"I Love Everybody," is a return to Lovett's early Texas-cowboy-poet style. In fact, it's a return to those earlier songs. While all 18 tracks on the album are previously unreleased, most of them date from the 1980s when he was writing far more high-quality material than anyone was interested in recording. This is sure to please his longtime fans, who believe Lovett has never written a better song than the early efforts "If I Had a Boat" and "God Will." Lovett has raided his attic trunk and has found a surprising number of lost treasures.
One of those gems, "Skinny Legs," kicks things off with a confession of jealousy. If he only had skinny legs, a new Toyota and a cute rear end, the singer laments, he'd have a girlfriend like that boy over there. Lovett's dry, deadpan drawl falls on the bouncy, catchy melody with enchanting ease, and he refuses to use a single word more than he needs.
The lightly swinging arrangements are as simple as the songs; Lovett and his acoustic guitar are backed by John Leftwich on stand-up bass and either Kenny Aronoff or Russ Kunkel on drums. Cellist John Hagen is added to five cuts, fiddler Mark O'Connor to six, the Tower of Power Horns to one, a gospel quartet to three, and a choir featuring Rickie Lee Jones and Julia Roberts to two others. At least half a dozen songs are slight one-liners which didn't deserve revival, and they dilute the album's impact. Nonetheless this is a welcome reward for all those who believe the funny Lyle Lovett is the best Lyle Lovett. --Geoffrey Himes
I Love Everybody,Lyle Lovett,Mca,Adult Alternative Pop/Rock,Alternative Country,Country,Pop,Popular Music,Singer/Songwriter,United States of America
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Assassins (2004 Broadway Revival Cast)
Stephen Sondheim , Neil Patrick Harris , Marc Kudisch , Michael Cerveris , Denis O'Hare , and James Barbour Manufacturer: P.S. Classics ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002B161Y Release Date: 2004-08-03 |
Tracks:
- Everybody's Got The Right
- Ballad Of Booth
- Ladies And Gentlemen, A Toast!
- How I Saved Roosevelt
- What Does A Man Do...?
- Gun Song
- Ballad Of Czolgosz
- Unworthy Of Your Love
- I Am A Terrifying And Imposing Figure...!
- Ballad Of Guiteau
- Have It Your Way
- Another National Anthem
- Take A Look Lee
- Something Just Broke
- Everybody's Got The Right
Amazon.com
"Everybody's got a right/To their dream." So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey Oswald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and "Squeaky" Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but also oddly uninvolving. (Many fans prefer the recording of the 1991 Off-Broadway version, though "Something Just Broke," which was added to the 1992 London production, makes its recorded debut here.) Still, there are several high points. In "Unworthy of Your Love," for instance, Hinckley and Fromme wax poetic about their unrequited love for Jodie Foster and Charles Manson, respectively, in a Burt Bacharach-style ballad that's deliberately (I hope!) sappy. And of course as with most Sondheim shows, the cast of this revival--Michael Cerveris, Mario Cantone, Becky Ann Baker, Marc Kudisch, Denis O'Hare--is very good. --Elisabeth VincentelliCustomer Reviews:
Unworthy of This Show.......2007-03-01
Given this result, they needn't have bothered.
I am still amazed at how much this production got wrong. The principal cast is nothing short of dreadful: the acting is almost laughably overwrought; the pacing keeps getting disrupted by pauses held too long and lines spoken too slowly; some singers are frequently behind the tempo (notably Michael Ceveris as Booth), while others are painful to listen to (like Jeffrey Kuhn as Zangara and Mario Cantone as Sam Byck); the new orchestrations allow for more musicians in the pit, but are much less effective than the earlier arrangements.
To top it all off, this production includes "Something Just Broke", a song sung by the Ensemble as various "average" Americans of different time periods recalling where they were when the president was shot. The song was introduced in the London production, presumably for people who didn't understand the show to have something to latch on to, but it was mercifully kept out of the published vocal score and libretto. It's not a bad song in and of itself, but musically it does not fit in with the rest of the score, and dramatically it doesn't fit in with the rest of the script. Worse, it is placed right between the Kennedy assassination -- the climax of the show -- and the finale, thus skewing all the dramatic momentum and depriving the show of an effective resolution.
The result of all this is that the comic moments aren't funny, the powerful moments fail to move, and the wonderful music is left ho-hum.
I realize that the extraordinary cast of the original production of Assassins presents a dauntingly high standard for everyone else to compare to, but the college productions I've seen were better than this.
Great. .......2006-11-08
'Unworthy of your Love' and 'The Ballad of Booth' are heartbreakingly beautiful, strange that I say that considering the subject matter, but it's true, those two songs alone will stay with you for days on end. The Ballad of Booth has poetic and tragic lyrics like 'Damn my soul, if you must, let my body turn to dust, let it mingle with the ashes of my country...What I did, I did well, and I did it for my country. Let them cry 'Dirty Traitor!', they will understand later...'. and the hauntingly gorgeous melody that goes with those lyrics is just so well, romantic! But then you have the tongue-in-cheek, slightly macabre numbers like 'The Gun Song' and 'Everybody's Got The Right' with lyrics like, 'Everybody's got the right to be happy. Life's not as bad as it seems! Everybody deserves a little sunshine...' and 'All you have to do is, move your little finger...and you can change the world!'
What a rollarcoaster of emotion! I mean, seriously, who else but Sondheim could pull that off and make it the brilliant masterpiece that it clearly is?
One of my biggest regrets is not seeing this during it's brief run in 2004. :(
Deserves a place in your Sondheim Discography.......2006-07-28
However, while fans of Sondheim and musical theater will argue over every nuance, I find that both this and the original are excellent in their own way. Yes, the voices in the first recording are more refined, yet this recording seems to better capture the character's mannerisms in the vocal stylization, whether the twitchy madness of Guiteau (Dennis O'Hare) or the depressed howl of Sam Byck (Mario Cantone).
This is a worthwhile recording and one that provides me with a reprise of the excellent staging and acting of this quirky play.
Dashed high hopes.......2006-07-14
While the diction on this recording is often impressive...especially Neil Patrick Harris's...too often it is accomplished at the price of tempo. Too many times the musical director has made the choice to slow down portions of the songs to the point of sluggishness. Absolutely NONE of the performances is superior to the original. That doesn't mean that any of the newer performances are horrible, it's just that they don't measure up. The one who comes the closest is Neil Patrick Harris whom I find naturally charming and vulnerable in anything he does.
The best addition to this recording is Mario Cantone's rant as Sam Byck. Unfortunately, I can't recommend getting this recording based solely on that. The biggest mis-step is the omission of the full, final, Kennedy scene. Hearing it on the original recording for the first time is an absolutely thrilling and chilling experience. Not having it all here is a MAJOR disappointment.
Buy the original recording first and check this one out from the library.
Letdown from the original.......2006-04-10
John Weideman, who wrote the music, seems to prefer the Broadway cast recording--at least he says so in its liner notes. I'm not sure why. While some of the songs are still excellent (like the Hinckley-Fromme duet "Unworthy of Your Love"), many of them are just plain painful to listen to. Most of the time the singing vaccilates between being totally flat of affect (most notably Moore in "The Gun Song") to hyperbolic melodrama. Booth mumbles to the point of near-unintelligibility in several songs; Zangara sounds eerily like the mob boss from 'Johnny Dangerously' that keeps calling everyone "farging bastages"; Moore sings nearly the whole time as if she'd OD'd on sedatives; and Guiteau sounds so stereotypically gay that GLAAD should be suing the producer.
It almost seems as if the cast are not sure what do do with their characters. The cast of the Original Cast Recording hit the characters perfectly--an outstanding mix of suffering, despair, anger and hostility. The Broadway cast can't seem to, in the language of the musical, "connect" to the characters. For me this is a huge failing, as the "charcaters" here are real individuals; if the performers can't connect to them, how can we be expected to?
There are also some content differences between this recording and the original. Several brief additions are made from elsewhere in the musical, and the new song "Something Just Broke" written for the Broadway revival is included on the recording. However, about half of the last act (which is included on the original) is cut out. Sadly, the material cut out is far more moving, unsettling and significant than the material added. Also, "Something Just Broke", while a fine song (and performed better than most of the rest of the material), unfortunately breaks up the natural link between the Kennedy assassination's triumphalist ending and the closing version of "Everybody's Got the Right".
I gave this three stars because I love Assassins. It is a brilliant and unnerving drama. But the Original Cast Recording is immensely superior to the Broadway Cast Recording in its ability to reveal this to the audience. I'm glad it was revived, and I'm glad it won three Tony awards--now it can get the recognition it deserves; but for me, I'll stick to the original version I fell in love with years ago. If only the Broadway recording has found a way to be "worthy of your love"...
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I Love Everybody
Lyle Lovett Manufacturer: Mca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002ONW Release Date: 1994-09-27 |
Tracks:
- Skinny Legs
- Fat Babies
- I Think You Know What I Mean
- Hello Grandma
- Creeps Like Me
- Sonja
- They Don't Like Me
- Record Lady
- Ain't It Somethin'
- Penguins
- The Fat Girl
- La To The Left
- Old Friend
- Just The Morning
- Moon On My Shoulder
- I've Got The Blues
- Good-Bye To Carolina
- I Love Everybody
Amazon.com
"I Love Everybody," is a return to Lovett's early Texas-cowboy-poet style. In fact, it's a return to those earlier songs. While all 18 tracks on the album are previously unreleased, most of them date from the 1980s when he was writing far more high-quality material than anyone was interested in recording. This is sure to please his longtime fans, who believe Lovett has never written a better song than the early efforts "If I Had a Boat" and "God Will." Lovett has raided his attic trunk and has found a surprising number of lost treasures.One of those gems, "Skinny Legs," kicks things off with a confession of jealousy. If he only had skinny legs, a new Toyota and a cute rear end, the singer laments, he'd have a girlfriend like that boy over there. Lovett's dry, deadpan drawl falls on the bouncy, catchy melody with enchanting ease, and he refuses to use a single word more than he needs.
The lightly swinging arrangements are as simple as the songs; Lovett and his acoustic guitar are backed by John Leftwich on stand-up bass and either Kenny Aronoff or Russ Kunkel on drums. Cellist John Hagen is added to five cuts, fiddler Mark O'Connor to six, the Tower of Power Horns to one, a gospel quartet to three, and a choir featuring Rickie Lee Jones and Julia Roberts to two others. At least half a dozen songs are slight one-liners which didn't deserve revival, and they dilute the album's impact. Nonetheless this is a welcome reward for all those who believe the funny Lyle Lovett is the best Lyle Lovett. --Geoffrey Himes
Customer Reviews:
garbage.......2007-03-27
Instead his 4th, "Joshua Judges Ruth," was mediocre at best. By the 5th (this) he had accelerated into freefall, and really hit some all-time low mark for a collection of songs. 18 songs here and only one of them is any good. And he knows it because he puts the good one "Skinny Legs" first. Horrid lowpoints on the album inlcude "Penguins" "Fat babies" "Goodbye to Carolina" "Record Lady" "Hello Grandma" "Creeps like Me." What the hell is this stuff? It's not folk, it's not country. It's not alternative or rock. It's some horrible, horrible new genre. It seems like he accepted some sort of dare to record the stupidest things he's ever written, with a straight face. And if you fell for it, well, too bad for you.
Let's cut right to the insanely stupid lyrics to make the point:
I don't go for fancy cars / For diamond rings / Or movie stars / I go for penguins / Oh Lord I go for penguins / Penguins are so sensitive / To my needs.
Absolutely assinine! And the equally insipid "Fat Babies:"
I said I don't like hippies / And I don't like cornbread / And I don't like much / Fat babies have no pride / And that's okay / Who needs pride.
Mmm. You're really connecting with me Lyle.
Adjectives that come to mind when I think of this cd are exhausted, stupid, trite, rotten, heinous, masturbatory, indulgent, jaw-droppingly bad... and he continued in this vein, never to be relevant again. I hear some later work is good, but the immense bad will created by this CD prevents me from even considering a listen.
His best work.......2005-11-28
Great album from big-haired wannabee.......2004-11-25
My First Lovett - I love it.......2004-10-21
I'm really writing this to add some praise for the song Sonja - which I find to be a fantastic example of his lyrics - alot of fun and alot more depth to it than it seems at first.
Best Lyle Lovett CD!.......2004-09-02
We need more original songwriters like Lyle. He may be a loner, but he carries some profound messages.
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Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)
Manufacturer: Drg ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000059LFF Release Date: 2001-05-08 |
Tracks:
- Everybody Says Don't
- I Wonder What Became of Me?
- The Eagle and Me
- I Had Myself a True Love
- Into the Woods / Giants in the Sky (Malcolm Gets)
- Another Hundred People / So Many People (Malcolm Gets)
- Let's Face the Music and Dance / The Song Is You (duet with Malcolm Gets)
- Happiness
- Loving You
- You Could Drive a Person Crazy
- Not A Day Goes By / Losing My Mind
Tracks:
- Buds Won't Bud
- I Got Lost in His Arms
- West Side Story Segment: Something's Coming / Tonight (Malcolm Gets)
- Move On (duet with Malcolm Gets)
- Medley: Hard Hearted Hannah / Waiting for the Robert E. Lee / San Francisco
- Ice Cream
- Send in the Clowns
- The Trolley Song
- Not While I'm Around (duet with Malcolm Gets)
- Anyone Can Whistle
Amazon.com's Best of 2001
Barbara Cook is one of today's most accomplished song stylists, and if you don't believe us, just listen to this live album. It's a master class in the art of singing. It documents an evening at Carnegie Hall during which Cook proved that she can dissect and extract the substance out of the simplest of lyrics. One of the best surprises is "You Could Drive a Person Crazy" (from Company), which is taken at an amiable trot and allows the singer to display its humor. Cook is not a swinging singer and uptempo is not her pace; give her a ballad, though, and she'll wring the last drop of emotion out of it. Her version of "Losing My Mind" (here paired with "Not a Day Goes By") is simply astonishing. The singer also performs songs that Sondheim has said he wished he had written, an awful lot of them by Harold Arlen. No complaints here. Guest Malcolm Gets solos on a few songs and duets with Cook on others, including "Let's Face the Music and Dance." This is classic material done masterfully by a classic singer. --Elisabeth VincentelliCustomer Reviews:
Wow!.......2004-02-20
Everyone Should Whistle.......2003-10-11
An amazing intro to the body of work of a true master.......2003-06-16
Beautiful, moving concert.......2003-04-13
I do have to say that by 2001, when this concert was recorded, Cook seemed to have a lost a little bit of power and intensity in her singing. This is only natural for someone of her age. Her voice is still lovely, but you can sense her keeping it in reserve a bit. She's as expressive as ever, but compare the rendition of "I got lost in his arms" on this album to the one on her previous album recorded in 1999, "The Champion Season", and there's less urgency and vocal depth in her singing here. That said, the high B at the end of "Ice Cream" is sensational.
So, despite that caveat, this is, again, a wonderful album, a must for Cook fans, especially for the gorgeous renditions of songs I'd never thought I'd get to hear her perform: "Not a Day Goes By", "Happiness/Loving You", "San Francisco", etc. Buy it!
... and I love Barbara Cook.......2003-02-11
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Sings Sondheim
Mandy Patinkin Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006JP2C Release Date: 2002-10-29 |
Tracks:
- Opening
- Lesson #8
- Another Hundred People
- When?
- Someone Is Waiting
- Johanna
- Green Finch and Linnet Bird
- Pretty Women
- Finishing the Hat
- If You Can Find Me, I'm Here
- Live, Laugh, Love
- Live Alone and Like It
- Everybody Says Don't
- Rich and Happy, Part 1
- Our Time
- Broadway Baby
- Rich and Happy, Part 2
- Uptown, Downtown
- Liaisons
- Send in the Clowns
- Live, Laugh, Love (reprise)
- You Could Drive a Person Crazy
Tracks:
- Free
- Company
- Waiting For The Girls Upstairs
- Pleasant Little Kingdom/Too Many Mornings
- Not While I'm Around
- All Things Bright and Beautiful
- It Takes Two
- In Someone's Eyes
- Beautiful
- Losing My Mind
- Take the Moment
- Sunday
Amazon.com
Recorded live at the Prince Music Theater in Philadelphia, this double CD is one heck of an extensive tribute to Stephen Sondheim. Backed only by Paul Ford on piano, Mandy Patinkin gets through nearly three dozen songs penned by the Broadway master. Some are obvious (excerpts from Sunday in the Park with George, in which the singer created the title role), others less so ("If You Can Find Me I'm Here" from Evening Primrose). Patinkin is often mocked for his shivering falsetto, but here, it's actually when his voice explores a lower register that it falters. What's more interesting is when he tackles songs usually sung by women, such as Follies' "Broadway Baby" and Company's "Another Hundred People" and "You Could Drive a Person Crazy"--the latter hammed up so much that you can hear the chewing of the scenery. A distinctively mannered interpreter, Patinkin remains an acquired taste, but fans of his will be in heaven with this set. --Elisabeth VincentelliCustomer Reviews:
Sondheim recital.......2007-01-22
Also a very dissapointed fan.......2003-08-22
Adequate performance; poor entertainment.......2003-05-04
a very disappointed fan.......2003-02-05
But (much of) this recording is disappointing, mainly because Mr. Patinkin's voice in the lower range sounds muddled and forced, as though he's lost ability to control it (however, the more falsetto sounds are as clear and sharp as ever).
And I don't care for the format of this performance. Live recordings should have live audience reactions: one (often unrelated) song after another without applause had me wondering when--if ever--was the audience was going to be allowed to react.
Also, while I've never had the privilege of attending a Patinkin concert, I imagined that--above all-- he would be passionate. Perhaps he was. But what (mostly) comes across on the CD is a somber--almost technical--performance.
I hope he's healthy, that mixed quality of singing on this recording was just a fluke, and that his next CD will be a Five-star as all his previous ones have been
What a train wreck!.......2003-01-15
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this is why
Sherry Petta Manufacturer: Sherry Petta Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000BUWE7G Release Date: 2005-10-12 |
Tracks:
- If I Had You
- Until The Real Thing Comes Along
- I Wish You Love
- Falling For You
- Teach Me Tonight
- Fools Rush In
- Let Me Love You
- Summer Wind
- Watch What Happens
- Everybody Loves Somebody
- Waiting
- You Don't Know Me
- Blue Ain't Just A Color
Product Description
Sherry Petta sings popular standards and three originals soon to be favorites. Enjoy her textured velvet vocals on songs that will keep music in your heart. Tracks include Waiting, You Don't Know Me, If I Had You, Fools Rush In, Until the Real Thing Comes Along, Summer Wind, and more.Customer Reviews:
Sheri Petta - who would a thunk?.......2007-02-17
great music and "match".......2007-01-08
FrankCaruana (from hotmail)
Smooth Renditions.......2006-03-20
Beautiful Fresh New Voice.......2006-01-22
Magical!.......2006-01-18
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Ultimate Irving Berlin, Vol. 1
Irving Berlin Manufacturer: Pearl ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005RKQR Release Date: 2002-02-26 |
Tracks:
- The Jolly Bachelors: That Beautiful Rag
- Ziegfeld Follies Of 1911: Woodman, Spare That Tree
- Everybody's Doing It: Everybody's Doing It Now
- Hullo Ragtime: Hitchy Koo
- Hullo Ragtime: Snooky Ookums
- Hullo Ragtime: Alexander's Ragtime Band
- Watch Your Step: I've Gotta Go Back To Texas
- Watch Your Step: Settle Down In A One-Horse Town
- Watch Your Step: The Syncopated Walk
- Watch Your Step: My Bird Of Paradise
- Watch Your Step: Show Us How To Do The Fox Trot
- Watch Your Step: The Simple Melody
- Watch Your Step: The Always Follow Me Around
- Watch Your Step: Discoveries
- Watch Your Step: The Minstrel Parade
- Stop! Look! Listen! (Follow The Crowd): Beautiful Honolulu
- Stop! Look! Listen! (Follow The Crowd): England Every Time For Me
- Stop! Look! Listen! (Follow The Crowd): Teach Me To Love
- Stop! Look! Listen! (Follow The Crowd): I Love To Dance
- Stop! Look! Listen! (Follow The Crowd): The Girl On The Magazine
- Stop! Look! Listen! (Follow The Crowd): I Love A Piano
- Stop! Look! Listen! (Follow The Crowd): Until I Fell In Love With You
- Stop! Look! Listen! (Follow The Crowd): Father Wanted Me To Learn A Trade
- Stop! Look! Listen! (Follow The Crowd): Take Off A Little Bit
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I Love Everybody
Johnny Hartman , and Oliver Nelson Manufacturer: Gambit Spain ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0009SQ6YW Release Date: 2005-06-20 |
Tracks:
- Today I Love Eveybody
- T'Ain't No Need
- For the Want of a Kiss
- Girl Talk
- Old Black Magic/Matilde
- If I Had You
- When I Get the Time
- Goodbye, Goodbye
- I Cover the Waterfront
- Go Away
- As You Desire Me
- Mam'selle
- To Each His Own
- Sunday
- Alone
- Long Ago & Far Away
- I Should Care
- Little Girl Blue
- But Beautiful
- After You've Gone
- There's a Lull in My Life
- How Long Has This Been Going On
- I Thought About You
Album Details
It Isn't Often that a Jazz Singer of Johnny Hartman's Calibre is Placed Beside an Arranger as Gifted as Oliver Nelson. In Addition to the Los Angeles, September 28, 1966 "live Studio Date" with Nelson, this Release features the Incomparable Hartman Accompanied by Orchestras Directed by Jack Pleis (1966) and by Rudy Traylor (1958). This Release Marks the First Time that Hartman's 1966 Session with Jack Pleis is Available on CD.Customer Reviews:
Pilgrim's review.......2007-05-14
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Come on and Hear
Manufacturer: Original Cast Record ProductGroup: Music Binding: Audio CD ASIN: B00004RD4V Release Date: 2000-01-01 |
Tracks:
- Everybody's Doing It Now
- That's How I Love You
- When The Midnight Choo-Choo Leaves For Alabam'
- Move Over
- Simple Melody
- At The Devil's Ball (First Version)
- At The Devil's Ball (Final Version)
- The Girl On The Magazine Cover
- Alexander's Ragtime Band
- When It Rains, Sweetheart, When It Rains
- Settle Down In A One Horse Town
- Ragtime Violin/That Mysterious Rag/The International Rag
- If All The Girls I Knew Were Like You
- Stop! Look! Listen!
- I Want To Go Back To Michigan (Down On The Farm)
- That Mesmerizing Mendelssohn Tune
- Ragtime Soldier Man
- The Apple Tree And The Bumble Bee
- Spring And Fall
- I Love A Piano
- They've Got Me Doing It Now
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A Room With a View: Complete Recordings, Vol.1
Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000054BF6 Release Date: 2001-04-17 |
Tracks:
- This Year Of Grace: Dance, Little Lady
- This Year Of Grace: A Room With A View
- This Year Of Grace: Mary Make-Believe
- This Year Of Grace: Try To Learn To Love
- This Year Of Grace: Lorelei
- A Dream Of Youth (The Dream Is Over)
- Bitter Sweet: Zigeuner
- This Year Of Grace: World Weary
- Private Lives, Act 1, Love Scene: Someday I'll Find You
- Private Lives, Act 2, Scene: I Never Realised/If You Were The Only Girl In The World
- Half-Caste Woman
- Any Little Fish
- Cavalcade: Lover Of My Dreams (Mirabelle Valse)
- Cavalcade Vocal Medley: Soldiers Of The Queen/Goodbye Dolly Gray/Lover Of My Dreams/I Do Like To...
- Cavalcade, Epilogue: Toast To England
- Noel Coward Medley: Parisian Pierrot/Poor Little Rich Girl/A Room With A View/Dance Little Lady...
Customer Reviews:
The style is the man--and the song.......2001-05-02
Add to all this two classical scenes with Coward and co-star Gertrude Lawrence from his "Private Lives," incredibly valuable for those local drama groups who butcher this work in that this CD can teach them the tone and rhythms that are essential in making this classic succeed.
The subtitle of this set is "The Complete Recordings, Volume 1: 1928-1932." So we can look forward to future offerings featuring this fascinating composer-lyricist-performer. Thank you, Naxos, yet again.
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The Columbia Albums of Irving Berlin, Vol. 1-2
Manufacturer: Collectables ProductGroup: Music Binding: Audio CD ASIN: B0000AHEU8 Release Date: 2003-09-02 |
Tracks:
- It's A Lovely Day Today/Blue Skies
- Maybe Its Because I Love/I Got Lost
- You'd Be Surprised/I'll See You In Cuba
- Always/Remember
- Shaking The Blues/Play A Simple/Alexander's
- Here's No Business/Got The Sun/Girl I Marry
- Say It Will Music/Cheek To Cheek
- It's A Lovely Day Tomorrow/ Now It Can Be Told
- This Year's Kisses/Be Careful! Its My Heart
- Lady Of The Evening/ Better Luck Next Time
- Steppin' Out With My Baby/ You're Just In Love
- Let's Face The Music/Say It Isn't So
- How Deep Is The Ocean/I Never Had A Chance
- Change Partners/Mandy
- You Can't Brush Me/Everybody Step/Waiting At The End
- Soft Lights/They Say It's Wonderful
- Puttin' On The Ritz/Marie
- I've Got My Love To Keep Me/Top Hat
- What'll I Do/All Alone
- A Pretty Girl/Isn't This A Lovely Day
- Lazy/I'm Getting Tired So I Can Sleep
- I'm Playing With Fire/Let's Have Another Cup
- Heat Wave/Let Yourself Go
- The Piccoline/No Strings
Album Description
Full Title - The Columbia Albums Of Irving Berlin Vols. 1 & 2. Composer, conductor, arranger Frank DeVol scored more than fifty movies and is best known as the composer for the theme songs for the TV series 'My Three Sons', 'The Brady Bunch' and 'Family Affair'. In the 1940s DeVol was an arranger for Dinah Shore, Tony Bennett, Rudy Vallee, Vic Damone and Doris Day. Frank DeVol received multiple Emmy Awards and Academy Award nominations for his extensive body of work. Irving Berlin's medleys featured are 'Always/Remember', 'A Pretty Girl/Isn't It A Lovely Day' and 'Say It With Music/Cheek To Cheek'. 24 tracks. Collectables 2003.Music Album:
- Indians Cowboys Horses Dogs
- Juice/Quiet Lies [Original recording remastered]
- Killin' Time
- King of My World
- King Of The Road: The Genius Of Roger Miller [Box set]
- Knock on the Sky [Enhanced]
- Last Date [Extra tracks] [Original recording remastered]
- Legendary [Box set] [Import]
- Live 1973 [Live]
- Live at the Charleston Music Hall [Live]
