Table For One

Editorial Reviews

Amazon.com
Acclaimed (albeit not as widely as deserved) for his six-string calisthenics, San Francisco guitarist Jim Campilongo curbs his fieriness with this reflective 10-song outing. Working with accordionist/keyboardist Rob Burger as his main foil (rather than regular steel guitarist Joe Goldmark), Campilongo has created something quite rare--an instrumental album that's intensely personal. One can't help but feel there's a story behind the lost-in-thought likes of "The Grass is Greener," "Sarah," and the title track. Strikingly reserved when compared with the have-I-got-a-lick-for-you likes of 1997's Loose and 2000's Heavy, Table for One may nevertheless be Campilongo's most involving recording. Just goes to show that sometimes a whisper comes through more clearly than a scream. --Steven Stolder

Product Description:
"A bridge between the big sky and the big city, "Table For One" is Americana at its most touching" - BillBoard Magazine

Table For One

Table For One,The Jim Campilongo Band,Blue Hen Records,Contemporary Country,Country,Country & Western,Pop
100 Best Opera Classics
Average customer rating: 5 out of 5 stars
  • Superlative collection
  • Great value for the money
  • Great for the money and a good starter on opera....
  • Amazing Value
100 Best Opera Classics

Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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  1. The Most Famous Opera Arias
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  5. The #1 Opera Album

ASIN: B0007QOERC
Release Date: 2007-05-14

Tracks:

  1. Voi Che Sepate - Teresa Berganza
  2. Porgi Amor - Heather Harper
  3. Deh, Vieni Alla Finestra - Thomas Allen
  4. Batti, Batti, O Bel Masetto - Elizabeth Gale
  5. Der Holle Rache - Edda Moser
  6. O Isis Und Osiris - Cornelius Hauptmann
  7. Temerari...Come Scoglio - Elisabeth Schwarzkopf
  8. La Calunnia E Un Venticello - Ruggero Raimondi
  9. Nei Giardin Del Bello - Ambrosian Opera Chorus
  10. Casta Diva - Maria Callas
  11. Se Quel Guerrier...Celeste Aida - Franco Corelli
  12. Tenesta La Promessa...Addio Del Passato - Beverly Sills
  13. Niun Mi Tema - Jon Vickers
  14. Un Bel Di Vedremo - Renata Scotto
  15. E Lucevan Le Stelle - Placido Domingo
  16. Si, Mi Chiamano Mimi - Mirella Freni
  17. In Quelle Trine Morbide - Montserrat Caballe
  18. Signore, Ascolta - Kiri Te Kanawa
  19. Recitar...Vesti La Giubba - Jose Carreras
  20. Amor Ti Vieta Di Non Amor - Roberto Alagna

Tracks:

  1. Le Veau D'Or Est Toujours Debout - Boris Christoff
  2. Ou Va La Jeune Hindoue? - Mady Mesple
  3. L'Amour, L'Amour...Ah! Leve-Toi, Soleil - Alfredo Kraus
  4. Allons! Le Faut...Adieu Notre Petite Table - Ileana Cotrubas
  5. Toute Mon Ame Est La Pourquoi Me Reveiller - Nicolai Gedda
  6. Quand La Flamme De L'Amour - Jose Van Dam
  7. L'Amour Est Un Oiseau Rebelle - Victoria De Los Angeles
  8. A Cette Voix...Je Crois Entendre Encore - Alain Vanzo
  9. Une Puce Gentille - Gabriel Bacquier
  10. Je Vais Mourir...Adieu, Fiere Cite - Regine Crespin
  11. Mon Coeur S'Ouvre A Ta Voix - Rita Gorr
  12. Wie Todesahnung...O Du Mein Holder Abenstern - Dietrich Fischer-Dieskau
  13. Johohoe! Traft Ihr Das Schiff Im Meere An? - Anja Silja
  14. In Fernem Land - Chor Der Wiener Staatsoper
  15. Heil Dir, Sonne! - Siegfried Jerusalem
  16. Mild Und Leise - Helga Dernesch

Tracks:

  1. Che Faro Senza Euridice? - Agnes Baltsa
  2. Der Vogelfanger Bin Ich Ja - Walter Berry
  3. Finch'Han Dal Vino - Nicolai Ghiaurov
  4. E Susanna Non Vien!...Dove Sono - Barbara Hendricks
  5. Abscheulicher! - Christa Ludwig
  6. Ne M'Abandonne Pas, Espoir De La Vengeance...Asile Hereditaire - Nicolai Gedda
  7. Largo Al Factotum - Tito Gobbi
  8. Ella Giammai M'Amo! - Ruggero Raimondi
  9. La Donna E Mobile - Alfredo Kraus
  10. Di Quella Pira - Franco Corelli
  11. Esultate! - James McCracken
  12. Dio! Mi Potevi Scagliar - Placido Domingo
  13. Vissi D'Arte, Vissi D'Amore - Maria Callas
  14. In Questa Reggia - Ghena Dimitrova
  15. Tanto Amore - Janine Micheau
  16. O Mio Babbino Caro - Montserrat Caballe
  17. Ed Anche Beppe Amo - Luciano Pavarotti
  18. Poveri Fiori - Maria Callas
  19. Come Un Bel Di Di Maggio - Roberto Alagna

Tracks:

  1. Les Grands Seigneurs...Ah! Je Ris De Me Voir Si Belle - Victoria De Los Angeles
  2. Marie, Avec L'Enfant Jesus - Jules Bastin
  3. Heureux Petit Berger - Janine Micheau
  4. Connais-Tu Le Pays - Jane Rhodes
  5. Elle Ne Croyait Pas Dans Sa Candeur - Nicolai Gedda
  6. Votre Toast, Je Peux Vous Le Rendre...Toreador - Victoria De Los Angeles
  7. Les Oiseaux Dans La Charmille - Mady Mesple
  8. Maintenant, Chantons...Devant La Maison De Celui Qui D'Adore - Gerard Souzay
  9. Depuis Le Jour - Beverly Sills
  10. Da Geht Er Hin - Elisabeth Schwarzkopf
  11. Einsam In Truben Tagen - Regine Crespin
  12. Dich, Teure Halle - Hildegard Behrens
  13. Leb Wohl, Du Kuhnes, Herrliches Kind - Dietrich Fischer-Dieskau
  14. Hojotoho! Hojotoho! - Ute Walther

Tracks:

  1. Non Piu Andrai - Thomas Allen
  2. La Ci Darem La Mano - Graziella Sciutti
  3. Duo: Pa-Pa-Pa - Andreas Schmidt
  4. Soave Sia Il Vento - Delores Ziegler
  5. Mira, O Norma - Maria Callas
  6. Il Dolce Suono - Edita Gruberova
  7. Com'e Gentil - Alfredo Kraus
  8. Una Voce Poco Fa - Maria Callas
  9. Libiamo Ne' Lieti Calici - Alfredo Kraus
  10. Gualtier Malde!...Caro Nome - Michele Pertusi
  11. Ritorna Vincitor - Birgit Nilsson
  12. Ave Maria - Katia Ricciarelli
  13. Nessun Dorma - Franco Corelli
  14. Che Gelida Manina - Nicolai Gedda
  15. Ebben? Ne Andro Lontana - Barbara Hendricks

Tracks:

  1. Mes Amis, Ecoutez L'Histoire - Nicolai Gedda
  2. Mieux Vaut Mourir...Amour Sacre De La Patrie - Alfredo Kraus
  3. Ah! Je Veux Vivre Dans Ce Reve - Mady Mesple
  4. Puisqu'on Ne Peut Flechir...Vainement, Ma Bien-Aimee - Henry Legay
  5. Suis-Je Gentille Ainsi?...Je Marche Sur Tous Les Chemins - June Anderson
  6. Belle Nuit, O Nuit D'Amour - Jessye Norman
  7. La Fleur Que Tu M'Avais Jetee - Jose Carreras
  8. C'est Toi!...Au Fond Du Temple Saint - John Aler
  9. Werther, Werther, Qui M'Aurait Dit...Ces Lettres! - Tatiana Troyanos
  10. Viens, Mallika - Mady Mesple
  11. Ah! Je Suis Seule Enfin...Dis-Moi Que Je Suis Belle - Beverly Sills
  12. Alerte, Alerte!...Anges Purs, Anges Radieux - Nicolai Ghiaurov
  13. Boris's Farewell - Boris Christoff
  14. Schreckensschwur! - Gary Lakes
  15. Die 'Selige Morgentraum-Deutweise'...Selig, Wie Die Sonne - Peter Schreier
  16. Was Am Besten er Kann...Nothung! Nothung! - Siegfried Jerusalem

Customer Reviews:

5 out of 5 stars Superlative collection.......2006-10-11

A collection of 100 individual arias and ensembles from the EMI catalogue of complete works recorded between 1955 and 2003. It includes selections from operas by Italian, Austrian, German, Russian and French composers. The French composers are especially well represented unlike most such anthologies. And there are several more obscure contributions, such as an aria from Catalani's La Wally. A well-judged balance of musical periods and styles, and the very best singers of the last half of the last century. And remarkably, the whole collection of 6 CDS, over 7 hours of music, is being sold for the cost of only 1 CD !

5 out of 5 stars Great value for the money.......2006-04-23

This is simply the best collection of opera arias that I have seen. It's not 100% in that there are a few well-known arias that are not here, but what is here is simply a treasure. The organization is a bit strange, but there's some logic. For example, Disk 6 is mostly from French operas. A seemingly endless amount of glorious music. Just fabulous. You won't be disappointed.

4 out of 5 stars Great for the money and a good starter on opera...........2006-01-07

This cd is a splendid collection of songs, and the price is unbeatable; I have but a few minor complaints about the overall product. The cd would have been much more enjoyable if they had put the music in some sort of order, rather than jumping around from artist to artist sporatically. My only other complaint would be that they could have chosen some better vocalists to play some of the songs. For example, in CD 6, track 3: Romeo et Juliette, the singer was not nearly as strong and definative as she should have been and I've definately heard in various other versions that were way better than this. This disappointed me greatly. But even with these few small complaints, this collection is still great and the price is amazing. It includes MOST of the famous opera pieces, as well some great songs that are often overlooked such as the beautiful song from Wagner's Die Meistersinger von Nurnberg (CD 6, track 16) along with others.

5 out of 5 stars Amazing Value.......2005-08-23

I am so impressed by this collection that I must share my joy at getting so many beautiful arias, duets, et al in one collection. It captures many of the great operatic voices in stellar performances spanning the last 50 years. If you are enchanted by beautiful operatic highlights, removed from their operatic storylines, this set is for you. Hours of gorgeous music for practically pennies!
Table For One
Average customer rating: 5 out of 5 stars
  • Fantastic
  • Someplace between light and dark there is this. Amazing.
  • Beautiful Music
  • Should have been called "The Other Side of Jim Campilongo"
Table For One
The Jim Campilongo Band
Manufacturer: Blue Hen Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
GeneralGeneral | Contemporary Country | Country | Styles | Music
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  1. Heavy
  2. American Hips
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  4. Heaven Is Creepy
  5. Loose

ASIN: B000007O73
Release Date: 1998-06-23

Tracks:

  1. The Grass Is Greener
  2. E Waltz
  3. Wishful Thinking
  4. Sarah
  5. Feisty's Ride
  6. D'Boat
  7. Strange Face
  8. Too Far Gone
  9. Table For One
  10. This Old Man

Amazon.com

Acclaimed (albeit not as widely as deserved) for his six-string calisthenics, San Francisco guitarist Jim Campilongo curbs his fieriness with this reflective 10-song outing. Working with accordionist/keyboardist Rob Burger as his main foil (rather than regular steel guitarist Joe Goldmark), Campilongo has created something quite rare--an instrumental album that's intensely personal. One can't help but feel there's a story behind the lost-in-thought likes of "The Grass is Greener," "Sarah," and the title track. Strikingly reserved when compared with the have-I-got-a-lick-for-you likes of 1997's Loose and 2000's Heavy, Table for One may nevertheless be Campilongo's most involving recording. Just goes to show that sometimes a whisper comes through more clearly than a scream. --Steven Stolder

Album Description

"A bridge between the big sky and the big city, "Table For One" is Americana at its most touching" - BillBoard Magazine

Customer Reviews:

5 out of 5 stars Fantastic.......2007-05-11

What a great CD. As others have described, this a very cinematic, evocative CD. It has fantastic playing on it, but it's more about the compositions and atmosphere than "how the F*&^ did he do that." I have a couple of other Campilongo CDs and I like this one by far the best. The others have much more quirky playing and great licks to learn, but this one is miles beyond the others in terms of cohesiveness. I owned this for a bunch of years and still play it regularly. You can hear a lot of Bill Frisell influence here which is all to the good in my opinion. There's also one solo he plays that stands out where he combines the spirit of Jerry Garcia, Roy Buchannon and Frisell into a fantastic amalgam that pays tribute while being more succinct than the influences he draws from (other than Frisell who can be very succinct). Absolutely great CD.

5 out of 5 stars Someplace between light and dark there is this. Amazing........2001-12-21

A departure from previous recordings, 'Table for One' is more intense in mood and feel. The all-instrumental record has scaled back the trademark pedal steel giving way to healthy portions of organ and accordion - did I say accordion? Yeah, and it's hip. This album is very slow and deliberate in it's story telling, taking time to explore each melody fully, rushing past nothing while retaining a smooth even flow. Jim's playing is impeccable and the tonal voices he creates are breathtaking (Is the guitar weeping on Fiesty's Ride?). This is a wonderfully composed collection of introspective, intense and emotional pieces and some of Jim's finest song writing yet.

Jim's unique style and vibe on 'Table for One' is sweet as a first kiss and as heart breaking as the day you came home to find her toothbrush gone. This is a great buy.

5 out of 5 stars Beautiful Music.......2001-12-16

This CD is a great collection of emotional music from the heart. I've sat and listened to this CD on many occasions and enjoyed it like a good movie. Very few records have that quality ( Sgt Peppers-Kind Of Blue-Joni Mitchell's Blue) but "Table For One is a "Noir Calssic". From the first vocal - like guitar line on "The Grass Is Greener" to the final chord of the ironic "This Old Man" this record plays like a well thought out body of work . Beause of this it is certainly the most "even" of any Campilongo releases. Rob Burger's Accordion is mixed appropriately hot and loud on the gentle ballads that give a feeling of "breathy" intamacy. Great songs from beginning to end.... "Table For One " is beautiful music.

4 out of 5 stars Should have been called "The Other Side of Jim Campilongo".......1998-12-24

What a change from his first two albums. Well, there may have been a hint on the others. Aptly titled, right on the money. Dark country meets jazz somewhere in France and slow at that. I don't think there is one song over 100 beats per minute. Only one song with Joe Goldmark on steel. Replaced with B-3 organ and accordian. Still, it's a great CD. I really like it. But, very different from the first two. Worth a listen.
Leontyne Price (The Prima Donna Collection)
Average customer rating: 5 out of 5 stars
  • A brilliant collection from a great soprano
  • If I could have only one collection......
  • Yes this is great!
  • The Grandest Collection of Leontyne Price Arias
  • The Greatest Soprano Ever Recorded
Leontyne Price (The Prima Donna Collection)

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PoulencAll Works by Poulenc | Poulenc, Francis | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
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GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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GeneralGeneral | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Price, LeontynePrice, Leontyne | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
Bainbridge, ElisabethBainbridge, Elisabeth | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
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CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
Barber, SamuelBarber, Samuel | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Bellini, VincenzoBellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Berlioz, HectorBerlioz, Hector | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Boito, ArrigoBoito, Arrigo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Britten, Sir BenjaminBritten, Sir Benjamin | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Charpentier, GustaveCharpentier, Gustave | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Debussy, ClaudeDebussy, Claude | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Giordano, UmbertoGiordano, Umberto | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Gluck, Christoph W.Gluck, Christoph W. | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Dvorak, AntoninDvorak, Antonin | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Flotow, Friedrich vonFlotow, Friedrich von | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Cilea, FrancescoCilea, Francesco | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Handel, George FridericHandel, George Frideric | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Korngold, Erich WolfgangKorngold, Erich Wolfgang | H to L | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Mascagni, PietroMascagni, Pietro | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
Massenet, JulesMassenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
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OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Price, LeontynePrice, Leontyne | Divas | Opera & Vocal | Styles | Music
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  1. Opera Arias
  2. Ed Sullivan Show 2: Great Moments in Opera
  3. Voices of Firestone: The Great Sopranos / Steber, Price, Tebaldi, Sayao, Nilsson, Moffo, Albanese, Peters, Munsel, Traubel, Sutherland
  4. The Great Recordings
  5. Handel: Arias

ASIN: B000003FAF
Release Date: 1992-08-11

Tracks:

  1. Dido and Aeneas: Act 3: Thy Hand, Belinda!
  2. Dido and Aeneas: Act 3: When I Am Laid In Earth
  3. Le nozze di Figaro: Act 3: E Susanna non vien!
  4. Le nozze di Figaro: Act 3: Dove sono
  5. La traviata: Act 3: Teneste la promessa
  6. La traviata: Act 3: Addio del passato
  7. L'africaine: Act 2: Sur mes genoux, fils du soleil
  8. Manon: Act 2: Allons! il le faut!
  9. Manon: Act 2: Adieu, notre petite table
  10. Otello: Act 4: Era piu calma?
  11. Otello: Act 4: Mia madre aveva una povera ancella (Willow Song)
  12. Otello: Act 4: Ave Maria
  13. Adriana Lecouvreur: Act 1: Ecco: respiro appena
  14. Adriana Lecouvreur: Act 1: Io son l'umile ancella
  15. Louise: Act 3: Depuis le jour
  16. Turandot: Act 2: In questa reggia
  17. Die tote Stadt: Act 1: Marietta's Lied
  18. Vanessa: Act 1: He Has Come, He Has Come!
  19. Vanessa: Act 1: Do Not Utter A Word

Tracks:

  1. Atalanta: Act 1: Care Selve
  2. Don Giovanni: Act 1: Don, Ottavio, son morta!
  3. Don Giovanni: Act 1: Or sai chi l'onore
  4. Der Freischuetz: Act 2: Wie nahte mir der Schlummer
  5. Der Freischuetz: Act 2: Liese, leise
  6. Tannhaeuser: Act 2: Dich, teure Halle
  7. Macbeth: Act 2: La luce langue
  8. Macbeth: Act 4: Vegliammo invan due notti (Sleepwalking Scene)
  9. Macbeth: Act 4: Una macchia e qui tuttora
  10. Mefistofele: Act 3: L'altra notte in fondo al mare
  11. Rusalka: Act 1: Song To The Moon
  12. L'Enfant Prodigue: Air de Lia: L'annee en vain
  13. Andrea Chenier: Act 3: La mamma morta
  14. Francesca da Ramini: Act 3: Paolo, datemi pace
  15. Suor Angelica: Senza mammo, o bimbo, tu sei morto!
  16. Amelia Goes To The Ball: While I Waste These Precious Hours

Tracks:

  1. Alceste: Act 1: Divinites du Styx
  2. Don Giovanni: Act 2: Crudele? Ah, no, mio bene
  3. Don Giovanni: Act 2: Non mi dir
  4. I lombardi: Act 2: O madre, dal cielo
  5. I lombardi: Act 2: Se vano e il pregare
  6. Martha: Act 2: The Last Rose Of Summer
  7. Simon Boccanegra: Act 1: Come in quest'ora bruna
  8. La Perichole: Act 3: Tu n'es pas beau
  9. Die Walkuere: Act 1: Du bist der Lenz
  10. Die Fledermaus: Act 2: Czardas: Klange der Heimat
  11. Carmen: Act 3: Ces des contrebandiers
  12. Carmen: Act 3: Je dis que rien ne m'epouvante
  13. Cavalleria Rusticana: Voi lo sapete
  14. Thais: Act 2: Ah! je suis seule
  15. Thais: Act 2: Dis-moi que je suis belle
  16. Gianni Schicchi: O mio babbino caro
  17. Les dialogues des Carmelites: Act 3: Mes filles, voila s'acheve

Tracks:

  1. Semele: Act 2: Where 'er You Walk
  2. Idomeneo: Act 3: O smania! O Furie!
  3. Idomeneo: Act 3: D 'Oreste, d' Ajace!
  4. La damnation de Faust: Part 4: D'amour l'ardente flamme
  5. Oberon: Act 2: Ozean, du Ungeheuer!
  6. Norma: Act 1: Sediziose voci, voci di guerra
  7. Norma: Act 1: Casta diva
  8. Norma: Act 1: Ah! bello a me ritorna
  9. Rigoletto: Act 1: Gualtier Malde
  10. Rigoletto: Act 1: Caro Nome
  11. Tristan und Isolde: Act 3: Liebestod: Mild und leise
  12. Pagliacci: Act 1: Ballatella: Qual fiamma avea nel guardo
  13. Adriana Lecouvreur: Act 4: Poveri fiori
  14. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: On Rivalries 'tis Safe For Kings
  15. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: O God, My King, Sole Ruler Of The World

Customer Reviews:

5 out of 5 stars A brilliant collection from a great soprano.......2007-04-30

Leontyne Price was much admired and this 4CD collection shows her outstanding vocal gifts to the best advantage. Numerous reviewers have commented on the wide-ranging styles present and I can agree wholeheartedly with them. You would be hard-pressed to find a greater compilation of Ms Price, showcasing her amazing gifts as a great singer!

5 out of 5 stars If I could have only one collection.............2006-11-12

....it would be this. Such fine singing in so many periods, languages, and styles. She is truley a great artist and this set helps you see just HOW GREAT she is. I won't go thru all the tracks but will say Cara Selve drives me wild. "When I am Laid in Earth..." comes across very nicely. There are some rare exerpts too like Gloriana, Menotti's Amelia goes to the Ball. Overall most tracks are inspired. The musicianship is to the highest standards. I JUST lOVE IT!

5 out of 5 stars Yes this is great!.......2006-10-14

But "When I am Laid in Earth" was written by PURCELL! Handel's "Care Selve", however, is also on this set, and it is GORGEOUS!!! I love just about everything on here. A few items from the fourth CD are a bit telling of her age (D'oreste d'ajace!")- but even they are fabulous. THe price of this set is unfortunate - however, it has dropped a little! :) I originally purchased it from BMG in 1994, for next-to-nothing, then "gave" it to my best friend! Two years ago, she lost hers to Hurricane Ivan, and paid a LOT for a new set!

5 out of 5 stars The Grandest Collection of Leontyne Price Arias.......2005-08-08

If you're a fan of Leontyne Price, this should be at the top of your list of her recording albums. I don't know when this was issued, but it's from the RCA Label which was her best promotional record company. It's a box set featuring dozens of arias from magnificent grand operas (some of which Leontyne Price never sang on stage in full and instead sang some bits in concert). Leontyne Price sings in fresh, beautiful and strong voice in dramatic and versatile roles, mastering each music from each composer. She masters such strikingly different masters's works as Samuel Barber (Vannessa) Webber (Der Freischutz) Wagner (Tristan and Isolde, Tannhauser) Falla (Atalanta) Mozart (Le Nozze Di Figaro). She sings the title roles of Massenet's Manon, Bizet's Carmen, Bellini's Norma, Verdi's Lady Macbeth, Amelia in Un Ballo Di Maschera, Nedda in I Pagliacci, Turandot and Suor Angelica, Flotow's Martha, and even oratorio such as Handel's Semele and Benjamin Britten's Gloriana. This is a vast repertoire, far grander in variety than I have ever known any one soprano sang. While critics will indeed compare Leontyne Price to Maria Callas (as another review critic brought up) these two sopranos could not have been any more different. It's not even a matter of their different racial backgrounds- Callas was born in Greece and became an American citizen then gave it up for French citizenship..and Price was born in Mississippi and was African-American) it's a matter of how different their approach at opera was and their vocal category. Callas was a dramatic soprano sforzando (literally "forced dramatic soprano")who would prefer to produce a choking, ugly, harsh sound merely for the dramatic effect and the integrity of the text in her lines. Leontyne Price was the definition of a soprano lyrico-spinto ("pushed" lyric-dramatic singing)which meant above all, to sound beautiful and to fill up those dramatic lines with as much vocal and tonal beauty as possible. Price had a more thrilling mezzo di voce and high soaring top register and a cleaner, smoother sound than the wobbly Callas, no offense to Callas fanatics of which there are many. It is true that Price did lose her touch in a sense in her older years (the 1970's and 80's) when her voice lacked the vibrant lyricism and attention to diction. Her 1970's Toscas and Aidas are therefore a sloppier than her 1950's and 60's Toscas and the same went for her Leonoras in both Trovatore and Forza Del Destino. Nevertheless, Price is an ageless singer. Her voice, dark, messy or bright and smooth, is still what was said of her in her debut at the Met as Leonora in Trovatore - a "bright, unfurling banner". She was goddess of the opera and paved the way for the new generation of black sopranos of today.

This collection does not showcase the more famous roles that were in fact her signature ones - Leonora from Trovatore and Forza, Aida is'nt even in here and that one even she considered her greatest role, we don't find her Madame Butterfly here. Instead we find rare pieces that she sings beautifully and dramatically, making us wish she had sung the entire operas in full on stage. She never sang a full-length Norma and that's a pity- even Grace Bumbry and Shirley Verrett did in their careers. Price seemed to enjoy singing Samuel Barber's vocal works - she opened the 1965-1966 Met season with Barber's Antony and Cleopatra (a bad production by the way but not through any fault of Miss Price but the overblown spectacle of the design of the opera itself) and here she sings his Vanessa. Benjamin Britten's Gloriana sounds lovely in her hands. Her Norma and Dona Anna in Mozart are dramatic and fiery, her Lady Macbeth darkly mysterious, her Suor Angelica peaceful with powerful inner fire and her Dialogue Des Carmelites are also sensational. Yes, many of these arias are beautiful to hear, and thank God she doesn't have any of the flaws critics keep hearing in her later recordings. Without a doubt, this is her finest album. I think you should listen via audio samples here the following to make you get this recording: the Countess aria from Nozze Di Figaro, her Manon (Adieu Petit Table) La Mamma Morta, her version of Sediziose Voce/Casta Diva from Norma, the excerpt from Carmen, "Don Ottavio son Morta...Or Sai Chi L'Onore" from Don Giovanni, Care Salve, the Dido and Aeneas excerpts, the La Traviata excerpts (Addio Del Passato) and the beautifull, mystic, haunting and well-executed Liebestod from Tristan and Isolde, which I even feel surpasses Birgit Nilsson's version. Just listen to how heart-felt that Liebestod is! I have not heard the likes of it anywhere else.

5 out of 5 stars The Greatest Soprano Ever Recorded.......2005-03-20

O.K. So that is only my opinion. But Leontyne Price was one of the most dedicated singers of the 20th century. Her vast repertoire is showcased in this extensive collection of arias. While to many Maria Callas will forever be the ultimate and the greatest of them all, Leontyne Price had the same poswerful, high dramatic voice, in addition a more generous chest register and a regial presence. Moreover, she overcame so much to get to the top. In her day, African-American women in opera was new. Marian Anderson was the first to get into the mainstream opera world, with much difficulty and intervention, such as Eleanor Roosevelt's support. After Marian Anderson finally landed her first role at the Met in the 50's, a new generation of black women in opera began. The 60's and 70's would see the rise of mezzo sopranos later turned to dramatic sopranos such as Grace Bumbry, Shirley Verrett and it would follow into the 80's with Jessie Norman and Kathleen Battle. Today, black women have made opera one of their highest achievements. Leontyne Price began singing in the 50's. A televised production of Tosca was not shown in some Southern states that were racistad opposed the idea of seeing a black woman in a "white" role. Leontyne Price would master the role of Tosca as successfully as Maria Callas. I think that while she is at her best in the Puccini and Verdi operas she recorded and performed (not showcased here)- Trovatore, Aida, Forza Del Destino, Madame Butterfly, Tosca, Suor Angelica. However, there is so much that she is absolutely remarkable in. I love her as Violetta in Traviata (few black women sing the traditionally white role of Violetta), Massenet's Manon, Verdi's Lady Macbeth (which was another of Shirley Verrett's great roles)Dido from Dido and Aneas, Dona Ana and Elvira in Don Giovanni, The Countess in Figaro, Bellini's Norma (she is outstanding in that powerful druid diva role). I think if we narrow it down to a few roles that she really made her own it would be 1: Aida....2:Tosca...3Dona Ana/Dona Elvira 4 Desdemona from Otello and 5..Leonoras from Trovatore and Forza.

This collection is pretty impressive. I didn't know a soprano could be that versatile. Leontyne Price is remarkable. Her rich, lyric voice, capable of plaintive and melancholy lines as well as powerful high C's and dramatic whoops, was always clean, smooth and intense. Of course, like most sopranos, she had her bad days. Her later Toscas (in the mid or late 70's) became too melodramatic and sloppy, when she used to be more mannered and poised with the role, her Cleopatra in Samuel Barber's opera was a fiaco because the production was too bizarre and messy, etc. But for the most part, mostly in Verdi, Puccini, Mozart and as Norma, she was radiant, glorious and perfect. Her background in Church music made her incredibly suited to singing Requiems, such as Verdi's Requiem. There will never be another Leontyne Price. She was a one woman Golden Age of Opera, and sang with the best of the best- Bjussi Bjorling, Giuseppe Di Stefano, Franco Corelli, Placido Domingo.
English Song
Average customer rating: 3 out of 5 stars
  • A century of British art songs to delight those who love them
English Song

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
Gibbs, Cecil ArmstrongGibbs, Cecil Armstrong | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WaltonAll Works by Walton | Walton, Sir William | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WarlockAll Works by Warlock | Warlock, Peter | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
Folk SongsFolk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:
  1. A Treasury of English Song
  2. Favorite English Songs
  3. Songs by Roger Quilter
  4. The Complete Songs, Vol. 4
  5. Silent Noon

ASIN: B0002JEG6I
Release Date: 2005-03-22

Tracks:

  1. A Soft Day - Bernadette Greevy
  2. Irish Skies - Bernadette Greevy
  3. Cherry Ripe - Janice Watson
  4. Mustard And Cress - Neal Davies
  5. The Lily Of A Day - Janice Watson
  6. Henry King - Neal Davies
  7. Fain Would I Change That Note - Graham Johnson
  8. In Summer-Time On Bredon - Christopher Maltman
  9. The Lads In Their Hundreds - Christopher Maltman
  10. Among The Rocks - Graham Johnson
  11. It Was A Lover And His Lass - Anthony Rolfe Johnson
  12. The Water Mill - Anthony Rolfe Johnson
  13. On Wenlock Edge - Anthony Rolfe Johnson
  14. The Call - Graham Johnson
  15. Silent Noon - Graham Johnson
  16. Now In These Fairylands - Philip Langridge
  17. The Dream-City - Philip Langridge
  18. Margrete's Cradle Song - Susan Gritton
  19. The Heart Worships - Christopher Maltman
  20. Take, O Those Lips Away - Anthony Rolfe Johnson
  21. Now Sleeps The Crimson Petal - Graham Johnson
  22. Love Calls Through The Summer Night - Anthony Rolfe Johnson
  23. I Will Go With My Father A-Ploughing - Graham Johnson
  24. The Rio Grande (Capstan Shanty) - Ian Partridge
  25. Theodore, Or The Pirate King - Ian Partridge
  26. A Long Time Ago (Hilliard's Shanty) - Ian Partridge
  27. Oh Dear, What Can The Matter Be? - Bernadette Greevy

Tracks:

  1. The Grenadier - Richard Edgar-Wilson
  2. The Young Lover - Richard Edgar-Wilson
  3. Betty And Johnny - Richard Edgar-Wilson
  4. Rise Up And Reach The Stars - Richard Edgar-Wilson
  5. The Bells - Nik Hancock-Child
  6. Ann's Cradle Song - Nik Hancock-Child
  7. As I Lay In The Early Sun - Nik Hancock-Child
  8. The Cherry Tree - Nik Hancock-Child
  9. Dusk - Nik Hancock-Child
  10. Peter Warlock's Fancy - John Constable
  11. The Frostbound Wood - John Constable
  12. Chopcherry - John Constable
  13. A Sad Song - John Constable
  14. Rutterkin - John Constable
  15. Bethlehem Down - John Constable
  16. Wapping Old Stairs - Felicity Lott
  17. Long Steel Grass - Martyn Hill
  18. Tango-Pasodoble - Martyn Hill
  19. Popular Song - Martyn Hill
  20. Beatriz's Song - Felicity Lott
  21. Lay Your Sleeping Head, My Love - Philip Langridge
  22. Early One Morning - Felicity Lott
  23. The Foggy, Foggy View - Philip Langridge
  24. Now The Leaves Are Falling Fast - Philip Langridge
  25. Tell Me The Truth About Love - Della Jones
  26. The Choirmaster's Burial - Philip Langridge

Customer Reviews:

3 out of 5 stars A century of British art songs to delight those who love them.......2006-06-26

These 53 songs have been collected by Naxos from their extensive acquisitions from Collins Classics, and perhaps other British sources now out of business. There's a steady cottage industry, year after year, producing the typical English art song, which is usually based on folk songs, but even in more modern idioms is profuondly conservative and nostaligic. Half these songs, not to mention half the composers, are totally unknown to American audiences, but the familiar names of Vaughan Williams and Britten represent high quality, and the lesser lights, such as Warlock and Quilter, are mainstays in this repertoire.

I'd challenge all but the most addicted listener to make it through more than ten songs at a sitting, and many of these pieces are tepid, offering comfort rather than inspiration. The singers are among the best, but Graham Johnson and Steuart Beford, who do most of the accompaniments, are lackluster. I know that won't be a popular comment, yet if you compare any of these songs with rendiitons done by Janet Baker, John Shirley-quirk, and most recently Bryn Terfel and Ian Bostridge, you immediately notice how much more intensity and drama is pesent than htis colleciton reveals.
Opera Collection I
Average customer rating: Not rated
    Opera Collection I

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

    Bellini, VincenzoBellini, Vincenzo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by GounodAll Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by LeoncavalloAll Works by Leoncavallo | Leoncavallo, Ruggiero | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Allen, ThomasAllen, Thomas | ( A ) | Featured Performers, A-Z | Classical | Styles | Music
    Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
    London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
    National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
    Paris Symphony OrchestraParis Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
    Vienna Philharmonic OrchestraVienna Philharmonic Orchestra | ( V ) | Featured Performers, A-Z | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
    Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
    Bellini, VincenzoBellini, Vincenzo | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Berlioz, HectorBerlioz, Hector | A to B | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Delibes, LeoDelibes, Leo | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Gounod, CharlesGounod, Charles | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Massenet, JulesMassenet, Jules | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Puccini, GiacomoPuccini, Giacomo | M to P | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Rossini, GioacchinoRossini, Gioacchino | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Saint-Saens, CamilleSaint-Saens, Camille | Q to T | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Wagner, RichardWagner, Richard | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    Vocal Works by VerdiVocal Works by Verdi | Verdi, Giuseppe | U to Z | Featured Composers, A-Z | Opera & Vocal | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    FrenchFrench | Languages | Opera & Vocal | Styles | Music
    GermanGerman | Languages | Opera & Vocal | Styles | Music
    ItalianItalian | Languages | Opera & Vocal | Styles | Music
    OperettasOperettas | Opera & Vocal | Styles | Music
    Caballe, MontserratCaballe, Montserrat | Divas | Opera & Vocal | Styles | Music
    Callas, MariaCallas, Maria | Divas | Opera & Vocal | Styles | Music
    Crespin, RegineCrespin, Regine | Divas | Opera & Vocal | Styles | Music
    Freni, MirellaFreni, Mirella | Divas | Opera & Vocal | Styles | Music
    Scotto, RenataScotto, Renata | Divas | Opera & Vocal | Styles | Music
    Similar Items:
    1. Opera Collection II

    ASIN: B000002SDL
    Release Date: 1992-01-02

    Tracks:

    1. The Marriage Of Figaro: 'Voi che sapete'
    2. Don Giovanni: 'Deh, vieni alla finestra'
    3. The Magic Flute: 'Der Holle Rache'
    4. Cosi fan tutte: 'Temerari...Come scoglio'
    5. The Barber Of Seville: 'La Calunnia e un venticello'
    6. Don Carlos: 'Nei giardin del bello'
    7. La Norma: 'Casta Diva'
    8. Aida: 'Se quel guerriero...Celeste Aida'
    9. La Traviata: 'Teneste la promessa...Addio del passato'
    10. Otello: 'Nium mi tema'
    11. Madame Butterfly: 'Un bel di vedremo'
    12. TOSCA: 'E lucevan le stelle'
    13. La Boheme: 'Mi chiamano Mimi'
    14. Manon Lescaut: 'In quelle trine morbide'
    15. Paillase: 'Recitar...Vesti la giubba'

    Tracks:

    1. Faust: 'Le veau d'or est toujours debout' - Gounod
    2. Lakme: 'Ou va la jeune hindoue'
    3. Romeo et Juliette: 'L'amour, l'amour...ah leve-toi, soleil' - Gounod
    4. Manon: 'Allons! Il le faut!...Adieu notre petite table'
    5. Werther: 'Toute mon ame est la....Pourquoi me reveiller'
    6. La Jolie fille de Perth: 'Quand la flamme de l'amour' - Bizet
    7. Carmen: 'L'amour est un oiseau rebelle' - Bizet
    8. Les pecheurs de perles: 'A cette voix...Je crois entendre encore' - Bizet
    9. La Damnation de Faust: 'Une puce gentille'
    10. Les Troyens: 'Je vais mourir... Adieu fiere cite'
    11. Samson et Dalila: 'Mon coeur s'ouvre a ta voix'
    12. Tannhauser: 'Wie Todesahnung O du mein holder Abendstem'
    13. Le Vaisseau fantome: 'Johohoe! Traft ihr das Schiff im Meere an?'
    14. Lohengrin: 'In fernem Land'
    15. Tristan et Isolde: 'Mild und leise'
    Table For One
    Average customer rating: Not rated
      Table For One
      Joe Colledge
      Manufacturer: OMS Records
      ProductGroup: Music
      Binding: Audio CD

      Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
      ASIN: B000QUCN7W
      Release Date: 2007-06-05

      Tracks:

      1. Best You Ever Had
      2. Table For One
      3. Lost Again
      4. Burden
      5. Deep Into You
      6. King Of Ecstasy
      7. Losing Faith (Goodbye)
      8. Vacancy Sign
      9. Bring It On
      10. Playin' Around
      11. Gift Of Love
      12. American Girl
      13. Blue Sky Days

      Product Description

      New Jersey Singer-Songwriter Joe Colledge brings back some straightforward, old-school cool, Tom Petty-style pop/rock songs, but with a modern flair and undeniable hooks. In an area with more cover bands per square foot than perhaps anywhere else in America, Morristown's Joe Colledge is rapidly becoming one of the most popular and sought-after original artists in the Northern Jersey music scene today. The secret to his success is a high-octane show and a winning set list, which features inspiring original material penned by the talented singer-songwriter. His latest recording effort is this new LP, "Table For One", which highlights his true songwriting talent, heartfelt vocals, and a collection of addictive rock songs with a taste of modern Americana. A follow-up to his 2005 self-produced demo CD, "Convent Station", this masterfully-produced album features catchy and melodic songs such as "Playin' Around", "Deep Into You", and title track, "Table For One". Listeners will also find themselves pressing REPEAT to rockers like "Burden", "Vacancy Sign", and an energetic cover of Tom Petty's classic cover hit, "American Girl". If you're a fan of Tom Petty, Counting Crows, and Train, you'll soon become a fanatic of Joe Colledge after owning this album. Recently named "Best Male Vocalist" by New Jersey fans, Joe has also received considerable radio and Podcast airplay. With a series of recent publishing deals, his songs are in high demand as they are attracting attention from major media companies such as Fox, Disney, and Warner Brothers for Film & TV placement. Says Colledge, "I just want to write and produce great music that will touch as many people as possible. I ll continue to write and perform and see how far I can take things." Joe Colledge is proud to carry on the Garden State's great tradition of rock and roll, and who knows - his name might someday appear right alongside Springsteen and Bon Jovi in the Jersey Rock 'n' Roll Hall Of Fame.
      Table For One
      Average customer rating: Not rated
        Table For One
        Mike Plume
        Manufacturer: Murder Records
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Folk | Styles | Music
        GeneralGeneral | Pop | Styles | Music
        GeneralGeneral | Rock | Styles | Music
        GeneralGeneral | Folk | Indie Music | Stores | Music
        GeneralGeneral | Pop | Indie Music | Stores | Music
        GeneralGeneral | Rock | Indie Music | Stores | Music
        ASIN: B00017X5I6
        Release Date: 2003-04-15

        Tracks:

        1. Jerks
        2. Born So Long Ago
        3. Ohio
        4. The Best Job I've Ever Had
        5. Table For One
        6. There's A Road
        7. Everyday is Another Day... Part 2
        8. Bootleg
        9. Silhouette
        10. Nothing but a Broken Heart
        11. Trying to Find My Way Back Home
        12. When the Sun Goes Down
        13. It's Over
        Callas à Paris
        Average customer rating: Not rated
          Callas à Paris

          Manufacturer: Capitol
          ProductGroup: Music
          Binding: Audio CD

          All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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          ASIN: B000002RPO
          Release Date: 1990-10-25
          The Essential Leontyne Price
          Average customer rating: 5 out of 5 stars
          • A Long Time Coming...
          • Her Best Album
          • Price At Her Peak
          • of course world class
          • the greatest american soprano of the 20th century
          The Essential Leontyne Price

          Manufacturer: RCA
          ProductGroup: Music
          Binding: Audio CD

          All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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          Price, LeontynePrice, Leontyne | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
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          Folk SongsFolk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
          GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
          NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
          RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
          Price, LeontynePrice, Leontyne | Divas | Opera & Vocal | Styles | Music
          GeneralGeneral | Soundtracks | Styles | Music
          ClassicalClassical | Box Sets | Stores | Music
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          ASIN: B000003FWD
          Release Date: 1996-08-13

          Tracks:

          1. Aida: Act I: Ritorna vincitor!
          2. Aida: Act I: E l'amor mio?
          3. Aida: Act I: I sacri nomi di padre, d'amante
          4. Aida: Act III: Qui Radames verra!
          5. Aida: Act III: O patria mia
          6. Un Ballo in Maschera: Act II: (Prelude)
          7. Un Ballo in Maschera: Act II: Ecco l'orrido campo
          8. Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
          9. Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
          10. Un Ballo in Maschera: Act III: Morro, ma prima in grazia
          11. Il Trovatore: Act I: Che piu t'arresti?
          12. Il Trovatore: Act I: Tacea la notte placida
          13. Il Trovatore: Act I: Di tale amor che dirsi
          14. Il Trovatore: Act IV: Siam giunti
          15. Il Trovatore: Act IV: D'amor sull'ali rosee
          16. Ernani: Act I: Surta e la notte
          17. Ernani: Act I: Ernani! Ernani, involami
          18. Ernani: Act I: Tutto sprezzo che d'Ernani
          19. La forza del destino: Act II: Son giunta! Grazie, o Dio!
          20. La forza del destino: Act II: Madre, madre, pietosa Vergine
          21. La forza del destino: Act II: La Vergine degli angeli
          22. La forza del destino: Act IV: Pace, pace, mio Dio

          Tracks:

          1. Cosi fan tutte: Act I: Come scoglio immoto resta
          2. Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
          3. Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
          4. TOSCA: Act II: Vissi d'arte
          5. Manon Lescaut: Act II: In quelle trine morbide
          6. Manon Lescaut: Act IV: Sola, perduta, abbandonata
          7. Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
          8. Don Giovanni: Act I: Don Ottavio, son morta!
          9. Don Giovanni: Act I: Or sai chi l'onore
          10. Don Giovanni: Act II: Crudele? Ah, no, mio bene!
          11. Don Giovanni: Act II: Non mi dir
          12. Turandot: Act I: Signore, ascolta!
          13. Turandot: Act III: Tu che di gel sei cinta
          14. Ariadne auf Naxos: Es gibt ein Reich
          15. Antony And Cleopatra: Act III: Give me my robe

          Tracks:

          1. Otello: Era piu calmo?
          2. Otello: Mia madre aveva una povera ancella (Willow Song)
          3. Otello: Ave Maria
          4. Fidelio: Act I: Abscheulicher! Wo eilst du hin?
          5. Suor Angelica: Senza mamma, o bimbo, tu sei morto!
          6. Carmen: L'amour est un oiseau rebelle (Habanera)
          7. La Traviata: Act I: E strano, e strano !
          8. La Traviata: Act I: Ah, fors' e lui
          9. La Traviata: Act I: Sempre libera
          10. Le nozze di Figaro: Act III: E Susanna non vien!
          11. Le nozze di Figaro: Act III: Dove sono
          12. Die Agyptische Helena: Act II: Awakening Scene
          13. La rondine: Ore dolci e divine
          14. Salome: Finale

          Tracks:

          1. Eugene Onegin: Act II: Puskai pogibnu ya
          2. Eugene Onegin: Act II: Ya k vam pishu
          3. Eugene Onegin: Act II: Net, nikomu na svete
          4. Eugene Onegin: Act II: No tak i byt'!
          5. La rondine: Act I: Chi il bel sogno di Doretta
          6. VANESSA: Act I: He Has Come, He Has Come!
          7. VANESSA: Act I: Do Not Utter A Word
          8. Carmen: Act I: Pres des remparts de Seville (Seguidilla)
          9. Manon: Act II: Allons! il le faut!
          10. Manon: Act II: Adieu, notre petite table
          11. Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
          12. Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
          13. La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
          14. Die Frau ohne Schatten: Act II: Empress's Awakening Scene
          15. Dido and Aeneas: Act III: Thy Hand, Belinda!
          16. Dido and Aeneas: Act III: When I Am Laid In Earth
          17. Don Carlo: Act V: Tu che le vanita conoscesti del mondo

          Tracks:

          1. Otello: Act I: Gia nella notte
          2. Otello: Act I: Quando narravi
          3. Otello: Act I: Venga la morte!
          4. Cosi fan tutte: Act I: Ah, guarda, sorella
          5. Madama Butterfly: Act I: Bimba, bimba, non piangere
          6. Madama Butterfly: Act I: Bimba dagli occhi
          7. Madama Butterfly: Act I: Vogliatemi bene
          8. Requiem: Recordare
          9. Porgy And Bess: Act II: Bess, You Is My Woman
          10. Norma: Act III: Me chiami, o Norma
          11. Norma: Act III: Mira, o Norma
          12. Ernani: Act II: Tu, perfida!
          13. Ernani: Act II: Ah, morir, potessi adesso
          14. Cosi fan tutte: Act II: Sorella, cosa dici?
          15. Cosi fan tutte: Act II: Prendero quel brunettino
          16. Aida: Act IV: La fatal pietra sovra me si chiuse
          17. Aida: Act IV: Presago il core della tua condanna
          18. Aida: Act IV: Vedi? Di morte l'angelo
          19. Aida: Act IV: O terra, addio

          Tracks:

          1. Un Ballo in Maschera: Act II: Teco io sto!
          2. Aida: Act III: Ciel! mio padre!
          3. Aida: Act III: Rivedrai le forest imbalsamate
          4. Aida: Act III: In armi ora si desta il popol nostro
          5. Aida: Act III: Padre! a costoro schiava non sono
          6. Requiem: Angus Dei
          7. Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
          8. Cosi fan tutte: Act I: Soave sia il vento
          9. Porgy And Bess: Act II: I Loves You, Porgy
          10. Aida: Act II: Silenzio! Aida verso noi s'avanza
          11. Aida: Act II: Fu la sorte dell'armi
          12. Aida: Act II: Pieta ti prenda del mio dolor
          13. Aida: Act II: Alla prompa che s'appresta
          14. Il Trovatore: Act IV: Udiste?
          15. Il Trovatore: Act IV: Mira, di acerbe lagrime
          16. Il Trovatore: Act IV: Vivra! Contende il giubilo
          17. Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
          18. Carmen: Act IV: C'est toi! - C'est moi!
          19. Carmen: Act IV: Ou vas-tu? - Laisse-moi!

          Tracks:

          1. Les nuits d'ete, Op.7: Villanelle
          2. Les nuits d'ete, Op.7: Le spectre de la rose
          3. Les nuits d'ete, Op.7: Sur les lagunes
          4. Les nuits d'ete, Op.7: Absence
          5. Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
          6. Les nuits d'ete, Op.7: L'ile inconnue
          7. Four Last Songs: Fruhling
          8. Four Last Songs: September
          9. Four Last Songs: Beim Schlafengehen
          10. Four Last Songs: Im Abendrot
          11. Clair de lune, Op.46, No.2: Clair de lune
          12. Notre amour, Op.23, No.2: Notre amour
          13. Au cimetiere, Op.51, No.2: Au cimetiere
          14. Au bord de l'eau, Op.8, No.1: Au bord de l'eau
          15. No.1, Cinq melodies de Venise, Op.58: Mandoline
          16. Main dominee par le coeur
          17. Miroirs brulants No.2: Je nommerai ton front
          18. Miroirs brulants No.1: Tu vois le feu du soir
          19. Ce doux petit visage

          Tracks:

          1. Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
          2. Frauenliebe und -leben, op.42: Seit ich ihn gesehen
          3. Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
          4. Frauenliebe und -leben, op.42: Ich kann's nicht fassen
          5. Frauenliebe und -leben, op.42: Du Ring an meinem Finger
          6. Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
          7. Frauenliebe und -leben, op.42: Susser Freund, du blickest
          8. Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
          9. Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
          10. Widmung (No.1, Myrthen, Op.25): Widmung
          11. Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
          12. Volksliedchen, Op.51, No.2: Volksliedchen
          13. Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
          14. Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
          15. Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
          16. Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
          17. Allerseelen, Op.10, No.8: Allerseelen
          18. Schlagende Herzen
          19. Freundliche Vision, Op.48, No.1: Freundliche Vision
          20. Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
          21. Der Gartner (Morike-Lieder No.17)
          22. Lebe wohl (Morike-Lieder No.36)
          23. Morgentau (From An Old Songbook)
          24. Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

          Tracks:

          1. Ev'ry Time I Feel The Spirit - Various Artists
          2. Let Us Break Bread Together On Our Knees - Various Artists
          3. His Name So Sweet - Various Artists
          4. 'Roun' About De Mountain - Various Artists
          5. Swing Low, Sweet Chariot - Various Artists
          6. Sit Down, Servant - Various Artists
          7. Were You There - Various Artists
          8. He's Got The Whole World In His Hands - Various Artists
          9. Deep River - Various Artists
          10. Honor! Honor! - Various Artists
          11. My Soul's Been Anchored In De Lord - Various Artists
          12. On Ma Journey - Various Artists
          13. A City Called Heaven - Various Artists
          14. Ride On, King Jesus - Various Artists
          15. I Wish I Knew How It Would Feel To Be Free - Various Artists
          16. Sinner, Please Don't Let This Harvest Pass - Various Artists
          17. Sweet Little Jesus Boy - Various Artists
          18. There Is A Balm In Gilead - Various Artists
          19. Let Us Cheer The Weary Traveler - Various Artists
          20. Ev'ry Time I Feel The Spirit - Various Artists
          21. My Way Is Cloudy - Various Artists
          22. Nobody Knows The Touble I've Seen - Various Artists
          23. I Couldn't Hear Nobody Pray - Various Artists

          Tracks:

          1. Holy, Holy, Holy
          2. Lead, Kindly Light
          3. Blessed Assurance
          4. Ave Maria
          5. What A Friend We Have In Jesus
          6. Amazing Grace
          7. The Lord's Prayer
          8. Pass Me Not, O Gentle Saviour
          9. The Church's One Foundation
          10. Bless This House
          11. I Need Thee Every Hour
          12. Fairest Lord Jesus
          13. I Wonder As I Wander
          14. Ave Maria
          15. Porgy And Bess: Summertime
          16. America The Beautiful
          17. Lift Ev'ry Voice And Sing
          18. A Mighty Fortress Is Our God
          19. Battle Hymn Of The Republic

          Tracks:

          1. Chants tziganes, Op. 103: He Zigeuner
          2. Chants tziganes, Op. 103: Hochgeturmte Rimaflut
          3. Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
          4. Chants tziganes, Op. 103: Lieber Gott, du weisst
          5. Chants tziganes, Op. 103: Brauner Bursche
          6. Chants tziganes, Op. 103: Roselein dreie in der Reihe
          7. Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
          8. Chants tziganes, Op. 103: Rote Abendwolken
          9. Adriana Lecouvreur: Act I: Io son l'umile ancella
          10. This Little Light O'Mine
          11. Interview With Leontyne Price By John Pfeiffer

          Amazon.com

          This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

          Customer Reviews:

          5 out of 5 stars A Long Time Coming..........2006-03-30

          This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
          An American Icon....I will forever be a loyal fan and admirer!!

          5 out of 5 stars Her Best Album.......2006-01-01

          Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

          This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

          5 out of 5 stars Price At Her Peak.......2005-05-02

          Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

          This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

          Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

          Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
          This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

          5 out of 5 stars of course world class.......2000-08-14

          Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

          5 out of 5 stars the greatest american soprano of the 20th century.......1999-12-12

          This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.
          Recitals 1954-1969
          Average customer rating: 4 out of 5 stars
          • Wretched marketing excess!
          • Long Day's Journey. . .
          • Can A Callas Fan actually live without this?
          • Indispensable
          Recitals 1954-1969
          Christoph Willibald Gluck , Charles Gounod , Jules Massenet , Giacomo Meyerbeer , Wolfgang Amadeus Mozart , Giacomo Puccini , Gioachino Rossini , Camille Saint-Saens , Gaspare Spontini , Ambroise Thomas , Giuseppe Verdi , Carl Maria von Weber , Georges Prêtre , Nicola Rescigno , Tullio Serafin , and Duncan Robertson
          Manufacturer: EMI Int'l
          ProductGroup: Music
          Binding: Audio CD

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