KGNU-Radio
" skill and range of material is without parallel..." " make an invaluable contribution artistically, culturally, and personally."
Product Description:
Award-Winning Musical Ambassadors from Russia
Moscow Nights is an exciting, versatile trio of world recognized, prize winning musicians from Russia.
In a little over two years, they have already established themselves as one of the fastest rising folk groups in the U.S. These classically trained artists first took Western Europe by storm and now have brought their dazzling, toe-tapping music to North America.
The repertoire is centered on masterpieces of Russian folklore and represents the diversity of the culture, ranging from gently humorous songs, to elaborate lyrical suites, to pulsating dance numbers.
Russian folk music expresses the national character outwardly reserved and cool but brimming with vigor, mischievousness and vibrancy inside. Their lively program presents an authentic picture of Russian folk traditions and culture.
Lilting Balalaikas, dynamic Bayan Accordion, unique Trashotky & Loshky, humorous Dances and superb Vocals combine for an exhilarating and educational performance for audiences of all ages!
From Russia With Love
From Russia With Love,Vitaliy V. Bezrodnov,Moscow Nights
Average customer rating:
- Barry's first - incredible
- Chronological order
- Fantastic Soundtrack!! Great Remaster!!
- The best of the series
- Incomparable James Bond Soundtrack
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From Russia with Love
Various Artists , and John Barry
Manufacturer: Capitol
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Binding: Audio CD
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Similar Items:
- Goldfinger
- Thunderball
- You Only Live Twice
- Dr. No
- Diamonds Are Forever
ASIN: B000087DS1
Release Date: 2003-02-11 |
Tracks:
- Opening Titles: James Bond Is Back/From Russia With Love/James Bond Theme
- Tania Meets Klebb
- Meeting In St. Sophia
- The Golden Horn
- Girl Trouble
- Bond Meets Tania
- 007
- Gypsy Camp
- Death Of Grant
- From Russia With Love
- Spectre Island
- Guitar Lament
- Man Overboard/Smersh In Action
- James Bond With Bongos
- Stalking
- Leila Dances
- Death Of Kerin
- 007 Takes The Lektor
Amazon.com
After the surprise success of 1962's Dr. No, the producers of the budding James Bond series began to establish what would become its trademark elements, with its debonair anti-hero frolicking libidinously through increasingly amped-up foreign intrigue and exotic locales. Musically, this soundtrack represents perhaps their most crucial decision: hiring band leader/budding composer John Barry as scorer. Abandoning the first film's calypso kitsch for an orchestra powered cocktail of elegance and jazzy sophistication, Barry immediately gave the Bond saga a focused musical language that would become arguably its most consistent element over the decades and amidst a revolving series of lead actors and increasingly improbable cinematic predicaments. While anchored by a medley that includes Monty Norman's "James Bond Theme," this soundtrack also introduced another longstanding Bond tradition, the pop-ballad title track/single, here penned by Lionel Bart and sung with urgent conviction by British crooner Matt Munro. This digitally remastered new edition features new liner notes, as well as artwork and stills from the film. --Jerry McCulley
Customer Reviews:
Barry's first - incredible.......2007-01-19
Well, what can you say that hasn't already been exclamated? Barry's score for FRWL is, of course, brilliant. Very creative use of eastern/oriental influences that blends effectively with 1960's orchestral sensibilities. The score is extremely dynamic without being overbearing. Barry does a great job of establishing main themes without resorting to predictable embellishments. Personal favourites include the main 007 theme(obviously), "Tanya meets Klebb", and "Spectre Island and Smersh" (classic 1960's Bond suspense). All the bongo parts and rhythmic ostinatos work fantastically well! Listen to pieces like "Girl Trouble", there's some extremely well-crafted and sophisticated exotic motifs there, superimposed over driving syncopated rhythms. We also find a lot of vibraphone/string unisons (my favourite combo) and of course, great brass parts. And let's not forget the solid title theme, beautifully rendered by british vocalist Matt Munro in classic Sinatra style. Munro really set the standard for future title themes. The recording is great, just the right balance between ambience and that nice analog grit that you find on so many 60's orchestral recordings. Some of today's soundtrack composers would do well to take a few lessons from the old masters - you rarely hear music of this dynamic range anymore, which is a real shame considering todays technology and the potential for dynamic range, noise floor levels and soundstage fidelity. But that's the way it usually goes, isnt it? I'm usually more partial towards the Barry's 1970's work and some of the 80s Bond soundtracks like Bill Contis amazing work on FYEO, but when it comes to the true masters and genre milestones, look no further that John Barry and FRWL.
