| Disc: 1 |
| 1. Oh You Pretty Woman |
| 2. Garbage Man Blues |
| 3. Joe Turner Blues [Instrumental] |
| 4. Brownies Stomp [Instrumental] |
| 5. Do the Hula Lou |
| Disc: 2 |
| 1. St. Louis Blues |
| 2. Brownie Special |
| 3. Copenhagen [Instrumental] |
| 4. Chinatown My Chinatown |
| 5. Wabash Blues |
| Disc: 3 |
| 1. Going Up Bushy Fork [Instrumental] |
| 2. Beale Street Mama |
| 3. Sheik of Araby |
| 4. Mexicali Rose |
| 5. Somebody's Been Using That Thing |
| Disc: 4 |
| 1. Sadie Green (The Vamp of New Orleans) |
| 2. Show Me the Way to Go Home |
| 3. Yellow Rose of Texas |
| 4. Roseland Melody |
| 5. My Galveston Gal |
Editorial Reviews
Product Description:
With his Musical Brownies, Milton Brown was one of the first musicians to combine jazz, blues, & country music to come up with the exciting musical hybrid that was western swing. Milton Brown & his Musical Brownies will always remain the original source that informed this music, he was the true daddy of the genre. 106 slices of the man's art are on four CDs. Includes 60-page booklet. Proper. Standard jewel cases housed in a box. 2003.
Bob Wills and Milton Brown were extremely close friends once they met in Fort Worth around 1929. They played and recorded together in one band with a variety of names until that band got the name Light Crust Doughboys because they were directly employed by The Burriss flour mill. In 1932, Milton and his brother Durwood left the Light Crust Doughboys because Burris Mills manager W. Lee "Pappy" O'Daniel (who like the character of the same name in "O Brother" became governor of Texas, not Mississippi) did not allow members of the Doughboys to do side gigs. The Browns need the side gigs to help support older relatives, whereas Wills couldn't leave O'Daniel because he had gotten a number of relatives working in the flour mill who would have been fired if he had left O'Daniel.
Wills and Milton Brown remained close friends after Brown set up his own group. Unlike the Doughboys, the new band features a pianist, a stride and jazz pianist named Papa Calhoun. It also featured a great standup bass player who played jazz style, rather than the bowed bass style then played by string band bassists. The twin fiddle style that became standard in Western Swing was born with the musical brownies. Often overlooked by those who don't know Brown, was the great never equalled and completely original steel guitar work of Bobby Dunne.
The Brownies were a tighter band musically than the Playboys were at least until the late 30s when when the efforts of ace musician and arranger guitarist Eldon Shamblin, and Wills' ability to hire better musicians with more money and noteriety. The singing on these records by Brown sometimes harmonized by band members is extraordinary.
To be sure, Brown's style is more jazz-oriented than Wills band, smoother, and Brown's singing is closer to Black jazz, than the crooning that the great Tommy Duncan had with Wills. Brown is also very closely influenced by Hokum Jazz players like the Washboard Rhythm Kings, several of whose tunes Brown covered very closely.
However, you can see a lot of similarity in both bands, usually in material that Brown recorded earlier than Wills that both groups did that show rather common interests. You had the sense that these were two close pals who listened to records together and shared recordings of people that they liked together.
Two particular influences both groups had were the jazz singers and last of the minstrel stars Emment Miller whose version of Right or Wrong the Brownies recorded first, as well as in a number of songs done learned from the Mississippi Sheiks such as Corrina, Corrina and Sitting on Top of the World.
In these cases, while anyone with ears should love the versions Wills cut of those songs, the Brownies versions of the songs were more lively, swinging, and seem more original, whereas Will's versions especially of Sitting on Top of the World seem quite close to what the Sheiks did not just in his initial recording in the 1930s but on up to his last recording for Liberty in 1960s (with Vicki Carr singing backup and viola player from the Lawrence Welch band in the fiddle section!).
Brown is a lot of fun in a smoother, more sophisticated way than the early Wills.
One reason this collection is so cheap is that it is essentially a pirated version done from individual records, not masters, and those in contact with the heirs of Milton Brown have announced they plan to sue them over this.
A much better edition authorized by Brown's family and with better pictures, recordings from masters, and many other goodies with the full Brownies discography is available in 5-CD Box Set Milton Brown set on TEXAS ROSE RECORDS. Buy that.
FAO the reviewer who claims that the Brownies are not western siwng.
Milton Brown and His Brownies were the best band of their time and Brown deserves to be recognized as the true "inventor" of western swing. He and Bob Wills performed together in the orginal Light Crust Doughboys-- Brown went out on his own and put together his great band and changed everything.
His untimely death was both a great loss and a gift as the members of his band went their separate ways and created their own excellent groups.
If you don't know anything about Western Swing, or are apt to claim that anything that doesn't sound like Bob Wills isn't western swing, I'd suggest you start with a compiliation or two. There are a few wonderful short compiliations of the Musical Brownies that are available for people short on cash. Origin Jazz Library offers a very good one.
