| 1. Rare Thing |
| 2. Some Kind of Sonnet |
| 3. Totterdown |
| 4. Anthony Believes |
| 5. I Need a Cup of Coffee |
| 6. Waterhole (Awasazi) |
| 7. Mirror Dance |
| 8. West End Samba |
| 9. Sniper's Tale |
| 10. Rolling Down This Roman Road |
| 11. There Is a Song |
| 12. Sweet Such & Such |
| 13. Constant Lover |
Such & Such,Steve Tilston,Market Square,British Folk,Contemporary Celtic,Irish Folk
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Cross Road
Bon Jovi Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001EC1 Release Date: 1994-10-18 |
Tracks:
- Livin' On A Prayer
- Keep The Faith
- Someday I'll Be Saturday Night
- Always
- Wanted Dead Or Alive
- Lay Your Hands On Me
- You Give Love A Bad Name
- Bed Of Roses
- Blaze Of Glory
- Prayer '94
- Bad Medicine
- I'll Be There For You
- In & Out Of Love
- Runaway
Amazon.com
This best-of is loaded with the usual smash suspects plus three new cuts--the sub-Mellancamp "Someday I'll Be Saturday Night," the Bed of Roses-style ballad single "Always," and a low-key remake of "Living On A Prayer" titled "Prayer '94." Love 'em or not, there's no denying the loyalty of the fans. --Jeff BatemanCustomer Reviews:
Decent Start...but hopefully a better one will come along.......2007-07-10
Is there no "Essential" Bon Jovi yet?, didn't see one...I was hoping for a 2 CD set of their hits along with a few deeper album cuts by now not that I need that, just that it would seem it's time for that since they've been around for 20 plus years now. Hopefully it isn't far off, this band deserves a better career collection than this one, I can't imagine the casual fan wanting this lacking set, even the order is strange. Of course the hardcore Bon Jovi fan likes about every one of their songs, maybe only 4 or 5 from the first album, but even I like most of the songs on 7800 degrees, and an essential would have to have Tokyo Road and Silent Night on it or I would not buy it. As far as Slippery, New Jersey...every song on those should be essential, maybe one or two left off...and that they are not on the greatest hits as this is known, is a major flaw. I'm thinking the ultimate Bon Jovi greatest hits set would have to have at least 4 songs each from the first two CD's, and then maybe 5 or 6 from Slippery, New Jersey, and Keep The Faith? That would fill out 2 Cd's I think and make a nice collection; better than this one for sure.
Hopefully fans new and old will get a better restrospective soon, this one is a nice start I guess, but I would highly recommend checking out their remastered catalog for more hits. They don't have many duds at all at least on their first 4 or 5 Cd's. The late 90's one's I don't know, perhaps an essential collection would contain some newer songs...but classic Bon Jovi is good enough for now.
A great Bon Jovi collection.......2007-06-09
Cross Road.......2007-06-09
Decent Beginner's Set.......2007-05-22
Lesser known tunes from their earliest offerings(particularly "Runaway") signal the beginnings of a great band to come. Later songs such as "Keep The Faith" and "Bed Of Roses" reveal a band in rock decline and quickly headed for the adult contemporary sound. In short, "Crossroad" gives the listener a pretty good take on how a band from Jersey made it big, leveled off, then headed for the sweet and steady success of light rock. Just to shake things up a bit, "Blaze Of Glory" from Jon Bon Jovi's solo "Young Guns II" project is included. Sadly, we do not get a sample from any of Richie Sambora's solo works. He really is a much better guitarist than he's given credit for, and it would have been nice for one of his tunes to be included in this collection.
I grew up during Bon Jovi's prime, and am proud to say that I own original cassette copies of "Slippery When Wet" and "New Jersey." Although they weren't my favorite hair/glam/hard rock band (that was Def Leppard), they were still one of the best around at the time. Bon Jovi is no longer the band they once were, but for people who want to know where they came from, this is the album to pick up.
BON JOVI AT THEIR BEST!!!.......2007-02-17
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One Wild Night: Live 1985-2001
Bon Jovi Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005J73X Release Date: 2001-05-22 |
Tracks:
- It's My Life
- Livin' On A Prayer
- You Give Love A Bad Name
- Keep The Faith
- Someday I'll Be Saturday Night
- Rockin' In The Free World
- Something To Believe
- Wanted Dead Or Alive
- Runaway
- In And Out Of Love
- I Don't Like Mondays
- Just Older
- Something For The Pain
- Bad Medicine
- One Wild Night 2001
Amazon.com
One Wild Night? Well, that's not strictly true, as this live album was recorded at Bon Jovi concerts spanning three decades. But why be pedantic when the result is a live album that effectively doubles as a greatest-hits collection? Bon Jovi's songs are tailor-made for stadiums and arenas, and, from classic fist-in-the-air rockers ("Livin' on a Prayer," "Bad Medicine," "You Give Love a Bad Name," "Runaway") to lighters-in-the-air numbers ("Keep the Faith," "Wanted Dead or Alive," "Something to Believe In"), the choices are suitably larger than life. The career-reviving single "It's My Life" sounds right at home, as do great covers of Neil Young's "Rockin' in the Free World" (recorded, appropriately enough, in Johannesburg in 1995) and the Boomtown Rats' "I Don't Like Mondays" (performed with Sir Bob Geldof). --Robert BurrowCustomer Reviews:
IT'S ONE WILD NIGHT, ALRIGHT!!!.......2007-02-17
Live Concert Versions of Bon Jovi's Greatest Hits.......2007-01-19
zero stars.......2005-11-13
Bon Jovi rocks.......2005-08-09
not a greatest hits album.......2005-05-14
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100,000,000 Bon Jovi Fans Can't Be Wrong
Bon Jovi Manufacturer: Island ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00065JTBA Release Date: 2004-11-16 |
Tracks:
- Why Aren't You Dead?
- The Radio Saved My Life Tonight
- Taking It Back
- Someday I'll Be Saturday Night (Original Demo)
- Miss Fourth Of July
- Open All Night
- These Arms Are Open All Night
- I Get A Rush
- Someday Just Might Be Tonight
- Thief Of Hearts
- Last Man Standing
- I Just Want To Be Your Man
Tracks:
- Garageland
- Starting All Over Again
- Maybe Someday
- Last Chance Train
- The Fire Inside
- Every Beat Of My Heart
- Rich Man Living In A Poor Man's House
- The One That Got Away
- You Can Sleep While I Dream
- Outlaws Of Love
- Good Guys Don't Always Wear White
- We Rule The Night
Tracks:
- Edge Of A Broken Heart
- Sympathy
- ONly In My Dreams
- Shut Up And Kiss Me
- Crazy Love
- Lonely At The Top (International B-Side)
- Ordinary People (International B-Side)
- Flesh And Bone
- Satellit
- If I Can't Have Your Love
- Real Life
- Memphis Lives In Me
- Too Much Of A Good Thing
Tracks:
- Love Ain't Nothing But A Four Letter Word
- Love Ain't Nothing But A Four Letter Word (Original Demo)
- River Runs Dry
- Always
- Kidnap An Angel
- Breathe (B-Side)
- Out Of Bounds
- Letter To A Friend
- Temptation (International B-Side)
- Gotta Have A Reason
- All I Wanna Do Is You
- Billy
- Nobody's Hero
Amazon.com
Playing off of Elvis Presley's 1959 album 50 Million Elvis Presley Fans Can't Be Wrong, right down to the gold-lame suits the quartet dons on the cover, stalwart rockers Bon Jovi make a strong case that they're one of the true populist bands of their era with a box set that serves up dozens of previously unheard and seldom heard offerings. Designed as a heaping 20-year anniversary feast for insatiable fans, the four-disc/bonus DVD collection is surprisingly vital and consistent, considering that just about everything included was initially either rejected or related to B-sides and soundtracks. The high quality of these castoffs is attributable to the band's habit of preparing dozens of tracks for each album and cutting loose strong compositions that didn't fit with the theme of the completed product. Thus, some stylistic stretches were left in the vaults (check out the Southside Johnny-style r&b of "Love Ain't Nothing But a Four Letter Word"). Bon Jovi fans will find be delighted by this collection, and even skeptics may find themselves reconsidering these Jersey survivors. --Steven StolderCustomer Reviews:
BON JOVI FANS ARE NEVER WRONG!!! .......2007-02-17
Bon Jovi strikes gold.......2007-01-30
BON JOVI ROCKS MY WORLD.......2007-01-23
ON CD 3 YOU WILL HEAR TICO, RICHIE AND DAVE SING. RICHIE SAMBORA SINGS A VERY POWERFUL BALLAD IF I CAN'T HAVE YOUR LOVE THAT WILL KNOCK YOUR SOCKS OFF!!!! TICO TORRES SINGS ONLY IN MY DREAMS HIS VOICE IS W O W!! AND DAVID BRYAN SOUNDS LIKE ELTON JOHN SINGING MEMPHIS LIVES IN ME.
BON JOVI MEANS ALOT TO ME I WILL LOVE BON JOVI TILL THE I DIE
Yes, they can be. They are........2007-01-21
For any Jovi fan..........2007-01-04
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Stranger in This Town
Richie Sambora Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001G16 Release Date: 1994-06-14 |
Tracks:
- Rest In Peace
- Church Of Desire
- Stranger In This Town
- Ballad Of Youth
- One Light Burning
- Mr. Bluesman
- Rosie
- River Of Love
- Father Time
- The Answer
Customer Reviews:
Criminally underrated gem.......2007-06-03
Behind Richie Sambora, there are two of his long-time band mates: David Bryan on keyboards and Tico Torres on drums. Torres' playing strictly serves the purpose of the songs; he doesn't really do any lengthy drum acrobatics, but there are pieces that allow him to shine through. Bryan, on the other hand, is integral to the overall sound of the album, as his keyboards are, at some point, the defining factors of the songs. Also, he co-wrote two tracks: the beautiful album intro "Rest in Peace", a wonderful song based on profound blues licks and Sambora's emotive vocals; and the ambitious title track, which sees the duo merging nifty acoustic guitars with delicate synth lines. Bryan is also highly audible on the truly moving ballad "Father Time", complete with Desmond Child's signature hooks, distant female vocals, and a warm melodic edge.
Though a solo album, only three of the ten songs were written entirely by Richie Sambora. "Church of Desire" is the mid-paced piece, centred around moody keyboards and blues-inflected guitar riffs. The song is carried by a thick bass groove, and Sambora's guitar solo is truly heartfelt and emotional. On "River of Love", Tony Levin's bass arpeggios become central to the piece, especially when supported by Torres' spare drum beats. Finally, "Mr Bluesman", by many known as the album's minor hit, Sambora's greatest influence, Eric Clapton, makes a guest appearance playing an improvised blues solo where he rips it up. Despite its five-minute running time, even Torres gets to play a brief drum solo, yet it's all within the context of the song and the writing is truly impressive.
That said, the album being more on the blues rock spectrum of things didn't really produce any radio hits. Actually, Sambora did collaborate with Desmond Child on two tracks, one of them being "Rosie", arguably the most popular cut off of this track. Also co-written by Jon Bon Jovi, the piece has a solid hook, but truth be told, it does not gel that well with the rest of the pieces, which seem more honest and from the heart. Likewise, "One Light Burning" might have been his take on poppier songwriting; he tries to merge cool beats and percussion work with Randy Jackson's bass playing whilst injecting the piece with a sing-along main chorus, but it doesn't really work -- Sambora is simply more of a blues-ridden rock guitarist than someone who can churn out easily accessible melodies. That's obviously Jon Bon Jovi's strong side.
Stranger in This Town is in many ways better than most of the Bon Jovi catalog. Even after sixteen years, most of the songs are still timeless and still imbued with emotional power. It's also filled with material we'd normally never hear on a Bon Jovi release, so kudos to Sambora. He was totally right when he wrote that "listening instruction" in the liner notes: "Turn down the lights, light a candle... Welcome..."
The CD you would take to a deserted island.......2007-03-22
Richie is just as good alone.......2007-01-18
A window to a guy who is often in the shadows.......2006-04-26
We didn't get a bunch of 2nd rate BJ tunes. We didn't get endless widdly diddly excess nor crap attempts at showing a blues/roots tinge.
What we got was an album that really opened up some possibilities for Richie. There were typical soft rock tunes like hit 'Ballad of Youth', youthful love gone wrong tracks like 'Rosie' but there was also more on display.
The more on display is a guy with some body to his music, with an ear for a decent tune, a guy who with this album has perhaps shown the world that he isn't just a guitar player but a musician.
Taken as a whole I can't give this album more than three stars as it's a bit overwrought in places and a little too understated too often/too long in other parts. But it does give anyone into melodic hard rock or BJ or afficianados of 80's rock a real glimpse at a guy who definitely has a voice of his own. Any fan of this genre should try to at least hear this disc. More metal fans may find the whole thing somewhat wanting in ooommpphhh.
Unappreciated Blues Rock Gem.......2006-03-23
This is a great album. Deserves to be heard. It is very Blues influenced and doesn't sound like Bon Jovi at all.
Just buy it.
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Undiscovered Soul
Richie Sambora Manufacturer: Island / Mercury ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000612G Release Date: 1998-03-03 |
Tracks:
- Made In America
- Hard Times Come Easy
- Fallen From Graceland
- If God Was A Woman
- All That Really Matters
- You're Not Alone
- In It For Love
- Chained
- Harlem Rain
- Who I Am
- Downside Of Love
- Undiscovered Soul
Customer Reviews:
One of the Best Albums Nobody, Including You, Have Heard.......2007-01-17
Two, this album is easily as good - if not better - than anything Bon Jovi's ever done. And while I might get grief for that statement alone, I say that being a HUGE Bon Jovi fan myself who owns every album and would proudly say that I enjoy their post-90's music perhaps even better than their glory day music. But the fact (or rather my strong belief) is that this is one of the best journeyman albums ever, and vastly underrated. Somewhere in the vein of GOOD classic Clapton without the overdone, tired blues scales and Bruce Springsteen without the lyrical/storytelling density.
This album also shows Richie's wide ranging influences and effortlessly shifts moods and styles throughout. Made In America is a very strong acoustic opening. Sounding somewhat like Springsteen lite (not in a bad way) with strong, story-telling verses and chorus and subtle, twangy, chiming Telecaster (Richie's main guitar on this album) accompanying him in the background. Hard Times Come Easy is one of the most bluesy songs on the album. But bluesy in a very upbeat, catchy way with alot of short, sweet Telecaster licks and an excellent, catchy chorus.
Fallen From Graceland is one of the beauties of the album. A slow, calm introspective ballad featuring a lovely sustained organ (I think) in the background and some great, subtle guitar and drum work over Richie's hypnotizing vocals. Richie does something very smart on this album which is vary the tempo from song to song. Going from the slow crooning of Graceland we head right into the upbeat, tongue-in-cheek If God Was a Woman. Featuring some more cool Tele strumming from Richie with a harmonica taking the lead and some of Richie's best lyrical work on the album (if you're in the mood for something kinda funny). This is also probably the most classic blues sounding song on the album.
All That Really Matters is in the same vein as Graceland. A ballad like love song. It's a good song, but not the best on the album. In fact, the album only bogs down a bit at this point with a string of decent to mediocre songs. You're Not Alone is different and quirky, with a cool sounding vocal effect and an effects laden guitar. It's catchy and different, but doesn't fit with the rest of the album. It It For Love and Chained are perhaps the two most mediocre songs on the album. Actually, both are pretty good songs, and it's surprising that songs this good represent the WORST of an album.
But then comes the supreme beauty of the album. Perhaps my favorite song ever written by anyone with Harlem Rain. This song is just a stunningly beautiful piece of music and song-writing featuring some exquisitely gorgeous acoustic guitar work by Richie with another sustained keyboard/organ sound in the background. This is also perhaps the darkest song (from a lyrical/tone perspective) on the album. Talking about the pain of being beaten down by life:
"In your search for tender mercy, no one seemed to care,
The faith that used to be your crutch, is now your cross to bear.
You lost yourself so long ago, you don't know who to blame,
Harlem rain, coming down.
Another shattered soul in the lost and found.
One more night on the streets of pain,
getting washed away, by the Harlem rain."
This is actually one of the few songs that have ever made me cry. And even today after hearing it a ton of times I can't help but get chills listening to it.
Going from the saddest, most beautiful song on the album right into the heaviest, hardest rocking and perhaps most self-affirming in Who I Am. This is a 7 minute behemoth of a song showcasing Richie's excellent electric guitar work. The song builds and builds perfectly through calm verses, tension building bridges, and an excellent chorus into Richie's best solo breakout of the album.
If "If God Was a Woman" is the most classic blues song in an upbeat sense, Downside of Love is the most classic blues song in a downbeat sense. It has some love and heartbreak lyrics, some cool, bluesy licks with soulful vocals and delivery into perhaps a slightly bland chorus, but it's still a really good song.
The title track closes the album in an superb way. Starting out with Richie muting and up-down picking the E string on his Tele in a really cool, building rhythm until the drums start coming in to build up to the verse. The opening guitar lick/melody to the song is one of Richie's best ever. A subtle string of notes so telling in detail they're practically a lyrical verse themselves. The drumming continues through the verses where Richie tells one of his best stories on the album until diving into perhaps the best chorus on the album. This is an anthematic song that walks the line between upbeat and downbeat perfectly (not just with the music, but the lyrics too): "When you walk that road. You walk alone, just an undiscovered soul in the great unknown."
More than anything I think this album leaves the listener with a sense that they've just been through one of life's little journeys. Through good and bad times, Richie takes you through it on the album. Musically, it's much more diverse than most of Bon Jovi's stuff. Even though it's NOT original in any way, it doesn't have to be when the songs are THIS good and album is THIS consistently strong.
It's kind of a shame Richie released his two solo albums (this one and Stranger - which is also excellent) at the time he did. Had he released these in the 70s, 80s, or even now when people are getting back to wanting something new and different and retro rock is coming back in style, this might've been more of a success. The 90s when it was released was just an awful time for anyone NOT wearing flannel and practicing their angst ridden poses and lyrics in the mirror. Anything even remotely upbeat, with different styles and flavors and influences was doomed to be a failure in this "It's either black or black" time.
It's telling that Bon Jovi finally shot back into the mainstream post-90s with songs from Crush and Have a Nice Day. Had either Richie or Jon (who's solo album is also very good but VERY different) released their solo work now I believe it would've worked more.
On a side note, I can't recommend Richie's other solo album, Stranger in this Town, enough. It actually has several stand out songs which equal his best on this album (the title track, Ballad of Youth, and One Light Burning especially). While Stranger is more directly blues oriented and features better guitar work than Soul, it also bogs down toward the end while Soul is consistently strong and more varied.
In closing I can't do anything but wholeheartedly recommend this album enough. I know it won't change the fact that it was pretty much a commercial failure and only a handful of folks will ever really listen to this album and love it and enjoy it like I have, I hope anyone who reads this can be convinced to give it a try.
Excellent.......2006-08-21
Richie Sambora's Solo Journey . . ........2005-02-21
Most reviewers would feel so annoyingly inclined to compare Richie Sambora with his bandmate, Jon Bon Jovi, as well as his work within the confines of the band as a unit. This reviewer, however, is not even remotely tempted to do any such thing. The band, Bon Jovi, have become an underrated band in the 90s as a result of an overly-fickle public. To make matters even more grim, the band is overlooked by radio and MTV due to the fact that these media outlets think of Bon Jovi as a "hair-band" stuck in an 80s time capsule. As a result, the members of the band have branched out to try other career avenues. Jon Bon Jovi released a solo album of his own late last year, and he's presently tweaking his newfound acting career. Richie Sambora has decided to let his wife worry about the acting while he continues to go down the road as a musical solo artist.
Richie Sambora has always been one of the most underrated guitarists to hit the rock world. Unlike his technical counterpart, Eddie Van Halen, Richie is more of a guitarist of the heart. His instrument speaks to you, stirring up emotions inside you that are deep and to the core. Don't be mistaken -- the man can play a fast riff of smoking, cascading notes, but more importantly, he can pull back and create beauty. His musical roots lie in, not only rock and roll, but heavily in blues as well. Like one of his biggest influences, Eric Clapton, Richie is not only a spectacular guitar player, but he can also sing and pen some delightful ear candy -- and he does it more than well.
On Richie's first solo effort, Stranger In This Town, Richie's blues influences are strong and more than evident throughout the disc. A seriously depreciated album, Stranger In This Town, fell through the cracks when the shift in musical tastes changed. Despite this, it was a highly acclaimed piece of work made by fans and media alike. This reviewer didn't think Mr. Sambora could top his first effort, but she may have been wrong.
If you're looking for a hard-rock album, Undiscovered Soul isn't going to deliver. However, if you're looking for beauty and depth, you'll find plenty here. Though not as bluesy as Stranger In This Town, there's still some subtle blues influences intertwined throughout the disc. There is a heavy tendency towards pretty, acoustic numbers -- plus there's two enchanting ballads, and a few mid-tempo, pop-oriented songs on here. You have a hint of some hard-rock on here in two songs, but they're the minority. Produced by Don Was and mainly co-written with the help of Richie Supa (known for co-penning a handful of Aerosmith tunes), this disc is very personal and to-the-heart while providing an exquisite musical backdrop that's pleasing to the ear.
Made In America: An auto-biographical mid-tempo filled with a mix of acoustic and electric guitars, with some symmetrical keyboards thrown in, this song leans towards the "classic rock" style of a song. The lyrics paint a picture of "growing pains" and having the dream of music in your young mind: "Made in America, nineteen-fifty nine, born down by the factory, cross the Jersey City line. Raised on the radio, just a jukebox kid -- I was alright."
Hard Times Come Easy: Up-tempo and catchy, this song is the first single and the most pop-oriented (as in, Top 40 music) on the disc. With a harmonious chorus full of hooks and a beat that causes you to tap your foot whether you want to or not, this one is about the ups and downs of life: "It's amazing, we go through changes, when times get crazy; it's up and down it's hot and cold. These complications just keep on coming, there ain't no running; when it comes to life that's how it goes. Round and round we go, sometimes it feels like we're on a roller-coaster ride. Baby, don't you know, it could eat you up if you try to keep it all inside."
Fallen From Graceland: Co-written with Bon Jovi bandmate, David Bryan, as well as Richie Supa, this song is a real stand-out. The beat is easy and searching, the guitars bewitching and hypnotizing. This song swings like a lullaby as Richie croons softly through your speakers, hitting you somewhere in your soul. The lyrics are beautiful and deep, touching the soul of even the most cold-hearted: "There's a line that you cross, when you find out that you're lost. When you world is closing in, and it crawls under your skin. And the heart's always blind, when it's in this state of mind. There's a burning light in this town for every heart that's broken down tonight -- here tonight. You're stranded out there in the rain and you can't see past the pain -- tonight. You've fallen from Graceland."
If God Was A Woman: A total blues, good ol' rock n' roll fest of a song chock-full of both tongue and cheek, this song is another major highlight. Full of bluesy and jamming riffs, a dynamic drum beat, and all-out rhythmically smoking harmonica bits (played by none other than the Demon of Screamin', the Big-Lipped Blues Master himself -- Steven Tyler of Aerosmith, yours truly and this jam-fest of a song became instant best friends. With David Bryan and Richie Supa once again assisting Mr. Sambora with the penned words, this song is about just what the title suggests -- If God was a woman . . . : "If God was a woman, would you be impressed, if she showed up in high heels and a pretty red dress. Would you make a donation or would you draw the line? Would you yield to temptation or savor her wine? If God was a woman, she'd come like an angel or a devil in disguise. When she left in the morning, would you lose your religion or kiss your faith good-bye?"
All That Really Matters: Another stand-out, this is an aesthetic ballad filled with grand, lovely piano and ethereal guitars. Richie's voice is filled with unabashed passion, proving this song to be heartfelt and a possible future wedding song contender. Lyrically, it's about that one emotion we're all still obsessed with understanding: LOVE. With love comes the search for a soul mate, and with those of us lucky enough to find that person, and even for those who are still hoping to find, this song will pull at your heart-strings: "There comes a time in someone's life, when you find the things that matter. And every time we touch, the love runs deep, we realize it's ours to keep, and that's all that really matters. You'll always be my sweet addiction; in this life, my saving grace. You're all that really matters. You know it's true -- ain't no me without you."
You're Not Alone: This is another favorite because of the very unique style and approach to it. With distorted vocals, soaring guitars, and a heavy-hitting beat, this song is one of the heavier on the album. Richie wrote this song around the time his daughter was born. The subject matter is about unconditional love and support: "You can be a million miles away; I will always love you. You can be a thousand thoughts away; I'll always be thinking of you. No matter where you try to hide, you are always going to find me; right where I belong -- I've been beside you all along. Like some ancient star, forever we'll remain; even if the sky should ever fall from grace. If I die or fade away, in the end you'll always know -- you're not alone."
In It For Love: A pretty but simple acoustic number, this is a fine song, but not a standout. On the contrary, it borders a bit on the bland side. The lyrics are written well, and the melody is nice, but it falls flat in comparison to the other tunes on the disc: "Life is a road, forever winding, where it leads us I don't know. In it together, for better or worse, searching for our pot of gold."
Chained: A tune which starts out slightly bluesy and then kicks into a more pop-oriented tune, this one is another likable song, but more so for the lyrics than the actual music. Musically, it's good but not outstanding. There are some scorching guitar solos and flavorful riffs in there, and the beat is up, but not spectacular. Lyrically, you can very well relate, which is the song's strong point: "Hey, what's this feeling; I've never been down this far before. I was scared of believing that love would never find my door. I was chained -- chained to my broken dreams. I never knew who I was suppose to be; waiting for someone to come and rescue me."
Harlem Rain: Another slow, acoustic number with pretty-sounding melodies, this song has a melancholy, searching feel to it -- much like Fallen From Graceland. However, while this song is pretty, it's no way half as beautiful as the aforementioned. It only scratches the surface of raw emotions, and like In It For Love, it doesn't stand out in comparison to some of the other material. It does have a charming appeal to it, however, and is far from being a "bad" song. The subject matter is about tough times experienced by the common folk: "The old man down the corner is drowning in his pain. I can see the sorrow in his eyes, his tears they leave a stain. The streets have left him broken, he's in the final phase. It's been a long, hard road -- from his glory days."
Who I Am: The other hard-hitting song on the disc, complete with heavy drums, eerie keyboards and guitar riffs, this song changes tempo. It's starts rocking, switches to soft and mythical and then changes the tone again -- BAM! -- by hitting you over the head. There's some shredding guitars in the middle of the piece, adding to the defiant tone of it. Co-written by Marti Frederiksen (who co-wrote such tunes Something's Gotta Give and Attitude Adjustment from Aerosmith's Nine Lives disc.), this song is about finding out who you really are: "When I lost is when I learned, when the road took a crooked turn. Wore a face of I just don't care, that piece of me just disappeared. Help me now, help me now -- finding some hope inside myself. Reaching down, finding out -- who's hiding in this shell."
Downside of Love: The other "ballad" on the album, this one is another favorite and major highlight. Much different from it's sister ballad on this disc, All That Really Matters (which was more of a slow, classic ballad), this one is oh-me-oh-my-do-I-have-DA-BLUES!!!! This song is probably the most blues-influenced on the disc (next to If God Was A Woman). This is the blues, brother, and Richie wails is soooo well!! This song is a prominent showcase for Richie's incredible vocal ability, and it shows that he's improved tremendously since recording Stranger In This Town. The guitars are wailin', the "boards" are cryin', and Richie's vocals are soarin' with raw-boned E-M-O-T-I-O-N. This is the blues, and we've got the blues because, with love comes the part that H-U-R-T-S -- deep within the soul, brother. You know the old cliché -- Every rose has it's thorn, so maybe every love has it's downside: "There's a danger of getting so close to you. There comes a time when the walls fade away. And when love turns to bitter blue; sometimes it feels so hard to stay. Last night we went to bed angry. We didn't mean what we said. Seems we never get past forgiveness. We try to hide, we never learn to swallow our pride. On the downside of love -- where love turns to hate, we just can't relate. On the downside of love -- when you're misunderstood -- cause when it hurts you, it hurts you so good."
Undiscovered Soul: A mid-tempo, upbeat, happy-go-lucky rocker, this song will be liked by anyone who appreciates a good Bon Jovi gem. This sounds so close to a Bon Jovi song that I can see partner-in-crime, Jon Bon Jovi, covering this song. That seems almost comical to this diehard, but I can see that "I'm a cowboy" theme running through this song. I can envision Richie with his trademark black hat and double-neck guitar, and Jon with his cowboy boots and fringe jacket. Yes, I'm going back in time, but I digress. The subject matter of this song is in that good ol' story-telling theme (a la Tommy and Gina from Livin' on a Prayer and Lie To Me). I could almost see this as being the story of the "before" Tommy and Gina found each other. Hey, I can use my imagination, can't I?: "She was standing at the station, small town suitcase in her hand. There were dreams she found inside her that no one could understand. She never talks about her childhood, so much past to leave behind. She's so scared to go, but still she says good-bye."
In summary, Richie Sambora made a beautifully creative package of music that touches the soul and tickles the ear. Once again, it's him and his guitar and I think, despite what critics and a capricious public may say, Richie Sambora is a man, and a musician, to be reckoned with. While he will always be a very important part of Bon Jovi, it was more than a pleasure to hear Richie's own voice. Being the other great half of the song writing talent that drives Bon Jovi, Richie (with the help of his Jovi bandmate, David Bryan on three songs, as well as a big helpful hand from Richie Supa on nine, as well as the input of some other fine artists) has written some deeply introspective, personal and reflective lyrics. Many can lose themselves in his words and get some kind of meaning out of them. The music is more beautiful and elegant than it is aggressive and hard-hitting, causing many a critic (I'm sure) to cry "Michael Bolton" -- but no matter. Richie is "who he is" and that's something this musical climate needs a good shot of.
In comparison to his first effort, Stranger In This Town, it is clearly evident that Richie has topped himself lyrically and at least called it even musically. His voice has gotten stronger and he has more of a vocal range on this effort than on his previous. This is not only a showcase for his writing talent and what he can do as a guitarist, but also as a vocalist.
While there's one or two songs that are middle-of-the-road, there's not a horrible, or "bad", song on this disc, and there's many highlights that make it a shining star. Here's hoping Richie and his Bon Jovi bandmates will return soon as a group, but here's also hoping we get to continue to hear Richie's individual (and so very special) voice (as well as bandmate, Jon's) every now and again. As much as yours truly gets "da blues" from lack of new band material, she's glad Richie made this disc because it's become one of her new best friends.
© Written by Diane Trautweiler on April 19, 1998.
IS THIS RICHIE OR HARRY CONNICK JR.?????????.......2003-11-02
Great!!!!.......2003-05-05
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Such Great Heights
Iron & Wine Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000GG4MXE Release Date: 2006-08-07 |
Tracks:
- Such Great Heights
- Trapeze Swinger (live recording from Radio Vienna)
- Naked as We Came (live recording from Radio Vienna)
Album Details
2006 EP from the Man Whose Moniker is a Nom De Plume for Miami's Samuel Beam, Writer of Songs that Are Simply Arresting When You Hear Them. Includes Two Exclusive B-side Tracks.Customer Reviews:
Music that trancends all rational expectations of what good music should be.......2007-07-16
While Sam Beam's cover of the Postal Service's "Such Great Heights" got a bit overplayed and overexposed with its inclusion in Garden State and later in, of all places, M&M's commercials, it is still a masterful cover in every sense of the word. Not since Johnny Cash has an artist covered a song so well and effectively making it his own. Beam's delicate voice gently croons the opening line "I'm thinking it's a sign that the freckles in our eyes are mirror images and when we kiss they're perfectly aligned" over a beautifully simplistic, stripped down version of a song that becomes such a far cry from the poppy, electronic original.
The radio sessions of The Trapeze Swinger and Naked As We Came are also pure aural pleasure. Beam bottles lightning twice with flawless live takes of these two beautiful songs that seem to fit thematically together. "Naked As We Came" speaks to a couple in which one dies prior to the other and "The Trapeze Swinger" is a bit of a self eulogy imploring the ones left behind to remember the good times spent together.
While somewhat pricey for three songs, it is worth every penny. Put on headphones, shut your eyes and let Sam Beam's voice carry you where it will, evoking deep emotions along the way.
fabulous.......2007-05-16
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Such Sweet Thunder
Duke Ellington & His Orchestra Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000IMYN Release Date: 1999-04-27 |
Tracks:
- Such Sweet Thunder (Cleo)
- Sonnet For Caesar
- Sonnet To Hank Cinq
- Lady Mac
- Sonnet In Search Of A Moor
- The Telecasters
- Up And Down, Up And Down (I Will Lead Them Up And Down) (Puck)
- Sonnet For Sister Kate
- The Star-Crossed Lovers (AKA Pretty Girl)
- Madness In Great Ones (Hamlet)
- Half The Fun (AKA Lately)
- Circle Of Fourths
- The Star-Crossed Lovers (AKA Pretty Girl) (Stereo LP Master)
- Circle Of Fourths (Stereo LP Master)
- Suburban Beauty (Master Take)
- A Flat Minor (Preferred Take)
- Cafe Au Lait (Preferred Take)
- Half The Fun (AKA Lately) (Alternate Take)
- Suburban Beauty (Alternate Take)
- A Flat Minor (Outtakes)
- Cafe Au Lait (Outtakes)
- Pretty Girl (AKA The Star-Crossed Lovers) (First Recording)
- Bonus Track 1
Amazon.com
Such Sweet Thunder was, like Black, Brown and Beige and the later Far East Suite and other works of the late-1950s and on, a long-form study broken into identifiable miniatures that could stand alone as tunes. But this one was far more unlikely than Ellington and cocomposer Billy Strayhorn's other suites, with its focus on characters developed by William Shakespeare. Pieces were scripted for both centuries-old characters and Ellington band members; for example, Paul Gonsalves's tenor sax and Johnny Hodges's alto parry as a musical Romeo and Juliet on "Star-Crossed Lovers." Surely this description of the CD makes it sound stiff, even pretentious, but the music gives the lie to such an assumption. Ellington was a master of sectional polyphony, making sure his band's sections swung individually and then in tandem with the other sections, creating a powerful, sometimes swirling swing. But he had Strayhorn, who was also a master of creating moods and ambient textures. And that's where this session becomes fascinating, in the moments when the group creates something other than rhythmic propulsion, standard harmony, or even focused melody. Rounding out the original LP issue--which accounts for only half of this CD's length--are a host of alternate takes, three of them wholly or partially unreleased until this set. --Andrew BartlettCustomer Reviews:
Shakespeare would've loved it.......2007-05-06
Ellington and the Bard.......2006-03-26
This is Duke Ellington's suite in tribute to Shakespeare. Most of the selections are inspired by a particular character (Othello, Caesar, Henry V, for example), and most feature the work of a particular band member. SONNET TO HAND CINQ features Britt Woodman's trombone to good effect; LADY MAC, a waltz and one of the best tunes in the suite, has excellent Clark Terry work; CIRCLE OF FOURTHS, the only track that is taken up-tempo, has a good Paul Gonsalves solo. The most famous selection is STAR-CROSSED LOVERS and features Johnny Hodges on alto in a beautiful solo. Other musicians featured are Harry Carney on THE TELECASTERS and Quentin Jackson on trombone in SONNET FOR SISTER KATE. The music in this suite is introspective for the most part and highly personal; how connected it is to anything Shakespearean is up for debate. The better pieces are quite attractive; it's the kind of music Ellington hoped to be remembered for.
Perhaps Duke Ellington's Most Intriguing Suite..........2006-02-03
Classically inspired, Such Sweet Thunder, also known as The Shakespearean Suite, is an intriguing work for those who have affinity toward classical music. The songs are dedicated to the characters from Shakesphere's plays, and some of the outstanding pieces are the solemn "Sonnet for Caesar" with its tragic ending, the delightful "Lady Mac" who enjoys a bit of ragtime, and Clark Terry's trumpet goes "Up and Down, Up and Down" as Puck who laughs at the world. Billy Strayhorn's "Pretty Girl" was adopted into the suite and entitled, "The Star-Crossed Lovers." With its fluttering notes, the sudden opening by Ellington on the piano lifts the mind right up to the state of high drama and romantic tragedy. Paul Gonzalves plays the part of Romeo. Known for his sensuous phrases and the purest of tone, the peerless Johnny Hodges plays with all the love and heartache that Juliet feels. Ellington ends on the very same notes as the opening and, as Bill Berry in the liner notes put it perfectly, "It leaves one suspended."
IS THERE NO END TO DUKE'S CREATIVITY?.......2005-03-25
The genius of the man is such that this music can be listened to without references to the Bard's work and is awesome in ever aspect. Melodic , interpetative, improvisational jazz at its best, my only 'problem' is I can't decide which track I like best so I am forced to listen to the music again and again and again and... OH WELL :-)
Buy this album you won't regret. If music be the food of love PLAY (SWING) ON Ellington PLAY ON. Sound familar?? Enjoy
Perhaps THE BEST jazz work.......2005-03-04
Some people complain about the famous quotation in Puck. To those who never listened to the vinyl, you won`t find there is something wrong. What it appears here seems reasonably well composed. May be the LP is better, but to those who don`t know it, there is nothing wrong here.
The reason I put 4 stars is about the production. The rest of the material are in essential 3 tracks which show a typical Ellington way of composition. nice pieces at first, but they dont compare with SST, they are poorer. And please, what is the point of repeating tracks just by some little notes different???? perhaps I am not accustomed to the world of jazz improvisation where a note makes difference. For me is like repeating the material you found before. Just stupid. So what you find here is 35 minutes of marvellous music, 30 or 35 of no sense repeats and 7 or 8 minutes of conventional (disposable for me) jazz. A valid reissue must have included Black, brown and beige (Sony release) but of course, the company makes more business if they release them in 2 cds instead of 1.
To sum up, THE choice for those who begin to explore jazz from a classical music previous experience.
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Such Great Heights (Single)
Postal Service Manufacturer: Sub Pop ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00007L7ET Release Date: 2003-01-21 |
Tracks:
- Such Great Heights
- Theres Never Enough Time
- We Will Become Silhouettes
- Such Great Heights - Iron & Wine
Album Description
This collaboration between Ben Gibbard (Death Cab For Cutie) and Jimmy Tamborello (Dntel, Figurine) combines Ben's sweet-as-pie vocals and Jimmy's soaring electro-pop soundscapes, making for sublime listening. This specially priced single is a teaser for the full-length that was due out in February, and includes one album track, 'Such Great Heights', an exclusive Postal Service track, 'There's Never Enough Time', and two covers of Postal Service songs, 'We Will Become Silhouettes' (performed by the Shins) & 'Such Great Heights' (performed by Iron & Wine). Both covers are exclusive to this release. Sub Pop. 2003.Customer Reviews:
Out of the 3, the best..........2006-12-23
Amazing artists making amazing music........2006-09-01
Such Great Singles.......2005-11-13
Such Great Heights was a very poppy upbeat from their album "Give Up", and it's a great song. The drums are active, there is a lot of panning-involved riffs, and some good vocals.
There's Never Enough Time is a simple Electronica song. The simplicity is actually great in this song. Everything is real clear, and the "tss tss tah tss" drums sound awesome. I love the arrangement of this song, and the keyboard riff is soo good.
We Will Become Silhouettes by the Shins is a very nice song. Instead of busy keyboard riffs with saws and snare drums, there's a lot of realism acoustic guitars. They didn't make an exact replica measure for measure and they change some of the melodies (but keep the mood the same). Both the Postal Service's version and the Shins' version are good in their own ways.
Finally, Iron and Wine's cover of Such Great Heights. If you like acoustic guitar work, you'll apperciate this song. It's folky and a very different perspective on this song. Because of the slow tempo, the verses seem a little long, but that's the only flaw I see in this song.
Basically, if you like the Postal Service, this single will be worth it to you. It's only a few bucks to find out anyways.
Thumbs up!.......2005-10-31
The other two tracks are not performed by Postal Service. The Shins perform an "unplugged" version of We Will Become Silhouettes and the last track, Such Great Heights is performed by Iron And Wine - most notably played in a recent M&M's "kaleidoscope" commercial...very slow & pokey folky with just acoustic guitars and vocals.
Very worthy of the $4 price tag!
For $4, you can't go wrong.........2005-10-10
"Such Great Heights" and "There's never enough time" are two great Postal Service songs. The Shins do an awesome cover of "We will become silhouettes" that will be stuck in your head all day, and DNTEL's "Such Great Heights" is a slow and beautiful cover.
Great for Postal Service Bands or anyone who's looking for some great music for not a lot of dough.
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We Could Make Such Beautiful Music Together
Bebo Valdes , and Federico Britos Manufacturer: Bmg Int'l ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0002O095U Release Date: 2004-07-06 |
Tracks:
- We Could Make Such Beautiful Music Together
- Bakiff
- My One and Only Love
- Rosita
- Noche Azul
- Someone to Watch Over Me
- Claudia
- I Only Have Eyes for You
- Adionino
- Way You Look Tonight
- Luiza
- Waltz for Debbie
- Canci
- Together
Album Details
2003 Release by the 86-year-old Cuban Pianist/Composer/Arranger Along with Latin Jazz Violinist Federico Britos.Customer Reviews:
A fortunate meeting between two great musicians!.......2007-02-18
And in this state of things Bebo Valdes 'presence was even embossed by Fernando Trueba in "Calle 54" ( as a matter of fact, Truba produced the last album of Bebo). This album is a plesant compilation of universal themes that have as common denominator the love in every single track, seen by several composers around the world. And that cosmopolitism enriches beyond measure and notably the huge lyric legacy of it. From Ernesto Lecuona? s Noche de luna to Gershwin's Someone to watch over me and from Billie Evans' Waltz for Debbie to Astor Piazolla' s Adios Nonino, the wide range of distilled emotions, livings and memories is carved in relief by this formidable team of sensitive musicians.
We Could Make Such Beautiful Music Together.......2006-08-19
Warming and just music, pure joy of music.......2005-03-06
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Lunar Eclipse
David Bryan Manufacturer: Rounder / Umgd ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000050G7K Release Date: 2000-12-05 |
Tracks:
- Second Chance
- I Can Love
- It's a Long Road
- On a Full Moon
- April
- Kissed by an Angel
- Endless Horizon
- Lullaby for Two Moons
- Interlude
- Room Full of Blues
- Hear Our Prayer
- Summer of Dreams
- Up the River
- Netherworld Waltz
- In These Arms (vocal version)
Customer Reviews:
The Most Relaxing Journey.......2003-05-04
been lunar eclipsed.......2001-09-02
Great Instrumental.......2001-03-16
A Must Have.......2000-12-11
Music Album:
- The Best of Cris Williamson
- The Best of Doug Sahm & The Sir Douglas Quintet 1968-1975
- The Best Of Stonewall Jackson
- The Color of Dusk
- The Complete Hank Williams [Box set]
- The Dark
- The Earth Rider - The Essential John Stewart 1964-1979
- The Essential Jim Reeves
- The Kingston Trio/...From the "Hungry i"
- The Man from God Knows Where