Chronological order.......2006-11-20
Barry's first Bond score is, of course, brilliant. If you want to listen to it in film order, as I do, here's how to re-order the CD:
15, 1, 11, 2, 14, 16, First 1:00 of 9, 5, 7, 12, 8, 6, 3, 4, 18, 17, Second 1:00 of 9, 13, 10.
If you can't split up track 9, put it at the second spot. Also, tracks 4 and 12 do not appear in the actual film, but the positions are where Barry intended these cues to go.
Fantastic Soundtrack!! Great Remaster!!.......2006-03-04
This is really a remarkable soundtrack and the remastered sound is phenomenal!! To me this is where the music for the James Bond movies really began to take shape. There are themes developed here that have continued throughout the series of films. Great stuff, highly recommend!
The best of the series.......2006-01-12
Inventive, tuneful and just pleasant to listen to musical backdrop to what many, including me, believe to be the best of the Bond film series before they got so carried away with gadgets and world domination themes. John Barry is on top of his game really developing what musically becomes the Bond legacy. And best of all, the album stands well on its own as a listening expereince. When the track "007" begins it's like meeting an old friend. You've heard it before, but it's good to hear again.
Heartily recommend!
Incomparable James Bond Soundtrack.......2005-01-21
FROM RUSSIA WITH LOVE is a no-nonsense Bond film in the tradition of the Ian Fleming novels. The FROM RUSSIA WITH LOVE soundtrack is an example of exceptional film scoring and a very satisfying album drawing on all the elements of the film's score to deliver an experience that musically runs the gamut of rhythm, romance, intrigue and flavorful vignettes of the film's locale that seems to go in tandem with Fleming's literary sense for these elements. John Barry began his "official" scoring duties in tandem with his screen credit on FROM RUSSIA WITH LOVE bringing a highly recognizable and definitive substantiating sound to the Bond series that distinguished it with his unique and inimitable musical style. That has been a hallmark, which brings a cohesive quality to the whole series even in Barry's absence. John Barry not only firmly incorporated his prowess as a film composer with this soundtrack but also demonstrated his ability to establish his own unique sound on compositions composed by others. "From Russia With Love" from track 1 and "Bond Meets Tania" from track 6, with a melody composed by Lionel Bart, inimitably have that "Barry Sound" stamped on them. Once again Barry also demonstrated his unique musical handling of "The James Bond Theme" on track 14 with "James Bond With Bongos" while his "007 Theme" heard on tracks 7 and 18 bring a staccato and drive to the force of this James Bond classic. The re-mastering is good eliminating much of the background tape hiss. This recording sounds very good.
Average customer rating:
- The City of Prague Philharmonic Orchestra needs a guitar player!
- Persuaders Theme!
- A Variety Of Classics!
