This Kansas City quintet, together since 1997, long ago established their flair for honky-tonk minimalism delivered with finesse and free of campy, self-conscious imitation. On their fourth album, 11 numbers--all but one originals--are concise and tailored to fit Hobart's tense George Jones/Johnny Paycheck phrasing as he explores the nooks and crannies of romantic strife. He warns on "Don't Make Me Break Your Heart," and captures sorrow morphing to anger on a 1960s Paycheck cover, "It Won't Be Long (And I'll Be Hating You)." Paycheck's particular style of angst lives on in "I Don't Like That Mirror's" thoughtful, reflective bitterness. The subtly humorous "The Tear I Left Behind" effectively detours into shuffle-swing, and the album ends with "Black Iron Bridge," an abbreviated blockbuster of a suicide number. The Misery Boys share Hobart's sense of economy. T.C. Dobbs and Blackjack Snow are a solid rhythm section; guitarist J.B. Morris and steel guitarist Solomon Hofer shine by knowing when not to play. If there's one real-life tragedy, it's that the mainstream hasn't yet discovered these guys. --Rich Kienzle
Empty House,Rex Hobart & the Misery Boys,Bloodshot Records,Alternative Country-Rock,Americana,Country,Honky Tonk,Indie Rock,Pop,United States of America
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Les Miserables (Highlights from the 1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson Manufacturer: Decca U.S. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000084TRM Release Date: 2003-01-28 |
Tracks:
- Overture/Work Song
- I Dreamed a Dream
- Who Am I?
- Castle on a Cloud
- Master of the House
- Stars
- Do You Hear the People Sing?
- A Heart Full of Love
- One Day More
- On My Own
- A Little Fall of Rain
- Drink with Me
- Bring Him Home
- Javert's Suicide
- Empty Chairs at Empty Tables
- Wedding Chorale/Beggars at the Feast
- Finale
Amazon.com
While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi
Customer Reviews:
BEST OPERA MUSIC EVER.......2006-11-03
Time well spent........2005-09-14
Great Score, But Highlights Missing Critical Songs.......2005-08-05
While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.
Best tracks:
I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables
Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.
Buy the full version, please.......2005-01-20
Argh Matey!.......2004-11-22
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Varese Sarabande 25th Anniversary Celebration
Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008WI90 Release Date: 2003-04-22 |
Tracks:
- The Man from Snowy River (Bruce Rowland)
- The Winds of War (Bob Cobert)
- Blue Velvet (Angelo Badalamenti)
- Witness (Maurice Jarre)
- Raising Arizona (Carter Burwell)
- Pee Wees Big Adventure (Danny Elfman)
- Halloween (John Carpenter)
- A Nightmare On Elm Street (Charles Bernstein)
- The Fly (Howard Shore)
- RoboCop (Basil Poledouris)
- The Empire Strikes Back (John Williams)
- The Right Stuff (Bill Conti)
- The Final Conflict (Jerry Goldsmith)
- The Abyss (Alan Silvestri)
- Brainstorm (James Horner)
- Peggy Sue Got Married (John Barry)
- My Left Foot (Elmer Bernstein)
- The Dead (Alex North)
- Stanley & Iris (John Williams)
- The Milagro Beanfield War (Dave Grusin)
- Driving Miss Daisy (Hans Zimmer)
Tracks:
- Steel Magnolias (Georges Delerue)
- Unforgiven (Lennie Niehaus and Clint Eastwood)
- Raggedy Man (Jerry Goldsmith)
- The Grifters (Elmer Bernstein)
- Green Card (Hans Zimmer)
- City Slickers (Marc Shaiman)
- Father Of The Bride (Alan Silvestri)
- While You Were Sleeping (Randy Edelman)
- Babe (Nigel Westlake)
- The Adventures Of The Great Mouse Detective (Henry Mancini)
- The Adventures of Robin Hood (Erich Wolfgang Korngold)
- The Young Indiana Jones Chronicles (Laurence Rosenthal)
