| 1. Smoothie Song |
| 2. Spit on a Stranger |
| 3. Speak |
| 4. Hanging by a Thread/The Day After Christmas [Instrumental] |
| 5. I Should've Known Better |
| 6. This Side |
| 7. Green and Gray |
| 8. Seven Wonders |
| 9. House Carpenter |
| 10. Beauty and the Mess |
| 11. Sabra Girl |
| 12. Young |
| 13. Brand New Sidewalk |
This Side,Nickel Creek,Sugarhill [Country],Americana,Bluegrass,Contemporary Bluegrass,Country,Pop,Progressive Bluegrass
Average customer rating:
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This Side
Nickel Creek Manufacturer: Sugarhill [Country] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000066TPM Release Date: 2002-08-13 |
Tracks:
- Smoothie Song
- Spit on a Stranger
- Speak
- Hanging by a Thread
- Should've Known Better
- This Side
- Green and Gray
- Seven Wonders
- House Carpenter
- Beauty and the Mess
- Sabra Girl
- Young
- Brand New Sidewalk
Amazon.com
Whereas Nickel Creek's debut album established the young California trio at the progressive vanguard of traditional bluegrass, this ambitious, risky follow-up finds their acoustic artistry straying far afield. Mandolin player Chris Thile and the Watkins siblings--guitarist Sean and fiddler Sara--continue to impress with their intuitive instrumental interplay and lush vocal harmonies. Sean Watkins's title cut achieves the sprightliest blend of traditional bluegrass instrumentation and contemporary pop craft, while the ruminative melancholy of "Hanging by a Thread" and "Green and Gray" sound as though Thile has been listening to a lot of Elliott Smith (and reading the published poetry of Jewel). The album also features Pavement's "Spit on a Stranger," Carrie Newcomer's "Should've Known Better," and a traditional British ballad, "House Carpenter." However, much of the collection's original material lacks the maturity to match the trio's musical gifts, as songs incorporating influences ranging from neo-psychedelia to alt pop often suffer from self-consciousness. Kindred-spirit producer Alison Krauss plainly gave the project a long leash, and the results can be viewed as either sophomore slump or creative growth spurt--or perhaps both. --Don McLeeseCustomer Reviews:
grows.......2007-04-14
Not so good..........2007-01-30
Suffering From Sophomore Slump, But Still Worthwhile Music From a Fine Young Bluegrass/Country/Folk Band.......2007-01-06
A Good Accidental Find.......2006-12-22
This is a group of true musicians and if they take a turn, I'll say what I always say - let the band be true to themselves and find or experiment with their sound.
While definitley not Bluegrass on this set, there are some GREAT tunes here. There is plenty of Bluegrass and Country out there - this is something different, more folk inspired and I like it a lot. The beauty of Amazon is that you can listen before you buy - so give it a chance! :-)
Nickel Creek.......2006-08-27
Average customer rating:
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00064ADMK Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Top Shelf.......2007-01-04
TERRIFIC CD'S.......2006-03-23
Great Collection of Broadways greatest Songs .......2005-06-14
Great Compilation!.......2005-01-17
Average customer rating:
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This Side of Paradise
Ric Ocasek Manufacturer: Geffen Gold Line Sp. ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000000OY7 Release Date: 1997-06-01 |
Tracks:
- Keep On Laughin'
- True To You
- Emotion In Motion
- Look In Your Eyes
- Coming For You
- Mystery
- True Love
- P.F.J.
- Hello Darkness
- This Side Of Paradise
Customer Reviews:
Ric Ocasek Solo CD.......2007-05-08
Ric's Best Solo Album.......2007-05-02
Good album, but not his best..........2007-03-26
I have to admit, my all time favorite album of Mr. Ocasek's is his first, "Beatitude". From start to finish, I enjoy each and every track. No need for skipping any one song. They're all great.
My least favorite Ric Ocasek album is "Fireball Zone". There's maybe 2 tracks I like on that album.
