In his best moments on Steam, his fourth album, Alabama-raised country singer Ty Herndon powerfully conveys both frank sensuality and earnest soul-searching. In the sensuality department, Herndon serves up unbridled passion on the title tune, as he does on Randy Newman's high-energy, playfully naughty "You Can Leave Your Hat On." By contrast, on "Lookin' for the Good life" he draws a painfully honest portrait of spiritual poverty amid material plenty. "Pray for Me" is a similarly powerful, meditative statement about finding Christian strength through humility and compassion. Only now and then--on "In a New York Second" and "A Love Like That"--does Herndon succumb wholeheartedly to his chronic Achilles' heel: a weakness for musical bombast and bleating earnestness reminiscent of Michael Bolton or Garth Brooks at their most wretched and excessive. When this happens, the end result is overproduced, overperformed power-country pop ditties that are mostly glitz and smoke but little substance. --Bob Allen
Steam,Ty Herndon,Sony,Country,Country & Western,Pop
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Steam Powered Aereo-Takes
John Hartford , and John Hartford Manufacturer: Rounder Select ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005UQK2 Release Date: 2002-01-15 |
Tracks:
- Where the Old Red River Flows
- Ruff and Ready
- Blame It On Joann
- The Vamp from Back in the Goodle Days
- Emanuel Cant
- Bad Music (Is Better Than No Music At All)
- Dig A Hole
- Presbyterian Guitar
- Strange Old Man
- Lady Jane
- Oasis
- Because of You
- Morning Bugle
- John Henry
- Doin' My Time
- Keep On Truckin'
- Don't Ever Take Your Eyes Off the Game, Babe
- Howard Hughes Blues
Amazon.com
Following years of ups and downs at RCA, John Hartford moved to Warner Brothers in 1971. Working with fiddler Vassar Clements, guitarist Norman Blake, and Dobro player Tut Taylor, Hartford found his creative muse on the landmark progressive bluegrass album Aereo-Plain, issued in 1972. Hartford's quirky humor was the focus, but his deep love for traditional music served as a framework. This entrancing, occasionally off-center collection assembles selected demos, alternate takes, and unreleased material (including Taylor and Blake instrumentals) from those sessions. While he credibly tackled oldies such as "Where the Old Red River Flows" and Jimmie Skinner's "Doin' My Time," Hartford's originals made the difference. "Don't Ever Take Your Eyes off the Game, Babe," "Howard Hughes Blues," and "Strange Old Man" were good enough for release at the time. His fearlessness even extended to such obvious duds as the inane pun ditty "Emanuel Cant" and the ponderous "Blame It on Joann." However, hearing a take of "Boogie," his famous guttural chant from Aereo-Plain, dissolve into coughing and laughter can't help but bring a smile. --Rich KienzleCustomer Reviews:
Stop the presses.......2003-10-12
If you have not heard of John Hartford, start anywhere, but don't skip this one. He plays a style that is as much Uncle Dave Macon as Earl Scruggs or Don Reno, but with a serious blues/pop bent. He also displays a fine wit and a constant sense of the absurd that old hippies like myself find comforting.
Don't let the deal go down!
outtakes can be good.......2002-07-19
"outtakes" never sounded better.......2002-02-18
A reviewer here mentioned the never released "Radio John". Watch for it's release on the UK label, BMG Camden Deluxe (see their website for further info) in March 2002. Let's hope Amazon is able to deliver it in the US at a reasonable price!
Aero-Plain Flies Again.......2002-02-09
There's some new songs on here that I've never heard before. They're all great quality recodings. And there are some from other releases. For example "Back in the Goodle Days", "Because of You" and "Presbyterian Guitar" from the original Aero-Plain are on this CD. And "Howard Hughes Blues" and "Morning Bugle" from the Morning Bugle album are here too. But they are all different takes. Sometimes you won't even recognize them from their original release. But they are all absolutely great, capturing the original essence of the band in a different way.
