rendition of Good Morning Little Schoolgirl; the jazzy vocal expression on Lonesome Road and Moody's Mood For Love; and the soulful I'll Take Care of You which segues with a dreamy instrumental interlude into the finale.
There are not enough superlatives in the lexicon to describe how good this CD is when you disregard the Morrison/Hooker duets. Too Long In Exile sets the bar high and indeed Morrison will not issue another CD of this quality for 10 years until the issue of Down the Road.
If you are an old fan of Van Morrison who has somehow missed this, don't miss it for another day. If you are new to Morrison's music and are reading this out of curiosity, why not start with this? Neither of you will be disappointed!

the sheep baabbaaaaaaaa.......2003-02-03

buy this one for the sheep noise van does it rules he sounds like a poor little sheep in the fields it's an ok cd what do you want the guy gets older and he cant make everything great

to long in exile.......2002-12-12

this is with out a doubt his best work. He has many great albums but this is just fantastic!

If you're a fan of Van, get this cd man!.......2001-11-02

Great, great bluesy tunes. A mellow album that you can play all day.

Average customer rating:

Let's Make This Precious
Great Record - but stop arguing about ska!
not your typical 80's techno-pop drivel!
One Good Song Does Not an Album Make
As good as it gets...

Too-Rye-Ay
Dexy's Midnight Runners
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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Searching for the Young Soul Rebels
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The Crossing

ASIN: B00005Y1ZF
Release Date: 2002-02-05

Tracks:

The Celtic Soul Brothers
Let's Make This Precious
All In All (This One Last Wild Waltz)
Jackie Wilson Said (I'm In Heaven When You Smile)
Old
Plan B
I'll Show You
Liars A To E
Until I Believe In My Soul
Come On Eileen
Show Me
Dubious
Tsop (The Sound Of Philadelphia)
Let's Get This Straight (From The Start)
Reminisce Part One

Customer Reviews:

Let's Make This Precious.......2007-04-16

If you know Dexy's Midnight Runners, it's probably from their 1982 smash "Come On Eileen". And why not? It's brilliant, a perfectly incandescent gem of a song simply bursting at the seams with new wave rock n' roll energy, Celtic conviviality, and blue-eyed soul fervour. That pretty much describes the album from which that one-hit-wonder was drawn, TOO-RYE-AY.

What is the most identifiable element of Dexy's Midnight Runners' sound? Is it the Stax-like horns that bolster these cuts with their taut R&B charts? Is it the Irish gypsy fiddle of Steve Brennan and Helen O'Hara? How about Billy Adams' sprightly banjo? Their bedraggled, dungareed street image is certainly distinctive as hell. Or it could very possibly be bandleader and songwriter Kevin Rowland's off-kilter vocals that sound like the common ground between Ric Ocasek, Joe Strummer, and Van Morrison (wherever that may be).

Speaking of Van Morrison, Dexy's fusion of rock, soul, and Irish folk certainly owes much to the Man's work - they cover his "Jackie Wilson Said" on TOO-RYE-AY as a matter of fact. But especially toward the end of the album as the songs start to get longer and blend into one another, that same indefinable, searching quality emerges in Rowland's songwriting as he emulates Van's incantory talk-singing. This is especially evident in the album's shortest ("I'll Show You") and longest ("Until I Believe in My Soul") songs, the latter of which is probably the best song on the album this side of "Come On Eileen". Combined with the prominent fiddle alongside the R&B elements TOO-RYE-AY actually reminds me of Morrison's INTO THE MUSIC, and that's compliment, since INTO THE MUSIC happens to be one of my favourite albums ever. But that's not to say that Dexy's Midnight Runners are derivative. They have a sound all their own, and make no mistake - you'd never mistake a song like "The Celtic Soul Brothers" or "Plan B" for anything but Dexy's.

Evidently, Dexy's Midnight Runners only have two other albums: SEARCHING FOR THE YOUNG SOUL REBELS and DON'T STAND ME DOWN. And if they're anywhere near as good as TOO-RYE-AY (and everything I've heard, in terms of reviews and listening both, has been indicative of the affirmative) I'll be going after them in the not-too-distant future.

