All The Day Long

Dallas Morninig News, May 28, 1979
Oler's music unties tense knots.

Product Description:
This CD features solo piano arrangements of the most well known traditional gospel songs made it to renditions in the style of Newell Oler.

All The Day Long

All The Day Long,Newell Oler,Orchard,This CD features solo piano arrangements of traditional Christian songs and gospels, played in a soothing and relaxing style.

Average customer rating: An underrated musical Wonderful Lesser Known Gem Keep Working!!! a good, if obscure CD off the beaten path

Working (Original 1978 Broadway Cast) Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Singer-Songwriters | Pop | Styles | Music Soft Rock | Pop | Styles | Music Contemporary | Vocal Pop | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Folk Rock | Rock | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Similar Items: Studs Terkel's Working (Broadway Theatre Archive) The Baker's Wife (Members of the 1976 Original Cast) The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast) Working: Vocal Selections The Drowsy Chaperone (2006 Original Broadway Cast) ASIN: B00005LZSR Release Date: 2001-07-10

Tracks:

1. All The Livelong Day (Schwartz)
2. Lovin' Al (Grant)
3. The Mason (Carnelia)
4. Neat to Be a Newsboy (Schwarz)
5. Nobody Tells Me How (Rodgers-Birkenhead)
6. Un mejor Dia Vendra (Taylor-Daniele-Landers)
7. Just A Housewife (Carnelia)
8. Millwork (Taylor)
9. If I Could've Been (Grant)
10. Joe (Carnelia)
11. It's an Art (Schwartz)
12. Brother Trucker (Taylor)
13. Fathers & Sons (Schwartz)
14. Cleanin' Women (Grant)
15. Something to Point To (Carnelia)
16. I'm Just Movin' (Schwartz) (from the L.A. Theatre Works complete recording of the 1999 revised version)
17. Hots Michael at the Piano (Carnelia) (previously unreleased demo recording performed by the composer)
18. The Mason (Carnelia) (previously unreleased demo recording performed by the composer)
19. Joe (Carnelia) (previously unreleased demo recording performed by the composer)
20. Lovin' Al (Grant) (previously unreleased demo recording performed by the composer)
21. Fathers & Sons (Schwartz) (performed by the composer)

Amazon.com

The original 1978 Broadway cast recording of Stephen Schwartz's Working has long been awaited on CD, and this great-sounding 2001 release proves it was worth the wait. Surely one of the more unlikely sources for a musical was Studs Terkel's 1972 book that compiled interviews of American working people discussing their jobs and what they liked and disliked about them. Schwartz transformed these interviews into a series of songs written by himself, Craig Carnelia, Mary Rodgers and Susan Birkenhead, Micki Grant, and pop singer James Taylor, and accordingly the variety of songs is as great as the variety of the workers featured. There's the lyric beauty of "The Mason," the rueful "Just a Housewife," the retiree's wry "Joe," the waitress's lilting "It's an Art," Taylor's pop-country "Brother Trucker," and the powerful emotion of "Fathers and Sons," realized by a compelling cast that features David Patrick Kelly, Joe Mantegna, Bob Gunton, and Lynne Thigpen, among others.

Six bonus tracks include a new version of the grocery checker song written for the 1999 L.A. Theatreworks production, Carnelia and Grant performing their own songs (unfortunately, Grant's track comes from a poor-quality audio source), and Schwartz's moving performance of "Fathers and Sons" from 1999's The Stephen Schwartz Album. Also welcome are 2001 notes from Schwartz paired with 1978 notes from Terkel, and a detailed listing of the composers and performers of each song. Working was filmed for American Playhouse in 1982. --David Horiuchi

Customer Reviews:

An underrated musical.......2006-03-16

This musical seems to be very underrated, because it isn't done in a traditional style. There is no set storyline or characters. It is essentially a grouping of songs about different people and the work they do in their lives. Some of the songs are very powerful, like "Millworker", and some are just fun, like "Lovin' Al". Some songs date the recording, as songs like "Brother Trucker", while good, have a bit of a synthesized 70's feel. The majority of the songs are more traditional.

I saw this show done by my high school years ago, so maybe it holds a bit of nostalgia for me, but it is definitely worth checking out.

Wonderful Lesser Known Gem.......2005-12-26

I have never seen Working, but would love to, and I would love to perform it so as to revive interest in it. I found out about this recording from an online site, and I fell in love with it. It's a very modern style musical although from 1978. Were it on Broadway today, it would still be revelent to today's working class. My favorite number probably has to be "It's An Art", just because of its sheer fun. I could listen to that song all day and never get bored with it. I do, however, find "Brother Trucker" to be a bit tiring, and "Neat To Be A Newsboy" is just plain old, outdated, and ANNOYING! Other than that, wonderful ablum for an almost forgetten show.

Keep Working!!!.......2004-06-12

I had the privilege of seeing a production of this wonderful musical at L.A. Valley College in May 2004. I quickly fell in love with the songs and the entire premise of the musical. Now, with this CD, I can finally sing along to all the brilliant songs over and over again, belting them out like there is no tomorrow.

What makes Working so special is that anyone can relate to the lyrics, they are powerful, beautiful, touching, and extremely real. Anyone who has ever worked a day in their life will feel the lyrics hit close to home. Whether you're a housewife, a valet parker, a fireman, a millworker, a teacher, a cleaning woman, or even a hooker, this musical has a place for you, no matter what job you do.The emotion, sincerity, and love expressed in the songs are amazing, and they are all extremely unique and a pure joy to listen to.

All the songs are fantastic but the stand-outs have to be "All the Live Long Day," "Just a Housewife," "If I Could've Been," "It's An Art," "Father's and Sons," "Cleaning Women," and "Something to Point to." I also have a soft spot for "Brother Trucker" and "I'm Just Movin" from the 1999 revival, which I am so grateful is included in this CD. This is a terrific, feel-great album everyone should listen to. Give Working a chance, it's worth it.

a good, if obscure CD.......2003-09-26

i admit that this is an obscure musical, but nevertheless i found myself in a production of WORKING as Grace, the millworker. upon listening to the cd, i found that each song characterized the character well. the newsboy song is NOT annoying and my favourite songs are "its an art", "cleaning women", "if i could've been" and "lovin al". I would only recommend this CD for a real musical theatre afficionado, as those who don't appreciate the beauty of a musical won't understand these songs.

off the beaten path.......2003-07-10

I had never heard of this show until I stage managed a musical revue that included "If I Could've Been." That song grew on me, and I finally had to check out the rest of the soundtrack. All of the music on this CD is fantastic, and the lyrics feel sincere, creating beautiful moments for each character. Stephen Schwartz's best decision with this show was collaborating, allowing different composers to bring their own talents and specialties to the music, thus making it more real and less "Broadway." My only criticism is that the liner notes are slim.

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sondheim, Stephen | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway: The American Musical Broadway - The American Musical (PBS Series) Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: You'll be disappointed Pretty good musical mix

Greatest Songs from the Musicals Various Artists Manufacturer: Soho ProductGroup: Music Binding: Audio CD General | International | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | International | Indie Music | Stores | Music International | Imports | Stores | Music Similar Items: Very Best Of Broadway Musicals Only Broadway CD You'll Ever Need Ultimate Broadway Greatest Hits: Broadway Ultimate Broadway II: The Very Best of Broadway Now ASIN: B000077JS0 Release Date: 2002-10-21

Tracks:

1. Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
2. If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
3. I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
4. Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
5. What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
6. This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
7. All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
8. Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
9. America [From West Side Story] - National Symphony Orchestra
10. Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
11. Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
12. Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
13. I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
14. One Song Glory [From Rent] - Sean McDermott, Martin Yates

Tracks:

1. Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
2. I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
3. Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
4. As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
5. Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
6. Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
7. Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
8. I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
9. One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
10. Peggy Sue [From Buddy Holly Story] - Dominic Curtis
11. Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
12. Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
13. All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
14. We Will Rock You [From We Will Rock You] - Martin Yates

Tracks:

1. It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
2. If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
3. I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
4. Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
5. Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
6. Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
7. Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
8. Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
9. Quintet [From West Side Story] - National Symphony Orchestra
10. I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
11. Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
12. If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
13. Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
14. Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson

Customer Reviews:

You'll be disappointed.......2006-09-02

Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.

Pretty good musical mix.......2006-03-10

Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.

Average customer rating: The Better of the two Not as good as version 1 in this series Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'

Early American Choral Music, Vol. 2 Manufacturer: Hmf Classical Exp. ProductGroup: Music Binding: Audio CD All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music $6.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Early American Choral Music, Vol. 1 Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition) Wake Ev'ry Breath - Music of William Billings The Shapenote Album Lost Music of Early America: Music of the Moravians ASIN: B00005UVPB Release Date: 2002-04-09

Customer Reviews:

The Better of the two.......2006-06-03

I have both disc in the series. I liked the music on this disc much more than the first. The selections seem more focused and the sounds are much clearer. Also, the particular pieces fit better together. I love the sound of this group and hope they make more in the future.

Not as good as version 1 in this series.......2004-09-03

This is by the same group who did the wonderful & engaging Early American Choral Music 1. Somehow this CD did not live up to its predecessor in some ways. The performance is still top notch, but somehow the CD as a whole isn't quite as engaging to listen to as the first. Perhaps version 2's strength is also its weakness. Its diversity of composers allows you to pear past the shadow of William Billings and sample other notable early American hymn writers. That exposure is valuable & appreciated. I just couldn't get into it as much.

A final note: many of the texts are beautiful (and available from the publisher's web site). However, I would criticize "Who is this that cometh from Edom?" as dwelling just a bit too much on the Jews' rejection of Jesus. Among other reasons & issues, Christianity says that we are all sinners & there is no cause to single a particular group out negatively.

Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'.......2004-02-21

Please note this CD is a duplicate of His Majestie's Clerkes's "Goostly Psalmes: Anglo-American Psalmody 1550-1800" -- identical contents but a different name and cover. I ordered both and was irritated to discover this. This CD is cheaper, so I recommend this one. It is a lovely choral work from a little-known period of sacred music.

Average customer rating: Magic of love Filled with musical gems TOO LONG !!!!!!!!!!! GERSHWIN'S TALENT Ga Ga for Gershwin

An American in Paris (1951 Film Soundtrack) George Gershwin , Gene Kelly , and Oscar Levant Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music 1990s | By Decade | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Cabaret | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Rhino Records | Amazon.com Label Stores | Stores | Music Similar Items: Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition) Singin' in the Rain (1952 Film Soundtrack) Gene Kelly At Metro-Goldwyn-Mayer: 'S Wonderful - Motion Picture Soundtrack Anthology Easter Parade: Original Motion Picture Soundtrack For Me And My Gal: Original Motion Picture Soundtrack ASIN: B0000033JE Release Date: 1996-07-16

Tracks:

1. Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
2. Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
3. Nice Work If You Can Get It (Outtake) - Georges Guetary
4. Embraceable You - MGM Studio Orchestra
5. By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
6. Street Exhibit - MGM Studio Orchestra
7. I Got Rhythm - Gene Kelly, MGM Children's Chorus
8. But Not For Me - Benny Carter & His Orchestra
9. Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
10. Someone To Watch Over Me - Benny Carter & His Orchestra
11. Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
12. Tra-La-La - Gene Kelly, Oscar Levant
13. I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
14. Love Is Here To Stay - Gene Kelly
15. Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
16. (I'll Build A) Stairway To Paradise - Georges Guetary
17. I've Got A Crush On You (Outtake) - Gene Kelly
18. Love Walked In (Outtake) - Georges Guetary, Oscar Levant
19. Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
20. Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra

Tracks:

1. Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
2. Kiss Me (Outtake) - MGM Studio Orchestra
3. 'S Wonderful - Gene Kelly, Georges Guetary
4. Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
5. Strike Up The Band (Extended Version) - MGM Studio Orchestra
6. Liza (Complete Version) - Oscar Levant
7. Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
8. Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
9. I've Got A Crush On You (Outtake) - MGM Studio Orchestra
10. I Got Rhythm (Extended Version) - MGM Studio Orchestra
11. Tra-La-La (Outtake) - MGM Studio Orchestra
12. But Not For Me - Georges Guetary
13. Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
14. An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
15. Finale (An American In Paris) - MGM Studio Orchestra
16. Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
17. Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
18. Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
19. Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
20. Third Prelude (Outtake) - Oscar Levant
21. My Cousin In Milwaukee (Outtake) - Oscar Levant
22. A Foggy Day (Outtake) - Oscar Levant
23. The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
24. But Not For Me - Oscar Levant
25. Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
26. 'S Wonderful (Reprise) (Outtake) - Gene Kelly
27. Finale (Alternate Version - Outtake) - MGM Studio Orchestra

Amazon.com essential recording

This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph Lanza

Customer Reviews:

Magic of love.......2007-03-10

Nothing but Gene and George: the hard work and the happiness in music, conducting by the magician Vince.
Noone is better, noone could do better.
American masterpiece with european feelings.

Filled with musical gems.......2004-02-17

This comprehensive edition is a must have for fans of the movie and of the Gershwins. The outtakes, contrary to the first review above, are excellent. Gene Kelly offers a wonderful vocal of "I've Got a Crush on You" and his short riff on "'S Wonderful" is almost like an acoustic version, much different than the over-the-top duet in the movie. And the Oscar Levant piano pieces are as close to George sitting down at the keys as we're going to get.

TOO LONG !!!!!!!!!!!.......2002-06-17

I would not suggest buying this version of this sondtrack!!! The underscores and the extra tracks that are not featured in the film are not neccesary. Rhino records puts the extras out to jack up the price of the CD (making one LP into 2 CDs).
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!

GERSHWIN'S TALENT.......2001-08-12

Many agree that the talented George Gershwin is a fabulous pianist, and alongside Ira, he helped to create some of the most beloved music ever. After viewing the movie that was filled with song and dance, I was pleased to discover that the soundtrack was readily available. The plot of An American in Paris mainly focuses on the lives of three friends and their dreams in addition to the romance that they encounter in the most popular European city. Gene Kelley is a struggling artist who soon falls in love, and the many songs in this cd express his emotions. Who wouldn't want to dance to Gershwin's spectacular tunes such as "Embraceable You?" These original songs included in this two cd set are well worth the price. Furthermore, "I'll Build a Stairway to Paradise" is a true favorite with unique lyrics. Don't miss out on this must have cd collection.

Ga Ga for Gershwin.......2000-12-13

Nearly every popular Gershwin tune is represented here, either as an instrumental, a vocal, or a production number. I am not a big fan of the film, but the soundtrack is fabulous. There are some stereo tracks here, too. Yet another triumph in the Turner/Rhino soundtrack collection of MGM films.As a sidenote I would like to thank Rhino for their extremely co-operative staff. When I bought this CD I opened up the very extensive booklet and was disappointed to find that due to an error on the assembly line I had received an insert that had some pages repeated and others deleted. I contacted Rhino and they sent me a new booklet which arrived within a week! That's what I call excellent customer service. The really neat thing is the fact that I have both booklets. The flubbed copy is sort of a collector's item to me.

Average customer rating: Irresistible "Some Enchanted Evening" with Kunzel and the Cincinnati Pops Excellent! Great Arrangments

Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites) Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Waltzes | Ballets & Dances | Classical | Styles | Music Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music Similar Items: Lerner & Loewe Songbook for Orchestra Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri Puttin' on the Ritz: The Great Hollywood Musicals The Sound Of Music (1987 Studio Cast) Classics of the Silver Screen ASIN: B000003CXQ Release Date: 1992-01-28

Tracks:

1. Oklahoma!
2. Carousel
3. State Fair
4. South Pacific
5. The King And I
6. Cinderella Waltz
7. Flower Drum Song
8. The Sound Of Music

Customer Reviews:

Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album

Average customer rating: kiri kern Kiri sing Kern is a great experience Lacks Splendor White Glove Kern mildly disappointing

Kiri Sings Kern: Dame Kiri TeKanawa Dame Kiri TeKanawa , Jerome Kern , Jonathan Tunick , and London Sinfonietta Manufacturer: Angel Records ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Soundtracks | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Kiri Sings Gershwin Kiri Sings Porter; Dame Kiri TeKanawa Kiri Sings Berlin Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song Christmas with Kiri ASIN: B000002SK3 Release Date: 1993-03-16

Tracks:

1. The Songs Of Jerome Kern: The Folks Who Live on the Hill
2. The Songs Of Jerome Kern: I'm Old Fashioned
3. The Songs Of Jerome Kern: The Way You Look Tonight
4. The Songs Of Jerome Kern: The Song Is You
5. The Songs Of Jerome Kern: Smoke Gets In Your Eyes
6. The Songs Of Jerome Kern: All Through The Day
7. The Songs Of Jerome Kern: The Last Time I Saw Paris
8. The Songs Of Jerome Kern: A Fine Romance
9. The Songs Of Jerome Kern: Yesterdays
10. The Songs Of Jerome Kern: All The Things You Are
11. The Songs Of Jerome Kern: Bill
12. The Songs Of Jerome Kern: Long Ago And Far Away
13. The Songs Of Jerome Kern: Look For The Silver Lining
14. The Songs Of Jerome Kern: Can't Help Lovin' Dat Man

Amazon.com

As Hammerstein writes in the opening song, "Many dames with lofty aims strive for lofty goals"--and Te Kanawa strives for successful crossover. Her beautiful singing exhibits impeccable diction and excellent phrasing; but "A Fine Romance" lacks anger and humor, "Smoke Gets in Your Eyes" lacks a storyteller, and "All the Things You Are" lacks romanticism. However, happy songs like "All Through the Day," "Look for the Silver Lining," and "The Folks Who Live on the Hill," are successfully interpreted. Jonathan Tunick's orchestrations enhance Kern's beauty through his captivating use of obbligato instruments. A pleasant, if not wholly satisfactory, listening experience. --Barbara Eisner Bayer

Customer Reviews:

kiri kern.......2007-03-29

Kiri is sensational on this CD. Jerome Kern music is stupendous and the arrangements superb. Three top esses.

Kiri sing Kern is a great experience.......2004-01-18

I love the way she sings Kern's songs. Though certainly not opera, Kern's songs benefit from an an operatic approach--not all of them, but certainly ones such Smoke gets in your Eyes, The song is you, All the things you are. I love Kern;s songs sung in many styles but Kiri's way is one of the best.

On the other hand, I did not like Kiri singing Berlin.

Lacks Splendor.......2002-09-01

Though I do enjoy Kiri's interpretation of most music, and this CD was decent, I did not find any piece particularly memorable.

The voice is undeniably beautiful, and Kiri has managed to keep her maturing voice sounding somewhat young, yet I find that I much prefer her rendition of "The Laughing Song" to that of "Smoke Gets in YOur Eyes."

If you love Kern, and couldn't care less who performs it, than purchase this CD. If you are a fan of Kiris', then perhaps it would be best to avoid this purchase...for it is not a shining star in her vast collection of CDs. All in all, it was a disappointment.

White Glove Kern.......2001-05-20

I am the first to admit that most "crossover" albums, be they of classical performers singing pop or vice versa never quite cross over. This album does splendidly. Kern's music is the most related to classical operetta , and therefore the least jazziest. Operatic soprano Kiri Te Kanawa gives luscious, heartfelt readings of these wonderful songs, backed by glamorous orchestrations. Hearing a voice of such opulence and beauty in this music is a rare treat. Just listen to "Smoke Gets In Your Eyes" ,"Long Ago and Far Away" or "The Song is You" and prepare to be swept away to another, more elegant time.

mildly disappointing.......2000-09-30

Sometimes cross-over works, sometimes not. While Kiri te Kanawa has a beautiful voice, she never gets into the idiom of these Jerome Kern masterpieces sufficiently to convey their stories or their subtleties. Smoke Gets in Your Eyes especially stands out, she sings it with none of the pathos the song demands and her version pales compared to the Platters. The orchestral arrangements are decent and in many of the songs the purity of her voice is enough to carry them, but overall I would say this is a disappointing example of a crossover record. Ms. te Kanawa should stick to what she does best.

Average customer rating: Inspirational! hymns we sang in church

Abide With Me Manufacturer: Decca ProductGroup: Music Binding: Audio CD Gibbons, Orlando | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Monk, William Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Hymns Through the Centuries Hymns Triumphant 1 & 2 Praise to the Lord - Hymns From St. Paul's Cathedral Be Still My Soul: The Ultimate Hymns Collection The Music of St. Paul's Cathedral ASIN: B000024236 Release Date: 1996-06-10

Tracks:

1. Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
2. Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
3. All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
4. When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
5. Day of Resurrection - Choir of King's College, Stephen Cleobury
6. O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
7. Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
8. Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
9. Praise to the Lord - Choir of King's College, Stephen Cleobury
10. Church's One Foundation - Choir of King's College, Stephen Cleobury
11. Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
12. Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
13. Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
14. Now Thank We All Our God - Choir of King's College, Stephen Cleobury
15. Abide with Me - Choir of King's College, Stephen Cleobury
16. O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
17. Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
18. Glory Be to Jesus - Choir of King's College, Sir David Willcocks
19. There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
20. According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
21. Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
22. Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
23. Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
24. Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
25. On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks

Tracks:

1. Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
2. Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
3. Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
4. All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
5. O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
6. Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
7. O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
8. Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
9. Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
10. Rock of Ages - Choir of King's College, Maurice Vinden
11. Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
12. All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
13. Be Thou My Vision - Choir of Paisley Abbey, George McPhee
14. Be Still, My Soul - Choir of Paisley Abbey, George McPhee
15. King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
16. Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
17. For All the Saints - Choir of Paisley Abbey, George McPhee
18. O Worship the King - Choir of Paisley Abbey, George McPhee
19. Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
20. Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
21. Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
22. Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
23. Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
24. Jesu, Lover of My Soul - Choir of King's College, George Guest
25. Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,

Album Details

Compiled Here Are Fifty of the Most Beloved Hymns Performed by Three of England's Most Distinguished Choirs. Every Selection Here is Sung in an Appropriately Dignified Manner and If You're Up for Over Two Hours of Consistently Well-rendered Quintessentially English Treatments of These Vernacular Favorites it Simply Doesn't Get Any Better Than This.

Customer Reviews:

Inspirational!.......2004-10-08

Majestic hymns sung with British accents. A great combination! I haven't noticed any objectionable sounds on my copy.

hymns we sang in church.......2003-02-16

i grew up in a traditional presbyterian church that had a pipe organ. i wanted a cd of many of the hymns that we sang in church sung by a choir and accompanied by a pipe organ. this cd fulfilled my wishes perfectly. the hymns are performed in a very straight-forward fashion with no show-boating or excess flourishes which is exactly what i wanted. this is not gospel music but what i refer to as liturgical music to indicate that it is religious music but not gospel music. i would give it 5 stars but there is a slight hiss. other than that the recording quality is very good.

Average customer rating: After ALL NIGHT LONG dawned the Day Night and day, you are the one, only you beneath the moon under the sun .. OK - LET ME TRY IT AGAIN- YOU'RE Clueless... This and "All Night Long" are my favorite Burrell excellent early Burrell blowing date

All Day Long Kenny Burrell Manufacturer: Ojc ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music Soul-Jazz & Boogaloo | Jazz | Styles | Music Similar Items: All Night Long Introducing Kenny Burrell: The First Blue Note Sessions Bluesy Burrell Blue Lights, Vols. 1-2 Midnight Blue ASIN: B000000YPF Release Date: 1991-07-01

Tracks:

1. All Day Long
2. Slim Jim
3. Say Listen
4. A.T.
5. C.P.W.

Customer Reviews:

After ALL NIGHT LONG dawned the Day.......2006-01-10

Although the personnel was different when Kenny Burrell and Donald Byrd went into the studios a week after they made the ALL NIGHT LONG recording (except for Doug Watkins [b] and Art Taylor [d], who are also on both), the brilliance of the music remained the same. Both albums are 1950s blowing session par excellence. The opening track here, the title tune, credited to Burrell, is a medium-slow 12-bar blues that stretches out for over 18 minutes. Often I get annoyed with such lengthy takes on a single tune, especially when the form is a simple blues, but not when the playing is this good.

Byrd contributes two tunes, both taken medium-up, and he and tenor man Frank Foster play well on these. Foster has a lovely sound, warm yet forceful. Pianist Tommy Flanagan is his usual great self, and the rhythm section is solid. The tunes are great (all originals) and the playing masterful and swinging. A terrific CD (and don't forget ALL NIGHT LONG, either).

Night and day, you are the one, only you beneath the moon under the sun .. .......2005-12-26

All day long. All night long. This is a review for both albums which to me are five stars each, so in total you have ten stars with two cds (not bad). Still listening to these two sessions and I can't make up my mind. Which comes first? The day or the night? Which is the better one? Oh, I really can't choose. I don't choose infact. And you don't have to do it either. Day has its highlights, the opener 18 minutes loose blues for instance. This night has a tremendous, exceptional Body and soul ten minutes version (with a SPECTACULAR BYRD at the trumpet!! What a sound!!). Day has Tommy Flanagan at the piano, night has Mal Waldron. Who's the best? Try to say .. it's not that easy. Mobley played tenor sax in the night, Frank Foster took the tenor seat during the day. Both albums have Burrell, Byrd, Watkins and Taylor and it is a dream team in hard bop. In the night there was also space for some flute playing from Jerome Richardson. I love flute when a guitar is involved, I find there is a nice sound coherence. So probably I prefer the night but they're very near in my consideration, each time I play one, I have to play the other one too. These two albums are really exceptional and noone should buy one not considering the other. I feel they are very linked even if they were recorded in two different times and not, as one might want to dream, in an endless single day and night session, that would be really the coolest thing on Earth (like Hampton Hawes long session with Jim Hall which ended in three cds). Anyway, the music it is very very cool and consequent, so, who cares? I have to say Burrell played here some of his best music. Don't pass by these two cds. If you are a serious Jazz enthusiast and serious collector, you have to own these. Believe me. Two stellar sessions. Nice Christmas, thanks Ken, thanks Donald an to all the guys here!

OK - LET ME TRY IT AGAIN- YOU'RE Clueless..........2003-11-20

What would you prefer? Why don't you write one instead?

This and "All Night Long" are my favorite Burrell.......2003-08-30

This session is simply great, along with the companion "All Night Long". Recorded right before and after New Years '56-'57, the personnel on both sessions shine, and compliment Burrell. Check out the interplay between Donald Byrd and Frank Foster on "Slim Jim" on the intro, as each takes one bar after the opening by Doug Watkins. I've never heard players "trading ones" before! "Say Listen" is as smooth as silk, and my personal favorite. The long jam "All Day Long" may have had no rehersal, but the format of long, laying it down blues is perfect, and creates a mood that is really palpable to the listener. I highly recomend this CD. The players change on "All Night Long", but here they include Frank Foster, Donald Byrd (playing some of his best), Tommy Flannagan, Doug Watkins, and Art Taylor - a dream band.

excellent early Burrell blowing date.......2000-06-29

This Prestige date recorded in January 1957, finds guitarist Kenny Burrell with Donald Byrd, Frank Foster, Tommy Flanagan, Doug Watkins, and Arthur Taylor in a excellent jam session setting. The title cut is a cool, 18 minute blues that features great solos by Burrell, Byrd, Foster, Flanagan, and Watkins. One thing to note about this version is that it includes stop time breaks at the start of each solo, and no doubletiming between the second and third and choruses like the version Burrell recorded with Jimmy Smith one month later. Other notable tracks include "Slim Jim", a calypso written by Donald Byrd, and "A.T." in which Taylor takes some effective, Philly Joe Jones like drum breaks. A bonus track "C.P.W.", is added to the original 4 tune program. All Day Long is rougher around the edges(due to the Prestige no rehearsal policy) than Kenny's other hard bop blowing dates, such as the classic "Blue Lights" on Blue Note, but the playing is solid, and a worthy addition to any Kenny Burrell collection.

Music Album:

1. Another Long Story
2. Another Saturday Night
3. Back 2 Back
4. Back to Oklahoma: Live at the Blue Door [Live]
5. Bending the Rules
6. Beside Myself
7. Blue Roses
8. Choice Picks
9. Christmas with Tammy Wynette
10. Classic Railroad Songs, Vol. 2: Mystery Train

Music Album