And the liner notes by John's old friend and collaborator Bob Carlin provide a unique perspective of this group of very talented musicians.
If you're a John Hartford fan you have to own this one. John lives! Give us more!
a gift from a god of music.......2002-01-24
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Pajama Game
Manufacturer: Collectables ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005LN0M Release Date: 2001-07-10 |
Tracks:
- The Pajama Game (Opening)/Racing With The Clock - Eddie Foy, Jr./Ensemble
- I'm Not At All In Love - Doris Day/Girls
- I'll Never Be Jealous Again - Eddie Foy, Jr./Reta Shaw
- Hey There - John Raitt
- Once-A-Year Day - Doris Day/John Raitt/Ensemble
- Small Talk - Doris Day/John Raitt
- There Once Was A Man - Doris Day/John Raitt
- Steam Heat - Carol Haney/Kenneth LeRoy/Buzz Miller
- Hernando's Hideaway - Carol Haney/Ensemble
- 7 And A Half Cents - Doris Day/Jack Straw/Ensemble
- Finale - The Pajama Game ST
- The Man Who Invented Love - Doris Day
Album Description
Doris Day takes the Tony award-winning Broadway smash The Pajama Game and transforms it into one of her most memorable screen hits. This original Columbia recording captures the spirit and playfulness of the stage version with John Raitt, Eddie Foy Jr., and Carol Haney recreating their Broadway roles. Steam Heat, Hey There and Hernando's Hideaway are but a few of the show-stopping songs featured on this historic soundtrack. 11 tracks are included on this lovingly remastered edition with a bonus track, Man Who Invented Love by Doris Day with Frank DeVol and His Orchestra. 2001 reissue.Customer Reviews:
Doris Day - Perfect Casting!.......2007-05-09
Usually, Hollywood gets it wrong. They denied Ethel Merman for "Gypsy" and hired Rosalind Russell, who could not sing; they bypassed Julie Andrews for "My Fair Lady" and hired movie star, Audrey Hepburn, who also couldn't sing and Carol Lawrence was told "you're out and Natalie Wood is in" when "West Side Story" came to the screen. Natalie couldn't sing either. Marnie Nixon's voice was used for both Wood and Hepburn and Lisa Kirk's voice subbed for Russell.
With Doris Day, they got everything: a top movie star, an expert singer , a trained dancer and skilled actress. Plus, she was beautiful and took full command of the role of Babe. I just wish they had kept "The Man Who Invented Love" in the picture. I've never seen a Day musical in which she didn't have a couple of ballads of her own. In this film, they attempted to right that wrong with "Invented Love" but dropped it so that Doris could reprise "Hey There" for historical purposes. They wanted Day on film singing that legendary song.
Overall, a wonderful transition from stage to screen.
Pajama Game Movie Soundtrack.......2007-03-16
Energy To Burn.......2006-07-31
Doris Day leads cast in lively film verson of Broadway hit.......2004-02-08
Day sings it better, however the Broadway cast album has better sound as well as an overture and three songs, "A New Town is a Blue Town", "Her Is" and "Think of the Time I save" were dropped from the movie.
The soundtrack album, however, includes extended dance music from "I'll Never Be Jealous again" and "Once-a-year-day" and despite the boxy Warner Bros soundtage sound, the music is given a lively performance.
I'm only 16 and I love the movie and soundtrack.........2003-12-08
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Steam
Ty Herndon Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00002MZ2I Release Date: 1999-11-02 |
Tracks:
- Lookin' For The Good Life
- Steam
- Putting The Brakes On Time
- I Can't Do It All
- No Mercy
- In A New York Second
- That's What I Call Love
- Pray For Me
- A Love Like That
- You Can Leave Your Hat On (By The Fans' Request)
Amazon.com
In his best moments on Steam, his fourth album, Alabama-raised country singer Ty Herndon powerfully conveys both frank sensuality and earnest soul-searching. In the sensuality department, Herndon serves up unbridled passion on the title tune, as he does on Randy Newman's high-energy, playfully naughty "You Can Leave Your Hat On." By contrast, on "Lookin' for the Good life" he draws a painfully honest portrait of spiritual poverty amid material plenty. "Pray for Me" is a similarly powerful, meditative statement about finding Christian strength through humility and compassion. Only now and then--on "In a New York Second" and "A Love Like That"--does Herndon succumb wholeheartedly to his chronic Achilles' heel: a weakness for musical bombast and bleating earnestness reminiscent of Michael Bolton or Garth Brooks at their most wretched and excessive. When this happens, the end result is overproduced, overperformed power-country pop ditties that are mostly glitz and smoke but little substance. --Bob AllenCustomer Reviews:
One Question..........2005-01-22
GREAT!!!!!! .......2004-10-01
Bleghh.......2003-03-09
GOOD MUSIC BAD PERSON.......2001-02-07
A great Cd with some catchy tunes!.......2000-09-15
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Na Na Hey Hey Kiss Him Goodbye
Steam Manufacturer: Repertoire ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000DIJLW Release Date: 2003-10-08 |
Tracks:
- Na Na Hey Hey (Kiss Him Goodbye)
- I've Gotta Make You Love Me
- It's the Magic in You Girl
- Come on Home Girl
- Love and Affection
- Come on Back and Love Me
- I've Cried a Million Tears
- I'm the One Who Loves You
- One Good Woman
- New Breed, Now Generation
- Na Na Hey Hey (Kiss Him Goodbye) [Single Version][*]
- It's the Magic in You Girl [Mono Single Mix][*]
- Love and Affection [Mono Single Mix][*]
- Come on Back and Love Me [Mono Single Mix][*]
- I've Gotta Make You Love Me [Single Version][*]
- Don't Stop Lovin' Me [*]
- Do Unto Others [*]
Album Description
2003 reissue of 1970 album is packaged in a digipak & features 17 tracks including 7 bonus tracks, 'Na Na Hey Hey Kiss Him Goodbye' (Mono Single Version), 'It's The Magic In You Girl' (Mono Single Mix), 'Love & Affection' (Mono Single Mix), 'Come On Back & Love Me' (Mono Single Mix), 'I've Gotta Make You Love Me' (Mono Single Version), 'Don't Stop Lovin' Me' (Mono), & 'Do Unto Others' (Mono). Repertoire.Album Details
Digitally Remastered Edition of the Only Album from the Band that One Night Decided to Record a Song Written in 1961 that They Had Shelved for Years. The Chorus was a Simple "na Na Na Na, Na Na Na Na Na" Since They Couldn't Come Up with Lyrics for It. Their Label Heard the Recording and Jumped on it Immediately. It Climbed to the Summit of Charts around the World in 1969 and Sold Over a Million Copies in the Us Alone. Thus, Steam was Born...and This Disc Compiles all their Singles Along with Bonuses of the Mono Single Mixes plus a Couple More Tracks.Customer Reviews:
Classic album!.......2007-05-21
Get Steamed!.......2004-05-13
In some sort of arrangement that only the 70's could produce, Scott stuck around long enough to co-write all 10 songs on the album. The new story that I submit is that Scott missed out on singing some great tunes. It was his loss because he wasn't needed anyway. Four unknown singers add the required blue-eyed-soul readings of this collection of great tunes. Sitting somewhere between the Grassroots, Grand Funk (!), and the Left Banke (all good!), Steam certainly performed well under the pressure.
One thing they tried was creating a theme album based on the "Na Na, Hey Hey" refrain. This sounds silly on paper but three songs -- including the hit that leads off the set -- utilize the refrain to great effect. A casual listener may think there is simple duplication scattered throughout the album but it appears to be part of a greater attempt to tie the diverse songs together. "Na, Na, Hey, Hey, Kiss Him Goodbye" is bubblegum but "I've Gotta Make You Love Me" is reminiscent of The Parliament's "Testify" and "I've Cried A Million Tears" is an affectionate ode to The Temptations. "Love & Affection" would have made a great single as well. The song structures in all the songs are fairly complex for pop but well worth the effort I suggest you put into it. This is a pop collection that demands deeper scrutiny.