Great Record - but stop arguing about ska!.......2007-02-08

In the U.S., Dexy's Midnight Runners were a one hit wonder of the first order, but in the UK, they charted hit after hit after hit in the early 80's. Pick up this album, or better yet, pick up "Let's Make This Precious," and you'll see why. You won't regret it.

But please, let's not get into an argument about who "invented" ska here. To claim that either DMR or the Clash invented ska is absurd. Ska - like reggae, its cousin, a Caribbean/American form of popular music characterized by its hybridization of U.S. American R&B with an Afrocentric rhythmic sensibility - was huuuuge among British youth in the 60's and 70's, and found a niche audience in the burgeoning punk scene in London. Bands like the Clash (and hundreds of others) anglicized ska/reggae, creating from it their own "rebel music," but it was also swiftly aestheticized and adopted/assimilated by any number of punk subcultures, including, ironically, an often-sinister brand of racist skinhead. But whatever.

not your typical 80's techno-pop drivel!.......2007-01-31

ok, so we all know the one song that made the charts, but that is not typical of the entire album. it is really hard to place what genre to place this in. its a cross between top 40, old r&b,and maybe a little folk. if you like this album, i strongly recommend DMR's live BBC radio concert.

One Good Song Does Not an Album Make.......2006-06-13

Except for the hit song "Come On Eileen" there is little else that is either memorable or enjoyable on this CD. Their cover of Van Morrison's "Jackie Wilson Said" is not very well done.

How another reviewer could state this band deserved as much billing as the Beatles is beyond me. No accounting for poor taste.

That reviewer also makes the statement: "Do I detect Commodore-mania with 'Jackie Wilson Said'". Not sure what the reviewer meant by that statement.

As good as it gets..........2006-02-08

I have a few CDs that are as good as this one, but none better. It's as perfect a CD as could ever be hoped for.

I didn't particularly like "Come on Eileen" when it was big, but someone (who???) gave me this tape to listen to one night in college and that was it. I could be found on many a night with it on my headphones at RISD's architecture studio. I still have the same cassette and I still love it to death. Sorry to whoever lent it to me... man so I owe you one! If you haven't heard this, do yourself a favor and give a shot, you will not be sorry!

Richard Pryor: ...And It's Deep Too! The Complete Warner Bros. Recordings (1968-1992)

Average customer rating:

Simply put, the MOTHERLODE!
HILARIOUS
Sets the Standard for Modern Stand-Up Comedy
Greatness but now for the iPod issues with it
Worth Its Weight in Gold...

Richard Pryor: ...And It's Deep Too! The Complete Warner Bros. Recordings (1968-1992)
Richard Pryor
Manufacturer: Rhino / Warner Bros.
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Evolution/Revolution: The Early Years (1966-1974)
Richard Pryor - Live & Smokin'
The Richard Pryor Show, Vols. 1 & 2 plus Bonus Disc
The Anthology: 1968-1992
Live on the Sunset Strip

ASIN: B00004YR3M
Release Date: 2000-10-17

Tracks:

Super Nigger
Girls
Farting
Prison Play
T.V. Panel Show
Smells
Army Life
Frankenstein

Tracks:

I Hope I'm Funny
Nigger With A Seizure
Have Your Ass Home By 11:00
Black & White Life Styles
Exorcist
Wino Dealing With Dracula
Flying Saucers
The Back Down
Black Man/White Woman
Niggers Vs. The Police
Wino & Junkie

Tracks:

Eulogy
Shortage Of White People
New Niggers
Cocaine
Just Us
Mudbone - Intro
Mudbone - Little Feets
When Your Woman Leaves You
The Goodnight Kiss
Women Are Beautiful
Our Text For Today
Ali

Tracks:

Hillbilly
Black & White Women
Our Gang
Bicentennial Prayer
Black Hollywood
Mudbone Goes To Hollywood
Chinese Restaurant
Acid
Bicentennial Nigger

Tracks:

New Year's Eve
White And Black People
Black Funerals
Discipline
Heart Attacks
Ali
Keeping In Shape
Leon Spinks

Tracks:

Dogs And Horses
Jim Brown
Monkeys
Kids
Nature
Things In The Woods
Deer Hunter
Chinese Food
Being Sensitive

Tracks:

Women
Prison
Africa
Mafia Club
Mudbone
Freebase
Hospital

Tracks:

Here And Now
Southern Hospitality
Slavery
Motherland
I Met The President
Fire Exit
Mudbone (Part One)
Mudbone (Part Two)
Inebriated
One Night Stands
One Day At A Time
I Like Women
Being Famous
I Remember
Interview

Tracks:

Introduction
Mudbone Goes To Hollywood (Alternate Version)
Fame (Part One)
Black Messiah
Life
Death
My Funeral
Acid (Alternate Version)
Patty Hearst
Fighting
The Law
History Lesson
I Don't Give A Fuck
Fame (Part Two)
Therapy
W.A.S.P.'s
Getting Older
God
Dog
M.S.

Amazon.com

One can't help but feel both elated and sad when listening to this colossal overview of Richard Pryor's recorded work. Multiple sclerosis has silenced the greatest humorist of his generation, and that's tragic for Pryor. But it's also a heartbreaking loss for comedy, for, as these discs amply illustrate, the man who exploded the parameters of stage comedy in the '70s could have taken it in wild new directions. As it was, Pryor fleshed out Lenny Bruce's commitment to brutal honesty--and with a keener acting ability. This nine-CD set includes the comic's seven Warner Bros. LPs, plus a disc of previously unissued material and a rare 25-minute interview from 1983. Listening to the likes of 1974's That Nigger's Crazy and 1978's Live in Concert, it's obvious that while the man shaped comedy for decades to come, very few of those who've followed in his footsteps have anything near the talent, fearlessness, wisdom, or insight that Pryor possessed. Or the pain, for that matter. But as Pryor observed looking back at his peak years, "I was a drug-addicted, paranoid, frightened, lonely, sad, and frustrated comedian who had gotten too big for his britches." All those qualities come through loud and clear on these discs, but what he's left out is that, at the very same time, he was also very possibly the funniest man on the planet. --Steven Stolder

Customer Reviews:

Simply put, the MOTHERLODE!.......2006-11-08

Pryorites and fans of comedy, folklore, storytelling, whatever you want to call it, simply put, this CD set is worth it.

Aside from the material on EVOLUTION/REVOLUTION (containing much of the material recorded for Laff records and elsewhere), this is the complete above-ground recordings of Richard Franklin Lennox Thomas Pryor, and then some!

From the first Pryor Lp in 1968, we get the embyonic genius of PRISON PLAY (aka Black Ben The Blacksmith), and early classic on the theme of interracial sex during slavery in a play at a prison overseen by a racist warden-with Pryor voicing all the characters! TV PANEL SHOW is along similar lines, as our hero does all the voices of the said subject.
SUPERN(egro) aside, the other routines here are not so hot, but you get a good glimpse of what was to come.

On to THAT N(egro)'s CRAZY where our man does polished versions of the routines he had been doing for the past few years in LIVE & SMOKIN, WATTSTAX, and CRAPS AFTER HOURS regarding sex, the police, racism, etc. This is where he became a "ghetto superstar" on the verge of exploding into mainstream America.

IS IT SOMETHING I SAID (1975) is his best unified work (to me). Not only do we get the classic OUR TEXT FOR TODAY (his classic take on the ministry), we also get chapter 1 of the MUDBONE saga, Pryor's ingenius take on the old folklore-spouting tale-spinning wise black men once found on every street corner in America.

BICENTENNIAL N(egro) is largely forgotten today, but it shouldn't be. This is Pryor's magnum opus on being Black in America during the nation's 200th birthday. Like Brian Wilson's SMILE and Marvin Gaye's WHAT'S GOING ON, it should be heard in its entirety to be effective.

