So many great musicians have played in the Country Gentlemen over the years, the ensemble sometimes seems more like a bluegrass finishing school than a band. On The Complete Vanguard Recordings, which includes two LPs recorded in the early 1970s, the young up-and-comers in that edition of the band included Ricky Skaggs, Jerry Douglas, and Doyle Lawson. Charlie Waller, the band's sole founding member, turned the Country Gentlemen into one of the most progressive bands in bluegrass by recruiting hot young talent and making canny song selections from the worlds of pop and country. At first glance compositions by people such as John Prine, Kris Kristofferson, Paul Simon, and Gordon Lightfoot may seem like poor fodder for bluegrass, but Waller and his cohorts proved that, with the application of some high-lonesome harmonies, a dash of banjo, and some front-porch fiddling, even the most urban songs can have a down-home country feel. --Michael Simmons
The Complete Vanguard Recordings,The Country Gentlemen,Vanguard Records,Bluegrass,Contemporary Bluegrass,Country,Pop
Average customer rating:
|
The Complete Village Vanguard Recordings, 1961
Bill Evans Manufacturer: Riverside ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000AMJEKA Release Date: 2005-09-13 |
Tracks:
- Spoken Introduction
- Gloria's Step (Take 1, Interupted)(First U.S. Release)
- Alice In Wonderland
- My Foolish Heart
- All Of You (Take 1)
- Announcement And Intermission
- My Romance (Take 1)
- Some Other Time
- Solar
Tracks:
- Gloria's Step (Take 2)
- My Man's Gone Now
- All Of You (Take 2)
- Detour Ahead (Take 1)
- Discussion Repertoire
- Waltz For Debby (Take 1)
- Alice In Wonderland (Take 2)
- Porgy (I Loves You, Porgy)
- My Romance (Take 2)
- Milestones
Tracks:
- Detour Ahead (Take 2)
- Gloria's Step (Take3)
- Waltz For Debby (Take 2)
- All Of You (Take 3)
- Jade Visions (Take 1)
- Jade Visions (Take 2)
- ...A Few Final Bars
Amazon.com
Bill Evans, with virtuoso bassist Scott LaFaro and drummer Paul Motian, reinvented the jazz piano trio, creating stunning contrapuntal dialogues that merged luminous lyricism with layers of complex, elusive harmonies, its moments of limpid beauty suddenly giving way to surging rhythms. The trio's finest recorded moments, these performances were captured just 10 days before LaFaro's death in a car accident. The original releases--Sunday at the Village Vanguard and Waltz for Debby--are celebrated masterpieces. This three-CD set is a brilliant reissue--almost a revision--of that material, with superb sound from the newly remastered original tapes and all of the music presented in the sequence of the original five sets, adding a previously unissued take of "Gloria's Step," spoken introductions, and the band's incidental conversation. For those who know this music, it's a chance to hear it in a fresh way; for new listeners, it will come as a revelation at a bargain price. --Stuart BroomerCustomer Reviews:
A piece of history.......2007-06-27
It's like being there.......2007-05-12
A superb collection.......2007-05-10
Excellent.......2007-04-14
What's All the Fuss About?.......2007-03-02
Much better. First, the recording quality on this album blows away the Montreux album. Yes, there's glasses clinking and occasional chit-chat, but it tells part of the story, as does the enemic applause. The bass tone is clear and full. The cymbals are not oppressive. It is amazing what such a meager recording setup can achieve in the right hands. If you have fear based on other bad jazz recordings, have no fear here.
Then there's the players. Bill Evans is Bill Evans - he has his good days and bad days, and most players people long in vain to live up to his bad days. And this was a good day, indeed. Then there's Scott LaFaro on bass. You really have to hear him play to appreciate just how much better than just about everyone else he was. He is busy yet tasteful, innovative and compelling to listen to. It would be a rare player indeed to come even close. Then there's Motian on drums. Based on other things I heard, I expected him to sit back, keep the beat and stay out of the way. He keeps the lid on the volume, but he plays with a control and intensity that keeps you on the edge of your seat. Unlike Jack DeJohnette, his timing syncs up precisely with Evans. His contribution to this trio should not be underestimated.
Then there are the songs. Each song is like an artichoke - dig a little deeper and you get a brand new flower. My favorites include Milestones with the upbeat drums and tasty chord voicings, the sweet playing on Alice and Wonderland, and the bass harmonics on Some Other Time, but there are so many good parts, and no weak ones. I'm sure my take will change over time as I become more familiar with the songs.
Finally, the context of the recording plays a big part in my overall impression. The small bits of applause add some irony to this recording - who knew that that this largely ignored day-in-the life of three underappreciated musicians would spawn albums, articles, and new jazz players for decades to come? The knowledge of LaFaro's impending death, his strained relationship with Evans, Evans' drug problems, Evan's profound grief at the death of LaFaro, and the fact that Evans is now gone all color my experience of this recording significantly. This album is a microcosm of the many tragedies and occasional triumphs in the strange and sometimes wonderful world of jazz. And a truly fine listening experience.
Average customer rating:
|
The Complete Studio Recordings Mississippi John Hurt
Mississippi John Hurt Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Z3VB Release Date: 2000-10-31 |
Tracks:
- Pay Day
- I'm Satisfied
- Candy Man
- Make Ma a Pallet On Your Floor
- Talking Casey
- Corrinna, Corrinna
- Coffee Blues
- Louis Collins
- Hot Time In the Old Town Tonight
- If You Don't Want Me Baby
- Spike Driver Blues
- Beulah Land
Tracks:
- Since I've Laid My Burden Down
- Moaning the Blues
- Stocktime (Buck Dance)
- Lazy Blues
- Richland Woman Blues
- Wise And Foolish Virgins (Tender Virgins)
- Hop Joint
- Monday Morning Blues
- I've Got the Blues And I Can't Be Satisfied
- Keep On Knocking
- The Chicken
- Stagolee
- Nearer My God To Thee
Tracks:
- Poor Boy, Long Ways From Home
- Boys You're Welcome
- Joe Turner Blues
- First Shot Missed Him
- Farther Along
- Funky Butt
- Spider, Spider
- Waiting For You
- Shortnin' Bread
- Trouble, I've Had It All My Days
- Let the Mermaids Flirt With Me
- Good Morning, Carrie
- Nobody Cares For Me
- All Night Long
- Hey, Honey, Right Away
- You've Got To Die
- Goodnight Irene
Amazon.com
Gentle, graceful, subtle, sweet--these aren't descriptions generally applied to the blues, but they offer a sense of Mississippi John Hurt's uniqueness and enduring legacy. Rediscovered during the 1960s folk boom after last recording in the late 1920s, Hurt cut the three albums compiled here when he was in his early 70s. His conversational phrasing sounds as natural as breathing, while his ragtime-tinged fingerpicking on acoustic guitar reveals more complexity the closer you listen. Beyond blues classics like "Candy Man" (the sly sensualist wasn't referring to lollipops), Hurt's range encompasses everything from folkish narratives ("Talking Casey," "Spike Driver Blues") to Southern spirituals ("Nearer My God to Thee," "Farther Along"). Though Hurt died in 1966, shortly after the last of these sessions, the music still sounds so fresh, you can almost hear the twinkle in his eye. --Don McLeeseCustomer Reviews:
One of the great American musicians.......2007-03-22
Chicken is one amazing song.......2006-11-11
That's how you spell chicken!
This won't be a particularly helpful review because I don't "know" music. All I can say that ever since seeing The Blues Brothers, I have enjoyed listening to blues without knowing much about it. Favorites include Howlin' Wolf and Robert Johnson... and John Hurt.
He had a great voice. Cool vocals + cool lyrics = really listenable music. I am so greatful to my Yahoo!Music player for introducing me to him. :)
Classic Blues.......2006-02-28
A review and a question.......2005-12-27
The recorded legacy of MJH falls into roughly five categories.
(1) his early 1928 recordings on the OKEH label which comprise around 20 tracks. Although they are quite listenable and of historical interest and importance they are not the most enjoyable of his recordings. (2) recordings from 1963 that are available on the Rounder label. The sound quality of these recordings is somewhat disappointing. For that reason alone I don't listen to them much except for the fact that they were heavily relied upon by people who transcribed his songs for instructional materials. (3) The Library of Congress recordings (also from 1963). These are perhaps the best. The sound quality is excellent and there is an informality to the sessions which makes it like having MJH as a house guest for the weekend determined to play you every song he knows. (4) The (these) Vanguard Recordings, which I think were recorded between 1967 and 1969. These rival and sometimes surpass the Library of Congress Recordings as far as the material goes. There is also a palpable sadness as you can detect a man near the end of his life aware of the fact that he may very well be making his final recordings. The audio engineers did a terrible job at Vanguard for a good deal of these recordings. How can you screw up recording just one guy with a guitar? If you try hard enough you can set the levels WAY off. That is how. (5) there is also a Live MJH CD from Vanguard. It's sound quality is pretty good and it is endearing to hear MJH talk to an audience, but I find it less compelling material wise than the studio recordings.
Listening to MJH makes you want to piick up the guitar and learn to play like him. The good thing about this is that if you really want to you probably can. Many of his songs have been transcribed and broken down in intructional books and DVDs. After going through a "beginning fingerpicking" DVD by Stefan Grossman you are probably ready to take on MJH.
Go for it!
And now for my question:
It's not obvious to me from the Vanguard website whether the boxed set is actually a newer digital remaster than the original digital re-masters from the mid 80s. As far as digital remasters go those ones were a bit of a disaster. When you put the disc into your player you would have to crank the volume on your stereo. As you might expect, the careless lack of attention to levels setting in the remastering process resulted in a mushy sounding guitar. I seem to remember that was also a problem with the vinyl Vanguard LPs, particularly the first one. Hopefully these CDs really are *new* remasters because most CDs re-mastered these days are remastered quite well.
My music management software for encoding MP3s has the capability of looking up CDs in an online database. Whenever I present it with copies of the old mid 1980s vanguard CDs it recognizes them as possibly being from the boxed set, so I hesitate to spring for the "new remasters" without really knowing if they are indeed recently remastered. Perhaps someone else could clear this up.
John Hurt recordings should be a Schedule One drug.......2005-07-08
Average customer rating:
|
The Complete Vanguard Studio Recordings
Ian & Sylvia Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NHNG Release Date: 2001-09-11 |
Tracks:
- Rocks And Gravel
- Old Blue
- C.C. Rider
- Un Canadien Errant
- Handsome Molly
- Mary Anne
- Pride Of Petrovar
- Makes A Long Time Man Feel Bad
- Rambler Gambler
- Down By The Willow Garden
- Got No More Home Than A Dog
- When First Unto This Country
- Live-A-Humble
- Jesus Met The Woman At The Well
- Tomorrow Is A Long Time
- Katy Dear
- Poor Lazarus
- Four Strong Winds
- Ella Speed
- Long Lonesome Road
- V'la L'bon Vent
- Royal Canal
- Lady Of Carlisle
- Spanish Is A Loving Tongue
- The Greenwood Sidie (The Cruel Mother)
- Every Night When The Sun Goes Down
Tracks:
- You Were On My Mind
- Moonshine Can
- The Jealous Lover
- Four Rode By
- Brave Wolf
- Nova Scotia Farewell
- Some Day Soon
- Little Beggarman
- Texas Rangers
- The Ghost Lover
- Captain Woodstock's Courtship
- Green Valley
- Swing Down, Chariot
- Come In, Stranger
- Early Morning Rain
- Nancy Whiskey
- Awake Ye Drowsy Sleepers
- Marlborough Street Blues
- Darcy Farrow
- Travelling Drummer
- Maude's Blues
- Red Velvet
- I'll Bid My Heart Be Still
- For Lovin' Me
- Song For Canada
Tracks:
- Short Grass
- The French Girl
- When I Was A Cowboy
- Changes
- Gifts Are For Giving
- Molly And Tenbrooks
- Hey, What About Me
- Lonely Girls
- Satisfied Minds
- Twenty Four Hours From Tulsa
- Friends Of Mine
- Play One More
- Circle Game
- So Much For Dreaming
- Wild Geese
- Child Apart
- Summer Wages
- Hold Tight
- Cutty Wren
- Si Les Bateaux
- Catfish Blues
- Come All Ye Fair And Tender Ladies
- January Morning
- Grey Morning
Tracks:
- The Mighty Quinn
- Wheels On Fire
- Farewell To The North
- Taking Care Of Business
- Southern Comfort
- Ballad Of The Ugly Man
- 90 Degrees x 90 Degrees
- She'll Be Gone
- London Life
- The Renegade
- House Of Cards
- Every Time I Feel The Spirit
- Keep On The Sunny Side
- Rocks And Gravel
- Je T'aime Marielle
Amazon.com
Of all the young lovers smitten by folk music in the '60s, Ian Tyson and Sylvia Fricker cut the most striking couple, and--as a couple--many of the most striking sides. Over seven Vanguard albums, recorded between 1963 and 1968, Ian & Sylvia lent their vibrato-heavy voices to traditional folk and country songs with strenuous and studied results. However, on indisputably classic Tyson tunes such as "Summer Wages" and "Four Strong Winds," and well-chosen (and, at the time, obscure) ballads by peers such as Bob Dylan ("Tomorrow Is a Long Time") and Steve Gillette ("Darcy Farrow"), their ethereal harmonies and uncluttered acoustic arrangements go a long way towards explaining the duo's popularity and influence. Hard-core fans may frown over the sole previously unreleased track (a toss off called "Je T'aime Marielle"), but they will also cherish Vanguard's sparkling remastering and packaging (a delightfully written appraisal by Colin Escott is included) of this much-needed collection. No better overview of Ian & Sylvia's art can be located. Although you won't find their best album (1970's country-rock gem Great Speckled Bird) here, you will find a cache brimming with the strengths and weaknesses of the folk revival. --Roy KastenCustomer Reviews:
The Best from the the Best.......2007-05-13
Great Folk Singers.......2006-11-06
is great music.
Great Anthology.......2006-10-18
Fantastic baritone singing from Ian with soaring harmonies from Sylvia.
In working through the collection one is offered a rather poignant reflection of the separation of their relationship and their music. The latter recordings are sad but subtract nothing from their early achievements.
For anyone with ears.......2006-04-24
However, these recordings have a strength of their commiment to music that has the bite, the twang, the strength, and the snap of real folk music and of folk originated blues and country music. The standards of production particularly their work with the great guitarists Johnny Herald and Monte Dunn, not to mention Ian Tyson's own developing skill with the guitar, and the tastefulness of the ensembles has not been matched since in acoustic music.
Ian and Sylvia's music works now even when the pop folk sensibility that surrounded them has deservedly withered away. I spend a lot of time talking with, playing with, hanging out with people who treasure completely traditional folk music which is not at all what Ian and Sylvia ever pretended to play, although especially at the beginning it was one of their most important sources. I have found even three or four decades after the duo ended, that a tremendous respect and a lot of listening goes on to Ian and Sylvia which is not true for other folkies like Joan Baez or Bob Dylan.
Of course, Ian Tyson continued a great career of his own, longer and actually larger than what happened with Ian and Sylvia as a writer of songs rooted in his Canadian Western origins. The skills unveiled in songs like "You were on my mind" and "Four strong winds" have won Ian a bunch of Grammies and Junos (the Canadian equivalent). He is still out there performing, making great albums and being who he has always been, a straight shooter, a no bs artist.
Sometime in the 1980s, an urban legend appeared that is still strong that Sylvia Fricker had died, killed herself, or otherwise left this life. She is very much alive, still singing, and over the years has done great folk oriented shows for the CBC.
Oh, one thing I forgot.
Aside from all this analysis, Ian and Sylvia are just so darned good that anyone with ears desperately needs to have as much of their music as they can either afford or steal!
Ian & Sylvia - The Real Deal.......2004-03-20
Average customer rating:
|
The Complete 1961 Village Vanguard Recordings
John Coltrane Manufacturer: Grp Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000003NA3 Release Date: 1997-09-23 |
Tracks:
- India (A)
- Chasin' The Trane (A)
- Impressions (A)
- Spiritual (A)
- Miles' Mode (A)
- Naima (A)
Tracks:
- Brasilia (A)
- Chasin' Another Trane (B)
- India (B)
- Spriritual (B)
- Softly As In A Morning Surise (B)
Tracks:
- Chasin' The Trane (B)
- Greensleeves (B)
- Impressions (B)
- Spiritual (C)
- Naima (C)
- Impressions (C)
Tracks:
- India (C)
- Greensleeves (C)
- Miles' Mode (C)
- India (D)
- Spiritual (D)
Amazon.com essential recording
Coltrane had only recently moved to the Impulse label when producer Bob Thiele decided to set up recording equipment for performances at the Village Vanguard in November 1961. It was a crucial period in Coltrane's artistic development, as his music assumed apocalyptic power and controversy swirled around his expanded band and marathon performances. The band ranges from a trio with bass and drums for the extended tenor workouts like "Impressions" and "Chasin' the Trane"; to an octet on some versions of "India," where Coltrane's soprano swirls through the throbbing drones and percussion. Among the sidemen are the multireed player Eric Dolphy and drummer Elvin Jones, Coltrane's most inspiring partners, while guests include Ahmed Abdul-Malik on tamboura and Garvin Bushell, a veteran of Jelly Roll Morton's bands, on contra-bassoon. There are more than four hours of music here, with multiple versions of core repertoire and almost every instant packed with passion and invention. These are among the greatest recordings of Coltrane's career. --Stuart BroomerCustomer Reviews:
Thank you . . . .......2006-05-19
Upon revisiting the Village Vanguard.......2006-04-18
It turns out I had forgotten how great a set this is. I always loved it, and I remembered loving it, but it's really been knocking me out these past 2 days. A ton has been written about Coltrane himself, and much more will be written in the future. Too little is said about the rest of the band. I think you could not care for Coltrane himself all that much and still love this music. Recorded on 11/1/61, 11/2/61, 11/3/61 and 11/5/61, the bands here (mainly McCoy Tyner, Jimmy Garrison, Reggie Workman, Elvin Jones and Eric Dolphy) are fantastic. When a Coltrane solo ends, there is no letdown. This is some of McCoy's finest playing ever... much better than on other peoples' Blue Note albums. Garrison, Workman and Jones get it going on in a major way here. Really that is what this set is about for me more than anything... rhythm. It's impossible for me to sit still during this stuff. A churning, pumping cyclone of sound, that's what this band is.
The Indias and Miles' Modes alone would be enough to counterbalance this album even if the rest of the stuff were only worthy of one star, which is not the case. And of course this makes me miss Eric Dolphy, as usual. I'm not sure I'll ever stop wondering what could have been. =(
Yes, the greatest live recording ever (at least to me).......2006-04-04
While I can't compete with the eloquence or humor of the review I quoted from, I completely disagree with some of the points made. Sketches not worked out? Solos going nowhere that should be "pruned to 5 minutes"? In need of "focused concentration"?
I can't think of any music that more easily defines "focused concentration" than what's recorded here. I've never seen nor heard a group of musicians putting themselves so fervently into their music as the Coltrane quartet does here. I hear relentless searching that makes most so-called experimental music sound like a joke. With Giant Steps and the rest of the sublime Atlantic recordings Coltrane had already created music that is, I think, about as technically complex as jazz music gets, and Coltrane could have easily continued on this path for a lifetime. But here he begins to move in a different more viseral direction that would consume him for the rest of his tragically brief life. And it's impossible for me to imagine musicians more in tune with what he wants than those here, who all take solo after solo at a level of intensity that sends shivers up my spine. When I listen to these recordings I hear the Coltrane quartet (and Dolphy, maybe especially Dolphy) working on a level that I cannot comprehend or describe. This music is - even to an agnostic like myself - absolutely spiritual. And yes, based upon my of course subjective viewpoint, to me these CDs do in fact qualify as the greatest live recording ever.
SACD - DVD audio Availability.......2006-03-24
Good Choice.......2006-01-26
Average customer rating:
|
The Complete Vanguard Recordings and More
Siegel-Schwall Band Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005AKJH Release Date: 2001-04-10 |
Tracks:
- Howlin' For My Darlin'
- I've Had All I Can Take (Instr.)
- Down In The Bottom
- I Have Had All I Can Take
- Boot Hill
- When I Get The Time
- I've Got To Go Now
- Mama/Papa
- I'll Be The Man
- Little Babe
- Going To New York
- Mary
- So Glad You're Mine
- Hoochie Coochie Man
- Break Song
Tracks:
- I'm A King Bee
- Slow Blues In A
- You Don't Love Me
- I.S.P.I. Blues (Illinois State Psychiatric Institution)
- Bring It With You When You Come
- My Baby Thinks I Don't Love Her
- That's Why I Treat My Baby So Fine
- I Liked It Where We Walked
- Easy Rider
- I Like The Way You Rock
- Don't Want No Woman
- Sneaky Pete (Take Two)
Tracks:
- Shake For Me
- My Started Won't Start
- Jim Jam
- Louise, Louise Blues
- Wouldn't Quit You
- You Can't Run That Fast
- Think
- 334-3599
- Rain Falling Down
- Get Away Blues
- Yes, I Love You
- I Don't Want You To Be My Girl
- Do You Remember
- Geranimo
- Angel Food Cake
- Walk In My Mind
- Song
- Tell Me
- A Sunshine Day In My Mind
Customer Reviews:
The Boys are great.......2007-01-20
Diary Of A Band's Progress.......2001-09-12
It ranges from the primitive to the sophisticated, from the serious to the ridiculous, and from the execrable to the fabulous.
Siegel-Schwall has a very distinctive sound defined by Corky Siegel's quirky singing and harp-playing as well as the sometimes brilliant guitar work of Jim Schwall. As a blues band, it is guilty of frequently exaggerated macho posturing and a near-parody of black blues stylings. Despite that, there is much to like about the band.
Let's examine the three discs one by one. The best of disc 1 can be found on Down In The Bottom and I Have Had All I Can Take. Macho strutting is exemplified on When I Get the Time and a real swabby rendition of Hoochie Coochie Man. The lamest tunes are Mama/Papa, I'll Be The Man, Going To New York (really stinks!!),Mary, and So Glad You Are Mine. Those I describe as lame are sometimes musically enjoyable until the singing starts.
Disc 2 isn't much better. The best cuts are You Don't Love Me, the magnificent mandolin-driven Bring It With You When You Come, and That's Why I Treat My Baby So Fine. The obligatory macho statement is Don't Want No Woman. The worst are a lame rendition of I'm A King Bee, a swabby Easy Rider, and a gag-inducing I Like The Way You Rock.
The band's journey from the garage-band style to the night club style and on to the concert hall style is most evident on Disc 3. Most of the songs from the Shake! album show a definite maturing of the band's style. Most of the worst on this disc are from the Siegel-Schwall 70 album. I like Shake For Me, Louise Louise Blues, Wouldn't Quit You, Think, 334-3599, Rain Falling Down, and Tell Me. The macho cuts are You Can't Run That Fast and Get Away Man. The lamest are Jim Jam, Do You Remember, Song, and Walk In My Mind, the last being one of the five swabbiest songs on the CD.
This box set represents the diary of a band's progress during the years it recorded for Vanguard. If you are a die-hard Siegel-Schwall fan, you might well like this compilation but if you want to cut out a lot of musical clutter, I would recommend trying to find Shake! on CD by itself and you would then own most of the best the band has to offer.
Siegel-Schwall...it just keeps getting better!!.......2001-07-29
The Siegel-Schwall Band came up out of Chicago and learned from and played with the masters. I'm talking about masters like Howlin' Wolf, Muddy Waters, Otis Spann...the list goes on. They were so good that Sam Charters, (the famous blues historian and archivist) produced thier first couple of albums. If HE was taken with them, you KNOW they have to be good.
By the way, the Siegel-Schwall Band are still active today and still play with all the virtuosity and conviction that is represented on "The Complete Vanguard Sessions". And don't forget to check out thier "Wooden Nickel" label output from 1971-1974 (recently reissued on the "Wounded Bird" label). They just kept getting better and better. This is the real deal, folks.
Average customer rating:
|
The Complete Vanguard Recordings
Mimi & Richard Fariña Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QK16 Release Date: 2001-11-13 |
Tracks:
- Dandelion River Run
- Pack up Your Sorrows
- Tommy Makem Fantasy
- Michael, Andrew and James
- Dog Blue
- V. - Bruce Langhorne
- One-Way Ticket
- Hamish
- Another Country
- Tuileries
- Falcon
- Reno Nevada
- Celebration for a Grey Day
Tracks:
- Reflections in a Crystal Wind
- Bold Marauder
- Dopico
- Swallow Song
- Chrysanthemum
- Sell-Out Agitation Waltz
- Hard-Long Loser
- Mainline Prosperity Blues
- Allen's Interlude
- House un-American Blues Activity Dream
- Raven Girl
- Miles
- Children of Darkness
Tracks:
- Quiet Joys of Brotherhood
- Joy 'Round My Brain
- Lemonade Lady
- Downtown [Instrumental]
- Almond Joy
- Blood Red Roses
- Morgan the Pirate - Richard & Mimi FariGrady Martin
- Swallow Song - Joan Baez, Richard & Mimi Fari
- All the World Has Gone By - Joan Baez, , Richard Fari
- Pack up Your Sorrows - Richard FariPauline Marden
- Leaving California (One Way Ticket)
- Sell-Out Agitation Waltz
- Pack up Your Sorrows - Richard & Mimi FariPeter Yarrow
- House un-American Blues Activity Dream
- Bold Marauder
- Hard-Lovin' Loser
- Dopico
- Celebration for a Grey Day
- Shady Grove - Richard & Mimi FariJean Ritchie
Amazon.com
Richard Farina was better known as a novelist (he wrote Been Down So Long It Looks Like Up to Me), while his wife Mimi was best known as the younger sister of Joan Baez. On the two albums they cut together (plus the outtakes released after Richard's death in a 1966 motorcycle accident), their musical progression captured the tenor of the times--a progression from folk traditionalism to topical social comment to playful surrealism. This three-disc set presents the entirety of the duo's studio output, plus a nine-song performance from the 1965 Newport Folk Festival (issued here in its entirety for the first time). Richard's mountain dulcimer spurred a revival of interest in the instrument, and his "Pack Up Your Sorrows" established itself as a folk standard of the era, but guitarist Mimi (who died of cancer in 2001) was plainly a better singer and more proficient musician than the husband to whom she deferred. --Don McLeeseCustomer Reviews:
In Memory of Mimi and Richard.......2007-03-04
For those of you unfamiliar with the duo, Mimi is the younger sister of Joan Beaz. Richard was a true rennasunce man: poet, author, songwriter, musician. He died at the brink of what I believe would have been superstardom. His poetry weaves his songs into spellbinding stories of love, adventure and loss. The music is truly haunting. It will rattle around your brain long after you listen to it.
The music is also full of sadness. For anyone who knows the story of Richard Farina you are stick with the question, what would this world have been like if he had lived?
I also stongely recommend the book "Positively 4th Street" by David Hajdu that tells the fascinating story of Richard and Mimi along with Joan Baez and Bob Dylan. Also available is Richard's first and only book, "Been Down So Long It Looks Like Up To Me". It had just been published at the time of his death.
American adagio.......2007-02-08
WONDERFUL WORK.......2007-02-07
pretty rough & about half of it is not as good). I played
these guys on my 33 1/3rd turntable & it sounds better
now! A great loss when Farina did the fly up into palm
trees exit. The enclosed book is a grand read, lots of
info (much of it sad) about them, their music, their
work. Anyone who has missed their art deserves to gift
themselves w/fine, moving lyrics & excellent instrumentation.
I value this collection.
I'm Lucky! i'm OLD OLD OLD I knew their most excellent and unsurpassed music first!.......2006-11-23
Rumor has it that positively fourth street was written with R Farina in mind, well i wouldn't be surprized, maybe joan knows ...... enough rambling ........this is music that cannot be surpassed, even in heaven if there is a heaven, it will have this music there......
Dated, yet Essential Folk Music.......2006-07-11
And that's basically what you get here. Some of these songs are wonderful--"Pack Up Your Sorrows," for instance, is bouncy and refreshingly optimistic without being sappy. It's the kind of song Dylan could never have written, and that's meant as a compliment to Farina's own idiom. You can also enjoy the despair of "Reno, Nevada," or the cutting wit of "Morgan the Pirate" (said to be Farina's own swipe at Dylan, in response to "Positively 4th Street"). The instrumentals on the first two discs are also a treat, if only because Farina's dulcimer has a fine, other-worldly sound to it. Folkies will also love the recordings from the 1965 Newport Folk Festival, especially the unedited audio of the dulcimer workshop with dulcimer master Jean Ritchie (and Richard and Mimi's charm and warmth come through in the spoken portions of the recording). But much of the music here remains very much of its time: the protest songs seem too mired in the vernacular of the 60s to be of much interest today, and Richard seems carried away with his own cleverness in the song titles and liner notes. Mimi's playing and singing--far greater in terms of talent and technique than her husband's--gets pushed to the background, although there is no doubt that she can handle a solo performance like "Quiet Joys of Brotherhood" in a way Richard never could.
Don't stay away from this set. Do buy it if you're serious about learning more about 60s music. This music is well worth having: but it's not timeless, even if it captures something of a long-lost era.
Average customer rating:
|
The Complete Vanguard Recordings
Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005V62W Release Date: 2002-02-05 |
Tracks:
- Travelling Kind
- Don Quixote
- One Morning In May
- Casey's Last Ride
- The Leaves That Are Green
- Paradise
- House Of The Rising Sun
- Catfish John
- Mother Of A Miner's Child
- Bringing Mary Home
- Souvenirs
- The City Of New Orleans
- Willow Creek Dam
- Remembrance Of You
- Irish Spring
- Billy McGhee
- Home In Louisiana
- King Of Spades
- The Little Grave
- Delta Queen
- Heartaches
- Welcome To New York
- Lord Protect My Soul
- Circuit Rider
Amazon.com
So many great musicians have played in the Country Gentlemen over the years, the ensemble sometimes seems more like a bluegrass finishing school than a band. On The Complete Vanguard Recordings, which includes two LPs recorded in the early 1970s, the young up-and-comers in that edition of the band included Ricky Skaggs, Jerry Douglas, and Doyle Lawson. Charlie Waller, the band's sole founding member, turned the Country Gentlemen into one of the most progressive bands in bluegrass by recruiting hot young talent and making canny song selections from the worlds of pop and country. At first glance compositions by people such as John Prine, Kris Kristofferson, Paul Simon, and Gordon Lightfoot may seem like poor fodder for bluegrass, but Waller and his cohorts proved that, with the application of some high-lonesome harmonies, a dash of banjo, and some front-porch fiddling, even the most urban songs can have a down-home country feel. --Michael SimmonsCustomer Reviews:
a classic band in classic form.......2002-02-13
The first of the two LPs resurrected here, the eponymously titled The Country Gentlemen, consisted of songs that could have been heard in any Washington folk club of the period: current favorites by Kristofferson, John Prine, Gordon Lightfoot, Paul Simon, and others. When the album came out, I remember being annoyed at what I judged to be its overly familiar line-up. But today, when these songs are seldom heard, I am happy to be reminded just how good they were. Besides the folk-pop selections, there is the chilling vanishing-hitchhiker ballad "Bringing Mary Home," plus a pleasing take on Bob McDill and Allen Reynolds's "Catfish John," then a hit for country singer Johnny Russell.
The second half, from 1974's Remembrances & Forecasts, draws on less covered material in the same vein, with a nod to standard bluegrass via classics from Jimmie Davis ("Home in Louisiana") and Bill Monroe ("Lord Protect My Soul"). Old or new, it's good, solid stuff. One standout is John D. Loudermilk's "The Little Grave," which expresses sentiments one would not expect to hear in a bluegrass song. It's all the more powerful for that, and emblematic of the Gents' admirable capacity for surprise.
Average customer rating:
|
The Complete Vanguard Recordings
Buddy Guy Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Z3VA Release Date: 2000-10-31 |
Tracks:
- A Man And The Blues
- I Can't Quit The Blues
- Money (That's What I Want)
- One Room Country Shack
- Mary Had A Little Lamb
- Just Playing My Axe
- Sweet Little Angel
- Worry, Worry
- Jam On Monday Morning
- Poison Ivy
- You Got A Hole In Your Soul
Tracks:
- Watermelon Man
- I Got My Eyes On You
- The Things I Used To Do
- (You Give Me) Fever
- Slow Blues
- Knock On Wood
- Crazy 'Bout You
- I Had A Dream Lasts Night
- 24 Hours Of The Day
- You Were Wrong
- I'm Not The Best
Tracks:
- Watermelon Man
- Hold That Plane
- I'm Ready
- My Time After Awhile
- You Don't Love Me
- Come See About Me
- Hello San Francisco
Amazon.com
Young man leaves impoverished home, heads out to seek fame and fortune, becomes legend. It's the stuff of myth, and it's also the tale of many a blues musician who headed north to Chicago after World War II. One such bluesman was Buddy Guy, who has achieved mainstream success beyond what most of his compatriots have, thanks to his fiery stage presence and undeniable energy that keeps going and going and going. This reissue of his sessions for Vanguard in the late 1960s and early 1970s, however, offers a different flavor; the pieces are smoother and lower-key than the Buddy Guy we're used to. For instance, his version of Mercy Dee's "One Room Country Shack" has more of the tortured inflections of "Ball and Chain" than the rock & roll stylings that have long been a Guy hallmark. On the other hand, there are audible instances of Guy's influence on rock. Most of this collection's best offerings are on disc one, which consists of the 1968 A Man and the Blues. Just so we're clear, this isn't really Guy's best work. Disc three, in particular, consisting of the 1972 release Hold That Plane, is curiously flat. Disc two, however, is the live album This Is Buddy Guy!, which balances things out some. These three releases aren't widely available, so completists are advised to pick this one up. --Genevieve WilliamsCustomer Reviews:
Lord Have Mercy!.......2001-01-07
They Don't Get Much Blue-sier!.......2000-12-21
Average customer rating:
|
The Out Sound from Way In! The Complete Vanguard Recordings
Perrey-Kingsley Manufacturer: Vanguard Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000055ZE1 Release Date: 2001-01-23 |
Tracks:
- The Unidentified Flying Objects
- The Little Man From Mars
- Cosmic Ballad
- Swan's Splashdown
- Countdown At 6
- Barnyard In Orbit
- Spooks In Space
- Girl From Venus
- Electronic Can-Can
- Jungle Blues From Jupiter
- Computer In Love
- Visa To The Stars
- The Savers
- Umbrellas Of Cherbourg
- Strangers In The Night
- One Note Samba/Spanish Flea
- Lover's Concerto
- Third Man Theme
- Fallout
- Baroque Hoedown
- Winchester Cathedral
- Carousel Of The Planets
- Toy Balloons
- Moon River
- Mas Que Nada
- Pioneers Of The Stars
Tracks:
- Mary France
- The Little Ships
- Island In Space
- The Mexican Cactus
- Porcupine Rock
- The Little Girl From Mars
- Mister James Bond
- Frere Jean Jacques
- Brazilian Flower
- In The Heart Of A Rose
- The Minuet Of The Robots
- Four, Three, Two, One
- Gypsy In Rio
- Soul City
- E.V.A.
- The Rose And The Cross
- Cat In The Night
- Flight Of The Bumblebee
- Moog Indigo
- Gossippo Perpetuo
- Country Rock Polka
- The Elephant Never Forgets
- 18th Century Puppet
- Hello Dolly
- Passport To The Future
Tracks:
- E.V.A. (Dub) - Fat Boy Slim
- E.V.A. (Remix) - Fat Boy Slim
- Winchester Cathedral - Eurotrash
- Flight Of The Bumblebee - Eurotrash
- Lover's Concerto - Eurotrash
- The Unidentified Flying Object - Eurotrash
- Electronic Can-Can - Eurotrash
Customer Reviews:
Cute moog madness.......2007-06-11
"The In Sound from Way Out!" and "Spotlight On The Moog (Kaleidoscopic Vibrations)".
But this one also features all the tracks from Jean-Jacques Perrey's solo album "Moog Indigo".
So if you were thinking of buying "Essential", "In Sound" or "Mood Indigo" don't spend so much money. All those tracks are here!
There are classic tracks of all 3 original albums compiled here, so they're a must-have if you like incredibly strange music or moog/electronic sounds.
Note though that not all these experiments in happy zing-boink grooviness work, but the ones that do will blow your head off!
Try it, you won't regret it.
Back to the future.......2002-12-07
Nice novelty disc.......2001-11-26
You'll be ready to switch CDs about halfway through the first one.
The album is a quirky patchwork of pioneering moog work, though I wouldn't consider it 'listenable' for more than a track or two.
The music that's there is great, but it gets a bit painful after too long. Throw a couple tracks into your winamp playlist, but you probably won't want to listen to it all at once.
Average customer rating: |
The Complete Village Vanguard Recordings, 1961
Bill Evans Manufacturer: Jvc Victor ProductGroup: Music Binding: Audio CD ASIN: B000HA48EM Release Date: 2006-10-02 |
Tracks:
- Spoken Introduction
- Gloria's Step [Take 1, Interrupted][Alternate Take]
- Alice in Wonderland [Take 1]
- My Foolish Heart
- All of You [Take 1]
- Announcement and Intermission
- My Romance [Take 1]
- Some Other Time
- Solar
Tracks:
- Gloria's Step [Take 2]
- My Man's Gone Now
- All of You [Take 2]
- Detour Ahead [Take 1]
- Discussing Repertoire
- Waltz for Debby [Take 1]
- Alice in Wonderland [Take 2]
- Porgy (I Loves You, Porgy)
- My Romance [Take 2]
- Milestones
Tracks:
- Detour Ahead [Take 2]
- Gloria's Step [Take 3]
- Waltz for Debby [Take 2]
- All of You [Take 3]
- Jade Visions [Take 1]
- Jade Visions [Take 2]
- ...A Few Final Bars
Music Album:
- The Essential Dolly Parton One: I Will Always Love You
- The Essential Porter Wagoner
- The Happiest Girl in the Whole U.S.A.
- The Hard Way [Import]
- The Original: Best Of
- The Original Cowboy's Sweetheart
- The Original Outlaw of Country Music
- The Ramblin' Man
- The Very Best of Rosanne Cash [Original recording remastered]
- There You Go Again [Enhanced]