Now the pressure is on for me to decide if Steam is bubblegum or not. "Na, Na, Hey, Hey, Kiss Him Goodbye" is classic gum simply because so many people have said it is. Steam is a blue-eyed-soul review that traveled the same road as Chicago, Blood Sweat & Tears, Amazing Rhythm Aces, and so many others. And although Steam ended up having the most well-known and used song of all these like-minded groups, they were forced off the road before they had a chance to gather up more Steam. Maybe it was unfair to label them bubblegum. In hindsight it certainly seems that way.
This is where I come in and profess a sense of loss that Steam ran out of itself after one great album. Of course, I'm the guy who likes the "real" Ohio Express, so why listen to me? If you love great 70s pop, you'll work up a bit of this group and hit the Amazon.com site and buy this great CD. Otherwise, hit the showers.
(The extras on the CD nearly complete the Steam catalog. Only "What I'm Saying Is True" the b-side to "I'm The One Who Loves You" is missing.)
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Yerself Is Steam
Mercury Rev Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000028TM Release Date: 1992-10-20 |
Tracks:
- Chasing A Bee
- Syringe Mouth
- Coney Island Cyclone
- Blue And Black
- Sweet Oddysee of a Cancer Cell T' Th' Center of Yer Heart
- Frittering
- Continuous Trucks and Thunder Under a Mother's Smile
- Very Sleepy Rivers
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- Car Wash Hair
Amazon.com
Much praised in the U.K. press, this is a reissue of the 1991 debut of a highly touted Buffalo, New York, band. Somehow tuneful psychedelia cheerfully coexists with the white-noise maelstrom. --Jeff BatemanCustomer Reviews:
AWESOME.......2006-02-28
Yerself Is Steam is an album of sweeping anthemic bursts of rock that follow strange trains of thought. The opener Chasing A Bee is a symphony of skilfully applied distortion and rumbling guitar attack behind world-weary lyrics, leading up to an earthquake-like climax and then subsiding to the tune of a flute, leaving the listener breathless at its conclusion. There are also the majestic swirls of Coney Island Cyclone, the straight hard rock of Syringe Mouth and the intelligent piano, orchestral buildup and poignant lyrics of Blue And Black. Steam was a most impressive debut album that extended the boundaries of rock in daring new directions. Just be warned that this is not immediate music - it takes persistent listening to really grasp, let alone appreciate, its subleties.
Less than steamy.......2005-08-13
This is a far less appealing album, and far set apart from the sound of every album that came after it. Thick waves of fuzzy guitar and rough synth overwhelm the title track, and obscure all lines but the ominous "Remember that yerself... is... steam!" The resulting dark pop song is strangely compelling, in a weird psychedelic manner.
Unfortunately, it gets old by the fifth time you hear it. Only a few songs really deviate from that fuzzy, disconnected sound, cycling around until the songs blur together. The melodies of half the songs sound alike unless you listen to them several times, and many of them have unmelodious squeals and synth flourishes that make that hard to do.
There are a few songs that break from the mold, however. "Blue and Black" is an enchantingly ghostly melody that bursts into dark grandeur by the end; consider it a preview of what Mercury Rev later became. "Sweet Oddysee Of A Cancer Cell T' Th' Center Of Yer Heart" has the same sound as most of the other songs, but stripped down and expanded into a rich, epic soundscape.
And of course, the bonus track "Car Wash Hair," which only got tacked on with the later release, is pure beauty -- half rainy garden, half enchanting, mellow pop tune. Alas, these three alone can't overwhelm the misuse of fuzz guitar and squealing guitar.
It certainly doesn't help that Baker -- who was drummed out of the group after this album -- has a very unappealing voice. He doesn't sing, as Jonathan Donahue later did; instead, he intones in an annoying twang. He sounds like a cowboy trying to go avant-pop, and only sounds hideously out of place, especially when reduced to just yelling "Yeeeaaaahhh!" over the music.
Released four years and a band breakup before anything else Mercury Rev did, "Yerself Is Steam" is dramatically different -- and not in a good way. Instead, it sounds like the Pixies on a bad acid trip.
Tracks 1, 5, 6.......1999-08-20
I highly recommend driving through Colorado black mountains(to the west of 75) with the windows open blasting the music so the scene and sounds merge
sonic delirium.......1999-08-02
Awesome.......1999-05-17
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The Pajama Game (1954 Original Broadway Cast)
Richard Adler , Jerry Ross , John Raitt , and Janis Paige Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002521 Release Date: 1990-10-25 |
Tracks:
- Overture
- The Pajama Game/ Racing With The Clock
- A New Town Is A Blue Town
- I'm Not At All In Love
- I'll Never Be Jealous Again
- Hey There
- Her Is
- Once-A-Year-Day!
- Small Talk
- There Once Was A Man
- Steam Heat
- Think Of The Time I Save
- Hernando's Hideaway
- Seven-And-A-Half Cents
- Finale
Amazon.com
Based on the novel 7-1/2 Cents by Richard Bissell, The Pajama Game hit Broadway in May 1954 and ran over 1,000 performances. The plot revolves around a labor dispute at the Sleep-Tite Pajama Factory, with two couples (Eddie Foy Jr. and Carol Haney, John Raitt and Janis Paige) in the middle of it. The score, by Richard Adler and Jerry Ross, includes Raitt's classic ballad "Hey There" (dueting with himself as recorded on a dictation machine), the humorous "Think of the Time I Save," and "Steam Heat" and "Hernando's Hideaway," both set to memorable choreography by a Broadway novice named Bob Fosse. The following year, the Adler-Ross-Fosse team would team up again with Damn Yankees.The 2000 remastered version of The Pajama Game features vastly improved sound and bonus tracks taken from a 1954 radio show: Raitt's "The World Around Us" (dropped from the show) and Raitt and Paige's "There Once Was a Man," both with a rehearsal pianist, and Adler and Ross themselves singing "Hernando's Hideaway" with Ross at the piano. --David Horiuchi
Customer Reviews:
Just Like I Remeber When I was Young.......2006-07-27
More is less........2004-08-15
The movie retained all of the original cast leads except for Janis Paige as Babe (replaced by Doris Day.) Day sings Babe's songs better, so your choice between the cast album and the movie soundtrack will depend on whether you need the whole score or not.
As for ths reissue...once again Sony has done a first-rate job. The sound is full bodied and rich, though necessarily mono, and the package includes some well-written liner notes.
A great recording, with the best cast, but..........2004-05-03
This recording of The Pajama Game, a remastered version on the original cast, has VASTLY improved sound and some great extra tracks. Despite the new tracks, though, a lot of the score is completley missing from this recording, and a lot of the songs have been abridged, cutting out dialogue sections and a lot of dance music, like the wonderful "Jealousy Ballet" number, but the loss can be both a blessing and a curse.
The cast is the best recorded, in my opinion.
John Raitt as Sid - I'm not sure if this show was Raitt's star turn or Carousel was, but regardless, he is a fantastic talent and it really shows on this recording. His solos on this recording are superior to any other renditions. "Hey There", "A New Town Is a Blue Town", and "There Once Was a Man"(my personal favorite) are just fantastic. Great all around.
Janis Paige as Babe - Ok...she grows on you. If Paige is not singing in a more characterized voice, than she needs to be shot because she sounds like a wounded animal, BUT for the role her funky voice is very well suited. Her belt voice doesn't use much vibrato or any classical broadway norms, but her much grittier voice brings a more "real" feel to her character. "I'm Not At All In Love" is great and her comedic-like turn in "There Once Was a Man" is also fantastic.
