Building on the sacred tradition of the Texas fiddle band, Wills's Western swing became country music's answer to big-band jazz. Wills gave his Playboys ample room for advanced improvisation, adding instruments (drums, horns, piano, electric guitar) that were not associated with country music. He drew on a variety of styles--not just fiddle tunes and jazz standards, but also polka, blues, mariachi, and Dixieland--punctuating the music with his light-hearted exhortations. This 2 CD compilation provides an overview of his career: from his early Columbia hits with steel guitarist Leon McAuliffe and rhythm guitarist Eldon Shamblin to his final 1973 session, which he conducted from a wheelchair. For those wanting to delve deeper, Columbia's box set and Rhino's nine-volume Tiffany Transcriptions focus more thoroughly on Wills's prime. --Marc Greilsamer
Anthology 1935-1973,Bob Wills & His Texas Playboys,Rhino / Wea,Country,Country & Western,Country Traditional,Pop,Traditional Country,United States of America,Violin,Western Swing
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Anthology 1935-1973
Bob Wills and His Texas Playboys Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000032MM Release Date: 1991-07-02 |
Tracks:
- Maiden's Prayer
- Steel Guitar Rag
- Right Or Wrong
- Time Changes Everything
- Corrine, Corrina
- Big Beaver
- New San Antonio Rose
- Take Me Back To Tulsa
- Cherokee Maiden
- Home In San Antone
- Miss Molly
- My Confession
- Texas Playboy Rag
- Roly-Poly
- Stay A little Longer
- Basin Street Blues
Tracks:
- My Window Faces The South
- Fat Boy Rag
- Three Guitar Special
- Deep Water
- Bubbles In My Beer
- Blues For Dixie
- South
- Cotton Patch Blues
- Boot Heel Drag
- Faded Love
- St. Louis Blues
- Cadillac In Model 'A'
- Heart To Heart Talk
- The Jobob Rag
- Blue Bonnet Lane
- What Makes Bob Holler
Amazon.com essential recording
Building on the sacred tradition of the Texas fiddle band, Wills's Western swing became country music's answer to big-band jazz. Wills gave his Playboys ample room for advanced improvisation, adding instruments (drums, horns, piano, electric guitar) that were not associated with country music. He drew on a variety of styles--not just fiddle tunes and jazz standards, but also polka, blues, mariachi, and Dixieland--punctuating the music with his light-hearted exhortations. This 2 CD compilation provides an overview of his career: from his early Columbia hits with steel guitarist Leon McAuliffe and rhythm guitarist Eldon Shamblin to his final 1973 session, which he conducted from a wheelchair. For those wanting to delve deeper, Columbia's box set and Rhino's nine-volume Tiffany Transcriptions focus more thoroughly on Wills's prime. --Marc GreilsamerCustomer Reviews:
For the money this set is tops!.......2005-11-03
"Enjoy" Joe Kopeck / Parkville,Maryland
the galvanized washin' tub.......2004-07-14
As good as it gets.......2004-07-14
Without getting into the history: this is just good music suitable for anyone at any time with ears.
This is the real deal in regard to Western Swing. The Tiffany recordings were done for the Tiffany Furniture Company of Oakland in the period after WWII. They were sold to radio stations as music to play over the air along with or without commercials for the furniture company. This was done when playing normal commercial records on the radio was a rare and new thing.
If you look on the discography you will find there were more than 200 recordings done by Wills over the years for this operation. So even if Rounder has put out ten volumes of this music, they are still just offering the best of the collection. These were rare treats among the collectors. I remember first hearing about them around 1977 when a friend of mine who lived in NYC mentioned he knew someone in Indiana who had taped copies of these records. I remember how I treated the tape he made me like a golden jewel, carrying it with myself personally when I moved.
People I know who actually heard the Texas Playboys play during the 1930s and 1940s say these recording say this is the way the Playboys sounded at their best live. This is the repertoire. Since it was officially a non-commercial recording, they recording all the songs they would play at live dates, and not just songs they recorded which were usually filtered by the Columbia, MGM, and MCA operation to make sure they recorded songs that had the right publishing andwere charting for others.
On other Tiffany recordings you can hear the Playboys make wonderful music on Nat King Cole's Straighten up and Fly Right, Basie's Swing Blues, Ellington's Take the A Train, Dinah Shore's Sentimental Journey, and even a gret instrumental on the theme from the movie Mission to Moscow!
The recording quality isn't always as good as the Columbia and MGM sides, but that is because they simply recorded all day whenever the tour schedule took the Playboys into San Fransisco, cutting tunes without rehearsals, on the first take, cutting five or six or seven sides in a day, as opposed to the standard recording studio concept of 4 sides in three hours, which was never met. However, on a number of these tunes they really cut lose in instrumentals they way they don't on the commercial disks. If you love the repartee between Bob and the Band, you get a lot more of that on these tunes.
What these records represent for the history of Western Swing is priceless. The guitar trio sound grew out of the duos that Eldon Shamblin and Leon MacAufliffe did with Wills before WWII. When Jimmy Wyble (who went on to be one of the key Jazz guitarists of the 1950s and 1960s) and Cameron Hill came in during the War and were joined by Noel Boggs, that sound was perfected. On these sides we hear it bluesier and hotter played by Junior Barnard or Eldon on guitar, Tiny Moore on Mandolin, and Boggs or Herbie Remington on steel guitar. You don't get as much of this on the contemporary Columbia sounds, although you did on the first MGM sides there was a revival
If you have one CD, get this one so you can listen to the Sally Gooden on it. It is a unique recording, of which the Hot Club of Cowtown is only a pale imitation, since they only really have a trio, and this adds in guitar, steel guitar and other instruments. You must have that cut!
Fascinating band but too many steel guitars for my taste.......2004-05-15
Wills' best band, judging from aural evidence, was probably his postwar group of 1946-48 with the superb Junior Barnard on guitar and Millard Kelso, his finest pianist and a real jazz swinger. Without having heard the complete set, then, I would probably recommend the Tiffany transcriptions as aural highlights of a great country band that could provide some truly unexpected jazz thrills. As an overview of his complete career, however, this Rhino set is probably quite accurate in showing the real mix of jazz to fiddle band music the Wills group played.
Your willingness to buy this set will probably depend on your interest in Texas fiddle music in general and Wills in particular. I personally find that the 17 tracks I really like give me constant enjoyment, however. Wills' band was a truly happy one, with an esprit de corps that didn't always exist in more polished and sophisticated groups of the time, and I do believe that both the least and most sophisticated musical listeners will find something here of high quality and lasting pleasure.
Bob Wills Is Still The King.......2000-04-26
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