On to the live albums LIVE IN CONCERT, LIVE ON THE SUNSET STRIP, and HERE AND NOW. The first is considered a classic. Has its moments, but he's done things that I've liked better. In the second, he recounces the N-word which gets a standing-o from me and delivers part 2 of the MUDBONE saga. The latter is a lesser work, but he puts some racist hecklers in check, gets into a really cool improvised conversation with a fiddler crab that a fan puts onstage.

The previously unreleased bits are largely a treasure-BLACK MESSIAH and HISTORY LESSON are masterpieces that mix the profane and profound, with verbal nuclear bombs and breathtaking social observations that make you laugh and gasp at the same time. PATTY HEARST is a skewered but interesting take on the famous kidnapping (one of the few occasional bits that it would help to be a history buff or a 70s person to dig), but MS is a very sad piece, probably one of his last recordings, as he ruminates on the effects this disease has on him. It's not likely that you'll want to hear that one more than once.

Overall, this is an amazing collection well worth the price that works in both ways as laugh material you can bring your buddies over for beer and pizza for (as I did with a number of these albums during my college years)and something you can really meditate and think over. This set is the ultimate legacy that Richard Pryor left to the world. RIP.

HILARIOUS.......2006-11-06

Complete works of Richard Pryor.....what more needs to be said. The man was a genius. I had been casually searching for a definitive compilation, and when I saw this I had to get it. I was not disappointed.

Sets the Standard for Modern Stand-Up Comedy.......2006-11-02

Any fan of stand-up comedy should be ashamed if they don't already own this amazing box set by Richard Pryor. This wonderful box set is crammed with features--CDs that trace his stand-up career from his early days straight through his mega-stardom at his peak, and then to his struggles with MS (which if you think is maudlin, wait until you hear how he savages it in only the way that Richard Pryor could). A descriptive book loaded with pictures and historical info on Richard that gives you an even deeper appreciation for the man and his works!

Summing up--Eddie Murphy, Chris Rock, Bernie Mac, etc. all are great comedians--but once you hear Pryor, you know that he set the standard for all to come!

Greatness but now for the iPod issues with it.......2006-04-18

iTunes won't recognize the track #'s. Every album is broken down in alphabetical order. Kinda sucks to listen to a live show in some crazy broken order. It's cool though if you just pop them on at home but if you are getting them for your iPod, be prepared.

Worth Its Weight in Gold..........2005-10-22

This boxed set contains every album released by Richard Pryor on the Warner Brothers record label. Only one of these is currently in print, "Is It Something I Said?", which is a shame. However, the fact that all his work is finally available in one place is a blessing. Richard Pryor was more than just a stand up comic. I don't doubt that he was (and is) the greatest stand up comedian of all time and the funniest man on the planet, but there was so much more to him than that. The first time I heard the track "God" off the rarities disc in this collection, I was blown away. In it, Richard describes God returning to Earth and one by one asking to see Martin Luther King Jr., Bobby Kennedy, Emmett Till, and finally his Son, only to find out that each one had been killed. The message he delivers at the end was needed then as much as now: LOVE IS ALL WE'VE GOT. The delivery was so amazing that it left the crowd hushed and obviously taken aback...this STILL isn't standard fare at any comedy club I've ever been to. And then as only Richard could, he apologizes for getting serious on everybody and offers to tell a dirty joke. This collection is full of the humanity, wit, and wisdom of Richard Pryor, and nothing has ever made me laugh so hard. Thank you Richard, for rubbing some sunshine on my face!

Average customer rating:

cant touch A Night in SF
Van Morrison "A Beautiful Mind"
This is a Live album - Second to none
Peerless
Van at his best!

It's Too Late to Stop Now
Van Morrison
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Saint Dominic's Preview
Magic Time
Veedon Fleece
Into the Music
Tupelo Honey

ASIN: B000002GNN
Release Date: 1997-06-03

Tracks:

Ain't Nothin' You Can Do
Warm Love
Into The Mystic
These Dreams Of You
I Believe To My Soul
I've Been Working
Help Me
Wild Children
Domino
I Just Want To Make Love To You

Tracks:

Bring It On Home To Me
Saint Dominic's Preview
Take Your Hands Out Of My Pocket
Listen To The Lion
Here Comes The Night
Gloria
Caravan
Cyprus Avenue

Amazon.com essential recording

Given his early roots in Irish show bands steeped in American R&B, Van Morrison's power as a live performer is as riveting in his "on" nights as it can be frustrating when he's not in the mood. But his sheer power as a singer, and his long tradition of crack bands, has translated to an awful lot of good nights--enough to spawn three compelling live albums, of which this is the first and best. Recorded during his San Franciscan residency of the early '70s, with his ambitious Caledonia Soul Orchestra, this double album documents Morrison at an early vocal peak and benefits from a set list culled from his early solo masterpieces, including Moondance and Astral Weeks. As such, It's Too Late to Stop Now clicks as both anthology and coherent concert document--a classic live album. --Sam Sutherland

Customer Reviews:

cant touch A Night in SF.......2007-07-11

Okay the only reason I am going to flunk this CD, its yes this is okay, is firstly, this CD cant touch A Night in SF double CD set, not in quality or sound. The real simple reason is its price

I have all of Vans CD's and have had them all for years, so looking for something different, and seeing this one listed for sometime at these prices all I kept thinking was man o man must be some killer show! its gotta be better or at least equal to the SF show CD, so I pulled the trigger and bought it.

Its clear cut, not even close.

So the reason I am writing this, the one and only bad Van review, is if you have the A Night in SF CD, save your money, if you want a good CD and don't have that one, again save your money and buy that one.

So now you know, spend or not, you have been warned.

IF you really rich and money is no object, well then maybe that's who these other reviewers are in here.

poor me I guess, complaining on getting on getting by on 85k a year.

Van Morrison "A Beautiful Mind".......2007-07-01

This CD simply shows Van at his best. When Van is at his best, as he is on "It's Too Late to Stop Now", NOBODY can top him. From the great songs he writes like "Cypress Avenue" to "Into The Mystic" and others, there is no question about it, Van IS THE MAN. He delivers the goods here time and time again. And let's not forget those great musicians backing him either, especially the string section. Do yourself a favor when listening to this CD sometime, close your eyes and "follow" (focus on) the string section only. Put Vans voice alittle in the background on this listen through. You will find that the string section will take you to a most glorious, peaceful and beautiful place. You will be happy. This CD is Van Morrison at his very best. If you're reading this, "It's too late to stop now" so buy it and go to dreamland.

This is a Live album - Second to none.......2006-10-06

Van on a bad night is better than 99% of the performers out there today. This is not a bad night. This is what a live album is meant to be. But first, most performers don't have the voice Van has to pull this off.

And BTW, I've seen many times (5 times since 2000) and his voice still rocks. Not like this record, but again it is still superb. Van is a professional. No garbage.

Peerless.......2006-04-09

Let me get it out now, I consider this the GREATEST LIVE ALBUM OF ALL TIME. Over the past 32 years I have worn out two vinyl versions and am on my third year in CD.This collection of Van's best music(it is the best of three nights in three different venues)captures one of the original geniuses of modern music at his absolute peak.Totally original yet completely accessible,Van brings blues,rock,folk,gospel,pop and soul together to the delight of a frenzied audience.Having seen him three times I know how rare this is.
The band he is with at this time could not be tighter or more accomplished. Give it a listen and the word "production " takes on a new weight.This is one of those very rare albums that grows in stature as the years pass by.

Van at his best!.......2006-03-09

From the opening number "There Ain't Nothing You Can Do", you can tell Van is on his game on this CD. It's recorded in 1973 and his voice is superb. 100 times better than his later live offerings.

