John & Audrey Wiggins

1. Falling Out of Love

2. She's in the Bedroom Crying

3. Has Anybody Seen Amy

4. Memory Making Night

5. Their Hearts Are Dancing

6. If She

7. If You Had a Heart

8. New Mexico

9. String of Bad Love

10. Could You Walk a Mile?

John & Audrey Wiggins,John Wiggins,Polygram Records,Contemporary Country,Country,Country & Western,Pop

Average customer rating: Baby You Can Drive My Karma really enjoyed it!!! Very Good Mix of Group True to Lennon's Music with the Performers Own Stamp Great CD/Great Cause

Instant Karma: The Amnesty International Campaign to Save Darfur Various Artists Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Pop Rock | Pop | Styles | Music Tributes | Pop | Styles | Music General | Compilations | Rock | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music Pop | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Traveling Wilburys (2 CD / 1 DVD) Memory Almost Full Live In Dublin Memory Almost Full [Deluxe Limited Edition] Icky Thump ASIN: B000PMG9G2 Release Date: 2007-06-12

Tracks:

1. Instant Karma -- U2
2. #9 Dream -- R.E.M.
3. Mother -- Christina Aguilera
4. Give Peace A Chance -- Aerosmith with Sierra Leone Refuge All-Stars
5. Cold Turkey -- Lenny Kravitz
6. Whatever Gets You Through the Night -- Los Lonely Boys
7. I'm Losing You -- Corinne Bailey Rae
8. Gimme Some Truth -- Jakob Dylan Feat. Dhani Harrison
9. Oh, My Love -- Jackson Browne
10. Imagine -- Avril Lavigne
11. Nobody Told Me -- Big & Rich
12. Jealous Guy -- Youssou N'Dour

Tracks:

1. Working Class Hero -- Green Day
2. Power to the People -- Black Eyed Peas
3. Imagine -- Jack Johnson
4. Beautiful Boy -- Ben Harper
5. Isolation -- Snow Patrol
6. Watching the Wheels -- Matisyahu
7. Grow Old With Me -- Postal Service
8. Gimme Me Some Truth -- Jaguares
9. (Just Like) Starting Over -- The Flaming Lips
10. God -- Jack's Mannequin feat. Mick Fleetwood
11. Real Love -- Regina Spektor

Amazon.com

John Lennon would have turned 67 in 2007. If alive, he could well be at the forefront of bringing peace to Darfur, where more than half a million have died from violence and disease during four years of rebel discord. So to create awareness of the ongoing conflict, Amnesty International (with permission from Yoko Ono) has mined Lennon's solo work and rounded up nearly two dozen current artists to reinterpret the music, which spans the ex-Beatle's entire post-band catalog (plus a pair from while the Fab Four were still in business). As with any attempt to cover Beatles-related music, results are hit and miss, with kudos going to Snow Patrol and the Postal Service for capturing the starkness of "Isolation" and "Grow Old with Me," respectively, Mexican rock band Jaguares for uncovering the fear and fury in "Gimme Some Truth," and (surprise!) Christina Aguilera for nailing the complex composition and mood of "Mother." Other highlights include Jackson Browne's piano-led "Oh My Love," Green Day's louder straight take on "Working Class Hero," and the Black Eyed Peas turning "Power to the People" into a gospelly protest. Will resurrecting 30-to-40-year-old messages of peace and love be enough to help end the brutalities in Darfur? That remains to be seen. But selecting John Lennon as the author of those messages will make people listen and, with this collection, may keep them listening. --Scott Holter

Album Description

Featuring songs by the iconic John Lennon newly recorded by some of today's biggest as well as emerging artists, Instant Karma: The Campaign to Save Darfur is a major benefit-album project. In an effort to mobilize activism around this catastrophe, musicians unite to save lives. Some of the biggest artists in the world, along with today's emerging artists, all coming together for an unprecedented, brilliant collection of JOHN LENNON "covers." Proceeds from the campaign will go directly to support Amnesty International's urgent work on Darfur and other human rights crises worldwide.

Customer Reviews:

Baby You Can Drive My Karma.......2007-07-19

The songs of John Lennon are a perfect compilation for a political action CD set. The artists who contributed their covers are faithful to the original music and lyrics while adding their own undercurrent trademark sound. It is good to hear these songs again. The Black Eyed Peas provide a fist pumping rendition of "Power To The People." What better time to bring this song out of hibernation. People need to feel empowered today more than ever to Save Darfur, Stop Global Warming and End the War in Iraq. Power to the people, right on!!

really enjoyed it!!!.......2007-07-17

Wonderful music. Its nice to hear a different take on Lennon's music and the artists on this cd did a great job. I have always been one of Lennons biggest fans.

Very Good Mix of Group.......2007-07-16

It's always interesting to me to hear a musician / group that I like cover the work of another musician / group that I like. The question is - "would I buy that cover?" . I was not disappointed here. I like the songs selected but it was the groups picked to cover them that made this collection A+ for me.

I recommend this collection , but since covers are what they are, take a listen to the samples first. Like a lot of covers, people can have wildly different opinions of the right or wrong of it all.

True to Lennon's Music with the Performers Own Stamp.......2007-07-15

A very well done CD, that is true to Lennon's music while the performing artists' contribute their own stamp. An example is U2 with a slight reggae sound early on in "Instant Karma" with The Edge's guitar making a distinct sound deeper in that contributes nicely while Bono's fading vocals singing "Shine on" at the end add another nice dimension. Although not a big Black Eye Peas fan, the Peas do an excellent job with "Power to the People" mixing chorous with an overlaid vocal. "Beautiful Boy" by Ben Harper is a touching ode to a child as it was intended and sounds beautiful as does the Postal Service on "Grow Old with Me". Lenny Kravitz does not display the demonstrative pain in his voice in "Cold Turkey" as Lennon but his vocal sounds unique and appropriate as he sounds tough, semi-sedate and powerful, depicting a man in distress. Jokob Dylan has a powerful deep vocal with Dhani Harrison with backing vocals, with standout guitar reminiscent of his dad, on "Gimme Some Truth". And another surprise, Christina Aguilera does a very impressive job on "Mother" showing that she has grown into another dimension. All the artists perform extraordinaryily well, thus it is hard to say which are the best but it is fitting that this Lennon Darfor tribute ends touchingly with one of Lennon's final compositions, "Real Love" by Regina Spektor.

Great CD/Great Cause.......2007-07-13

Donate to a great cause and enjoy a great variety of artists covering songs by one of the most prolific songwriters of our time. The donation is paramount to humanity. The CD is gravy. Get yours today.

Average customer rating: Definently not Heavier Things pt 2 Is this really John Mayer??? excellent cd !!! Love this album. His best yet

Continuum John Mayer Manufacturer: Sony ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Similar Items: Not Too Late Corinne Bailey Rae Room for Squares Heavier Things How To Save A Life ASIN: B000H0MKGK Release Date: 2006-09-12

Tracks:

1. Waiting On The World To Change
2. I Don't Trust Myself (With Loving You)
3. Belief
4. Gravity
5. The Heart Of Life
6. Vultures
7. Stop This Train
8. Slow Dancing In A Burning Room
9. Bold As Love
10. Dreaming With A Broken Heart
11. In Repair
12. I'm Gonna Find Another You

Amazon.com

Continuum is about as apt a title as it gets for John Mayer's third studio disc. Every element, from the peerless guitar playing to the plainspoken poetry of the lyrics to the breathy-sincere singing, makes a return from previous efforts. But to weakly pronounce this another worthwhile effort from an artist the world has come to expect a whole lot from and then call it a day would be no minor misdeed, because it's also the best, boldest disc he's ever made. Taking maturity as a theme throughout, Mayer tackles a batch of adulthood's bogeymen: indifference on the uptempo chart-climber "Waiting for the World to Change," aging on the melancholy-sweet "Stop This Train," and emotional trainwreckage on the big-rocking "In Repair." That's not to suggest he's turned overly introspective--check the Jimi Hendrix cover "Bold As Love," where he hits one home for guitarists who've been living in the shadow of legend everywhere, and the hard-charging "Belief," which benefits from a mesmerizing, liquid groove. Continuum may be the third in a series, but a creative cop-out this is not; Mayer is his generation's musical superman--powerful, unassailable, and magnetic. Hand that man a cape. --Tammy La Gorce

Amazon.com

John Mayer's third studio album follows the multi-platinum "Room for Squares" (2001) and "Heavier Things" (2003), and marks his first turn as producer. It is his most soulful, cohesive collection yet and he says it's no accident that this project is where all of his efforts, his potential, and his disparate influences fully come together.

More from Mayer

Room for Squares	Heavier Things	Try!, the John Mayer Trio
Inside Wants Out (EP)	Any Given Thursday (CD)	Any Given Thursday (DVD)

Customer Reviews:

Definently not Heavier Things pt 2.......2007-07-17

I don't know what it is but I just can't get into this cd. I could only find 2 standout tracks, and that doesn't say much.

Is this really John Mayer???.......2007-07-17

I guess I must plead ignorance; I never liked John Mayer and thought he was a lightweight who sang schlocky, whiny stuff, but I must apologize! This is a really melodious, pleasing CD! I must listen more to really appreciate it, but it is so easy and rewarding to listen to. Give it a try. I NEVER thought I'd be saying this! Go John!

excellent cd !!!.......2007-07-16

I haven't heard a cd of his I didn't like. I just love the way his music makes me feel when I listen to it. I listen to it at the end of the work day and all my stresses seem to melt away.

Love this album........2007-07-11

If you like John Mayer, you'll love this album. "Dreaming with a Broken Heart" is totally relatable if you've ever been though a relationship that's ended. The rest of the album is fantastic....an album you can listen to over and over, and still want to listen again.

His best yet.......2007-07-05

I love all of John Mayer's stuff, but his style has filled out and matured on this last album. He plays with all his heart and his band complements him really well.

Average customer rating: This is an excellent soundtrack Very good attempt at one of my favorites. YOU CAN'T STOP THE BEAT Fantabulous! Love the Broadway Cast recording? Give this a second chance...

Hairspray (Soundtrack to the Motion Picture) Manufacturer: New Line Records ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: Legally Blonde (2007 Original Broadway Cast) The Pirate Queen (2007 Original Broadway Cast) Curtains (2007 Original Broadway Cast) Spring Awakening (2006 Original Broadway Cast) High School Musical 2 ASIN: B000PUAID4 Release Date: 2007-07-10

Tracks:

1. "GOOD MORNING BALTIMORE" - Nikki Blonsky
2. "THE NICEST KIDS IN TOWN" - James Marsden
3. "IT TAKES TWO" - Zac Efron
4. "(THE LEGEND OF) MISS BALTIMORE CRABS" - Michelle Pfeiffer
5. "I CAN HEAR THE BELLS" - Nikki Blonsky
6. "LADIES' CHOICE" - Zac Efron
7. "THE NEW GIRL IN TOWN" - Brittany Snow
8. "WELCOME TO THE 60's" - Nikki Blonsky & John Travolta
9. "RUN AND TELL THAT" - Elijah Kelley
10. "BIG, BLONDE & BEAUTIFUL" - Queen Latifah
11. "BIG, BLONDE & BEAUTIFUL reprise" - John Travolta & Michelle Pfeiffer
12. "(YOU'RE) TIMELESS TO ME" - John Travolta & Christopher Walken
13. "I KNOW WHERE I'VE BEEN" - Queen Latifah
14. "WITHOUT LOVE" - Zac Efron, Nikki Blonsky, Elijah Kelley & Amanda Bynes
15. "(IT'S) HAIRSPRAY" - James Marsden
16. "YOU CAN'T STOP THE BEAT" - Nikki Blonsky, Zac Efron, Amanda Bynes,
17. "COME SO FAR (GOT SO FAR TO GO)" - Queen Latifah, Nikki Blonsky, Zac
18. "COOTIES" - Aimee Allen
19. "MAMA, I'M A BIG GIRL NOW" - Nikki Blonsky, Marissa Jaret Winokur & Rikki Lake

Amazon.com

What fun! This soundtrack of the film adaptation of the Broadway musical overflows with glossy, ol' fashioned '60s-style pep. It won't win any awards for innovation, but it may well be one of the most feel-good releases of the year. While not quite as super-energetic as the original Broadway cast, the new crew ain't too shabby: Nikki Blonsky delivers as Tracy Turnblad and Zac Efron (High School Musical) makes for a devoted boyfriend, and the supporting cast gleefully embraces the show's silly-but-generous spirit. John Travolta (who gets to utter the particularly ironic line "it's been years since someone asked me to dance") goes drag as Tracy's mom, Edna, while Michelle Pfeiffer's slight stiffness is appropriate for her uptight character, especially on the cha-cha "(The Legend of) Miss Baltimore Crabs." After Mama Morton in Chicago, Queen Latifah puts in another brassy turn as Motormouth Maybelle ("Big, Blonde and Beautiful," which is then reprised by Travolta and Pfeiffer). The show's authors, Marc Shaiman and Scott Wittman, have written three new numbers for the movie: the rollicking (and first single) "Ladies' Choice," "New Girl in Town" and "Come So Far." In addition, the CD also includes two tracks that aren't in the film but were in the show: "Cooties," sung by Aimee Allen, and "Mama, I'm a Big Girl Now," sung by all three Tracy Turnblads: Blonsky, Ricki Lake (from the source movie) and Marissa Jaret Winokur (from the original Broadway cast). --Elisabeth Vincentelli

Album Description

The Hairspray soundtrack will feature 17 songs from the film, including three original numbers that were created specifically for the film version of the hit Broadway musical - "Ladies' Choice," "New Girl In Town," and "Come So Far." Also featured on the soundtrack are the songs "Good Morning Baltimore," "Welcome to the `60s," "Nicest Kids In Town," and "You Can't Stop The Beat." The songs are performed by cast members John Travolta, Queen Latifah, Michelle Pfeiffer, Zac Efron, Amanda Bynes, Brittany Snow and Elijah Kelley among others.

The Hairspray soundtrack is produced by Marc Shaiman and features music by Shaiman and lyrics by Scott Wittman and Shaiman. It features tracks mixed by Ed Cherney (Rolling Stones, Bette Midler) and Peter Mokran (Pussycat Dolls, Christina Aguilera).

Sixteen years after the release of the original film, New Line Cinema is bringing a feature film adaptation of the Tony Award-winning Broadway production of Hairspray to life. Featuring new and original material based on John Waters' 1988 cult classic about star-struck teenagers on a local Baltimore dance show, the comedy features a remarkable collection of talent including John Travolta, Queen Latifah, Michelle Pfeiffer, Christopher Walken, Amanda Bynes, Allison Janney, Brittany Snow, Zac Efron, Elijah Kelley, producers Craig Zadan and Neil Meron (Chicago), and director Adam Shankman (Bringing Down The House). The new screenplay for Hairspray was written by Leslie Dixon (Freaky Friday, Outrageous Fortune).

Customer Reviews:

This is an excellent soundtrack.......2007-07-18

The music on this soundtrack is so fun. "Good Morning Baltimore" is an optimistic and happy song performed by Nikki Blonsky. "I Hear The Bells" shows her vocal range as a singer. Blonsky is the highlight of this soundtrack, but there are so many other excellent track. "Run And Tell That" is an upbeat track performed by Elijah Kelley. This song is a crowd pleaser for sure. Queen Latifah sounds so soulful and cool on the tracks "I Know Where I've Been" and "Big, Blond and Beautiful". "Ladies Choice" is a song that gets me moving out of my seat. Zac Efron sounds great vocally on this song. He also sounds good on this track "Without Love." It is a sweet love song. "Cooties" is a sexy sounding song performed by Aimee Allen. Christopher Walken and John Travolta really surprised me on the track "You're Timeless To Me" This is a sentimentally funny song. Mama, I'm A Big Girl Now is a cute song featuring Rikki Lake. I enjoyed listening to all the tracks on this soundtrack.

Very good attempt at one of my favorites........2007-07-17

I just got this soundtrack today and right away in my mind i was comparing it to the original cast, and i also flashed back to the stage performance and I knew i had to stop that because no matter who redid it will never match them. I am disappointed many of the songs from the musical didn't make it onto the soundtrack, and i could do without the new songs they added in. Overall to me the whole soundtrack is very good. ONly real complaint i have is how they butchered the song "without love" that's one of my favorites out of the whole show and the rendition of it is terrible! in my opinion. Either way i really do like this sountrack and can't wait to see it in theaters this Friday (opening day first showing.. lol). Either way Hairspray is just a fun expereince and i'm glad they did it in movie form to bring it to alot more people who aren't really into musicals as i am. Hairpsray is like my top fav. So yea... good buy.

p.s: i also love the fact they let Ricki Lake onto the soundtrack in number 19 "mama i'm a big girl now"

YOU CAN'T STOP THE BEAT.......2007-07-17

I refuse to compare the Broadway Cast with the Soundtrack Cast because they each stand on their own dancing feet and each makes you feel as high as Tracy Turnblads hair-do. And who could have know John Travolta would make his 3rd or fourth movie comeback playing a two-ton woman named Edna Turnblad. The photos make it look like he swallowed a volkswagon but I can't wait to see him in the movie.

The CD starts with the jubilant "Good Morning Baltimore" and the finale is the driving.pulsing "You Can't Stop The Beat" and sandwiched in-between is a raft of tasty morsels like Blonskys(Tracey) "I Can Hear The Bells' "Welcome to The Sixties" "Without Love" and the afore-mentioned "Good Morning Baltimore" and "You Can'tstop The Beat"

Zac Efron playing Traceys love interest Link Larkin shines on "It takes Two" and a new rocker written for the film "Ladies Choice" and Queen Latifah soars on her big number "I Know Where I'm Going"

Although John Travoltas role has not much singing he and Christopher Walken duet on the charmingly off-beat "You're Timeless To Me"

"Hairspray" is fun,it rocks,it rolls,and to be cliche-it just darn well makes you feel good.

Fantabulous!.......2007-07-17

Another exceptional soundtrack comes yet again. DREAMGIRLS has honestly been my favorite of 2007, but HAIRSPRAY gives it a semi-run for its money. Sure, there is no powerhouse performance quite like Jennifer Hudson's Academy Award winning clinching performance of "And I'm Telling You I'm Not Going" or a soul-wrencher like Beyonce's lovely "Listen", but there are a slew of enjoyable, credible vocal performance.

In this instance, I feel there is no need to scan the entire track list. There are tracks that are much more enjoyable than others. Along with that, there are vocal performances that are bland and those that are killer. Not to degrade anybody, but performances by Amanda Bynes, Michelle Pfeifer, and Travolta aren't nearly as invigorating as electrifiying performances by Queen Latifah (who sound's extraordinary), the ever maturing Zac Efron (the boy's got some pipes) and even newcomer Nikki Blonsky. James Mardsen isn't bad, but he doesn't have the same vocal power as Queen or the shockingly good Efron. I'll admit it, the kid has talent, even if I'm sick of seeing him on the cover of every tween, teen, and kiddy-pop magazine (not that I read them!!!)

"Good Morning Baltimore" is a strong opener by Blonsky while Efron's "It Takes Two" is simply beautiful, particularly with his lovely, in tune falsetto C# at the end. "Ladies' Choice" is energized while Queen Latifah sounds even sassier than she did in CHICAGO with the great "Big, Blonde, and Beautiful". She lends her vocals to my personal favorite of the soundtrack, the gospel-jazz tinged "I Know Where I've Been", perhaps the best vocal of the entire album. "Without Love" is another track featuring strong vocals by Efron (the show-stealer clearly on this track), while Marsden lends some sensational vocals on "It's Hairspray". Perhaps the unchallenged theme of HAIRSPRAY is the ambitious, ensemble performance "You Can't Stop The Beat", which is indeed excellent. "Mama, I'm A Big Girl" isn't my favorite of favorites, but it is fun as well, particularly with the added plug for Ricki ("go Ricki, go Ricki"). Tracks such as "The Legend of Ms. Baltimore Crabs" or "You're Timeless To Me" fall flat, which I couldn't really say about DREAMGIRLS soundtrack. All in all though, I think this is a fantastic listen and I am definitely a softy for musicals. Go Zac & Queen!!! 4 stars.

Love the Broadway Cast recording? Give this a second chance..........2007-07-14

When I first put in this CD and heard "Good Morning Baltimore", I was utterly disappointed. In fact, by the end of the first run-through I was almost prepared to write-off the movie. Almost.

If, like me, you're a fan of the stage production and the Broadway Cast recording, then you have to remember -- like I came to -- that this is the soundtrack to a movie (re-)adaptation.

You might, initially, be annoyed by the changes in the lyrics of certain songs, the addition of certain songs, the removal of "The Big Dollhouse", and the change in the order of songs. I still trying to get the putting of "Mama, I'm A Big Girl Now" at the end (since it was early on in the stage production)!

I think the movie is going to be great. But you can't compare the stage production and the movie directly -- it's really not fair, because they're entirely different mediums, and perhaps, more or less, aimed at different audiences (i.e., the movie is more for the masses).

You might need to listen to the CD a couple of times before you get into it. I'm on my third go-round now, and it's growing on me with every go (except for the song "Cooties"!).

Average customer rating: I Love Phoebe Strole's as Ilse! what a great album. Interesting concept for the stage Great show, great soundtrack Great new musical

Spring Awakening (2006 Original Broadway Cast) Duncan Sheik , Steven Sater , Skylar Astin , Lilli Cooper , John Gallagher Jr. , Gideon Glick , Jonathan Groff , Brian Johnson , Lea Michele , and Lauren Pritchard Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Pop | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Grey Gardens - A New Musical (2006 Original Broadway Cast) Curtains (2007 Original Broadway Cast) Company (2006 Broadway Revival Cast) The Drowsy Chaperone (2006 Original Broadway Cast) A Chorus Line - The New Broadway Cast Recording (2006 Broadway Revival Cast) ASIN: B000J3FBFC Release Date: 2006-12-12

Tracks:

1. Mamma Who Bore Me
2. Mamma Who Bore Me (Reprise)
3. All That's Known
4. The B*tch of Living
5. My Junk
6. Touch Me
7. The Word of Your Body
8. The Dark I Know Well
9. And Then There Were None
10. The Mirror-Blue Night
11. I Believe
12. Don't Do Sadness
13. Blue Wind
14. The Guilty Ones
15. Left Behind
16. Totally F*ucked
17. The Word of Your Body (Reprise)
18. Whispering
19. Those You've Known
20. The Song of Purple Summer

Amazon.com

Who would have thought that Duncan Sheik would succeed where Paul Simon and Randy Newman failed, successfully transitioning from the pop-rock world to the Broadway stage? With Spring Awakening, Sheik and book writer/lyricist Steven Slater (who had already worked on Sheik's 2001 album Phantom Moon) have created a thoroughly exciting show that incorporates a contemporary art-indie idiom (including a small rock band instead of an orchestra) into a dramatic musical-theater context. The unlikely setting is that of a Frank Wedekind adaptation, but as it turns out, teenage angst is perennial, whether it's in contemporary America or in a 1891 German boarding school. Songs such as "The Bitch of Living" ("with nothing going on, asking just what went wrong"), "The Word of Your Body," "I Don't Do Sadness," and "Totally Fucked" ("You're fucked if you speak your mind and you know you will") resonate with the rage, frustration, confusion, excitement, joy, anger, and of course budding lust of those hormone-driven years. The show is greatly enhanced by its youthful cast members (they're all pretty close in age to their characters), who sing their hearts out. --Elisabeth Vincentelli

Album Description

Decca Broadway presents the cast recording for the acclaimed new Broadway production, SPRING AWAKENING. Written by pop music composer Duncan Sheik and playwright/lyricist Steven Sater, the musical explores emotional earthquakes in the lives of teenagers.

SPRING AWAKENING is based on Frank Wedekind's controversial 1891 drama, which was scandalous in its day for addressing sex violence and suicide. The story, dialogue and costumes suggest the 19th Century, and are perfectly wedded to a beautiful alternative pop music score by Grammy® nominated singer/songwriter Duncan Sheik. The creative team also includes Tony® Award Winning director Michael Mayer (Thoroughly Modern Millie) and legendary choreographer Bill T. Jones.

Customer Reviews:

I Love Phoebe Strole's as Ilse!.......2007-07-14

I finally got this extraordinary soundtrack and I love it! The CD soundtrack is true to the play, with one exception. I saw "Spring Awakening" back in February and was blown away by the production and by the cast's incredible talent! That night I was also introduced to Phoebe Strole who played the part of Ilse. I will never forget how beautiful her voice was, especially on the song "Blue Wind". When I purchased the CD I was anticipating hearing Stole sing this beautiful song. And instead they used Lauren Pritchard's vocals for the soundtrack. Pritchard has a nice voice but I liked Strole's rendition better. I wish they would have put Strole's version as an alternate on this soundtrack recording. Other than that, this cast album is a must for your Broadway collection!

what a great album........2007-07-13

The songs are written so well, and the performances are excellent! It's quite an experience to listen to.

Interesting concept for the stage.......2007-07-13

The music is good, just takes some getting used to if your into more traditional musical theater. The themes are very adult, but the music is haunting. The phrasing is very different and the lyrics are more obtuse than I'm used to, But once you give it a chance, you will be singing these songs all day. I will be very interested in seeing this production live.

Great show, great soundtrack.......2007-07-13

Spring Awakening is "not your parents' musical," so to speak, and the music certainly reflects that. With many musicals, it is hard to enjoy the music out of context, i.e. if you haven't seen the show, but I don't think that is the case with this soundtrack. The songs are edgy, beautifully written and magnificently performed. I keep going back to this over and over again.

Great new musical.......2007-07-13

I saw the cast performing on the Tony's and was blown away by the music. TV usually deadens live theater no matter how good it is, but when I saw the company performing and they still were dynamite over the airwaves, I knew this was something special. The CD does not disappoint. Only criticism is that some of the lyrics they sing in a few songs are not in the liner notes, and it's so good I wish I had every word in writing. Not suitable for playing if you've got young children in the car, but the profanity is not for shock value, it is justified in the text. Great new work.

Average customer rating: A Tough Act To Follow JUST WHAT A BROADWAY MUSICAL SHOULD BE!! CURTAINS is likable but not special. The Last Kander and Ebb All DAVID HYDE PIERCE FANS WILL LOVE IT!!!!!!!!!

Curtains (2007 Original Broadway Cast) Manufacturer: Manhattan Records ProductGroup: Music Binding: Audio CD Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: 110 in the Shade (2007 Broadway Revival Cast) Spring Awakening (2006 Original Broadway Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) The Pirate Queen (2007 Original Broadway Cast) Company (2006 Broadway Revival Cast) ASIN: B000PC1QKQ Release Date: 2007-06-05

Tracks:

1. Overture
2. Wide Open Spaces
3. What Kind Of Man?
4. Thinking Of Him
5. The Woman's Dead
6. Show People
7. Coffee Shop Nights
8. In the Same Boat
9. I Miss the Music
10. Thataway!
11. The Man Is Dead
12. He Did It
13. In the Same Boat
14. It's a Business
15. Kansasland
16. Medley: Thinking Of Him/I Miss the Music
17. A Tough Act To Follow
18. In the Same Boat
19. In the Same Boat
20. Show People
21. Wide Open Spaces
22. A Tough Act To Follow

Amazon.com

Sadly, Curtains is the final entry in the long and fruitful partnership of lyricist Fred Ebb (who died in September 2004) and composer John Kander. While the show doesn't reach the heights of the team's previous masterpieces, such as Cabaret and Chicago, it's certainly a lot better than, say, their middling 1997 offering Steel Pier. Deliberately old-fashioned (it even features a real overture, something that's fast becoming a rarity), Curtains is a whodunit rolled into a musical--or vice versa. Set in 1959 Boston, it takes place backstage at a singing-and-dancing Western corker titled Robbin Hood. Someone gets killed, and a show tunes-crazy homicide detective (David Hyde Pierce) is called in. The plot is just a pretext for a series of very entertaining, characteristically brass-heavy songs that may not have the bite of old Kander and Ebb but are still very catchy. Above all, Curtains is (both thematically and stylistically) a love letter to old-school showbiz, and it's delivered on a silver platter by a cast of pros that includes the aforementioned Hyde Pierce, Kander and Ebb habituée Karen Ziemba, endearing Jason Danieley and, a notch above the rest, Debra Monk. Unsurprisingly, she chews the scenery and spits it right back in a pair of rowdy numbers: "Show People" and "It's a Business." --Elisabeth Vincentelli

Album Description

Curtains is an entertaining play within a play, as well as a "whodunit" new musical comedy featuring one of the last scores by legendary, Tony Award-winning songwriters John Kander and Fred Ebb (Cabaret, Chicago, New York, New York). Starring David Hyde Pierce (Spamalot, "Frasier") and Debra Monk, the Curtains original Broadway cast album is produced by nine-time Grammy Award-winner Jay David Saks.

Customer Reviews:

A Tough Act To Follow.......2007-07-18

"curtains" is a wonderful show full of fun and laughter and fantastic music.
Isn't it great to have an other show by Kander and Ebb who have giver us such
pleasure in the past. The cast are perfect not one dud in the whole pack.
I can thoroughly recommend this show to everyone with a love of musical theatre

JUST WHAT A BROADWAY MUSICAL SHOULD BE!!.......2007-07-17

In the tradition of good old-fashioned musicals that entertain for entertainment's sake comes this terrific, witty, clever, fun musical with a top notch cast and some swell songs. We were lucky enough to see this show several weeks ago. And as grand as it is to watch-- it is super to listen to as well. David Hype Pierce is totally terrific, as is Debra Monk. Karen Ziemba and Jason Daniely are first tier performers as well. The show moves along at a great pace, consistently entertaining. There are some wonderous Kander and Ebb melodies--maybe not on par with Cabaret and Chicago--but nonetheless still extremely good. Everything about the CD says high quality. It is well recorded and the performances are excellent. If you get a chance to see the show, grab the chance! If not, you can still enjoy the show with the playing of this CD. Highly recommended!!

CURTAINS is likable but not special........2007-07-15

There is nothing particularly great about this score, but it is likable, and it is Kander & Ebb's final work. That makes it worthwhile to have. The next time I am in NYC, which won't be until December, I would like to see CURTAINS, especially if David Hyde Pierce is still in it. I prefer revivals and old fashioned musicals like CURTAINS to the new shows with rock or folk rock scores, like LEGALLY BLONDE which I disliked.

The Last Kander and Ebb.......2007-07-13

Couldn't miss the opportunity to hear the last of the Kander and Ebb collaboration. This score has a familiar feel to it. The music is good but not great and the show seems as if it would be fun.

All DAVID HYDE PIERCE FANS WILL LOVE IT!!!!!!!!!.......2007-07-10

And even if you are not---the music is great!!!!!! This is the final collaboration between John Kander and the late Fred Ebb--plus throw in the efforts of Rupert Holmes (who wrote the underated MYSTERY OF EDWIN DROOD--and everyone's favorite guilty pleasure 70's tune--THE PINA COLADA SONG). Anyway, I always thought David was robbed of a TONY nod for SPAMALOT--so his win for this was quite overdue!

Every song is a winner---and it is not just because of Pierce--Deborah Monk also has one of the great show stoppers "IT'S A BUSINESS"!

All theatre buff will enjoy--I certainly did!

Average customer rating: So very beautiful! Gorgeous Great Premiere from Stile Antico! Music for Compline

Music for Compline Manufacturer: Harmonia Mundi USA ProductGroup: Music Binding: Audio CD Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sheppard | Sheppard, John | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music All Works by White | White, Robert | ( W ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Lighten our Darkness William Byrd: Laudibus in sanctis Gloryland And On Earth Peace: A Chanticleer Mass Combattimento (W/Dvd) ASIN: B000LPRNSG Release Date: 2007-01-16

Tracks:

1. Libera nos. I & II (John Sheppard)
2. Salva nos, Domine (plainchant)
3. Christe, qui lux es et dies (William Byrd)
4. In pace in idipsum (John Sheppard)
5. In manus tuas (Thomas Tallis)
6. Jesu, salvator saeculi, verbum (John Sheppard)
7. In manus tuas I (John Sheppard)
8. In manus tuas II (John Sheppard)
9. Miserere mihi, Domine (plainchant)
10. Miserere nostri, Domine (Thomas Tallis0
11. Misere mihi, Domine (William Byrd)
12. In pace in idipsum (Thomas Tallis)
13. Christe, qui lux es et dies (Robert White)
14. Veni, Domine (plainchant)
15. Nunc dimittis Gradulia I (William Byrd)
16. Te lucis ante terminum festal (Thomas Tallis)
17. Gaude, virgo mater Christi (Hugh Aston)

From the label:

On its spectacular debut recording, the exciting young British vocal group stile antico presents a program of English Renaissance music associated with the office of Compline, the service that ends the monastic liturgical day. A who's-who of 16th-century British composers--including Thomas Tallis, William Byrd, and John Sheppard--is represented here by hymns, antiphons, responsories, motets, and psalms: the occasion not only for music of intimacy, elegance, and reflection, but for flights of breathtaking canonic and contrapuntal invention and harmonic daring.

Stile Antico is an ensemble of young British singers, fast gaining recognition as one of the most original and exciting new voices in its field. In 2005 the group won the inaugural Audience Prize at the Early Music Network International Young Artists' Competition, drawing critical praise for its `wonderfully vivid singing' and `perfectly focused and ideally balanced voices.' Since this success, Stile Antico has appeared throughout the UK, including at the City of London, Lake District Summer Music and Beverley and East Riding Festivals; engagements for 2007 include the York Early Music Festival. The group has also collaborated with Sting on tour in his project Songs from the Labyrinth, performing lute songs by John Dowland.

Working without a conductor, the members of Stile Antico rehearse and perform as chamber musicians, each contributing artistically to the musical result. Their repertoire ranges from the glorious legacy of the English Tudor composers to the works of the Flemish and Spanish schools and the music of the early Baroque. They are passionate about the need to communicate with their audiences, combining thoughtful programming with direct, expressive performances. They are also committed to developing their educational work, for which they have received generous funding from the National Lottery through Arts Council England.

Customer Reviews:

So very beautiful!.......2007-07-11

I'm not a student of fine music and had no idea what a "compline" was but I bought this CD after hearing a review on NPR.
I can't tell you how much I love this!
It is pure and moving; I can turn off my thinking and let my mind soak in the beauty.
I regret that it is such a high-class work, as I fear that many will miss it, expecting it to be over their heads. I hope that more of my fellow low-brows will somehow stumble upon it and have a chance to experience these most-excellent moments.

Gorgeous.......2007-03-05

The English Tudor choral composers such as Byrd and Tallis composed some glorious music. Sit and listen in a darkened room and you will be transported back to another time and place. Wonderfully atmospheric and moving. The masters of this repertoire are Peter Phillips's Tallis Scholars, but this CD makes me think that they have some serious competition.

Great Premiere from Stile Antico!.......2007-02-27

I got an e-mail from amazon recently to the effect of, "We've noticed that you've rated so-and-so, so we thought you'd be interested in the new release Music for Compline." I usually ignore such e-mails, but I thought I'd check it out. I was intrigued by the audio samples and so downloaded the album on iTunes.

I don't know how a group of young upstarts from Britain without a conductor were able to produce such a sound, but they did. "Music for Compline" focuses on music from composers in England during the transition from Catholicism to Protestantism- Byrd, Sheppard, Tallis, etc.- and as the title implies, it's music that would have been used during a compline service at the time. Compline, for those of you not familiar with the Liturgy of the Hours, is the last prayer service in the liturgical day. As such, the music is serene, contemplative, and prayerful.

The way Stile Antico has gelled as a group is amazing, especially considering they have no conductor. (Although they surely have at least a de-facto rehearsal leader) Their sound is clear and beautiful, and they display exquisite musicianship without being overly technical or icy. They are able to share their fresh (though informed) perspectives on early music with each other to create an organic sound, so not having a conductor actually turns out to be an asset for these young musicians.

Fans of the Tallis Scholars will love this CD. Arguably, Stile Antico is better than the Tallis Scholars in some ways. To elaborate, the Tallis Scholars, as good as they are, can come across as technical and icy, whereas Stile Antico never does, at least not to my ears. On the contrary, they have a warm, authentic sound. Not that I have anything against the Tallis Scholars.

In conclusion, for everyone who loves sacred choral music, or beautiful music in general, "Music for Compline" is a must-have. The musical serenity will be a refuge from stress, and will uplift your spirits.

Music for Compline.......2007-02-05

One is somewhat spoilt for choice these days when it comes to recordings of specialist 'early music' vocal ensembles. In Britain alone, 'brand' names such as 'The Sixteen' and 'The Tallis Scholars', however different their respective approach, have become equally synonymous with excellence in ensemble, intonation, balance and blend. On this basis alone, one might be forgiven for mistaking this CD for another release from one of these fine, long-established choirs. However, this debut recording from 'Stile Antico' has something rather distinctive and individual to offer the listener. Working as a vocal consort without conductor, these are performances born out of an internal commitment and universal understanding within the group, together with an obvious love for this repertoire which they perform so admirably. It is deeply refreshing, in a professional environment where 'time is money', to hear an ensemble who have so noticeably spent a great deal of time 'living' with the music, no doubt both as individuals and collectively as a group. This crucial element of music-making, so often over-looked, is perhaps above all what makes this recording stand out. In fairness, the result is not necessarily superior to that of a conducted ensemble, where a different style of direction in the performances can be attained. But whatever one's preferences - 'Stile Antico' have certainly achieved a winning combination - communicative performances which are simultaneously meditative and emotionally uplifting.

Impeccable ensemble is evident throughout the disc, and this is especially impressive when accomplished within various well-judged slow tempi. Highlights in this regard include a wonderfully ethereal and sonorous performance of Tallis' rarely heard seven-part 'Miserere nostri', and Sheppard's intoxicating 'Libera nos I & II' whose marvellous longing dissonances are given just the right amount of time to register. Byrd's 'Miserere mihi' also receives a fine performance, and the same composer's exquisite homophonic setting of 'Christe lux es et dies' serves to demonstrate these singers' aptitude for naturally shaped phrasing and beautifully paced cadences.

The programming is cohesive throughout, combining familiar, celebrated settings with some rare gems, notably Hugh Aston's giant antiphon 'Gaude, virgo mater Christi', of which this is the first recording made available on CD.

Congratulations are also due to Harmonia Mundi for their superb recording quality, which captures splendidly not only the clarity of the voices, but also the magnificent acoustics of All Hallow's, Gospel Oak. Beautiful packaging together with intelligent, informative programme notes completes this excellent debut release.

Average customer rating: Wow Movie Soundtrack Review Get on the freeway, roll down the windows and DRIVE! AHOY! Pirates Of The Caribbean:At World's End CD

Pirates Of The Caribbean: At World's End Manufacturer: Walt Disney Records ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Disney | Children's Music | Styles | Music Disney Records | Amazon.com Label Stores | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Pirates Of The Caribbean: Dead Man's Chest Pirates Of The Caribbean: The Curse Of The Black Pearl Bring Me That Horizon: The Making of the Pirates of the Caribbean (Welcome Book) Harry Potter and the Order of the Phoenix 300 Original Motion Picture Soundtrack ASIN: B000P0J02E Release Date: 2007-05-22

Tracks:

1. Hoist the Colours
2. Singapore
3. At Wit's End
4. Multiple Jacks
5. Up Is Down
6. I See Dead People In Boats
7. The Brethren Court
8. Parlay
9. Calypso
10. What Shall We Die For
11. I Don't Think Now Is the Best Time
12. One Day
13. Drink Up Me Hearties

Amazon.com

The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth Vincentelli

Customer Reviews:

Wow.......2007-07-17

This is the best soundtrack in the "Pirates" series. Hans Zimmer has melded the Eastern sounds with the West and composed an intricate melody which is hard to forget. My favorite soundtrack so far!

Movie Soundtrack Review.......2007-07-16

I love his music. And all the movie soundtracks he has done. I already have two of these,one for my car,and one for my home. This purchase was for my best friend on her birthday. His music for soundtracks,always intenses and blends so well with the movie,which it is all about. He's a wonderful composer.

Get on the freeway, roll down the windows and DRIVE!.......2007-07-16

I LOVE this CD! It is just so much fun.
If you gotta' travel the road to work, school, etc.
or you gotta' run errands or you are just in the
mood to GO -
Well, get in the car, get on the road, stick in this CD,
roll the windows all the way down, turn up the sound,
and DRIVE!
Have a ball!

AHOY!.......2007-07-14

Love it. Listening to it is like re+living the movie over and over again.

Pirates Of The Caribbean:At World's End CD.......2007-07-13

The music that Hans Zimmer has written for this movie is outstanding. Once you have seen the movie, you realize the music fits it perfectly. There are several favorites that bring to mind the favorite scenes during which they're played so it's almost like watching the movie while listening to the CD. I have the CD's from all three Pirates movies and, while I love them all and listen to them regularly, the music from AWE is a different type of music. I recommend it highly.

Average customer rating: Jersey Boys (2005 Original Broadway Cast) Jersey Boys Like being there A step back in musical time Great music, but missing too much

Jersey Boys (2005 Original Broadway Cast) Ronald Melrose , Ken Dow , Anik Oulianine , Stephanie Cummins , Deborah Hurwitz , Kevin Dow , Joe Payne , Larry Saltzman , Dave Spier , Bill Hayes , Randall Andos , Bob Milikan , Debra Shufelt , Maxine Roach , Belinda Whitney , Cenovia Cummins , Eric de Gioia , Louise Owen , Robin Zeh , Sarah Schwartz , Shinwon Kim , Christian Hoff , Daniel Reichard , Donnie Kehr , Erica Piccininni , J. Robert Spencer , Jennifer Naimo , John Lloyd Young , Sara Schmidt , Tituss Burgess , Steve Orich , and Bob Gaudio Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music Pop | Styles | Blowout Music | Stores | Music Broadway & Vocalists | Styles | Blowout Music | Stores | Music Soundtracks | Styles | Blowout Music | Stores | Music Classical | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Very Best of Frankie Valli and the Four Seasons The Drowsy Chaperone (2006 Original Broadway Cast) Grey Gardens - A New Musical (2006 Original Broadway Cast) Spring Awakening (2006 Original Broadway Cast) The Color Purple (2005 Original Broadway Cast) ASIN: B000BFH2QY Release Date: 2005-11-01

Tracks:

1. Ces Soirees la'
2. Early Years Medley
3. Cry For Me
4. Backups Medley
5. Sherry
6. Big Girls Don't Cry
7. Walk Like A Man
8. December, 1963
9. My Boyfriend's Back
10. My Eyes Adored You
11. Dawn (Go Away)
12. Big Man In Town
13. Dialog: A Little Trouble
14. Beggin'
15. Dialog: See How You Handle It
16. Medley Listen Listen
17. c'mon marianne
18. Can't Take My Eyes Off Of You
19. Working My Way Back To You
20. Fallen Angel

Amazon.com

Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth Vincentelli

Album Description

Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30.

Customer Reviews:

Jersey Boys (2005 Original Broadway Cast).......2007-07-19

Singers doesn't try to make the same sound the same original. The music sounds like the voices don't care about what they are doing. I was kinda disappointed.

Jersey Boys.......2007-07-08

Purchased CD prior to seeing the show when visiting USA in '06. A fun lively show - the CD now captivates those fond memories of not only the foot tapping music & show but also our special time in New York.

Like being there.......2007-07-05

Have seen the play twice. This album lets me relive the experience anytime anyplace. A great piece of Rock n roll history.

A step back in musical time.......2007-07-05

My wife and daughter didn't know about the Four Seasons but I did. When I told them I wanted to see the musical on stage, there was no interest so I bought this product and they heard it in the car. We went to the stage musical soon after and we have listened to the entire disk so many times I've lost track. I created a Four Seasons monster in my daughter. She's fifteen and has memorized most of the songs and sings along while we are driving somewhere.

Great music, but missing too much.......2007-07-04

I saw this play at age 16 with no idea who the Four Seasons were, but instantly fell in love with it. The problem is, this soudntrack cuts a two hour play into less than an hour on CD. Most of the dialouge is missing, only including enough to let each member of the group at least say something. I know many play soundtracks cut out dialouge, but what confuses me is why this stretches to the music as well. What is there is amazing, but I don't understand why most of the songs are cut to half, and sometimes even a third or fourth of their original lengths. I love this CD, just be aware that you are hardly getting any story, just clips of lots of Frankie Valli and the Four Seasons songs. So, great music and dialouge, just not enough for a musical soundtrack.

Average customer rating: Very disappointing *sigh* Elizabethan Music Vibe shift Gorgeous, pure and unexpected

Songs from the Labyrinth (Music by John Dowland) Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music Vocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Britain | British Isles | Europe | International | Styles | Music General | International | Styles | Music General | Opera & Vocal | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Not Too Late An Ancient Muse Awake Wintersong James Taylor at Christmas ASIN: B000HXDESU Release Date: 2006-10-10

Tracks:

1. Walsingham
2. Can she excuse my wrongs?
3. Ryght honorable: as I have bin most bounde unto your honor …
4. Flow my tears
5. Have you seen the bright lily grow
6. Then in time passing on Mr. Johnson died…
7. The Most High and Mighty Christianus the Fourth, King of Denmark
8. The lowest trees have tops
9. And accordinge as I desired ther cam a letter…
10. Fine knacks for ladies
11. From thenc I went to the Landgrave of Hessen…
12. Fantasy
13. Come, heavy sleep
14. Forlorn Hope Fancy
15. And from thence I had great desire to see Italy…
16. Come again
17. Wilt thou unkind thus reave me
18. After my departure I caled to mynde our conference…
19. Weep you no more, sad fountains
20. My Lord Willoughby’s Welcome Home
21. Clear or cloudy
22. Men say that the Kinge of Spain is making gret preparation…
23. In darkness let me dwell

Amazon.com

In choosing to cover the music of John Dowland (1563-1626), who is known as the "melancholy madrigalist" from his output of cheerful ditties like "Flow My Tears," Police bandleader Sting has entered into a whole new realm of austere eeriness. Originally inspired by the gift of a lute, the rock superstar and activist sings the songs, deliciously sweet and tender or spirited by turn, accompanying himself, with Edin Karamazov sitting on lute and archlute. For listeners accustomed to hearing material of this period interpreted by rigorously trained early music stylists, especially countertenors and the like, Sting's sometimes tight-jawed, chest-heavy vocals may seem amateurish. It's undeniable that in four-part harmonies, the singer, tightly overdubbed, comes across like a combination of the Swingle Singers and Queen (meaning Freddy Mercury and crew, NOT the first Elizabeth). But it's important to remember that music of this period was routinely heard as a casual diversion in private homes, even more often than at Court. It was considered a crucial social skill to be able to join in with an adequate degree of skill, but not everyone was able to negotiate the perilous melodic twists and turns typical of the era's music. With this in mind, the overall effect is of a candle-lit, postprandial entertainment in the home of an English gentleman. Muttered readings from Dowland's letters and brief snippets of sampled birdsong aside, it is a courageous effort, displaying heartfelt admiration for the composer and a considerable degree of earnest charm. --Christina Roden

Album Description

StingÂ's Songs From The Labyrinth is an album of 17th century music composed by John Dowland and performed on the lute, an ancient acoustic guitar. After being given a lute nearly two years ago as a gift, Sting became fascinated and immersed himself with the instrument and the history of lute music. Reminded of his almost 25 year long enthrallment with the works of John Dowland, the Elizabethan composer who wrote songs for the lute, Sting has recorded a new album of vocal and lute music. All songs were composed by Dowland in the 17th century, but have been given new life in these fresh new recordings by Sting. Sting not only sings all the songs (accompanied by leading lutenist Edin Karamasov, who appears on two Andreas Scholl albums), but also plays lute on two instrumental duets with Edin and reads short extracts from a fascinating autobiographical letter by Dowland. Sting has also written a brilliant account of the album's genesis, along with notes on the individual tracks, which serves as the CD booklet.

Customer Reviews:

Very disappointing.......2007-07-19

As we all know, the music of John Dowland is lovely. When played by Paul Odette or Julian Bream it is exquisite. However, this production is almost depressing. Sting's gravelly voice finally grated on me and I probably won't play this again. The lute performance is mediocre also. The best song is that which they use to promote the album. Pass on this one.

*sigh*.......2007-07-16

I am a lutenist myself, who had experience as both a rock guitarist and a classically trained clarinetist before also picking up the lute. I have a great love for Dowland that comes from years of playing his songs myself as well as hearing great musicians (like Paul O'Dette) play them. And this CD makes me sad.

In a way, it doesn't surprise me that Sting would do this. For years now he's been trying to gain cred in the classical music world (I have a 1988 recording of him doing Stravinsky's A Soldier Tale that delighted me when I was 16 and musically ignorant, but now makes my eyes roll into the back of my head). What upsets me is he had to do something that's initimately important to me as a musician. The is problem is that when it comes this kind of music, as others have said, he IS an amatuer, and all his heavy-handed, juvenile earnesty and clumsy, misplaced intensity just drains out all the joy I would normally experience from these songs. Moreover, he's voice isn't merely "untrained" - it's *shot* from years of strain caused by bad "rock" vocal technique. It's just pitiful to listen to in such an exposed context. If you think this is how these songs ought to be intrepreted, you're sadly mistaken.

There are people who would call Sting a "pop genius, " laud him and hand him all sort of impressive looking awards and honors, but this is the music of a real genius, someone who knew not just how to write lyrics that hit home with his audience, but as how to compose songs with unparallel grace, form and sophistication in an idiosyncratic style that bridged convention and innovation. And Sting simply cannot do Dowland's music justice. He just doesn't have the chops or the insight. It's great he's supposedly "studied" this music and that he wrote lengthy, flowery liner notes, but did he really need to record this CD for any reason that his own self-satisfaction? It's far too obvious he hasn't done the same level of groundwork of countless Early Music musicians who don't do this a hobby or avocation from political causes or high-profile celebrity, but as their sole passion. Why couldn't he simply support those musicians, without trying to grab some spotlight for himself? Having a decent lutenist as a sidekick just isn't enough to pull him up from his amatuerly, self-important bog, either. Frankly, he just doesn't get it, and at this stage, I don't think he will.

Early music lovers don't need someone like Sting to bring this music to us - we've been doing just fine without him because we have so many other, really wonderful musicians around to keep this music alive. Someone else recommended Nigel Rogers and Paul O'Dette, and I would gladly recommend them over this celebrity-fuel nonsense as well. Yes these are both musicians with academic backgrounda, but that doesn't mean they are academic musicians - far from it. They just have to hold down teaching positions and do master classes because they don't have a pop career to play the bills. Musicially and professionally, they're what Early Music musicians ought to be - dedicated, educated, passionate and yet they don't have any need to take themselves this deathly seriously.

Elizabethan Music.......2007-07-12

This is the audio component of an hour long video made by Sting on the work of Elizabethan composer John Dowland. (The video does adds greatly to the value as it places the music against the background and age (16th C) for which it was written.) Sting's voice is light tenor and right for these poems set to music about everlasting human concerns that persist to our day. But you'll not see those wonderful lutes that accompany the words, so complex to play with a beauty of sound not heard today. Between his music Sting gives an excellent spoken commentary to complete an attractive presentation of esoteric classical music with a modern undertone.

Vibe shift.......2007-07-10

Why bother? Still would like to say i love the 'shift' it takes to get into this music and how i (and my home) feel when i've enter this rather rarified realm of listening.

Gorgeous, pure and unexpected.......2007-07-06

This music is so pure, so clean, so well performed by two excellent musicians, Edin Karamasov, and Sting, that it put shivers up my spine. Edin is an excellent classical lutenist and Sting's tenor voice is perfect for the music. It was a surprise hearing a rock musician perform this music, but Sting always surprises, continuing to develop as a musican. I will hear this one in my sleep, echoing.

Average customer rating: Kind of Blue The Pinnacle of Jazz Music Shades of Blue feeling blue... Classic with a slight engineering problem

Kind of Blue Miles Davis , John Coltrane , Cannonball Adderley , and Bill Evans Manufacturer: Sony ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Modern Postbebop | Jazz | Styles | Music $7.99 and Under | Blowout Music | Stores | Music Jazz | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music $7.99 and Under | Prices | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: A Love Supreme Time Out Birth of the Cool Thelonious Monk Quartet with John Coltrane at Carnegie Hall Mingus Ah Um ASIN: B000002ADT Release Date: 1997-03-25

Tracks:

1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches
6. Flamenco Sketches (Alternate Take)

Amazon.com essential recording

This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed

Customer Reviews:

Kind of Blue.......2007-07-12

This CD is a must for all the JAZZ lovers out there. The mood setting makes for a night of yesterdays (the good days). The sound of the horn from Miles makes you want to cling to every note and have them just lay next to your soul. It will take you into the minds eye where you will see and feel the greatness within you and yours. This is a must share CD. I mean you must share the mood with that person of rare bread of taste. This is ome CD that the five pleasure zones will be thankful.

The Pinnacle of Jazz Music.......2007-07-12

Well this is THE album to have in your music collection. Its been said many times, but if you only have one jazz album then this is the one to get. This is perhaps the most referred to document of jazz in the history of music, and it does live up to expectations.

Miles Davis was a genius, and both he and his collection of musicians were at the top of their game when they recorded this body of modal work.Timeless in appeal, perfect for background and just as interesting for the astute late night listener. 'Moody' doesn't do the album justice, and neither does any review. If you like jazz, then you simply MUST HAVE this album. If you don't like jazz then grab this out of interest, and watch how it subliminally grows on you.

I cannot recommend this album enough, it deserves more stars than I can give it. A am in reverence of this album, and it is one of the albums that I cannot do without. It will be hard pressed for you to find a bad review regarding this album, and I think that says it all.

HIGHLY RECOMMENDED!

Shades of Blue .......2007-07-08

Miles Davis always composed like a painter.....layering shades of color on a canvas, injecting a little light in the center, a bit of darker in the corner. He cops to it with "Kind of Blue", infering that the musical journey may include shades of blue, or other colors that complement. The mood might be kind of blue as well; or maybe not.

The sound waves on "Kind of Blue" play like a rainfall pattern, a rolling brook, a waterfall, many incarnartions of water free-flowing. Perhaps that is where the blue theme came in. "So What", the opener, is probably one of the most recognized jazz standards, re-produced by many artists over the years. It evokes the sight of someone looking like "The Thinker", turning around and asking " I'm deep in thought... so what?" This seamlessly moves into "Freddie Freeloader", a tune that really does depict the lovable mooch of a friend, plying you with smooth talk and subtle requests. "Blue in Green" does seem to speak to a lover, almost a feeling of sadness combined with a little self-righteous jealousy. Truly, these emotions and nuances can be heard in the melodies.

It would require much more space to describe the remaining songs, so I will leave it to the buyer to explore and interpret on their own. Suffice to say, "Kind of Blue" has attained classic status for good reasons. Music is one of the best forms of art, and when a recording achieves the task of being audio and visual, as well as emotional, there is something to touch all sensibilities. "Kind of Blue" delivers.

feeling blue..........2007-06-20

a rainy day...I pop in 'Kind of Blue'...problems with my lover I pop in 'Kind of Blue'...feeling wistful...I pop in 'Kind of Blue'...Miles Davis on trumpet..John Coltrane on tenor sax..Cannonball Adderly on alto sax..Paul Chambers on bass..Bill Evans and Wynton Kelly on piano..drummer Jimmy Cobb..compositions composed by Davis and Evans..in an attempt to move away from bepop which dominated jazz at the time this is the first full jazz album using the modal approach which is basically composing music with a series of scales using improvisation, the results are 'Kind of Blue' one of the most influential jazz albums of all time, also recognized as one of the top albums of all time.

Classic with a slight engineering problem.......2007-06-12

This album never sounded this good before with one exception. Davis's trumpet is in the center channel and ONLY in the center channel. No bleed whatever right and left. Likewise the drums are only right and the piano only left. That is not the way I hear in a live setting. This is obviously a direct conversion from the original three-track master with out-of-phase info added for the surrounds, but the recording obviously acoustically isolated each player. Still, it's minor and shouldn't prevent you from buying. SACD, if you have a good system, is the next step up in CD reproduction.

Music Album:

1. John Brown: Sword of the Spirit
2. Leavin' [CD-single] [Import]
3. Legend Lives on [Import]
4. Light Years
5. Linda Lou
6. Little Bitta Love
7. Little Piece of Heaven
8. Live in Branson [Live]
9. Live With The Possum [Live]
10. Looking Back to See

Music Album