Time Again

Product Description:
Multi-instrumentalist Dirk Powell, whose music is prominently featured in the soundtrack of the Civil War epic Cold Mountain, returns with Time Again, his third solo CD. Time Again is filled with music from the Appalachian tradition, most handed down from family and friends, and shows that, in the capable hands of Dirk and friends Tim O'Brien, Darrell Scott, Jim Miller and The Foghorn Stringband, the tradition is as vibrant as ever.

Time Again,Dirk Powell,Rounder Select,Appalachian Folk,Bluegrass,Contemporary Bluegrass,Country,Folk,Pop,Traditional Bluegrass

Average customer rating: Less Is More Three old pros Inspirational three-way music-making .

Time and Time Again Paul Motian , Bill Frisell , and Joe Lovano Manufacturer: Ecm Records ProductGroup: Music Binding: Audio CD Avant Garde & Free Jazz | Jazz | Styles | Music General | Jazz | Styles | Music General | Miscellaneous | Styles | Music ECM Classical | ECM Records | Amazon.com Label Stores | Stores | Music ECM Jazz & World | ECM Records | Amazon.com Label Stores | Stores | Music Similar Items: The Third Quartet Prezens The Words And The Days Metheny Mehldau Quartet Pilgrimage ASIN: B000LSA84E Release Date: 2007-04-03

Tracks:

1. Cambodia
2. Wednesday
3. Onetwo
4. Whirlpool
5. In Remembrance Of Things Past
6. K.T.
7. This Nearly Was Mine
8. Party Line
9. Light Blue
10. Time And Time Again

Amazon.com

You could call the austere, resonating sounds laid down by drummer Paul Motian, guitarist Bill Frisell and saxophonist Joe Lovano chamber jazz. But while that would speak to the refinement of this long-standing trio, it would miss the free, open-ended nature of their collaboration. You get the feeling if they weren't in the business of making a recording, their three-way conversations would keep going and going. Dominated by Motian compositions, this sequel to their fine 2004 album, I Have the Room Above Her, is frequently centered by Lovano's artfully restrained tenor, buoyed by Frisell's trademark roots-inflected chordings and prodded by Motian's ever-shifting patterns. But the artists exchange those roles at will, resulting in melodies that can come at you from any angle and textures that constantly renew themselves. A diaphonous reading of Thelonious Monk's "Light Blue" and a plummy reading of Rodgers & Hammerstein's "This Nearly Was Mine" (from South Pacific) raise the melodic ante while maintaining the overall feeling of the album. --Lloyd Sachs

Album Description

One of the great bands of modern jazz, Paul Motian, Bill Frisell and Joe Lovano have been recording together since 1981. Ever since, and despite skyrocketing careers, the three musicians have always set aside time to continue their trio collaboration.

Paul Motian's last two albums on ECM have been widely lauded by press and fans alike. 2005's I Have The Room Above Her was Motian, Frisell, Lovano's last outing, and Time and Time Again has been eagerly-awaited since. The new record features compositions by Motian and Lovano, plus a tune from Thelonious Monk and the Rodgers and Hammerstein classic "This Nearly Was Mine" from South Pacific.

Customer Reviews:

Less Is More.......2007-05-31

Perhaps the most abstract expression of passionate commitment to music is this zen approach evinced by the remarkable efforts of Motion, Frisell and Lovano. From the opening strains of "Cambodia" until the end of the disc when it all seems to release itself into the ether time and time again, this is a sublime evocation of what finds solace deep in the human heart and soul. Certainly the other side of the pond from Michael Brecker's brilliant PILGRIMAGE, this disc nonetheless presents an open invitation to dwell deeply, poetically. It is the piety of thinking that finds its sojourn in this music and you will find yourself returning to this disc the rest of your life.
Nothing splashes, crashe sor reaches a boppish fever. The inflections are more subtle. By not stating something thematically, this trio speaks volumes. Even the chestnut, "This nearly was Mine" more evocatively presents what has escaped than what is common. Monk's "Light Blue" occupies that zone just before enlightenment arrives and is certainly a sonic approach to what Heidegger referred to as The Clearing.
This is an even finer CD than I HAVE THE ROOM ABOVE HER. It is waht is left unsaid that continues to haunt you long after you walk away from this disc.

Three old pros.......2007-04-29

The first few times I listened to this album, I was somewhat disappointed. It's grown on me a lot since then. Sonically it's quite similar to the trio's previous album on ECM, I Have the Room Above Her. There's lots of sophisticated, subtle interplay between the three musicians, but with a mellower, less explosive sound than their albums on JMT/Winter&Winter and Soul Note. Don't expect any squealing electric guitar by Frisell or free jazz screaming by Lovano.

Favorite tracks: some nice free-ish jousting on "Onetwo", the very melodic "K.T.", and Thelonious Monk's very funny "Light Blue". "In Remembrance of Things Past" is nice, but doesn't hold a candle to the very intense version recorded on Trioism.

I'd check out I Have the Room Above Her or some of their albums on JMT/W&W before this one, but if you like those albums then you will probably appreciate this one as well.

Inspirational three-way music-making ........2007-04-03

Paul Motian once again teams up with guitarist Bill Frisell and tenor saxophonist, Joe Lovano.
Each of these artists have done very well on their own, but their combined force is, as the platitude goes, far greater than the sum of its parts.
There's a genuine sense of luxuriousness to "Time And Time Again".
Whether it be the muted blue textures of Frisell's sensitive guitar passages or the sheer effervescent sparkle of Motian's cymbals, there's an uncommon richness of atmosphere to this recording.
Although predominantly made up of original compositions by Motian himself, the trio tackle a couple of standards in the shape of Rogers & Hammerstein's "This Nearly Was Mine" and Thelonious Monk's "Light Blue" and and Lovano's drifting "Party Line" to particularly great effect.
Throughout the album the mutual respect between these three players is abundantly evident, with no one voice intruding upon another.
Motian's own performance, in particular, remains remarkably accommodating to his fellow performers, allowing the compositions themselves to take centre stage.

Average customer rating: Best on the Planet! Stilted Walking the trail Superb concert Too Studied

Appalachian Journey Edgar Meyer , Mark O'Connor , Stephen Foster , Traditional , James Taylor , Anonymous , and Yo-Yo Ma Manufacturer: Sony ProductGroup: Music Binding: Audio CD Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by O'Connor | O'Connor, Mark | ( O ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Ma, Yo-Yo | ( M ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Traditional Folk | Folk | Styles | Music General | Opera & Vocal | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Appalachia Waltz / Ma, Meyer, O'Connor Heartland: An Appalachian Anthology Uncommon Ritual The Telluride Sessions Short Trip Home ASIN: B00004S38H Release Date: 2000-03-21

Tracks:

1. 1B
2. Misty Moonlight Waltz
3. Hard Times Come Again No More
4. Indecision
5. Limerock
6. Benjamin
7. Fisher's Hornpipe
8. Duet for Cello and Bass
9. Emily's Reel
10. Cloverfoot Reel
11. Poem For Carlita
12. Caprice For Three
13. Second Time Around
14. Slumber My Darling
15. Vistas

Amazon.com

With the help of some friends (James Taylor and Alison Krauss lend some vocal support), the trio of Yo-Yo Ma, Edgar Meyer, and Mark O'Connor have created yet another fascinating hybrid of chamber music and bluegrass. This follow-up to 1996's Appalachia Waltz is filled with highly lyrical string passages, a homage or two to Copland, and plenty of tracks where Meyer's bass vamps with the best of them. This is reflective (and relaxing) music, lacking the intricate structure of classical music and the rough edges of folk. But, boy, is it catchy! Yo-Yo Ma fans may be disappointed to hear that--aside from the gorgeous "Duet for Cello and Bass"--the cellist takes more of a supportive role on this disc. Still, this is fun music, more intimate than Short Trip Home (Meyer's other crossover project for Sony), but still lively (just check out "1B" or "Caprice for Three"). --Jason Verlinde

Customer Reviews:

Best on the Planet!.......2006-03-24

These are flawless preformances of great music by some of the most talented artists on the planet. Slumber My Darling will leave you so relaxed you'll have to remember to breathe. The reels will bring you to your feet. This music reaches the soul as well as the ear.

