La Croix d'Amour [Import]

1. Things We Said Today

2. Truckin'

3. If There Was a Way

4. Hey Little Girl

5. What I Don't Know

6. Here Comes the Night

7. Dangerous Man

8. Let's Work Together

9. Doin' What I Did

10. Takes a Lot to Rock You

11. Suspicious Minds

12. Long White Cadillac

Editorial Reviews

Product Description:
1992 compilation from WEA featuring a dozen of his best up to that point. Includes 'If There Was A Way', 'What I Don't Know' & 'Dangerous Man', plus covers of the Grateful Dead's 'Truckin'' and The Beatles' 'Things We Said Today'.

Tracks:

1. By Way Of A Preamble: Byzantine Chant: Alleluia - Tropaire de la venue de l'epoux (Lundi Saint) - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version arabe - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint: Version grecque - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Byzantine Chant: Exapostilarion de l'Office de Mardi Saint - Version arabe - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Hymne a la Vierge (Liturgie grecque de saint Jean Chrysostome) - MEDIEVAL JOURNEY
1. By Way Of A Preamble: Chants sacres Melchites (IV siecle): Office de la Nativite de la Mere de Dieu (Grand Canon de saint Jean Damascene) - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Office de l'Adoration de la Croix; Improperes: 'Agios o Theos, Sanctus Deus' - MEDIEVAL JOURNEY
2. Monody Before Gregorian Chant: Le Chant Mozarabe: Cathedrale de Tolded: Sacrificium 'Vox clamantis' - MEDIEVAL JOURNEY

Tracks:

1. Gallican Chant: Versus de l'eveque Theodulfe d'Orleans: 'Gloria laus' - Deller Consort
1. Gallican Chant: Semaine Sainte: repons du 7 mode: 'Tenebrae factae sunt' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Introit: 'Requiem aeternam' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Kyrie eleison - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Graduel 'Requiem aeternam' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Trait: 'Absolve, Domine' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Sequence: 'Dies irae' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Offertoire: 'Domine Jesu Christe' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Sanctus - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Agnus Dei - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Communion: 'Lux aeterna' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Repons: 'Libera me' - Deller Consort
2. An Immense Corpus: Missa da Requiem Gregorienne: Antienne: 'In paradisum' - Deller Consort
2. An Immense Corpus: Planctus Hugonis Abbatis: 'Hug dulce nomen' pour la mort d'Hugues, fils de Charlemagne, en 844 - Deller Consort
3. The Aquitaine Tradition, Or The Problem Of Notation: Antiphona ad processionem: 'O beata infantia' - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Introitus cum tropis: 'Quam queritis in praesepe - Puer natus est' - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluja 'Dies sanctificatus' - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Communio cum tropis: 'Desinat esse dolor - Viderunt Omnes' - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Alleluia cum tropis in octava - Schola Hungarica
3. The Aquitaine Tradition, Or The Problem Of Notation: Cantio ad laudem cantoris: 'Annus novus in gaudio' - Schola Hungarica
4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: Virtute multa - Ensemble Organum
4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: In timore Dei - Ensemble Organum
4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Testamentum eternum' - Ensemble Organum
4. The Cistercian Exception: Repons de Matines pour la fete de Saint Bernard: 'Dedit Dominus confessionem sancto suo' - Ensemble Organum

Tracks:

The Art Of The Troubadours: A l'entrada del temps clar - MEDIEVAL JOURNEY
The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
The Art Of The Troubadours: Quand vei la laudeta mover - MEDIEVAL JOURNEY
The Art Of The Troubadours: Vida - MEDIEVAL JOURNEY
The Art Of The Troubadours: Sitot me soi - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Cantiga 77 (Flute a bec et percussion) - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Prologue: 'Porque Trobar' - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Cantiga 37 (Flute de berger et zarb) - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Cantiga 7: 'Santa Maria leva' - MEDIEVAL JOURNEY
Cantigas de Santa Maria: Cantiga 100: 'Santa Maria, strela do dia' - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'Bacche, bene venies' (CB 200) - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'In taberna quando sumus' (CB 196) - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'Axe Phebus aureo' (CB 71) - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'Deduc Syon, uberrimas' (CB 34) - MEDIEVAL JOURNEY
Carmina Burana (XIII siecle): 'Flete flenda' (CB 5) - MEDIEVAL JOURNEY
Les Minnesanger: 'Sinc an, guldin huon!' - MEDIEVAL JOURNEY
Les Minnesanger: Ich lobe ein wip (Instr.) - MEDIEVAL JOURNEY
Les Minnesanger: 'Owe dirre not' - MEDIEVAL JOURNEY
Les Minnesanger: Wol auff, gesell (Instr.) - MEDIEVAL JOURNEY

Tracks:

1. 12th Century Polyphony In Aquitaine: 'Domine labia mea aperies' - 'Deus in adjutorium meum' (Choeur) - Ensemble Organum
1. 12th Century Polyphony In Aquitaine: Versus: 'O primus homo coruit' (a 2 voix) - Ensemble Organum
1. 12th Century Polyphony In Aquitaine: Versus: 'Veri solis radium' (a 2 voix) - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Introit trope: 'Puer natus est' - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Kyrie - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Graduel: 'Viderunt omnes' - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Sanctus (organum) - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Agnus Dei - Ensemble Organum
2. The Notre-Dame School: Messe du Jour de noel (XIII siecle) - Excerpts: Ite missa est - Deo Gratias - Ensemble Organum
3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Kyrie 'Orbis factor' - Ensemble Organum
3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Credo in unum Deum - Ensemble Organum
3. The Gradual Of Eleanor Of Brittany - A Particular Practice Of Polyphony: Sequence: 'Res est admirabilis' - Ensemble Organum
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Plus bele que flor - Quant revient - L'autrier joer - Flos Filius - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Puisque bele dame m'eime - Flos Filius - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Celui en qui - La bele estoile - La bele, en qui - Iohanne - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Amor potest - Ad amorem sequitur - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: S'on me regarde - Prennes i garde - He, mi enfant - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: Qui d'amour se plaint - Lux Magna - Anonymous 4
4. The Motets From The Montpellier Codex, Jewels Of The Ars Antiqua: On doit fin(e) Amor - La biaute - In Seculum - Anonymous 4
5. An English Ladymass In Salisbury Cathedral (13th Century): Kyrie: 'Kyria christifera' - Anonymous 4
5. An English Ladymass In Salisbury Cathedral (13th Century): Gloria - Anonymous 4
5. An English Ladymass In Salisbury Cathedral (13th Century): Sanctus - Benedictus - Anonymous 4
5. An English Ladymass In Salisbury Cathedral (13th Century): Agnus Dei: 'Virtute numinis' - Anonymous 4

Tracks:

1. Le Roman de Fauvel (1310-1316): In mari miserie - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Vers 149 a 168 - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Ad solitum vomitum - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Porchier miex estre. Vers 250 a 280 - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): J'ai fait nouveletement - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Quoniam secta latronum - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Vers 5905-5926 - Mario, virgo viginum - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Vers 6023-6050 - Clemencic Consort
1. Le Roman de Fauvel (1310-1316): Quare fremuerunt - Clemencic Consort
2. La Messe de Tournai (c.1330-40) - Excerpts: Kyrie - Ensemble Organum
2. La Messe de Tournai (c.1330-40) - Excerpts: Gloria in excelsis Deo - Ensemble Organum
2. La Messe de Tournai (c.1330-40) - Excerpts: Sanctus - Ensemble Organum
2. La Messe de Tournai (c.1330-40) - Excerpts: Agnus Dei - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'De toutes flours' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'Honte, paour, doubtance', version instrumentale - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'Che pena e quest'al cor' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: 'Imperiale sendendo fra pi stelle' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: Rondeau-canon 'Tout par compas' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Belle, bonne, sage' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: Rondeau 'Fumeux fume par fumee' - Ensemble Organum
3. The Chansons Of The French And Italian Ars Nova: Ballade 'On voit tout' - Ensemble Organum
Sacred Music In 14th Century England: 'Campanis cum cymbalis - Honoremus Dominam' - The Hilliard Ensemble
Sacred Music In 14th Century England: 'Mater ora filium' - The Hilliard Ensemble
Sacred Music In 14th Century England: 'Edi be thu' - The Hilliard Ensemble
Sacred Music In 14th Century England: 'Gabriel From Heven-King' - The Hilliard Ensemble
Sacred Music In 14th Century England: 'Gaude virgo Mater Christi' - The Hilliard Ensemble

Tracks:

Johannes Ciconia (c. 1335-1414): 'Ligiadra donna' pour vielles - The Newberry Consort
1. 15th Century English Music: Les Carols: Alleluya: 'A Nywe werke' - Anonymous 4
1. 15th Century English Music: Les Carols: 'Ecce quod natura' - Anonymous 4
1. 15th Century English Music: Les Carols: Nowel: 'Owt Of Your Slepe Aryse' - Anonymous 4
1. 15th Century English Music: Les Carols: 'Anna Mater Matris Christi' - The Hilliard Ensemble
1. 15th Century English Music: Les Carols: 'Tota pulcra es, amica mea' - The Hilliard Ensemble
1. 15th Century English Music: 15th Century Marial Polyphony: Conduit 'O Maria stella maris' - Anonymous 4
1. 15th Century English Music: 15th Century Marial Polyphony: Sequence 'Salve virgo singularis' - Anonymous 4
1. 15th Century English Music: 15th Century Marial Polyphony: Motet 'Veni mater gracie - Dou Way, Robin' - Anonymous 4
2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'Propinan de Melyor' - The Newberry Consort
2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: --sans titre - The Newberry Consort
2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
2. The Emergence Of Specifically Instrumental Music: Musicue instrumentale a la Cour d'Espagne: 'La Spagna' - The Newberry Consort
3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Introit. 'Requiem eternam dona eis Domine' - Ensemble Organum
3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Kyrie - Ensemble Organum
3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Tractus: 'Sicut servus desideral ad fontes aquarum' - Ensemble Organum
3. Johannes Ockeghem (c. 1420-1497) - Requiem - Excerpts: Sanctus - Ensemble Organum
Lute Music: Ricercar 'L'autre jour' - Paul O'Dette
Lute Music: 'Nous bergiers' - Paul O'Dette
Lute Music: Ricercar No. 33 - Paul O'Dette
Lute Music: 'Il est bel et bon' - Paul O'Dette

Customer Reviews:

Excellent, but What Are the Words?.......2006-07-04

This is a wonderful collection of music spanning many centuries, some of which you are unlikely to encounter anywhere else. The performances are beautiful, too. The one drawback is that the liner notes contain very few song text translations, a big problem for a large CD set with music that is primarily vocal.

outstanding collection.......2002-09-27

I have quite a number of CDs with Medieval Age polyphony, byzantine chant and renaissance music, but this collection goes beyond what could usually be expected from such boxsets. I'd highly recommend it to all.

Awesome.......2001-09-20

This is the best collection of medieval music I have ever heard. The performances are top-notch, and all of the songs are well done. I highly reccomend this collection not only for fans of medieval music, but for any music lover.

7.5 hours of superb music at a most reasonable price........1999-12-24

There isn't a clunker in this set. All the performers are top drawer and the recordings are good. The notes are a little brief and a bit scholarly, but can be ignored easily.

You will get an idea of the different kinds of medieval music as well as the top groups and soloists working currently in the field.

When I got this set, my mother and I listened to all 7+ hours straight through. We then started buying CDs from the different performers we had to hear more from.

Customer Reviews:

complete but lacking.......2005-06-14

While I am a fan of Thibaudet in general, he just seems lost here. Satie is deceptively difficult to judge as a performer, the music is at times mercurial or static, profound or frivolous, or all of the above. Yet one hardly needs to underline the oddness, it's perfectly revealed if you play it straight.
While some misread notes suggest he may not really know these pieces, Thibaudet manages to project something less than a competent sight reading. In such an endeavor he would certainly get the right feel occasionally by accident. Instead, he regularly puts the wrong foot forward, with odd accents and effects getting in the way, perhaps trying too hard to add spin to music whose mysteries refuse to unfold under such duress.
I would recommend collecting a number of different performers: Reinbert DeLeeuw, Pascal Roge, Anne Queffelec, JoAnna MacGregor and Michel Legrand have all made worthy contributions to the recent discography and their combined recordings would make a pretty-near complete survey.

good for completists, but..........2004-05-18

I jumped at the chance to buy this set; a new digital recording of Satie's complete solo piano music. I had admired Jean-Yves Thibaudet in the past and had seen him perform Messiaen's "Turangalila Symphony"; a great performance. However, after listening to this set for three straight months, I'm rather frustrated with it, mostly on aesthetic grounds, since I can't deny Thibaudet's talents; I just disagree with some of his interpretations.

To start, most of the shorter, "lite" pieces are performed very well on disc 4. Even the most popular, (Gymnopedies, Gnossiennes) are excellent. I am also thankful I now have performances of "Uspud" and many of Satie's conservatory assignments, played expertly and with good humor. For these, the set is worth having.

But now, the bad news. As I have complained about in the past with Thibaudet's Ravel discs, I'm frankly rather put-off by his inexplicable, pointless staccato in many of the pieces. "Petite Overture a la Danser" is one of my favorite Satie miniatures, and here Thibaudet botches it by playing it way too fast with no pedal. It sounds like a joke, and I think he totally misses the point of the piece. In the "Nazareen" preludes, he adds his own extreme dynamics which are not indicated in the original scores, and the effect seems like a cheap attempt to add "spice" to what are supposed to be meditative sound constructions, based on poetry forms rather than classical forms.

"Prelude to the Heroic Gate of Heaven" is taken far too slow, and Thibaudet completely cuts out the "Curtain" coda in the original Salabert edition for no apparent reason; he seems determined to give the piece a more "proper" ending, and for this listener, it's a terrible, narcissistic, and disrespectful miscalculation.

I will keep this set since it is a complete document, flawed though it may be. But I still must insist that the best living interpreter of Satie's piano music is the ever-underrated Reinbert DeLeeuw, who is completely in-tune with Satie's sly magic. His tempos may be slow, his dynamics few, but that's the whole point; this is highly personal music, and DeLeeuw has an aesthetic I can personally agree with. For an audible explanation of what I'm talking about, compare the performances of "Petite Overture a la Danser" by DeLeeuw and Thibaudet, and you'll see what I mean.

Yes, its worth five discs.......2003-12-17

Each disc averages about 75 minutes of music. Over six hours of Satie? Definitely yes. If you have an affinity for Satie's classic pieces you should not pass up this set. There are so many standout pieces in so many wonderful styles you can only leave this set with wonder. And Thibaudet seems made for this music. The best interpreter of Satie that I've heard. His technique is amazing with such a range of subtle fingering tempo and dynamics. Its as though I've heard some of these for the first time with new shocks of emotion I hadn't experienced before. Not to be missed.

Average customer rating:

Very solid Dwight, some great cover songs
Dwight Yoakam-----GREAT
Suspicious Minds - maybe a touch better than the King
suspicious minds - maybe a touch better than the king

La Croix d'Amour
Dwight Yoakam
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

Alt-Country & Americana | Country | Styles | Music

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Alt-Country & Americana | Country | Indie Music | Stores | Music

Country | Imports | Stores | Music
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Guitars, Cadillacs, Etc., Etc.

ASIN: B00000766M
Release Date: 2000-02-08

Tracks:

Things We Said Today
What I Don't Know
Here Comes The Night
Dangerous Man
Let's Work Together
Doin' What I Did
Takes A Lot To Rock You
Suspicious Nunds
Long White Cadillac
Truckin
If There Was A Way
Hey Little Girl

Album Description

1992 compilation from WEA featuring a dozen of his best up to that point. Includes 'If There Was A Way', 'What I Don't Know' & 'Dangerous Man', plus covers of the Grateful Dead's 'Truckin'' and The Beatles' 'Things We Said Today'.

Customer Reviews:

Very solid Dwight, some great cover songs.......2007-06-22

I love most of Dwight Yoakum's music. I think he had one of the most original sounds in country in the last generation. He has a great combination of hillbilly country and very exciting innovative rock.

I would not call this his best album, but it is very good. Probably its best feature is a number of good covers. He does a version of "Long White Cadilliac" that is better than the original, and I am a big Blaster's fan. The stand out on the album, though, is his incredible cover of Elvis Presley's "Suspcious Minds." He also does a very competent cover of "Truckin", but, maybe its just me, but the music of the Grateful Dead is not aging very well; it does not do much for me any more.

Dwight Yoakam-----GREAT.......2000-10-28

I THINK THIS IS A GREAT CD..I REALLY LIKE ALL THE MUSIC ON IT DWIGHT IS THE GREATEST. I FINALLY GOT TO SEE HIM IN CONCERT THIS YEAR AND CAN'T WAIT TO GET HIS KNEW CD

Suspicious Minds - maybe a touch better than the King.......1999-04-26

This man Dwight Yoakam should come on down to Perth Western Australia as he has a large following here. I'm sure that we could pack them in for him. Great stuff!!!

suspicious minds - maybe a touch better than the king.......1999-04-26

This man Dwight Yoakam should come on down to Perth Western Australia as he has a large following.

Average customer rating:

Douce Beaute

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
ASIN: B000006CS7
Release Date: 1998-05-19

Tracks:

Douce Beaute: When the faithless one
Douce Beaute: Courante: Although cruel suffering
Douce Beaute: When the amorous Leander
Douce Beaute: In so beautiful a wood
Douce Beaute: Sweet beauty
Douce Beaute: D'un mesme vent, Madame
Douce Beaute: Since you would learn to dance the steps
Douce Beaute: Where are you shining, sun of my soul?
Douce Beaute: It is here, the barque of love
Sacre Et Prophane: Le Larcin Glorieux: When I see the beautiful spring
Sacre Et Prophane: Le Larcin Glorieux: Christian, learn on the cross
Sacre Et Prophane: Le Larcin Glorieux: Seconde entree
Sacre Et Prophane: Le Larcin Glorieux: Desist, mortal, from importuning
Sacre Et Prophane: Le Larcin Glorieux: Since you would learn to dance the steps
Sacre Et Prophane: Le Larcin Glorieux: You who enjoy the dance
Sacre Et Prophane: Le Larcin Glorieux: The hart, when pursued
Mascarade: La France Et Le Nations: Ballet
Mascarade: La France Et Le Nations: Ballet for Madame/ Had I a thousand iron tongues/ Today...
Mascarade: La France Et Le Nations: Happy sojourn of Parthenissa/ When Cupid decided to go on a...
Mascarade: La France Et Le Nations: He who would banish a migraine
Mascarade: La France Et Le Nations: Would you hear a tale
Mascarade: La France Et Le Nations: Sylvia not long since halfe-affrighted
Mascarade: La France Et Le Nations: The boat is on the shore

Average customer rating:

La Croix D'amour

ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music
ASIN: B000A20706
Release Date: 1999-06-08

Music Album:

Music Album