The highest praise Guy Clark can hear about one of his songs is that his album-opening "Mud" could pass for the bluesy philosophizing of Townes Van Zandt. Clark additionally pays tribute to his late songwriting buddy by covering Van Zandt's "Rex's Blues," while the closing title track brings this song cycle full circle, thematically. Though not all the material has the depth of those three standouts, Clark's weathered vocals benefit from the recording's organic interplay of acoustic instruments and vocal harmonies, with Gillian Welch and David Rawlings providing guest support on "Arizona Star." "Magnolia Wind" finds plain-spoken poetry in the lilt of a country waltz, while "Bag of Bones" suggests that few writers are better than Clark at evoking folks on the verge of falling apart but somehow holding things together. While much of The Dark finds Clark slipping into some pretty familiar grooves, the collaboration with Terry Allen on "Queenie's Song" refutes the adage that you can't teach old dogs new tricks. --Don McLeese
The Dark,Guy Clark,Sugarhill [Country],Country,Country & Western,Folk & Traditional,Pop
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Dark Side Of The Moon
Pink Floyd Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002U82 Release Date: 1990-10-25 |
Tracks:
- Speak To Me/Breathe
- On The Run
- Time
- The Great Gig In The Sky
- Money
- Us And Them
- Any Colour You Like
- Brain Damage
- Eclipse
Amazon.com essential recording
Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve WilliamsCustomer Reviews:
Polished and pretentious. .......2007-07-18
Revsiting it so many years later it's hard to see what the fuss is about. It's a very well produced album I'll grant you that. Sound is excellent throughout (although perhaps Alan Parsons, not Pink Floyd themselves is mainly to thank for that) But *musically* I can't really see this as the greatest thing ever recorded, let alone greatest pop record.
Speak To Me- not really music,but an atmospheric intro
Breathe- Nice enough soft tune, but not really memorable. Water's is at his worst "butter wouldn't melt in my mouth" gentleness though.
On The Run - A synth going "bloobly bloobly blooby" to sound effects. Must have seemed clever in 1973 but it's just boring after about 3 listens.
Time- The first genuinely good song here. The guitar solo is about as good as the clean "understated" guitar style gets. Great intro too.
Great Gig In The Sky- Moving in parts, but a lot of the time it's just tuneless wailing.
Money- Floyd get funky. Meh. One of the first manifestations of Waters annoying "I hate the music business" fixation. Hey Roger my heart bleeds for you, with you having so much money. It's evil, I know.
Us And Them- Like Breathe, it's a quiet little song, quite pleasant, but to me it wouldn't sound out of place in Sesame Street.
Any Colour You Like - Hit and miss instrumental.
Brain Damage -Good song. I sometimes wonder though if Water's too obvious English pronounciations ("the lunatic is on the grawhss") are a turn on for Americans in the way that Monty Python's pronounciations of "bawwhhstid" have them in stitches.
Eclipse.- Nice ending to the album.
So overall, there are some good momemts here and there. But, in essence this album is essentially a soft rock album dressed up in Stanley Kubrick-esque pretentions. It's not "space rock", despite what people say. Early Tangerine Dream, for example, would have much more reason to call an album "Dark Side Of The Moon" than Pink Floyd.
I don't hate this album, I just don't think it's worth getting too excited over. I heard it in my formative years, but it's not music I think is worth revisiting.
Relevant Over 30 Years Later.......2007-07-09
wwords can barley describe.......2007-06-28
Dark Side Of The Moon Is Rock N' Roll's Definitive Masterwork.......2007-05-22
EXCELLENT: BUT THE BEST ALBUM EVER RECORDED ?.......2007-05-19
1) Lyrically is this the best album ever written?
I think not; and can you really disagree with me? You can't honestly believe that there's not been a single artist in 35 years that's penned a better album. Think about it, lyrically there is nothing that is absolutely extraordinary about this album. You must know that since 1973 there are many artists that have presented far better lyrical content in their recordings.
2) Musically is this the best album ever written?
Again the music is excellent, but it is in fact the mood and the sonic soundscape this album creates that has given it its timeless appeal. Well, I know that technicality was not the point of this album, but from the standpoint of technicality, and even musicianship, in 2007 this album contains nothing that has not been greatly surpassed. This is not arguable. Furthermore, since many contend that this is the best album ever recorded, this begs the logical question: are any of the members of Pink Floyd considered to be the best or one of the best in the world on their given instrument? The answer to that question is quite simply: no. I don't like to sound so critical because I too like Pink Floyd and this album, but all of this gushing praise and superlative language use does warrant that someone with conviction submit a differing perspective.
Now, I can certainly understand why many people say this is the best album ever recorded, in most cases this will be because you were there in the era when the album was released, it took you on a musical journey to a place you've never been before, and it holds a special place in your heart. But just ask anyone of a generation prior to yours what the best album ever recorded is and they will almost certainly give you answers you don't agree with, and nothing you say will ever change their minds about it, even though you know their answer is entirely generation related. However, with all of that being said, being born in the 60's I too was there in the era when this album was released, but I just cannot yield to popular opinion or agree with the unquestioning masses that this is the best album ever recorded, when it quite simply is not. This is my honest opinion, and whether you agree or do in fact disagree with me don't be a sheep let popular opinion tell you what you should and shouldn't listen to, or what the best album ever is.
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Dark Side of the Moon 30th Anniversary Edition
Pink Floyd Manufacturer: Capitol ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00008CLOA Release Date: 2003-03-25 |
Tracks:
- Speak To Me/Breathe
- On The Run
- Time
- The Great Gig In The Sky
- Money
- Us And Them
- Any Colour You Like
- Brain Damage
- Eclipse
Amazon.com essential recording
Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve WilliamsAlbum Description
The Super Audio CD (SACD) features two disc layers. One layer contains a standard version of the album that works on any CD player. The other layer includes high-resolution stereo and a 5.1 surround version of the recording that works on SACD-compatible DVD players and home theater systems. Both layers employ SACD's Direct Stream Digital (DSD) encoding process that samples the music 64 times faster than CD for unprecedented fidelity.Album Description
Full Title - Dark Side of the Moon 30th Anniversary Edition. It's been 30 years since 'Floyd released their masterwork, and it's been on the charts for most of them! And now comes a new dimension to what was already the ultimate headphone experience-this new edition includes a newly-remastered conventional version and a Super Audio CD 5.1 surround mix version playable on SACD-compatible DVD players and home theater systems. Original designer Storm Thorgerson chips in with new art inside the 20-page booklet. Capitol. 2003.Customer Reviews:
5+ STAR SACD, 2 star CD.......2007-07-18
I have thought that Dark Side of the Moon is one of the finest albums ever made for over 30 years. I have 2 copies of the British SQ Quad version, an unopened backup and a copy I play on rare occasions. I also have one opened and 2 still-sealed Stereo LP pressings. All 5 of these are British Harvest pressings circa 1977. I also have an opened and a sealed Mobile Fidelity LP pressing, and my original American Capital pressing. In my opinion the late 70s British Stereo pressings beat all comers. The MFSL is crisper and has more detail but, fatally, less atmosphere. But it is a good second choice and occasionally a good alternate listen. The British Quad pressing has cleaner, quieter surfaces than the American Capital and is clearly a different (but inferior) mix, which makes for an interesting alternate listen on a rare occasion, but the sound quality and mix are actually better on the American Capital. If you are listening for sound quality, the SQ is a poor fourth among these 4 versions. If you want quad or surround, any of the other 3 played through Dynaquad or Dolby Surround some other ambiance recovery arrangement gives a much more satisfying experience. My comments on British pressings are limited to late 1970s pressings. I say this because I picked up a British stereo pressing of Wish You Were Here about 1986 and it sounds muffled compared to my Japanese stereo and British Quad pressings from the 70s, so I wouldn't vouch for later British pressings, though it is possible they may be satisfactory on Dark Side. The British Quad pressing of Wish You Were Here stands with the British Stereo pressing of Dark Side in terms of sound quality and quality of listening experience. The mix is different from and superior to the stereo version of Wish You Were Here, whether played back in stereo or in quad (and I wish Sony would release it on SACD).
Because my LPs sounded so good I never bothered to get CD versions of most of Pink Floyd, though I did pick up the Mobile Fidelity Gold CD of Dark Side, and later the Doug Sax remastered CD Box set, Shine On, which includes many but not all of the albums. I occasionally listen to some of them but mostly I still listen to the vinyl versions. Except...
The SACD. In addition to the lousy sounding CD layer, you have 2 choices on the SACD layer, Stereo, or a new 5.1 channel mix from the original multi-track analog masters. Earlier I said that late 70s British Stereo LP pressings beat all comers. Let me qualify that. The stereo SACD version equals it. It is very difficult to hear any difference between my always carefully played 1977 British Stereo pressing and the SACD stereo tracks (except there is some very slight surface noise on the LP--but it is not yet objectionable enough to make me break the seal on one of my other copies). Old British stereo pressings are basically going to be impossible to find. This is a worthy substitute. There is also the new 5.1 channel mix. If you like surround sound you'll love this. I love surround sound and listen to most stereo sources with Dynaquad passive ambiance recovery. This new surround mix is about equal to the stereo mix but different, exchanging a little more clarity for a little less of the mysterious. It is a worthy alternative (unlike the old SQ version). I listen to both.
So buy this SACD while it is still available if you like this music. If you don't have an SACD player, don't listen to it yet. But get yourself one of the universal DVD players that plays SACD (and DVD-A, too, preferably) and you are in for a treat. And some of the dedicated SACD players sound even better. Let me repeat: the SACD stereo and 5.1 surround versions of Dark Side of the Moon are the only way currently available to experience this album as Pink Floyd intended it to be heard.
Fantastic.......2007-07-09
" Essential ".......2007-06-27
great mix.......2007-06-14
The answer to my audiophile dream........2007-06-09
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The Lord of the Rings: The Fellowship of the Ring
Manufacturer: Reprise / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005QZWI Release Date: 2001-11-20 |
Tracks:
- The Prophecy
- Concerning Hobbits
- The Shadow Of The Past
- The Treason Of Isengard
- The Black Rider
- At The Sign Of The Prancing Pony
- A Knife In The Dark
- Flight To The Ford
- Many Meetings
- The Council Of Elrond [featuring the song "Aniron (Theme For Aragorn And Arwen)" composed & performed by Enya]
- The Ring Goes South
- A Journey In The Dark
- The Bridge Of Khazad Dum
- Lothlorien
- The Great River
- Amon Hen
- The Breaking Of The Fellowship
- May It Be [composed & performed by Enya]
Amazon.com
Score composer Howard Shore has informed this first installment of the Lord of the Rings trilogy with his distinctly modern sensibilities. Revolving loosely around a brief, heroic brass theme, this epic is infused with a powerful rhythmic thrust and a musical range that encompasses centuries (from the Renaissance pastoralism of "Concerning Hobbits" to the fiery, Prokofiev-influenced drama of "A Knife in the Dark"). Key to the score's sense of mystery and magical place are the rich choral passages that are interspersed throughout, some so ominously gothic they make The Phantom Menace's "Duel of the Fates" sound almost sunny by comparison. Enya's contributions ("The Council of Elrond" and the song "May It Be") add a sense of organic tranquility, but it's Shore's Wagnerian-scaled orchestral score that should long be cherished by admirers of film music and hobbits alike. --Jerry McCulleyCustomer Reviews:
The music is good but the movie is better.......2007-04-10
A grand sountrack..........2007-01-10
Lord of the Rings Original Soundtracks, films 1 and 3.......2006-11-08
Awe inspiring!.......2006-10-02
It is the best of the three CDs!!!.......2006-09-10
I think that the other CDs are a bit repetitive once you've got this one, even if I still like the music of the second soundtrack 'The Two Towers'. As for the 3rd sequel, I seldom listen to it as there is only one track that I like, 'The Return of the King'.
Now, this first CD of the trilogy is actually very good. Thanks to Enya, it is haunting and the songs are beautiful. There are a few eery but melodious songs like 'The Council of Elrond', 'Lothlorien', 'May it Be'. I love the change of tempo, the balance between fast and slow movements in 'A Knife in the Dark', 'Flight to the ford', and 'Amon Hen' which is my favourite piece (the Death of Boromir) with the oboe sound mixed with the beat of the drums and finaly the haunting voice of the singer. Track 17 is also worth listening. I like this CD because you've got different tempos and melodies and Anya is a great singer to me. But I also enjoy listening to Emiliana Torrini's song 'Gollum's Song'in the second soundtrack...
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Diamonds in the Dark
Sarah Borges Manufacturer: Sugarhill [Country] ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000PDZJ12 Release Date: 2007-06-12 |
Tracks:
- The Day We Met
- Come Back To Me
- Stop And Think It Over
- Around 9
- Lonely Town Of Love
- False Eyelashes
- Modern Trick
- Belle Of The Bar
- Open Up Your Back Door
- Lord Only Knows
- Diablito
- Blind Love
Amazon.com
It's not by happenstance that "Come Back to Me," a fairly candid cover from X's Under the Big Black Sun, is the kickoff to Sarah Borges's second album, nor that the feisty country-singing Bostonian would find inspiration from a 25-year-old punk album. Actually, despite a host of twangy guitars and songs about love, longing, and retribution, Borges admits to having a greater fondness for Exene Cervenka's caterwauling--and '80s and '90s indie rock--than any vocal tutorial from Loretta Lynn. Pulsating tracks such as "Lonely Town" and "Diablito," and the poppy "Stop and Think It Over," tugged from the mold of the Go-Go's' Beauty and the Beat, are in debt to those influences without overshadowing what's left of the record: a rummage through the roots of American music. Borges lays down the honky-tonk ("False Eyelashes"), dishes out the blues ("Open Up Your Back Door"), and two-steps her way through an admission of commitment, inquiring "How many ways can I say that I love you?" ("The Day We Met"). Twelve songs. No filler. And a gifted artist on the rise. --Scott HolterCustomer Reviews:
Superb Sarah.......2007-07-07
Fasten your seat belts! You're in for a ride!.......2007-06-24
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Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
Francesco Cilea , Giacomo Meyerbeer , Giacomo Puccini , Franz Lehar , Vencenzo De Crescenzo , Salvatore Cardillo , Ernesto de Curtis , Agustin Lara , Pablo Sorozabal , Umberto Giordano , Leonard Bernstein , Vincenzo d' Annibale , Anonymous , Andrew Lloyd Webber , Alexander Sergeyevich Dargomizhsky , Juan De Dios Filiberto , Louis Louiguy , Ruggiero Leoncavallo , Rudolf Sieczynski , Joseph M. Lacalle , Eduardo di Capua , Zubin Mehta , Plácido Domingo , Luciano Pavarotti , and José Carreras Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000041XX Release Date: 1990-09-05 |
Tracks:
- Il Lamento Di Federico
- O Paradis
- Recondita Armonia - Luciano Pavarotti
- Dein ist Mein Ganzes Herz
- Rondine Al Nido - Luciano Pavarotti
- Core 'ngrato
- Torna A Surriento - Luciano Pavarotti
- Granada
- No Puede Ser
- L'impovviso
- E Lucevan Le Stelle
- Nessun Dorma
- Finale Medley: Maria - Tonight, 'O paese d' 'o sole, Cielito lINDO
- Memory, Ochi tchorniye, Caminito
- Mattinata ; Wien, Wien, Nur Du Allein, Amapola, 'O sole mio
- Encore: 'O sole mio
- Encore: Nessun Dorma
Amazon.com
Magic was created one starlit night in July 1990, when Luciano Pavarotti, Placido Domingo and José Carreras met onstage at the Baths of Caracalla in Rome and became the Three Tenors. They eschewed competitive instincts and cooperated in the spirit of mutual admiration to create one of the greatest musical events ever. This concert is an awe-inspiring orgy of the greatest hits for the tenor voice. Domingo and Pavarotti sing perfectly. The audience wins as these vocal supermen compete to seduce the hearts of the audience. One moment Domingo brings thrilling fire and pain to "E lucevan le stelle" from Tosca; the next, Pavarotti rises to heavenly heights in an inspired rendition of "Nessun dorma" from Turandot. Carreras is the competent little brother, one step behind the greatness of the big brothers from opera's Ponderosa. His singing isn't as captivating as that of the big boys; but his enthusiasm and passion are unrivaled. Mehta exquisitely captures the largeness of this bonanza through the grandiose orchestra. --Barbara Eisner BayerCustomer Reviews:
delivery went ok.......2006-11-14
A knockout performance .......2006-05-28
One of the most remarkable music performances I have seen.
The night that started it all!.......2005-11-02
If you are just discovering opera, suffice it to say; Buy this album!!! It was the concert that launched the 3 Tenors phenomenon. It is full of uplifting, heart- tugging favorites, and you will find yourself listening to it over and over. Buy the dvd as well. It imparts absolute electricity! I am a young pianist and vocalist, and this concert is truly inspiring to me! You won't regret one penny you spend on this!
Great singing from the three tenors.......2005-06-23
First of all I have to comment on the editorial review of this cd. I felt the reviewer is "belittling" José Carreras here by saying he's one step behind the big brothers and his singing isn't as captivating as that of the big boys.....?!?!? Of course I can only speak for myself, but I feel she's way out of line. And I'm starting to wonder if she's been listening to the cd at all? In my opinion you have to be dead not to be touched by his rendition of "Lamento di Federico" and "L'improvviso". If anybody can deliver a line it has to be Carreras. When it comes to his interpretation of "Granada" even conductor Zubin Mehta was gobsmacked. Watching the dvd you can see him putting down his baton and applauding. He even steps down from his podium to hug José.
I have to say I'm not too keen on the two other tenors, although I have to admit I loved Pavarotti's "Torna a Surriento" and "Rondine al nido". The thing about Pavarotti is that he has a great singing technique and he's also in possession of this "push-button" which make him sing a lot of high notes, but that alone isn't enough to stir emotion.
As for Domingo, even if he's giving it all in every song, and his "No puede ser" was great,I think he's a bit too much on the nasal side. He's okay when they all perform together, but his "E lucevan le stelle" is sending shivers down my spine - and not of delight. I'm practically unable to sit still and listen to his solos. If you really want "fire and pain" you should check out Carreras in the Tosca-recording from -80, or his recording from -76. It's really breathtaking and I promise you'll end up in tears!
At the end of this concert the three tenors perform a medley together. Their voices blend perfectly and it's powerful to listen to them giving it all. A lot of people are talking about their mis-pronounciations. I for one, think it only adds to the charm of the performers. Pavarotti has some problems with the English songs (okay, big problems..), Domingo stumbles in the words in the beginning of "Wien Wien nur du allein", and (this you'll see in the dvd) in the same song Carreras is actually reading the text from a piece of paper as he's singing and his facial expressions when getting his head around the German words are really hilarious. O sole mio as an encore is fabulous when Pavarotti pushes his button and shakes out all his high notes.... And I love it when the two other join forces and repeat his stunt to perfection.
All in all this is a wonderful album. And well worth 5 stars.... José alone gets 10 stars!!!
Excellent. Like summer sunshine. manna from heaven!.......2004-05-28
The concert was held during the World Cup in 1990 at the Baths of Caracella, which are ruins of the once great Roman baths. In this beautiful setting Luiciano Pavrotti, Jose Carreas and Placido Domingo came together for one of the best CD's ever made.
The singing is exquisite. The passion of the crowd in this live performance should equal the reaction of the listener. This is art at its highest level. It is a celebration of great music, not just of opera, but in my opinion, the soaring human spirit. What power to move the soul! You don't need to be an opera fan to enjoy this music. If you like any kind of music, you cannot help but be affected by the power of this special evening. And what an evening, those in attendance were lucky to have been there!!
The casual listener will already know some of these arias, as they are from some the great operas of all time. However, I believe even the most hardenend opera fan, unless he or she is a real stiff, cannot be helped to be but moved by this music.
It is heavenly! I recommend this CD to you, because in my humble opinion, it will bring sunshine to your heart!!! : )
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Judgement
VNV Nation Manufacturer: Metropolis Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NQR860 Release Date: 2007-04-10 |
Tracks:
- Prelude
- The Farthest Star
- Testament
- Descent
- Momentum
- Nemesis
- Secluded Spaces
- Illusion
- Carry You
- As It Fades
Album Description
VNV Nation's last album, Matter and Form (2005), was hailed by critics for its high-impact array of tone and sound, from hard hitting anthems to euphoric symphonies. In April 2007, the band is poised to release its next album, Judgement, which promises to be their most powerful and unique release to date. Having already broken the boundaries between industrial and other alternative music styles on Matter and Form, VNV Nation take this idea to new heights by creating a sound that is a collision of ever present insight, energy, emotion, past and future. From its fast pace, pounding bass-line and melody to its electric-guitar like synth sounds and Ronan Harris's thought provoking vocals, "Nemesis" rings through as one of VNV's most aggressive anthems to date. "Testament," which could be described as an electronic-indie anthem, "The Farthest Star" and "Carry You" provide a bright, hopeful outlook, while "Movement" presents a dark trance flavor to the band's ever expanding repertoire of song possibilities. The omniscient "Descent" sweeps in with dark electronic rhythms and lyrics that describe complete devastation, giving the yin to the yang of the ethereal ballad "Secluded Spaces" that makes you feel like nothing in the world could be more beautiful. With every album, VNV Nation manages to tear down more and more musical boundaries. Judgement will be their greatest achievement thus far.Customer Reviews:
They have been consistently better........2007-07-10
For more reviews and information please see [...]
I like it........2007-06-26
Excellent!.......2007-06-14
I highly suggest purchasing this album!
Another great VnV Nation album!!.......2007-06-13
Judgement hitting it off to one of thier better albums.......2007-06-13
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Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000850IS6 Release Date: 2005-05-03 |
Tracks:
- Star Wars and The Revenge Of The Sith
- Anakin's Dream
- Battle Of The Heroes
- Anakin's Betrayal
- General Grievous
- Palpatine's Teachings
- Grievous and the Droids
- Padme's Ruminations
- Anakin vs. Obi-Wan
- Anakin's Dark Deeds
- Enter Lord Vader
- The Immolation Scene
- Grievous Speaks to Lord Sidious
- The Birth Of The Twins and Padme's Destiny
- A New Hope and End Credits
Amazon.com
John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal
The Force Is Also with:
Star Wars Trilogy soundtrack box set |
Star Wars Episode II sountrack |
Star Wars Episode II, Attack of the Clones |
Star Wars Episode I, The Phantom Menace |
Star Wars Trilogy on DVD |
Star Wars, Episode III - Revenge of the Sith |
Customer Reviews:
Star Wars: A Musical Journey (2005) (V).......2007-06-21
The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.
With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.
Options: no subtitles or other options.
Not one of his bests, but very close.......2007-05-21
My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."
Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.
Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.
See Yu
John Williams' finest work.......2007-04-20
Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.
Bravo, Dan Mohr, and BRAVO John Williams!
A Great Conclusion to the Prequel Trilogy.......2007-04-07
Williams is slumming it.......2007-04-01
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Footsteps in the Dark: Greatest Hits, Vol. 2
Cat Stevens Manufacturer: A&M ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00009V7TP Release Date: 2003-06-24 |
Tracks:
- The Wind
- (I Never Wanted) To Be A Star
- Katmandu
- I Want To Live In A Wigwam
- Trouble
- On The Road To Find Out
- If You Want To Sing Out, Sing Out
- Where Do The Children Play?
- Daytime
- Don't Be Shy
- How Can I Tell You
- Father And Son
- The Hurt
- Silent Sunlight
Customer Reviews:
Just a great, album.......2007-07-09
Its not the hits that are on the first greatest hits, but I think they are better songs actually.
One of Cat Stevens most Listenable cds.......2007-07-04
I rate this cd 5 stars because it has my two favorite Cat Stevens tunes, "If you Want to Sing Out, Sing Out", and "Trouble" as well as several others on the top of my list of favorites. This whole cd is highly listenable. It only has really good songs on it with that rich meditative quality that first attracted me to his music. If you want a collection of Cat Steven's work, this is the one I recommend most highly. For one of his original albums, I recommend Tea for the Tillerman. The only thing that could beat these two would be the soundtrack to the film Harold and Maude.
After the long hiatus since his days performing as Cat Stevens, I am glad to see that Yusuf Islam has come back to his guitar. I heard a story that he realized that it was Muslims who introduced the West to Guitar and thus reembraced his instrument. For those of you who thought he was forever lost to us, check out his new cd as Yusuf Islam, "An Other Cup" and I think you will find yourself reconnected to where he left off.
loved it.......2007-04-01
The U.S. Release of Harold & Maude Motion Picture Soundtrack.......2007-03-05
The actual original soundtrack recording from the film was only released
in Japan (go figure) and do you think we can get a copy of it here in the
U.S.????
Harold and Maude fans, Cat Stevens fans, this is as good as it gets for
us in the U.S. A Harold and Maude Soundtrack w/ a few extra tracks thrown
in for good measure. Wigwam was released in the U.S. as a single at the
time the CD was released...they'd have been better off and more successful
releasing one of the lesser known tracks from Harold and Maude.
Like rediscovering an old friend.......2005-12-27
I know no selection will ever be complete. That's inevitable, natural, and expectable: that's precisely why they're called selections. But each of the tracks -from "Katmandu" to "Daytime", even the self-deprecating "(I never wanted) To be a star", and the classic "Father and Son"- shares a renewed vitality, an unexpected spark, an intimacy that makes you wonder what it was you'd been listening to all these years.
For the absolutist and obsesive collector (i.e. those who've got to have ALL the recording and versions of their favorite artists), "Footsteps" may be a little overkill.
But for the rest of us, who enjoy a good afternoon with Cat -and that have earned out way to a more than decent sound equipment not to be shared or touched by anybody else- this is an album worth re-purchasing, if only for the joy of hearing Cat Stevens they way it was meant to be heard.
And I can assure you, without a doubt, that you'll be singing along, at the top of your lungs, before you even realize it. If that's not what a reissue is for, then I've been buying them under the wrong pretences.
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Fiction
Dark Tranquillity Manufacturer: Century Media ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000NIIUYC Release Date: 2007-04-24 |
Tracks:
- Nothing To No One
- The Lesser Faith
- Terminus (Where Death Is Most Alive)
- Blind At Heart
- Icipher
- Inside The Particle Storm
- Empty Me
- Misery's Crown
- Focus Shift
- The Mundane And The Magic
Customer Reviews:
melodic death metal kings.......2007-06-17
another masterpiece under the belt........2007-06-04
With gorgeous pianos and keys shining alongside the ever-brilliant guitar leads and riffs, _Fiction_ also marks the return of Stanne's clean vocals on two tracks and a female-voice supported chorus on the final track, the stunning finale "The Mundane and the Magic". The music is very close to _Character_, but where _Character_'s tracks came off sounding a bit blurred together, _Fiction_'s variety and imagination shows that if anything, Dark Tranquillity is only getting better and may yet peak beyond even what they attained with their youthful masterworks of genre-defining melodeath godliness, _The Gallery_ and _The Mind's I_. In fact, this is the best album since those. Tracks like the grumbling opener "Nothing to No One", the soaring "Focus Shift", or the ripping speedmetal of "Blind at Heart" are mainstays of the band's modern sound, combining the band's literally unmatched ear for melody and arrangement with their impeccable classical (as in western art music) sense of development and structure. Also of great interest is the churning, massive "Inside the Particle Storm", the driving metal of "Misery's Crown", with its sparse clean verses, growly-crunchy choruses and bridge with a blistering riff that screams for air guitar, and of course the INCREDIBLE closer "The Mundane and the Magic", where Stanne and guest singer Nell trade off lines on the chorus to chilling effect, and verses develop with seething guitar crunch and melancholy piano. This song in a way evokes "Bolt of Blazing Gold" without sounding at all like it, and that is of course a good thing. The production has been compressed to a grey smear with little breathing room for the arrangements, heavy and thick, which would out of context appear as a bad thing were the music not so perfectly incredible. Any other production would feel like it belonged with a different recording.
Less melodic, more death.......2007-05-20
For some, this is a welcome change. But for me, DT's Damage Done represented the high-water mark in melodic death. It was full of pain and longing and rage, evoked through its haunting melodies. The album was very emotionally expressive (for metal) even when Mikael Stanne withheld his throaty rasping vocals. Fiction trades some of that for more aggressive riffs and dusty ambience.
Despite all this, the album is quite good. The opener "Nothing to No One" throws some well-placed blast beats in your face while retaining the DT feel. "Focus Shift" initially misdirects with a grooving downtuned riff, then layers the guitars on in anticipation of the fist-pumping anthemic chorus. It's also nice to hear several mini-guitar solos sprinkled in liberally throughout the album. Song quality is a little uneven compared to Damage Done, but if you wanted to read a review on that album you'd be on a different product page.
Currently without any real peers in this type of metal, Dark Tranquillity's stiffest competition is themselves. 4.25 stars.
More Groove than Earlier Releases.......2007-05-19
Many of the riffs display with a great attitude, and groove like a slower version of Fear Factory's Demanufacture. It's closest brother for comparison is Character, and it is amazingly eclipsed. The keyboards are allowed to take over large swaths of songs, and they provide that level of depth that only electronics can provide to an already great song. (Icipher, and Empty Me for that example.)
The album's overall atmospheric piece is "Inside the Particle Storm."
If you were to blend Character and Projector together, this is the album you would get.
Melodic Death Metal At Its Best!!.......2007-05-19
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Greatest Hits
Henry Mancini Manufacturer: RCA ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004Y9YB Release Date: 2000-09-26 |
Tracks:
- Peter Gunn
- A Profound Gass
- Snowfall
- Mr. Lucky
- The Great Impostor: Theme
- Moon River
- Breakfast at Tiffany's
- Experiment In Terror
- Hatari: Theme
- Baby Elephant Walk
- Just For Tonight (Vocal)
- Days Of Wine And Roses (Vocal)
- Charade (Vocal)
- The Pink Panther Theme
- Dear Heart (Vocal)
- How Soon (Vocal)
- A Shot In The Dark
- The Sweetheart Tree (Vocal)
- Two For The Road (Vocal)
- Love Theme From 'Romeo An Juliet'
- Whistling Away The Dark
- What's Happening!!
Customer Reviews:
Typical Mancini.......2007-03-25
It's Hard to Believe He's Gone.......2006-05-23
His work became synonymous with much-despised "elevator music" in the later 1960s. This stereotype (or monotype, for his earliest works) can mislead.
For example, "Lujon" [not in this collection] was used in a movie just last year to exemplify mystery and an exotic atmosphere.
Mancini dies way too young. While some would argue that he'd become a self-parody, his innate gifts compromised by relentless commercialization, you cannot take away his lasting gift to our culture. He was an original, and he captured an essence of our collective experience.
He's here in this collection, waiting round the bend, my Huckleberry friend.
Nostalgic.......2006-02-20
On connaît tous sa musique, beaucoup moins son nom..........2005-09-20
En effet, c'est lui qui a composé l'éternel thème de la Panthère Rose, et son mythique refrain de saxophone, définitivement associés au dessin animé du même nom, et qui invariablement provoquent sourires (voire moqueries) chez les non-initiés... Rappelons qu'au départ La Panthère Rose est un film réalisé par le génial Blake Edwards en 1964, avec l'inénarrable Peters Sellers dans le rôle principal, et que cette fameuse Panthère Rose désigne non pas un sympathique félin, mais un diamant d'une valeur inestimable, et dont le vol est à l'origine du scénario.
Mais sa contribution à l'histoire de la musique ne s'arrête pas là. En effet, on lui doit également le monumental Moon River, titre dont l'insurpassable limpidité mélodique est capable de me porter au bord des larmes en quelques mesures, repris entre autres par Sinatra et Morrissey et susurré par la délicieuse Audrey Hepburn dans Breakfast At Tiffany's. Et c'est toujours lui qui est à l'origine du thème explosif de Peter Gunn, avec sa ligne de basse à réveiller les morts et ses arrangements de cuivres qui traumatiseront toute une génération de compositeurs, Quincy Jones en tête...
En tout cas, cette compilation est une excellente introduction à l'univers de Henry Mancini, qui en mêlant arrangements jazzy, vocaux surannés et mélodies inoubliables, a tout simplement inventé la Lounge music, avant que ce mot ne désigne un vaste fourre-tout pour bobos peu curieux...
Henry Mancini's Greatest Hits.......2005-07-13
enjoy!!
Music Album:
- The Earth Rider - The Essential John Stewart 1964-1979
- The Essential Jim Reeves
- The Kingston Trio/...From the "Hungry i"
- The Man from God Knows Where
- The Man on the Flying Trapeze: Americana Series Volume 1
- The Songs of Robert Burns, Vol. 1
- The Ways of Man
- Unhalfbricking [Extra tracks] [Import]
- Valse Musette, Vol. 2
- Very Best Of Brooks & Dunn [Import]
