Bluegrass guitar doesn't get any better than Norman Blake and Tony Rice, who, along with Clarence White, remain the greatest of Doc Watson's flat-picking disciples. On this 1987 record of 14 duets, Blake and Rice show themselves to be complete musicians, not merely picking machines. Sure, there are a plethora of mind-blowing licks, but they also add some heartfelt vocals and delicate ballads into the mix. Much of the record consists of traditional fiddle tunes reworked for guitar, but the pair also include three Blake originals plus an eclectic assortment of covers ranging from Bill Monroe to the Delmore Brothers to Gordon Lightfoot. Guitarists will want to take notes, but all listeners will find the record consistently charming. --Marc Greilsamer
Blake & Rice,Norman Blake With Tony Rice,Rounder / Pgd,Bluegrass,Country,Country & Western,Neo-Traditional Folk,Pop,Progressive Bluegrass,Traditional Bluegrass
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Legally Blonde (2007 Original Broadway Cast)
Manufacturer: Ghostlight ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R7I3NW Release Date: 2007-07-17 |
Tracks:
- Omigod You Guys
- Serious
- What You Want
- Harvard Variations
- Blood in the Water
- Positive
- Ireland
- Ireland (Reprise)
- Serious (Reprise)
- Chip on My Shoulder
- So Much Better
- Whipped into Shape
- Take It Like a Man
- Bend and Snap
- There! Right There!
- Legally Blonde
- Legally Blonde Remix
- Find My Way/Finale
Amazon.com
Like Wicked, this show is a girl-friendly extravaganza; the main difference--and it's a big one--is that the score of Legally Blonde is better. Based on the hit Reese Witherspoon movie, the zippy, frothy show tells the story of SoCal, pink-loving sorority girl Elle Woods, who enrolls at Harvard Law and goes on to prove that appearances can be deceiving. The opening number, "Omigod You Guys," gives an idea of what the Broadway-pop score by Laurence O'Keefe (Bat Boy--The Musical) and Nell Benjamin is up to, embracing its over-the-top cheer with goofily infectious energy. Sure, a couple of numbers feel a bit derivative (the show with the witches has "Popular," this one has "Positive"), and the Celtic detour ("Ireland") is rather puzzling, but overall the songs are firing on all cylinders. Just check out the use of a marching band on "What You Want" for instance. Laura Bell Bundy (Amber von Tussle in Hairspray) is a charming Elle, and she delivers numbers such as "So Much Better" with the requisite elan. But this is not a one-woman show, and Bundy is surrounded by a crack team, including the endearing Christian Borle as Elle's love interest Emmett, power-piped Orfeh as hairdresser Paulette and up-and-comer Leslie Kritzer as Delta Nu's Serena. --Elisabeth VincentelliCustomer Reviews:
Much Better Than I Thought It Would Be..........2007-07-19
When I first listened to it, two shows came to mind, Wicked and The Wedding Singer. This soundtrack is a combination of those two shows, almost exactly, in my mind. The marketing and target demographics are similar to Wicked, so there should be no doubt there. It took a very similar path as The Wedding Singer, even hiring the same "bad guy" with Richard H. Blake playing that role well in both productions, although drastically overshadowed in both.
For the role of Elle Woods, they went to Wicked and took Laura Bell Bundy, who was the understudy to Kristin Chenoweth in the role of Glinda. Seeing as how it is easily believable that Glinda could have been a Delta Nu, they also dipped back into the Wicked pool and hired Annaleigh Ashford to play Margot. They played the Delta Nu sisters in throughout the show, making them, on the whole, basically an additional character in the cast.
The CD isn't perfect. Some of the songs are a little tedious. I could have done without Ireland (let alone a reprise of it), or Whipped Into Shape. However, the pluses far outweigh the negatives on this album. The very first number is an engaging, almost obnoxiously upbeat song entitled "Omigod You Guys" and it plays perfectly to set the tone. Christian Borle provides a nice steadying influence in the musical, making sure that it doesn't get too far out of hand and the chemistry between the two sounds excellent on songs like "Chip On Her Shoulder", "Take It Like A Man", and "Legally Blonde" which is a particularly emotional number in the production.