- The Secret Garden (Zbigniew Preisner)
- A Little Princess (Patrick Doyle)
- Rudy (Jerry Goldsmith)
- Iron Will (Joel McNeely)
- Memphis Belle (George Fenton)
- Eye Of The Needle (Mikl)
- Total Recall (Jerry Goldsmith)
- Back To The Future Part III (Alan Silvestri)
Tracks:
- To Die For (Danny Elfman)
- The Player (Thomas Newman)
- Black Robe (Georges Delerue)
- Medicine Man (Jerry Goldsmith)
- 2001 (Alex North)
- Star Wars: Shadows Of The Empire (Joel McNeely)
- The Crow (Graeme Revell)
- Blade (Mark Isham)
- The Omen (Jerry Goldsmith)
- Vertigo (Bernard Herrmann)
- Scream (Marco Beltrami)
- The Sixth Sense (James Newton Howard)
- Xena: Warrior Princess (Joseph LoDuca)
- Air Force One (Jerry Goldsmith)
- Starship Troopers (Basil Poledouris)
- The Matrix (Don Davis)
- The Iron Giant (Michael Kamen)
- Youve Got Mail (George Fenton)
- A Little Romance (Georges Delerue)
- Pleasantville (Randy Newman)
Tracks:
- Sunset Boulevard (Franz Waxman)
- L.A. Confidential (Jerry Goldsmith)
- Rounders (Christopher Young)
- The Score (Howard Shore)
- The Replacements (John Debney)
- Gone In 60 Seconds (Trevor Rabin)
- The Bourne Identity (John Powell)
- Rush Hour 2 (Lalo Schifrin)
- XXX (Randy Edelman)
- Die Hard (Michael Kamen)
- The Last of the Mohicans (Trevor Jones)
- Moby Dick (Christopher Gordon)
- The Mists Of Avalon (Lee Holdridge)
- Cleopatra (Alex North)
- Life As A House (Mark Isham)
- Emma (Rachel Portman)
- In The Bedroom (Thomas Newman)
- Cast Away (Alan Silvestri)
- One True Thing (Cliff Eidelman)
- Unfaithful (Jan A.P. Kaczmarek)
- Far From Heaven (Elmer Bernstein)
- Ice Age (David Newman)
- Shrek (Harry Gregson-Williams and John Powell)
Customer Reviews:
A good value.......2007-05-17
The Sound Track Since Bernard Hermann.......2006-07-25
Very good value.
Good mix of film music.......2006-07-02
I'm a big fan of this soundtrack music and will be looking for more CD's like this.
A mixed collection of movie music.......2006-02-23
Uplifts your soul, takes your mind into the heavens.......2006-01-06
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Empty Streets
Late Night Alumni Manufacturer: Hed Kandi ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AJIANU Release Date: 2005-10-25 |
Tracks:
- Seemingly Sleepy
- Rainy Days
- Empty Streets
- Rest of You
- Sunrise Comes Too Soon
- Eros
- Keep Up With Me
- Heaven
- Beautiful
- Meant to Be
- All for Nothing
- Nothing Left to Say
Album Description
Kaskade legends team up with sultry vocalist Becky Williams to create deep house and dreamy beat heaven with their Late Night Alumni project, which came about when Finn heard Becky sing on a local Salt Lake City Christmas compilation, and impressed by what he heard, tracked her down to provide some vocals on a song he had written. The first single from the album, also entitled Empty Streets, boasts a remix by Kaskade themselves among others. It's textured deep house and distinctive vocals are themes reflected in several other tracks on the album, with standouts including 'Heaven' and 'Nothing Left To Say'. 12 total tracks. Hed Kandi. 2005.Customer Reviews:
Beautiful Voice, Brilliant Beats.......2006-11-16
With Ministry of Sound bringing Hed Kandi into their fold, I expect the next release to get the right distribution. I listen to a lot of electronica, and when these guys get the audience they deserve, they can make it to the top of the genre.
Easy Streets.......2006-06-25
Superb CD.......2006-01-05
Being a down-tempo fan, I was surprised to find that such tracks like "Rainy Days," "Eros" and "Sunrise Comes Too Soon" were also very good. Think soft, whispery-vocals that slightly resemble Björk, except with a soft & smooth jazzy style that mixes Kaskade's best house music and Naked Music down-tempo (e.g. Aya, Carte Blanche).
Kaskade, being one of the members of this solid group, dosen't fail to disappoint. If you are a fan of Hed Kandi, Kaskade or Miguel Migs, you'll be very pleased with this purchase.
Enjoyable album.......2005-10-26
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Land of My Fathers: 100 Great Welsh Choir Favourites
Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009SOFXG Release Date: 2005-08-01 |
Tracks:
- Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
- Land of My Fathers - Caerphilly Make Voice Choir
- Dies Irae
- Men of Harlech
- You'll Never Walk Alone
- Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
- Old Folks at Home
- Il Liza Jane
- Faust/Soldier's Chorus - Caerphilly Make Voice Choir
- Vergine Degli Angeli
- Ballard of Rourke's Drift - Cwt-Y-Collen Choir
- My Hero
- God Bless the Prince of Wales - Caerphilly Make Voice Choir
- German Mass/Gloria
- German Mass/Sanctus
- Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
- All Through the Night - Caerphilly Make Voice Choir
- Arwelfa
- Invictus
- Softly as I Leave You
Tracks:
- Diolch l'R L
- Hine E Hine (Maori Lullaby)
- Pererin Wyf (Amazing Grace)
- Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
- Memories of Martha
- I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
- Myfanwy - Treorchy Male Choir
- Tales of Hoffman/Barcarolle
- Creation's Hymn
- In the Spirit!
- Shall We Gather at the River
- Nos a Bore
- Very Best Time of Year
- Soon Ah Will Be Done
- Thanks Be to God
- Flower That Shattered the Stone
- Rhys - Treorchy Male Choir
- Where Shall I Be?
- Bywyd y Bugail
- Lord's Prayer
Tracks:
- Ave Maria
- Pearl Fishers/Divine Brahma
- She Was Beautiful (Cavatina) - Treorchy Male Choir
- Cymru Fach
- Nidaros
- Jacob's Ladder - Treorchy Male Choir
- Watching the Wheat
- Pan Ddaw y Saint (When the Saints Go Marching In)
- Misbles/Stars
- Rachie
- Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
- There Is a Balm in Gilead
- Rise Up Shepherd and Foller
- My Lord, What a Mornin'
- Bryn Myrddin
- Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
- Finnish Forest (Suomen Salossa)
- Nabucco/The Glory of Israel
- Ride the Chariot
- Tydi a Roddaist - Treorchy Male Choir
Tracks:
- Y Nefoedd
- Phantom of the Opera/Think of Me
- Morte Christe (When I Survey the Wondrous Cross)
- By Babylon's Wave
- I'm Gonna Sing
- Where Could I Go But to the Lord?
- Holy City - Treorchy Male Choir
- Mefistofele: Ave Signor, Degli Angeli
- Senzenina (Zulu Chant)
- That's All I Want from You
- Deep Harmony - Treorchy Male Choir
- Give Me Jesus
- Just a Closer Walk with Thee
- My Wish for You
- Jeptha/Waft Her Angels
- Mose in Egitto/Prayer
- Be Still My Soul (Finlandia Hymn)
- God's Choir in the Sky
- Floral Dance - Treorchy Male Choir
- Smilin' Through
Tracks:
- Calon Lan
- True Love
- Mor Fawr Wyt Ti (How Great Thou Art)
- Aberystwyth
- Comrades in Arms
- Cats/Memory
- They Led My Lord Away
- State Fair/It's a Grand Night for Singing
- When I Fall in Love
- Let's Face the Music and Dance
- Windmills of Your Mind
- How Soon
- Non Nobis Domine
- Rhythm of Life
- Kalinka
- Sound an Alarm
- Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
- Turandot/Nessun Dorma
- Christus Redemptor
- Ann Evening's Pastorale
Album Details
Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
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For the Stars
Anne Sofie von Otter , and Elvis Costello Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005A46I Release Date: 2001-04-10 |
Tracks:
- No Wonder
- Baby Plays Around
- Go Leave
- Rope
- Don't Talk (Put Your Head On My Shoulder)
- Broken Bicycles / Junk
- The Other Woman
- Like An Angel Passing Through My Room
- Green Song
- April After All
- You Still Believe In Me
- I Want To Vanish
- For No One
- Shamed Into Love
- Just A Curio
- This House Is Empty Now
- Take It With Me
- For The Stars
Amazon.com
At a time when popular music has been micro-marketed to the far side of ad nauseam, Declan MacManus, a.k.a. Elvis Costello, has traded on his reputation as the brightest songwriter to emerge from the new wave era to foster any number of delightful, cross-genre/generation musical surprises, including soundtracks and collaborations with the Brodsky Quartet, Paul McCartney, jazz artist Roy Nathanson, and songwriting legend Burt Bacharach. The latest fruit of that generous, insatiably curious artistic spirit is this elegant partnership with Swedish mezzo-soprano Anne-Sofie von Otter. Though an admitted pop novice, Otter couldn't have picked a better confederate than Costello, an artist whose taste in songs has seldom been tainted by trend.Together, they weave material from disparate sources--including a slate of compelling Costello material, a pair of Brian Wilson's evocative "Pet Sounds" confessionals, a Tom Waits song from Francis Ford Coppola's One from the Heart (oddly, though effectively, coupled in medley with McCartney's "Junk"), an Abba song, and the Beatles' "For No One"--into a musical tapestry of stately power and grace. Costello sparingly uses his voice as seasoning throughout, though his masterful touch is everywhere. Otter's novice pop singing reveals an easy knack for jazz phrasing that should tempt further explorations and a warmth that belies the rigidity that's so often a byproduct of classical training. Most gratifying of all, this album ultimately achieves what's become one of the loftiest plateaus in Pop music: common ground. --Jerry McCulley
Customer Reviews:
Loved this CD .......2006-06-13
I LOVE this CD!.......2005-09-01
Costello Partners with Hubris and Yields Variable Results.......2005-05-08
Take, for example, her rendition of Brian Wilson's "Don't Ask (Put Your Head on My Shoulder)" from the legendary "Pet Sounds" album. It moves so glacially that it actually extricates the romantic subtext almost surgically. The same can be said for Jessie Mae Robinson's "The Other Woman", which has at least Magnus Persson's vibraphone to provide relief from the tedium. She's better on the other "Pet Sounds" classic, "You Still Believe in Me", where she cannily soars with the chorus, though Costello damages it by adding some odd, muffled rapping in the background. Ironically, it is on the Costello compositions where the recording most noticeably flails. The opener "No Wonder" starts as a "Greensleeves"-like madrigal and then turns into Beatlesque pop; "Baby Plays Around" seems to suffer from exhaustion by all parties; the two Fleshquartet collaborations, "Rope" and "Just a Curio", sound somewhat like extraterrestrial hymns done in a series of minor keys; and the closing title track, "For the Stars" includes peppy, Beach Boys-sounding harmonies which escape her grasp. In fact, "Just a Curio" would have been a more appropriate title for this entire recording.
On the other hand, the Gallic flavor of Benny Andersson's accordion effectively informs her rendition of Tom Waits' "Broken Bicycles", which melds perfectly with Costello's vocal on Paul McCartney's "Junk". Speaking of Andersson, a fellow Scandinavian, von Otter admirably covers a piano-led ABBA ballad, "Like an Angel Passing Through My Room". She also displays a meticulously casual bounce on Lennon-McCartney's "For No One", though it stops rather abruptly. Von Otter acquits herself surprisingly well on the jazzy "Shamed into Love", written by another unlikely duo, Costello and Rubén Blades, and performed as almost a smokier variation of Bacharach's "Alfie". And speaking of Bacharach, she does a nice turn on the lovely "This House Is Empty Now" from the 1998 Bacharach-Costello disc. Costello and von Otter are masters of their craft, but I think some of the collaborations reflect simply irreconcilable differences. While Costello seems to have an insatiable desire to expand musically, his hubris here appears to constrain the often preternatural vocal skill von Otter displays on the opera and recital stage. Consequently, what we have here is a nice album, a generous one with eighteen tracks, that doesn't seem to capitalize on either contributor's talent fully.
what's so funny about peace, love, and understanding?.......2004-04-22
No life in her (pop) art.......2004-03-15
The big problem is that von Otter has not found a way to communicate any emotion in this scaled-down form of singing. All her classical techniques are stripped away, and there's nothing to replace them. Sure, her voice is gorgeous, but it sounds exactly the same no matter what the lyrical content. The songs could have been made up of nonsense syllables for all the emotional life she communicates.
Deeply disappointing - but someone, somewhere, will figure out how to bring classically trained singers to the wonderful pop song repertoire that has been composed over the past 50 years. Elvis may very well be the person to do it, but not on this album.
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Les Miserables - The Complete Symphonic Recording
Claude-Michel Schonberg Manufacturer: Relativity ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003BVK Release Date: 1990-05-22 |
Tracks:
- Prologue
- Valjean's Soliloquy (What Have I Done?)
- At The End Of The Day
- I Dreamed A Dream
- Lovely Ladies
- Fantine's Arrest
- The Runaway Cart
- Who Am I?-The Trial
- Fantine's Death
- The Confrontation
- Castle On A Cloud
- Master Of The House
Tracks:
- The Bargain-The Waltz Of Treachery
- Look Down
- The Robbery-Javert's Intervention (Another Brawl)
- Stars
- Eponine's Errand
- The ABC Cafe-Red And Black
- Do You Hear The People Sing?
- Rue Plumet-In My LIfe
- A Heart Full Of Love
- The Attack On Rue Plumet
- One Day More!
- At The Barricade (Upon These Stones)
- On My Own
- Building The Barricade
- Javert's Arrival
- Little People
- A Little Fall Of Rain
- Night Of Anguish
- First Attack
Tracks:
- Drink With Me
- Bring Him Home
- Dawn Of Anguish
- The Second Attack (Death Of Gavroche)
- The Final Battle
- The Sewers-Dog Eats Dog
- Javert's Suicide
- Turning
- Empty Chairs At Empty Tables
- Every Day (Marius And Cosette)
- Valjean's Confession
- The Wedding Chorale- Beggars At The Feast
- Epilogue (Finale)
- Bonus Track
Customer Reviews:
Great, definitely go with this and TAC.......2005-08-31
If you're the average musical-theater listener who can't afford to buy all available English-language recordings, however, my advice would be to get the CSR (due to the fact that it's "complete") and the TAC recording (due to the fact that performer- and performance-wise, it's leaps and bounds better than all of the other recordings). You deserve no less.
Awesome.......2005-07-03
Bought it used - thank God!.......2005-06-17
However, if you're a serious Les Mis fan, you should buy this CD (in addition), simply because it does have the complete score. (The trouble with THAT is that it includes practically the only misstep in the whole script - if Jean Valjean has his number branded on his chest, then how is it credible that someone else will be convicted in his place?) I bought it for that reason and to hear other interpretations of the roles (in particular Andy Warlow's). I have all 4 versions, and they have all have their pluses and minuses, but frankly, I'm glad I didn't pay full price for this one. This version has a rather weak cast in general, but that does add to the fun arguing about it. On the plus side, it has Philip Quast ( THE BEST Javert, but he's even better on the TAC), Michael Ball (THE BEST Marius, also on the OLC and TAC versions), and Andy Warlow (a stirring Enjorlas for sure, but not THAT much better than Michael Maguire on the OBC and TAC). The scenes at the barricade are the best part of the CD. Kaho Shimada is an uneven Eponine, OK sometimes, less so at others. Debbie Byrne (Fantine) is OK, but I don't find her as moving as Patty LuPone (OLC) or Ruthie Henshaw (TAC). Tracy Shayne (Cosette) is irratating, not nearly as sweet as Judy Kuhn (OLB and TAC) or even Rebecca Caine (OLC). I find Barry James and especially Gay Soper (M. and Mme. Thenardier) grating as well.
I really miss Colm Wilkinson (OLC, OBC and TAC). OK, he has a unique singing style, but such heart. Not always perfect, but so powerful and emotional. All his solos and "Confrontation" just stop me dead in my tracks. The sweetness and purity of his "Bring Him Home" and "Epilogue" move me to tears. But really, there must be someone else who can do at least an adequate job or the show wouldn't have run so long in so many venues. I am willing to listen to another interpretation, but not this one. This is the central role in the play, it really can't survive without a good performance here. Gary Morris is horrible as Jean Valjean, cringe-provoking at times, merely weak at others. He's totally overmatched by Quast in "Confrontation" and by everyone in "One Day More" and "Epilogue". I haven't tried the recommendation of one reviewer of listening while squinting and shaking my head hard, but I don't see how that will help. Morris's "What have I done?", "Bring Him Home" and "Valjean's Confession" make me cover my ears or send me running for the fast forward button, although "Who am I?" isn't so bad. (I just tried the head shaking trick, it didn't help.)
magnificent!.......2005-06-15
As this is the only recording I've heard fully, I cannot give any comparisons between the performers here and those on other versions, but I do wish to give my general impression of the cast.
*Gary Morris (Valjean) - he has a strong, clear voice with which it is hard to find fault. He sings with emotion and passion, and I cannot imagine ever tiring of hearing him as Jean Valjean. If I had to give a complaint, it would be that I could imagine a voice with a little more distinct character...something a little riskier for the part of someone so complex.
*Philip Quast (Javert) - wow, I love deep voices, and his is so rich! I love when he hits the low note near the beginning of "Confrontation" ...I've seriously replayed that part over and over again just because it sends shivers through me...haha, I think you get the idea. This guy is good.
*Debbie Byrne (Fantine) - her voice took some getting used to because at first it seemed to me a little uncontrolled, almost like she could capture the fullness of the sound but not quite hit the notes. However, the more I listen to her, the more I enjoy her. Her voice has a wonderful texture, something you totally miss when listening to the super-clear, trilling sopranos that seem to be found all over most other musicals.
*Kaho Shimada (Eponine) - her voice took a little getting used to as well. I was a little confused until I realized she was Japanese, for though I wouldn't say you hear an accent, her voice does have a very different quality to it. Still, I enjoyed her performance very much. Her voice is trembling with emotion the entire time, almost like she can hardly control it...it is quite moving.
*Tracy Shayne (Cosette) - wow. I'm sorry, is Cosette supposed to be this shrill? Turn it off! While I'm impressed at some of the notes she hits, I don't think it's supposed to make you want to cover your ears.
*Michael Ball (Marius) -Ball makes Marius, a rather annoying character if you ask me, into someone actually likable, if not lovable. He's passionate and romantic, but not vapid. Probably my favorite vocal performance.
*Gay Soper and Barry James (the Thernardiers) - their voices are rather grating, but that's the point, right? Very entertaining performances...particularly in "Master of the House" (which, it's true, somehow manages to be stuck in your head all day).
*Anthony Warlow (Enjorolas) - very appropriate voice...manly and vibrant. If he doesn't make you want to go out and fight, then there's no help for you!
Overall, the performances were wonderful. I highly recommend this CD. A great recording of a great musical!
Mixed Feelings.......2005-04-20
For me, it's truly a toss-up as to whether this is a recording worth purchasing. The main benefit-a far from insignificant one-is that it is a complete recording full of much more materiel than can be found on the London or Broadway cast recordings. Basically, I was far from satisfied. The liner notes are error ridden, and the casting was not as good as possible. Gary Morris struck me as too young for the part, and Gay Soper (Mme. Thenardier) has a voice akin to the sound of fingernails on a chalkboard. But, in the absence of a complete Broadway recording, this still may be the best version available to buy. Be sure, however, to supplement it with another version. (The Tenth Anniversary recording might be the best.)
Average customer rating:
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Empty House
Rex Hobart & the Misery Boys Manufacturer: Bloodshot Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00076PZSY Release Date: 2005-02-22 |
Tracks:
- The Good Ain't Gone
- Every Night I Leave You In My Mind
- Don't Make Me Break Your Heart
- It Won't Be Long (And I'll Be Hating You)
- I Just Lost My Mind
- I Don't Like That Mirror
- The Tear I Left Behind
- Empty House Dawn And Twilight
- Let's Leave Me
- Heartache To Hide
- Black Iron Bridge
Amazon.com
This Kansas City quintet, together since 1997, long ago established their flair for honky-tonk minimalism delivered with finesse and free of campy, self-conscious imitation. On their fourth album, 11 numbers--all but one originals--are concise and tailored to fit Hobart's tense George Jones/Johnny Paycheck phrasing as he explores the nooks and crannies of romantic strife. He warns on "Don't Make Me Break Your Heart," and captures sorrow morphing to anger on a 1960s Paycheck cover, "It Won't Be Long (And I'll Be Hating You)." Paycheck's particular style of angst lives on in "I Don't Like That Mirror's" thoughtful, reflective bitterness. The subtly humorous "The Tear I Left Behind" effectively detours into shuffle-swing, and the album ends with "Black Iron Bridge," an abbreviated blockbuster of a suicide number. The Misery Boys share Hobart's sense of economy. T.C. Dobbs and Blackjack Snow are a solid rhythm section; guitarist J.B. Morris and steel guitarist Solomon Hofer shine by knowing when not to play. If there's one real-life tragedy, it's that the mainstream hasn't yet discovered these guys. --Rich KienzleCustomer Reviews:
Another Great Recording from Hobart and the Gang!.......2006-02-19
"Gloom, despair & agony on me...".......2005-06-30
Rex Hobart doesn't cover that old "Hee-Haw" tune on this album ('cause then he'd have to crack a smile...) but the message is pretty much the same. This record, a concept album if I'm not mistaken, kicks off with four mercilessly dark songs that chart the utter destruction of a love affair, and after our hero moves out and starts hittin' the bars, things really start to get bad. There are the late night phone calls, the suggestion of make-up and/or sympathy sex, and the long hours spent staring in the mirror, not liking what you see. Yeah, Hobart lays it on pretty thick, but this is hick music that's still got some bite. I'll take this over anything Kenny Chesney has to offer, any day.
Forget the mainstream. Enjoy the real thing........2005-03-14
The new one, "Empty House," is a more textured and focused collection that displays a relaxed, confident maturity. Rex Hobart's songwriting is solidly creative and The Misery Boys have become a powerful, sympathetic band. Their brand of country music resonates with influences from Merle Haggard, Johnny Paycheck and Gary Stewart (check out "I've Got A Heartache To Hide"). Who know, perhaps these guys will transcend their status as critics' darlings. I, for one, certainly hope so. This talent deserves widespread exposure. In a more just world, pop country bufoons like Kenny Chesney and Toby Keith would be hanging their heads in shame after listening to Rex Hobart And The Misery Boys.
Max Raines, aging raconteur/flat earth theorist
Average customer rating:
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Playing to an Empty House
Tiran Porter Manufacturer: Thunderbird ProductGroup: Music Binding: Audio CD ASIN: B000005YH8 Release Date: 1995-08-15 |
Customer Reviews:
Just ok........2006-05-05
loved the two cuts from the doobie bros albums but.................2002-08-03
excellent but extremely hard to find, unfortunately!.......1999-04-15
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(Do The) Empty House
The Comsat Angels Manufacturer: Rpm Records UK ProductGroup: Music Binding: Audio CD ASIN: B000006XQP Release Date: 2000-01-14 |
Customer Reviews:
Early Eighties Greatness!.......1999-12-27
It was Fiction, now It's History.......1998-08-10
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The Stripper/Nick Quarry
Manufacturer: Film Score Monthly ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0006SSQPM Release Date: 2005-01-11 |
Tracks:
- Main
- Execution
- Sunday Dinner
- Empty Room
- Lila and Helen
- Party Boy
- Mother's Worry
- Job Hunting
- Classroom
- Dancing Lesson/Should I
- Birthday Present
- Lila's Confession
- New Job
- Comfort for Lila
- Change of Heart
- Lila's Advice
- End Title
- Give Me the Simple Life
- Twistin' Baby
- Rock and Roll Blues
- Ababel
- Gas Station Source
- Stripper Blues
- Dixieland Source
- Rock and Roll Retch
- Romance
- Something's Gotta Give
- You've Gotta See Mama Every Night
- Frankie and Johnny
- You've Gotta See Mama Every Night (Reprise)
- Empty Room (Alt.) [*]
- End Title (Mono)
- Meet Nick Quarry
- Body Art/Don't Move/Pool Bit
- House Call
- Quarry Cornered
Music Album:
