Oddly enough, Merle Haggard first heard the songs of Jimmie Rodgers on Lefty Frizzell's 1951 tribute record. Just as Frizzell (as well as Hank Snow and Ernest Tubb) did, Haggard took advantage of his station atop the country charts by paying homage to country's first legendary figure. Recorded across seven sessions between August 1968 and February 1969, the double-album Same Train barely registered on radar screens upon its initial release, but it remains a loving memorial to one of Hag's idols as well as one of Hag's most sensitive and engaging vocal performances. After all, Haggard could easily relate to the displaced and disillusioned characters that Rodgers portrayed. It's also testament to Rodgers's genius that his characters stayed relevant and his music fit seamlessly into the Strangers' clothes 40 years after the fact. --Marc Greilsamer
Same Train, A Different Time: Songs Of Jimmie Rodgers,Merle Haggard & the Strangers,Koch Records,Bakersfield Sound,Country,Country & Western,Pop,Traditional Country
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Same Train, A Different Time: Songs Of Jimmie Rodgers
Merle Haggard & the Strangers Manufacturer: Koch Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001SOA Release Date: 1995-01-24 |
Tracks:
- California Blues
- Narration #1
- Hobo's Meditation
- Waitin' For A Train
- Mother, The Queen Of My Heart
- My Carolina Sunshine Girl
- Narration #2
- Train Whistle Blues
- Why Should I Be Lonely?
- Jimmie's Texas Blues
- Blue Yodel No. 6
- Narration #3
- Mule Skinner Blues (Blue Yodel No. 8)
- Peach Picking Time Down In Georgia
- Down The Old Road To Home
- Travelin' Blues
- Miss The Mississippi And You
- Frankie And Johnny
- No Hard Times
- Narration #4
- Hobo Bill's Last Ride
- My Old Pal
- Nobody Knows But Me
- Narration #5
- Jimmie Rodgers' Last Blue Yodel (The Woman Made A Fool Out Of Me)
Amazon.com essential recording
Oddly enough, Merle Haggard first heard the songs of Jimmie Rodgers on Lefty Frizzell's 1951 tribute record. Just as Frizzell (as well as Hank Snow and Ernest Tubb) did, Haggard took advantage of his station atop the country charts by paying homage to country's first legendary figure. Recorded across seven sessions between August 1968 and February 1969, the double-album Same Train barely registered on radar screens upon its initial release, but it remains a loving memorial to one of Hag's idols as well as one of Hag's most sensitive and engaging vocal performances. After all, Haggard could easily relate to the displaced and disillusioned characters that Rodgers portrayed. It's also testament to Rodgers's genius that his characters stayed relevant and his music fit seamlessly into the Strangers' clothes 40 years after the fact. --Marc GreilsamerCustomer Reviews:
Review of the CD I bought.......2007-02-08
The Best County Singer ever salutes the Father of Country Music.......2005-11-04
A very important set of recordings
Keeping The Tradition Alive.......2005-07-24
Brilliant musicianship.......2005-04-21
Firstly, the songs are the compositions of someone who needs no introduction, the legendary Jimmie Rodgers. Most of them are based on a 12-bar blues pattern, with the lyrics repeating the first verse twice over the first chord-change - a traditional form that was very dear to Rodgers. The words are a good reflection of depression-era themes, such as railroad hoboing (Hobo Bill), scrounging up a modest living (No hard time blues) and, of course, loving and leaving in their many facets (California blues, Jimmie's last Blue Yodel).
Haggard's vocal rendition is somewhat different then Rodgers,' but the result is equally engaging. While Rodgers' voice is haunting and languid, Haggard's is more round and palpable. Also, Haggard's yodeling is much less frequent, but when employed is extremely effective, equally "plodding" and never over-used. In a sense, it is by being completely himself that Haggard nails the spirit of Rodgers' songs.
The arrangements are one of the many strong suits of this CD. For the most part, pieces feature acoustic instruments - drums, bass, guitars, dobros (one played with the slide, the other a dobro-guitar), and blues-harp. A couple pieces have horns, played in a quasi-Dixieland style reminiscent of those in Rodgers' own recordings - while a violin, an electric guitar and a steel guitar surface in a minority of the tracks. Most pieces are moderate "2/4" two-steps, with the occasional waltz.
The accompaniment is provided by Haggard's own band (the Strangers) and the studio artists sometimes heard in his earlier recordings. Among the latter is none other than James Burton, one of the fathers of Country Guitar styles and, of course, the guitarist who toured with Elvis from 1969 to 1977. While most listeners are accustomed to hearing Burton's Telecaster, it is amazing to hear him pick away at a round-neck dobro with equal flair and musicianship (his fiery solo in "No hard time blues" is an oft-copied masterpiece).
Song-choice is varied and representative of Rodgers' output. Also, the recording is interspersed with a few (very brief) tracks of Haggard's narration of Rodgers' life and deeds - which can be easily skipped over once they are familiar to the listener.
Overall, I recommend this CD very enthusiastically to all who enjoy this style of music - a CD that has only strengths and no weaknesses.
The Hag's Best Ever.......2004-07-16
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