The Longest Day: The Ultimate World War Movie Theme Collection

Average customer rating:

These are not the same arrangements as the original movie soundtracks
An outstanding compilation
The really good ones are missing.
"many were winners by the Academy for best scores"

The Longest Day: The Ultimate World War Movie Theme Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music
Similar Items:

Battle of Britain
The Longest Day: Music From The Classic War Films (Soundtrack Anthology)
The Wild West: The Essential Western Film Music Collection
Patton (1970 Film): Also Featuring Tora! Tora! Tora! (1970 Film) (1997 Studio Recording)
The Battle of the Bulge: The Original Score by Benjamin Frankel

ASIN: B00020R02O
Release Date: 2004-05-25

Tracks:

The Longest Day
Attack On The Iron Coast
Band Of Brothers-Prelude
Band Of Brothers-Theme
Battle Of Britain
The Battle Of The Bulge
The Blue Max
Das Boot
The Bridge At Remagen
The Bridge On The River Kwai
A Bridge Too Far
The Caine Mutiny
The Captive Heart
Casablanca

Tracks:

Coastal Command
The Cruel Sea
The Dambusters
The Diary Of Anne Frank
The Eagle Has Landed
Empire Of The Sun
The English Patient
Fear And Desire
Force Ten From Navarone
Gallipoli
The Great Escape
The Guns Of Navarone

Tracks:

Hanover Street
The Hindenburg
In Harm's Way
Is Paris Burning?
King Rat
Lawrence Of Arabia
Lifeboat
Macarthur / Patton
Malta G.C.
Merry Christmas Mr. Lawrence
Midway
The Mountain Road
1941

Tracks:

The Naked And The Dead
The Night Of The Generals
Paradise Road
Paths Of Glory
Pearl Harbor
Saving Private Ryan
Schindler'S List
Sergeant York
The Sharkfighters
Sink The Bismarck!
633 Squadron
Where Eagles Dare
The World At War
The Longest Day

Customer Reviews:

These are not the same arrangements as the original movie soundtracks.......2007-01-21

I was disappointed that these are not the same arrangements as the original movie soundtracks. For example, in Colonel Bogey, the countermarch from the movie soundtrack is not included in the arrangement on this CD. Don't get me wrong, the songs are good, but I would have preferred the same arrangements as the original movies.

An outstanding compilation.......2006-08-25

This compilation is superb and a real must-buy. From Band of Brothers to A Bridge Too Far: every war movie theme is represented here. An all time classic.

The really good ones are missing........2005-07-18

While this compilation has some masterpieces such as the theme from The Great Escape and Is Paris Burning, it's missing some of the finest tracts ever written. Where is the theme from Victory and Ernest Gold's stirring epic from Cross of Iron? The closing theme from Inchon was also a feast for the ears, but it's not here. It was written by Jerry Goldsmith, one of the foremost soundtrack composers of our time. Instead we're subjected to the likes of Hanover Street and The English Patient. I'll admit Inchon and Victory weren't Academy Award winning movies, but their soundtracks were second to none. As John Stossel would say," Give me a break"!!!

"many were winners by the Academy for best scores".......2004-05-26

Silva America presents the essential in film music during the period of World Wars ~ "Longest Day:Ultimate World War Movie Theme", featuring some long forgotten cues, 53 to be exact that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.

Released to commemorate the sixth Anniversary of D-Day, never has there ever been such a tribute compilation package from any other label and Silva comes to the forefront ~ featuring The City of Prague Philharmonic Orchestra (Paul Bateman, Nic Raine Tony Bremner and Carl Davis as conductors), The Philharmonia (Kenneth Alwyn, Jerry Goldsmith, Mario Klemens and Paul Bateman as conductors) and also the world renown Crouch End Festival Chorus (David Temple as choir master) ~ what a gathering of talented musicians and singers fill this collection supreme.

The lineup of composers is a Who's Who in the world of film music ~ John Addison, Tomaso Albinoni, Kenneth J. Alford, Paul Anka, John Barry, Arnold Bax, Elmer Bernstein, Eric Coates, Carl Davis, Klaus Doldinger, Antonin Dvorak, Benjamin Frankel, Gerald Fried, Hugo Friedhofer, Jerry Goldsmith, Ron Goodwin, Bernard Herrmann, Maurice Jarre, Michael Kamen, Jerome Moross, Alfred Newman, Clifton Parker, Alan Rawsthorne, Ryvichi Sakamoto, Lalo Schifrin, Gerard Schurmann, David Shire, Max Steiner, Dimitri Tiomkin, Ralph Vaughan Williams, John Williams, Gabriel Yared and Hans Zimmer ~ set the stage for compositional human drama while exploring the deepest troves of musical emotion ~ one masterpiece after another, each cue manages to display both a convincing authenticity of the times and places ~ experience every tracks passion and skill for striking the exotic orchestral colors, explosive power and spectacular works of full large scale orchestral arrangements previal at every turn.

We are grateful to James Fitzpatrick (producer), Reybnold da Silva (executive producer), Rick Clark (associate producer/album sequence), Marion Garden (associate producer) and the whole gang at Silva America who have resurrected many of the soundtracks for the "film-score-buffs" in all of us.

Tracks:

As Time Goes By [From Casablanca] - Elliot Carpenter, Dooley Wilson
Am I Blue/Hong Kong Blues/The Rhumba Jumps/How Little We Know [from To - Hoagy Carmichael, , Andy Williams
And Her Tears Flowed Like Wine [From the Big Sleep] - Lauren Bacall
Petrified Forest
My Melancholy Baby/I'm Just Wild About Harry/It Had to Be You/In a ...
High Sierra
Maltese Falcon - Jo Stafford
Baila Bailando/Too Marvelous for Words [From Dark Passage]
Treasure of the Sierra Madre
Moanin' Low - Claire Trevor
African Queen
Oh, Give Me Time for Tenderness [From Dark Victory] - Vera Van

Album Description

Full title - Music From Humphrey Bogart Movies. Includes music from the classics, 'Casablanca' (1942), 'The Big Sleep' (1946), 'Key Largo' (1948), 'To Have & Have Not' (1944), 'The Petrified Forest' (1936), 'The Roaring Twenties' (1939), 'High Sierra' (1941), 'The Maltese Falcon' (1941), 'Dark Passage' (1947) & 'The African Queen' (1951). Highlights include, Dooley Wilson & Elliot Carpenter Trio 'As Time Goes By', Andy Williams 'Little We Know' & Lauren Bacall 'And Her Tears Flowed Like Wine'. Slipcase. 2002.

Customer Reviews:

Music from Humphrey Bogar Movies.......2007-06-27

I was disappointed. I thought I would be getting a CD of full length themes from his movies but the CD is exactly what it says. It is from the actual films, in sections and pieces. I can't say it was misrepresented so I guess I was at fault. But I am sorry I bought it.

Simply the original.......2007-06-19

As the previous reviewer rightly pointed out, these are the original recordings from the era the films were made. And yes, the sound is completely different from what we are used to hear when we are turning the CD player on: it's mono, it's partially unsteady and some of the pieces suddenly fade. BUT, it's the REAL thing and it transports the charms and the charisma, inherent to the original ONLY.
Those who prefer the flawless technical perfection of a re-recording better should save their money. But for those who love the movies and their genuine sound, should be perfectly pleased with this release.

not the stuff dreams are made of.......2007-01-03

most of the tracks on this cd are available elsewhere, but what prompts me to give this a low review is the quality of the recording. some of them sound like they were taped off of a tv set showing a warbly print. you can do better elsewhere.

Average customer rating:

Wonderful!
Simple and sweet songs
Marvellous cd, enchanting music
Good if you want to sing from the book but can't read music
Didn't like the voice.

Lullabies: A Songbook Companion

Manufacturer: Essay
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

General | Folk | Styles | Music

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Lullabies | Children's Music | Styles | Music

General | Easy Listening | Pop | Styles | Music
Similar Items:

Lullabies: An Illustrated Songbook
Lullabies and Poems for Children (Everyman's Library Pocket Poets)
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The Library of Children's Song Classics

ASIN: B00000083Z
Release Date: 1997-11-18

Tracks:

All Through The Night
All The Pretty Little Horses
All Night, All Day
Armenian Lullaby
Baby's Bed's A Silver Moon
Baloo, Baleerie
Brahms' Lullaby
Brezairola
Traumerei, Op. 15, No. 1
Can Ye Sew Cushions
By'm Bye
Bye, Baby Bunting - Golden Slumbers
Dance To Your Daddy - Dance, Little Baby
Fais Dodo
Good Night To You All
Jocelyn: Berceuse
Hush, Little Baby
Kumbayah
Little Boy Blue
Suo Gan
Matthew, Mark, Luke, And John
Mozart's Lullaby
Chanson de Nuit, Op. 15, No. 1
Now The Day Is Over - Raindrops
Raisins And Almonds
Rock-A-Bye, Baby
Rocking - The Sandman
Tales Of Hoffman: O Bell Nuit - Bacarolle
Skidamarink
Sleep, Baby, Sleep
Sweet And Low
Swing Low, Sweet Chariot
Toora, Loora, Loora
Twinkle, Twinkle, Little Star: Twinkel, Twinkel, Little Star
When At Night I Go To Sleep

Amazon.com

Released as a companion piece to the award-winning book Lullabies: An Illustrated Songbook, this hour-plus of music is a wonderful mix of stately classical themes and child-friendly vocals. The selections range from "All the Pretty Little Horses" to a global spread of lullabies drawn from classical and folk traditions. The music is spare, with Kapp on piano, Julianne Baird and Kapp's daughter Madeline on vocals, and Mela Tenenbaum on violin, viola, and occasional vocals. Most of the classical selections (from Robert Schumann, Johannes Brahms, Edmund Elgar, W.A. Mozart, et al.) get a straight-ahead, accomplished treatment. Lest you think the project stuffy, each of the melodies is in the one- to two-minute range, which effectively mandates a stronger sense of flow than most children's collections. Kapp, who managed to create a visual and poetic flow in the Lullabies book, keeps things nicely in a groove here, knowing enough to segue into silly tracks about halfway through the CD to provide a wider emotional range. This album every bit as accomplished as the book. --Andrew Bartlett

Customer Reviews:

Wonderful!.......2007-02-14

I love this CD. It's very well-done, and the approach is different than most children's CDs - very refined, yet soothing. I don't get tired of listening to it the way I do others -- which is important when trying to get a little one to sleep! I highly recommend it and the companion book.

Simple and sweet songs.......2006-04-02

With just piano, violin and vocals, this is a simple and heartfelt album. Ms. Baird's voice conveys the full emotions that a mother feels for her new baby with clean and open singing. The first track in particular, "All Through The Night," still makes me teary. I played this in the hospital when my son was born, and we use it as part of our wind-down ritual. I do agree that some of the songs are a little upbeat for bedtime. We just skip those in the evening (using iTunes).

Marvellous cd, enchanting music.......2005-10-18

Our whole family loves this cd. I am continually charmed and refreshed by the subtlety, taste and musicianship that has gone into these arrangements of well- and lesser-known gems. Apart from the joy of the simple yet perfect chordal progressions, listen to the warm, caressing tone imparted by the low bass notes in the piano in many of the tracks. The pace is so wonderfully leisurely, there is time to savour each song or piece, and yet each lasts only two or three minutes. The three diverse yet complementary singers, each with a tender and gentle presence suiting the subject matter, give a sense of a 19th century family musical evening. Magical.

Good if you want to sing from the book but can't read music.......2004-02-10

I bought this solely because I have the book and wanted to sing the lullabies to my kids, but I can't read music. For this purpose it is fine. The songs are not in the same order as in the book but I can deal. As a stand-alone lullaby CD I wouldn't really recommend it--the songs are not sung in a soothing manner, there's lots of variety in tempo and volume, some are even sung up-beat. The voices are not pitched high enough for babies either. That being said, I am back on Amazon today to buy it for my sister who is due any day now with her 3rd kid--we both like to sing and have the book, and songs (in book or music form) are a great present that the baby won't grow out of for a long time, and helps you bond with your little one too.

Didn't like the voice........2002-12-11

I bought this cd to go with the book and it is very frustrating because the songs on this cd are not even in the same order as the book. The singing voice fluctuates too much, it will be really soft and then it gets really high pitch. And if you have the volume set at a lower level for some songs then you can't hear other songs. I think there are better cds to buy than this one.

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