This show is more than just the light fluff of The Wedding Singer, without quite reaching the meaning or appeal of Wicked, but still entirely worth the buy and without a doubt worth listening to.
This Much Fun Shouldn't Be Legal.......2007-07-18
Unlike last year's big pop musical, The Wedding Singer, the score is uniformly excellent. From the high energy opening, "Omigod You Guys" to the great closer "Find My Way/Finale", the score is peppy, catchy, and as optimistic as sunny day in spring. Some of the standout tunes inclued "Ireland", a wistful song of longing, "Much Better", the explosive Act I finale, "Blood in the Water" a dark, jazzy number extolling Callahan's moral views (or lack thereof), and "What You Want" Elle's Harvard preparation montage. Of special note is the title song, "Legally Blond", which defied all of my expectations. I was expecting something of a big showstopping number broadly defining the moral of the show. What we get is a hearbreaking ballad from Elle, and what is arguably one of the most beatiful numbers from the show. Then the remix/reprise of the title number delivers the expected goods in a finger snapping, toe tapping, smile inducing showstopper worthy of some of Herman's biggest crowd rousers.
The cast is equally as great as the score, and they are all so equally good that even Laura Bell Bundy has problems standing out, but stand out she does, displaying an impressive set of pipes while belting her heart out. Orfeh shows an equally amazing voice as hairdresser Paulette, and Christian Borle makes for a very sweet, caring Emmett.Michael Rupert even has a deliciously amoral turn as Professor Callahan. The ensemble is strong, and blends well with each other, and also gets to act as a Greek Chorus of voices in Elle's head at times.
According to some sources, the book for this show is a tad weak, and considering the source material it isn't too surprising, but it would have to be weak beyond reason to bring down the sheer energy that the musical numbers exude. The music and lyrics are deep enough to get the message across, without sounding stilted or out of place within the music, and they don't come across as trying too hard to sound poetic (I'm talking to you Spring Awakening...). All in all,it is definetely one "Elle" of a show.
Fun, Fun, Fun, and More Fun!!!!!!!!!!!!!!!!!!!!!!! This is what Broadway is About.......2007-07-17
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Pirates Of The Caribbean: At World's End
Manufacturer: Walt Disney Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000P0J02E Release Date: 2007-05-22 |
Tracks:
- Hoist the Colours
- Singapore
- At Wit's End
- Multiple Jacks
- Up Is Down
- I See Dead People In Boats
- The Brethren Court
- Parlay
- Calypso
- What Shall We Die For
- I Don't Think Now Is the Best Time
- One Day
- Drink Up Me Hearties
Amazon.com
The music for this third chapter in the Pirates of the Caribbean franchise is a traditional, efficient action score that, due to the film's setting, occasionally incorporates light Asian touches. The popularity of Hans "Long John" Zimmer (all the credits in the CD's liner notes include pirate-themed nicknames, like the roll call in a Simpsons Halloween episode) isn't in doubt--he sure is one in-demand composer--but afficionados are divided about his artistic worth, and this score isn't about to reconcile them. Some think that Zimmer relies too much on his stable of composers and sticks to tried-and-true recipes; others admire his capacity to weave themes in and out of cues, creating a whole made of subtly interrelated parts. At World's End feeds both camps: Seven of his collaborators are credited with writing "additional music," and the album feels by-the-numbers at times; but those inclined to listen very closely will be rewarded by the way Zimmer sneaks in bits of two main melodies (especially variations on the first track, a pirate theme titled "Hoist the Colours" and cowritten by director Gore Verbinski) throughout. The use of electronics is so light as to be almost undetectable, which will please fans of a more organic orchestral sound. --Elisabeth VincentelliCustomer Reviews:
Wow.......2007-07-17
Movie Soundtrack Review.......2007-07-16
Get on the freeway, roll down the windows and DRIVE!.......2007-07-16
If you gotta' travel the road to work, school, etc.
or you gotta' run errands or you are just in the
mood to GO -
Well, get in the car, get on the road, stick in this CD,
roll the windows all the way down, turn up the sound,
and DRIVE!
Have a ball!
AHOY!.......2007-07-14
Pirates Of The Caribbean:At World's End CD.......2007-07-13
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Pirates Of The Caribbean: The Curse Of The Black Pearl
Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000A1RJI Release Date: 2003-07-22 |
Tracks:
- Fog Bound
- The Medallion Calls
- The Black Pearl
- Will and Elizabeth
- Swords Crossed
- Walk the Plank
- Barbossa Is Hungry
- Blood Ritual
- Moonlight Serenade
- To the Pirates' Cave!
- Skull and Crossbones
- Bootstrap's Bootstraps
- Underwater March
- One Last Shot
- He's a Pirate
Amazon.com
Loosely based on the popular Disney theme park audio-animatronic ride, one might expect a modicum of good-natured "Yo-ho-ho-ing"--or maybe a little rousing Korngold/Errol Flynn/Captain Blood orchestral romanticism--here. Instead composer Klaus Badelt initially entices us with some sparing Celtic folk charm, then unleashes a furious broadside of symphonic and choral thunder to rival his ominous score for K-19. The composer's fellow German mentor is an obvious influence throughout (the album is credited with a wink as "Score overproduced by Hans 'Long John' Zimmer") but Badelt brings his own muscular instincts to bear throughout. Perhaps shrewdly realizing that genre cliches are nothing if not for reinventing, Badelt delivers his rhythmically nervous Eurocentric sensibilities--sort of Holst duels Shostakovich on the Spanish Main--with the subtlety of a scorching cannonball. It's seasoned with a little romantic respite in the final act, if a bit gingerly, and could no doubt profit by some of Korngold's sparkling melodic verve. But it's a loud, unabashed Summer Blockbuster score at heart; alert the neighbors. --Jerry McCulleyCustomer Reviews:
Music review Pirates of the Caribbean.......2007-07-18
Great music.......2007-07-08
This soundtrack will make you feel like a pirate.......2007-07-07
yes, all true, but the sound!!!.......2007-06-28
Secret - listen for hints of Gladiator and Mission Imossible. He helped with those films - maybe they are little inside jokes?
awesomee.......2007-06-21
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Pure BS
Blake Shelton Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NVIXGO Release Date: 2007-05-01 |
Tracks:
- Can't Be Good
- Don't Make Me
- The More I Drink
- I Don't Care
- She Don't Love Me
- Back There Again
- It Ain't Easy Bein' Me
- What I Wouldn't Give
- I Have Been Lonely
- She Can't Get That
- The Last Country Song
Amazon.com
A few new wrinkles mark this attempt to elevate Blake Shelton from promising hitmaker into the upper echelon of country hunks. While veteran producer Bobby Braddock, who has previously served as Shelton's studio mentor, handles four tracks, Brent Rowan and Paul Worley give more edge and sheen to some of the others. The closing "The Last Country Song," an anti-sprawl anthem, features brief cameos from George Jones and Jon Anderson. And Shelton collaborates on the writing of three key tracks, including the harder-rocking, hicker-than-thou "This Can't Be Good," the kickoff track. Yet Shelton's strength remains his ability to balance romantic balladry--such as "I Don't Care," which employs the same phone-call reversal as his "Austin" breakthrough"--with good-ol'-boy honky-tonk ("The More I Drink"). And his rendition of Chris Knight's "It Ain't Easy Bein' Me" highlights the selection of consistently strong material. --Don McLeeseCustomer Reviews:
pure bs.......2007-06-26
Album for Bitter Boys.......2007-06-24
Buy the album.......2007-06-12
The truest country artist around today.......2007-06-09
Brilliant Songs.......2007-06-08
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Amputechture
The Mars Volta Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GPI1BO Release Date: 2006-09-12 |
Tracks:
- Vicarious Atonement
- Tetragrammaton
- Vermicide
- Meccamputechture
- Asilos Magdalena
- Viscera Eyes
- Day Of The Baphomets
- El Ciervo Vulnerado
Customer Reviews:
TMV.......2007-07-05
Before you base your judgment of this CD soley in comparison to any of The Mars Volta albums you need to realize that it isn't a Mars Volta album. It is a Soundtrack for a film and Omar is even quoted by saying it is a reaction to the film. If you're a die-hard Omar fan then you'll love it. Rapid Fire Toll Booth is now one of my all time favorites and all the other songs sound great in my opinion.
I don't usually write reviews because it's so painful for me to read someone elses review especialy ones that contain the following examples. I only like their older stuff, they keep changing their style, the guitar player is too self induldgent,they should use the same producer as on their first album, there's too much ambience, there's too much guitar noodling, they've become snobs, they're not as good without the old drummer, they're progressive, they're experimental, they took a riff from some other band, I like them less with each album they put out,etc. That was in reference to all bands not just The Mars Volta.
That kinda review irritates me because it's a bunch of garbage. I wish those kinda people would just stick to their MTV lifestyles and leave the real music to those who are true fans and are more open minded. I don't know why it bugs me so much it's not like I'm defending them because I know them on some personal level it's just that some people just don't get it. I'm tired of everyone disecting the music and the musicians. All they want to do is entertain us, not create some sort of musical doctorine that should be discussed as though one was attending a seminar. As a musician I understand the need to experiment and branch out so the music making process doesn't become stale. Do you really want your favorite band to constantly repeat themselves and never evolve. People please I beg of you quit writing these cliche pointless reviews. As for me I'm through writting about this subject for as long as I live. Omar & Cedric have been making music for quite some time now. Let's allow the professionals to do their thing and the rest of you can either tune in or tune out.
They did it again.......2007-06-13
In line with this description, Amputechture delivers just as much, if not more, than their previous offerings. It's style is unpredictable, yet captivating. The jazz influence can be heard in almost every track. Some songs verge on becoming monotonous, until a slight riff change or new vocal is thrown in at exactly the right moment, and makes it perfect.
Their total disregard for "what sells" and making chart-topping music is probably what keeps their music fresh and innovative. This is easily the best album of 2006 if you're into non-mainstream, real music. Otherwise, go buy Incubus/Maroon 5/Weezer or something.
These guys were "punk".......2007-06-13
Welcome back, Mars........2007-04-17
A continuation of The Mars Volta's stunning innovation, while not straying too far from their classic style. There is a stunning new touch in this album: "Asilos Magdalena", a heart-wrenching, tragic, spanish ballad, as tonal as they come, with the strongest cadential points heard in any of the albums thus far.
The album is a continuous study of Cedric's impressive (awe-inspiring) range, the band's famous stepwise bass lines, super-rhythmic melodies set to abnormal meters, and beautifully incoherent (though barely dissonant) guitar riffs.
The lyrics continue to shock, strewn with raw physical imagery of both human and animal body parts (see: album title "amputechture", song titles "viscera eyes" and "vermicide", and cover art), and Christian-dogmatic references/commentary (see: song titles "vicarious atonement" and "day of the baphomets").
Deloused set our expectations high, but the true fan will not be disappointed in Amputechture.
Good Album.......2007-02-17
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The Island
Manufacturer: Milan Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009X766E Release Date: 2005-07-26 |
Tracks:
- The Island Awaits You
- Where Do These Tubes Go?
- Sector 6
- Starkweather
- Agnate Ukuleles
- You Have A Special Purpose In Life
- Mass Vehicular Carnage
- Renovatio
- I'm Not Ready To Die
- This Tongue Thing's Amazing
- Mass Winnings
- The Craziest Mess I've Ever Seen
- Send In The Clones
- My Name Is Lincoln
- Blow
Amazon.com
After supplying something known as "additional music" to many films since the late 1990s, Steve Jablonsky seems to have become the go-to composer for director-producer Michael Bay. Jablonsky's score for Bay's sci-fi thriller The Island shows the influence of its producer, Hans Zimmer. "The Island Awaits You" sets up the mood, which is oddly muted for a movie directed by explosion-master Bay. Even a track titled "Mass Vehicular Carnage" is merely ominously low-key, oddly sounding like something by dank trip-hopper Tricky. Elsewhere, the electronic number "Starkweather" successfully creates a feeling of oppressive tension before integrating elements of the main theme. Unfortunately, in his effort to avoid big ka-booms, Jablonsky can be overly subdued; while nothing is jarring, nothing makes much of an impression either. Actually, there is one jarring thing on this CD, and it's the Prom Kings' nu metal/funk hybrid "Blow," tacked on at the end like an afterthought. --Elisabeth VincentelliCustomer Reviews:
awesome!!!!.......2007-02-18
Only one decent song.......2007-01-15
Stunningly good Score!.......2006-11-10
Track 14 / Worth the price of the CD.......2006-11-04
A few standout tracks, but difficult to recommend on the whole........2006-10-27
In comparison to something like Spy Game by Harry Gregson-Williams, which is a deep, subtle and nuanced electronic score, the Island is stark and aggressive, with much repetition, few discernable themes, and occasional sequences of outright garish and incoherent noise generated mostly by garbled electric guitars. With all this in mind, I feel the CD generally hovers around the two star mark.
However, there are a couple of BIG standout moments; namely 'The Island' theme itself; first featured on the opening track, and then later on track 10 and elsewhere, has a beautiful, haunting, ethereal quality to it, reminiscent of the opening minute of 'Injection' from the M:I-2 score. Similarly, 'This Tongue Thing's Amazing' and 'You Have a Special Purpose in Life' have long, stretches of warm orchestral music that are decidedly enjoyable and memorable.
Finally - and most importantly - the finale, 'My Name is Lincoln' is such a standout track that it deserves special attention. It's a warm, uplifting, inspiring theme which borrows heavily upon Gladiator's 'Now We Are Free', but with an epic choral backing which pushes it to even greater heights. It's incredible, probably one of my top 10 favourite film score tracks of all time, seriously.
If ever there was an album that you should consider purchasing as individual mp3 tracks, this one is it - a purchase of tracks 1, 2, 6, 10 and 14 will pretty much cover 95% of all the good bits.
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Frances the Mute
The Mars Volta Manufacturer: Umvd Labels ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0007GAEW6 Release Date: 2005-03-01 |
Tracks:
- Cygnus...Vismund Cygnus: A. Sarcophagi/B. Umbilical Syllables/C. Facilis Descenus Averni/D. Con Safo
- The Widow
- L'Via L'Viaquez
- Miranda That Ghost Just Isn't Holy Anymore: A. Vade Mecum/B. Pour Another Icepick/C. Pisacis (Phra-Men-Ma)/D. Con Safo
- Cassandra Geminni: A. Tarantism
- Cassandra Geminni: B. Plant A Nail In The Navel Stream
- Cassandra Geminni: C. Faminepulse
- Cassandra Geminni: D. Multiple Spouse Wounds
- Untitled
- Cassandra Geminni: E. Sarcophagi
- Cassandra Geminni: E. Sarcophagi
- Cygnus...Vismund Cygnus: A. Sarcophagi
Amazon.com
If one needed further proof of the contemporary revival/reassessment of the ambitiously overwrought sensibilities once so reviled in '70s rock, this aggressively mindbending second album by the Mars Volta offers it up in spades. Band mainstays Omar Rodriguez-Lopez and Cedric Bixler-Zavala insist that labels like "prog" don't interest them, and that this is emphatically not a "sequel" to 2003's De-Loused in the Comatorium. What it is was thematically inspired by a stranger's diary allegedly found by late bandmate Jeremy Ward, the basis for an expansive, often amorphous musical head-trip that brews psychedelia, trance, hard-rock and free-jazz into a daunting new whole. The dozen tracks here represent but five "songs" proper, though the band's disdain for conventional track banding inspire it to sound more like a stream-of-consciousness soundscape from Can--or a dark, lyrically inventive, if decidedly troubled corner of their ids. On the "Umbilical Syllables" portion of "Cygnus.." and "The Widow" Bixler-Zavala invokes the wailing, Led Zeppelin II & III spirit of Robert Plant set against a feverish, swirling melange that's anything but the blues. The vocalist coaxes "L' Via l'Viaquez" en Espanol, while his band indulges its space-mambo conceits with an evocative spirit that recalls Latin Playboys at their most mischievous. It's an album that loops back on itself in a haunting ellipse--and one whose boundless ambition makes Pink Floyd sound like three-chord bar punters by comparison. --Jerry McCulleyCustomer Reviews:
TMV.......2007-07-05
Before you base your judgment of this CD soley in comparison to any of The Mars Volta albums you need to realize that it isn't a Mars Volta album. It is a Soundtrack for a film and Omar is even quoted by saying it is a reaction to the film. If you're a die-hard Omar fan then you'll love it. Rapid Fire Toll Booth is now one of my all time favorites and all the other songs sound great in my opinion.
I don't usually write reviews because it's so painful for me to read someone elses review especialy ones that contain the following examples. I only like their older stuff, they keep changing their style, the guitar player is too self induldgent,they should use the same producer as on their first album, there's too much ambience, there's too much guitar noodling, they've become snobs, they're not as good without the old drummer, they're progressive, they're experimental, they took a riff from some other band, I like them less with each album they put out,etc. That was in reference to all bands not just The Mars Volta.
That kinda review irritates me because it's a bunch of garbage. I wish those kinda people would just stick to their MTV lifestyles and leave the real music to those who are true fans and are more open minded. I don't know why it bugs me so much it's not like I'm defending them because I know them on some personal level it's just that some people just don't get it. I'm tired of everyone disecting the music and the musicians. All they want to do is entertain us, not create some sort of musical doctorine that should be discussed as though one was attending a seminar. As a musician I understand the need to experiment and branch out so the music making process doesn't become stale. Do you really want your favorite band to constantly repeat themselves and never evolve. People please I beg of you quit writing these cliche pointless reviews. As for me I'm through writting about this subject for as long as I live. Omar & Cedric have been making music for quite some time now. Let's allow the professionals to do their thing and the rest of you can either tune in or tune out.
Melodic sonic boom !.......2007-06-08
very cool.......2007-03-08
musicians from mars.......2007-02-20
Put together Miles Davis' "Bitches Brew", Led Zeppelin's "II" and "III", and King Crimson's "In The Court of King Crimson", and you get "Frances The Mute". My favorite Mars Volta album so far, but all of them are amazing. Could be very very strange for listeners who never listened to this kind of music. To me, this album resembles "Bitchs Brew" alot (not just in the music itself, but the way it was received by the public - you either hate it or love it).
The closest you will get to the best music ever invented........2007-02-15
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Blake Shelton's Barn & Grill
Blake Shelton Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000641MAM Release Date: 2004-10-26 |
Tracks:
- Some Beach
- Nobody But Me
- Good Old Boy, Bad Old Boyfriend
- Love Gets in The Way
- Goodbye Time
- Cotton Pickin' Time
- What's On My Mind
- When Somebody Knows You That Well
- On A Good Day
- The Bartender
- I Drink
Album Description
Blake Shelton, a leader of the back-to-country movement, revs up the tempo with his third album, Blake Shelton's Barn & Grill. Led by "Some Beach"Top 30 Country at this writing and headed for the Top 10 --and filled with good-time drinkin' songs and bad-time love songs as well as tender-hearted ballads, Blake Shelton's Barn & Grill is a barn-burner.Customer Reviews:
Blake Shelton's Barn & Grill.......2006-03-16
This CD is Addictive!!.......2006-02-06
THIS CD SUCKS!!!!!.......2006-01-13
Almost great and damn good.......2005-11-08
somebeach.......2005-09-22
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Blake Shelton
Blake Shelton Manufacturer: Warner Bros / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005M98A Release Date: 2001-07-31 |
Tracks:
- Every Time I Look At You
- All Over Me
- She Doesn't Know She's Got It
- Austin
- Ol' Red
- I Thought There Was Time
- Same Old Song
- That's What I Call Home
- Problems At Home
- If I Was Your Man
Amazon.com
Oklahoma-born country newcomer Blake Shelton recently made a big splash with "Austin," his first hit single, a cleverly rendered love ballad built as much on lyric contrivance as inspiration. But Shelton's self-titled debut CD, produced by the great veteran country songwriter Bobby Braddock, also contains quite a few harder-hitting, meatier tunes. "Old Red," for instance, is a twangy and resolutely down-home prison tale that Shelton imbues with growling tongue-in-cheek humor. "Same Old Song" is a subtle but soulful Braddock-penned putdown of the current state of country music, to which Shelton brings all the passion and conviction the song deserves. On the socially conscious "Problems at Home" (which Blake cowrote with Billy Montana and Don Ellis), the young singer laments far weightier issues, like school shootings and the destruction of the Amazon rain forests, with similar fervency. On these songs and others, the twenty-something neo-honk-tonker shows just the kind of musical vision and hard-country instincts that are so woefully lacking in the current crop of Nashville hipsters. --Bob AllenCustomer Reviews:
Terrific CD! Blake is great as always!.......2007-05-13
A great album from Blake........2003-06-13
Blake Shelton's the Dreamer!.......2003-02-13
Hard-Core-Honky-Tonk Is Back!!!.......2003-01-01
Is it country music, or just pop? These days, it's hard to find good; honest, country music.
Blake Shelton is breath of fresh air in these days of techo-driven, tradition-bashing pop-country
music. It's hard to even call today's country, country! Could you hear Hank Williams singing
"I'M GONNA GETCHA GOOD", or Merle Haggard singing "SHE'S MY KIND OF RAIN"? I didn't think so...
From the get-go, Shelton's album shows that he is no pop act. From the honky-tonk rouser
"EVERY TIME I LOOK AT YOU", a song that proves you can never forget a heartache - to the
depseration ballad "ALL OVER ME" (which was co-written by Shelton's hero, Earl Thomas Conley),
Shelton takes the listener on a journey of the heart.
"SAME OLD SONG" and "I THOUGHT THERE WAS TIME" are the two stand-out songs on the album.
Both songs, penned by the legendary BUDDY BRADDOCK (who just happened to produce this album),
are materpieces - that will no soon be forgotten. "SAME OLD SONG" is a punch-in-the-face to
artists like Shania Twain, Tim McGraw, Chris Cagle, and Faith Hill. The song; about the sugar-
coating that goes into making a country song, could very well solidify that Shelton will never
stray from Traditional Country. "I THOUGHT THERE WAS TIME" brings us back to a sound, much like
Conway Twitty's singles, in the late 80's - a strong beat, and heavy steel guitar.
Nashville needs more artists like Blake Shelton. WE need more artists like him, as well...
Blake Shelton.......2002-12-10
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Once Upon a Time in Mexico
Manufacturer: Milan Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000BWVC5 Release Date: 2003-09-09 |
Tracks:
- Malaguena - Brian Setzer
- Traeme Paz - Patricia Vanne
- Eye Patch - Robert Rodriguez
- Yo Te Quiero - Marcos Loya
- Guitar Town - Robert Rodriguez
- Church Shootout - Robert Rodriguez
- Pistolero - Juno Reactor
- Me Gustas Tu - Manu Chao
- Sands Theme - Tonto's Giant Nuts
- Dias De Los Angeles - Del Castillo
- The Man With No Eyes - Robert Rodriguez
- Mariachi Vs. Marquez - Robert Rodriguez
- Flor De Mal - Tito Larriva
- Chicle Boy - Robert Rodriguez
- Coup De Etat - Robert Rodriguez
- El Mariachi - Robert Rodriguez
- Siente Mi Amour - Salma Hayek
- Cuka Rocka - Chingon
Customer Reviews:
Not as good as the film..........2007-05-06
disappointing.......2007-03-26
it's all about the Malagueña.......2004-12-01
Start to Finish, a Real Mexi-CAN of a Soundtrack.......2004-11-30
Better than the movie!.......2004-11-21
Music Album:
