Fair and Square

Editorial Reviews

Amazon.com
Zen country singer Jimmie Dale Gilmore's spiritual perspective certainly owes more to Buddha than Moses, but his 1988 solo debut has something of an Old Testament story line. Gilmore partnered with fellow Texans/nascent country outcasts Joe Ely and Butch Hancock in the Flatlanders in the early 1970s, only to put aside music as a vocation when the group's sole eight-track (originally its only format) was stillborn. A decade and a half passed before the distinctive singer-songwriter recorded this unadulterated honky-tonk outing after finally coming down from the mountain (Colorado, actually) and reestablishing himself in Austin. Gilmore and old compadre Ely (who serves as producer) constructed a modest but rewarding 10-song set that provided a traditional-country oasis in a Nashville-slick wasteland. Townes Van Zandt, Ely, Hancock, and lesser-known Texas troubadour David Halley (who plays lead guitar) provide material, making Fair & Square something of a secure way station for left-of-center Lone Star songsmiths caught between the outlaws of the '70s and the alt-country insurgents of the '90s. --Steven Stolder

Fair and Square,Jimmie Dale Gilmore,Hightone Records,Alternative Country,Country,Country & Western,Country-Folk,Pop,Singer/Songwriter
Fair & Square
Average customer rating: 4.5 out of 5 stars
  • One of John Prine's very best
  • Great...Wonderful...One of His Best!
  • John Prine Fair & Square
  • Meat and potatoes songs from a meat and potatoes guy
  • awesome
Fair & Square
John Prine
Manufacturer: Oh Boy
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007VROHE
Release Date: 2005-04-26

Tracks:

  1. Glory Of True Love
  2. Crazy As A Loon
  3. Long Monday
  4. Taking A Walk
  5. Some Humans Ain't Human
  6. My Darlin' Hometown
  7. Morning Train
  8. The Moon Is Down
  9. Clay Pigeons
  10. She Is My Everything
  11. I Hate It When That Happens To Me
  12. Bear Creek Blues
  13. Other Side Of Town
  14. Safety Joe

Amazon.com

Good things come to those who wait. During John Prine's nine-year interval between albums of original material, fans who hailed his recovery from cancer wondered whether he'd ever return to full creative speed. Here, Prine puts doubts to rest with an album that ranks with the finest of an inspired career. The big heart of "Glory of True Love," the socially conscious bite of "Some Humans Ain't Human," the reflective grace of "Taking a Walk," the wry whimsy of "Crazy as a Loon"--the hallmarks of Prine's artistry are reaffirmed on Fair & Square. The album also reflects Prine's first attempt at producing himself, with the warmth of his rough-hewn vocals finding a comfortable fit among the organic, largely acoustic arrangements. Though Prine penned 12 of the 14 cuts (including two bonus tracks, one recorded in concert), a pair of covers prove revelatory: Blaze Foley's "Clay Pigeons" sounds like it could well be one of Prine's own (with a melody that recalls "Hello in There" and a lyric of renewal that sounds like personal testament), while A.P. Carter's "Bear Creek Blues" carries an electric charge as the traditional song rocks harder than anything else on the album. With a generous selection of close to an hour of music, the album stands as a creative triumph for Prine, a fully satisfying effort that rewards the patience of his loyal fans. Welcome back. --Don McLeese

Album Description

John Prine takes his own sweet time dancing with his muse -- and truly writes what's in his soul. So if it takes him a little longer to write the songs that capture moments and reveal the gently folded human truths that bind us all together. It's always worth the wait. Now, nearly nine years since the release of his Grammy-nominated Lost Dogs & Mixed Blessings, the iconic American writer has put the finishing touches on his latest offering, appropriately titled, Fair & Square. "It was just time," says Prine in his always understated way. "I had a bunch of songs. I'd started recording them, and it turns out, I liked them pretty well. So, now, I get to get them all just the way I like them - and then I get to let them go out to meet the world." With the occasional wheezing accordion, curlicue electric guitar parts, quick-wristed mandolins, billowing B-3 pads and puddles of pedal steel guitar, the rough-voiced singer/songwriter's first self-produced record is a homey affair that draws generously from the palette of traditional American music -- be it folk, bluegrass, shuffles, vintage rock & roll, torch, country -- for an amalgamation that would be at home on any Wurlitzer in a whiskey-soaked tavern with beer signs flickering from age and the walls stained deeper than sepia from the years of constant smoke.

With bluegrass queen Alison Krauss on the ode to his Irish refuge "My Darlin' Hometown", the street corner desolation of "The Moon Is Down" and alt-country princess Mindy Smith bringing allure and tartness to "Morning Train," "Long Monday" and the melted neon ponder of "Taking A Walk," Fair & Square is the work of a man at ease with his life, secure with his place in the world and willing to share the things that he sees. "It's been a while, so I'm pretty excited," Prine admits with that Oh Boy grin. "And that's a really good place to be."

Customer Reviews:

5 out of 5 stars One of John Prine's very best.......2007-07-03

I am a long time fan of John Prine and was thrilled with this albumn, it may be his best yet?

5 out of 5 stars Great...Wonderful...One of His Best!.......2007-06-13

Love this album! Can't get the tunes out of my head... if you love Lost Dogs, you'll love this one too! It was worth the wait!

5 out of 5 stars John Prine Fair & Square.......2007-05-30

WOW!!!! What a fabulous CD. I bought two and gave one to my daughter. My favorite CD. Have copies in all 3 of my cars and on both computers.

5 out of 5 stars Meat and potatoes songs from a meat and potatoes guy.......2007-04-07

A classic song doesn't belong to its creator. It's ours. We take it into our lives and use it for our purposes and sing it in the car or the shower --- we own it so completely we might as well have written and recorded it ourselves. "My favorite song." It's like that.

What are the elements of a classic song? No one can quite say. But some people seem to have the knack of not trying to write them --- and then rolling them out with frightening regularity. Like John Prine.

Prine was once a prodigy, the next savior of the music business. At a tender age, he was introduced to Kris Kristofferson, and the next thing he knew, Kristofferson had called him up on stage. Prince sang a few songs on a borrowed guitar. Kristofferson announced, "No way somebody this young can be writing so heavy. John Prine is so good, we may have to break his thumbs." The legendary producer, Jerry Wexler, was in the audience. The following day, he offered Prine a recording contract.

Prine is such a natural songwriter that on his first album he used two songs he wrote when he was fourteen. At 19, he wrote "Hello In There," a song about senior citizens that will bring audiences to tears until the end of time. For thirty years, he went his own way, pleasing himself and, in the process, delighting his loyal audience. And now, clearing 60, he has a CD that is studded with classics.

This CD is so satisfying, so easy to put on the machine and play all day, so damn comfortable that it almost seemed that Prine had intimate access to my head. It was like, "These are my songs. This is how I feel. So how did this guy in Nashville come to write and sing them?" That was when I decided that I wanted to talk to John Prine. That's usually a terrible idea --- in my experience, you do best never to meet your heroes. But this thing could be arranged, and, in short order, I discovered that the smart, laid-back, endlessly amused persona of John Prine on "Fair & Square" is very close to the actual person I was talking to. Here are the Greatest Hits of that conversation:

HB: Why do these songs sound so familiar

JP: Because this was the most comfortable I've ever been in the studio. I sang these songs in concert over the last 3 years. I knew they fit, I knew people liked them.

HB: "Hello In There" was an instant classic. Forty years later, can you bear to perform it?

JP: More than any other song, it gets stronger every day for me. I never tire of singing it. I don't know how I came up with such a pretty melody. It was an exercise --- to use every chord I had ever heard. I paid a guy five bucks to write it out so I could publish it. I couldn't believe it when he played it on piano

HB: Some of these new songs are so funny, do you laugh while you write them?

JP: I laugh at the funny lines --- hey, I laugh at even the serious stuff. When it's going well, I feel like I'm taking dictation. But I don't have hundreds of songs waiting --- you've heard them all.

HB: Do they come out in a rush?

JP: I type so slow I can edit as I write

HB: You say you're lazy. Do you feel guilty when you go for months and don't write?

JP: I 'm not Catholic, I'm not Jewish --- I can talk myself out of feeling guilty. Because it's easier to not write. I only love the songs I have to write. I trust a song like that --- a song straight from the gut. There are some really good songs that, if you don't write them down, someone else will.

HB: On "Fair & Square," there's a political song, "Some Humans Ain't Human" --- but it's mostly funny, with only one direct reference to the President.

JP: I always felt that way about protest and politics --- include it in your conversation instead of raving about it.

HB: How does that song go over in the red states?

JP: When I'm first singing about some issue, people change the subject. Later, it seems about right.

HB: What's your daily media intake?

JP: I hardly read at all. My wife reads three books at a time, but I read "Archie and Veronica" --- in the comic book form.

HB: Who do you listen to?

JP: I buy a lot of CDs, and I listen to them once. But Van [Morrison] or Bob [Dylan] or Merle [Haggard] --- I listen carefully to all of those.

HB: Taking care of yourself?

JP: I have a poor diet --- I'm a meat and potatoes guy. That has something to do with how I see things. There are no peas on my plate.

"No peas on my plate" is a throwaway line from a song John Prine will never write. No loss. The songs he wrote will do just fine. Not country. Not rock. Not folk. Just...songs. With no gimmicks. I guess if you write classics, that's good enough.

4 out of 5 stars awesome.......2007-03-31

I am a newcomer to John Prine's work. This is an awesome cd and I definitely recommend this purchase.
Lerner & Loewe Songbook for Orchestra
Average customer rating: 5 out of 5 stars
  • Lerner & Loewe Songbook
  • Wouldn't it be lovely?
  • A Successful Sequel
  • Delightful Listening
Lerner & Loewe Songbook for Orchestra
Frederick Loewe , and Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003D0E
Release Date: 1994-01-25

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Customer Reviews:

5 out of 5 stars Lerner & Loewe Songbook.......2006-02-24

If you like Percy Faith's music, you'll like this one. He quit recording and died much too young. But while he lived, he recorded some great music.

5 out of 5 stars Wouldn't it be lovely?.......2005-09-26

This CD represents some of the best of Broadway done in a great pops style. There are five orchestral suites, one each for the following: 'Camelot', 'My Fair Lady', 'Gigi', 'Paint Your Wagon', and 'Bridgadoon'. They are all arranged for orchestra by Robert Russell Bennett, save that for 'Paint Your Wagon', which was arranged by Cincinnati Pops Orchestra director Erich Kunzel.

The works of Lerner and Loewe were a mainstay of Broadway for decades in the 1950s, 60s, and 70s, but it was during the late 50s and early 60s that their true glory days took hold. The presidential term of John F. Kennedy gained the nickname 'Camelot' in part because of the influence of the Lerner and Loewe production going on at the start. The songs contained in these suites are instantly recognisable by many, as the Lerner and Loewe songs have become so well known that many know the songs better than the musicals or the composers from which they come. 'I Could Have Danced All Night' and 'Wouldn't It Be Lovely' come from 'My Fair Lady', 'Thank Heaven for Little Girls' from 'Gigi' - these are but the most of famous of the familiar tunes.

There are a lot of pieces here that the listener will appreciate, both in remembering old pieces or in learning new nuances to the tunes.

This particular disc by Telarc has a feature called 'Spatializer', which gives a three-dimensional quality to the sterophonic sound, enhancing regular players and working well with surround-sound systems, too. The Cincinnati Pops are expert at this kind of music, having produced dozens of CDs of popular music and modern composers of musicals, film music, and pops-oriented major compositions.

This is a fun disc to have.

5 out of 5 stars A Successful Sequel.......2005-08-03

This CD is a follow-up to the Rodgers & Hammerstein Songbook for Orchestra (1991) from the same team. It is a thoroughly successful sequel: I believe anyone who enjoyed the R&H will enjoy this one as well. If I am very slightly less enthusiastic about this one than the R&H, it's not because of any shortcoming of Kunzel, the Cincinnati Pops, or Telarc, all of whom are at the top of their form. Rather it's because Frederick Loewe, for all his undoubted expertise, is not quite in the same class as a composer with Richard Rodgers. But that's asking a lot, since Rodgers was the American musical theater's leading light. Lerner & Loewe's musicals were second only to R&H's during the golden age of the American musical, and their My Fair Lady is by any standard one of the best musicals ever staged. If Loewe did not create as many unforgettable numbers as Rodgers, he nevertheless wrote many delightful songs and much enjoyable music. This CD features five orchestral suites, ranging in length from 9 to 18 minutes (total playing time 68:06), from Brigadoon (1947), Paint Your Wagon (1951), My Fair Lady (1956), Gigi (film 1958; staged 1973), and Camelot (1960). The arrangements (all but one by Robert Russell Bennett) are expert. The performances are masterly (if perhaps lacking in just a tad of the infectious brio that the same team brought to R&H). And Telarc's robust sound (recorded 1993) would be hard to improve on. Warmly recommended.

4 out of 5 stars Delightful Listening.......1998-12-05

Some of the nicest and nearly forgotten music (Paint your Wagon & Brigadoon) is nicely compiled here. It will make you want to listen to the full soundtracks again, but for a quick tour of Lerner & Lowe, it is very nice.
Classical Chillout
Average customer rating: Not rated
    Classical Chillout

    Manufacturer: Union Square Music
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000C7PSS
    Release Date: 2003-09-23

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    1. Adagio - Angela Malmsbury
    2. O Mio Babbino Caro - J. Michael Leonard
    3. Piano Concerto No.2. 2nd Movement - Jorge Luis Prats
    4. Gnossiennes No.1 - Pro Arte Guitar Trio
    5. Touch Her Soft Lips And Part - Black Dyke Mills Band
    6. Canon - Harold Britton
    7. Barcarolle - Kenneth Smith
    8. Rhapsody In Blue - Jack Gibbons
    9. Adagio, Orchestral Version - London Symphony Orchestra
    10. Hebrides Overture - London Symphony Orchestra
    11. Zadok The Priest - Huddersfield Choral Society

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    1. Symphony No.40. 1st Movement - London Mozart Players
    2. Gymnopedies, No.1 - Pro Arte Guitar Trio
    3. Spring - Allegro - Moscow Virtuosi
    4. Night On The Bare Mountain - Loris Tjeknavorian
    5. Morning - John Lubbock
    6. The Entertainer - Philip Dyson
    7. The Sorcerer's Apprentice - Enrique Batiz
    8. Aquarium - Royal Philharmonic Orchestra
    9. Nocturne In E Flat - Peter Frankl
    10. Capulets And Montagues - Loris Tjeknavorian
    11. Pastoral Symphony, 5th Movement - Richard Hickox

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    1. Symphony No.9, 2nd Movement - London Philharmonic Orchestra
    2. Dam Busters March - London Philharmonic Orchestra
    3. O Sole Mio - Beniamino Gigli
    4. Waltz Of The Flowers - Royal Philharmonic Orchestra
    5. Moonlight Sonata, 1st Movement - John Lill
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    9. Fur Elise - Alan Schiller
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    11. Flight Of The Bumblebee - Loris Tjeknavorian
    12. Symphony No.1. 1st Movement - Halle Orchestra

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    2. Serenade For Strings In E Major - The Northern Sinfonia Of England
    3. Concerto For Violin & Oboe, 2nd Movement - Chamber Orchestra Of Europe
    4. Pavane Pour Une Infante Defunte - Mexico State Symphony Orchestra
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    Fair and Square
    Average customer rating: 4 out of 5 stars
    • Jimmie Dale: the Real Deal
    Fair and Square
    Jimmie Dale Gilmore
    Manufacturer: Hightone Records
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000005OE
    Release Date: 2000-03-01

    Tracks:

    1. White Freight Liner Blues
    2. Honky Tonk Masquerade
    3. Fair & Square
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    5. Trying To Get You
    6. Singing The Blues
    7. Just A Wave, Not The Water
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    9. 99 Holes
    10. Rain Just Falls

    Amazon.com

    Zen country singer Jimmie Dale Gilmore's spiritual perspective certainly owes more to Buddha than Moses, but his 1988 solo debut has something of an Old Testament story line. Gilmore partnered with fellow Texans/nascent country outcasts Joe Ely and Butch Hancock in the Flatlanders in the early 1970s, only to put aside music as a vocation when the group's sole eight-track (originally its only format) was stillborn. A decade and a half passed before the distinctive singer-songwriter recorded this unadulterated honky-tonk outing after finally coming down from the mountain (Colorado, actually) and reestablishing himself in Austin. Gilmore and old compadre Ely (who serves as producer) constructed a modest but rewarding 10-song set that provided a traditional-country oasis in a Nashville-slick wasteland. Townes Van Zandt, Ely, Hancock, and lesser-known Texas troubadour David Halley (who plays lead guitar) provide material, making Fair & Square something of a secure way station for left-of-center Lone Star songsmiths caught between the outlaws of the '70s and the alt-country insurgents of the '90s. --Steven Stolder

    Customer Reviews:

    4 out of 5 stars Jimmie Dale: the Real Deal.......2000-03-18

    Climb on the bus. Travel 1500 miles South to a small, dusty, border town. Find the roadhouse, and there you'll find Jimmie Dale. This is real, no bull heartfelt country, the kind you find in unexpected memories of women you knew and lost or roads you never should have travelled. Gilmore keeps you in that reverie with an authentic voice that you can't escape. Try this album and it'll grow on you. Trust me...you just might find yourself on that roadhouse bus on a search for the way things used to be...the genuine way Jimmie Dale sings.
    Fair and Square
    Average customer rating: 5 out of 5 stars
    • Fair AND Square
    Fair and Square
    Washington Squares
    Manufacturer: Capitol
    ProductGroup: Music
    Binding: Audio CD

    Traditional FolkTraditional Folk | Folk | Styles | Music
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    ASIN: B000008M4S
    Release Date: 1990-10-25

    Customer Reviews:

    5 out of 5 stars Fair AND Square.......2006-06-12

    The music is as good today as it was in the 80's. In Seattle, I first heard them on KBCS and immediately purchased their first album and soon after, this album. "Neal Cassady" is especially poignant. Bruce Paskow moved to Seattle in the early 90's and I was lucky to not only meet him, but also played music with him. What a treat. When he died, it was too sudden and too early for such a gentle and brilliant man. Buy this album and buy it now. You will not be sorry.
    Greatest Hits - Bernstein, Copland, Gershwin, Stravinsky
    Average customer rating: Not rated
      Greatest Hits - Bernstein, Copland, Gershwin, Stravinsky

      Manufacturer: Sony
      ProductGroup: Music
      Binding: Audio CD

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