Little by Little

Amazon.com
Though firmly rooted in bluegrass, the Stevens Sisters--Beth and April--don't get bogged down by tradition on their second Rounder effort. Sure, they can harmonize like a female version of the Louvin Brothers, but their material is wonderfully varied, from the Judds-like "Walk On By" to the jazzy "Love Every Time." (And they do wonders with Lynyrd Skynyrd's "Tuesday's Gone.") Even their more traditional numbers, like Dolly Parton's lovely ballad "I'll Never Say Goodbye" (which features Dolly herself on harmony vocals), have a certain freshness that keeps them from being museum pieces. Backed by an all-star band that includes Sam Bush on mandolin and fiddle, Dobro players Rob Ickes and Al Perkins, bassist Byron House, and drummer Larry Atamanuik, the Tennessee-born sisters play the kind of tasteful acoustic country music that was once heard on mainstream radio stations. Those days appear to be over, and acts like the Stevens Sisters are only likely to be heard at bluegrass festivals and on the Grand Ole Opry. Nothing wrong with that, but music this good deserves a wider audience. --David Hill

Little by Little,Stevens Sisters,Rounder / Pgd,Bluegrass,Contemporary Country,Country,Neo-Traditionalist Country,Pop,Progressive Bluegrass

Average customer rating: The Most Relaxing Classical Album In the World Eveer, Volume II Great music listein to while you read in bed A must buy for the non-snobbish classical music fan. A bliss of spirit. Boring

The Most Relaxing Classical Album In the World Ever, Volume II Gabriel Faure , Frederic Chopin , Antonio Vivaldi , Gustav Mahler , Claude Debussy , Sir Neville Marriner , Maris Jansons , Lorin Maazel , Sir Adrian Boult , Miklos Rozsa , Riccardo Muti , Stephen Cleobury , Sir John Barbirolli , New Philharmonia Orchestra , Philharmonia Orchestra & Chorus , Academy of St. Martin in the Fields , and Berlin Philharmonic Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Pavanes | Ballets & Dances | Classical | Styles | Music All Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Duruflé, Maurice | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music General | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Ravel, Maurice | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music Concertinos | Concertos | Forms & Genres | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Divertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Vocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Vocal & Song | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music | Cantatas | Romances Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music Berlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music Hollywood Bowl Symphony Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Paris Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Similar Items: The Most Relaxing Classical Album in the World...Ever! The Most Relaxing Classical Music in the Universe The Most Relaxing Piano Album in the World...Ever! Mozart for Relaxation Best of the Millennium: Top 40 Classical Hits ASIN: B00002439O Release Date: 2003-03-11

Tracks:

1. Sheep May Safely Graze - Sir Neville Marriner
2. Serenade In G 'Eine Kleine Nachtmusik' - Sir Neville Marriner
3. Violin Concerto No.1 In G Minor, Op.26 - II. Adagio - Yedudi Menuhin
4. Nocturne No.2 In E Flat Op.9 No.2 - John Ogdon
5. Miserere Mei, Deus - Stephen Cleobury
6. Schindler's List - Tasmin Little
7. Traumerei - Dame Moura Lympany
8. Dance Of The Sylphs - Sir Neville Marriner
9. Water Music - Berlin Philharmonic Orchestra
10. Symphony No.9: II. Largo - Oslo Philharmonic Orchestra
11. Jean De Florette - Toots Thielemans
12. Concerto For Lute And Two Violins - II. Largo - Anthony Bailes
13. Cello Concerto In E Minor Op.85 - III. Adagio - Jacqueline De Pre
14. Waltz No.15 In A Flat - Dame Moura Lympany
15. Romance - Piers Lane
16. Pavane - Maurice Handford
17. Woodbrook - Micheal O Suilleabhain
18. Time To Say Goodbye - Orchestra

Tracks:

1. The Four Seasons - Concerto No.1 In E 'Spring' - Yehundi Menuhin
2. Dance Of The Blessed Spirits - New Philharmonia Orchestra
3. Double Violin Concerto In D Minor - II. Largo Ma Non Tanto - Yehudi Menuhin
4. Prelude No.7 In A Op.28 No.7 - Tzimon Barto
5. Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
6. The Lark Ascending - Hugh Bean
7. 'Pathetique Sonata Op.13 - II. Adagio Cantabile - Leonard Pennario
8. Pie Jesu - Choir Of King's College, Cambridge
9. Salut D'Amour - Richard Hickox
10. La Fille Aux Cheveux De Lin (The Girl With Flaxen Hair) - Dame Moura Lympany
11. The Coventry Carol - Medeval Babes
12. Pavane For A Dead Princess - New Philharmonia Orchestra
13. Liebestraum No.3 In A Flat - John Ogdon
14. Panis Angelicus - Elisabeth Schwarzkopf
15. Piano Concerto No.2 In F Op.102 - II. Andante - Dmitri Alexeev
16. Agnus Dei - Peter Barley
17. Symphony No.5 In C Sharp Minor - IV. Adagietto - New Philharmonia Orchestra
18. My Heart Will Go On - Orchestra

Customer Reviews:

The Most Relaxing Classical Album In the World Eveer, Volume II.......2006-08-28

Good selection of music, poorly performed and badly arranged. Good album for a tag sale. Same comment applies for Volume I.

Great music listein to while you read in bed.......2005-08-21

I have listened to this CD for the last several years before going to sleep at night. I love classical music, and this is great music to help make my soul feel at peace and unwind after a taxing day.

A must buy for the non-snobbish classical music fan........2004-10-22

I bought Vol. 1 of this series and was quite satisfied, but I have to say I'm more than satisfied with this one. If you can just mellow out and enjoy some great pieces, you'll love this CD. #15 on Disc 2 is almost worth the price alone!

A bliss of spirit........2004-09-18

That's disc will open You a wonderful, beautiful world of sounds, their harmony & emotion : you'll feel your heart full of
Joy, Tears, Love.
Good LUCK!

Boring.......2004-05-11

Yes this CD will put you to sleep in minutes. Its the most boring uninspiring classical music. The first CD was very good but this Vol. 2 is like most movie sequels....AWFUL !

Average customer rating: Some interesting choices, indeed Great CD Great selections, but bad transfers Yes this is Some of the Best of Broadway! The music of Broadway comes alive

The Best of Broadway - The American Musical (PBS Series) Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sondheim, Stephen | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Very Best Of Broadway Musicals Only Broadway CD You'll Ever Need Broadway - The American Musical (PBS Series) The Best Of Broadway (Cast Recording Anthology) Ultimate Broadway ASIN: B0002W4T9E Release Date: 2004-10-05

Tracks:

1. There's No Business Like Show Business
2. Swanee
3. Ol' Man River
4. You're The Top
5. Oklahoma
6. Luck Be A Lady
7. I Could Have Danced All Night
8. America
9. My Favorite Things
10. People
11. If I Were A Rich Man
12. The Impossible Dream
13. Cabaret
14. Let The Sunshine In
15. Send In The Clowns
16. One
17. Tomorrow
18. Memory
19. The Music Of The Night
20. Good Morning Baltimore
21. Defying Gravity

Amazon.com

A companion to the fabulous PBS series, the 21-song, 77-minute The Best of "Broadway: The American Musical" provides about as good a single-disc compilation as anyone could hope for. (There's also a five-CD version.) What sets it apart from so many other "best of Broadway" collections is its breadth--because it had access to a variety of record-label vaults it doesn't have to try to disguise gaps by using revivals or solo recordings. Here you get all the authentic stuff, including: Paul Robeson singing "Ol' Man River" from the first modern American musical, Show Boat; Ethel Merman singing "You're the Top"; the title song from Oklahoma!; Julie Andrews singing "I Could Have Danced All Night" from My Fair Lady; West Side Story's "America"; Betty Buckley singing "Memory" from Cats; Hairspray's "Good Morning Baltimore"; and "Defying Gravity" from Wicked, the newest show discussed in the PBS series. And it's hard to argue with the songwriters represented: Irving Berlin, Jerome Kern, Cole Porter, Rodgers and Hammerstein, Frank Loesser, Lerner and Loewe, Leonard Bernstein, Bock and Harnick, Kander and Ebb, Stephen Sondheim, and Andrew Lloyd Webber, among others. Obviously, no single-disc compilation could ever please everyone (did we really need two ALW songs?), but as a sampler intended for people who watched the series and want to hear more of the Great White Way, The Best of "Broadway: The American Musical" can't be topped. --David Horiuchi

Customer Reviews:

Some interesting choices, indeed.......2006-03-02

This is a pretty good compilation, but I have to wonder at some of the choices that went into it.
"Good Morning Baltimore" is almost the least impressive song from Hairspray. "You Can't Stop the Beat" was a much more anthemic song from that show.
I agree that it's too bad Les Mis didn't make it in. I would have traded that for anything Sondheim, although that's a personal preference :) .
Still, the opportunity to hear the original performers and orchestras perform these works, all in one place, is a great deal.

Great CD.......2005-11-01

This one plays in the car, on the ipod and in the house. When the kids were little they would ask if we could take them to "The Street". That is what they called Broadway (little did they know at that time how famous that street is). They still love it and we can not get enough of it. This CD covers the best and makes you want to go and see a live performance. You can not beat that.

Great selections, but bad transfers.......2005-07-27

This is a great taste of broadway. If you enjoyed the B'Way series at all, then you will probably enjoy this CD. My problem with it is that some of the songs sound like they were not remastered at all- the transfer to CD is terrible. The orchestrations in "You're the top" by Ethel Merman are muffled, and the song sounds like it was taken straight from an old record and slapped onto the CD without fixing it up. It doesn't sound very clear, which is a bit upsetting and annoying. Maybe this is just because that particular recording is older than some of the songs chosen to be on this CD. The more modern songs sound crisp and new and beautiful. "Swanee" is also very low quality as if it were just taken off of a record and put on the CD without any restoration. I just feel that these songs deserved better treatment and that we as customers deserve better treatment. Decca could have restored these songs and made them sound really good, but they decided just to slap them on the CD without touching them up.

I am surprised that nothing was chosen to be on this recording from Les Miserables since it had been on Broadway for 16 years and its tour is running until 2006. There were selections from Cats, Phantom of the Opera and Wicked, so I am not sure why nothing was chosen from Les Miserables.

Other than these few nit pickings, I think that this is a great introduction to musicals. It gives a little taste across the spectrum. Try getting the cast recordings of the songs that you really like on this collection. It's worth buying if you're a huge broadway fan.

Yes this is Some of the Best of Broadway!.......2005-04-08

This CD from Decca Broadway is a wonderful selection of some of

the "Greatest Hits" of the Broadway stage. Decca and Sony have

done an excellent job of remastering the various recordings, some

of which still show some of their age, but come across quite

well. Are there a lot of songs that I would have put on this

disc? Yes, but the ones on here are good choices. I may have to

get a copy of the Five disc set and the DVD's just to see if any

more of my favorites made it on the list. What this disc seems to

try to do is show the evolution of the Broadway song from it's

early days to the present. It succeeds quite well I think.

If you enjoy Broadway theater this CD is a must!

The music of Broadway comes alive.......2004-10-07

I loved listening to this CD. The music from Broadway's best loved musicals are on this album. I recogized most of these songs, even though I've only seen a few of them on the local stage. I have so many favorites on this CD. It is hard to pick one. I'm a big fan of Barbara Streisand. I loved her performance of People from Funny Girl. Memory is the hit song from the musical Cats. Betty Buckley's performance of this song is so emotional and sincere.

I loved the song Annie. It is a wonderfully optimistic song performed by the original Annie Andrea McArdle. Another highlight for me is the song One performed by the cast of a Chorus Line. Luck Be A Lady Tonight is another of my favorite broadway songs on this CD from Guys and Dolls. The music of the night is a beautiful song by Michael Crawford from Phantom of the Opera. Richard Kiley has such a strong and powerful voice. He sounds so inspirational singing The Impossible Dream from Man from La Mancha. My dream is to see some musicals on Broadway someday and listen to these songs performed live.

I'm surprised that there isn't any music from Miss Saigon or Jesus Christ Superstar included here. I think they are classic musicals with great songs Maybe they will appear on a future compilation from PBS.

Average customer rating: Picasso in sound Great but NOT complete There's only one. Don't forget Satie was an Anti-Romantic "Electric Spirit of Eric Satie" fans this is the one !

Satie: Piano Works Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music Sarabande | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music All Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Nocturnes | Short Forms | Forms & Genres | Classical | Styles | Music General | Sonatas | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Sonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Ciccolini, Aldo | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Debussy: Piano Works The Best of Erik Satie After the Rain...The Soft Sounds of Erik Satie Satie: Gymnopédies No1-3; Gnossiennes No1-6 The Magic of Satie ASIN: B000002SBP Release Date: 1992-01-23

Tracks:

1. Oeuvres Pour Piano: Gymnopedie I
2. Oeuvres Pour Piano: Gymnopedie II
3. Oeuvres Pour Piano: Gymnopedie III
4. Oeuvres Pour Piano: Les Trois Valses distingu du preux dI: Sa taille
5. Oeuvres Pour Piano: II: Son binocle
6. Oeuvres Pour Piano: III: Ses jambes
7. Oeuvres Pour Piano: Trois Gnossiennes: I Lent
8. Oeuvres Pour Piano: II Avec nnement
9. Oeuvres Pour Piano: III Lent
10. Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
11. Oeuvres Pour Piano: V Mod
12. Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
13. Oeuvres Pour Piano: Trois Mouvements en forme de poire, uatre mains: Mani de commencement
14. Oeuvres Pour Piano: Prolongation du m
15. Oeuvres Pour Piano: I
16. Oeuvres Pour Piano: II
17. Oeuvres Pour Piano: III
18. Oeuvres Pour Piano: En plus
19. Oeuvres Pour Piano: Redite
20. Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
21. Oeuvres Pour Piano: II Danse maigre (a mani de ces messieurs)
22. Oeuvres Pour Piano: III Espa (Sorte de valse)
23. Oeuvres Pour Piano: Sonatine bureaucratique
24. Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
25. Oeuvres Pour Piano: II Simplement
26. Oeuvres Pour Piano: III Un peu mouvement
27. Oeuvres Pour Piano: Premi penset sonneries de la Rose Croix: Air de ldre
28. Oeuvres Pour Piano: Air du Grand Maitre
29. Oeuvres Pour Piano: Air du Grand Prieur
30. Oeuvres Pour Piano: Le Fils des oiles: Prde du 1er acte: la Vocation
31. Oeuvres Pour Piano: Prde du IIe acte: l'Initiation
32. Oeuvres Pour Piano: Prde du IIIe acte: l'Incantation

Tracks:

1. Jack In The Box: Prelude
2. Jack In The Box: Entracte
3. Jack In The Box: Final
4. Sports et Divertissements: Choral inappetissant
5. Sports et Divertissements: La Balanre
6. Sports et Divertissements: La Chasse
7. Sports et Divertissements: La Come italienne
8. Sports et Divertissements: Le Ril de la Mari
9. Sports et Divertissements: Colin-Maillard
10. Sports et Divertissements: La Pe
11. Sports et Divertissements: Le Yachting
12. Sports et Divertissements: Le Bain de mer
13. Sports et Divertissements: Le Carnaval
14. Sports et Divertissements: Le Golf
15. Sports et Divertissements: La Pieuvre
16. Sports et Divertissements: Les Courses
17. Sports et Divertissements: Les Quatre-Coins
18. Sports et Divertissements: Le pique-nique
19. Sports et Divertissements: Le Water-chute
20. Sports et Divertissements: Le Tango
21. Sports et Divertissements: Le Traau
22. Sports et Divertissements: Le Flirt
23. Sports et Divertissements: Le Feu d'artifice
24. Sports et Divertissements: Le Tennis
25. Oeuvres Pour Piano: I D'Holothurie
26. Embryons desseches: II D'Edriophtalma
27. Embryons desseches: III De Podophtalma
28. Preludes flasques (pour un chien): I Voix d'interieur
29. Preludes flasques (pour un chien): II. Idylle cynique
30. Preludes flasques (pour un chien): III. Chanson canine
31. Preludes flasques (pour un chien): IV. Avec camaraderie
32. En habit de cheval (a 4 mains): I Choral
33. En habit de cheval (a 4 mains): II Fugue litanique
34. En habit de cheval (a 4 mains): III Autre chose
35. En habit de cheval (a 4 mains): IV Fugue de papier
36. Apercus desagreables: I Pastorale
37. Apercus desagreables: II Choral
38. Apercus desagreables: III Fugue
39. Descriptions automatiques: I Sur un vaisseau
40. Descriptions automatiques: II Sur une lanterne
41. Descriptions automatiques: III Sur un casque
42. 3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
43. 3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
44. 3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
45. Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
46. Peccadilles importunes: Lui manger sa tartine
47. Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
48. Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
49. Pieces froides - No. 1 Airs a faire fuir: II Modestement
50. Pieces froides - No. 1 Airs a faire fuir: III S'inviter
51. Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
52. Pieces froides - No. 2 Danses de travers: II Passer
53. Pieces froides - No. 2 Danses de travers: III Encore
54. La Belle Excentrique: I Grande ritournelle
55. La Belle Excentrique: II Marche franco-lunaire
56. La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
57. La Belle Excentrique: IV Can-can grand-mondain
58. 3 Sarabandes: No. 1
59. 3 Sarabandes: No. 2
60. 3 Sarabandes: No. 3

Amazon.com

It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted Libbey

Customer Reviews:

Picasso in sound.......2006-02-19

Pablo Picasso, Jean Cocteau and Eric Satie were drinking buddies; it shouldn't be surprising that their work, though in different media, should bear striking similarities. This CD set replaces a very badly abused vinyl recording from the 1960s. No one plays Satie like Aldo Ciccolini. I do wish the Parade had been included, Satie wrote the music, Cocteau the libretto and Picasso did the sets and costumes-Satie's only ballet. Of course, the circa 1910 audience walked out. It's the story of an out-of-work ballet company that goes out onto the streets of Paris to try to get customers to come inside. The customers are stereotypes like the American in a cowboy outfit who adds the sound of this six gun to the music and the secretary who types through the encounter. The back wall of the theater was covered with Picasso designed neon signs flashing in bright colors throughout the performance. Across the front of the stage he'd strung acetate on which were playing street scenes of Paris from three cameras-red, blue and green. The men were way, way ahead of their times.

Great but NOT complete.......2004-12-23

Please note that this collection does NOT contain Erik Satie's complete works for piano. The collection makes no such claim, but at 5 CDs, some may assume it to be complete and none of the other reviews to date mention this. I am too lazy to do the research to come up with a complete list, but offhand I know that these songs are missing - "Je Te Veux", "Fantaisie-Valse" and "Valse-Ballet". These 3 are among my favorite Satie pieces, so yes, I think the collection is diminished somewhat by their absence.

Aldo Ciccolini always has been the greatest interpreter of Satie's work for piano. Ciccolini has a feel for Satie that no one else does, although I have to admit that I prefer a faster tempo to "Poudre D'Or" than the slower, introspective tempo Ciccolini always uses, but that's only a small matter of personal preference. These recordings were originally made in 1967 and 1971 and the sound quality is excellent. At the dawn of the CD era at various sessions from 1983-1986, Ciccolini recorded Satie's complete works for piano on EMI on 5 CDs. They are currently out of print in America, with the exception of one compilation CD (also available at Amazon at the time of writing) with Gabriel Tacchino playing the 2nd piano on the pieces for 2 pianos. Ciccolini was overdubbed playing the 2nd piano on the original recordings in this review. I have a slight preference for the later recordings, but many seem to prefer these originals. You can't go wrong with these, just understand that they are not complete and the missing songs are among Satie's best.

There's only one........2004-06-26

If you're reading this, you've already heard Satie's music, so I needn't to go into that. I do want to say that this is the only recording of Satie that is worth hearing. Ciccolini is the only foot that will fit the Satie glass slipper. Don't waste your money on the ugly step-sisters.

Don't forget Satie was an Anti-Romantic.......2002-02-25

No one could deny that setting every disperse music in a unique album is a remarkable job. But I didn't like much the approach of Ciccolini, which I knew around 1975 while getting borrowed the vinyl LPs in the Embassy of France in Buenos Aires. Now I'd like to explain to whom it may concern why do I feel that way.
Satie was an anti-romantic composer, at the point of creating the "furniture-music" (musique d'ameublement) which refuses that music could be so expressive as romantics wanted. Other ones clasifies him as a "Surrealist" composer (anti-romantic movement too), but there are no signs of dreams of unconsciousness through his work. Since that point of view you could play Satie's music anyway but expressively. Satie wasn't Debussy, besides the fact that they knew personally and admire each other. Could you play Debussy in a plain style without damage?. I don't think so, because Satie was farther of expressive tradition than Debussy: we can say that Debussy is a spirit of the XIX Century while Satie is a precursor of the XXth. Remember his own words: "I came to the world too young in a time too old".
The best performance I heard of the piano work of our composer was in charge of Jacques Fevrier on the excelent album called "Monsieur Erik Satie", with such a "sideman" as another member of the group of six as Georges Auric for the 4 hands pieces.
I wave goodbye with a great embrace to all Satie's fans.

"Electric Spirit of Eric Satie" fans this is the one !.......2001-08-17

Fans of "The Electronic Spirit of Eric Satie" will immediately recognize Aldo Ciccolini as one of the few musicians in touch with the true "Satie" style. The selections correspond to "Electric Spirit" ; except, performed as a good piano solo. The piano recording is done so well it's better than most orchestral versions. It sounds very much like "Electric Spirit" without orchestration nor electronic "boops" and "beeps"-- just a good piano. It's really just as funny and powerful; and here it has a class act. This performance is a rare find !

Average customer rating: Fabulous for any Broadway-lover Top Shelf TERRIFIC CD'S Great Collection of Broadways greatest Songs Great Compilation!

Broadway - The American Musical (PBS Series) Manufacturer: Sony ProductGroup: Music Binding: Audio CD Ballets | Ballets & Dances | Classical | Styles | Music All Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sondheim, Stephen | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music German | Languages | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The Best of Broadway - The American Musical (PBS Series) Broadway: The American Musical Broadway: The American Musical Broadway - The American Musical (PBS Series) Somewhere over the Rainbow: The Golden Age of Hollywood Musicals ASIN: B00064ADMK Release Date: 2004-10-19

Tracks:

1. Give My Regards To Broadway- Joel Grey
2. Swanee- Al Jolson
3. When The Moon Shines On The Moonshine- Bert Williams
4. A Pretty Girl Is Like A Melody- John Steel
5. My Man- Fanny Brice
6. Fascinating Rhythm- Fred Astaire, Adele Astaire
7. If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
8. Someone To Watch Over Me- Gertrude Lawrence
9. Bill- 78 rpm Version Helen Morgan
10. Ol' Man River- Paul Robeson
11. Ain't Misbehavin'- Louis Armstrong & His Orchestra
12. Ten Cents A Dance- Ruth Etting
13. Body And Soul- Libby Holman
14. Brother, Can You Spare A Dime- Bing Crosby
15. Night And Day- Fred Astaire
16. Heat Wave- Ethel Waters
17. Smoke Gets in Your Eyes- Tamara
18. You're The Top- Ethel Merman
19. Summertime- Anne Brown
20. September Song- Walter Huston
21. My Heart Belongs To Daddy- Mary Martin
22. It Never Entered My Mind- Shirley Ross
23. Bewitched, Bothered, Bewildered- Vivienne Segal
24. Oh, How I Hate To Get Up In The Morning- Irving Berlin
25. Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

1. New York, New York- Cris Alexander,Adolph Green,John Reardon
2. If I Loved You- John Raitt,Jan Clayton
3. Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
4. There's No Business Like Show Business- Ensemble
5. How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
6. Once In Love With Amy- Ray Bolger
7. Wunderbar- Alfred Drake,Patricia Morison
8. Some Enchanted Evening- Ezio Pinza
9. Lost In The Stars- Todd Duncan
10. Diamonds Are A Girl's Best Friend- Carol Channing
11. Luck Be A Lady- Robert Alda,Guys
12. Getting To Know You- Gertrude Lawrence
13. Who Cares?- Jack Carson,Betty Oakes
14. Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
15. Ballad Of Mack The Knife- Gerald Price
16. Hey There- from "The Pajama Game" John Raitt
17. Whatever Lola Wants- Gwen Verdon
18. I Could Have Danced All Night- Julie Andrews
19. Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
20. The Party's Over- Judy Holliday
21. Glitter And Be Gay- Barbara Cook
22. Tonight- Larry Kert, Carol Lawrence

Tracks:

1. Seventy-Six Trombones- Robert Preston
2. I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
3. Everything's Coming Up Roses- Ethel Merman
4. My Favorite Things- from "The Sound Of Music" Mary Martin
5. Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
6. Try To Remember- Jerry Orbach
7. Camelot- from "Camelot" Richard Burton
8. Love Makes The World Go 'Round- Anna Maria Alberghetti
9. I Believe In You- Robert Morse And Co.
10. The Sweetest Sounds- Diahann Carroll,Richard Kiley
11. Comedy Tonight- Zero Mostel
12. What Kind Of Fool Am I?- Anthony Newley
13. As Long As He Needs Me- Georgia Brown
14. Hello, Dolly!- Carol Channing,Cast
15. People- Barbra Streisand
16. Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
17. If I Were A Rich Man- Zero Mostel
18. Night Song- Sammy Davis, Jr.
19. The Impossible Dream- Richard Kiley
20. If My Friends Could See Me Now- Gwen Verdon
21. Open a New Window- from Mame Voice

Tracks:

1. Willkommen- from "Cabaret" Joel Grey
2. Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
3. I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
4. The Ladies Who Lunch- from "Company" Elaine Stritch
5. Tea For Two- Roger Rathburn,Susan Watson
6. I'm Still Here- Yvonne De Carlo
7. I Don't Know How To Love Him- Yvonne Elliman
8. We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
9. Corner Of The Sky- John Rubinstein
10. Send In The Clowns- Glynis Johns
11. Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
12. One- from "A Chorus Line" Cast
13. All That Jazz- Chita Rivera,Ensemble
14. Tomorrow- Andrea Mcardle
15. Don't Cry For Me Argentina- Patti Lupone
16. Come Follow The Band
17. Lullaby Of Broadway- Jerry Orbach
18. And I'm Telling You I'm Not Going- Jennifer Holliday
19. The Bells Of St. Sebastian- Raul Julia

Tracks:

1. Memory- Betty Buckley
2. I Am What I Am- George Hearn
3. Move On- Bernadette Peters,Mandy Patinkin
4. Do You Hear The People Sing?- Michael Maguire,Cast
5. The Music Of The Night- Michael Crawford
6. You're Nothing Without Me- James Naughton,Gregg Edelman
7. The American Dream- Jonathan Pryce,Cast
8. Doctor Jazz- Gregory Hines,Company
9. With One Look- Glenn Close
10. On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
11. Le Jazz Hot- Julie Andrews,Ensemble
12. Seasons Of Love-
13. Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
14. I Wanna Be A Producer- Matthew Broderick,Ensemble
15. Dancing Queen- Louise Plowright,Jenny Galloway
16. Good Morning Baltimore- Marissa Jaret Winokur
17. Movin' Out- Michael Cavanaugh,Band
18. I Go To Rio- Hugh Jackman,Company
19. Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating: Well worth the price Not Exactly "The Ultimate" Collection... Where's the chicks?!?! Not quite the ultimate.... Great Music - Questionable Selection

The Ultimate Gilbert & Sullivan Collection Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company Manufacturer: Decca ProductGroup: Music Binding: Audio CD All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Brannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The Best of Gilbert & Sullivan Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack Topsy-Turvy The Best of Gilbert & Sullivan ASIN: B000007OU0 Release Date: 1998-06-09

Tracks:

1. H.M.S. Pinafore: We Shall Sail The Ocean Blue
2. H.M.S. Pinafore: I'm Called Little Buttercup
3. H.M.S. Pinafore: My Galant Crew, Good Morning
4. H.M.S. Pinafore: I'm The Monarch Of The Sea
5. H.M.S. Pinafore: When I Was A Lad
6. H.M.S. Pinafore: Nevermind The Why And Wherefore
7. H.M.S. Pinafore: Kind Captain, I've Important Information
8. H.M.S. Pinafore: Carefully On Tip - Toe Stealing
9. H.M.S. Pinafore: For He Is An Englishman
10. The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
11. The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
12. The Pirates Of Penzance: With Cat Like Tread
13. The Sorcerer: My Name Is John Wellinton Wells
14. The Gondoliers: Take A Pair Of Sparkling Eyes
15. Patience: If You're Anxious To Shine
16. The Mikado: If You Want To Know Who We Are
17. The Mikado: A Wand'ring Minstrel I
18. The Mikado: Behold The Lord High Executioner
19. The Mikado: As Someday It May Happen
20. The Mikado: Three Little Maids From School Are We
21. The Mikado: The Sun Whose Rays Are All Ablaze
22. The Mikado: Here's A How - De - Do!
23. The Mikado: From Ev'ry Kind Of Man Obedience I Expect
24. The Mikado: A More Humane Mikado Never Did In Japan Exist
25. The Mikado: The Criminal Cried As He Dropp'd Him Down
26. The Mikado: The Flowers That Bloom In The Spring, Tra La
27. The Mikado: On A Tree By A River A Little Tom Tit
28. The Mikado: There Is Beauty In The Bellow Of The Blast
29. The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.

Average customer rating: Great CD Simply the Best Inconsistent, but mostly excellent "Celebration" is not strong enough a word A maginificent evening, a magnificent album

Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast) Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters Manufacturer: RCA Victor Broadway ProductGroup: Music Binding: Audio CD Sondheim, Stephen | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music 1990s | By Decade | Soundtracks | Styles | Music 1990s | By Decade | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music 1990-1999 | Decades | Compilations | Miscellaneous | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Sondheim Evening: A Musical Tribute (1973 Concert Cast) Side By Side By Sondheim (1976 Original London Cast) Send in the Clowns: The Ballads of Stephen Sondheim Sondheim - A Celebration at Carnegie Hall Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall ASIN: B000003FDW Release Date: 1993-02-23

Tracks:

1. Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
2. Evening Introduction--Bill Irwin
3. Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
4. Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
5. Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
6. Being Alive--Patti LuPone
7. Good Thing Going--The Tonics
8. Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
9. Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
10. Anyone Can Whistle--Billy Stritch
11. Water Under the Bridge--Liza Minnellli, Billy Stritch
12. Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

1. Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
2. Sooner or Later--Karen Ziemba
3. Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
4. Green Finch and Linnet Bird--Harolyn Blackwell
5. The Ballad of Booth--Patrick Cassidy, Victor Garber
6. Broadway Baby--Daisy Eagan
7. I Never Do Anything Twice--BETTY
8. With So Little to Be Sure Of--Jerry Hadley, Carolann Page
9. Not a Day Goes By--Bernadette Peters
10. Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
11. Send in the Clowns--Glenn Close
12. Old Friends--Liza Minnelli
13. Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

"Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."

Average customer rating: Bryn Terfel's beautiful voice. Why do people think this guy can sing?? Relaxing Bryn Terfel's Simple Gifts A Heartfelt Offering Reminiscent of An Earlier Era

Bryn Terfel - Simple Gifts Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD General | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Pergolesi | Pergolesi, Gio Battista | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sondheim, Stephen | ( S ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Terfel, Bryn | ( T ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Bryn Terfel Sings Favorites Sacred Songs Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein) Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon) Bryn Terfel - We'll Keep a Welcome ASIN: B000B8ISN2 Release Date: 2005-10-11

Tracks:

1. Ave Verum Corpus, K.618 - Adapted by Chris Hazell
2. Deep River - Arranged by Chris Hazell
3. The Lord Bless You and Keep You
4. I'll Walk Beside You - Arranged by Chris Hazell
5. Stabat Mater
6. Still, Still, Still Weils Kindlein Schlafen Will
7. Simple Gifts - Arranged by Chris Hazell
8. How Great Thou Art
9. Panis Angelicus - Arranged by Chris Hazell
10. Bless This House - Arranged by Chris Hazell
11. Ave Verum Corpus
12. Cavatina - Arranged by Chris Hazell
13. The Rose
14. Amazing Grace - Arranged by Chris Hazell
15. God's Mercy
16. Morning Has Broken - Arranged by Chris Hazell
17. Nearer My God To Thee - Arranged by Chris Hazell
18. Ave Maria
19. Send In The Clowns - Arranged by Jonathan Tunick
20. God Will Be With You

Amazon.com

Everything about Bryn Terfel is over-life-size: his physique, his personality, his breath-control, and of course his extraordinarily beautiful voice. This recording displays his stunning vocalism and versatility to full advantage, but its title belies its content. Alhough it does include some simple pieces, the execution is fussy, overdone, and calculated for maximum external effect. The program ranges from Mozart, Pergolesi and pseudo-Bach to Sondheim in arrangements that are pure Hollywood, complete with throbbing strings and rolling drums, often destroying the spirit as well as the letter of the original compositions. It begins with Mozart's heavenly "Ave verum" arranged for baritone solo and chorus, frustratingly cut off after a few phrases (another setting of the same text by Karl Jenkins, written for Terfel, is more satisfying, being complete and original). The splendid baritone Simon Keenlyside joins him here as well as in the opening number of Pergolesi's "Stabat Mater;" originally for soprano and alto, this must be the baritones' revenge on female singers who usurp songs written for men, like Schubert's and Schumann's cycles. Franck's "Panis angelicus" also inexplicably becomes a duet; unfortunately, Terfel's and tenor Aled Jones' voices do not match. Bach-Gounod's popular "Ave Maria" is all swells and exaggerations. The rest of the program consists of folksongs, hymns, show and film tunes, inflated to operatic proportions and generally ending in a fade-out or a flourish. Even the title song is anything but simple. This record is not for purists who like their music performed the way the composer wrote it, but aficionados of great singing will love it. --Edith Eisler

Customer Reviews:

Bryn Terfel's beautiful voice........2007-05-13

Bryn Terfel has a beautiful voice. Listening to him is very pleasant and definitely something to look forward to. I read a review saying he would replace tenor Pavroti. However, I believe that Mr. Terfel is a Baritone and not a Tenor. That does not detract from the fact that he should be considered one of the world's top male singers. His voice is truly impressive. This CD by Bryn Terfel is one from our collection that is outstanding and a favorite.

Why do people think this guy can sing??.......2007-04-27

Sorry, I think this guy is one of the most overrated singers out there today. He always sounds like he is singing holding his nose shut. VERY nasal sounding.

If you want to listen to an incredibly beautiful voice, buy one of Josh Groban's CD's--you won't regret it! He has the voice of the century!

Relaxing.......2007-02-03

Excellent selection of music. It covers many different types. My wife likes being able to hear the words with out instruments drowning out the vocals. I find it relaxing and many of the songs are familiar and very well done.

Bryn Terfel's Simple Gifts.......2006-02-25

Simply superb. I don't know what our local (Wash DC) paper was talking about when they said Deep River was the weakest link. I was enthralled from beginning to end. I have had the pleasure of hearing Bryn Terfel live in recital at the Kennedy Center. I can assure you that his voice has only improved with age. He was wonderful then and is spectacular now!

A Heartfelt Offering Reminiscent of An Earlier Era.......2006-02-15

Bryn Terfel harkens back to earlier American operatic stars such as Richard Tucker and Robert Merrill who crossed grenres to satisfy their unquenchable need to sing any and all songs that moved them to an appreciative public. These great singers all had their origins singing sacred music from their respective religions and learned to lay their considerable talents before the altar of the simple inspirational song.

This recording is wonderful on many levels. The selections are an unusual mixture of classical sacred music, spirituals, hymns, Lieder, Austrian Christmas and Gaelic songs, musical numbers and movie theme songs harmoniously combined to touch the soul of the listener in a gentle ebb and flow of devotion, intensity and tenderness. All of these songs are beautiful in and of themselves and in his hands, we experience them anew.

Bryn Terfel sings with the commitment necessary to make the awesome challenge of simplicity look easy. To my way of thinking, he is the most communicative and articulate singer today, bar none. He is a poet who savors the sound, feeling and meaning of each and every word and marries it uniquely and faithfully to the music. He transports the listener into the life of a song and transfixes us each and every moment. His enormous talent is not overwhelming or distractive and is inextricably and wholly intertwined with the music. This is greatness and it is very, very rare today.

I like the inclusion of the choir in several of the numbers as it reflects on the nature and context of the songs. I am less fond of the selections with the guest soloists as I feel they do not match his ability to "get inside" a song. The orchestra and orchestations are sensitive and enhancing.

This recording is simply wonderful and should have a broad appeal. It will move and inspire the believer, satisfy and fulfill the otherwise spiritual, calm the troubled and renew a flagging soul.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Very Refined Yet Not Uncharming - One of Her Best Performances Lovely, heartfelt Bach It's perfect. Elegant Artistry Hewitt or Gould

Bach: French Suites / Angela Hewitt Johann Sebastian Bach , and Angela Hewitt Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Fugues | Forms & Genres | Classical | Styles | Music Preludes | Forms & Genres | Classical | Styles | Music Sonatinas | Sonatas | Forms & Genres | Classical | Styles | Music Suites | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Lute | Instruments | Early Music | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music Hewitt, Angela | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Classical | Imports | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Bach, Johann Sebastian | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Hewitt, Angela | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Bach: The Six Partitas / Angela Hewitt Bach: The English Suites Bach: The Well-Tempered Clavier (book 1) Bach: Well-Tempered Clavier, Book 2 Bach: The Toccatas ASIN: B00000300T Release Date: 1995-11-21

Tracks:

1. Sonata In D Minor, BWV964: Adagio
2. Sonata In D Minor, BWV964: Fuga: Allegro
3. Sonata In D Minor, BWV964: Andante
4. Sonata In D Minor, BWV964: Allegro
5. French Suite No. 1 In D Minor, BWV812: Allemande
6. French Suite No 1 In D Minor, BWV812: Courante
7. French Suite No. 1 In D Minor, BWV812: Sarabande
8. French Suite No. 1 In D Minor, BWV812: Menuet I And II
9. French Suite No. 1 In D Minor, BWV812: Gigue
10. French Suite No. 2 In C Minor, BWV813: Allemande
11. French Suite No. 2 In C Minor, BWV813: Courante
12. French Suite No. 2 In C Minor, BWV813: Sarabande
13. French Suite No. 2 In C Minor, BWV813: Air
14. French Suite No. 2 In C Minor, BWV813: Menuet I And II
15. French Suite No. 2 In C Minor, BWV813: Gigue
16. French Suite No. 3 In B Minor, BWV814: Allemande
17. French Suite No. 3 In B Minor, BWV814: Courante
18. French Suite No. 3 In B Minor, BWV814: Sarabande
19. French Suite No. 3 In B Minor, BWV814: Anglaise
20. French Suite No. 3 In B Minor, BWV814: Menuet And Trio
21. French Suite No. 3 In B Minor, BWV814: Gigue
22. Six Little Preludes: Prelude In C Major, BWV924
23. Six Little Preludes: Prelude In G Minor, BWV 930
24. Six Little Preludes: Prelude In D Major, BWV 925
25. Six Little Preludes: Prelude In D Minor, BWV 926
26. Six Little Preludes: Prelude In F Major, BWV 927
27. Six Little Preludes: Prelude In F Major, BWV 928

Tracks:

1. Six Little Preludes: Prelude In C Major, BWV 933
2. Six Little Preludes: Prelude In C Minor, BWV 934
3. Six Little Preludes: Prelude In D Minor, BWV 935
4. Six Little Preludes: Prelude In D Major, BWV 936
5. Six Little Preludes: Prelude In E Major, BWV 937
6. Six Little Preludes: Prelude In E Minor, BWV 938
7. Six Little Preludes: Prelude In C Major, BWV 939
8. Six Little Preludes: Prelude In D Minor, BWV 940
9. Six Little Preludes: Prelude In E Minor, BWV 941
10. Six Little Preludes: Prelude In A Minor, BWV 942
11. Six Little Preludes: Prelude In C Major, BWV 943
12. Six Little Preludes: Prelude In C Minor, BWV 999
13. French Suite No. 4 In E Flat Major, BWV815: Praeludium
14. French Suite No. 4 In E Flat Major, BWV815: Allemande
15. French Suite No. 4 In E Flat Majoe, BWV815: Courante
16. French Suite No. 4 In E Flat Major, BWV815: Sarabande
17. French Suite No. 4 In E Flat Major, BWV815: Gavotte I
18. French Suite No. 4 In E Flat Major, BWV815: Gavotte II
19. French Suite No. 4 In E Flat Major, BWV815: Menuet
20. French Suite No. 4 In E Flat Major, BWV815: Air
21. French Suite No. 4 In E Flat Major, BWV815: Gigue
22. French Suite No. 5 In G Major, BWV816: Allemande
23. French Suite No. 5 In G Major, BWV816: Courante
24. French Suite No. 5 In G Major, BWV816: Sarabande
25. French Suite No. 5 In G Major, BWV816: Gavotte
26. French Suite No. 5 In G Major, BWV816: Bourree
27. French Suite No. 5 In G Major, BWV816: Loure
28. French Suite No. 5 In G Major, BWV816: Gigue
29. French Suite No. 6 In E Major, BWV817: Allemande
30. French Suite No. 6 In E Major, BWV817: Courante
31. French Suite No. 6 In E Major, BWV817: Sarabande
32. French Suite No. 6 In E Major, BWV817: Gavotte
33. French Suite No. 6 In E Major, BWV817: Polonaise
34. French Suite No. 6 In E Major, BWV817: Bourree
35. French Suite No. 6 In E Major, BWV817: Menuet
36. French Suite No. 6 In E Major, BWV817: Gigue
37. Prelude And Fugue In A Minor, BWV894: Prelude
38. Prelude And Fugue In A Minor, BWV894: Fugue

Customer Reviews:

Very Refined Yet Not Uncharming - One of Her Best Performances.......2007-03-27

Ms Hewitt has never quite swept me away, and she certainly does nothing here to suggest she is a legendary pianist. However, she is very at ease with these works, and brings to them quite a bit of charm and piquancy. She's convincing and - my most important criteria for rating any CD - relistenable. The music itself is fresh and delightful, as charming as anything in all of Bach - he could be very charming indeed: though for too many Bach is revered as serious and intellectual. Anyway, these are nice performances and perhaps it's just my personal taste, but I find Ms Hewitt's efforts here in the lighter keyboard repetoire of Bach easier to accept than most of her efforts in the French repetoire.
The great performances of Bach's French Suites remain those of long ago - Helmut Wacha on the harpsichord, but those are not currently available in America.

Lovely, heartfelt Bach.......2005-11-07

Bach's music weaves together many elements: heartfelt story-telling, intellectual fascination, inspiring technique, and joyful dance. My favorite Bach interpreters are those who can reveal the innate sensitivity of Bach's music, and Angela does that superbly. Her tone is always singing, her dance rhythms will set even Grandma to jumping and cavorting, and her emotional connection so intimate I thought it was my mother singing to me in the cradle.

I particularly like that her technique never becomes showy in itself; even the difficult final Gigue of Suite 5 is purely about dance and joy.

Her ornaments are always tasteful. Not easy to do with Bach, when you consider that ornamenting is a form of composition.. and to ornament well, one is essentially adding to Bach's composition.

Her interpretation of Bach on the piano (as opposed to the harpsichord, for which is was written) is absolutely convincing.

This is my first CD purchase of Angela's Bach, and I plan to get them all.

It's perfect........2005-09-10

Awesome CDs. You need to have this if you enjoy piano classical music. Angela performs the best french suites!

Elegant Artistry .......2005-08-14

Recorded early in Angela Hewitt's Bach cycle, the popular French Suites (along with the "Little Preludes" and other two more dynamic virtuoso pieces) take a step back from the more serious and complex fugal compositions of Bach and settle into the restrained elegance of the courtly and rustic dances of the era. Although Bach never titled these works as "French," the suites take much of their inspritation from the various "dance" forms of music in that period (French mainly) that form each suite: the processional German-inspired allemandes ... the stately French courantes ... the spicier Italian correntes ... the slow and meditative sarabandes of Spanish-origin ... the French-aristocratic minuets, gavottes and airs ... the bouncy and free-spirited bourrees ... and, to close the suite, the most musically serious French gigues (inspired by the English 'jig'). The three minor-key suites take a more introverted flavor while the three major-key suites are more extraverted and bright. Suites 5 and 6 are perhaps the most popular for their bright, major-key sounds.

Every generation has its one or two Bach legends, and for the 'boomer generation,' one of them is certainly Angela Hewitt. Her poised playing finds its natural home here and wonderfully matches the spirit of this elegant, gentle and noble music. Her decorative touches are pure artistry and always delightfully enhance the atmosphere of the music without detracting or distracting. Penguin Guide gave this set their "Recommended Recording" of all the available recordings of the French Suites. It all just sounds "right" for this type of music. Addtionally, the sound quality is clear and without extraneous noise and has a somewhat-spacious but pleasant ambiance.

The so-called "Little Preludes" were exercises for Bach's son or pupils but really are not so "little" in terms of style or substance. Most are light and delightful - with some pure charm (BWV933). Notably Hewitt makes them all sound - not as mere exercises - but as viable performances in themselves. On a more virtuostic scale are the "filler works" on this CD: the Sonata in D minor and the Prelude/Fugue in A minor - the former being transcribed from the solo violin sonata in A minor (BWV 1003) and the latter being a work Bach later encorporated into the "Triple Concerto (BWV 1044, on Hewitt's Bach Concertos Vol. I). The closing allegro of the Sonata is a highlight and is played by Hewitt with an effortless radiance. Her galloping triplets and ever-so delicate and deft shifts in dynamics and touch here create the famous Bach "echo" that gives a facinating and larger-than-life quality to the movement. All-in-all, a most pleasant, accessible and artistic recording from one of the most talented pianists playing Bach today.

If you are trying to sort out Bach's great solo keyboard music, you can characterize them like this in general: the FRENCH SUITES are overall the most refined, elegant and 'restrained' musically (French courtly style) as compared to the more dynamic preludes and dances in the ENGLISH SUITES (but also having haughtingly-beautiful sarabandes to contrast). Along with the great showpieces, CHROMATIC FANTASY & FUGUE in C minor, the PARTITAS and the TOCCATAS are certainly the most outright virtuostic of the sets - with the latter being the most free of form and the most extemporaneous sounding. The two books of Bach's "WELL-TEMPERED CLAVIER" are in a class of their own from the often-charming preludes in Book I to the most complex musical-intelligence contained in the fugues of Book II. Bach's WTC is both systematic and pedogogic but also delightfully lyrical and often deeply meditative and is essential music in any piano-loving human being. This wide range of contrasting emotional qualities (movements) is really characteristic of nearly all of Bach's keyboard music and is most marvelously showcased in the legenday 30 GOLDBERG VARIATIONS. All of Angela Hewitt's Bach recordings are excellent (no 'dogs') and are consistently rated among the top 2 or 3 choices in the field. Hard to go wrong with any really.

Hewitt or Gould.......2004-09-29

Angela Hewitt is often compared to Glenn Gould, her fellow Canadian pianist, because she also plays Bach. I won't compare them. When I listen to Gould I marvel at his genius. When I listen to Hewitt, I marvel at Bach's genius.

Average customer rating: Great Music! Jennifer Smith Little Language Little Language Parent's Guide Review

Little Language Songs for Little Ones Laura Dyer Manufacturer: Laura Dyer ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Children's Music | Styles | Music General | Children's Music | Indie Music | Stores | Music 4-for-3 Jazz | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music 4-for-3 Children's Music | 4-for-3 Music | Stores | Music Similar Items: Look Who's Talking Time to Sing! Baby Babble - Speech-Enhancing DVD for Babies and Toddlers Speechercise - A Musical Workout For Your Mouth Fun Learning Songs ASIN: B00005RHSD Release Date: 2001-07-15

Tracks:

1. Do You Hear The Way Sounds Ring?
2. Limericks
3. An Undersea Adventure
4. What a Colorful World
5. Do You Know What It Means to Be a Shape?
6. Imagination
7. Garden Dance
8. Can You Count to Ten?
9. Busy Days
10. Changing Seasons
11. The Spider Shines Her Shoes
12. All Aboard
13. Celebrate the Holidays
14. Good Manners Are The Key
15. What Do We Eat?
16. A Trip to the Fair
17. Everybody on Your Feet
18. Everybody Feels This Way
19. Pets
20. Things I Love

Album Description

Winner of the Education Clearinghouse 2002 Award of Excellence, this fun and fabulous album features 40 minutes of educational songs for your child ages birth to eight. Each song was written with a specific speech and language goal in mind. It has received 7 National Reviews/Endorsements and several local including the Music City's Nashville Parent Magazine. This soundtrack exposes your child to a wide variety of musical styles including jazz, folk, dance, pop, internation, and features fun sound effects and interactive songs too. The most educational songs are paced so that your child will be able to comprehend the lyrics and be able to sing along as well. Developed by a speech-language pathologist, this album reinforces all of the speech techniques taught in the Little Language for Little Ones Book.

Customer Reviews:

Great Music!.......2007-04-25

I purchased this CD to accompany Laura Dyer's book "Look Who's Talking." The music is beautiful, the lyrics are very fun and my daughter absolutely loves listening to it every day.

Jennifer Smith.......2007-02-23

The songs are wonderfully written, but the vocalist is terrible. Her shrill, whiney voice ruins the songs and makes it very difficult to understand what she's saying - which is the whole point of the CD! i would not recommend this - sorry!

Little Language.......2002-04-12

"This product utilizes the latest brain research techniques and offers opportunities for interactive and cross-over techniques throughout the entire CD. I really enjoy using it in my workshops and children's story hours." Lisa Hoover, Educational Consultant and Children's Librarian

Little Language.......2002-04-12

Some parents worry if a child is slow to show language recognition or skills. These books and the music teach how to encourage your baby to make early sounds, even before words are expected. The concept she describes is easy to learn and will give any baby a fast track to language skills. Alan Caruba, Bookviews.com

Parent's Guide Review.......2002-04-12

"Mark and Laura Dyer have come up with a 20 song collection of speech enhancing musical selections for infants and toddlers. This is a great way for moms, dads, and kids to have some good quality time for learning and having fun. Laura Dyer, a speech-language pathologist with a master's degree in communication disorders, provides a helpful guidebook on how to utilize each song as an educational device. The book also offers helpful hints and answers to the questions many parents may have about their child's speech and language development...
Reviewed by Katie Hoffmaster...

Music Album:

1. Little Good News
2. Live and Still Standing [Live]
3. Live Wire
4. Local Flowers
5. Misery Loves Company
6. More Songs of Route 66: Roadside Attractions
7. My Favorites of Hank Williams
8. Nashville/Boogity Boogity
9. Nights When I Am Sane
10. Noise and Conversation

Music Album