If I had to list his albums from most favorite (and most played with the least amount of skipping a track) to least favorite, the order would go something like this:
1)"Beatitude"
2)"This Side of Paradise"
3)"Quick Change World"
4)"Troublizing"
5)"Nexterday"
6)"Fireball Zone"
at the current list price of $6.98, you can't go wrong with this one.......2006-06-05
It should come as no surprise that, on the whole, "This Side Of Paradise" is just slightly removed from the sound of The Cars. Cars keyboardist Greg Hawkes is all over this album, credited for playing all of the keyboards on 9 of the 10 songs (Ric chips in on the title track), and man, there sure are a lot of keyboards here. The late Benjamin Orr chips in with background vocals on several songs, and even Elliot Easton appears on one song. Hawkes gets his usual one co-write ("Hello Darkness") with the rest of the tracks being written by Ocasek alone.
From start to finish, this is NOT a stellar effort, and could have really benefited from some careful editing. "Mystery" is a reasonably good Ocasek pop-rocker, though pretty rote and forgettable. "True Love" is a listenable-but-middling composition, lifted up by some nice acoustic lead guitarwork from Steve Stevens (of Billy Idol fame), but weighed down by bleary keyboard chords and corny synthesized trumpet. The quasi-'experimental' "P.F.J." (aka "Pink Flag Joe") is perhaps supposed to be humorous, but ends up being a cutesy, hookless bore. And the title track, which is actually quite moving, gets carried away with co-producer Chris Hughes' drum bashing, and then ends with a pointless reprise of "True Love".
However, the first three tracks all hit the nail squarely on the head.
The album-opening "Keep On Laughin'" in particular is one of my absolute personal favorite songs ever. There's a brief intro section that uses the same chord sequence as the album's 4th song, "Look In Your Eyes", and it kind of sets the scene, if you will. Once the intro passes, it gives way to an absolutely astonishingly great uptempo song that comes together in such a way that is simply beyond belief. As usual, the lyrics are a bit allusive, but it seems to be about a woman clutching to the strains of a dying relationship, and it's extremely moving, with deftly-executed and tension-building chord changes, a driving beat, vocals from Ocasek that are pure inspiration, masterfully-placed power chords on the chorus, loads of brilliant keyboard textures from Hawkes (including a "Heartbeat City"-style looping riff), plus lots of great guitar stuff going on in the background (courtesy of Ocasek and Stevens). To say it all adds up to more than the sum of its parts is virtually pointless--what a hauntingly powerful song that compels you to listen again and again. And again.
The following track, "True To You", is so upbeat that it feels downright jolting appearing so suddenly on the heels of "Keep On Laughin'", but getting past that, it's a wonderfully catchy, sunny pop-rocker in its own right.
The top 20 US hit "Emotion In Motion" is also wonderful, a really lovely ballad (it features guitar from Tears For Fears' Roland Orzabel). Ocasek uses his unique and instantly identifiable 'quivering' vocals to wring a lot of emotion from the tender lyric and melody. I can think of almost no one else who might be able to sing this song so movingly.
"Look In Your Eyes" is pretty damn great too--the vocals are a bit frustratingly buried in the mix, but it's got effectively pulsating bass, David Gilmour-style echoing guitarwork, an ominously yearning atmosphere, and an irresistible chorus featuring layered backing vocals from Ben Orr. I also love the thudding, doom-laden metallic rocker "Coming For You". And "Hello Darkness" sounds much like "Keep On Laughin'", yet without being a mere carbon copy of it--irresistible stuff.
Overall, "This Side Of Paradise" is sort of a frustrating, choppy listen. Like I said before, this album could really use some editing and fine-tuning here and there, because there are lots of quality ideas floating around. For all the complaining, the only tune that's really outright skippable is "P.F.J.". Add to this the low list price, the presence of the extraordinary "Keep On Laughin'", and the other great material, you really can't go wrong getting this album.
(P.S. Ric also wrote and sang a wonderful song called "I Still Want You" that didn't make it onto the "This Side of Paradise" album. Actually, Ric may have not even written the song quite yet--it turned up on the 1987 "Made In Heaven" soundtrack.)
A Classic........2005-09-27
Average customer rating:
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Instruments of the Orchestra
Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006O0NT Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
Beginner or Expert.......2007-03-12
Very Informative and Enjoyable.......2006-11-20
Frank's view.......2006-08-19
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
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Very Best Of Broadway Musicals
Various Artists Manufacturer: Metro Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000068CC4 Release Date: 2002-06-25 |
Tracks:
- All That Jazz
- If I Can't Love Her
- Maybe This Time
- People Will Say We're In Love
- The Impossible Dream
- Seventy Six Trombones
- Can You Feel The Love Tonight?
- Still
- Send In The Clowns
- One
- Younger Than Springtime
- This Is The Moment
- Good Morning Starshine
- Your Getting To Be A Habit With Me
- Wunderbar
- Maria
- I Could Have Danced All Night
- Singin' In The Rain
- Written In The Stars
- One Song Glory
Customer Reviews:
Very Best of Broadway Music.......2007-05-08
I let someone else borrow this to listen at her house--She liked it also
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The Great American Trailer Park Musical
Manufacturer: Ghostlight ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000CNE13M Release Date: 2006-01-17 |
Tracks:
- This Side Of The Tracks
- One Step Closer
- The Buck Stops Here
- It Doesn't Take A Genius
- Owner Of My Heart
- The Great American TV Show
- Flushed Down The Pipes
- Storm's A-Brewin
- Road Kill
- But He's Mine/It's Never Easy
- That's Why I Love My Man
- Panic
- Finale
- This Side Of The Tracks (Remix)
Customer Reviews:
Trailer Park Musical a good hear........2007-05-15
A Tornado of Fun!.......2007-04-10
But this show is just all-out fun! The tunes are catchy (I got one of them running through my head, right now) and the lyrics are quite clever. The three main ladies become the Greek chorus, telling us about life in their trailer park, Armadillo Acres, located in Starke, Florida. The show then focuses on one agoraphobic housewife who hasn't left her trailer in 20 years, and her husband who has had enough and starts fooling around with a stripper who is on the run from her boyfriend. Sound crazy? It is! And a whole lotta fun!
Yes, there are some explicit lyrics, but nothing excessive. So do yourself a favor and give this album a listen. You might just want to move into your own "manufactured home" before you know it.
One Of My Favorite New Musicals In Years.......2007-01-31
The show (and Recording) ROCKS.......2006-09-26
Sure the language, for those who have expressed concern in above reviews, can be strong at times. But never is the language used in a matter of fact fashion. For those who have ever even remotely hung around a trailer park (as it quite Clearly states in the TITLE) or even around those who inhabit a Sociologists Jackpot of research, You know that crude humor and strong language are staple of the norm.
"Oklahoma" and "Cats" this show is not. However, "Great American Trailer Park Musical" is a definite piece to listen and pay attention to. With the general climate of new musicals to be either repackaged musicals from movies (Wedding Singer, Hairspray, Footloose, etc) or jukebox musicals (Mamma Mia, All Shook Up, Hot Feet, etc) - there is a new genre that is emerging, the "in-joke" musical. Trailer Park, Altar Boys, Spelling Bee, and title of show are examples of this. These are shows that blur satire and exaggeration with real life all the while dealing in a specific subject matter.
"Trailer Park" is a hip, new and exciting piece of music theatre, even if not groundbreaking. For those who like to play it safe may I suggest the "20 Great Broadway ShowStoppers" CD - all songs are from 1932 to 1949. You will be sure no profane language will infect you there.