- Incredible Barry Collection
- " one of cinema's greatest composers...John Barry"
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John Barry: The Collection
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
Film Scores
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Similar Items:
- The Music of John Williams: 40 Years of Film Music
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- Eternal Echoes
ASIN: B00005BADD
Release Date: 2001-05-22 |
Tracks:
- Zulu
- From Russia With Love
- From Russia With Love - 007
- Goldfinger
- The Ipcress File
- The Knack
- Mister Moses
- Thunderball
- The Wrong Box
- Born Free
- The Quiller Memorandum
- You Only Live Twice
- The Girl With The Sun In Her Hair
- Deadfall
Tracks:
- The Lion In Winter
- On Her Majesty's Secret Service
- On Her Majesty's Secret Service
- Midnight Cowboy
- Midnight Cowboy
- The Appointment
- The Last Valley
- Walkabout
- Monte Walsh
- Diamonds Are Forever
- The Persuaders
- Mary Queen Of Scots
- The Man With The Golden Gun
- The Dove
Tracks:
- The Tamarind Seed
- King Kong
- Eleanor And Franklin
- Robin And Marian
- The Deep
- Hanover Street
- The Black Hole
- Moonraker
- Somewhere In Time
- Raise The Titanic
- Body Heat
- Frances
- Octopussy
- The Cotton Club
Tracks:
- High Road To China
- A View To A Kill
- Out Of Africa
- The Living Daylights
- Dances With Wolves
- Dances With Wolves
- Chaplin
- Moviola
- Indecent Proposal
- The Specialist
- The Scarlet Letter
- Cry The Beloved Country
- Mercury Rising
- The James Bond Theme
Customer Reviews:
The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09
Granted, they only need it for one composition (the last one, "The James Bond Theme") but still, without the guitar it's just not the same. Barry didn't compose this one so I suppose it was a bonus and I shouldn't complain, really. The rest of the music on all the CDs is fantastic. Some of the stuff I had heard before without realizing who had composed it. Very enjoyable, to say the least.
Persuaders Theme!.......2006-03-02
Buy it for the Persuaders theme, probably the best TV theme song ever written.
A Variety Of Classics!.......2005-12-06
John Barry has been composing film scores for over forty years and this is only scratching the surface of his productions. Never mind that the entire set is recorded by the Prague Philharmonic; it's pure to Barry's themes. While John Williams compositions ("Star Wars", etc.) are wild and flamboyant and Jerry Goldsmith's (Hoosier's, etc.) are mood pieces, John Barry crosses over all barriers and is amazingly diverse. Barry has recorded most of the exciting James Bond themes, melodramatic classics like "The Lion In Winter' and moody theme hits like "Midnight Cowboy". He also tugs at the heartstrings with compositions from, "Somewhere In Time", "Frances" and "Out Of Africa". He varies his themes for all types of films and few composers capture it so well.
There is over four hours of music in this set with a colorful and informative booklet.
Incredible Barry Collection.......2004-03-11
Any fan of movies will absolutley love this collection. Being a movie buff I couldn't wait to get this boxed set. Knowing Barry from all the James Bond movies, I did not realize his involvement with so many others. The orchestra is magnificent in all these themes. I'm listening to "High Road to China" right now and I'm drifting in the clouds in a Tiger Moth with Tom Selleck and Bess Armstrong. If you are familiar with a movie it will definitely have you seeing it again, if not the scores are still beautiful. Any fan of classical music will be pleased as well. Travellers will defintitely enjoy it for a long drive. I know from when I use to travel that music like this made the miles float by faster. I highly recommend these four CDs even if you just know a handful of the songs.
" one of cinema's greatest composers...John Barry".......2001-07-06
This collection of four compact discs...are worth their weight in GOLD! Barry creates visual moods for each film he scores...romantic, sentimental, action, adventure, suspense and mystery...the list could go on. Strings, brass and lush-velvet arrangements overlay each cue in his distinctive style of legendary scoring...we have ~ "John Barry:The Collection", Silva Screen's release traces 40 years of film music, featuring "The City Of Prague Philarmonic Orchestra" ~ conducted by Mr. Nic Raine (outstanding)..."Crouch End Festival Chorus" ~ David Temple, Choir Master...perform 56 selections, over four hours of symphonic suites with a full orchestra sound...all individually wrapped-up into one neat package...just the way "film-score-buffs" like 'em!
Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!
Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)
You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.
Average customer rating:
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Award Winning Movie Themes: The Sixties
Manufacturer: Michelle Records
ProductGroup: Music
Binding: Audio CD
Morricone, Ennio
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- The High & The Mighty
- Hollywood's Greatest Hits, Vol. 1
ASIN: B0000011JM
Release Date: 1994-11-28 |
Tracks:
- The Magnificent Seven: The Magnificent Seven
- A Man And A Woman: A Man And A Woman
- Breakfast At Tiffany's: Moon River
- Dr. Zhivago: Lara's Theme (Somewhere My Love)
- A Summer Place: Theme From A Summer Place
- Never On Sunday: Never On Sunday
- The Apartment: Theme From The Apartment
- The Alamo: The Green Leaves Of Summer
- Exodus: Theme From Exodus
- From Russia With Love: From Russia With Love
- A Man Could Get Killed: Strangers In The Night
- The Good, The Bad And The Ugly: The Good, The Bad And The Ugly
- Mondo Cane: More
- Zorba The Greek: Zorba's Dance
Average customer rating:
- A lot of 70's Music
- Bond and beyond on an excellent career retrospective.
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Themeology: The Best of John Barry
Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
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General
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General
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Similar Items:
- Eternal Echoes
- Beyondness of Things
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ASIN: B000025OLO
Release Date: 2004-02-23 |
Tracks:
- Persuaders Theme
- Midnight Cowboy
- Ipcress File
- Knack
- Wednesday's Child [From the Quiller Memorandum]
- Space March (Capsule in Space)
- Girl With the Sun in Her Hair
- Vendetta
- Danny Scipio Theme
- James Bond Theme
- Goldfinger - John Barry, Shirley Bassey
- Diamonds Are Forever - John Barry, Shirley Bassey
- From Russia With Love - John Barry, Matt Monro
- You Only Live Twice [Instrumental]
- Thunderball [Instrumental]
- On Her Majesty's Secret Service
- 007
- Walk, Don't Run
- Beat for Beatniks
- Hit and Miss
- Born Free - John Barry, Matt Monro
- Main Title (I Had a Farm in Africa) [From Out of Africa]
- John Dunbar Theme [From Dances with Wolves]
Album Description
23 track retrospective of the acclaimed soundtrack composer's best for the cinema. Includes 'Midnight Cowboy', 'The James Bond Theme', 'Dances With Wolves', 'Out Of Africa', 'On Her Majesty's Secret Service', 'Born Free' (sung by Matt Monro) and Shirley Bassey's vocal performancesof 'Goldfinger' & 'Dimaonds Are Forever'. 1997 Columbia release.
Album Description
23 track retrospective of the acclaimed soundtrack composer's best for the cinema. Includes 'Midnight Cowboy', 'The James Bond Theme', 'Dances With Wolves', 'Out Of Africa', 'On Her Majesty's Secret Service', 'Born Free' (sung by Matt Monro) and Shirley Bassey's vocal performancesof 'Goldfinger' & 'Dimaonds Are Forever'. 1997 Columbia release.
Album Details
Best of Package Includes: Goldfinger, from Russia with Love, Midnight Cowboy, Born Free, Diamonds Are Forever and More.
Customer Reviews:
A lot of 70's Music.......2005-09-20
If you really like 70's themes, you should like this CD. It was a little too dated for me.
Bond and beyond on an excellent career retrospective........1998-08-25
Imitation is often considered the greatest form of flattery. John Barry's oeuvre has been sampled by dozens of contemporary musical artists, and he is often credited as being the godfather of "trip hop" (check recent albums by Portishead and Mono to hear the Barry influence). The Academy-award winning composer has been producing music for over forty years, but this collection focuses on the artist's most commercially successful period, the 1960's. The instantly recognizable and inimitable Barry style is well documented throughout 23 varied compositions. Selections range from classic to obscure, and include all the title tracks from the early James Bond soundtracks. Barry's film and television music is the defining sound of that era - lush orchestrations, cool jazzy riffs, pure excitement. "Themeology" is an excellent starting point for the novice collector and equally attractive for the long-time admirer.
Average customer rating:
- A great idea, but incomplete
- Excellent. The best of this style.
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Bond and Beyond
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Elfman, Danny
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Morricone, Ennio
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ASIN: B000003CX1
Release Date: 2002-10-22 |
Tracks:
- Theme From Goldfinger
- James Bond Theme
- From Russia With Love
- Main Theme From Dick Tracy
- Crime Spree From Dick Tracy
- Main Theme From The Untouchables
- Al Capone From The Untouchables
- It's A Long Road From Rambo (First Blood Part Two)
- Medley Of TV Adventure Themes: Dragnet/Peter Gunn/Perry Mason/The F.B.I./Hillstreet Blues/Mission Impossible/The Man From U.N.C.L.E./L.A. Law/Miami Vice/Hawaii Five-O
- To Live And Let Die
- For Your Eyes Only
- Axel F From Beverly Hills Cop
- Theme From Leathal Weapon
- Woe, The Darkman, Woe! From Darkman
- Nobody Does It Better
- Theme From Shaft
- All Time High From Octopussy
Customer Reviews:
A great idea, but incomplete.......2000-10-26
Erich Kunzel plays the Bond themes? What a great idea! In addition, there are a few more selections in the same vein, like the cops-n-robbers TV medley, music from The Untouchables, Lethal Weapon, Beverly Hills Cop, etc.
Sometimes, you want to listen to the 007 music in instrumental only, and Kunzel and the Cincinatti Pops do a good job with the arrangements. But where are the rest of the songs? Missing are three of my all-time favorites, You Only Live Twice, Diamonds Are Forever, and Moonraker. I think the album would be better with 'more Bond, less other.' We certainly don't need TWO selections from Dick Tracy. And the theme from Darkman is stylistically quite similar to Dick Tracy; nothing is gained by playing both. Don't get me wrong; I like Danny Elfman (check out his "Beetlejuice" theme on Kunzel's 'Great Fantasy Adventure Album'). I just wanted to hear all my fave Bond pieces on the one CD.
Still, it's a keeper.
Excellent. The best of this style........1999-02-15
All I can say is listen to the Trumpet solo on goldfinger. The best
Average customer rating:
- very enjoyable
- for lover of a beautiful sound
- bougt for my adopted Russian granddaughter.
- From Russia With Love
- CD and DVD -- zamechatel'niye!
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From Russia With Love
Manufacturer: Dptv Media
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Helmut Lotti - From Russia With Love
- A Gala Christmas in Vienna
- My Tribute to the King
- Helmut Lotti Goes Classic: The Blue Album, Vol. 2
- Helmut Lotti Goes Classic: The Red Album, Vol. 1
ASIN: B0009Y260O
Release Date: 2005-08-09 |
Tracks:
- From Russia With Love
- Lara's Theme
- Vetscherni Zvon
- Far East Of The Sun
- Ej Ukhnem
- Kalinka
- Two Guitars
- The Legend of the 12 Robbers
- Hold Me Once More
- Dorogoj Dlinnoju
- Dream Away
- Lutshje Bulo
- Moscow Nights
- Poljushko Polje
- Otschi Tschornije
- Russian National Hymn
Customer Reviews:
very enjoyable.......2007-02-18
If you enjoyed Helmut Lotti's other CDs you will want to add this to your collection. You might prefer one of his 'classic' collections if you are a new fan.
Kay
for lover of a beautiful sound.......2007-01-13
i first hear helmet lotti in a public television special and fell in love with the clear beautiful tone of his voice. he can truly add a special touch with his voice to any piece. each one is a masterpiece. i will be buying more of his music. my family even enjoys listening to it and it is quite rare we all agree on the same music.
bougt for my adopted Russian granddaughter........2006-04-03
Bought for my Russian adopted granddaughter, checked it out and was really impressed with the scope and diversity of Helmut Otto.
The photography was spectacular!!
His voice and talent are excellent, I am giving it to her for Easter, I know she will enjoy it.
Have to give DeeVeeDee kudos for shipping and timeliness.
Mirriam M. Hamelly
From Russia With Love.......2006-03-22
The music, the sites throughout Russia and the explanation of what the culture represented in the past would be enjoyed be anyone.
CD and DVD -- zamechatel'niye!.......2005-10-21
The local PBS channel featured Helmut Lotti's "From Russia With Love" for the recent pledge drive. They got my support! And I got this wonderful CD and equally wonderful DVD. Helmut Lotti has a superb voice and he sings these Russian songs with such passion! Remarkably, he does not speak Russian, but learned the lyrics phonetically. Here are some of my favorite folk songs: Polyushko polye, Cherniye ochi, Kalinka. And some popular Russian songs which made it to the American hit parade: Dorogoy dlinnoyu ("Those Were the Days, My Friend") and the English language rendition of "Dream Away" ("A Stranger in Paradise"). Helmut gives a sweet, personal touch to movie themes "From Russia With Love" and "Lara's Theme" and a poignant "Far East of the Sun." These latter are sung in English. The final stanza of "Far East," a song from the Siberian gulag, could bring tears to your eyes! The finale is the Russian National Anthem. This is one of the most beautiful and singable of all anthems. The pleasing music has recently been given new lyrics by its original composer. Helmut sings the updated version accompanied by the Red Army Ensemble. My only criticism of the CD: lyrics should have been provided for nonRussian speakers. But I'm certain a web-search could easily locate lyrics and translations. The DVD features the same wonderful songs, with videos of Russian villagers and Cossacks in traditional costume. Helmut's trip through Russia on the TransSiberia Railroad provides the backdrop to the musical DVD. Through his eyes you see the splendor of this awesome, huge country. I recommend watching the DVD to get a feel for the artist's own appreciation of Russia. You'll feel the love each time you listen to the CD!
Average customer rating:
- Mediocre Tchaikovsky ...
- Great performance; great recording; great occasion
- Don't miss Live in Russia
- If u didn't buy Itzhak Perlman's recording, start w/this one
- Perlman outstanding
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Itzhak Perlman - Tchaikovsky Violin Concerto ~ Live in Russia / Mehta
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by Bloch
| Bloch, Ernest
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| Kreisler, Fritz
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| Tartini, Giuseppe
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Perlman, Itzhak
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Similar Items:
- Itzhak Perlman - Greatest Hits ~ "Carmen" Fantasy · Havanaise · Poème · and more
- Mendelssohn: Violin Concerto in E minor; Bruch: Violin Concerto #1; Itzhak Perlman
- Itzhak Perlman's Greatest Hits, Vol. 2
- Paganini: 24 Caprices
- Tchaikovsky: Concerto No. 1/Rachmaninoff: Concerto No. 2
ASIN: B000002RRV
Release Date: 1991-07-01 |
Tracks:
- Violin concerto In D, Op. 35: I. Allegro Moderato
- Violin concerto In D, Op. 35: II. Canzonetta (Andante)
- Violin concerto In D, Op. 35: III. Allegro Vivacissimo
- The Devil's Trill: Sonata For Violin & Piano
- Liebesleid
- March from 'The Love For Three Oranges'
- Three Pictures Of Chassidic Life: Nigun No.2
- Caprice In A Minor
- String Quartet Op. 11: Andante Cantabile
- La Ronde Des Lutins, Op.25
Customer Reviews:
Mediocre Tchaikovsky ..........2002-01-25
This Tchaikovsky Recording is a fair one. Perlman has better recordings; namely his performance with the Philadelphia Orchestra. The first movement sounds a bit too rushed and slightly "showman-like" rather than musician like. The Bazzini is slightly scratchy and rushed!! Perlman's pizzacato is also mushed and hard to hear. Listen to Maxim Vengerov's recording of the Bazzini... It's the best I've heard to date.
Great performance; great recording; great occasion.......2001-02-09
This was one of a spate of classical recordings commemorating (or cashing in on) the end of the Cold War. _Bernstein in Berlin_ was one, celebrating the fall of the Berlin wall; a concert featuring Smetana's _Ma Vlast_ on the occasion of the liberation of Czechoslovakia was another. This disc records the first visit of the Israel Philharmonic Orchestra to Moscow, in another sign of the communist crackup of the late 80s and early 90s.
Musically, it's sensational. The Tchaikovsky Violin Concerto provides a generous showcase for Mr. Perlman's powers. IMHO it is a bit long, but that's all the more music to enjoy, I suppose. The liner notes contain the very interesting story of how this concerto came about--a famous violinist of Tchaikovsky's day, for whom the work was composed, rejected it for being "unviolinistic"!
The rest of the program features Perlman with a pianist, minus the orchestra. Some pieces, like Wieniawski's "Etudes-Caprices" are really musical bonbons. But reducing the second movement of Tchaikovsky's first string quartet to a single violin and piano is quite a feat. Every musical offering brings down the house; at the end the crowd practically carries him off the stage. The recording is crisp, with a good sense of the hall, with Perlman rightly being given acoustic center stage. A treat!
Don't miss Live in Russia.......2000-02-07
I am a Perlman Lover and I own both the CD and the video of this concert. This performance contains some of my favorite show-pieces for violin, in particular Tchaikovsky's Concerto in D, Tartini's Devil's Trill, Wieniawski's Caprice in A minor, and Bazzini's Le Ronde des Lutins. The Tchaikovsky and Tartini pieces have been favorites of mine for many years and I grew up listening to them being performed by other virtuoso violinists.
Perlman's mastery of the violin is amazing. I prefer his performances to my long-time favorites. But, while I love his performance of each of the pieces individually, the real power of the CD or video for me is knowing that all of the pieces were all performed in a single concert. Hearing (or seeing) his brilliance in performing piece after piece is awe-inspiring. I am always moved to give him a standing ovation after the Bazzini piece that ends the concert. Recently, I listened to the CD with my eight year old son (who never claps for anything). At the end of the CD, even my son was moved to spontaneous applause.
Don't miss this one.
If u didn't buy Itzhak Perlman's recording, start w/this one.......2000-01-24
The first CD of Itzhak Perlman that I bought, was this one, and I couldn't have done better. It's a wonderful CD, w/a breathtaking sound from Perlman's violin. When I first listened it, I comproved how good was him, and and after that CD, I bought other two that were avaible at the store. So, when u want to listen an excelent interpretation of Tchaikovsky's concerto for violin, this is indispensable.
Perlman outstanding.......2000-01-04
I have become a fan of Perlman over the years, and I particularly love the Tchaikovsky concerto, so of course I had to have this one. I bought this disc a few days after hearing Perlman perform this concerto live with the Boston Symphony under Ozawa. This live disc captured perfectly the feeling I had sitting in Symphony Hall hearing this concerto. Perlman was not flawless in concert, neither is he on this disc. But his knowledge and feel for the Russian flavor of the piece is uncanny, and his technique is breathtaking. The orchestra could have been captured a bit better. Perlman's encores on this disc are absolutely unbelievable. If you're buying the Tchaikovsky concerto try Perlman's earlier recording with Philadelphia Orch. under Ormandy, as I think the orchestra is heard much better.
Average customer rating:
- Truly a beautiful rendition of extraordinary talent.....
- Pure Gold from Maestro Goldsmith
- Goldsmith's Gold
- money ill spent
- A good example of Goldsmith's range, but...
|
The Film Music of Jerry Goldsmith
Jerry Goldsmith , and London Symphony Orchestra
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Film Scores
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Similar Items:
- The Essential Elmer Bernstein Film Music Collection
- Jerry Goldsmith: 40 Years of Film Music
- Paramount 90th Anniversary Collection: Scores
- Elmer Bernstein by Elmer Bernstein
- Varese Sarabande 25th Anniversary Celebration
ASIN: B00005BC6G
Release Date: 2001-07-24 |
Tracks:
- Star Trek - The Motion Picture
- Motion Picture Medley: The Sand Pebbles/Chinatown/Air Force One/A Patch Of Blue/Poltergeist/Papillon/Basic Instinct/The Wind And The Lion
- Theme From The Russia House
- The Boys From Brazil
- Theme From Sleeping With The Enemy
- Medley Of Television Themes: The Man From U.N.C.L.E./Dr. Kildare/Room 222/Star Trek Voyager/The Waltons/Barnaby Jones
- Theme From Rudy
- Twilight Zone - The Movie
- Love Theme From Forever Young
- The Generals: MacArthur/Patton
Customer Reviews:
Truly a beautiful rendition of extraordinary talent............2005-02-21
When I first purchased this cd, my original intent was for the soundtrack of Star Trek, which has always been a favorite of mine. I was also motivated by the fact that the orchestra performing is the London Philharmonic, which I consider one of the finest in the world. To this day, this cd stays in my player at bedside. When hearing the news that Mr. Goldsmith had passed away last year, I decided to purchase the 6 cd collection in his memory from Fox. This mans talent was truly a rare and extraordinary gift which he shared with us. I have given this cd as a gift several times because I felt I was giving a wonderful, moving, inspiring rendition of the exquisite talent of this man. If you are not familiar with Mr. Goldsmith, give this cd a chance and I believe you will continue pursuing the mood and music of Jerry Goldsmith, who will be missed for decades to come.
