Identity Crisis

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Shelby Lynne wrote, sang, produced, and played all the guitar parts on her mellow, moody, and sonically stripped-down eighth album, Identity Crisis. Surely the title ironically refers to Lynne's eclectic career itself rather than this slow-burning, excellent album, with its lyrics so personal and honest, one feels like a voyeur at times. Identity sounds like a living room session; the demos made for the big album before the hot-shot producer came in and ruined everything. Lynne's voice is as relaxed, assured, and richly emotive as ever, buoyed by acoustic bass and guitars, electric piano, and minimal percussion. Notable deviations from the candlelit vibe include the mid-tempo rocker "Gotta Be Better" (which sounds like PJ Harvey jamming with X), the gospel chorus that peaks through on "10 Rocks" (the record's sole hokey tune), and of course "Lonesome" (a gorgeous old school Nashville-sheen tune that expertly evokes Patsy and Kitty with multi-tracked vocals and sweeping strings). The story goes that a lengthy phone conversation with Willie Nelson led to the lovely, uplifting last tune, "One With The Sun." Which is cool, because if this album is reminiscent of anybody, it's Nelson ca. Red Headed Stranger --Mike McGonigal

Identity Crisis,Shelby Lynne,Capitol,Adult Alternative Pop/Rock,Contemporary Country,Contemporary Folk,Contemporary Singer/Songwriter,Country,Folk-Rock,Pop,Popular Music,Psychedelic Pop,Roots Rock

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Comes across as anything but an identity crisis Treasure-Trove What a GOOD album this is.... sounds like... Call me Ms. Lynne

Identity Crisis Shelby Lynne Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Contemporary Folk | Folk | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Folk Rock | Rock | Styles | Music Roots Rock | Rock | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music Pop | Styles | Blowout Music | Stores | Music Classic Rock | Styles | Blowout Music | Stores | Music Rock | Styles | Blowout Music | Stores | Music Alternative Rock | Styles | Blowout Music | Stores | Music Country | Styles | Blowout Music | Stores | Music All Blowout Music | Blowout Music | Stores | Music More Titles at Least 25% Off | Blowout Music | Stores | Music Similar Items: Suit Yourself I Am Shelby Lynne Temptation Love, Shelby Restless ASIN: B0000C0FF8 Release Date: 2003-09-16

Tracks:

1. Telephone
2. 10 Rocks
3. If I Were Smart
4. Gonna Be Better
5. I Don't Think So
6. I'm Alive
7. I Will Stay
8. Lonesome
9. Evil Man
10. Buttons And Beaus
11. Baby
12. One With The Sun

Amazon.com

Shelby Lynne wrote, sang, produced, and played all the guitar parts on her mellow, moody, and sonically stripped-down eighth album, Identity Crisis. Surely the title ironically refers to Lynne's eclectic career itself rather than this slow-burning, excellent album, with its lyrics so personal and honest, one feels like a voyeur at times. Identity sounds like a living room session; the demos made for the big album before the hot-shot producer came in and ruined everything. Lynne's voice is as relaxed, assured, and richly emotive as ever, buoyed by acoustic bass and guitars, electric piano, and minimal percussion. Notable deviations from the candlelit vibe include the mid-tempo rocker "Gotta Be Better" (which sounds like PJ Harvey jamming with X), the gospel chorus that peaks through on "10 Rocks" (the record's sole hokey tune), and of course "Lonesome" (a gorgeous old school Nashville-sheen tune that expertly evokes Patsy and Kitty with multi-tracked vocals and sweeping strings). The story goes that a lengthy phone conversation with Willie Nelson led to the lovely, uplifting last tune, "One With The Sun." Which is cool, because if this album is reminiscent of anybody, it's Nelson ca. Red Headed Stranger --Mike McGonigal

Customer Reviews:

Comes across as anything but an identity crisis.......2006-12-21

Identity Crisis comes across as anything but an identity crisis, instead finding Shelby Lynne in top form, focused, and sounding great. OK, maybe the crisis here is that Ms. Lynne runs the gamut from raging rock `n roll to laid back introspection and whatever else lies in between.

Her voice is strong and clear, and her accompanying crew of musicians is clearly on board with her vibe and vision.

I cannot see any value in offering a play-by-play recap of the songs here: just take the time to give this one a few listens and you can supply your own adjectives. Most of them will be quite positive, I suspect.

Treasure-Trove.......2005-04-30

"Identity Crisis" is a good set from Shelby Lynne. The diversity of musical approaches makes the title appropriate. "Gotta Be Better" is an excellent track with some blazing electric lead that lashes the speakers & Lynne's infectious vocals, "And did you ever think you'd ever walk on hallow ground? Don't you like to think that things are lost & never found? Discover all the secrets & head out for the sound. Did you hear the voice that makes your fever?" "I'm Alive" also has a delightful rocking groove, "Oh if I don't get you back, I'll cover up my bloody tracks with sorrow, hopes & hide my dying pride." The dreamy Shelby Lynne does Nick Drake track "If I Were Smart" communicates a soft gentle sadness that Shelby fills exquisitely. "Telephone," "10 Rocks" & "Baby" are all great tracks. With "Suit Yourself" about to hit the market, "Identity Crisis" is still a treasure-trove. Enjoy!

What a GOOD album this is...........2005-03-07

Wow, what a nice surprise. It's the Shelby Lynne album I been waiting for. This album rocks, swoons, gets down like your'e in church, and then some....

Shelby does what she pleases n this album, and it shows. She sounds comfortable with each song, and sounds like she's having fun singing them. A nice stripped down acoustic approach suits these songs perfectly. I fell in love with the coo of her voice a long time ago, and it's all over this album. She hasn't sounded bettter, vocally as she does here. "One with the Sun" has to be the most beautiful track on here. And "Gotta get better" rocks like nothing else I've heard her do. The churning strumming takes you in right away and really rocks. Amazingly there is little percussion on this album and it seems to work just fine. The introspection of "If I were smart" here she examines a situation of the heart, shows a she can still turn a phrase to get her point across.

Now I'm sorry but I don't understand the review calling "10 Rocks" hokey. It's a great song. Why can't Shelby Lynne do a gospel shuffle? Lyle Lovett can and no one says anything. In any event she shows that she has the ability to pull it off.

This album shows the many facets of an amazing artist. An eclectic collection of songs make up a strong, cohesive work. Her talents shine here. The best part is that she produced and played the guitar parts herself. It was as if, to make a really good Shelby Lynne record, she had to do it herself. Good for her! It worked!

(Personally I'd like to hear her re-do "Love Shelby" to sound as pure as this record does. There were some really great songs on that album that could use a personal touch.)

sounds like..........2005-02-11

One night on PBS I heard a girl named michelle shocked doing a country blues set and went out and bought it, at a time when buying a CD meant something, only buying the ones that I thought I would listen to for forever. And I did, for quite a while, the southern style and interesting takes were refreshing. Oddly enough, there is alot of similiar sounds on this CD by Shelby, who I have enjoyed through all her hair color changes. I really thought the previous albums gave a more original, listen to me and throw your head back songs.

Call me Ms. Lynne.......2004-12-22

The first time I saw Shelby Lynne she was on some award show with Sheryl Crow several years ago. She was out singing her and sexier and trashier and all that. She was kicking [...] and Crow was like she always was, pretty flat singing but technically great of course and rather dull. Back then Shelby was more Gretchen Wilson than Gretchen Wilson is now. Then I went out and bought that album with Shelby on the front in cutoffs and all tanned and blonde. Love, Shelby. Yes, sir. The cover was a lot better than the music, I thought.
Then awhile back I saw this woman on television. The Directv screen said it was Shelby Lynn. No, it wasn't. Shelby Lynne was that singer who looks like the most attractive single mother in that bar across the street from the Chrysler Plant, cigarette in hand, and she bends over a pool table.
The woman Directv said was Shelby Lynne looked like an androgynous Bell Hop in a fancy New York hotel. That couldn't be Shelby!
There was no tan on this woman. Her hair was white, not blonde. What a transition! But then I bought Identity Crisis. What an album! It blew that cheap-o album produced by Mr. Morrisette,( what's his name?) out of the water.
Shelby's transition was probably less a fear of skin cancer than the types of crowds she was drawing. (Hey, boys! Shelby's up there! Got some chew?)
This album brings Ms. Lynne to the place she should be. Bluesy, and country. Shades of Willie Nelson and Patsy Cline and even a little Buddy Guy.
Shelby's identity crisis is our musical windfall. This is a textured, brilliantly understated album that shows just how talented Shelby is. She goes back to her roots or maybe just discovers her roots. 6 stars. (But does she really say Flo for floor?)

Average customer rating: Amazing for a low budget album Thrice times champion! Wicked Album Not very tight, but AMAZING! "Feeling better!" the airs say my first Thrice album, and still among the top 10 albums ever

Identity Crisis Thrice Manufacturer: Sub City Records ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music Punk | Hardcore & Punk | Alternative Rock | Styles | Music Punk Revival | Hardcore & Punk | Alternative Rock | Styles | Music Punk-Pop | Hardcore & Punk | Alternative Rock | Styles | Music Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Similar Items: If We Could Only See Us Now The Artist in the Ambulance Vheissu Red Sky Vheissu ASIN: B00005A878 Release Date: 2001-03-06

Tracks:

1. Identity Crisis
2. Phoenix Ignition
3. In Your Hands
4. To What End
5. Ultra Blue
6. As The Ruin Falls
7. The Next Day
8. A Torch To End All Torches
9. Unquestioned Answers
10. Under Par
11. T & C

Album Description

Their 2nd album, released in 2000, defines the sound that Thrice is striving for-the dynamics and emotion of hardcore with the melody and harmony of pop-punk. The 12-track CD has a little something for everyone, ranging from the harmonies of 'In Your Hands', to the pseudo-metal 'Torch to End All Torches', to the post-hardcore feel of 'To What End'. Sub City Records.

Customer Reviews:

Amazing for a low budget album.......2006-08-17

Identity Crisis is my favorite Thrice ablum. Yes it is not as tight and polished than those that followed but that is not due to the band. This album is plagued by crappy production and obviously was recorded by someone who didnt care about the album. In interviews with thrice they are quoted as say the guy who recorded Identity was "more interested in play video games than recording music." With some recording knowledge I completely agree with this statement. If the engineer/producer gave a crap Identity Crisis would have been Illusions of Saftey a year earlier. T & C, Identity Crisis, Ultra Blue, and As the Ruin Falls are the best tracks altough all are great.

Thrice times champion! Wicked Album.......2006-06-24

This is their most gooderest album yet. It doesn't have the best song writting in all but it is their most punkiest album and every song kicks butt. If you like punk, pick this up, if not, pick up all their others. Slow and emotional but the song writting in those albums is phenominal. Up to u. Anyways, this CD rules and you should by it this second. Great album thrice!

Not very tight, but AMAZING!.......2006-03-09

I first heard "To What End" on a compilation a while back and was amazed but also positive that the rest of their music couldn't possibly be as great. Up to that point I had heard so few punk songs (I'm not going to play the genre game- call them screamo or whatever if you want, but if bands like Sum 41 can be called punk I certainly think Thrice can too) that were as meaningful and well written as that song, and I assumed that it was them at their best and would be found on an album full of medicore filler tracks. When I eventually obtained a copy of Identity Crisis I found out just how wrong I was.

I won't say that this is Thrice at their best, but its damn close. Thrice's later work was much more tight than this but I have to say that I really don't mind the guitar solos being all over the place and the lack of song structure. On the one hand its usually a sign of a band lacking maturity to lack a tight structure but in Thrice's case their lyrics and general songwriting do a lot of negate this impression. At the very least it kept things interesting. While in many ways Thrice was playing punk music, their not using the verse/chorus formula along with their use of guitar solos definately contributed to making this more memorable than most punk albums. Generic three cord punk rock this is not.

But more importantly than the structure of the songs or the genre was the songs themselves: they were simply some of the best written songs out there: the opening track with its soft verses and shouted choruses, "T & C" with its great guitar intro, "Ultra Blue"'s guitar work, and a "Torch to End All Torche" and "To What End"'s lyrics. Meaningful lyrics, great music backing it up, and a sound that stands apart not only from other Thrice CD's but from most other punk/posthardcore/screamo- a more than worthy first (full length at least as far as I know) effort.

Now for the bad news. There's isn't much, mostly just the above mentioned lack of song structure which unfortunately makes it sound less mature, but perhaps thats just because people have come to associate tight songs with mature musicianship. The songs also might sound like an early effort because of the contrast between this album's production and that on their later releases. Thats not fair to Thrice, and in the end it doesn't really take anything away from this release. This is essentially Thrice playing punk rock with some hardcore influences which makes it sound more primitive than the post-hardcore sound of later Thrice but which, like the production, doesn't take anything away from this release's quality. A few of the songs are also somewhat weak, for example "A Torch to End All Torches" doesn't get really good until the end. The first part is a sort of generic punk song but then its slows down and after a fairly long instramental Dustin comes back with a completely different sounding ending and lyrics that are as Christian as you can get without sounding overbearing, though its possible that those unfamiliar with Christian imagery won't even recognize it (but "by his grace I am sustained" gave it away for me). A few others aren't quite as amazing as some of the above mentioned ones, though none of them are bad or worthy of skipping.

This was the first Thrice CD I ever heard so I can't say how fans who have heard newer Thrice first will react but at the very least they will like if they don't love it like I do. Its good music, do yourself a favor and buy it.

"Feeling better!" the airs say.......2006-02-03

If I were the real Jesus Dustin Kensrue would be an imaginary best friend voicing lost albums Black'd.

my first Thrice album, and still among the top 10 albums ever.......2005-12-09

I love their playfulness, their jumping from Maiden like guitars to punk back to early Metallica. All this in an own way, the Thrice way. the singing gives me the goose bumps and the energy kicks me. I just love it. You have to BUY that album, you have to have an original!

Average customer rating:

Identity Crisis J-Bru Manufacturer: Urbnet Canada ProductGroup: Music Binding: Audio CD General | Rap & Hip-Hop | Styles | Music Pop Rap | Rap & Hip-Hop | Styles | Music Rap & Hip-Hop | Imports | Stores | Music ASIN: B000NVLJQA Release Date: 2007-04-09

Tracks:

1. I Will Be Seen
2. Makin' People Say
3. Put My Work In - White Mice
4. I Love You Ma
5. What R We Doin? - Eternia,
6. Ghetto Life
7. Tru Luv, Pt. 2 (Your Body)
8. I Got a Secret
9. Things Ain't the Same
10. Help! I Been Robbed - Jay Bizzy, ,
11. Underground MC, Pt. 2
12. Lost Soul
13. It's Rainin' - Jordan Croucher,
14. It Doesn't Matter
15. Uh Huh Huh - Spesh K, Young Zone

Average customer rating: Thank you for the reviews Learn to SWIM your drowning! Rock-On Excellent Debut - New sound for the Progressive scene Buy Magnitude 9

Identity Crisis ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Alternative Rock | Indie Music | Stores | Music Rock | Alternative Rock | Indie Music | Stores | Music ASIN: B00007MEW8 Release Date: 2002-11-19

Tracks:

1. Picture Motion
2. Live Through Me
3. Never Again
4. Time
5. Monkey Patch
6. Alone
7. All You Know
8. The Way
9. Scattered
10. Want From Me
11. Interlude Blues
12. Left Of Center
13. Price Paid
14. Once In A Lifetime

Album Description

From the ashes of PSYCO DRAMA rise SECTION 16, unleashing their debut album, Identity Crisis. SECTION 16 combine the stellar singing of acclaimed vocalist Corey Brown (MAGNITUDE 9/ex-PSYCO DRAMA), the hard hitting groove and crunch of guitar tandem Hercules Castro (ex-PSYCO DRAMA) and Toby Kinnaman, and the thunderous bottom end of rhythm section Ian Ringler and Jeremy Hoffman, to create an Identity Crisis that the music world will find hard to ignore. With influences including Queensryche, King's X, Seven Dust and Tool, Identity Crisis offers 14 tracks of melodic, aggressive heavy music, highlighted by the songs "Live Through Me," "Never Again," "Want From Me," and "All You Know."

Customer Reviews:

Thank you for the reviews.......2005-03-04

I just wanted to respond to the reviews for our CD. Thanks for taking the time to listen to the music and for making the effort to leave your comments here on Amazon. We do appreciate all constructive feedback. We are working on our next CD that will hopefully be released in late 2005.

Please also check out vocalist Corey Brown and myself with the band Magnitude 9 as well.

As for the person who posted that a band member was "faking" a review and "blowing smoke", that would be me who posted the review in question. The review was copied from another CD site that was left for our CD. I thought it would be a great idea to post it here as at the time, there was only 1 review for Identity Crisis. Sorry that you were confused about any "blowing."

Ian Ringler

Learn to SWIM your drowning!.......2005-02-22

Time to hang it up guys, the ersatz Pearl Jam/ Sound Garden, Wanna-be rock band is still in the struggling stage and needs a lot of work. By the time they the ever get noticed they will be too old to tour. If they are smart they would quit before they invest too much of their life they cannot get back. I have heard much better bands Magnitue 9(being one of them). By the way; what the hell is one of the band members doing leaving remarks blowing smoke up the fans butt, acting like they walk on water...Please!

Rock-On.......2004-04-28

This cd is great. It's inspired me in different ways, and it...makes me feel happy! Not only do I have an autographed cd, I got to hear and see these guys play in person.(Hot Damn!) If you get a chance, you should do the same!

Excellent Debut - New sound for the Progressive scene.......2003-05-07

This is one of the better Debut CDs that I've heard in a long time. First off, this is not what I expected to hear from a band who's past is rooted in Progressive Metal. But what a refreshing delight! In a time where music, especially anything in the Rock world, HAS to fit into one category, Section 16 stands out as a unique breath of fresh air. Section 16 DOES NOT FIT into one style. Although rooted in Progressive Metal, this band transcends ALL styles of Rock. It takes a little while to get use to, but then it hits you like a wall of sound. It will be interesting to see where this band goes.

Let it be said that "Identity Crisis" is NOT one of the great Progressive Metal Albums. It is, however, one of the BEST METAL ALBUMS (with excellent Progressive moments) that I've heard in quite some time.

Don't worry Prog-Heads, SECTION 16 still delivers enough on the technical side and especially in the vocals department. This is NOT Magnitude 9 or even a rehashing of Psycho Drama, but an honest new band trying to stand on their own feet. As far as I'm concerned, they are standing tall in a crowd of copycats, gimmicks, and a re-forming Progressive scene. Check out songs "All You Know," "Monkey Patch," and "Alone." Chuck - The Rover - Austin, TX.

Buy Magnitude 9.......2003-04-03

Like the title says, buy Magnitude 9's Reality into Focus. Same vocalist, but with much better music and far superior engineering. This CD is good...don't get me wrong. But Magnitue 9 is better. Enjoy!

Average customer rating: A very very good album Blast from the past A real suprise

Identity Crisis Clea Manufacturer: Wea ProductGroup: Music Binding: Audio CD General | R&B | Styles | Music General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Rock | Imports | Stores | Music Similar Items: Trinity Enjoy the Ride One Step Further Whatever Will Be In Orbit ASIN: B0001AVYVS Release Date: 2004-01-26

Tracks:

1. Stuck In The Middle
2. The Lie
3. Butterflies And Rainbows
4. First Love
5. Idenity Crisis
6. One More Try
7. Sprung
8. Crush
9. A Guy Like You
10. Download It
11. Mind Games
12. Pretty Little Bad Girl

Album Description

Debut album from UK pop act made up of four finalists of 'Popstars - The Rivals'. Features 12 tracks including the hit singles, 'Stuck In The Middle' & 'Download It'. For fans of Girls Aloud & The Sugababes. 1967. 2004.

Album Details

A Quartet of Young Ladies who Met in the Madness of Doing "Popstars: The Rivals" (The UK Association of "American Idol"). This Album was Recorded with the Assistance of a Variety of Gifted Producers and Writers from around the World from Los Angeles to Russia, Giving it a Truly International Flavor. It Mixes Seductive Vocal Melodies with Sweeping Strings to Create a Sound That's Immediately Infectious as Well as Being Mature, Unique and Sexy.

Customer Reviews:

A very very good album.......2006-07-18

This is Clea's debut album, released when they still had 4 members - Aimee, Emma, Lysney and Chloe. Chloe quit the group after the girls had released two singles. The first two singles were "Download It" and "Stuck In The Middle."

This album is very good - Clea deserved more success then they eventually got with this CD. All the songs are catchy and fun, and the girls show they can sing - well of course they can, because they were the girls who got to the final 10 of Popstars The Rivals, the band that finally made Girls Aloud - Clea were four of the girls who didn't get in.

What are the best tracks on the album? Well, for a start, the second single "Stuck In The Middle" is a favourite of mine. The re-recorded version that is on the girls' second album Trinity is better then this version, but this song is still awesome. It's a gorgeous ballad about being in love with two guys. It has awesome music and rain effects. Another great song is "Pretty Little Bad Girl" - this one is a naughty little track with saucy lyrics and a great beat. "The Lie" is another great one, it's a melancholy song with a great chorus. "Sprung" is yet another fab track, about having a boyfriend, cheating on him and then being found out. It's bouncy, fun and catchy. "First Love" is probably the 2nd best ballad after SITM, a sweet song about your first love being your real love.

This album wasn't a hit, but I can't understand why it failed - it's a brilliant album, and very high quality. If you like Identity Crisis, check out the 3 member Clea's second album, Trinity.

Blast from the past.......2004-08-15

The influences on this album are most noticeably All Saints and Madonna- for instance, Butterflies And Rainbows is Dear Jessie/Raspberry Beret psychedelia. All Saints can be particularly heard in the songs that have been released as singles, and especially the title track, with its echoes of Pure Shores. However they do stretch further- Pretty Little Bad Girl is a surprisingly accurate rendition of 80s hair metal, of all things. I'm really struck by how much effort has gone into the production of this album. Due no doubt to the aforementioned influences it sounds pretty dated. This could easily have come out in the nineties, but that's not a bad thing. It's not flat, empty pop- the voices are not only good but distinctive in the current market, and the range of styles throughout keeps the listener interested. I really expected Friday's Child by Will Young to be a good example of quality pop but it turns out this is much better. The stand out tracks are Butterflies And Rainbows, Sprung and Download It (though I think the single version of that was slightly different for some reason, and superior). Anyway, if you were enjoying pop a few years ago and you're still enjoying it now this lovely surprise is definitely worth a listen.

A real suprise.......2004-06-20

Ok so if you dont know who CLEA are they were the girls that didnt make it into Girls Aloud. They have released two good singles so far - but have failed to set the charts alight.
Im not a huge fan but the group is made up of four girls, and they all have different voices, which blends really well togeather. Two singers in particular stand out, one has a sexy gravelly voice (bad way of describing it)which conveys some real emotion in some of the ballads and another singer has a sugar sweet voice and does all the high bits.

I am quite sceptical when it comes to any band that are spawned from tv shows, however given the chance CLEA could become a huge success. Their debut album is acclectic to say the least, and they definatly have an original sound which is doesnt enter Girls Aloud or Sugababe teratory.

The album tracks are...

*Stuck in the middle - mid-tempo ballad - but annoying intro!

*Download it - another mid-tempo track and their debut single

*Sprung - very strange but none the less an upbeat tune

*The lie - Sugababe-esqe mid-tempo track with a great big chorus

*Butterflies and Rainbows - another strange one to describe

*Pretty Little Bad Girl - nearest to Girls aloud the album gets

*One more try - one of the filler tracks quite bland and non-descript

*A guy like you - intro is misleading and sounds like Girls aloud gone indie lol - oh and a spot of rap lol

*Crush - my least favourite - such a stereotypical track, but its not awful

*First love - a nice ballad and slighty Atomic Kitten at times

*Mind Games - another tricky track to describe - lots of synths

*Identity Crisis - another interesting track upbeat and cheerful

Honestly, give them a try I am really suprised and only bought it out of seeing it on this site - but if you have liked a just one track they have released get this album because I still cant believe how good it is - ok I only gave it 4 out of 5 - but thats because two tracks scream of stereotypical 'girlgroup' album filler but the remaining ten are really suprising bits of credible pop music. GIVE IT A CHANCE!

Average customer rating:

Thrice: The Illusion of Safety Ep (Betrayal Is a Symptom / See You in the Shallows / As the Ruin Falls / Identity Crisis) Thrice Manufacturer: Sub City ProductGroup: Music Binding: Audio CD ASIN: B000QHFASY

Product Description

Tracks: 1. Betrayal is a Symptom; 2. See You in the Shallows; 3. As the Ruin Falls; 4. Identity Crisis. Limited Edition CD EP from the band Thrice.

Average customer rating: A great fusion band that needs more exposure!!

Identity Crisis Affirmation Manufacturer: Rhombus Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | New Age | Styles | Music General | Jazz | Indie Music | Stores | Music General | New Age | Indie Music | Stores | Music Jazz | New Age | Indie Music | Stores | Music General | Soundtracks | Indie Music | Stores | Music ASIN: B00005AUGI Release Date: 2001-05-01

Tracks:

1. Identity Crisis
2. West Washington Blvd.
3. Amber Autumn
4. Packed, Fair & Square
5. Ivory Towers
6. The French Rejection Part I
7. Sounds Good To Me
8. Just The Other Day

Album Description

Rhombus Records Where creative music lives.

Customer Reviews:

A great fusion band that needs more exposure!!.......2002-06-15

This album as well as their follow up album "Lost Angeles" are top notch and original. All of the musicians are tallented but it's the viola player that really stands out here. It's really nice to hear a violin that stands out in the music and isn't just one of the background instruments. The only song I don't care for is West Washington Blvd.

What's a shame is that this awesome fusion band has been around since the early 80's but I never became familiar with them until recently through internet radio. So enjoy their great music and spread the word!!

Average customer rating:

Identity Crisis Shelby Lynne Manufacturer: Toshiba EMI Japan ProductGroup: Music Binding: Audio CD General | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music General | Contemporary Folk | Folk | Styles | Music Singer-Songwriters | Contemporary Folk | Folk | Styles | Music General | Pop | Styles | Music General | Adult Contemporary | Pop | Styles | Music Adult Alternative | Pop | Styles | Music Folk Rock | Rock | Styles | Music Roots Rock | Rock | Styles | Music Psychedelic Rock | Classic Rock | Styles | Music Alternative Rock | Imports | Stores | Music Country | Imports | Stores | Music Pop | Imports | Stores | Music ASIN: B0000D8RUR Release Date: 2003-12-30

Album Details

Japanese Version featuring a Bonus Track

Average customer rating:

Identity Crisis Shade Manufacturer: Shade ProductGroup: Music Binding: Audio CD ASIN: B000OKNSAU

Product Description

Debut album from central New York modern rock band.

Music Album:

1. If You Saw Thro My Eyes [Import]
2. Into The Cool Blue
3. Jagged Time Lapse (Bonus Rare Material) [Import]
4. Lang a-Comin'
5. Lead Free/B.W. Stevenson [Import]
6. Live Close by, Visit Often
7. Live, Laugh, Love
8. Live [Live]
9. Look for the Wind
10. Love, God, Murder [Box set] [Collector's Edition] [Original recording remastered]

Music Album