Wasn't That Funny.......2006-07-29
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100 Favorite Patriotic Songs
Manufacturer: Bci / Eclipse Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A1HT8 Release Date: 2003-08-12 |
Tracks:
- America the Beautiful
- All Quiet on the Potomac Tonight
- Ballad of the Green Berets
- On Top of Old Smokey
- Coyote Warrior
- Semper Fidelis
- Breeze from Alabama
- Onward Christian Soldiers
- Come Where My Love Lies Dreaming
- Patriot
- Sweet Betsy from Pike
- Marines' Hymn
- America Is
- When Johnny Comes Marchin' Home
- Happy the Soldier
- American Trilogy
- Home Sweet Home
- Washington Post March
- Enraptured I Gaze
- Jeannie With the Light Brown Hair
- Yellow Rose of Texas
- Over There
- Simple Gifts
- Liberty Bell
- Star Spangled Banner
Tracks:
- God Bless the USA
- Yankee Doodle Dandy
- Katy Cruel
- I Vow to Thee My Country
- King Cotton
- Beautiful Dreamer
- America
- American Patrol
- Mine Eyes Have Seen the Beauty
- Mohican Dream
- Red, White and Blue
- Some Folks
- Liberty Song
- Pomp and Circumstance
- Hail to the Chief
- Bennington Rifles
- Peace on the Battlefield
- I've Been Working on the Railroad
- Under the Double Eagle
- Red River Valley
- My Country 'Tis of Thee
- Camptown Races
- Wild Blue Yonder
- Hands Across the Sea
- Fanfare for the Common Man
Tracks:
- Stars and Stripes Forever
- Living in America
- Home on the Range
- Old Colony Times
- Clementine
- Invincible Eagle
- Ring Ring de Banjo
- Yankee Doodle
- Largo from "The New World"
- To a Wild Rose
- Hail Columbia
- Alexander's Ragtime Band
- Gettysburg
- Carry Me Back to Old Virginny
- Capitan
- Prairie Daughter
- Little Brown Jug
- Marching Through Georgia
- Entertainer
- Steamboat Around the Bend
- Revolutionary Tea
- Cassions Keep Rollin' Along
- Johnny Has Gone for a Soldier
- Amazing Grace
- Grand Old Flag
Tracks:
- God Bless America
- National Emblem
- Soldier, Soldier Won't You Marry Me
- Anchors Away
- Oh, Susannah
- Tramp, Tramp, Tramp
- Toast
- Dixie
- St. Louis Blues
- Appalachian Spring
- Bonnie Blue Flag
- Old Hundreth
- Swanee River
- Battle Cry of Freedom
- U. S Field Artillery
- Sidewalks of New York
- Chester
- Auld Lang Syne
- Kingdom Come
- My Old Kentucky Home
- Hail to the Spirit of Liberty
- Battle Hymn of the Republic
- Shenandoah
- Abraham's Daughter
- This Land Is Your Land
Customer Reviews:
not to great.......2007-04-04
Not so bad, 100 tunes for 4$.......2005-06-22
You get what you pay for........2004-07-04
Now I know why there were no song samples to listen to ..........2004-07-04
Average customer rating:
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This Side of the Moon
Elizabeth Cook Manufacturer: Thirty Tigers ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00096S2LY Release Date: 2005-05-17 |
Tracks:
- Cupid
- Funny Side Of Love
- Before I Go That Far
- Here's To You
- This Side Of The Moon
- Kiss Me Again
- Ruthless
- Alone Down Here
- Hard-Hearted
- Heather Are You With Me Tonight
- All We Need Is Love
- Where The Blue Begins
- Somebody's Gotta Do It
Amazon.com
Though This Side of the Moon's packaging highlights Elizabeth Cook's fashion-model looks, country music just doesn't get much more down-home than this. Cook's voice combines the trill of early Dolly Parton with the twang of a young Loretta Lynn, while her songwriting shows a disarming, conversational simplicity laced with a warm humor. Such artistry renders the "alt" in "alt-country" meaningless, because the best of this timeless music seems to come from the same place and reflect the same values as the music of George Jones or Hank Williams. Whether admonishing "Cupid" for his bad aim, shuffling onto the honky-tonk dance floor with "Hard-Hearted," or finding romance on the harmony-laden title track, Cook's the real deal. --Don McLeeseCustomer Reviews:
Amazing new talent.......2007-01-11
Greatness, not goodness.......2006-12-20
"Before I Go That Far" is the single best "country" ballad by a female artist since Reba's "Somebody Should Leave", and would be a guaranteed number one hit had it been recorded by an established artist like Leann Womack. "Here's to You" is very nearly as good, and I can't imagine anyone else singing it better than Elizabeth does. The gorgeous title track is so reminiscent of Dolly Parton, I can see why so many reviewers are making the comparison. "Kiss Me Again" is a song I'm sure Reba would like to have recorded, given she hasn't had a great single in more than a decade. The remaining tracks are all worth listening to, but the the above-mentioned 4 tracks which appear consecutively on the album are as good a power play as you are ever likely to hear in modern country music. As you can probably tell, I'm hooked.
It's so great to hear a pure country voice that hasn't been corrupted by the Nashville music mill. Hopefully, even better things are yet to come with the impending release of her Rodney Crowell-produced next album. If you're a fan of Tammy Wynette, Dolly Parton, early Reba, or even Patty Loveless, this album is essential. My only regret is that I just recently discovered this amazingly talented singer/songwriter. Only a chance viewing of one of her videos on CMT's Edge of Country exposed me to this relatively unknown artist. Isn't it ironic? The "Edge of Country". And all this time I thought this kind of music was the real thing. I guess Faith and Tim and all the rest really do rule over country music. Sad, sad, sad.
Goodness, but not greatness.......2006-01-04
The album opens with its only weak spot, the cringe-worthy "Cupid." "Funny Side of Love " is a similar but much better song about looking for a guy who can keep her laughing through the hard times. "Before I Go That Far" is a wonderful, powerful waltz, that uses echoes of Dolly Parton to deliver lines like "Before I've finally had enough imagine me winding up/In another's arms/and if that breaks your heart/Stop me/Before I go that far." This is followed by the swingier "Here's To You" an anthem toasting the man who used to be her husband. A heavy dose of steel introduces the pretty love song "This Side of the Moon" which showcases Cook's soaring vocals. A pretty piano melody highlights the vulnerability of "Kiss Me Again," about two people trying to reconnect their fractured relationship. "Ruthless" is a darker, crunchier more up tempo song about a man returning home to find his wife gone (of course her name was Ruth, an old pun, but it still works). Partnered with writer Stephony Smith, Cook eases away from her hook driven lyrics in the blues influences "Alone Down Here." "Hard Hearted" is a jingle-esque song set to a perfect two step. The stand out song of the album is the soaring and gorgeous "Heather Are You With Me Tonight" about a man searching the memories of his loved one with lines like "Right now I'm not your man/I'm a pilot in flight" and "ain't it funny how winning feels just like sinning." In the hands of a lesser singer "All We Need Is Love" would be unlistenable, but Cook sells it with the right touch of humor. She takes a nice Merle Haggard doing country blues turn for the swinging "Where The Blue Begins." "Somebody's Gotta Kiss Me" is a song with nearly unforgivable lyrics, "If you'll be my Big Daddy then you're talking to your number one squeeze" but great music and incredible vocals.
Her weakness remains the very thing that sets her apart from the rest of what is called "Alt" country--a tendency to value hooks over poetry. It is refreshing to hear a women not afraid to sing something cute, and Cook's vocals sell the sentiment and emotion quite well. However lines like "That fat naked baby with the arrow and bow has go to be the worst marksman that I know" (Cupid) and "I'm a self admitted junky/cause soon as things get funky/I want to take a powder and run" (Funny Side of Love) and are best left to women like Shania Twain and it is difficult to understand how any woman of Cook's age could sing "Hard Hearted" or "Somebody's Got To Kiss Me" with a straight face. For this reason it is difficult to compare her to a Kasey Chambers or a Neko Case who's music seems almost deliberately anti-hook at times. In film they settle this dichotomity with the theory of A films (or Oscar/Prestige films) and B films (or popcorn movies). The idea is that it would be unfair to use the same scale to rank a movie like The Rock on the same scale as a movie like Schindler's List. Using that scale, Cook's album is a very good B album. It is to the mainstream what The Rock is to Dude Where's My Car?.
Muscles.......2005-07-01
Cook's "Moon" Is Definitely on the Country Side .......2005-06-10
Imagine if Emmylou Harris had not dabble with the New Age ethereal foray of Americana and continues to cut albums entrenched with solidly country tunes "This Side of the Moon" could be it. Coming from the same vocal school as Harris, Cook has that mellifluous vocal with that distinct brush of southern charm, minus the country veteran's weathered worn texture. Further, her girlish coy and odylic sassiness will undoubtedly bring comparisons with Kelly Willis and Dolly Parton. Penning or co-penning 12 out of these 13 tracks and with most of them nudging under 3 minutes, this Floridian native certainly is not on the verbose side. And brevity is the soul of wit here. Cook has an acerbic outlook to love and life and she captures them just right on these paeans. Every track is a perfect capsule without an ounce of fat. Compared to her 2002 Warner Brothers debut "Hey Y'all," this set is even stronger and ironically more radio savvy.
The first 6 tracks are all stellar and they are tailored made for country radio. Given the right promotion, it's not difficult to see how the sensuous country ballad "Kiss Me Again" can make a dent in the upper echelon of the Billboard charts. Assisted by some mournful sounding steel guitars, "Kiss Me Again" is a desperate plea by Cook to her paramour to give their love another try. Fetching indeed is Cook's girlish, almost fragile vocals, which gives this weeper such an inherent believability. Another charmer is the album opener "Cupid," a honky tonk imbued toe-taper that finds an infatuated Cook blaming the god of love for the euphoria of love. Love's entangling prowess is again the theme of "Here's to You." With its sing-a-long chorus framed by some ambrosial fiddling, this could be an instant scorcher in the hands of say Martina McBride or Lee Ann Womack. Less jovial is the gorgeously penned piano ballad "Before I Go That Far," which finds a frustrated protagonist making her kiss off by engaging in ménage-a-trios with her new found flame.
Also thumbs are up when it comes to the Bakersfield-infused "All We Need is Love." Though the lyrics are edged on being juvenile ("I think you're hot/You think I'm good looking/I like your muscles/You like my cooking), this Tim Carroll (Cook's hubby) tune has such an infectious melody that all is forgivable. However, Cook is not able to get away that successfully when it comes to the more bluesy tunes like "Ruthless" or "Heather Are You with Me Tonight." There's not enough grit and soul within her to tackle such numbers with conviction and credibility.
Nevertheless, if you are looking for songs that championed for neo-traditional country (a la Alan Jackson and George Strait) "This Side of the Moon" will not disappoint. Instead of drowning out the singer, the production is spot on: often subdued yet subtle enough to enhance the emotional nuances of each paean. Further, Cook's voice is a delight, in the midst of many divas who scream their heads off, Cook sings to soothe, excite and convince. And she does it with honors.
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Greatest Songs from the Musicals
Various Artists Manufacturer: Soho ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000077JS0 Release Date: 2002-10-21 |
Tracks:
- Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
- If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
- Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
- What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
- This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
- All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
- Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- America [From West Side Story] - National Symphony Orchestra
- Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
- Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
- Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
- I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
- One Song Glory [From Rent] - Sean McDermott, Martin Yates
Tracks:
- Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
- I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
- Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
- Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
- Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
- Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
- I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
- One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
- Peggy Sue [From Buddy Holly Story] - Dominic Curtis
- Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
- Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
- All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
- We Will Rock You [From We Will Rock You] - Martin Yates
Tracks:
- It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
- If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
- I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
- Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
- Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
- Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
- Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
- Quintet [From West Side Story] - National Symphony Orchestra
- I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
- Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
- If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
- Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
- Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson
Customer Reviews:
You'll be disappointed.......2006-09-02
Pretty good musical mix.......2006-03-10
Average customer rating:
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On the Wild Side
John La Barbera Big Band Manufacturer: Jazz Compass ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001BS4S8 Release Date: 2004-03-16 |
Tracks:
- Mayreh
- So What
- Tiger Of San Pedro
- Message From Art
- Walk On The Wild Side Suite
- Cachaca Gotcha
- Eleanor Rigby
- Cloth Of Silver - Threads Of Blue
- Highland Crossing
Customer Reviews:
Inspired musicianship!.......2004-11-22
Music Album:
