The Dark

Editorial Reviews

Amazon.com
The highest praise Guy Clark can hear about one of his songs is that his album-opening "Mud" could pass for the bluesy philosophizing of Townes Van Zandt. Clark additionally pays tribute to his late songwriting buddy by covering Van Zandt's "Rex's Blues," while the closing title track brings this song cycle full circle, thematically. Though not all the material has the depth of those three standouts, Clark's weathered vocals benefit from the recording's organic interplay of acoustic instruments and vocal harmonies, with Gillian Welch and David Rawlings providing guest support on "Arizona Star." "Magnolia Wind" finds plain-spoken poetry in the lilt of a country waltz, while "Bag of Bones" suggests that few writers are better than Clark at evoking folks on the verge of falling apart but somehow holding things together. While much of The Dark finds Clark slipping into some pretty familiar grooves, the collaboration with Terry Allen on "Queenie's Song" refutes the adage that you can't teach old dogs new tricks. --Don McLeese

The Dark,Guy Clark,Sugarhill [Country],Country,Country & Western,Folk & Traditional,Pop
Dark Side Of The Moon
Average customer rating: 4.5 out of 5 stars
  • Polished and pretentious.
  • Relevant Over 30 Years Later
  • wwords can barley describe
  • Dark Side Of The Moon Is Rock N' Roll's Definitive Masterwork
  • EXCELLENT: BUT THE BEST ALBUM EVER RECORDED ?
Dark Side Of The Moon
Pink Floyd
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002U82
Release Date: 1990-10-25

Tracks:

  1. Speak To Me/Breathe
  2. On The Run
  3. Time
  4. The Great Gig In The Sky
  5. Money
  6. Us And Them
  7. Any Colour You Like
  8. Brain Damage
  9. Eclipse

Amazon.com essential recording

Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve Williams

Customer Reviews:

3 out of 5 stars Polished and pretentious. .......2007-07-18

I listened to Pink Floyd when I was at school (late 1980s BTW). It just seemed the thing to do for a teenager. There was a feeling of thinking yourself more grown up listening to such a supposedly intelligent band. And maybe also a slight thrill of teenage rebellion in listening to a band that took drugs (gasp!)

Revsiting it so many years later it's hard to see what the fuss is about. It's a very well produced album I'll grant you that. Sound is excellent throughout (although perhaps Alan Parsons, not Pink Floyd themselves is mainly to thank for that) But *musically* I can't really see this as the greatest thing ever recorded, let alone greatest pop record.

Speak To Me- not really music,but an atmospheric intro
Breathe- Nice enough soft tune, but not really memorable. Water's is at his worst "butter wouldn't melt in my mouth" gentleness though.
On The Run - A synth going "bloobly bloobly blooby" to sound effects. Must have seemed clever in 1973 but it's just boring after about 3 listens.
Time- The first genuinely good song here. The guitar solo is about as good as the clean "understated" guitar style gets. Great intro too.
Great Gig In The Sky- Moving in parts, but a lot of the time it's just tuneless wailing.

Money- Floyd get funky. Meh. One of the first manifestations of Waters annoying "I hate the music business" fixation. Hey Roger my heart bleeds for you, with you having so much money. It's evil, I know.
Us And Them- Like Breathe, it's a quiet little song, quite pleasant, but to me it wouldn't sound out of place in Sesame Street.
Any Colour You Like - Hit and miss instrumental.
Brain Damage -Good song. I sometimes wonder though if Water's too obvious English pronounciations ("the lunatic is on the grawhss") are a turn on for Americans in the way that Monty Python's pronounciations of "bawwhhstid" have them in stitches.
Eclipse.- Nice ending to the album.

So overall, there are some good momemts here and there. But, in essence this album is essentially a soft rock album dressed up in Stanley Kubrick-esque pretentions. It's not "space rock", despite what people say. Early Tangerine Dream, for example, would have much more reason to call an album "Dark Side Of The Moon" than Pink Floyd.

I don't hate this album, I just don't think it's worth getting too excited over. I heard it in my formative years, but it's not music I think is worth revisiting.

5 out of 5 stars Relevant Over 30 Years Later.......2007-07-09

Incredibly, Dark Side Of The Moon, by Pink Floyd, was released almost 35 years ago. The amazing thing is that this excellent CD is still important and relevant today. I can listen to Us and Them over and over again. The hypnotic perfection of this CD is amazing. Most bands would love to have a collection of greatest hits that would rival this one album by this incredible band. If you have not heard this, you are in for a treat. A Five star masterpiece.

5 out of 5 stars wwords can barley describe.......2007-06-28

.........what they made in dark side of the moon. the best phycodelic experience ive heard

5 out of 5 stars Dark Side Of The Moon Is Rock N' Roll's Definitive Masterwork.......2007-05-22

If you are looking for a happy album, this isn't the one. The title of the album should give you a clue as to the mood of the songs. The title could just as easily be "The Dark Side Of The Earth". The recording paints a sad picture of the human condition. It shows the physical and mental consequences when a person is constantly being pressured by the competitive, workaholic society. The person as depicted in the album realizes that the inevitability of old age and mortality are rapidly approaching him as he recognizes that such a lifestyle is futile in the long run. In "Breathe", he is immediately told by society, most likely his parents, while he is very young that he must work hard and never take a break or a vacation in order that he may achieve great success in the world and get rich. The lure of the dollar is a powerful thing and many people, like the person depicted in Pink Floyd's masterpiece, worship it. The stress really builds up in "On The Run". He is constantly being bombarded by all the demands that society places upon him. "I got to perform. I got to catch that plane. I got to get to that meeting on time." He is constantly on the move, never resting or taking time to enjoy all of life's pleasures. He says," I will work until I die. I'll sleep when I'm dead. Retirement is for sissies." In "Time", he reviews his life so far and realizes it was all for nothing. He is left to confront old age and his own mortality and realizes lost opportunities. He could've spent more time with his family or friends. He could've gone to church and learned about God and spirituality. He "runs and runs to catch up with the sun" and has a physical and mental breakdown. Death eventually comes to him in "The Great Gig In The Sky". On his deathbed, he says, "And I am not afraid of dying. Any time will do, I don't mind. Why should I be afraid of dying? There's no reason for it. You got to go sometime." "Money" confronts the evils of capitalism in all its ugliness. The song says that the rich and famous are human too and they must also confront the harsh realities of life sooner or later, whether it is the death of a loved one or their own deaths. "Us And Them" looks at the futility of war and competition and says that we are all ordinary men and women and we must all get along and work together for peace because human life is short and fragile. "Brain Damage" shows how normal men and women can sometimes lose their peace of mind and even their sanity when confronted by all the demands of society. "Eclipse" summarizes the futility of working so hard to amass the most wealth because sooner or later everything "under the sun" will disappear and all that will be left is complete darkness. "And everything under the sun is in tune but the sun is eclipsed by the moon." The "eclipse" is one's own death. This album should be listened to by all the so-called "Type A" people or workaholics who are constantly chasing after success and material gain. A great rock masterpiece that should be listened to again and again.

5 out of 5 stars EXCELLENT: BUT THE BEST ALBUM EVER RECORDED ?.......2007-05-19

I know most all of you Pink Floyd fans are going to disagree with me, and nothing I say will ever change your mind about it, but it is now 2007 and this album just does not have any content that would qualify it as the best album ever recorded. Yes, back in early 1973 when this album was released it was groundbreaking and fantastic, which is exactly why it was number one for so long. It was definitely as they say, 'in the right place at the right time'. But it is now almost 35 years later, and while the album does stand the test of time, it is certainly not the best album ever recorded. Sure the album is ambient and brilliant, but you still must truthfully ask yourself two questions:
1) Lyrically is this the best album ever written?
I think not; and can you really disagree with me? You can't honestly believe that there's not been a single artist in 35 years that's penned a better album. Think about it, lyrically there is nothing that is absolutely extraordinary about this album. You must know that since 1973 there are many artists that have presented far better lyrical content in their recordings.
2) Musically is this the best album ever written?
Again the music is excellent, but it is in fact the mood and the sonic soundscape this album creates that has given it its timeless appeal. Well, I know that technicality was not the point of this album, but from the standpoint of technicality, and even musicianship, in 2007 this album contains nothing that has not been greatly surpassed. This is not arguable. Furthermore, since many contend that this is the best album ever recorded, this begs the logical question: are any of the members of Pink Floyd considered to be the best or one of the best in the world on their given instrument? The answer to that question is quite simply: no. I don't like to sound so critical because I too like Pink Floyd and this album, but all of this gushing praise and superlative language use does warrant that someone with conviction submit a differing perspective.
Now, I can certainly understand why many people say this is the best album ever recorded, in most cases this will be because you were there in the era when the album was released, it took you on a musical journey to a place you've never been before, and it holds a special place in your heart. But just ask anyone of a generation prior to yours what the best album ever recorded is and they will almost certainly give you answers you don't agree with, and nothing you say will ever change their minds about it, even though you know their answer is entirely generation related. However, with all of that being said, being born in the 60's I too was there in the era when this album was released, but I just cannot yield to popular opinion or agree with the unquestioning masses that this is the best album ever recorded, when it quite simply is not. This is my honest opinion, and whether you agree or do in fact disagree with me don't be a sheep let popular opinion tell you what you should and shouldn't listen to, or what the best album ever is.
Dark Side of the Moon 30th Anniversary Edition
Average customer rating: 4.5 out of 5 stars
  • 5+ STAR SACD, 2 star CD
  • Fantastic
  • " Essential "
  • great mix
  • The answer to my audiophile dream.
Dark Side of the Moon 30th Anniversary Edition
Pink Floyd
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008CLOA
Release Date: 2003-03-25

Tracks:

  1. Speak To Me/Breathe
  2. On The Run
  3. Time
  4. The Great Gig In The Sky
  5. Money
  6. Us And Them
  7. Any Colour You Like
  8. Brain Damage
  9. Eclipse

Amazon.com essential recording

Dark Side of the Moon, originally released in 1973, is one of those albums that is discovered anew by each generation of rock listeners. This complex, often psychedelic music works very well because Pink Floyd doesn't rush anything; the songs are mainly slow to mid-tempo, with attention paid throughout to musical texture and mood. The sound effects on songs like "On the Run," "Time" and especially "Money" (with sampled sounds of clinking coins and cash registers turned into rhythmic accompaniment) are impressive, especially when we remember that 1973 was before the advent of digital recording techniques. This is probably Pink Floyd's best-known work, and it's an excellent place to start if you're new to the band. --Genevieve Williams

Album Description

The Super Audio CD (SACD) features two disc layers. One layer contains a standard version of the album that works on any CD player. The other layer includes high-resolution stereo and a 5.1 surround version of the recording that works on SACD-compatible DVD players and home theater systems. Both layers employ SACD's Direct Stream Digital (DSD) encoding process that samples the music 64 times faster than CD for unprecedented fidelity.

Album Description

Full Title - Dark Side of the Moon 30th Anniversary Edition. It's been 30 years since 'Floyd released their masterwork, and it's been on the charts for most of them! And now comes a new dimension to what was already the ultimate headphone experience-this new edition includes a newly-remastered conventional version and a Super Audio CD 5.1 surround mix version playable on SACD-compatible DVD players and home theater systems. Original designer Storm Thorgerson chips in with new art inside the 20-page booklet. Capitol. 2003.

Customer Reviews:

5 out of 5 stars 5+ STAR SACD, 2 star CD.......2007-07-18

The SACD stereo and 5.1 surround versions of Dark Side of the Moon are the only way currently available to experience this album as Pink Floyd intended it to be heard. If you don't have an SACD player or a DVD player that plays SACDs and don't intend to buy one, don't buy this album. The regular CD version sounds better. The CD layer on this is too compressed and too loud and might be OK in a noisy car with the windows open, but forget about it on even a low quality home system. I say this as someone who loves Dark Side of the Moon.

I have thought that Dark Side of the Moon is one of the finest albums ever made for over 30 years. I have 2 copies of the British SQ Quad version, an unopened backup and a copy I play on rare occasions. I also have one opened and 2 still-sealed Stereo LP pressings. All 5 of these are British Harvest pressings circa 1977. I also have an opened and a sealed Mobile Fidelity LP pressing, and my original American Capital pressing. In my opinion the late 70s British Stereo pressings beat all comers. The MFSL is crisper and has more detail but, fatally, less atmosphere. But it is a good second choice and occasionally a good alternate listen. The British Quad pressing has cleaner, quieter surfaces than the American Capital and is clearly a different (but inferior) mix, which makes for an interesting alternate listen on a rare occasion, but the sound quality and mix are actually better on the American Capital. If you are listening for sound quality, the SQ is a poor fourth among these 4 versions. If you want quad or surround, any of the other 3 played through Dynaquad or Dolby Surround some other ambiance recovery arrangement gives a much more satisfying experience. My comments on British pressings are limited to late 1970s pressings. I say this because I picked up a British stereo pressing of Wish You Were Here about 1986 and it sounds muffled compared to my Japanese stereo and British Quad pressings from the 70s, so I wouldn't vouch for later British pressings, though it is possible they may be satisfactory on Dark Side. The British Quad pressing of Wish You Were Here stands with the British Stereo pressing of Dark Side in terms of sound quality and quality of listening experience. The mix is different from and superior to the stereo version of Wish You Were Here, whether played back in stereo or in quad (and I wish Sony would release it on SACD).

Because my LPs sounded so good I never bothered to get CD versions of most of Pink Floyd, though I did pick up the Mobile Fidelity Gold CD of Dark Side, and later the Doug Sax remastered CD Box set, Shine On, which includes many but not all of the albums. I occasionally listen to some of them but mostly I still listen to the vinyl versions. Except...

The SACD. In addition to the lousy sounding CD layer, you have 2 choices on the SACD layer, Stereo, or a new 5.1 channel mix from the original multi-track analog masters. Earlier I said that late 70s British Stereo LP pressings beat all comers. Let me qualify that. The stereo SACD version equals it. It is very difficult to hear any difference between my always carefully played 1977 British Stereo pressing and the SACD stereo tracks (except there is some very slight surface noise on the LP--but it is not yet objectionable enough to make me break the seal on one of my other copies). Old British stereo pressings are basically going to be impossible to find. This is a worthy substitute. There is also the new 5.1 channel mix. If you like surround sound you'll love this. I love surround sound and listen to most stereo sources with Dynaquad passive ambiance recovery. This new surround mix is about equal to the stereo mix but different, exchanging a little more clarity for a little less of the mysterious. It is a worthy alternative (unlike the old SQ version). I listen to both.

So buy this SACD while it is still available if you like this music. If you don't have an SACD player, don't listen to it yet. But get yourself one of the universal DVD players that plays SACD (and DVD-A, too, preferably) and you are in for a treat. And some of the dedicated SACD players sound even better. Let me repeat: the SACD stereo and 5.1 surround versions of Dark Side of the Moon are the only way currently available to experience this album as Pink Floyd intended it to be heard.

5 out of 5 stars Fantastic.......2007-07-09

Incredibly, Dark Side Of The Moon, by Pink Floyd, was released almost 35 years ago. The amazing thing is that this excellent CD is still important and relevant today. I can listen to Us and Them over and over again. The hypnotic perfection of this CD is amazing. Most bands would love to have a collection of greatest hits that would rival this one album by this incredible band. If you have not heard this, you are in for a treat. A Five star masterpiece.

5 out of 5 stars " Essential ".......2007-06-27

A timeless piece of classic FLOYD. If it's not already in your collection - Get It!

5 out of 5 stars great mix.......2007-06-14

Quick turnaround and great product. This album is always classic, but with the new mix and the proper geat it will blow what's left of your brain cells.

5 out of 5 stars The answer to my audiophile dream........2007-06-09

I have tried to purchase every possible version of this cd paid hundreds of dollars for the so call 1st,2nd,3rd and 4th press...only to be disappointed by all of them.LET ME PUT AN END TO ALL THE SPECULATION AND CONFUSSION...THIS IS THE ONE AND ONLY ULTIMATE IN SOUND QUALITY PERIOD.The only catch is that you must have a SUPER AUDIO MULTICHANNEL SURROUND SYSTEM....the sound quality will leave you speachless.
The Lord of the Rings: The Fellowship of the Ring
Average customer rating: 4.5 out of 5 stars
  • The music is good but the movie is better
  • A grand sountrack...
  • Lord of the Rings Original Soundtracks, films 1 and 3
  • Awe inspiring!
  • It is the best of the three CDs!!!
The Lord of the Rings: The Fellowship of the Ring

Manufacturer: Reprise / Wea
ProductGroup: Music
Binding: Audio CD

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  5. Harry Potter and the Sorcerer's Stone - Original Motion Picture Soundtrack

ASIN: B00005QZWI
Release Date: 2001-11-20

Tracks:

  1. The Prophecy
  2. Concerning Hobbits
  3. The Shadow Of The Past
  4. The Treason Of Isengard
  5. The Black Rider
  6. At The Sign Of The Prancing Pony
  7. A Knife In The Dark
  8. Flight To The Ford
  9. Many Meetings
  10. The Council Of Elrond [featuring the song "Aniron (Theme For Aragorn And Arwen)" composed & performed by Enya]
  11. The Ring Goes South
  12. A Journey In The Dark
  13. The Bridge Of Khazad Dum
  14. Lothlorien
  15. The Great River
  16. Amon Hen
  17. The Breaking Of The Fellowship
  18. May It Be [composed & performed by Enya]

Amazon.com

Score composer Howard Shore has informed this first installment of the Lord of the Rings trilogy with his distinctly modern sensibilities. Revolving loosely around a brief, heroic brass theme, this epic is infused with a powerful rhythmic thrust and a musical range that encompasses centuries (from the Renaissance pastoralism of "Concerning Hobbits" to the fiery, Prokofiev-influenced drama of "A Knife in the Dark"). Key to the score's sense of mystery and magical place are the rich choral passages that are interspersed throughout, some so ominously gothic they make The Phantom Menace's "Duel of the Fates" sound almost sunny by comparison. Enya's contributions ("The Council of Elrond" and the song "May It Be") add a sense of organic tranquility, but it's Shore's Wagnerian-scaled orchestral score that should long be cherished by admirers of film music and hobbits alike. --Jerry McCulley

Customer Reviews:

4 out of 5 stars The music is good but the movie is better.......2007-04-10

I really enjoyed the 3 series of The Lord of the Rings movie so I wanted the music. The soundtracks are good but if you like the movie the soundtracks watch the movie. They remind you of certain parts in the movie like the song Concerning Hobbits. The song is whimsical. Enyna has a great voice, very haunting. The Ring Goes South is another favorite of mine. I can enjoy these soundtracks as classical or dramatic music. I bought them because I loved the Lord of the Rings which has many similarities to Braveheart. Bravery, courage, strength, honesty, selflessness, love and other good human qualities people try to attain and admire them in the people and movies they view.

5 out of 5 stars A grand sountrack..........2007-01-10

One of Howard Shore's best soundtracks around. The music is strong enough to tell its own separate story apart from FOTR. You will never tire of the heart-pounding excitement from The Bridge of Kazaad-Dum track.

5 out of 5 stars Lord of the Rings Original Soundtracks, films 1 and 3.......2006-11-08

Having made an earlier mistake of buying 2 C.D.'s which were not original soundtrack, I can truthfully say these are the best. If you are a Lord of the Rings fan, look no further - no one does it better than The London Philharmonic Orchestra conducted by the composer Howard Shore. You will be back in Middle Earth reliving all those wonderful scenes. I bought only The Fellowship of the Ring and The Return of the King from Amazon.com because I already had the Two Towers from Amazon.co.uk and I would recommend all three - magical.

5 out of 5 stars Awe inspiring!.......2006-10-02

What can I say that hasn't already been said about Howard Shore's magnificent score for the "Lord of the Rings" trilogy? A soundtrack can define the whole atmosphere of a film, and this fully orchestrated work certainly does that with sweep, splendor and wonder, alternately humanizing (hobbit-izing?) the characters, imbuing the landscape with magic and capturing the world-shaking impact of events of mythic proportions. And this was no easy task considering the iconoclastic status of the story and the superb quality of Peter Jackson's filmmaking. This is a truly a soundtrack for the ages--a fitting accompaniment to a film for the ages! Every aspect of life, from the extreme to the mundane, is captured in this music. Listening to it can make every remembered moment of the movie come alive again in your mind, from the most horrific battle to the smallest moment of humor or kindness. I think this first one is my favorite of the three "Lord of the Rings" soundtracks. I enjoy the juxtaposition of the lighter moments, like the sweet, simple hobbit theme, with the grander and more menacing sections of the music. (That despite the fact that said hobbit theme begins exactly like the first phrase of the Protestant hymn "This Is My Father's World," which prompts me to think of the hobbits trouping off to Sunday school every time I hear it. But now when I hear the hymn, I think of Lord of the Rings, so I suppose all's fair!) What impressed me most as I watched "The Fellowship of the Ring" was how scary the music was when the hobbits were being pursued. Those relentless drums and eerily screaming drums made the hairs on the back of my neck stand up, even though I knew the story like the back of my hand and knew for a fact that the poor little heroes would manage to escape. But the music truly made me wonder otherwise ... Now that's good composition! And the fact that the filmmakers chose to include background music in so many of the scenes, almost continuously ... well, that's just good filmmaking! The other impressive thing about Howard Shore's score is how the voicing and repeating motifs tie the whole thing together, like the finest of symphonies. The total effect is utterly convincing and utterly transporting. Peter Jackson chose well when he picked Shore as his score writer. Very, very well! Be sure to get the scores from the other two movies in the trilogy as well - "The Two Towers" and "Return of the King." They seem to be available in no end of different packagings, including ones with bonus DVDs about the creation of the score. Also, make sure to get the extended edition DVDs of the movie itself, with hours and hours of fascinating commentaries and behind-the-scenes documentaries about the making of the films. Truly a bargain at any price! And for more seminal soundtracks, try John Williams' defining scores for the "Star Wars" series and Basil Poledouris's spectacular score for the original "Conan the Barbarian."

5 out of 5 stars It is the best of the three CDs!!!.......2006-09-10

For me, the music of the first sequel is my favourite since this is also the sequel that I prefer in the trilogy (I remember being blown away by the quality of this movie, the actors, the setting, the action scenes, the special effects, the moving relationships between all the characters and of coourse the music)
I think that the other CDs are a bit repetitive once you've got this one, even if I still like the music of the second soundtrack 'The Two Towers'. As for the 3rd sequel, I seldom listen to it as there is only one track that I like, 'The Return of the King'.
Now, this first CD of the trilogy is actually very good. Thanks to Enya, it is haunting and the songs are beautiful. There are a few eery but melodious songs like 'The Council of Elrond', 'Lothlorien', 'May it Be'. I love the change of tempo, the balance between fast and slow movements in 'A Knife in the Dark', 'Flight to the ford', and 'Amon Hen' which is my favourite piece (the Death of Boromir) with the oboe sound mixed with the beat of the drums and finaly the haunting voice of the singer. Track 17 is also worth listening. I like this CD because you've got different tempos and melodies and Anya is a great singer to me. But I also enjoy listening to Emiliana Torrini's song 'Gollum's Song'in the second soundtrack...
Diamonds in the Dark
Average customer rating: 0 out of 5 stars
  • Superb Sarah
  • Fasten your seat belts! You're in for a ride!
Diamonds in the Dark
Sarah Borges
Manufacturer: Sugarhill [Country]
ProductGroup: Music
Binding: Audio CD

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  1. Silver City
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ASIN: B000PDZJ12
Release Date: 2007-06-12

Tracks:

  1. The Day We Met
  2. Come Back To Me
  3. Stop And Think It Over
  4. Around 9
  5. Lonely Town Of Love
  6. False Eyelashes
  7. Modern Trick
  8. Belle Of The Bar
  9. Open Up Your Back Door
  10. Lord Only Knows
  11. Diablito
  12. Blind Love

Amazon.com

It's not by happenstance that "Come Back to Me," a fairly candid cover from X's Under the Big Black Sun, is the kickoff to Sarah Borges's second album, nor that the feisty country-singing Bostonian would find inspiration from a 25-year-old punk album. Actually, despite a host of twangy guitars and songs about love, longing, and retribution, Borges admits to having a greater fondness for Exene Cervenka's caterwauling--and '80s and '90s indie rock--than any vocal tutorial from Loretta Lynn. Pulsating tracks such as "Lonely Town" and "Diablito," and the poppy "Stop and Think It Over," tugged from the mold of the Go-Go's' Beauty and the Beat, are in debt to those influences without overshadowing what's left of the record: a rummage through the roots of American music. Borges lays down the honky-tonk ("False Eyelashes"), dishes out the blues ("Open Up Your Back Door"), and two-steps her way through an admission of commitment, inquiring "How many ways can I say that I love you?" ("The Day We Met"). Twelve songs. No filler. And a gifted artist on the rise. --Scott Holter

Customer Reviews:

5 out of 5 stars Superb Sarah.......2007-07-07

I was walking down the street in Seattle and heard a band playing at one of those lunch time concert things. The music is usually so bad at those shows that I run away, but this time I heard the loveliest voice echoing around concrete and glass "park." I was hooked. I wandered over to watch the band, and it was even better than I had hoped. Sarah and her top-notch band were exhausted from travel, but rockin' out and having so much fun that the crowd kept growing and growing. I bought the Diamonds in the Dark CD after the concert, and they're every bit as good in the studio as they are live. A rich, varied disc with a lot of heart. Buy it! You won't be disappointed.

5 out of 5 stars Fasten your seat belts! You're in for a ride!.......2007-06-24

Whoa! Sarah roars back with another fantastic CD. Every song is great. A little country, a little punk. Pure pop for now people. Sarah played Fitzgeralds last weekend and she blew the roof off. Just unbelievable. There truly is no god if 'The Day We Met' isn't playing on every ipod by the end of the summer. Actually, any song on this CD could be a hit. It's a pleasure to hear 'Come Back to Me' again. I think Sarah played every song from her two records at Fitgeralds and it was easily one of the best and coolest shows I've ever seen. Whether she's wailing louder than her guitar onslaught or purring softly she is in full command. This is ROCK at its very best. Yesterday I heard Nick Lowe on the radio and he said that there is nothing new worth listening to. Someone give this guy a copy of this CD. Hell, Sarah could've been in Rockpile! Nick, do yourself a favor and check this out!
Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
Average customer rating: 4.5 out of 5 stars
  • delivery went ok
  • A knockout performance
  • The night that started it all!
  • Great singing from the three tenors
  • Excellent. Like summer sunshine. manna from heaven!
Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
Francesco Cilea , Giacomo Meyerbeer , Giacomo Puccini , Franz Lehar , Vencenzo De Crescenzo , Salvatore Cardillo , Ernesto de Curtis , Agustin Lara , Pablo Sorozabal , Umberto Giordano , Leonard Bernstein , Vincenzo d' Annibale , Anonymous , Andrew Lloyd Webber , Alexander Sergeyevich Dargomizhsky , Juan De Dios Filiberto , Louis Louiguy , Ruggiero Leoncavallo , Rudolf Sieczynski , Joseph M. Lacalle , Eduardo di Capua , Zubin Mehta , Plácido Domingo , Luciano Pavarotti , and José Carreras
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000041XX
Release Date: 1990-09-05

Tracks:

  1. Il Lamento Di Federico
  2. O Paradis
  3. Recondita Armonia - Luciano Pavarotti
  4. Dein ist Mein Ganzes Herz
  5. Rondine Al Nido - Luciano Pavarotti
  6. Core 'ngrato
  7. Torna A Surriento - Luciano Pavarotti
  8. Granada
  9. No Puede Ser
  10. L'impovviso
  11. E Lucevan Le Stelle
  12. Nessun Dorma
  13. Finale Medley: Maria - Tonight, 'O paese d' 'o sole, Cielito lINDO
  14. Memory, Ochi tchorniye, Caminito
  15. Mattinata ; Wien, Wien, Nur Du Allein, Amapola, 'O sole mio
  16. Encore: 'O sole mio
  17. Encore: Nessun Dorma

Amazon.com

Magic was created one starlit night in July 1990, when Luciano Pavarotti, Placido Domingo and José Carreras met onstage at the Baths of Caracalla in Rome and became the Three Tenors. They eschewed competitive instincts and cooperated in the spirit of mutual admiration to create one of the greatest musical events ever. This concert is an awe-inspiring orgy of the greatest hits for the tenor voice. Domingo and Pavarotti sing perfectly. The audience wins as these vocal supermen compete to seduce the hearts of the audience. One moment Domingo brings thrilling fire and pain to "E lucevan le stelle" from Tosca; the next, Pavarotti rises to heavenly heights in an inspired rendition of "Nessun dorma" from Turandot. Carreras is the competent little brother, one step behind the greatness of the big brothers from opera's Ponderosa. His singing isn't as captivating as that of the big boys; but his enthusiasm and passion are unrivaled. Mehta exquisitely captures the largeness of this bonanza through the grandiose orchestra. --Barbara Eisner Bayer

Customer Reviews:

4 out of 5 stars delivery went ok.......2006-11-14

the item was delivered to me on-time and with no problems. however,i was looking for a DVD and not a audio Cd. might be good to clearly differentiate when the product is being advertised or shown.

5 out of 5 stars A knockout performance .......2006-05-28

Like so many of the reviewers here I am not an opera aficionado. But I sensed immediately the night I saw this concert on television that this was one of those 'remarkable' artistic events. Domingo and Pavarotti both have such strength and beauty in their voices that they overwhelm. Carreras adds flavor and enthusiasm.
One of the most remarkable music performances I have seen.

5 out of 5 stars The night that started it all!.......2005-11-02

You can read the technical information about the contents of this CD above. That is not what this review is about. I became intrested in opera about 1 1/2 years ago because of happening upon Mario Lanza. Since then, I have experienced many great truly operatic voices, including the "King," Pavarotti.
If you are just discovering opera, suffice it to say; Buy this album!!! It was the concert that launched the 3 Tenors phenomenon. It is full of uplifting, heart- tugging favorites, and you will find yourself listening to it over and over. Buy the dvd as well. It imparts absolute electricity! I am a young pianist and vocalist, and this concert is truly inspiring to me! You won't regret one penny you spend on this!

5 out of 5 stars Great singing from the three tenors.......2005-06-23

This cd is a must-have for anyone interested in opera - or beautiful singing. And when you're at it - why don't buy the dvd from the concert? It will make you appreciate the cd even more.

First of all I have to comment on the editorial review of this cd. I felt the reviewer is "belittling" José Carreras here by saying he's one step behind the big brothers and his singing isn't as captivating as that of the big boys.....?!?!? Of course I can only speak for myself, but I feel she's way out of line. And I'm starting to wonder if she's been listening to the cd at all? In my opinion you have to be dead not to be touched by his rendition of "Lamento di Federico" and "L'improvviso". If anybody can deliver a line it has to be Carreras. When it comes to his interpretation of "Granada" even conductor Zubin Mehta was gobsmacked. Watching the dvd you can see him putting down his baton and applauding. He even steps down from his podium to hug José.

I have to say I'm not too keen on the two other tenors, although I have to admit I loved Pavarotti's "Torna a Surriento" and "Rondine al nido". The thing about Pavarotti is that he has a great singing technique and he's also in possession of this "push-button" which make him sing a lot of high notes, but that alone isn't enough to stir emotion.

As for Domingo, even if he's giving it all in every song, and his "No puede ser" was great,I think he's a bit too much on the nasal side. He's okay when they all perform together, but his "E lucevan le stelle" is sending shivers down my spine - and not of delight. I'm practically unable to sit still and listen to his solos. If you really want "fire and pain" you should check out Carreras in the Tosca-recording from -80, or his recording from -76. It's really breathtaking and I promise you'll end up in tears!

At the end of this concert the three tenors perform a medley together. Their voices blend perfectly and it's powerful to listen to them giving it all. A lot of people are talking about their mis-pronounciations. I for one, think it only adds to the charm of the performers. Pavarotti has some problems with the English songs (okay, big problems..), Domingo stumbles in the words in the beginning of "Wien Wien nur du allein", and (this you'll see in the dvd) in the same song Carreras is actually reading the text from a piece of paper as he's singing and his facial expressions when getting his head around the German words are really hilarious. O sole mio as an encore is fabulous when Pavarotti pushes his button and shakes out all his high notes.... And I love it when the two other join forces and repeat his stunt to perfection.

All in all this is a wonderful album. And well worth 5 stars.... José alone gets 10 stars!!!

5 out of 5 stars Excellent. Like summer sunshine. manna from heaven!.......2004-05-28

This CD is terrific on so many levels. In celebration of one of the world's great sporting events - the World Cup of football (soccer to us stateside), three great tenors and one masterful conductor (Zubin Mehta) were brought together in one of the world's great cities - Rome -- for a special evening that we are blessed to have been able to listen to again and again.

The concert was held during the World Cup in 1990 at the Baths of Caracella, which are ruins of the once great Roman baths. In this beautiful setting Luiciano Pavrotti, Jose Carreas and Placido Domingo came together for one of the best CD's ever made.

The singing is exquisite. The passion of the crowd in this live performance should equal the reaction of the listener. This is art at its highest level. It is a celebration of great music, not just of opera, but in my opinion, the soaring human spirit. What power to move the soul! You don't need to be an opera fan to enjoy this music. If you like any kind of music, you cannot help but be affected by the power of this special evening. And what an evening, those in attendance were lucky to have been there!!

The casual listener will already know some of these arias, as they are from some the great operas of all time. However, I believe even the most hardenend opera fan, unless he or she is a real stiff, cannot be helped to be but moved by this music.

It is heavenly! I recommend this CD to you, because in my humble opinion, it will bring sunshine to your heart!!! : )
Judgement
Average customer rating: 0 out of 5 stars
  • They have been consistently better.
  • I like it.
  • Excellent!
  • Another great VnV Nation album!!
  • Judgement hitting it off to one of thier better albums
Judgement
VNV Nation
Manufacturer: Metropolis Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000NQR860
Release Date: 2007-04-10

Tracks:

  1. Prelude
  2. The Farthest Star
  3. Testament
  4. Descent
  5. Momentum
  6. Nemesis
  7. Secluded Spaces
  8. Illusion
  9. Carry You
  10. As It Fades

Album Description

VNV Nation's last album, Matter and Form (2005), was hailed by critics for its high-impact array of tone and sound, from hard hitting anthems to euphoric symphonies. In April 2007, the band is poised to release its next album, Judgement, which promises to be their most powerful and unique release to date. Having already broken the boundaries between industrial and other alternative music styles on Matter and Form, VNV Nation take this idea to new heights by creating a sound that is a collision of ever present insight, energy, emotion, past and future. From its fast pace, pounding bass-line and melody to its electric-guitar like synth sounds and Ronan Harris's thought provoking vocals, "Nemesis" rings through as one of VNV's most aggressive anthems to date. "Testament," which could be described as an electronic-indie anthem, "The Farthest Star" and "Carry You" provide a bright, hopeful outlook, while "Movement" presents a dark trance flavor to the band's ever expanding repertoire of song possibilities. The omniscient "Descent" sweeps in with dark electronic rhythms and lyrics that describe complete devastation, giving the yin to the yang of the ethereal ballad "Secluded Spaces" that makes you feel like nothing in the world could be more beautiful. With every album, VNV Nation manages to tear down more and more musical boundaries. Judgement will be their greatest achievement thus far.

Customer Reviews:

3 out of 5 stars They have been consistently better........2007-07-10

If you are a fan of VNV Nation from the days of Praise the Fallen and Empires then about half of the tracks on this album are for you. However the other tracks are experiments in a trend that they have been following since Futureperfect. I am still not sure how I feel about this. I enjoy electronic music, but I feel that there is something amiss with Futureperfect and Matter + Form. All the same, I would have to say that for the die-hard VNV fan this will definitely be a good addition to your collection.

For more reviews and information please see [...]

5 out of 5 stars I like it........2007-06-26

I don't think this album is nearly as good as Empires, but certainly don't think it's crap. I have grown to love VnV Nation. I will admit that sometimes I wish that I had a clearer understanding of what the lyrics are about, but I think I get it. I have my interpretation and I guess that's the only interpretaion that matters. VnV Nation make excelent Future pop music that is great music to drive to, dance to, or play around your house while your cleaning. High energy trance beats with pasionate singing and dark atmosphere. Great production by Ronan Harris, and another good album. I'm not dissapointed, but there are quite a few people who are.

5 out of 5 stars Excellent!.......2007-06-14

This CD is wonderful for any VNV Nation fan. I've listened to this album time and time again and truly a great album.

I highly suggest purchasing this album!

5 out of 5 stars Another great VnV Nation album!!.......2007-06-13

This is one of those bands that pisses people off because they have become populur in the "underground" scene. The truth be, VnV Nation have never released a radio hit in the States, never a top 40 video, never a Rolling Stone cover, never, never, never...nada! This band keeps pumping out solid electro/synth pop albums that pack out every dance floor in the goth/industrial club scene accross the map. This album is no exception to thier greatness. All of the songs are deep, emotionally charged, introspective, metaphoric, and classic future pop anthems that you want to play over and over again in your CD player. This is the most important band in the entire future pop genre!!!!!! (Just in case you didn't allreday know).

5 out of 5 stars Judgement hitting it off to one of thier better albums.......2007-06-13

All around this album is very well put together, Nemesis (song 6) is especially good.
Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
Average customer rating: 4.5 out of 5 stars
  • Star Wars: A Musical Journey (2005) (V)
  • Not one of his bests, but very close
  • John Williams' finest work
  • A Great Conclusion to the Prequel Trilogy
  • Williams is slumming it
Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  5. Star Wars: Episode IV - A New Hope

ASIN: B000850IS6
Release Date: 2005-05-03

Tracks:

  1. Star Wars and The Revenge Of The Sith
  2. Anakin's Dream
  3. Battle Of The Heroes
  4. Anakin's Betrayal
  5. General Grievous
  6. Palpatine's Teachings
  7. Grievous and the Droids
  8. Padme's Ruminations
  9. Anakin vs. Obi-Wan
  10. Anakin's Dark Deeds
  11. Enter Lord Vader
  12. The Immolation Scene
  13. Grievous Speaks to Lord Sidious
  14. The Birth Of The Twins and Padme's Destiny
  15. A New Hope and End Credits

Amazon.com

John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal

The Force Is Also with:


Star Wars Trilogy soundtrack box set

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Star Wars Episode I, The Phantom Menace

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Star Wars, Episode III - Revenge of the Sith

Customer Reviews:

5 out of 5 stars Star Wars: A Musical Journey (2005) (V).......2007-06-21

product: Star Wars: A Musical Journey (2005) (V), included as bonus disc in Episode III soundtrack.

The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.

With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.

Options: no subtitles or other options.

4 out of 5 stars Not one of his bests, but very close.......2007-05-21

The Episode III soundtrack is very good. Not great, but very, very good. You can tell that Williams is getting old, but he still manages to weave together a very memorable score.

My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."

Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.

Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.

See Yu

5 out of 5 stars John Williams' finest work.......2007-04-20

There is little more I can say that hasn't already been said about the soundtrack to Episode 3, especially what Amazon contributor Dan Mohr wrote in his review of the soundtrack on 2/2/2006. His review captured almost all the thoughts, feelings, and emotions I had when I first listened to the soundtrack, and was, IMO, the best review of John Williams' greatest masterpiece.

Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.

Bravo, Dan Mohr, and BRAVO John Williams!

5 out of 5 stars A Great Conclusion to the Prequel Trilogy.......2007-04-07

This is a great work of art. I rank it 4th among Star Wars soundtracks after A New Hope, The Empire Strikes Back and The Phantom Menace. I had a hard deciding which I thought was better, The Phantom Meance or Revenge of the Sith, but I decided that The Phantom Menace lays the foundation for so much that is in this soundtrack and is thus the more masterful work. But that doesn't mean that this score still isn't great. Every piece is a thrill to listen to and pace never lets up. "Battle of the Hereos" is an amazing piece and the rendition of the "Funeral Theme" from Episoded I captures the film's tragety magnificently. Also I do not think John Williams could have portrayed the Jedi's extinction more perfectly than he did in "Anakin's Betrayal". This is without a doubt the best score of 2005 and one of the best of the decade.

2 out of 5 stars Williams is slumming it.......2007-04-01

Williams's score for Revenge of the Sith is almost entirely overbearing, lacking any emotional subtlety. The music is overcomplicated and even a bit confusing, especially in the tracks that correspond to action sequences in the movie. His overuse of choral tracks and vocals is too bombastic and irritating to be listened to without the explosions and laser blasts of the soundtrack to soften them. (Yes, this music is actually softened by the sounds of warfare.) Worst of all, much of the music has simply been lifted from earlier scores. At times his self-imitation was so blatant that I actually wondered whether the editor who had complied this score had made a mistake and I was listening to The Empire Strikes Back or A New Hope. Also suffers from not including the entire score, in some cases cutting out musical segues in obvious and awkward ways.
Footsteps in the Dark: Greatest Hits, Vol. 2
Average customer rating: 4.5 out of 5 stars
  • Just a great, album
  • One of Cat Stevens most Listenable cds
  • loved it
  • The U.S. Release of Harold & Maude Motion Picture Soundtrack
  • Like rediscovering an old friend
Footsteps in the Dark: Greatest Hits, Vol. 2
Cat Stevens
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

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  2. Tea for the Tillerman
  3. Harold and Maude
  4. Mona Bone Jakon
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ASIN: B00009V7TP
Release Date: 2003-06-24

Tracks:

  1. The Wind
  2. (I Never Wanted) To Be A Star
  3. Katmandu
  4. I Want To Live In A Wigwam
  5. Trouble
  6. On The Road To Find Out
  7. If You Want To Sing Out, Sing Out
  8. Where Do The Children Play?
  9. Daytime
  10. Don't Be Shy
  11. How Can I Tell You
  12. Father And Son
  13. The Hurt
  14. Silent Sunlight

Customer Reviews:

5 out of 5 stars Just a great, album.......2007-07-09

had gotten this album on cassette from a friend years ago. Listened until the tape wore out. Finally figured out which record it was and just purchased it. Wow, it still sounds as good as the first time I heard it. What a great collection of songs!
Its not the hits that are on the first greatest hits, but I think they are better songs actually.

5 out of 5 stars One of Cat Stevens most Listenable cds.......2007-07-04

The first time I heard Cat Stevens, I knew I had found music for me. I was listening to his early work - 1970 - 1972, the Harold and Maude years. Something about the way his voice melds with his guitar and the meditative qualities of the performances made me connect to my own spirit. It is much like the way I felt the first time I heard the music of Alexi Murdoch on his album Four Songs and later when I first heard Alexi's song "Breathe" fromTime Without Consequence. I still get a similar feeling listening to this Cat Stevens cd today.

I rate this cd 5 stars because it has my two favorite Cat Stevens tunes, "If you Want to Sing Out, Sing Out", and "Trouble" as well as several others on the top of my list of favorites. This whole cd is highly listenable. It only has really good songs on it with that rich meditative quality that first attracted me to his music. If you want a collection of Cat Steven's work, this is the one I recommend most highly. For one of his original albums, I recommend Tea for the Tillerman. The only thing that could beat these two would be the soundtrack to the film Harold and Maude.

After the long hiatus since his days performing as Cat Stevens, I am glad to see that Yusuf Islam has come back to his guitar. I heard a story that he realized that it was Muslims who introduced the West to Guitar and thus reembraced his instrument. For those of you who thought he was forever lost to us, check out his new cd as Yusuf Islam, "An Other Cup" and I think you will find yourself reconnected to where he left off.

5 out of 5 stars loved it.......2007-04-01

Different Cat work; Never the less, it is greatto play it and relax to it.

4 out of 5 stars The U.S. Release of Harold & Maude Motion Picture Soundtrack.......2007-03-05

FINALLY, fans of the film Harold and Maude can have all the songs!

The actual original soundtrack recording from the film was only released
in Japan (go figure) and do you think we can get a copy of it here in the
U.S.????

Harold and Maude fans, Cat Stevens fans, this is as good as it gets for
us in the U.S. A Harold and Maude Soundtrack w/ a few extra tracks thrown
in for good measure. Wigwam was released in the U.S. as a single at the
time the CD was released...they'd have been better off and more successful
releasing one of the lesser known tracks from Harold and Maude.

5 out of 5 stars Like rediscovering an old friend.......2005-12-27

Envision, for a second, if you will, finding your high school yearbook somewhere completely unexpected. You open it up, assuming you'll find the old familiar faces, only to discover the black & whites are now full color audio and video. The sounds are so fresh, each note is so clear, each syllable so precise, you begin to wonder whether you'd ever heard these songs to their fullest extent.

I know no selection will ever be complete. That's inevitable, natural, and expectable: that's precisely why they're called selections. But each of the tracks -from "Katmandu" to "Daytime", even the self-deprecating "(I never wanted) To be a star", and the classic "Father and Son"- shares a renewed vitality, an unexpected spark, an intimacy that makes you wonder what it was you'd been listening to all these years.

For the absolutist and obsesive collector (i.e. those who've got to have ALL the recording and versions of their favorite artists), "Footsteps" may be a little overkill.

But for the rest of us, who enjoy a good afternoon with Cat -and that have earned out way to a more than decent sound equipment not to be shared or touched by anybody else- this is an album worth re-purchasing, if only for the joy of hearing Cat Stevens they way it was meant to be heard.

And I can assure you, without a doubt, that you'll be singing along, at the top of your lungs, before you even realize it. If that's not what a reissue is for, then I've been buying them under the wrong pretences.
Fiction
Average customer rating: 0 out of 5 stars
  • melodic death metal kings
  • another masterpiece under the belt.
  • Less melodic, more death
  • More Groove than Earlier Releases
  • Melodic Death Metal At Its Best!!
Fiction
Dark Tranquillity
Manufacturer: Century Media
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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ASIN: B000NIIUYC
Release Date: 2007-04-24

Tracks:

  1. Nothing To No One
  2. The Lesser Faith
  3. Terminus (Where Death Is Most Alive)
  4. Blind At Heart
  5. Icipher
  6. Inside The Particle Storm
  7. Empty Me
  8. Misery's Crown
  9. Focus Shift
  10. The Mundane And The Magic

Customer Reviews:

5 out of 5 stars melodic death metal kings.......2007-06-17

Dark tranquility are one of the few melodic death metal bands that have developed a unique sound early in there career and never completley strayed from it or lost it and for that alone should be comended. They have also always released at least quality material throughout their career. Ficton is another great record from them. Each track is distingushable and fantastic in its own way. Terminus(where death is most alive) is the heaviest and fastest song on the album. Misery's crown features clean vocals which were featured prodimenatley on projector which are tremendous full of emotion without ever losing their edge and fantastic thought provoking lyrics. The last track the mundane and the majic is the only song that features female vocals and they are used to tremendous effect in the chorus. Icipher and lesser faith are also fantastic seamessly blending aggresion and a undercurrent of melody. Inside the particle shows the more elecltronic side of dark tranqulity with a strong use of keyboards throughout. Focus shift is the only weak song to me. Bottom line dark tranquility have never made a bad record and are the reigning melodic death kings in my opinion. Everything about this band is top notch though provoking lyrics what is argurabbly the best death metal vocalist in the field and the melodic but still agressive music.

5 out of 5 stars another masterpiece under the belt........2007-06-04

Comparing the Dark Tranquillity's recent work with that of their historically related band In Flames, it seems almost counter-intuitive for dark tranq's standards to have remained so high. This review is not of course to speak of In Flames, but merely keep them in mind when considering how different Dark Tranquillity's work has become. Instead of forcing their music to fit a preconceived notion of commercialism to the point where all of the songs end up sounding like it was churned out of somebody's Swedish metal factory. _Fiction_ marks the third masterpiece in a row, and by now they have utterly perfected the stylistic turn that began years back with the mostly successful experiment _Projector_. It is easy enough to lump _Projector_ into the same category as stuff like _Clayman_ or _Natural Born Chaos_, although such a comparison does not bear much usefulness as _Projector_ did not mark a turn to commercialism in the scope of dark tranq's career, but instead was an experiment in the grand scheme of finding awesome music.

With gorgeous pianos and keys shining alongside the ever-brilliant guitar leads and riffs, _Fiction_ also marks the return of Stanne's clean vocals on two tracks and a female-voice supported chorus on the final track, the stunning finale "The Mundane and the Magic". The music is very close to _Character_, but where _Character_'s tracks came off sounding a bit blurred together, _Fiction_'s variety and imagination shows that if anything, Dark Tranquillity is only getting better and may yet peak beyond even what they attained with their youthful masterworks of genre-defining melodeath godliness, _The Gallery_ and _The Mind's I_. In fact, this is the best album since those. Tracks like the grumbling opener "Nothing to No One", the soaring "Focus Shift", or the ripping speedmetal of "Blind at Heart" are mainstays of the band's modern sound, combining the band's literally unmatched ear for melody and arrangement with their impeccable classical (as in western art music) sense of development and structure. Also of great interest is the churning, massive "Inside the Particle Storm", the driving metal of "Misery's Crown", with its sparse clean verses, growly-crunchy choruses and bridge with a blistering riff that screams for air guitar, and of course the INCREDIBLE closer "The Mundane and the Magic", where Stanne and guest singer Nell trade off lines on the chorus to chilling effect, and verses develop with seething guitar crunch and melancholy piano. This song in a way evokes "Bolt of Blazing Gold" without sounding at all like it, and that is of course a good thing. The production has been compressed to a grey smear with little breathing room for the arrangements, heavy and thick, which would out of context appear as a bad thing were the music not so perfectly incredible. Any other production would feel like it belonged with a different recording.

4 out of 5 stars Less melodic, more death.......2007-05-20

This album and its spiritual (and chronological) predecessor Character mark a shift in Dark Tranquillity's approach to melodic death metal -- namely, a shift away from melody and towards death. Accordingly, the production has become emptier and drier, the sonic equivalent of walking barefoot across the smooth concrete floor of a darkened empty warehouse.

For some, this is a welcome change. But for me, DT's Damage Done represented the high-water mark in melodic death. It was full of pain and longing and rage, evoked through its haunting melodies. The album was very emotionally expressive (for metal) even when Mikael Stanne withheld his throaty rasping vocals. Fiction trades some of that for more aggressive riffs and dusty ambience.

Despite all this, the album is quite good. The opener "Nothing to No One" throws some well-placed blast beats in your face while retaining the DT feel. "Focus Shift" initially misdirects with a grooving downtuned riff, then layers the guitars on in anticipation of the fist-pumping anthemic chorus. It's also nice to hear several mini-guitar solos sprinkled in liberally throughout the album. Song quality is a little uneven compared to Damage Done, but if you wanted to read a review on that album you'd be on a different product page.

Currently without any real peers in this type of metal, Dark Tranquillity's stiffest competition is themselves. 4.25 stars.

5 out of 5 stars More Groove than Earlier Releases.......2007-05-19

Though I have to disagree with a previous reviewer: There's strong hints of Sabbath in many of these songs, and they ARE a mainstream band; they lose nothing here. The most noticeable difference with most of their previous releases is a concentration on groove as well as melody. There's a bit of downtuned-churning on this one, but I'm one of those guys that loves that. (Terminus is an example)

Many of the riffs display with a great attitude, and groove like a slower version of Fear Factory's Demanufacture. It's closest brother for comparison is Character, and it is amazingly eclipsed. The keyboards are allowed to take over large swaths of songs, and they provide that level of depth that only electronics can provide to an already great song. (Icipher, and Empty Me for that example.)

The album's overall atmospheric piece is "Inside the Particle Storm."

If you were to blend Character and Projector together, this is the album you would get.

5 out of 5 stars Melodic Death Metal At Its Best!!.......2007-05-19

Definitely heavier than Character, but astill following the same concepts in that album. A must for any DT fan. Great use of keyboards.
Greatest Hits
Average customer rating: 4.5 out of 5 stars
  • Typical Mancini
  • It's Hard to Believe He's Gone
  • Nostalgic
  • On connaît tous sa musique, beaucoup moins son nom...
  • Henry Mancini's Greatest Hits
Greatest Hits
Henry Mancini
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Rota, NinoRota, Nino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B00004Y9YB
Release Date: 2000-09-26

Tracks:

  1. Peter Gunn
  2. A Profound Gass
  3. Snowfall
  4. Mr. Lucky
  5. The Great Impostor: Theme
  6. Moon River
  7. Breakfast at Tiffany's
  8. Experiment In Terror
  9. Hatari: Theme
  10. Baby Elephant Walk
  11. Just For Tonight (Vocal)
  12. Days Of Wine And Roses (Vocal)
  13. Charade (Vocal)
  14. The Pink Panther Theme
  15. Dear Heart (Vocal)
  16. How Soon (Vocal)
  17. A Shot In The Dark
  18. The Sweetheart Tree (Vocal)
  19. Two For The Road (Vocal)
  20. Love Theme From 'Romeo An Juliet'
  21. Whistling Away The Dark
  22. What's Happening!!

Customer Reviews:

3 out of 5 stars Typical Mancini.......2007-03-25

First, I really like Mancini's music generally and I am really concerned that he may be one of the greats of American music who will soon be forgotten if he hasn't been already. (US music schools tend to be a little snobby and don't give a number of truly great American composers their due.) However, the mix of this particular CD is simply too average. Many good songs are not on it and some weak ones are. I would not recommend this CD except to ManciniPhiles like me.

4 out of 5 stars It's Hard to Believe He's Gone.......2006-05-23

Henry Mancini gave us so much of our consciousness of the 1960s and 1970s, and yet was "out" almost as soon as he was "in."

His work became synonymous with much-despised "elevator music" in the later 1960s. This stereotype (or monotype, for his earliest works) can mislead.

For example, "Lujon" [not in this collection] was used in a movie just last year to exemplify mystery and an exotic atmosphere.

Mancini dies way too young. While some would argue that he'd become a self-parody, his innate gifts compromised by relentless commercialization, you cannot take away his lasting gift to our culture. He was an original, and he captured an essence of our collective experience.

He's here in this collection, waiting round the bend, my Huckleberry friend.

4 out of 5 stars Nostalgic.......2006-02-20

A great trip down memory lane. The selections sound just like I remember them from the movies and the radio. Enjoy

5 out of 5 stars On connaît tous sa musique, beaucoup moins son nom..........2005-09-20

En ces temps où le terme de BO est galvaudé (pénible Yann Tiersen, satanés Choristes !), cette compilation est l'occasion de rendre hommage à l'un des grands génies du genre, largement méconnu, et victime d'un des plus incroyables quiproquos de la Musique.
En effet, c'est lui qui a composé l'éternel thème de la Panthère Rose, et son mythique refrain de saxophone, définitivement associés au dessin animé du même nom, et qui invariablement provoquent sourires (voire moqueries) chez les non-initiés... Rappelons qu'au départ La Panthère Rose est un film réalisé par le génial Blake Edwards en 1964, avec l'inénarrable Peters Sellers dans le rôle principal, et que cette fameuse Panthère Rose désigne non pas un sympathique félin, mais un diamant d'une valeur inestimable, et dont le vol est à l'origine du scénario.
Mais sa contribution à l'histoire de la musique ne s'arrête pas là. En effet, on lui doit également le monumental Moon River, titre dont l'insurpassable limpidité mélodique est capable de me porter au bord des larmes en quelques mesures, repris entre autres par Sinatra et Morrissey et susurré par la délicieuse Audrey Hepburn dans Breakfast At Tiffany's. Et c'est toujours lui qui est à l'origine du thème explosif de Peter Gunn, avec sa ligne de basse à réveiller les morts et ses arrangements de cuivres qui traumatiseront toute une génération de compositeurs, Quincy Jones en tête...
En tout cas, cette compilation est une excellente introduction à l'univers de Henry Mancini, qui en mêlant arrangements jazzy, vocaux surannés et mélodies inoubliables, a tout simplement inventé la Lounge music, avant que ce mot ne désigne un vaste fourre-tout pour bobos peu curieux...

5 out of 5 stars Henry Mancini's Greatest Hits.......2005-07-13

This CD is all one needs to understand why this dude is the master when it comes to composing. Having been introduced to this great human being at an early age, my fascination for his work is still a vital part of my being. This CD is just what I have always wanted. It has all the classics, along with some older gems I never knew existed. I love it so much, that I am going to send my mama back home one. She was, is and always will be perhaps his GREATEST FAN ever. If you just can't live without Mancini's music, then this CD is for you. Enjoy, enjoy,
enjoy!!

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Music Album

Music Album