Eddie Foy Jr. as Hines - I just recently finished performing as Hines in a production of "The Pajama Game" so I know the role well. Foy is my favorite recorded Hines, he has such a different voice and personality to his character that simply cannot be imitated. It's a shame so much of his role was cut from the movie. "I'll Never Be Jealous Again" is pleasantly comic, "Think Of The Time I Save" is cute and pleasant, and the opening is also great. An excellent performance.
Carol Haney as Gladys - Gladys is THE show stealing role of "The Pajama Game", and the underrated and underused Carol Haney stole this production way back when. Haney is cooky, lovable, and on stage, a fantastic dancer. Haney stepped into the role originally envisioned for Gwen Verdon and made it the role it is today, funny and wonderful. Haney sings two of the show's classics, "Steam Heat"(the best recorded), and "Hernando's Hideaway" both totally wonderful.
Stanley Prager as Prez - A really great performance. Prager gives a rough, growling voice to Prez and it comes off as a great perfomance. "Her Is" is great, as is "Seven and A Half Cents"(although Prager's voice humorously cracks in mid-verse). A good performance.
Reta Shaw as Mabel - Can't pull off a cute and perverted old lady any other way. Shaw's performance is solid in "I'll Never Be Jealous Again" with Foy. Pleasant to listen to.
Well, all in all, this recording, though very abridged, has the best cast and is just as good as a choice for a recording of the show. Both is better, but for casual and curious listeners, this one beats the London cast. For those who really want the full score, go London. If I had to pick the superior, I would very reluctantly choose this one(reluctantly, due to the abridged score and Ms. Paige. One thing is for sure, every theater lover must own a copy of this wonderful show.
Excellent musical...one of the best.......2003-05-28
I also have to _deeply_ disagree with Mr. Stuart Howard, and to suggest that he in fact has no idea what he is talking about. All the musicals he said were "more important" than the Pajama Game only seem that way because they have been revived time and again. "Pajama Game" simply had the bad luck to become hopelessly dated due to cultural changes, and thus nearly impossible to revive successfully. Still, I personally think "Hernando's hideaway" and "Think of the time I save" still qualify as modern classics, and certainly it's hard to argue that "Once-a-year-day" hasn't been absorbed into our cultural consciousness.
As for Ms. Paige, I _love_ her cynical, witty delivery and extremely unique voice and style of singing, and I tend to believe that anyone who can't see her appeal has, to be blunt, outlandishly poor taste in music.
I love the Pajama Game, and, incidentally, I _highly recommend this CD. John Raitt's voice is a little cold, but it is also amazingly beautiful. The three comedy relief roles will all have you howling, Janice Paige is, as stated before, a genius, and unlike in my musicals, the songs will give you a sufficient idea of not only the story, but the characters...and "The Pajama Game" has deeper and more complex characters than any of the other old-fashioned musical comedies I can think of.
The Cat's Pajamas.......2003-02-18
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Sony Classical: Great Performances 1903-1998
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000K2EX Release Date: 1999-10-12 |
Tracks:
- Il Barbiere di Siviglia: 'Largo Al Factotum'
- Mazurka In G Major, 'Obertass,' Op.19, No.1
- Contrasts For Violin, Clarinet And Piano: II. 'Piheno'
- String Quartet In C Minor, Op.18, No.4: IV. Allegro - Prestissimo
- Bachiana Brasileira No.5: Aria - Cantilena
- Violin Concerto In E Minor, Op. 64: Allegro Molto Vivace
- Rigoletto: 'La Donna E Mobile'
- String Quartet No.4: II. Prestissimo, Con Sordino
- Carnival Of The Animals: 'Fossils'
- Concerto For Violin And Orchestra: III. Rondo. Allegro Spirituoso
- Le tombeau de Couperin: I. Prelude
- Hermit Songs: 'The Desire For Hermitage'
- Variation 30 A 1 Clav. Quodlibet
- From 'Goldberg' Variations: Aria
- The Threepenny Opera: 'Mack The Knife'
- Symphony No. 36 In C Major, K. 425 'Linz': III. Menuetto - Trio
- Piano Concerto No. 21 In C Major: III. Allegro Vivace Assai
- Symphonie espagnole In D Minor, Op. 21: V. Rondo (Allegro)
- 'Battle Hymn Of The Republic'
- Madama Butterfly: 'Un Bel Di'
Tracks:
- Le Sacre du printemps: 'Danse Sacrale'
- El Amor Brujo: 'Ritual Fire Dance'
- Rodeo (Four Hour Dance): 'Hoe-Down'
- Fugue In G Minor, BWV 578 'Little'
- The Well-Tempered Clavier, Book I: Prelude No. 1 In C Major, BWV 846
- Syphony No. 8 In F Major, Op. 93: II. Allegretto Scherzando
- Slavonic Dance No. 8 In G Minor, Op. 46
- Symphony No.2 In C Minor 'Resurrection': IV. 'Urlicht'
- Chichester Psalms: I. Psalm 108
- Octet In E-Flat Major, Op.20: III. Scherzo: Allegro Ieggierissimo
- Etude In C-Sharp Minor, Op. 2, No.1
- Etude In A-Flat Major, Op. 72, No.11
- Concierto de Aranjuez: I. Allegro Con Spirito
- Karelia Suite, Op.11: III. Alla Marcia. Moderato
- Canzon Septimi Toni No.2
- Fanfare For The Common Man
- 'Beau Soir'
- Suite For Flute And Jazz Piano: 'Baroque And Blue'
- Piano Concerto No. 20 In D Minor, K. 466: III. Rondo. Allegro Assai
- Daphnis et Chloe: 'Danse Generale'
Tracks:
- Eubie's Classical Rag
- Intermezzo In B Minor, Op. 119, No. 1
- III. Alegro
- Behind The Gardens - Behind The Wall - Under The Tree
- Perhaps Love
- Facades
- O mio babbino caro
- Passo pel prat
- III. Finale. Allegro
- I. Allegro
- Promenade (Walking The Dog)
- Sonata No.5 In D Major For Cello And Piano: III. Alegro fugato
- Turangalila II
- IV. Rondo alla Zingarese. Presto
- Mazurka In C Minor , Op. 56, No.3
- String Quartet In D Minor, Op. 56 'Voces intimae': II. Vivace
- Ch'ella mi creda libero e lontano
Tracks:
- Main Theme From Star Wars
- Andante
- Salut d'amour, Op. 12
- Minuet
- Appalachia Waltz
- Appalachia Waltz
- Gershwin,
- All The Delights Of The Season
- Steam Engine
- Summon The Heros
- Prelude To Suite No. 1 In G Major
- Brunnhilde's Battle Cry
- Sonata In A Major
- A Suite For Strings: The Murder
- Flight Of The Bumblebee
- Prelude To Suite No. 3 IN E
- Libertango
- Angel (Lust)
- Theme From Schindler's List
- I. Allegro ben ritmato e deciso
- La donna e mobile
- Gymnopedie No. 3
- Song Of Peace
Customer Reviews:
What I Bought From Sony Companies.......2005-08-20
I list these because I am trying to figure out what of value is in the Columbia, CBS, and Sony sound legacy in case they come back to the U.S. and revive classical music recording in this country.
Duane Crawford
Strange interpretation of "classical".......2005-01-17
I gave the CD 4 stars only because I was happy that I was able to find a few somewhat rare tracks.
An interesting mix..........2002-05-18
While I find some tracks divine (Williams's _Schindler's List_), I find other tracks unsettling (_Beau Soir_ performed by Barbra Streisand). But when you are trying to span 100 years of music, you will (and should) encounter all tastes and styles. Overall, I really enjoy listening to this set. My only regret is that I don't have a CD changer...
A touch of history...........2002-01-28
A touch of history...........2002-01-28
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Am Gold: 60's Generation
Various Artists Manufacturer: Time Life Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B74W4M Release Date: 2004-02-23 |
Product Description
22 TRACKS!!!Customer Reviews:
'AM Gold: The '60's Generation' (Time Life Music) Various Artists.......2006-10-10
Full tracks.......2006-01-04
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Forbidden Broadway 2001: A Spoof Odyssey
Manufacturer: Drg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000584UL Release Date: 2001-02-13 |
Tracks:
- Forbidden Broadway 2001: Another Op'nin, 'Another Show
- Futuristic Stewardess/Usherette: Come Fly With Me
- Judi Dench: Why Can't The English?
- Trouble In New Tork City: Trouble
- The Music Man Revival 2001: Till There Was You
- Cole Porter: You're The Top/From The Moment On
- Kiss Me, Kate Revival 2001: Wunderbar
- I Hate Ben - Marin Mazzie: I Hate Men
- Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
- Miss Saigon Farewell: Why God Why?
- Saturday Night Fiasco: Stayin' Alive
- Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
- Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
- Let's Run Times Square Again: Let's Do the Time Warp Again
- Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
- Beauty's Been Decreased: Beauty And The Beast
- Being Lupone: Being Alive
- Sondheim's Blues: Buddy's Blues
- Streisand's Farewell Tour: Happy Days Are Here Again/Mame
- Les Miz 2001 - Edith Piaf/Milord
- Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
- Elaborate Sets (Aida Cont.): Elaborate Lives
- Angela Lansbury: I Don't Want To Know
- The Full Monty: Let It Go
- 76 Hit Shows: 76 Trombones
- Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
- Joseph And The Amazing High 'C': Any Dream Will Do
Customer Reviews:
As Always, Hilarious.......2007-05-03
Spoof Odessey worth the laughs!.......2002-04-14
Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.
Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)
The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!
better to be "Lost in Space".......2001-12-31
While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.
While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.
If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.
The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.
Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.
Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.
Stretched Thin.......2001-03-26
The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.
The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.
The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.
The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.
I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.
The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.
Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.
Do the Math.......2001-03-15
Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.
Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.
When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large
Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too
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Steam (Hamam: The Turkish Bath) - Original Motion Picture Soundtrack
Faisal Taher , Transcendental , Rosie Wiederkehr , and Agricangus Manufacturer: Hearts of Space ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000HZMJ Release Date: 1999-01-26 |
Tracks:
- Hamam
- IIk Uyku
- Mahalle
- Gece Ziyareti
- Iptal
- Dunya
- Gizli Zaman
- Bu Aksam Butun Meyhanelerini Dolastim Istanbulun
- Ikinci Mektup
- Disiu
- Hamam (Bosphorous Version)
- Omuzdaki El
- Tavla
- Hastane
- Francesco Nun Sonu
- Sadaka
- Istanbul Uyurken (Humam)
- Istanbul Uyurken (Hamam Trance Version)
Amazon.com
Steam is the original soundtrack of a Turkish film using the music of two Genoese composers, Aldo De Scalzi and Pivio, who go by the name of Transcendental. The sound of Transcendental is a contemporary fusion of vibrant world music, religious rites, and current technology. Using traditional influences derived from Sufi trance ceremonies along with shimmering electronics, Middle Eastern percussion, and impassioned vocals, Transcendental's distinctive ethno-ambient electronica is both exotic and deeply compelling. A progressive excursion into modern trance music, Steam's soundtrack integrates new and old instruments with Turkish, Italian, and Asian melodies. With hypnotic percussion, weeping violin, and a seductive-sounding stick bass all worked into the mix, this disc is a lush and romantic collection that can transport the listener to an enchanting musical milieu. --Mitch MyersCustomer Reviews:
great music.......2007-01-10
Amazing and hypnotic.......2004-06-11
Perfect Blend.......2004-04-27
This one is nice!.......2002-12-15
A long waited-for contestant to Peter Gabriel's Passion?.......2002-01-02
Music Album:
