In a life that took her from Butcher Holler to stardom to legend, Loretta Lynn has endured her share of tragedies. The 1996 death of husband Mooney--her right hand from the start of Lynn's career--required an excruciating adjustment that tested her grit and resiliency. Still Country, originally released in 2000, was her first album of new songs in 12 years and it revealed how well those traits sustained her. Producer Randy Scruggs plays to her strengths, emphasizing Lynn's voice, which is nearly as strong as it was decades earlier. The snappy, direct wit that made "Fist City" and "The Pill" special now flavors "Table for Two" and "Country in My Genes," an unsubtle dig at current Nashville trendiness. There's a consistent quality that runs through the entire album, but the showcase is "I Can't Hear the Music," a heartfelt, direct tribute to Mooney. It's impossible not to be moved as Loretta bares her love, loss, and pain to the world. It may not be radio-friendly, but the song is as real as it gets. [The 2004 release includes a bonus DVD with two videos for "Country in My Genes."] --Rich Kienzle
Still Country,Loretta Lynn,Koch Records,Country,Nashville Sound/Countrypolitan,Pop,Traditional Country,United States of America
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Stand Still, Look Pretty
The Wreckers , Michelle Branch , and Jessica Harp Manufacturer: Maverick ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009F43V8 Release Date: 2006-05-23 |
Tracks:
- Leave The Pieces
- Way Back Home
- The Good Kind
- Tennessee
- My, Oh My
- Stand Still, Look Pretty
- Cigarettes
- Hard To Love You
- Lay Me Down
- One More Girl
- Rain
- Only Crazy People
Amazon.com
The Wreckers are Grammy-winning songstress Michelle Branch and friend/journeywoman Nashville singer-songwriter Jessica Harp, a team whose solid craftsmanship and soaring, airtight harmonies often lift their hook-smart contemporary country stylings above what's too often mere fizzy, pop-crossover formula. They may have entered the public consciousness via the wide exposure of "Good Kind" on the primetime soap opera One Tree Hill, but the bracing, back-porch charms of the single "Leave the Pieces" should find them a following well beyond that series' teen audience. The reflective title track, gritty folk charms of "Tennessee" and giddy crowd-pleaser "My, Oh My" are suffused with a lyrical maturity that's the perfect counterpoint to the duo's sturdy musical constructs. Solid songs all, delivered with a muscular vocal conviction that does considerably more than merely sell them. --Jerry McCulleyAlbum Description
The Wreckers are about creation, not destruction. Bringing together two young, fearless female singersongwriter-acoustic guitaristsGrammy®-winning, platinum-selling Michelle Branch and collaborator Jessica HarpThe Wreckers' debut album, Stand Still, Look Pretty, blends Branch's pop-rock sensibility with Harp's country-folk style. Edgy yet rootsy, on Stand Still, Look Pretty, The Wreckers have a ball.Customer Reviews:
Okay.......2007-07-09
I hope this review was helpful.
Wow.......2007-05-28
Great debut.......2007-05-23
Chick with rockabilly.......2007-05-22
I love this album!!!.......2007-05-08
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Still Feels Good
Rascal Flatts Manufacturer: Lyric Street ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000QCUDL8 Release Date: 2007-09-25 |
Album Description
It all begins when the lights go down. For Gary LeVox, Joe Don Rooney and Jay DeMarcus, it has been that way since they were playing for a handful of people in a club in Nashville's Printers Alley. These days, of course, they play for thousands of screaming fans a night, drawn by state-of-the-art production and sound, and by spectacular vocal harmonies in service to an ever-expanding catalogue of hits. In between, it was the magic of those performances that catapulted Rascal Flatts into the front ranks of entertainers in all genres.
By any measure, Rascal Flatts is in elite territory. They are the reigning 2006 CMA, ACM and CMT Vocal Group of the Year. In 2005 they added Billboard and R&R Artist of the Year trophies as well. The trio also picked up its first three Grammy nominations in 2005, and their "Bless The Broken Road" received the Grammy for Country Song of the Year. Coming off the biggest selling artist album of 2006, Rascal Flatts is geared up for their brand new album coming on September 25.
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Free
Chris Dodd , Fiona Pears , Anthony Chadney , Ben Crawley , Christopher Robson , and Raoul Platt Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002RUAAQ Release Date: 2004-10-05 |
Tracks:
- I Am The Day
- Stay With Me
- Voca Me
- A Song Of Enchantment
- Ave Verum
- Do Not Stand At My Grave
- When A Knight
- A New Heaven
- I Vow To Thee My Country
- Lament
- Twilight
- Be Still My Soul
- Adoramus
Amazon.com
English composer Robert Prizeman has taken a conventional English boy's choir--usually a haven for sweet songs and ecclesiastical renderings--and made them contemporary without selling out any of their intrinsic charm. Their stacked choral voices and lead sopranos, dressed up with electronica rhythms, synthesizers, and strings still sound like they could be coming from the church balcony, even while they exude an Enya-like appeal. While there are adaptations of Gregorian chants and Sibelius hymns, most of the songs are Prizeman originals based on those styles, with texts often drawn from Latin Liturgy. Except for the chilled romanticism of "Stay With Me," and the rhythm driven "Adoramus," whose chorus sounds like a Harry Potter incantation, few of the songs on Free have the anthemic pop appeal of "Salva Me" or "Vespera" from previous albums. Instead, Prizeman has opted for a more serene sound on Free, even with their first video from the disc, the yearning "I Am the Day." Some of it, like Prizeman's setting of a Walter de la Mare poem on "A Song of Enchantment," gets lugubrious. But most of Free floats on gentle soprano breezes, intrinsically innocent, even if the boys might be smoking cigarettes behind the altar. --John DilibertoCustomer Reviews:
HEAVENLY.......2007-06-19
Sweetest voices ever!.......2007-06-16
Awesome.......2007-01-04
Soothing and thought provoking.......2006-02-23
Pure Crystal.......2006-02-20
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It Still Moves
My Morning Jacket Manufacturer: Ato Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000C0FBM Release Date: 2003-09-09 |
Tracks:
- Mahgeetah
- Dancefloors
- Golden
- Master Plan
- One Big Holiday
- I Will Sing You Songs
- Easy Morning Rebel
- Run Thru
- Rollin Back
- Just One Thing
- Steam Engine
- One In The Same
Customer Reviews:
Not so great!.......2007-05-12
How a rock and roll record should be!!!.......2007-04-04
this is a must have, and a no-brainer!!
can't get enough of this band........2007-02-11
Worth every second!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.......2006-08-12
Mahgeetah- 4 and a quarter stars- This song isn't the best opener, but it passes.
Dancefloors- 4 and a quarter stars- This one is similar to Mahgeetah but different in many ways. (Think about it, it makes since.)
Golden- 5 stars- This song is probably one of the most beautiful songs I've ever heard. Ya gotta love it.
Masterplan- 4 and 3 quarter stars- Close, but not as good. Don't get me wrong. You'll wanna here it.
One Big Holiday- 4 anda half stars- This song is a good rocker. And it has the best name.
I will sing you song- 4 and a half stars- This is the long one, about 9 minutes. But it's worth every second.
Easy Morning Rebel- 4 stars- It's a good one. The short beat at the begining of the song with the horns is great mon!
Run Thru- 4 stars- Great guitar and stuffffffffssssssssss!!!??..
Rollin Back- 3 and a half stars- Bit of a disappointment here. Sorry My Morning Jacket.
Just One Thing- 5 stars- Now that's better. Short but Awesome!
Steam Engine- 5 stars- Even better than just one thing! YYAAAYYY!!!!!!
One in the Same- 5 stars- Worse than steam engine but better than just one thing. It's a beautiful song.
That's what I think. And if ya don't agree, too bad cuz i'm keepin my opinions. Peace out, MMJ!!!????....
Tight but loose.......2006-07-16
Okay, it's not that simple, but it's close. It's easy to like tracks like "Golden" and "Mahgeetah" because they're pretty dang catchy and are a bit more focused than most of the other songs (actually, the end of "Mahgeetah" is a pretty awesome jam session). Most of the other songs won't quite jump out at you, but have a unique appeal that I haven't really heard in any other rock bands - the songs may carry on too long and not really go anywhere, but who cares? It's fun to listen to them just jam on as if they were sitting on a porch on a warm summer evening, which is where some of the "live show" comparisons come into play. Speaking of which, I saw them at Coachella this year and they were positively amazing. I was with two people who had never heard of MMJ and they were absolutely blown away, their set was truly electric.
A perfect way to introduce yourself to this CD is to listen to it on a long drive. The relaxed arrangements just seem to make the time pass effortlessly and reduce a lot of the stress of sitting in your car for an extended period of time. Then again, I'm listening to it right now while getting ready to go for a night on the town. With a slightly shorter running time this album could have been a true classic, but as is it will have to settle for being a great album.
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The Best of the Kentucky Headhunters: Still Pickin'
The Kentucky Headhunters Manufacturer: Mercury Nashville ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001E5X Release Date: 1994-09-20 |
Tracks:
- Dumas Walker
- Walk Softly On This Heart Of Mine
- Rock 'N' Roll Angel
- Oh Lonesome Me
- The Ballad Of Davy Crockett
- Only Daddy That'll Walk The Line
- It's Chitlin' Time
- Spirit In The Sky
- Let's Work Together
- Honky Tonk Walkin'
- Dixie Fried
- Redneck Girl
- You've Got To Hide Your Love Away
Customer Reviews:
The Best Of The Kentucky Headhunters:Still Pickin.......2007-05-28
The Headhunters Are Friends Of Mine!.......2006-05-14
kentucky headhunters - still pickin' cd.......2006-03-09
A Different Flavor of Country.......2005-11-26
No flash...just talent........2005-10-09
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I Still Believe in You
Vince Gill Manufacturer: Mca Nashville ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002OLC Release Date: 1992-09-01 |
Tracks:
- Don't Let Our Love Start Slippin' Away
- No Future In The Past
- Nothing Like A Woman
- Tryin' To Get Over You
- Say Hello
- One More Last Chance
- Under These Conditions
- Pretty Words
- Love Never Broke Anyone's Heart
- I Still Believe In You
Amazon.com
Vince Gill has always been ambitious man: he got his start with the progressive new grass outfit Bluegrass Alliance but didn't stay long, and he soon became guitarist, vocalist, and songwriter for the country-folk middle-roaders Pure Prarie League. He stayed with the band for three years before working as a sideman to Rodney Crowell and eventually signing with MCA in 1984. His career skyrocketed, fueled by tasteful country material and his creamy vocals. 1992's I Still Believe in You was his biggest success, and the title cut a monster hit. It's not a spectacular record, but Gill's vocal strengths and guitar work are hard to deny, and these 10 songs, featuring guest spots by Delbert McClinton and Alison Krauss, represent his style very well. --Roy Francis KastenCustomer Reviews:
Vince Sings Like No One Else.......2005-11-22
Except for the late, great Roy Orbison, Gill stands alone when singing of love's heartache or love's joy. He transmits more than words and a story when he sings. He gives us a glimpse into his heart.
In this album, Gill allows us to be his companion, confiding in us his anguish, his joy and his pain in such instant and forever classic love songs as "I Still Believe In You," Tryin' To Get Over You," "Love Never Broke Anyone's Heart," and "No Future In The Past."
Take you pick. Play them. Then play them again and again. If you aren't already, you'll be addicted to this man's voice and soul when you listen to this album.
country music excellence.......2005-01-09
At 5 x platinum, "I Still Believe in You" has been Vince's biggest selling CD, and the title song was a big hit; it won many awards, among them the CMA Song of the Year and Album of the Year for '93, as well as giving Vince the Entertainer of the Year and Male Vocalist of the Year awards, and the '93 TNN Music City Awards gave Vince the Single of the Year and Instrumentalist of the Year award as well.
Vince's band is superb, and are a part of what makes this such an excellent recording, the booklet insert has all the lyrics and I do like the pensive b&w cover photo, rather unusual for a non-classical CD, but maybe appropriate, because this album is a 100 % country classic, and on my list as an essential for any CD collection of that genre.
Total playing time is 36'23 thoroughly enjoyable minutes.
Vintage Vince.......2003-04-25
Gill wrote or co-wrote all of the songs included here with eight different collaborators. He claims only the title song was autobiographical. It is a reassurance of devotion to his wife Janis, even though the obligations of fame often impede their time together (alas, Amy Grant came along and permanently impeded their time together a few years ago). Many of Gill's slow songs have a tendency to sound alike. He gets away with it by using diverse subject matter and by coming up with lyrics that touch a universal chord. "No Future In The Past" deals with lost love while "Nothing Like A Woman sweetly extols the pleasures of having a woman to love. "Under These Conditions" looks at potential lovers who bypass adultery because their families need them while "Love Never Broke Anyone's Heart" addresses the reluctance to fall in love again for fear of getting hurt.
In addition to using diverse subject matter, Gill sequences his tracks well enough that the listener is never placed into a coma. The interspersed uptempo tunes place as much emphasis on the beat as the lyrics. "Don't Let Our Love Start Slippin' Away" is one of Gill's most soulful recordings ever, while "Say Hello" sounds as if it could be a revived classic from the '60s Bakersfield era - very similar to the kind of material that Dwight Yoakam has popularized. "Pretty Words" is a footstomping bluegrasse number, while "One More Last Chance" is a carefree slice of rockabilly. These faster tunes nicely convey that amidst all the seriousness, Gill relishes the chance to cut loose.
Vince's breakthrough album.......2002-07-19
You'll believe in this album for years to come!.......2001-10-20
Of the ten tracks, five of them were HUGE hits for the country music world. These five blockbusters are: "I Still Believe in You," "One More Last Chance," "No Future in The Past," "Don't Let Our Love Start Slippin' Away," and my favorite, "Tryin' To Get Over You." Even to this day, I still hear all of those songs on the radio a lot, that's how great they are.
The five non-hits in I Still Believe in You aren't bad either. As a matter of fact, all of them are good songs, especially "Nothing Like A Woman."
I'm 21 and I like Vince Gill's music, my mom is middle-aged :) and she's a fan, and my grandfather is 87 and he says Vince Gill is his favorite country music singer. In other words, it doesn't matter how old you are, if you like great country music, get this album while you can! Even if you're not that big on country music, at least give it a listen, it might surprise you.
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Still Feel Gone
Uncle Tupelo Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008J2RC Release Date: 2003-04-15 |
Tracks:
- Gun
- Looking For A Way Out
- Fall Down Easy
- Nothing
- Still Be Around
- Watch Me Fall
- Punch Drunk
- Postcard
- D. Boon
- True To Life
- Cold Shoulder
- Discarded
- If That's Alright
- Sauget Wind (Bonus Track)
- I Wanna Destroy You (Bonus Track)
- Watch Me Fall (Demo) (Bonus Track)
- Looking For A Way Out (Demo) (Bonus Track)
- If That's Alright (Demo) (Bonus Track)
Amazon.com
Before March 16-20, 1992 secured Uncle Tupelo's place as Commanders in Chief of the alt-country assault during the early '90s, Still Feel Gone stated emphatically that they were no musical tumbleweeds. Though twangy, lap-steel-heavy ditties like "Watch Me Fall" and "Still Be Around" cradle a country heart, the bulk of this disc is a nod to Uncle Tupelo's garage- and punk-rock heritage. The songs find their hooks in the twittery vocals of Jay Farrar and Jeff Tweedy, but beware the rapid-fire drumming of Mike Heidorn. When Uncle Tupelo fires up its tribute to late Minuteman D. Boon, you'll realize there's more to these country boys than meets the ear. This 2003 expanded and remastered version includes three unreleased demos, the "Sauget Wind" single, and their rare cover of the Soft Boys' "I Wanna Destoy You." --Nick HeilCustomer Reviews:
What about the extra tracks?.......2006-10-20
It's a bit of a sluggish mess, though, sonically! I wonder if anyone who has this remastered version can talk about a) any changes in the sound and b) the quality of the bonus tracks.
[If you're curious about Uncle Tupelo and don't have any of their albums, get their "greatest hits" collection for starters. They only have 4 real albums, though. Note that "March 16-20" is a VERY acoustic album, the others all mix acoustic and electric instruments.]
Complete Album.......2006-06-30
It's a little less from the gut than 'No Depression' but not yet overly cerebral. It rocks at times and is moody at others and evokes a sense of desperation and defiance. For some reason, while very different, it reminds me of the Stone's Sticky Fingers (but this may be a stretch)
still feel gone, indeed..........2004-12-10
Uncle Tupelo's best work - Still Feel Gone.......2004-08-22
at first listen to this remastered disc I was amazed.
thrown back at how well the songs work and feel.
this is by far the most consistent album of all the UT releases.
I highly recommend this one!
A period of transition, as one reviewer says, Not quite!
These boys wanted it and they got it. The musicianship is all there. You can't miss it!
It really shows just how well practiced these songs were and they come across that way.
I've heard these tracks in different ways and they all work just the way great songs should.
A universal arsenal of classic alt-country with a touch of sin.........
Oh my, now THIS works for me!.......2004-07-22
I had a hard time getting past the first 7 songs, though. I kept playing each one 3-5X in a row, because each song is a gem in it's own right. It took me hours just to get through the full CD, lol...
Buy it and enjoy it - this one is a classic for sure.
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Deeper Still
Beth Nielsen Chapman Manufacturer: Artemis Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000639WB Release Date: 2002-03-26 |
Tracks:
- World Of Hurt - (with John Hiatt/Andy Bey)
- Angels By My Side
- Every December Sky - (with John Prine)
- Wait For The Way
- Shake My Soul - (with Bonnie Raitt)
- All Comes Down To Love
- All For The Love
- Deeper Still - (with Vince Gill)
- Sleep
- Feathers Bones And Shells
- There's A Light
Amazon.com
Beth Nielsen Chapman has long been a music-industry favorite, with the likes of Elton John championing and performing her songs. To say she's had it rough, though, barely does justice to the events that inform 1997's Sand and Water and its follow-up, Deeper Still--the death of her husband and her subsequent fight with breast cancer. Deeper Still's acceptance of hard truths will resonate with many listeners, while others will raise an eyebrow at Chapman's insistence that there are "angels by [her] side." As Hallmark as she can sometimes seem, though, it feels a bit churlish to throw stones at someone who could've folded as easily as continuing to record. Deeper Still offers nothing as pop perfect as "This Kiss," the hit she cowrote for Faith Hill, but those tuned to its singer-songwriter pitch will treasure it nonetheless. --Rickey WrightCustomer Reviews:
Not quite as strong as SAND AND WATER but close.......2005-07-16
HIGHLIGHTS:
"Every December Sky" uses the fallen leaves of autumn as a metaphor for mortality. ("And every leaf of fire lets go/melting in the arms of Earth and snow") Bonnie Raitt guests along with frequent songwriting partner Annie Roboff on "Wait for the Way", an ode to having patience while "time heals all wounds". The title track is the finest paraphrase of "it's better to have loved and lost" I've heard. A pennywhistle and Vince Gill's harmony bolster the track, summed up in its final line "you will always have what you gave to love". "Sleep" is Chapman's paean to world music, incorporating Native American flute, Tibetan bowl, Conch shell and street sounds of an Indian market in its unorthodox arrangement. Chapman imagines death as a place with "wondrous wings and blinded eyes/that see even beyond seeing/The same heartbreaking sorrow/The same unspeakable loveliness/All at the same time/How beautiful and sad". "Feathers Bones and Shells" reminds us of how fragile life is, that "nothing escapes/the wind blowing through/the feathers, bones and shells". Beth's accompanied only by her piano and John Catching's cello. "There's a Light" is a non-denominational hymn of sorts, asserting "To this world we will die/but our hearts know/We'll see more on that side/when the door opens wide/We will fly, we will fly/we will all go". The restrained arrangement never allows itself to crest into bathos. Emmylou Harris and Kimmie Rhodes add subtle harmony as Chapman ends the album with the antithesis of opener "World of Hurt".
LOWS:
The mechanized electronic drum drone of "All for the Love" feels out of place in the context of the mostly organic sounds Chapman has offered on the bulk of the album. It's no so much "poor" as poorly used. It might have been better held onto for a future project where it would sound of a piece. It may just be incredible coincidence, but "All Comes Down to Love" sounds AMAZINGLY close musically to the PUSH STARS "Drunk is Better than Dead". At least, I'm hoping it's just astounding coincidence. The acoustic guitar parts are identical..the song is OK but the smell of plagairism ruins it for me.
BOTTOM LINE:
This still is quite a contemplative album and not "sunny pop" by any means, but it's not as laden with melancholy as SAND AND WATER was. Though I feel S.A.W. was a better work of art, you may find yourself putting this one in the player more often.
Simple, beautiful, pure--.......2003-02-13
Listen to this with an open mind........2002-12-16
I consider this album to be special. This assumes that we can put aside inhibitions and listen openly to the content of the songs. Some are upbeat; many are slow and reflective.
As for the recording, the information informs us that numerous sites are used for the recordings. On good equipment this shows: in lack of clarity and in digital 'edge' to the voice. In what seems a common style in US C & W recordings, there is little ambience and the sound does not open up enough; my 'ScanSpeak' tweeters appear to have taken a vacation! A quick check with a digital editor shows clipping; with minor clip restoration, plus slight presence lift, the sound becomes more acceptable.
Do listen to the poetry...
Unspeakable loveliness!.......2002-07-12
This is an extremely moving CD from beginning to end. It might not lift your heart, but it will stir your soul. And art is about moving you in some way, even if it is not always upbeat and happy.
Other reviewers have commented on the famous singers who have lent thier talents to back-up vocals. This, I think, is a tribute to the strength of the material that Ms. Chapman has created.
Other reviewers have also commented on indvidual songs. The one that moved me most is called, "Sleep" as I recall. On it, Ms. Chapman sings of "The same heartcrushing sorrow, the same unspeakable loveliness... all at the same time." These lyrics could describe the entire CD.
Enthralling.......2002-06-27
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The Storm Still Rages
Rhonda Vincent Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005K9SI Release Date: 2001-06-05 |
Tracks:
- Cry Of The Whippoorwill
- Is The Grass Any Bluer
- Don't Lie
- Drivin' Nails In My Coffin
- I'm Not Over You
- Bluegrass Express
- Just Somone I Used To Know
- On Solid Ground
- Each Season Changes You
- My Sweet Love Ain't Around
- You Don't Love God If You Don't Love Your Neighbor
- When The Angels Sing
- The Martha White Theme
Amazon.com
In recent years, Missouri-born Rhonda Vincent has become one of a handful of extraordinary singers whose voices personify the grace, power, and poetry of contemporary bluegrass music. The 13 exquisite cuts on Storm Still Rages (which she produced, and on which she is joined by luminaries like singers Alison Krauss and Sonya Isaacs, and guitarist Bryan Sutton) is a worthy follow-up to 2000's critically acclaimed Back Home Again, which marked Vincent's return to bluegrass after a foray into mainstream country. Whether on a rousing tribute to the late Bill Monroe ("Is the Grass Any Bluer"), spirited bluegrass reprises of honky-tonk classics ("Drivin' Nails in My Coffin" and Hank Williams's "My Sweet Love Ain't Around"), a sterling Vincent original ("On Solid Ground"), or a fervent, old-timey gospel number (Carl Story's "You Don't Love God if You Don't Love Your Neighbor"), Vincent reminds us what great singing, and great modern bluegrass music, is all about. --Bob AllenCustomer Reviews:
Fantastic Bluegrass Music.......2007-01-01
Stellar album.......2005-12-14
Brilliant work from one of bluegrass's finest!.......2005-04-30
Rhonda Vincent's album The Storm Still Rages is nothing short of spectacular!. Rhonda not only demonstrates her incredible angelic voice, but her prowess on the mandolin. Her playing is spectacular!. From start to finish, this is a brilliant, well-produced album!. The first cut Cry of the Whippoorwill, is catchy and instantly singable. Kenny Ingrams banjo starts this track off, drawing you in. The tribute to Bill Monroe Is The Grass Any Bluer is touching, especially since I read that Rhonda got to meet the legendary Monroe on her birthday. Don't Lie is one of my favorite songs with the chorus: "Just go ahead and say goodbye, but don't lie". The up tempo Driving Nails in My Coffin is heartbreaking, and tells a story of a woman alone drinking herself to death because she can't forget her true love. I'm Not Over You is gorgeous with beautifully tight harmonies and Hunter Berry's signature grunting fiddle. Every song on this disc is a winner but my personal faves are: Cry of the Whippoorwill, Don't Lie, Solid Ground, I'm Not Over You, Driving Nails in My Coffin and My Sweet Love Ain't Around. If you love bluegrass, buy this disc. If you want to hear stellar musicians perform buy this disc! And if you have never heard of Rhonda Vincent, this disc will be played over and over again! It's in rotation in my CD player right now!.
Rhonda is Fantastic!.......2004-01-24
Rhonda sets fast pace with high-energy bluegrass.......2003-03-15
There are occasional slow songs, like Don't lie, but the bulk of this album is full of up-tempo, driving bluegrass, such as Bluegrass express and an excellent tribute to Bill Monroe (Is the grass any bluer?).
Just someone I used to know was a country top ten hit for Dolly as a duet with Porter Wagoner, although it had previously been a country top ten hit for George Jones with the title A girl I used to know. Porter and Dolly also recorded Each season changes you, another song Rhonda covers here. Rhonda does both of these songs at a faster pace than Porter and Dolly, in keeping with the mood of the album. These changes work well, but change the meaning of the songs subtly.
With Rhonda having recorded a series of very high quality albums over the previous decade, I didn't think there was any room for improvement, but this might just be the best of the lot.
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Songs for a Hurricane
Kris Delmhorst Manufacturer: Signature Sounds Recordingss ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AGWGB Release Date: 2003-08-12 |
Tracks:
- Waiting Under The Waves
- East Of The Mountains
- You're No Train
- Bobby Lee
- Weathervane
- Juice+June
- Hummingbird
- Hurricane
- Come Home
- Too Late
- Wasted Word
- Short Work
- Mingalay
Amazon.com
A favorite of folk fans in the Boston area, the singer-songwriter makes a striking bid for a broader audience with her third release. The propulsive "East of the Mountains" and "Short Work" benefit from the backbeat of former Morphine drummer Billy Conway (Delmhorst's co-producer), while "Hurricane" builds to a furious climax through the Neil Young-style guitar squall of Kevin Barry. Multi-instrumentalist Delmhorst seasons various tracks with fiddle, cello, and guitars. Though her breathy, brooding vocals can occasionally sound a bit mannered--giving a cloying quality to the overly precious "Hummingbird"--most of the musical settings reinforce the power of her elemental imagery. While the bulk of the material evokes the turbulence of a relationship, the conviction that Delmhorst brings to her music suggests that it would take an awfully strong wind to blow her away. --Don McLeeseCustomer Reviews:
Songs for anyone who likes acoustic music, hurricane, drought, or otherwise.......2006-03-26
Delmhorsts songs are strong, implacable and iconic. In this album she really abandons the personal-confessional style of 90s-era acoustic songwriting -- and fully comes into her own, using the pure voice of metaphor, myth, and image. Delmhorst loves the negative image -- "Baby, you're no train, you're the track" ... "no more weathervane, I'm gonna be the wind / no more turn around" -- and through her gorgeous low voice you can hear the muscle of her language rippling powerfully beneath.
And what a voice! It grows dark, menacing in minor in the likes of "East of the Mountains," "Weathervane" and "Come Home on the Train," and so sweet and gauzelike in "Juice + June" and (especially) "Mingalay" that the hard of heart would grow teary-eyed to hear her.
Simply put, this album is a keeper.
Trains and Hurricanes!.......2005-02-13
To those unfamiliar with this artist, her voice is somewhat reminiscent of McLachlan's, but the songs are moodier, less contrived, and seem more personal than McLachlan's. In that respect, her work has more in common with Mae Moore, but with a more visceral approach.
Several of the songs contain imagery of trains and hurricanes, the reasons for which are mysterious....
Why isn't she a star?.......2004-05-17
One more time.......2004-03-13
Unforgettable Voice, Beautiful Music.......2004-01-27
"East of the Mountains"
This country ballad displays something of Delmhorst's feel for a range of music styles. The voice here has all the rich texture of the gentler songs on the album, but applied to a quick-tempo tale of a woman "sent away" by her family, never to see her lover again, Delmhorst registers both sensual longing and resilient anger.
"Bobby Lee"
Of the many songs on the album that give Delmhorst a chance to really give the warmth of her voice full sway, this along with "Mingalay" may be the best. And while the star here is the wonderful tone of voice that gives the song's simple melody its full emotional range, the more I listen, the more I find myself thinking about its subject... the difficulty of "rolling the stone away" in a maybe-permanently broken relationship.
This song is a great example of just how resourceful a musician Delmhorst is, neither just a singer nor just a songwriter. You sense here that the album has a non-ostentatious feel for making use of its range of resources, much like you do when you listen to Merrie Amsterberg's "Little Steps" or Lucinda Williams' "Car Wheels on a Gravel Road" (as different as those artists are from Delmhorst).
"Juice and June"
At her most sultry here, Delmhorst and her band take it slow to get across the beauty of dancing toward passion, under the influence of "juice and June." The lovely risks of letting yourself fall too soon, which are slyly linked here to the pleasures of indulging in the music itself, give the song that wonderful quality of being a song about falling that lures its listener into falling for the song's own "juice and June."
"Hurricane"
I just have to begin by saying that this one sends chills down my spine. Again, and again. Why? Well, the song is about loving (someone's) storminess. It's an appealing tune, makes you want to sing it. And while the lyrics aren't unnecessarily tangled up with poetry... the texture of Delmhorst's voice gets a hold of the passion without histrionics... that is, through singing in the purest sense, not a display of singing. She handles the song the way a great actor does a great monologue, letting the material fully register in herself and show her the way to give it voice. And so she let's the song unfold toward its stormy closing instrumental burst in a way that feels organic.
"Come Home"
A song that could show up on a Gillian Welch album, here played simply with background rain effects, and sung with that remarkable voice. Listen to it on headphones to hear how Delmhorst keeps it simple and yet there's nothing simple in a voice working with a song's genre to capture its expressive range while staying true to its style.
"Wasted Word"
A sweet tune, about making the "wasted" past right in the lovely present. Pain has never looked so sweet, sincerely so, but you can't sing this song and make it believable unless you have a voice that can capture pain and beauty at once.
"Short Work"
A sort of country shuffle on betrayal and paying it back. Again, Delmhorst knows how to work within the song's shape to texture it musically but not interfere with the expressive potentials that it has as written.
"Mingalay"
An album that circles its hurricane theme throughout would not be complete without a traditional sailor's ballad... given a thoughtful update here through Delmhorst's final verse that complements the song's traditional look homeward from the sea with a look out to sea from those waiting on land. Played here with a bluesy sultriness, the song allows Delmhorst to handle the melody with a characteristic mix of aching tenderness and passion.
And again, you'll be torn between singing along and listening in rapt silence. To me, a singer who can cultivate precisely this conflict in the listener must be doing something right.
If you want to get a sense of just how remarkable the songwriting is here, do this: make a short playlist for yourself of
"East of the Mountains"
"Bobby Lee"
"Juice and June"
"Hurricane"
"Wasted Word"
"Mingalay"
and give this short set a listen. I defy you to find me a more beautiful set of songs on any recent recording, though each is different in style. But don't keep listening to this short set, go back to the full CD and listen to it all.
This is very, very good songwriting, musicianship, and, not least of all, singing. Spread the word, because this is an artist who deserves an appreciative audience.
Music Album:
- Suzie: The Hickory Anthology 1961-1965
- Texotica
- That'll Flat Git It!, Vol. 2: Rockabilly From The Decca Vaults
- The 25 Year Collection, Vol. 2
- The Best Of [Import]
- The Best of: Statue of a Fool
- The Complete '60s Duets
- The Essential Lee Clayton 1978 [Import]
- The Essential Willie Nelson
- They Ain't Making Jews Like Jesus Anymore