If you want an introduction to a variety of western switg or just want to listen to some really good music, check out some of the great compiliations from the Origin Jazz Library, Proper, and, especially, Krazy Kat labels (best, most informative liner notes anywhere).
But for my money the best compilation is Fremeaux & Assoc. FA 032 Western Swing -- Texas 1928-1944. Not cheap. But IMHO, still the best introduction out there.
With his Musical Brownies, Milton Brown was one of the first musicians to combine jazz, blues, & country music to come up with the exciting musical hybrid that was western swing. Milton Brown & his Musical Brownies will always remain the original source that informed this music, he was the true daddy of the genre. 106 slices of the man's art are on four CDs. Includes 60-page booklet. Proper. Standard jewel cases housed in a box. 2003.
Daddy of Western Swing,Milton Brown and His Musical Brownies,Proper Box UK,Country,Country & Western,Country/Bluegrass,Leader,Pop,Western Swing
Average customer rating:
|
Daddy of Western Swing
Milton Brown and His Musical Brownies Manufacturer: Proper UK Boxed Sets ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000918PM Release Date: 2003-05-05 |
Tracks:
- Oh You Pretty Woman
- Garbage Man Blues
- Joe Turner Blues [Instrumental]
- Brownies Stomp [Instrumental]
- Do the Hula Lou
- My Precious Sonny Boy
- Swinging on the Garden Gate
- Four Five or Six Times
- Get Along Cindy
- Where Have You Been So Long Corrine
- Girl of My Dreams
- Talking About You
- Loveland and You
- Take It Slow and Easy
- Sitting on Top of the World
- This Morning This Evening So Soon
- Trinity Waltz [Instrumental]
- Loveless Life
- Sweet Jennie Lee
- Object of My Affection
- I Love You
- Pray for the Lights to Go Out
- Put on Your Old Grey Bonnet
- In el Rio Grande
- Good Man Is Hard to Find
- Down by the O-H-I-O
Tracks:
- St. Louis Blues
- Brownie Special
- Copenhagen [Instrumental]
- Chinatown My Chinatown
- Wabash Blues
- Some of These Days
- Who's Sorry Now
- Just a Dream
- Cheesy Breeze [Instrumental]
- Beautiful Texas
- House at the End of the Lane
- In the Shade of the Old Apple Tree
- Shine on Harvest Moon
- Love in Bloom
- My Mary
- You're Tired of Me
- Wheezie Anna
- One of Us Was Wrong - Milton Brown & His Brownies
- You Rascal You
- Sweet Georgia Brown
- You're Bound to Look Like a Monkey
- Dark Town Strutters Ball
- Taking Off [Instrumental]
- Black and White Rag [Instrumental]
- Crafton Blues [Instrumental]
- Little Betty Brown
Tracks:
- Going Up Bushy Fork [Instrumental]
- Beale Street Mama
- Sheik of Araby
- Mexicali Rose
- Somebody's Been Using That Thing
- Mama Don't Allow It
- I've Got the Blues for Mammy
- Texas Hambone Blues
- Eyes of Texas
- Easy Ridin' Papa
- Stay on the Right Side
- If You Can't Get Five Take Two
- Cielito Lindo (Beautiful Heaven)
- Waltz You Saved for Me - Milton Brown & His Brownies
- I Had Someone Before I Had You
- Am I Blue
- Our Baby Boy
- Under the Double Eagle
- Washington and Lee Swing
- Wheel on the Wagon Is Broken
- Memphis Blues
- Somebody Stole My Gal
- When I'm Gone Don't You Grieve
- Hesitation Blues
- Sweetheart of Sigma Chi
- Old Watermill by a Waterfall
- Avalon
Tracks:
- Sadie Green (The Vamp of New Orleans)
- Show Me the Way to Go Home
- Yellow Rose of Texas
- Roseland Melody
- My Galveston Gal
- Yes Sir
- Golondrina
- When I Take My Sugar to Tea
- Song of the Wanderer
- Right or Wrong
- Chinese Honeymoon
- Alice Blue Gown
- Fan It
- Tired of the Same Thing All the Time
- I'll String Along With You
- Goofus - Milton Brown & His Brownies
- Ida Sweet as Apple Cider - Milton Brown & His Brownies
- When It's Harvest Time Sweet Angeline
- Carry Me Back to the Lone Prairie
- Thousand Goodnights
- Keep a Knockin'
- Baby Keeps Stealin'
- Old Grey Mare
- Bring It on Down to My House Honey [*]
- High Geared Daddy [*]
- Honky Tonk Blues [*]
- Louise Louise Blues [*]
Album Description
With his Musical Brownies, Milton Brown was one of the first musicians to combine jazz, blues, & country music to come up with the exciting musical hybrid that was western swing. Milton Brown & his Musical Brownies will always remain the original source that informed this music, he was the true daddy of the genre. 106 slices of the man's art are on four CDs. Includes 60-page booklet. Proper. Standard jewel cases housed in a box. 2003.Album Details
With his Musical Brownies, Milton Brown was One of the First Musicians to Combine Jazz, Blues and Country Music to Come Up with the Exciting Musical Hybrid that was Western Swing. Milton Brown and his Musical Brownies Will Always Remain the Original Source that Informed this Music, He was the True Daddy of the Genre. 106 Slices of the Man's Art Are Included and the 60 Page Booklet Details Why He was Such a Musical Pioneer.Customer Reviews:
Stars but buy the authorized collection.......2007-01-13
Bob Wills and Milton Brown were extremely close friends once they met in Fort Worth around 1929. They played and recorded together in one band with a variety of names until that band got the name Light Crust Doughboys because they were directly employed by The Burriss flour mill. In 1932, Milton and his brother Durwood left the Light Crust Doughboys because Burris Mills manager W. Lee "Pappy" O'Daniel (who like the character of the same name in "O Brother" became governor of Texas, not Mississippi) did not allow members of the Doughboys to do side gigs. The Browns need the side gigs to help support older relatives, whereas Wills couldn't leave O'Daniel because he had gotten a number of relatives working in the flour mill who would have been fired if he had left O'Daniel.
Wills and Milton Brown remained close friends after Brown set up his own group. Unlike the Doughboys, the new band features a pianist, a stride and jazz pianist named Papa Calhoun. It also featured a great standup bass player who played jazz style, rather than the bowed bass style then played by string band bassists. The twin fiddle style that became standard in Western Swing was born with the musical brownies. Often overlooked by those who don't know Brown, was the great never equalled and completely original steel guitar work of Bobby Dunne.
The Brownies were a tighter band musically than the Playboys were at least until the late 30s when when the efforts of ace musician and arranger guitarist Eldon Shamblin, and Wills' ability to hire better musicians with more money and noteriety. The singing on these records by Brown sometimes harmonized by band members is extraordinary.
To be sure, Brown's style is more jazz-oriented than Wills band, smoother, and Brown's singing is closer to Black jazz, than the crooning that the great Tommy Duncan had with Wills. Brown is also very closely influenced by Hokum Jazz players like the Washboard Rhythm Kings, several of whose tunes Brown covered very closely.
However, you can see a lot of similarity in both bands, usually in material that Brown recorded earlier than Wills that both groups did that show rather common interests. You had the sense that these were two close pals who listened to records together and shared recordings of people that they liked together.
Two particular influences both groups had were the jazz singers and last of the minstrel stars Emment Miller whose version of Right or Wrong the Brownies recorded first, as well as in a number of songs done learned from the Mississippi Sheiks such as Corrina, Corrina and Sitting on Top of the World.
In these cases, while anyone with ears should love the versions Wills cut of those songs, the Brownies versions of the songs were more lively, swinging, and seem more original, whereas Will's versions especially of Sitting on Top of the World seem quite close to what the Sheiks did not just in his initial recording in the 1930s but on up to his last recording for Liberty in 1960s (with Vicki Carr singing backup and viola player from the Lawrence Welch band in the fiddle section!).
Brown is a lot of fun in a smoother, more sophisticated way than the early Wills.
One reason this collection is so cheap is that it is essentially a pirated version done from individual records, not masters, and those in contact with the heirs of Milton Brown have announced they plan to sue them over this.
A much better edition authorized by Brown's family and with better pictures, recordings from masters, and many other goodies with the full Brownies discography is available in 5-CD Box Set Milton Brown set on TEXAS ROSE RECORDS. Buy that.
This is Western Swing.......2006-02-22
FAO the reviewer who claims that the Brownies are not western siwng.
Milton Brown and His Brownies were the best band of their time and Brown deserves to be recognized as the true "inventor" of western swing. He and Bob Wills performed together in the orginal Light Crust Doughboys-- Brown went out on his own and put together his great band and changed everything.
His untimely death was both a great loss and a gift as the members of his band went their separate ways and created their own excellent groups.
If you don't know anything about Western Swing, or are apt to claim that anything that doesn't sound like Bob Wills isn't western swing, I'd suggest you start with a compiliation or two. There are a few wonderful short compiliations of the Musical Brownies that are available for people short on cash. Origin Jazz Library offers a very good one.
If you want an introduction to a variety of western switg or just want to listen to some really good music, check out some of the great compiliations from the Origin Jazz Library, Proper, and, especially, Krazy Kat labels (best, most informative liner notes anywhere).
But for my money the best compilation is Fremeaux & Assoc. FA 032 Western Swing -- Texas 1928-1944. Not cheap. But IMHO, still the best introduction out there.
Disappointing.......2005-09-21
Oh Daddy!.......2004-02-18
Music Album:
