| 1. Next to You |
| 2. I'm So Afraid of Losing You Again |
| 3. You Left Memories Layin' |
| 4. When a Girl Becomes a Wife |
| 5. If You Let Him Drive You Crazy |
| 6. Note |
| 7. Thank the Cowboy for the Ride |
| 8. I Almost Forgot |
| 9. We Called It Everything But Quits |
| 10. Liar's Roses |
Next to You,Tammy Wynette,Sony,Country,Country & Western,Country-Pop
Average customer rating:
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The Best of Erik Satie
Erik Satie , Jérôme Kaltenbach , Klára Körmendi , and Orchestre Symphonique et Lyrique de Nancy Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004SYFP Release Date: 2000-05-16 |
Tracks:
- Trois Gymnopedies (Pno Version): No.1. Lent Et Douloureux
- Trois Gymnopedies (Pno Version): No.2. Lent Et Triste
- Trois Gymnopedies (Pno Version): No.3. Lent Et Grave
- Six Gnossiennes: No.1. Lent
- Six Gnossiennes: No.2. Avec Etonnement
- Six Gnossiennes: No.3. Lent
- Six Gnossiennes: No.4. Lent
- Six Gnossiennes: No.5. Modere
- Six Gnossiennes: No.6. Avec Conviction Et Une Tristesse Rigoureuse
- Je Te Veux (Valse)
- Avant-dernieres Pensees: 1. Idylle/2. Aubade/3. Meditation
- La Diva De L'Empire (Intermezzo Americain D'apres La Celebre Chanson)
- Les Trois Valses Distinguees Du Precieux Degoute: 1. Sa Taille/2. Son Binoche/3. Ses Jambes
- Sarabandes: Premiere Sarabande
- Sarabandes: Deuxieme Sarabande
- Sarabandes: Troisieme Sarabande
- Trois Nocturnes: Premier Nocturne
- Trois Nocturnes: Deuxieme Nocturne
- Trois Nocturnes: Troisieme Nocturne
- Reverie Du Pauvre
- Trois Gymnopedies (Orchestral Version): No.1. Lent Et Couloureux - Orchestre Symphonique Et Lyrique De Nancy
- Trois Gymnopedies (Orchestral Version): No.2. Lent Et Triste - Orchestre Symphonique Et Lyrique De Nancy
- Trois Gymnopedies (Orchestral Version): No.3. Lent Et Grave - Orchestre Symphonique Et Lyrique De Nancy
Customer Reviews:
The Best of Erick Satie.......2007-06-11
A forerunner to minimalism.......2007-04-13
Wonderful.......2006-07-07
Richard review of Best of Satie.......2005-09-02
Got Satie?.......2005-07-27
The performance done by pianist Klara Kormendi is relatively plain and simple, just as Satie might have wanted. Some of his music is actually not too difficult to play... A great CD at a budget price. Kudos to Naxos for a good performance at a good price.
Also, what I'm equally impressed is the fact that in this "appreciation" album, the listener will actually be listening to many "sets" of pieces. Some of those albums (Beethoven and Mozart for example) are mere collections of selected tracks, many just one movement of a large work, such as a symphony. In some you will only be listening to selected numbers of different large "sets" of pieces. In Chopin's for example one may listen only few of the 20+ nocturnes (No. 2 for example), 15+ waltzes, and 20+ mazurkas he wrote, so one would not feel complete listening to the whole "cycles" of short pieces. Satie, fortunatley, prefered using tiny sets of pieces, most of them only comprising of three movments each. Plus each piece is short. ALL of the three Gymnopedies. ALL of the six Gnossiennes. ALL of the three Sarabandes. ALL of the three nocturnes. One can already feel happy listening to couple "sets" within a single CD.
Once again, this may be the perfect album to get started with Erik Satie. And get ALL out of those pieces!!!
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A Beautiful Mind: Original Motion Picture Score
James Horner Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005TPFV Release Date: 2001-12-11 |
Tracks:
- A Kaleidoscope Of Mathematics
- Playing A Game Of 'Go!'
- Looking For The Next Great Idea
- Creating 'Governing Dynamics'
- Cracking The Russian Codes
- Nash Descends Into Parcher's World
- First Drop Off. First Kiss
- The Car Chase
- Alicia Discovers Nash's Dark World
- Real Or Imagined?
- Of One Heart, Of One Mind
- Saying Goodbye To Those You So Love
- Teaching Mathematics Again
- Prize of One's Life... The Prize of One's Mind
- All Love Can Be - Charlotte Church
- Closing Credits
Amazon.com
This Ron Howard film parlays the troubled story of Nobel laureate John Forbes Nash Jr., a gifted Princeton mathematics professor tormented for decades by paranoid schizophrenia, into something considerably richer than typical Hollywood triumph-against-all-odds fare. Howard has teamed here again with frequent collaborator James Horner, and it's the composer who deftly shades the film's difficult emotional landscape and helps impart a compelling humanity. Horner's first task is not inconsiderable: musically portraying the arcane realm of mathematical theorems that are the story's backdrop. In doing so, the composer leans heavily on modern minimalist technique, bright flourishes that recur briefly throughout an orchestral score that increasingly reflects Nash's bleak inner landscape in its quietly somber and brooding tones. And while Horner has frequently been accused of excessively repeating himself in his scores, the neo-minimalist gambit employed on this reflectively pastoral, postmodernist soundscape neatly nips such criticism in the bud. Nash's triumph is ultimately an intensely personal one, well reflected in Welsh soprano Charlotte Church's lilting performance of the Horner/Will Jennings ballad "All Love Can Be." This enhanced CD also features notes by the director and composer, as well as exclusive photos and the film's trailer. --Jerry McCulleyCustomer Reviews:
Haven't I heard this before?.......2007-06-20
And another thing that gets me is no one even bothered to mention "Alicia Discovers Nash's Dark World" I happened to like this one this is the song that plays when he is in the hospital.
a beautiful score.......2007-02-09
James Horner's soundtrack for A BEAUTIFUL MIND is as psychologically intense as the film it so effectively embellishes.
Charlotte Church provides an appropriately eerie and largely non-verbal soprano to this remarkable motion picture score, yet one that would seem only quirky were it not so beautifully embedded in a musical stream that draws one inexorably and almost vicariously into the emotional turbulence of the Princeton mathematician John Nash.
There is an angelic nature to the shape and texture of this music, one that is able to turn demonic as the story line requires. Both by brilliance and by dementia, Nash seems the object of external forces, rising with supreme heroism (at least in the film's version of events) to conquer. The music is there at each score, coaxing the viewer into empathic solidarity with this deeply troubled man and his long-suffering and preternaturally beautiful wife.
This is mood music of the deeply engaging variety. Its lush tonal landscape is achieved under the baton of the composer himself. The score's vast range of volume and expression would certainly have made it a joy to watch in performance.
Alas, we don't have that.
But we have this.
An ethereal, compelling, even gripping tone poem. Buy it.
A Beautiful Mind.......2006-08-09
Haunting, lovely, majestic.......2006-04-04
Dark.......2006-02-20
Best soundtrack ive ever heard.
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Dear World (1969 Original Broadway Cast)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027WN Release Date: 1992-05-19 |
Tracks:
- Overture
- The Spring Of Next Year
- Each Tomorrow Morning
- I Don't Want to Know
- I Never Said I Love You
- Garbage
- Dear World
- Ballet
- Kiss Her Now
- The Tea Party
- And I Was Beutiful
- Each Tommorow Morning (Reprise)
- One person
- Finale
Customer Reviews:
Uneven but Still and All Great.......2007-07-04
The sardonic opening Spring of Next Year has a gorgeous melody but the lyrics are a sly parody and indictment of the big business ethic, a very French attitude. The contrast between melody and lyrics is exquisite. The Tea Party builds and builds until it ends in a hilarious babble of triple counterpoint harmony. The ballads Kiss Her Now, I've Never Said I Love You, and I Was Beautiful are gorgeous and express genuine emotion. Each Tomorrow Morning finds Herman in a gentler inspirational mode that works much better in this context than the two more standard Herman blasts. Even the song called Garbage is anything but. The performances are uniformly superb.
By the accounts I've read, Dear World flopped because an oversized production warred with the basically intimate nature of the show. Not too long ago, I had the pleasure of seeing a rare staging by a regional theter in Washington. It was a deliberately small production and to paraphrase the show, it was beautiful. In any case, of all Herman's scores, I think I like this one best, though Mack and Mabel is close. And Milk and Honey and La Cage have a lot to recommend them as well. Buy this one - you won't regret it.
Dear, Dear..........2007-06-21
As the liner notes to the CD and others here have said, Dear World was an uneasy amalgam of a gentle fantasy requiring a light touch and a raucous Broadway "big lady" show. I'd say 80% of the score works: in addition to the above-mentioned songs, there's the soaring opening "The Spring of Next Year", Lansbury's dramatic "Kiss Her Now", her blithe "And I Was Beautiful" and the gorgeous cacophony of "The Tea Party."
Interestingly, if you get the perusal score for the show, there's a new song (a solo for Countess Aurelia) entitled "At the Bottom of the Glass" which sounds more in keeping with the tone than "Each Tomorrow Morning."
However, all quibbles aside, Dear World does bear repeated listening. For those who think Herman is merely frivolous anonymous showtunes, this show disputes that.
Herman's best!.......2006-09-20
Thank you Amazon reviewers.......2006-07-25
MY SECOND ALEXANDER H COHEN PRODUCTION.......2006-06-15
This still is my favorite play, i was young but i do remember how delightfully charming and funny this tale was. The scenic design still lingers, but this score will forever be etched in my mind. Dear World, And I was Beautiful, Kiss Her Now, Each Tomorrow Morning to name just a few classics by Jerry Herman a pro and way ahead of the time...when theatre was still theatre.
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Gets Next to You
Al Green Manufacturer: The Right Stuff ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000087DR7 Release Date: 2003-02-11 |
Tracks:
- I Can't Get Next To You
- Are You Lonely For Me, Baby?
- God Is Standing By
- Tired Of Being Alone
- I'm A Ram
- Driving Wheel
- Light My Fire
- You Say It
- Right Now, Right Now
- All Because
- Ride, Sally Ride
- True Love
- I'll Be Standing By
Customer Reviews:
Al Greens second album.......2004-03-30
Yes this album contains his awesome classic 'Tired Of Being Alone', but the other nine cuts here are of a hard edged fonk nature, with gritty vocals & dusty bass lines and riffs. the album kicks off with the heavy hitting Temptations cover 'I Can't Get Next To You', and also has a refreshing and quirky interpretation of 'Light My fire'. My personal cut has to be the demented Taurus dedication 'I'm A Ram' which rides the craziest bass line. Overall the whole vibe of the album is some ole fashioned Rhythm & Blues with no small sprinkling of funk.
Overall this is some essential 70s soul, and whilst I don't appreciate record labels cluttering albums with left overs (Takes away some of the albums punch), I do appreciate the remastering. A classic album.
I don't leave home without it .... !.......2004-01-09
This is the album to get if:
a) you wish Al Green didn't get into the mushy love songs
b) you like the mushy stuff but want to hear the Reverend a bit more down-home
Something that stands out to me on my all-time favourite Al Green album is the re-invention of songs: 'I Can't Get Next You' is pretty far removed from the Temptations' original , 'Driving Wheel' isn't a Blues shuffle anymore, and did Jim Morrison have any idea of what could be done with 'Light My Fire'?
Regardless of whether each song is a cover, or one that Green wrote or co-wrote, each song is clearly his! Al Green plays around with the sounds of words and phrases, howls, whispers, preaches (and I still get chills when I hear that falsetto howl at the fade-out of 'I Can't Get Next to You'!!).
The Hi Records houseband are one of my all-time favourites, and they know just what to do here: simmer, sweat, have fun, provide that extra punch, or hold right back when needed.
Buy the 2003 release from The Right Stuff/Capitol: it's 24-bit digitally remastered (if that means anything to you), you get the original album plus 3 bonus tracks. Even if you own 'Listen to the Rarities', you're still one song short, as 'True Love' has not been released on CD before.
Southern funk side of Green and the band.......2003-10-13
All these tunes are worth it, though. If you have a serious interest in R&B, you can't go wrong with this one after the albums Let's Stay Together and Still in Love with You.
--SD
Being Green.......2003-06-06
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The Ultimate Movie Music Collection
Erich Kunzel Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BFH26Y Release Date: 2005-10-25 |
Tracks:
- The Imperial March: The Empire Strikes Back
- Main Theme: Jurassic Park
- Main Title: Shakespeare In Love
- Themes: Crouching Tiger, Hidden Dragon
- Main Title: The Last Of The Mohicans
- Theme: The Godfather
- Unchained Melody: Ghost
- Theme: Goldfinger
- We're Losing Him: Somewhere In Time
- Space Camp
- Opening And Closing Titles: Henry V
- Theme: The Thorn Birds
- Suite: Moonwalker
- The Time Of Your Life: A Bugs Life
Tracks:
- Batman Theme: Batman
- Bicycle Chase: E.T. The Extra Terrestrial
- Suite: Independance Day
- Love Theme: Romeo & Juliet
- Theme: Back To The Future
- End Credits: Contact
- Theme: Breakfast At Tiffany's
- Main Theme: Star Trek
- May It Be And Themes: Lord Of The Rings: The Fellowship Ring
- Love Theme: Cousins
- Sean's Theme: Minority Report
- I Will Wait From You: The Umbrellas Of Cherbourg
- Theme: Rocky
- The Sand Volcano: The Mummy
- The Raider's March: Raiders Of The Lost Ark
Tracks:
- Theme: Mission Impossible
- Casablanca Suite
- Book Of Days: Far And Away
- Love Theme: Superman
- Tara's Theme: Gone With The Wind
- Don't Mess With: Z
- Main Title: The Mask Of Zorro
- Finale: Victor / Victoria
- Carol Ann's Theme: Poltergeist
- Love Theme: Star Wars: Episode ll: Attack Of The Clones
- Main Theme: Willow
- Main Title: Star Trek ll: The Wrath Of Kahn
- MAin Theme: On Golden Pond
- Theme: A Summer Place
- Theme: Chariots Of Fire
Tracks:
- Iceberg!
- Back To Titanic
- Main Themes: Hook
- Theme: Pink Panther
- Lara's: Doctor Zhivago
- Theme: Love Story
- Right Stuff
- Theme: Jaws
- When You Believe: The Prince Of Egypt
- Smile: Modern Times
- The Apollo 13 Mission
- Re-Entry And Splashdown: Apollo 13
- Main Title: Beetlejuice
- War: Pearl Harbor
- Cavatina: The Deer Hunter
- Throne Room And End Title: Star Wars: Episode lV: A New Hope
Customer Reviews:
Relive you movie experiences.......2006-01-24
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When You Lie Next to Me
Kellie Coffey Manufacturer: Bna Entertainment ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000065ATV Release Date: 2002-05-07 |
Tracks:
- Bluer Skies
- Why Wyoming
- At The End Of The Day
- When You Lie Next To Me
- What It's Like To Be Me
- Fingerprints
- The Simple Truth
- Whatever It Takes
- I Just Knew
- Love's Funny That Way
- Outside Looking In
Amazon.com
Newcomer Kellie Coffey arrives in Nashville not straight from her Oklahoma home, but via Los Angeles, where she scored a number of jobs singing background for Disneyland, network television, and Barbra Streisand's millennium album and Las Vegas show. It's no surprise, then, that she chose a pop producer, Dann Huff, for her debut CD, which is marketed as a country album but has little more than the occasional twang of pedal steel guitar to make it so. This is a big, layered, usually overproduced effort, made memorable by Coffey's Trisha Yearwood-like vocals and her impressive songwriting. "When You Lie Next to Me," the title ballad, boasts a strong lyric about appreciating the intimacy of a lover and respecting the fragility of life. Like others of her songs, particularly "At the End of the Day" and "Outside Looking In," a duet with Lonestar's Richie McDonald, "When You Lie Next to Me" has a kind of integrity that cuts through the gloppy production and remains something special. Here's hoping that Coffey, something special herself, can keep her head above the muck. --Alanna NashCustomer Reviews:
A Great Recording.......2007-01-19
( When You Lie Next = Faith Hills Breathe,
Holly Dunn did a prior song called Why Wyoming
and Bluer Skies is really Heads Carolina, Tails California redone.)
None of that matters.
This is a very good CD by a very good singer who makes the most of the material.
On The Outside Looking In is a flat out great song and the one that sends chills up your spine.
Buy this CD - I bought it and my kids and wife listen to it all the time - first cut to last.
Way better than Celine Dion.......2006-05-13
What A CD.......2006-05-06
Pleasantly surprised.......2005-10-21
Good album.......2005-01-11
I can't wait for next album. WE NEED YOU KELLIE!!!
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Satie: Piano Works
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000027YH Release Date: 1992-11-17 |
Tracks:
- Gymnopedies: 1. Lent et douloureux
- Gymnopedies: 2. Lent et triste
- Gymnopedies: 3. Lent et grave
- Gnossienne: 1. Lent
- Gnossienne: 2. Avec etonnement
- Gnossienne: 3. Lent
- Gnossienne: 4. Lent
- Gnossienne: 5. Modere
- Les trois Valses distinguees du precieux degoute: I. Sa taille. Pas vite
- Les trois Valses distinguees du precieux degoute: II.Son binocle.Tres lent,s'il vous plait
- Les trois Valses distinguees du precieux degoute: III. Ses jambles.Determine
- Avant-dernieres pensees: I. Idylle. Modere, je vous prie
- Avant-dernieres pensees: II. Aubade
- Avant-dernieres pensees: III. Meditation
- 1. Sarabande
- 3. Sarabande
- 1. Nocturne
- Embryons desseches: I. D'Holothurnie. Allez un peu
- Embryons desseches: II. D'Edriophthalma.Sombre
- Embryons desseches: III. De Podophthalma. Un peu vif
- Sonatine bureaucratique: Allegro - Andante - Vivace
- Je te veux: Valse. Modere
- Poudre d'or: Valse. Modere
- Descriptions automatiques: I. Sur un vaisseau.Assez lent
- Descriptions automatiques: II. Sur une lantern. Lent
- Descriptions automatiques: III. Sur un casque.Pas accelere
- Croquis et Agaceries d'un gros Bonhomme en bois: I. Tyrolienne turque. Avec precaution et lent
- Croquis et Agaceries d'un gros Bonhomme en bois: II. Danse maigre. Assez lent , si vous le voulez bien
- Croquis et Agaceries d'un gros Bonhomme en bois: III. Espana. Sorte de Valse
Customer Reviews:
Overhelming Gymnopedies!.......2006-02-02
I must recognize this notable distinction, because there just a few pianists who have been able to play Satie with such flair, incorporean elusiveness and aristocratic refinement as Varsano does.
If you are looking for the essential facets of Satie in those minimalist pieces, don' t doubt for a second and try to acquire this outstanding and original performances; a true musical feat which seems to improve and enhance through the years.
The best and beautiful.......2006-01-09
Beautiful music and interpretation.......2005-10-18
. i tend to sound like a french expressionist, vaguely........2001-12-12
The thing is, you can feel like an abstract withering ghost, quite a little poetic soul if you will, and then like a Magritte painting, a faceless, robotic, yet ironic man in a business suit.
Oh, you know, everyone's misuses 'impressionist' versus 'expressionist'. But this makes me feel like tiny things are beautiful, that there's humor in the industrial world, and that you can go slightly psycho, and that will be truer to your nature than your usual self.
Plus five stars..........2000-07-17
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Andrew Lloyd Webber: Now & Forever
Various Artists Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005R5UJ Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and DanceDisc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Average customer rating:
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Beautiful Mind (Score) (Sl)
Various Artists Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006WL5I Release Date: 2002-10-29 |
Customer Reviews:
decieving.......2006-07-08
My bad. I guess I had to read the FINE PRINT.
bad description, especially when this cd format is not widely known.
How Amazon screwed me this time.......2005-10-04
Put it on and hit the repeat button.......2004-01-01
Highly recommended!
Very surprised it didn't win an Oscar.......2003-09-26
Horner opens with "A Kaleidoscope of Mathematics." It comepletely draws the listener, or watcher (if viewing the movie), in. The music literally sounds like a Kaleidoscope, as if one could litterally HEAR the different colors ... and yet not randomly, but in a cohesive mathimatical way. And then, approximately one and a half minutes into the piece, a sobering, more pensive movement, yet colored again with the interesting flurishes abundant in the first minute and a half.
I've never reviewed music before, but have been an avid listener to scores and soundtracks for years. This, along with the single piece from Castaway by Alan Silvestri, and both the scores from Empire of the Sun and Hook by John Williams, TOPS the list of all time favorites. Check 'em out!
Awesome Sound Quality.......2003-06-02
Average customer rating: |
The Royal Philharmonic Orchestra Plays Broadway's Best Musicals, Vol. 1
Manufacturer: Koch Records ProductGroup: Music Binding: Audio CD ASIN: B00009IB3S Release Date: 2003-06-10 |
Tracks:
- Music Of The Night from Phantom Of The Opera
- There's Me from Starlight Expresso
- Don't Cry For Me Argentina from Evita
- I Don't Know How To Love Him from Jesus Christ Superstar
- Think Of Me from Phantom Of The Opera
- Sunset Boulevard from Sunset Boulevard
- Superstar from Jesus Christ Superstar
- Next Time You Fal In Love from Starlight Express
- Seeing Is Believing from Aspects Of Love
- Another Suitcase In Another Hall from Evita
- Memory from Cats
Music Album:
- Nothin' More Natural
- Pickin' and Fiddlin'/Wheatstraw Suite/Copperfields [Import] [Original recording remastered]
- Pop Hits Monthly Karaoke - COUNTRY Aug 2004
- Pro Artist: Billy Dean [Karaoke]
- Ready for Love
- Real 70's: Country
- Rich McCready
- Rodeo Waltz
- Shut Up And Kiss Me [Import]
- Songs By Garth Brooks, Vol. 2 [Karaoke]