Stilted.......2005-12-15

I suppose you will enjoy this if you really like Yo-Yo Ma at his most boring. This is glorified elevator music and about as interesting.

Walking the trail.......2005-08-07

I actually heard this cd while having a root canal done at the dentist's office. I find the music so wonderful and the vocal segments are great. It does make you feel like you are walking the Appalachian Trail...and makes a root canal painless!

Superb concert.......2005-08-02

I have bought two copies of this disc -- one for my car. The music is wonderful, and the performances are memorable. There's a DVD version, which is equally good. The performers obviously loved working together, and that's fully evident.

Too Studied.......2005-06-22

Two of my favorite CDs in the last couple of years were "Obrigado Brazil" and "In Full Swing" by Yo Yo Ma and Mark O'Connor respectively. I found both of those CDs to be fine examples of genre-busting joyful music making. So when I saw these guys paired here, I snapped it up. Unfortunately, I was disappointed.

The music throughout most of the CD sounds too labored, too studied. It is, frankly, not that inspiring. The playing throughout is, of course, of the highest calibre and the recorded sound excellent. But there is no hint of the exhuberance of Folk or Bluegrass which is the supposed inspiration for the disc. The guest spots by James Taylor and Alison Krauss are good but they sound like outtakes from their own CDs, these songs are out of context here. (But note how many other Amazon reviews reference their contributions as reasons for loving the CD. Perhaps so many five star ratings because these people need broader musical exposure?)

Too many critics over intellectualize. I base my ratings on one simple criterion: How much did the music move me? In this case, not much.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Appetite for Construction Everything counts. Depeche Mode Go Industrial El disco politico de Depeche Mode In my opinion ..

Construction Time Again Depeche Mode Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Hardcore & Punk | Alternative Rock | Styles | Music | Vinyl Records | American Punk | British Punk | Emo | Garage Punk | Hardcore | Post Hardcore | Proto Punk | Punk | Punk Revival | Punk-Pop | Riot Grrl | Ska Punk | Straight Edge Post-Punk | New Wave & Post-Punk | Alternative Rock | Styles | Music Alternative Dance | Alternative Styles | Alternative Rock | Styles | Music General | Dance & DJ | Styles | Music Dance Pop | Compilations | Dance & DJ | Styles | Music General | Dance Pop | Dance & DJ | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music CDs $7 - $10 | Alternative General | Alternative Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Alternative General | Alternative Rock | Today's Deals in Music | Formats | Music All Bargain Titles | Oldies | Pop | Today's Deals in Music | Formats | Music 4-for-3 Alternative Rock | 4-for-3 Music | Stores | Music 4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: A Broken Frame Some Great Reward Speak & Spell Black Celebration People Are People ASIN: B000002KZA Release Date: 1990-10-25

Tracks:

1. Love, In Itself
2. More Than A Party
3. Pipeline
4. Everything Counts
5. Two Minute Warning
6. Shame
7. The Landscape Is Changing
8. Told You So
9. And Then...
10. Everything Counts (Long Version)

Customer Reviews:

Appetite for Construction.......2007-05-15

CONSTRUCTION TIME AGAIN, Depeche Mode's third album, was as large a step forward in evolving the band's sound as much as A Broken Frame had from their debut. No doubt, new member Alan Wilder was a crucial part in honing Depeche Mode's new development, as well as Martin Gore flexing a stronger songwriting muscle for this album. CONSTRUCTION is the most focused effort of the earliest Mode albums, being more musically consistent than either Frame or it's much-praised successor Some Great Reward, with a integration of industrial (emphasis on the lower-case "i") sounds and textures used throughout. Many of these tracks, in retrospect, are early templates for more overtly Industrial-inspired songs to come such as "People Are People", "Blasphemous Rumors", and "Stripped".

Like many early 80's electronic records of it's day, CONSTRUCTION utilizes much synthesized horns, with "Love In Itself" being the most glaring example (not one of my fave Depeche songs anyway). "Told You So", on the other hand, uses this same sound quite inventively. This album's most notable track, the single "Everything Counts", is among the band's greatest songs of all time (... at least in my opinion). A fluid track from start to finish it features great percussion and catchy hooks all around. (Check out the enthusiastic crowd participation it received in the Depeche tour documentary, 101.)

Fans of this particular album should consider Rhino Records' deluxe reissue of this CD. The noticeable difference being that the deluxe version is based on the original UK tracklisting, and concludes with a very brief reprise "Everything Counts" instead of an extended remix. The deluxe version also includes a DVD featuring a highly-informative documentary on the making of this album as well as additional non-album tracks and B-sides (including the extended "Everything Counts" and the excellent single, "Get the Balance Right"). Also remember when making your decision that the bonus music on the Rhino version is only accessible on the DVD (as well as double the price).

Everything counts........2007-03-31

Depending on who you are, the first two DM records may be viewed as some kind of false start for the synth-pop group. This is not really my favorite album by the group at all, but stands as a worthy inclusion of the album. I actually like most DM albums over this, but there is stuff that brings it together.

It's still kind of minimalist, but here the song-writing has improved. It's like a distant cousin to Some Great Reward, less developed and not quite as consistently good, but it's not really a bad album. It takes a little bit to get into, since apart from the singles, it's kind of indistinguishable. I'd probably give it three stars if not for "Love, In Itself" and "Everything Counts," which still stand up as Depeche classics. The former is kind of quirky in its construction but shows the band's expermentation into acoustic guitars and piano samples here and there. I like Gore's simple lyrics here. Where on A Broken Frame he seemed like he wanted to prove that Depeche could continue as the band they were, that was kind of the transistion from the beginning to here. The record in retrospect is kind of underproduced; you have to turn the volume up pretty high to hear the songs in even the sound they are on The Singles 81>85. In this case I may recommend you get the remastered version of the group's third LP (now, if only they'd make a standard version). There's also more Alan Wilder-penned tracks here than on any other Depeche Mode album, even if it's merely two songs.

If you're new to DM, I suggest you trying one of their other albums first, but if you love what you've heard from them, particularly "Some Great Reward," I think that this would be worth checking out. Besides, it's fairly cheap as it is.

Depeche Mode Go Industrial.......2007-01-03

This album remains one of my favourites in the dM catalogue.

With this album the band pretty much leave behind the purely pop-oriented songs of their early days, and instead transition fully into a unique industrial sound with a more experimental feel. (Here I mean industrial in its true sense with sampled metallic sounds, etc.) Brilliant use of sampled sounds accented by instruments such as metallaphones keep the songs fresh and interesting. The album's tracks really do have a unique vibrancy and texture to them.

While "Everything Counts" is indeed a classic, my favourites on this album are the darker tracks: Pipeline, Shame, Two Minute Warning, and The Landscape is Changing (the latter two of which are under-rated rare compositions of Alan Wilder).

The lyrics of the album give it a somewhat young and naive feel, intermixed with a sense of injustice. In this way, the raw sentiments behind the lyrics match the interesting and sometimes erratic feeling of the instrumentation.

The album cover and title bring together the blue-collar, industrial theme of the album, a marked improvement over dM's somewhat unfocused previous album "A Broken Frame".

El disco politico de Depeche Mode.......2006-06-24

En 1983, Depeche Mode volvio a ser un cuarteto; con la incorporacion de Alan Wilder no solo como tecladista sino como un gran arreglador y vital en el lapso que seguiria hasta 1995. Comienzan a experimentar nuevas cosas, como sampleos (que era algo muy poco usual para la epoca) y tambien una evolucion importante en las letras de Martin Gore, basadas en la teoria marxista; cuyo resultado es el disco "Construction time again" de 1983.

El disco parte con dos temas muy comunes; "Love in itself", una excelente anti-cancion de amor y "More than a party", que es una semejanza (en mi punto de vista) contra la droga. Lo novedoso es que se incorpora nuevos sonidos que nunca se habian escuchado en los dos discos anteriores; para lo que el album se espera mas; y es asi, sorprendiendo con "Pipeline" una cancion para el obrero trabajador; cuyos sonidos son minimalistas, sonidos de cañerias, por ejemplo. Luego, para terminar la primera parte, esta el clasico "Everything counts" una cancion que hasta el dia de hoy se mantiene en el repertorio clasico del grupo.

La segunda parte del disco comienza con una cancion compuesta por Alan Wilder: "Two minute warning" que habla sobre la energia nuclear. Luego "Shame", una cancion critica contra los mandamases de la epoca por los niños desnutridos en Africa; "The landscape is changing", otro tema de Wilder, en el cual habla sobre como los paisajes se convierten en edificios, centrales hidroelectricas, etc. "Told you so", un tema que podria haber sido tercer sencillo de este disco, con una vision ironica del mundo por parte de Martin Gore; y al final "And then...", cuya tematica es el futuro mundial a modo de Depeche Mode.

Tal vez para la gente que no esten de acuerdo con la politica izquierda y marxista o la politica en general, no le gustaran este disco. En mi opinion, creo que es uno de los clasicos perdidos; me parece que es uno de los mejores discos de DM, pero al mismo tiempo, no esta a la altura de "Some great reward", "Black celebration", "Music for the masses", "Violator" y el mismisimo "Playing the angel". Musicalmente mostraban una evolucion que perduro en los siguientes discos, innovando mas sonidos.

In my opinion .........2006-02-20

In my opinion this is the best DM release,it's arguable but in my opinion it is,the reason i think so is because it's darker than the other releases plus i picked it up really cheap at a record shop a must own!

Average customer rating: A musical treasure-box a beautiful journey into melancholy

Dowland - The Collected Works / The Consort of Musicke, Rooley John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne Manufacturer: Decca ProductGroup: Music Binding: Audio CD Byrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Holborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by White | White, Robert | ( W ) | Featured Composers, A-Z | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Sacred & Religious | Early Music | Historical Periods | Classical | Styles | Music | Requiems Ballets & Dances | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Recorder | Reeds & Winds | Instruments | Classical | Styles | Music Lute | Strings | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music Solo Instrumental | New Age | Styles | Music Classical | Box Sets | Stores | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Byrd, William | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music Dowland, John | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music Holborne, Anthony | ( H ) | Composers, A-Z | Classical Music Blowout | Stores | Music White, Robert | ( W ) | Composers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Bargain Box Sets | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music All Bargain Titles | Opera & Vocal General | Opera & Vocal | Today's Deals in Music | Formats | Music The Decca Records Store | Specialty Stores | Music Similar Items: Dowland: Complete Lute Works, Vol.1-5 William Byrd: Consort Songs Bach: The Landowska Recordings Britten Conducts Britten Janácek: Operas ASIN: B000004CYV Release Date: 2007-03-13

Tracks:

1. First Booke Of Songes: I. Unquiet Thoughts
2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
4. First Booke Of Songes: IV. If My Complaints Could Passions Move
5. First Booke Of Songes: V. Can She Excuse My Wrongs
6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
7. First Booke Of Songes: VII. Dear, If You Change
8. First Booke Of Songes: VIII. Burst Fourth My Tears
9. First Booke Of Songes: IX. Go Crystal Tears
10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
11. First Booke Of Songes: XI. Come Away, Come Sweet Love
12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
16. First Booke Of Songes: XVI. Would My Conceit
17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
18. First Booke Of Songes: XVIII. His Golden Locks
19. First Booke Of Songes: XIX. Awake, Sweet Love
20. First Booke Of Songes: XX. Come, Heavy Sleep
21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

1. Second Booke Of Songs: I. I Saw My Lady Weep
2. Second Booke Of Songs: II. Flow My Tears
3. Second Booke Of Songs: III. Sorrow, Stay
4. Second Booke Of Songs: IV. Die Not Before Thy Day
5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
6. Second Booke Of Songs: VI. Time's Eldest Son
7. Second Booke Of Songs: VII. Then Sit Thee Down
8. Second Booke Of Songs: VIII. When Others Sing Venite
9. Second Booke Of Songs: IX. Praise Blindness Eyes
10. Second Booke Of Songs: X. O Sweet Woods
11. Second Booke Of Songs: XI. If Floods Of Tears
12. Second Booke Of Songs: XII. Fine Knacks For Ladies
13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
15. Second Booke Of Songs: XV. White As Lilies Was Her Face
16. Second Booke Of Songs: XVI. Woeful Heart
17. Second Booke Of Songs: XVII. A Shepherd In A Shade
18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
19. Second Booke Of Songs: XIX. Shall I Sue
20. Second Booke Of Songs: XX. Toss Not My Soul
21. Second Booke Of Songs: XXI. Clear Or Cloudy
22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

1. Third Booke Of Songs 1603: I. Farewell, Too Fair
2. Third Booke Of Songs 1603: II. Time Stands Still
3. Third Booke Of Songs 1603: III. Behold A Wonder Here
4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
9. Third Booke Of Songs 1603: IX. What If I Never Speed?
10. Third Booke Of Songs 1603: X. Love Stood Amazed
11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
17. Third Booke Of Songs 1603: XVII. I Must Complain
18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

1. A Pilgrimes Solace: I. Disdain Me Still
2. A Pilgrimes Solace: II. Sweet Stay Awhile
3. A Pilgrimes Solace: III. To Ask For All Thy Love
4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
6. A Pilgrimes Solace: VI. Were Every Thought An Eye
7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
8. A Pilgrimes Solace: VIII. Tell Me, True Love
9. A Pilgrimes Solace: IX. Go Nightly Cares
10. A Pilgrimes Solace: X. From Silent Night
11. A Pilgrimes Solace: XI. Lasso vita mia
12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
14. A Pilgrimes Solace: XIV. Thou Mighty God
15. A Pilgrimes Solace: XV. When David's Life
16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
3. A Pilgrimes Solace: XIX. Up Merry Mates
4. A Pilgrimes Solace: XX. Welcome Black Night
5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
2. Mr. Henry Noell Lamentations: II. Domine ne in furore
3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
6. Mr. Henry Noell Lamentations: VI. De profundis
7. Mr. Henry Noell Lamentations: VII. Domine exaudi
8. Lachrimae: Lachrimae Antiquae
9. Lachrimae: Lachrimae Antiquae Novae
10. Lachrimae: Lachrimae Gementes
11. Lachrimae: Lachrimae Tristes
12. Lachrimae: Lachrimae Coactae
13. Lachrimae: Lachrimae Amantis
14. Lachrimae: Lachrimae Verae
15. Lachrimae: Mr. John Langton's Pavan
16. Lachrimae: Mr. Nicholas Gryffith His Galiard
17. Lachrimae: Sir John Souch His Galiard
18. Lachrimae: Semper Dowland Semper Dolens
19. Lachrimae: Mr. Giles Hobies Galiard
20. Lachrimae: The King Of Denmark's Galiard
21. Lachrimae: Sir Henry Umpton's Funerall
22. Lachrimae: Mr. Henry Noell His Galiard
23. Lachrimae: The Earl Of Essex Galiard
24. Lachrimae: Mr. Bucton His Galiard
25. Lachrimae: Mr. George Whitehead His Almand
26. Lachrimae: Captain Digorie Piper His Galiard
27. Lachrimae: Mr. Thomas Collier His Galiard
28. Lachrimae: Mrs. Nichols Almand

Tracks:

1. Sacred Songs: Sorrow, Come!
2. Sacred Songs: I Shame At Mine Unworthiness
3. Sacred Songs: An Heart That's Broken And Contrite
4. Psalms: Psalm 100: All People That On Earth Do Dwell
5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
6. Psalms: Psalm 130: Lord To Thee I Make My Moan
7. Psalms: Psalm 104: My Soul Praise The Lord
8. Psalms: Psalm 100: All People That On Earth Do Dwell
9. Psalms: Psalm 134: Behold And Have Regard
10. A Prayer For The Queen's Most Excellent Majesty
11. Instrumental Music: Solus cum sola pavan
12. Instrumental Music: Lachrimae
13. Instrumental Music: Galliard
14. Instrumental Music: Pipers Pavan
15. Instrumental Music: Lachrimae
16. Instrumental Music: Lady Rich Galliard
17. Instrumental Music: Earl Of Essex Galliard
18. Instrumental Music: If My Complaints
19. Instrumental Music: Lachrimae Doolande
20. Instrumental Music: Lord Willoughbie's Welcome Home
21. Instrumental Music: My Lord Chamberlaine His Galliard
22. Instrumental Music: Comagain
23. Instrumental Music: Pavan Lachrymae
24. Instrumental Music: Sorrow Stay

Tracks:

1. Lute Music: Preludium
2. Lute Music: Lachrimae
3. Lute Music: Can She Excuse
4. Lute Music: Dr. Case's Pavan
5. Lute Music: Melancholy Galliard
6. Lute Music: Sir John Smith, His Almain
7. Lute Music: Fantasia
8. Lute Music: A Dream
9. Lute Music: Almain
10. Lute Music: The Queen's Galliard
11. Lute Music: Coranto
12. Lute Music: Resolution
13. Lute Music: Mrs. Vaux Galliard
14. Lute Music: Almain
15. Lute Music: Mr. Dowland's MIdnight
16. Lute Music: Fantasia
17. Lute Music: Loth To Depart
18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
19. Lute Music: The Earl Of Essex, His Galliard
20. Lute Music: Pavan
21. Lute Music: John Dowland's Galliard
22. Lute Music: Aloe
23. Lute Music: The Lady Clifton's Spirit
24. Lute Music: What If A Day
25. Lute Music: Mr. Giles Hobie's Galliard
26. Lute Music: Come Away (Song arrangement)
27. Lute Music: Galliard
28. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Lachrimae (Basic Version)
2. Lute Music: Galliard To Lachrimae
3. Lute Music: [Jig]
4. Lute Music: Galliard On 'Wasingham'
5. Lute Music: Complaint (Ballad Setting)
6. Lute Music: Mignarda (Galliard)
7. Lute Music: Semper Dowland Semper Dolens (Pavan)
8. Lute Music: The Frog Galliard
9. Lute Music: A Fancy (Fantasia)
10. Lute Music: Fancy (Fantasia)
11. Lute Music: Piper's Pavan
12. Lute Music: Captain Digorie Piper's Galliard
13. Lute Music: Lady Laiton's Almain
14. Lute Music: Dowland's Galliard
15. Lute Music: Dowland's First Galliard
16. Lute Music: Tarleton's Jig
17. Lute Music: Walsingham (ballad Setting)
18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
19. Lute Music: Sir Henry Guilforde, His Almain
20. Lute Music: Pavan (Related To 'Lachrimae')
21. Lute Music: Mr. Langton's Galliard
22. Lute Music: Mrs. Clifton's Almain
23. Lute Music: Galliard
24. Lute Music: Lady Hunsdon's Puffe (Almain)
25. Lute Music: Galliard
26. Lute Music: Go From My Window (Ballad Setting)
27. Lute Music: Fancy (Fantasia)

Tracks:

1. Lute Music: Pavana Johan Douland
2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
3. Lute Music: La mia Barbara
4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
5. Lute Music: Lachrimae
6. Lute Music: Farewell Fancy (Chromatic Fantasia)
7. Lute Music: Farewell (On The 'In Nomine' Theme)
8. Lute Music: The King of Denmark's Galliard
9. Lute Music: Mrs. Vaux's Jig
10. Lute Music: Mrs. Nichol's Almain
11. Lute Music: Galliard
12. Lute Music: Lord Strang's March
13. Lute Music: Mrs. Winter's Jump
14. Lute Music: Can She Excuse (Galliard)
15. Lute Music: The Shoemaker's Wife, A Toy
16. Lute Music: Mrs. Norrish's Delight
17. Lute Music: Galliard
18. Lute Music: Mrs. White's Thing (Almain)
19. Lute Music: Mrs. White's Nothing
20. Lute Music: The Frog Galliard
21. Lute Music: Solus cum sola
22. Lute Music: The Lord Viscount Lisle, His Galliard
23. Lute Music: Orlando Sleepeth (Ballad Setting)
24. Lute Music: Robin (Ballad Setting)
25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

1. Lute Music: The Lady Russell's Pavan
2. Lute Music: Fancy (Fantasia)
3. Lute Music: Sir John Langton's Pavan
4. Lute Music: Earl Of Derby, His Galliard
5. Lute Music: A Coy Toy
6. Lute Music: Fortune My Foe
7. Lute Music: [Almain]
8. Lute Music: Mr. Knight's Galliard
9. Lute Music: Sir John Souch His Galliard
10. Lute Music: Tarletone's Riserrectione
11. Lute Music: The Lady Rich, Her Galliard
12. Consort Music: Lachrimae Pavan
13. Consort Music: Can She Excuse Galliard
14. Consort Music: Captain Piper's Pavan And Galliard
15. Consort Music: The Frog Galliard
16. Consort Music: Round Battell Galliard
17. Consort Music: Fortune My Foe
18. Consort Music: Dowland's First Galliard
19. Consort Music: Katherine Darcie's Galliard
20. Consort Music: Tarleton's Jigge
21. Consort Music: Almain a 2
22. Consort Music: Mistress Nichols Almain a 2
23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
25. Opusculum: Mr. John Langton Pavan And Galliard
26. Opusculum: La mia Barbara Pavan and Galliard
27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

1. Consort Music: Mistress NIchols Almain
2. Consort Music: Volta a 4 ('Ioh. Douland')
3. Consort Music: Were Every Thought an Eye
4. Consort Music: Lady If You So Spite Me
5. Consort Music: Pavan a 4
6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
13. A Musicall Banquet: VIII. Far From Triumphing Court
14. A Musicall Banquet: IX. Lady, If You So Spite Me
15. A Musicall Banquet: X. In Darkness Let Me Dwell
16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Average customer rating: Great Movies have Great Soundtracks! Only Disc 1 Is Worth Anything More of a propaganda CD Great selection of Film Hits! Older recordings, main themes only

Paramount 90th Anniversary Collection: Scores Various Artists Manufacturer: Sony ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music Television Soundtracks | Soundtracks | Styles | Music Star Trek | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Varese Sarabande 25th Anniversary Celebration Simply the Best Movie Themes The Incredible Film Music Box Hollywood's Greatest Hits, Vol. 1 The Essential Elmer Bernstein Film Music Collection ASIN: B000068TN9 Release Date: 2002-07-02

Tracks:

1. Saving Private Ryan 'Hymn To The Fallen' - John Williams
2. Double Indemnity 'Prelude' - Miklos Rozsa
3. The Lost Weekend 'Finale' - Miklos Rozsa
4. The Heiress 'Departure/Morris Suggests Love/The Proposal/Finale' - Aaron Copland
5. Sunset Boulevard 'Prelude' - Franz Waxman
6. The Ten Commandments 'Prelude' - Elmer Bernstein
7. Breakfast At Tiffany's 'Moon River' - Henry Mancini
8. Hatari! 'Baby Elephant Walk' - Henry Mancini
9. Rosemary's Baby 'Main Title (Vocal)' - Christopher Komeda
10. Romeo & Juliet 'Love Theme From Romeo & Juliet' - Nino Rota
11. Once Upon A Time In The West 'Once Upon A Time In The West' - Ennio Morricone
12. Love Story 'Theme From Love Story' - Francis Lai
13. The Godfather 'Main Title (The Godfather Waltz)' - Nino Rota
14. The Godfather 'Love Theme From The Godfather' - Nino Rota
15. Chinatown 'Love Theme From Chinatown (Main Title) - Jerry Goldsmith
16. The Godfather - Part II 'End Title' - Nino Rota
17. Star Trek: The Motion Picture 'End Title' - Jerry Goldsmith
18. Raiders Of The Lost Ark 'Raiders Of The Lost Ark' - John Williams
19. Terms Of Endearment 'Theme From Terms Of Endearment' - Michael Gore
20. Flashdance 'Love Theme From Flashdance' - Giorgio Moroder
21. Beverly Hills Cop 'Axel F' - Harold Faltermeyer

Tracks:

1. Witness 'Building The Barn' - Maurice Jarre
2. Children Of A Lesser God 'Main Title' - Michael Convertino
3. The Untouchables 'The Strength Of The Righteous (Main Title)' - Ennio Morricone
4. Fatal Attraction 'Fatal Attraction' - Maurice Jarre
5. The Addams Family 'Main Title' - Marc Shaiman
6. Dead Again 'Winter 1948' - Patrick Doyle
7. Indecent Proposal 'Flashback & Photos' - John Barry
8. The Firm 'How Could You Lose Me?-End Title' - Dave Grusin
9. Clear And Present Danger 'Main Title/A Clear And Present Danger' - James Horner
10. Braveheart 'For The Love Of A Princess' - James Horner
11. Primal Fear 'Courtroom Montage' - James Newton Howard
12. Mission: Impossible 'Zoom B' - Danny Elfman
13. Star Trek: First Contact 'End Credits' - Jerry Goldsmith
14. Titanic 'Hard To Starboard' - James Horner
15. The Rugrats Movie 'Baby Shower Happenings' - Mark Mothersbaugh
16. The Talented Mr. Ripley 'Italia' - Gabriel Yared
17. Rules Of Engagement 'Semper Fidelis (Always Faithful)' - Mark Isham
18. Mission: Impossible 2 'The Bait' - Hans Zimmer
19. Lara Croft: Tomb Raider 'Main Titles' - Graeme Revell
20. Vanilla Sky 'To The Roof' - Nancy Wilson
21. The Sum Of All Fears 'The Mission' - Jerry Goldsmith
22. Forest Gump 'I'm Forrest...Forrest Gump' - Alan Silvestri

Amazon.com

Granddaddy of the Hollywood studios, Paramount Pictures is rightfully proud of its century of contributions to both American cinema and the art of film scoring. But the first disc of this 43-track double-CD anthology merely hints at the studio's musical peaks, blithely skipping through its first seven decades in just 17 tracks. Indeed, the package as a whole seems more interested in marketing its post-'70s catalog of hits and blockbusters than it does in paying real homage to history and roots. Even rarities like Double Indemnity and The Lost Weekend are served up via modern budget-line rerecordings, as is Ennio Morricone's epochal Once upon a Time in the West). Contemporary recordings of Aaron Copland's rare score to The Heiress and Franz Waxman's great Sunset Blvd. fare better, but soundtrack fans may miss the originals. The studio's rich pop-crossover successes in the '60s are documented via Breakfast at Tiffany's "Moon River" and excerpts from Romeo and Juliet and Love Story, while successful franchises like Star Trek and Raiders also get their due. Too often the '90s-focused second disc only underscores some uncomfortable trends in contemporary scoring--orchestral nervous tics punctuated by booming crescendos, treacly piano Muzak--and makes one wonder if the music of The Rugrats Movie and Lara Croft: Tomb Raider are really film music milestones. --Jerry McCulley

Customer Reviews:

Great Movies have Great Soundtracks!.......2007-05-10

If you love movies and movie music, you can't go wrong with this two cd Paramount Anniversary set.

Only Disc 1 Is Worth Anything.......2006-07-19

Normally I have a lot to say in my reviews, but not this time. The main problem with this collection is that all the most memorable film scores are just on one disc, with the second used mostly to play out stuff from the last ten years that, really, musically isn't very memorable and only includes three pieces anyone will recognize just because, like the movies they come from, they're based on old TV shows - The Addams Family, Star Trek, and Mission: Impossible.

And that brings up another problem. With all due respect to the late Jerry Goldsmith, who has provided some truly great classic movie scores, was it REALLY necessary to include TWO versions of the SAME Star Trek march in this collection? This seems evocative of the milk-it-for-all-its-worth attitude Paramount has had lately toward its now-tarnished crown-jewel franchise. Where's James Horner's theme music from Star Trek II and III? If they're gonna put Star Trek on here twice, they should have provided a little diversity. It wouldn't have taken much, I'm sure.

I'm sure that Paramount's had other films with far more memorable music (even Harold Faltermeyer's Top Gun Anthem could have helped on Disc 2). This just seems like a lazy attempt at something that really could have been great.

More of a propaganda CD.......2002-10-30

There are some really great songs on this 2 CD set. However, those really great songs seem to be lightly interspersed amongst a large number of forgettable songs whose main purpose seems to be to remind you of those movies you enjoy(ed) so much.

It seems a little odd to me that out of 90 years of film making the most memorable scores have been largely released within the last few years. I was pleased to find themes from the Godfather, Indiana Jones and Witness. I was perplexed with the inclusion of songs from Rugrats, both Mission Impossible movies (one would have been more than enough) and Tomb Raider (memorable???).

This is my own personal bias, but I do prefer movie soundtracks that evoke a feeling of excitement. With this collection I just couldn't get excited. I kept finding myself being let down by songs that didn't in some way complement the preceeding song.

There are certainly some great tracks here, but overall I was disappointed. My advise would be to look elsewhere.

Great selection of Film Hits!.......2002-09-25

This one was a pleasant surprise! I thought- how could any CD that had "Baby Elephant Walk" be all that good? This one is. Lots of great scores- classics and a few hidden treasures. After hearing the beautiful title score for "Children of a Lesser God", I had to buy the entire soundtrack - very soothing. There are a few that may seem too overplayed ("Love Story", "Raiders of the Lost Ark",), but most are a welcome addition to any compilation. Try NOT loving "Building the Barn" from "Witness" or the "Hymn to the Fallen" from "Saving Private Ryan". Hours of great listening.

Older recordings, main themes only.......2002-08-27

This is a great album concept, but I really wish Paramount had re-recorded these scores as they deserve to be heard. The tracks range from 1944 to the present, and the older recordings sound just like the cleaned-up older recordings that they are.

I would also personally have enjoyed more "secondary" music themes (otherwise it becomes like reading book summaries that always only quote the opening paragraph), and I could easily have done without the "pop" tunes (like Baby Elephant Walk and the Rugrats theme). In fact, it would have been very nice to listen to an album comprised of tracks chosen for their strong musical value rather than apparently for their box office and/or hit song popularity. But, to be fair, that may be precisely what draws some people to this CD set.

Film score music constitutes the single most significant body of classical music of our time. I hope some of these tracks will entice listeners to buy entire soundtracks and listen to some of these works as a whole.

Average customer rating: Amazing Music Why don't they play THIS on the radio??? OUTSATNDING!!!!!!! Open Your Eyes...and ears. Great stuff

Time & Again: The Anthology, Pt. 2 Bobby Caldwell Manufacturer: Sin-Drome Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | R&B | Styles | Music General | Jazz | Indie Music | Stores | Music Similar Items: Timeline: The Anthology, Pt. 1 Perfect Island Nights Come Rain or Come Shine What You Won't Do for Love Blue Condition ASIN: B00005KJ2K Release Date: 2001-06-19

Tracks:

1. What You Won't Do For Love
2. Open Your Eyes
3. In The Name Of Love
4. Next time (I Fall)
5. All Or Nothing At All
6. Heart Of Mine
7. Stay With Me
8. Saying It's Over
9. Janet
10. Without Your Love
11. Cry
12. Where Is Love
13. Love Lite
14. Shape I'm In
15. Rain
16. Everytime You Say My Name

Customer Reviews:

Amazing Music.......2004-09-05

This is some of the most relaxing music I have ever heard. I was introduced to Caldwell's music after seeing his name as the songwriter to the Peter Cetera and Amy Grant duet "Next Time I Fall". His songs are very melodic and powerful. His music definitely reminds me of Peter Cetera's music and 80s Chicago. There is not one filler song on this cd. It is the best smooth jazz cd I have ever heard. All of the songs have lots of layered keyboards and guitars that make the songs just flow. Essential for smooth jazz and soft rock fans.

Why don't they play THIS on the radio???.......2004-01-30

I really miss not having a smooth jazz station in Boston, MA. That's where I first heard Bobby's music. This cd I bought after seeing the songs that were on it, and after having purchased his first Anthology cd. I had my my favorites before buying it "Heart of Mine", "Next time I fall" "What you won't do." But now, that list includes "Shape I'm in" "Janet", heck I can't name them all, but buy this cd, or borrow a friends, you'll want it for yourself!!!

OUTSATNDING!!!!!!!.......2003-12-18

Bobby is fantastic!!!!!!!! This is a great album.

Open Your Eyes...and ears........2003-06-10

Thank goodness for Larry Carlton. I was looking for his collaboration with TOTO's Steve Lukather, and pretty much right in front of it was this CD. Up to that point I had been familiar with Bobby Caldwell only as a songwriter (and a great one at that), so was surprised to learn of his extensive recorded output.

Opening with "What You Won't Do For Love" (which, I swear I had never heard before) the disc is a delight from start to finish, and seems to sound even better each time you listen to it. Amongst my favourite cuts are "Open Your Eyes", "In The Name Of Love", "Janet", "Where Is Love" and "Rain". I was also most surprised to find that his version of "Heart Of Mine" - probably the first of his songs that I had known - managed to surpass the hit version by Boz Scaggs in quality. "Next Time I Fall" is also superior (IMHO) to the duet version by Peter Cetera and Amy Grant, which I always thought was brilliant as it was.

A great artist, and one this collection has made me very interested in investigating much more thoroughly.

Great stuff.......2001-10-19

What can I say? You get all the great stuff here. Classics like "What You Won't Do For Love", "All or Nothing at All", and "Heart of Mine" are here, as well as newer songs like "Without Your Love" and "Cry". There's also two brand new songs, including the catchy and uplifting "Every Time You Say My Name".

Now I can only hope that he would like to release a 3rd part Anthology album (maybe titled "Timeless"?), with songs like:
1. Back to You
2. First Time
3. Don't Give Me Bad News
4. Stuck on You
5. Love Won't Wait
6. Take me Back to Then
7. China
8. Words
9. One Love
10. Walk on by
11. I Don't Want to Lose Your Love,
12. Show Me, and
12. Promise (This song is just so sweeet!)
These are the best of him, I hope he knows it. I heard that he's going to release a new album in 2002...can't wait to hear it!

Average customer rating: The City of Prague Philharmonic Orchestra needs a guitar player! Persuaders Theme! A Variety Of Classics! Incredible Barry Collection " one of cinema's greatest composers...John Barry"

John Barry: The Collection Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Soundtracks | Box Sets | Stores | Music General | Soundtracks | Indie Music | Stores | Music Movie Soundtracks | Soundtracks | Indie Music | Stores | Music Similar Items: The Music of John Williams: 40 Years of Film Music Jerry Goldsmith: 40 Years of Film Music Beyondness of Things The Essential Elmer Bernstein Film Music Collection Eternal Echoes ASIN: B00005BADD Release Date: 2001-05-22

Tracks:

1. Zulu
2. From Russia With Love
3. From Russia With Love - 007
4. Goldfinger
5. The Ipcress File
6. The Knack
7. Mister Moses
8. Thunderball
9. The Wrong Box
10. Born Free
11. The Quiller Memorandum
12. You Only Live Twice
13. The Girl With The Sun In Her Hair
14. Deadfall

Tracks:

1. The Lion In Winter
2. On Her Majesty's Secret Service
3. On Her Majesty's Secret Service
4. Midnight Cowboy
5. Midnight Cowboy
6. The Appointment
7. The Last Valley
8. Walkabout
9. Monte Walsh
10. Diamonds Are Forever
11. The Persuaders
12. Mary Queen Of Scots
13. The Man With The Golden Gun
14. The Dove

Tracks:

1. The Tamarind Seed
2. King Kong
3. Eleanor And Franklin
4. Robin And Marian
5. The Deep
6. Hanover Street
7. The Black Hole
8. Moonraker
9. Somewhere In Time
10. Raise The Titanic
11. Body Heat
12. Frances
13. Octopussy
14. The Cotton Club

Tracks:

1. High Road To China
2. A View To A Kill
3. Out Of Africa
4. The Living Daylights
5. Dances With Wolves
6. Dances With Wolves
7. Chaplin
8. Moviola
9. Indecent Proposal
10. The Specialist
11. The Scarlet Letter
12. Cry The Beloved Country
13. Mercury Rising
14. The James Bond Theme

Customer Reviews:

The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09

Granted, they only need it for one composition (the last one, "The James Bond Theme") but still, without the guitar it's just not the same. Barry didn't compose this one so I suppose it was a bonus and I shouldn't complain, really. The rest of the music on all the CDs is fantastic. Some of the stuff I had heard before without realizing who had composed it. Very enjoyable, to say the least.

Persuaders Theme!.......2006-03-02

Buy it for the Persuaders theme, probably the best TV theme song ever written.

A Variety Of Classics!.......2005-12-06

John Barry has been composing film scores for over forty years and this is only scratching the surface of his productions. Never mind that the entire set is recorded by the Prague Philharmonic; it's pure to Barry's themes. While John Williams compositions ("Star Wars", etc.) are wild and flamboyant and Jerry Goldsmith's (Hoosier's, etc.) are mood pieces, John Barry crosses over all barriers and is amazingly diverse. Barry has recorded most of the exciting James Bond themes, melodramatic classics like "The Lion In Winter' and moody theme hits like "Midnight Cowboy". He also tugs at the heartstrings with compositions from, "Somewhere In Time", "Frances" and "Out Of Africa". He varies his themes for all types of films and few composers capture it so well.

There is over four hours of music in this set with a colorful and informative booklet.

Incredible Barry Collection.......2004-03-11

Any fan of movies will absolutley love this collection. Being a movie buff I couldn't wait to get this boxed set. Knowing Barry from all the James Bond movies, I did not realize his involvement with so many others. The orchestra is magnificent in all these themes. I'm listening to "High Road to China" right now and I'm drifting in the clouds in a Tiger Moth with Tom Selleck and Bess Armstrong. If you are familiar with a movie it will definitely have you seeing it again, if not the scores are still beautiful. Any fan of classical music will be pleased as well. Travellers will defintitely enjoy it for a long drive. I know from when I use to travel that music like this made the miles float by faster. I highly recommend these four CDs even if you just know a handful of the songs.

" one of cinema's greatest composers...John Barry".......2001-07-06

This collection of four compact discs...are worth their weight in GOLD! Barry creates visual moods for each film he scores...romantic, sentimental, action, adventure, suspense and mystery...the list could go on. Strings, brass and lush-velvet arrangements overlay each cue in his distinctive style of legendary scoring...we have ~ "John Barry:The Collection", Silva Screen's release traces 40 years of film music, featuring "The City Of Prague Philarmonic Orchestra" ~ conducted by Mr. Nic Raine (outstanding)..."Crouch End Festival Chorus" ~ David Temple, Choir Master...perform 56 selections, over four hours of symphonic suites with a full orchestra sound...all individually wrapped-up into one neat package...just the way "film-score-buffs" like 'em!

Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!

Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)

You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.

Average customer rating: Amy still delivers Helps to the fill the "void" of a recent live set in Amy Grant's portfolio Grantster Rock! Collection of Musical Memories A Testimony to the Surprising Endurance of Grant's Music

Time Again: Amy Grant Live All Access Amy Grant Manufacturer: Word Entertainment ProductGroup: Music Binding: Audio CD Christian Rock | Christian & Gospel | Styles | Music General | Christian & Gospel | Styles | Music Gospel | Christian & Gospel | Styles | Music Christian Contemporary Music | Christian & Gospel | Styles | Music Live Recordings | Christian & Gospel | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Similar Items: Time Again: Amy Grant Live All Access Rock of Ages...Hymns & Faith Greatest Hits 1986-2004 Stand Amy Grant - Greatest Videos 1986-2004 ASIN: B000I0QJKW Release Date: 2006-09-26

Tracks:

1. Lead Me On
2. Good For Me
3. Stay For Awhile
4. Takes A Little Time
5. Simple Things
6. Saved By Love
7. Out In The Open
8. Ask Me
9. After The Fire
10. In A Little While
11. Thy Word
12. Oh How The Years Go By
13. Baby Baby
14. Eye to Eye
15. Every Heartbeat
16. Believe
17. I Will Remember You

Tracks:

1. Stay For Awhile [DVD]
2. Takes A Little Time [DVD]
3. Thy Word [DVD]
4. Lucky One [DVD]

Album Description

Time Again...Amy Grant Live was captured during two sold out performances April 11th and 12th, 2006 at the exquisite Bass Hall in Fort Worth, TX. Weaving a retrospective journey through a lifetime's worth of her most treasured songs, Amy invited audiences into her "living room" for a live concert experience unlike any other.

Customer Reviews:

Amy still delivers.......2007-07-16

And the kids wonder why she's still a dominant force in Christian music, even though she hasn't had a number one pop hit in years. Well, she has a back catalog of 200-plus quality, honest, lived-in songs and a charming and lovably unadorned "Ideal Friend" public persona that no other CCM artist can touch. That's why.

As others have noted, she was sometimes given short shrift for her singing and songwriting abilities because of her unmatched popularity and her looks. But time has proven her impressively capable in both arenas. In fact, some of her lyrics are revealed as prescient and are even more powerful as she (actually, we) go through midlife. Sandi Patti was the premiere Christian vocalist in the 1980s but Amy was the impassioned voice of everyone's hopes and doubts.

A word of caution: If you're fixated on being able to sing along note-for-note with these classic songs, you may be in for a disappointment. Not only have the arrangements and instrumentation of her older synth-pop tunes been altered for a casual stripped-down feel but Amy is more experimental in her phrasing these days. if you appreciate the Frank Sinatra/Willie Nelson school of reinterpretation with each performance, you'll love this set. If you're interested in a perfectly recreated nostalgia session, not so much.

The constraints of the single-CD format cause some of Amy's trademark just-folks banter and pindrop-quiet stories of the DVD presentation to be lost. But this is a mandatory audio version for the car and iPod.

Helps to the fill the "void" of a recent live set in Amy Grant's portfolio.......2007-06-24

Amy Grant may just be considered the greatest Christian Contemporary Artist in modern music history. She has both the commercial and critical success to back this up. It's hard to believe that Amy's career spans nearly 30 years. On top of achieving this success in the Christian Contemporary arena, Amy had a very successful "crossover" to the mainstream pop-music scene in the 1990s. Surprisingly, most of Amy's most successful material - in both the Christian and Pop arenas has not been on a live album. Yes, Amy released two albums very early in her career (1981's "In Concert" and "In Concert Volume 2"), but this did not contain the material that fans are most familiar with. It would be 25 years later when "Amy Grant - Time Again" would be released. This would be the long-awaited live album that would draw from her most successful material. Overall, this album while not perfect - does help to fill this one void in Amy's very successful career.

I can look at Amy Grant's career as encompassing three main phases. The first phase covers 1977 through 1981 (her debut self-title album "Amy Grant" through the "In Concert Volume 2"). In this phase, Amy definitely showed her youthful side (her first album was released while she still was in high school). For the most part, Amy did some nice songs and was able to establish herself as a Contemporary Christian Artist. In Phase 2 (this would cover 1982-1988, starting with "Age to Age" and going to this album "Amy Grant - The Collection"), Amy ascended to legendary status in the Contemporary Christian music-world both commercially and critically. This is where her husband to be Gary Chapman would begin to have an influence in her music. In this phase, Amy would show the most depth with her Christian music. When Phase 3 (1988 to present, starting with "Lead Me On" to present), Amy went into her full-fledged crossover into the mainstream (pop) music arena. 1981's "In Concert" albums do a great job at showing some of Amy's best live work from Phase 1 (in fact, many fans will find some really "hidden gems" in Amy's career on these albums). "Time Again" will focus more on her work from Phase 2 and Phase 3.

As mentioned, this collection does help to fill the void. It has its good points and weak points. Here are ten things to look from:

1.The collection draws its music from performances on April 11-12th, 2006. For the most part - there is something magical about hearing a great performance on a single night captured on a collection. For the most part, I find that when taking live songs from different concerts on different nights, the flow is disrupted. . However, this collection does a nice job at getting as close to creating a single night experience as possible.

2.The collection includes a CD and a "Bonus DVD". The "Bonus DVD" should not be confused with the separate full DVD release of "Time Again". It is important to know that not all of the songs from the April 11-12th shows are included on here. A more complete version is found on the full-length DVD. Songs such as "Carry You", "Lucky One", "Fathers Eyes", "El Shaddai", "Big Yellow Taxi", and "If These Walls Could Speak" are only included on the full DVD. "Lucky One" is also not on the CD, but is on the Bonus DVD. The band Rush released an identical CD copy to their DVD "Rush in Rio" - and it was a complete concert from a single night. I wish more artists would follow this lead.

3.The Bonus DVD didn't do a lot to sell me on the full DVD release. I found much of the camera work to flip too much between Amy and the band - breaking focus on the performance. There are split screens that are on "Stay For a While" and "Lucky One" which I also found to be very distracting and annoying.

4.The nice thing is the small venue that these performances were taken from. The performances were from Bass Hall in Fort Worth, Texas. I think the intent of having an "intimate" live recording is successful. The Bonus DVD helps to demonstrate this visually. In addition, Amy has a strong band backing her up - and this helps Amy make the most of this setting.

5.There is a very interesting version of "Baby Baby". Amy does a country-spin on the song. I felt this spin in a live setting was actually a better version of the song.

6.The version of "Every Heartbeat" is outstanding. It is the best live cut from the collection - the only problem was it was too short.

7.One can make an argument that albums such as "Lead Me On" and "House of Love" are not well represented on the set list. However I think a more glaring omission is that there is no material from "Unguarded".

8.The set includes an Acoustic "unplugged" Set midway through the performance. This is typical with most live performances today. This helps enhance the "intimate" setting of the show.

9.I liked the inclusion of "Believe" - the theme song from Amy's reality show, "Three Wishes".

10.There is a solid new studio version of Amy's 1982 show, "In a Little While". This new studio version not only has more of a pop feel than the 1982 version, but it also reflects Amy's maturity as now a 40 plus year-old woman. You will also hear more guitar on this version.

The liner notes include acknowledgements from Amy herself and producer Steve Bishir. There are also musician and songwriting credits listed. Overall despite some of the weaker points of this collection, I don't think anyone can complain about the quality of the performance. This is one that should help fill the void of the lack of a live album from Amy Grant and should also appeal to the mainstream fan.

Grantster Rock!.......2007-05-24

Before listening to this CD, my favorite live album was KISS ALIVE II Alive II, but no more! Amy leaves them in the dust! And without the blood, pyro, and makeup. Trust me, this one makes you want to scream! Rock On!

Collection of Musical Memories.......2007-04-19

Amy Grant has enjoyed a 28 year career and was among the first artists to cross over from Christian music to enjoy some pop success. In all that time, her only live recordings were from earlier in the career. So, to correct that, she released this CD.

While she does some of her earlier hits, the focus is on the second half of her catalog. Frankly, this makes sense since this is most likely what she does in concert these days. Still, I was disappointed not to see such classics as "El Shaddai" and "My Father's Eyes" not make the CD, although I do understand they are on the DVD.

What is here is great. The songs mostly sound like they did when first recorded. And most of them stand up well all these years later. The biggest change is to "In a Little While," which she gives a modern pop sound. I like the new version just as much as the 24 year old classic version. But I don't think we needed to have the live version and a studio version on the disc. Another highlight is "Believe," the theme from her short lived TV show "Three Wishes," which hasn't been released anywhere else to my knowledge.

Long talking breaks can make or break a concert CD. While Amy talks occasionally, it's only for a few seconds at a time. There are no long stories that give additional insight into these songs. At the same time, there are no jokes that were funny the first few times but fall flat on repeated listens.

The CD comes with a bonus DVD that includes five songs from the DVD release of this concert.

This is a great collection of songs from a long pop career. I was reminded just how much I love some of these songs. By no means perfect, it will certainly please her many fans.

A Testimony to the Surprising Endurance of Grant's Music.......2007-03-08

Amy Grant's music, while always enjoyable and well done, on the surface has rarely reached an artistic level that you might think would stand the test of time. Grant reached her artistic peak to date with Lead Me On (1988), a superb album that in the 1990s widely was considered to be the best contemporary Christian album ever released. (It still deserves that award, IMHO.) Her next studio album, Heart in Motion (1991) catapulted her into the pop stratosphere with its five top 20 hits (four of which reached the top 10). Since that pop success, only the musically spare, mostly acoustic Behind the Eyes (1997) and the overproduced but underrated pop of Simple Things (2003) have hinted at the depths plumbed in Lead Me On.

At the same time, however, artistic depth is not always the greatest good. Grant's radio hits and other pop songs have impacted lives because they are so practical, down home, warm, and full of emotion. Quite simply, they radiate a simplicity and goodness that make them both attractive and relevant. Grant's new live album, Time Again ... Live, commendably shows you both her artistic side and her pop sensibilities. It helps that Grant is a very good stage performer; while I wasn't that impressed with her the first time I saw her live in 1986 on her Unguarded encore tour, her 1995 Decade of Hits and 1998 Behind the Eyes shows both were excellent.

The CD itself works on two levels. First, it's a wonderful trip down memory lane for those who have followed Grant over the decades. Second, though, it shows you that Grant's music endures the passage of years to a degree that you may not have thought possible. Freed from its mid-1980s technopop effects and long opening and closing segments, "Stay for Awhile" packs a greater wallop by bringing to the fore the non-sappy memories of two friends; it's a timeless song. The four hits from Heart in Motion found here still are enjoyable pop tunes 15 years after their initial radio play. The one charting single and three more serious tunes off of Simple Things give you some sense of the depth of the largely ignored album and are played better here than on the original recording.

It helps that Grant clearly is not content with pulling out the hits here. (Otherwise, she should have included at least one song from her first successful crossover album, 1985's Unguarded.) There are more than enough familiar radio singles, to be sure, but there are also a large number of very good tracks that never got their due before. (How many people remember that Grant was the first to record the Will Jennings [cowriter of the Celine Dion smash "My Heart Will Go On" from the film Titanic] pop song "Oh How the Years Go By," which only later became a hit when Vanessa Williams sang it?) Grant was inspired when growing up by 1970s singer/songwriters such as Carole King and James Taylor, and you can hear that influence in just about every song here. (You can also see in pictures and on the DVD, which exists to promote the complete Time Again ... Live DVD [purchased separately], a living room stage set that clearly apes Carole King's living room stage set from her tour two years ago.)

The missteps here are few. It's both surprising and disappointing to find "Lead Me On" as the concert opener. This seminal, important song is an emotional high point and, given its weighty subject matter, needs a buildup of songs with related themes beforehand. (Grant and her bands created such a context in her mid-to-late 1990s tours.) And while Grant is backed by a very good band, I would argue that her prior bands (particularly the one on the 1998 Behind the Eyes tour) were better because they creatively extended many of the songs. The band on this album pretty much follows the studio versions to the letter, although they occasionally shorten some songs. The album's final track, a new studio recording of Grant's "In a Little While" (off of her 1982 Age to Age album), does nothing except for give Christian radio a single with which to promote Time Again ... Live.

Still, if you like Amy Grant's music, you should buy this album. It will remind you of why you have liked her and may just show you anew, as it did me, how she is not to be taken lightly.

Average customer rating: didn't work for rehearsals Big for folks doing the Musical It's Awesome, It's Amazing, It's BIG!!!! a lost gem Ungodly awful

Big: The Musical (1996 Original Broadway Cast) Richard Maltby Jr. Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Contemporary Musicals | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Big: The Musical Baby (1983 Original Broadway Cast) Curtains (2007 Original Broadway Cast) Little Women The Musical (2005 Original Broadway Cast) Seussical: The Musical (Original Cast Recording) ASIN: B000005AY0 Release Date: 2001-09-25

Tracks:

1. Overture/Can't Wait
2. Talk To Her/Carnival/Zoltar Speaks
3. This Isn't Me
4. I Want To Go Home
5. The Time Of Your Life/Fun
6. Josh's Welcome/Here We Go Again
7. Do You Want To Play Games?/Stars, Stars, Stars
8. Cross The Line
9. It's Time
10. Stop, Time
11. The Nightmare
12. Dancing All The Time/I Want To Know
13. Coffee, Black
14. The Real Thing
15. One Special Man
16. When You're Big/Skateboard Ballet
17. I Want To Go Home/Stars, Stars, Stars (Reprise)/Finale

Customer Reviews:

didn't work for rehearsals.......2007-03-22

I used this CD to help me rehearse for the BIG production I was in, but it didn't match the libretto at all. I think there was one song on there that I could use.

Big for folks doing the Musical.......2006-03-20

If you're getting this CD to help prepare for your school or community group doing the musical, there are a lot of changes from the CD to the book. Aside from finding the book in a new key and some chunks added/deleted, Here We Go Again and When You're Big aren't included anymore.

Overall, the music's a little trite, but there are some nice moments -- mostly the stuff sung by the female leads.

It's Awesome, It's Amazing, It's BIG!!!!.......2006-01-22

My high school did "Big" my sophomore year, and oh my god, it was such a fun musical to do. I kind of forgot about it until my senior year, when I suddenly craved some of that music again. So I purchased this CD and I've been loving it since. They got rid of a couple of the songs and replaced them with others as the show progressed on Broadway, so I was suprised to hear new material (to me anyways), and for the most part, I actually enjoyed these original songs over their replacements that my production contained. This cast is phenomenal and the guy who plays Josh Baskin sounds so much like Tom Hanks at points, its crazy. It's a simple, yet a bit fantastic musical about growing up, and it's funny and romantic, and a lot of fun. I love all the songs, and it's a shame it didn't do too well on B-way. At least this recording will keep the music alive.

"This Isn't Me" is one of my favorite tracks, as it's a lot of fun and has a great beat, but suprisingly it was replaced with "Good Morning to Mom", which was only so-so. "I Want To Go Home" is a great ballad that Josh sings, and its simple, a bit funny, and the ending is the best, as its cute and sad. Another song they got rid of, "Here We Go Again", is a song Susan sings, and again, I like it alot. It has a quirky melody that I like. "Stars, Stars, Stars" is another great song, and is quite cute. One of the more popular songs. "Cross The Line" is the finale to Act I and is also very excellent and up beat, and makes you want to dance. "Stop, Time" is my favorite song on the album by far. Sung by Josh's mom, it is one of the more poignant moments of the show. Heartfelt, sad, and truly beautiful, it defiantely makes you appreciate your mom. Barbara Walsh sounds superb on this: she has a great voice. I love this one. "Dancing all the Time" is another good Susan song, and it leads into "I Want To Know" by Young Josh, which is another good ballad. "Coffee, Black" is another showstopper, fun ensemble song, and again, very comedic. "One Special Man" is Susan's ballad to Josh, and it is very beatiful. My only regret is that its only 2:21 so its a short one, and I just want her to start belting at the end, but no, its a quiet ending. Still, I love this one too. The finale is great too, and features an amazing duet between Josh and Susan. I love the harmonies they do.

All in all, this is a great album. Sample the songs and give it a try. This is a must have!!

a lost gem.......2004-10-14

i saw this musical at the local high school in 2001 and was plesently suprised i of course saw the movie and the only thing i knew about this musical was it didnt stay long on broadway, so when i saw it was i shocked this is a delight cross the line still resenates in my head 5 years later.

Ungodly awful.......2004-06-19

BEWARE. This musical is perhaps one of the five worst pieces of music I have ever experienced. I began to wonder if the composer was attempting to make the world's worst musical. Listen for yourself and enjoy the disjunct vocal lines, the desperate attempt at "fun music", and - worst of all - how the highlight of the entire show both dramatically and musically is the insipidly awful "Heart and Soul". Stick to the movie because this baby is horrendous.

Music Album:

1. Trader-Price
2. Ultimate Non-Stop Line Dance Party [Import]
3. Unstoppable
4. Very Well Travelled Man [Import]
5. Wagons West [Box set]
6. Way Out Yonder
7. Wire to Wire
8. Women of Country [Import]
9. 2:30am
10. 80's Country: 1988-1990

Music Album