Pure Gold from Maestro Goldsmith.......2004-08-04
Some time ago I reviewed Jerry Goldsmith's outstanding score for "Star Trek Nemesis." At that time I remarked that the tones and secondary themes seemed to be almost a farewell to the Enterpise. It is only fitting that Maestro Goldsmith's musicians gave him standing ovations as they finished recording several cuts for that score. Now, of course, that "farewell" is so poignant. A number of years ago, my wife and I attended a concert with the Maestro conducting the Utah Symphony Orchestra in Salt Lake City. The program was essentially the same as we find on this grand album. We stood and gave Maestro Goldsmith a standing ovation, and a loud "Bravo!" then, and wish we could do it again. This is representative collection of the Maestro's work that is well worth having. A fitting tribute to a genius in his field. Nicely produced and packaged. For those of us who grew up with Goldsmith it is hard to say farewell. Bravo and yeia sou!
Goldsmith's Gold.......2004-03-04
Jerry Goldsmith is one of the greatest film composers of all time. He has written so many great scores on so many different themes that he is kind of taken for granted by his fans and listeners. This CD is an excellent introduction to Goldsmith's music and his immense range in musical themes and styles. Some of my favorites like "Islands in the Stream" and "Medecine Man" are missing but on one CD only so much can be represented. Goldsmith always gives us original themes of great originality and emotive power. His music blends well with the movies and he is one of our best narrative music composers. I'm happy that so much of great film scores like "Boys from Brazil," are included on this CD,when Goldsmith takes the Vienese Waltz of happiness and turns it into a Nazi Waltz of evil with strains of Wagner, Hitler's favorite composer, blended seamlessly into the score. "Patton" could have been better represented as it is easily one of Goldsmith's most recognizable scores and a classic. Whether it is action, love themes, horror, Goldsmith was and is always up to the task to create great film scores, most which stand on their own as any great symphonies of sound. Buy this and explore many of his other great scores and many are classics and out of print and this CD will give listeners a taste of what this grand master film composer can do and is still doing. Grand music on any scale. Highly recommended.
money ill spent.......2002-06-24
Many years ago, Sony and John Williams collaborated on an album of Star Wars favorites. I suspect someone at Telarc thought the same magic would work with Jerry Goldsmith and the LSO. Alas.
While the pieces chosen show a good cross-section of Goldsmith's crativity, the execution is seriously lifeless. It is as if the compositions were left to saute' overnight in Symphony Sauce: the performances are plodding and pedestrian. I don't know who convinced Goldsmith to do it this way, but omitting the martial snare roll at the beginning of the Man from U.N.C.L.E. theme, or not adding at least an accordian to the Waltons theme, are just two examples of how Goldsmith's great work has been emasculated by, I suspect, some record exec's insight. If you want to hear these pieces as originally written and performed, you'll have to start searching on other albums. Good hunting, and let us know what you find.
A good example of Goldsmith's range, but..........2002-05-17
...the quality of many performances are lower than they ought to be, which is astonishing in light of the reputation of the London Symphony Orchestra. This notwithstanding, there's enough to justify getting one's hands on this item. For me, the high point of the album is the medly of television themes composed by Goldsmith, which begins with a hellacious musical argument for the revival of *The Man From U.N.C.L.E.* as a theatrical film. (Hell, if they can resuscitate that bletcherous bore *Mission: Impossible* to make not one but two big-budget buckets of bilge, *The Man from U.N.C.L.E.* ought to attract plenty of attention, particularly if it's done with a sense of humor similar to that which informed the old TV show.)
The other problem with this album is the selection of cuts. For example, almost anything could have been better chosen from the film *Rudy* but the highly sedative passage recapitulated here, and the entirely inadequate dose of the theme from *The Wind and the Lion* incorporated in this album comes at the tail of an 18-minute medly of lesser stuff through which the average fan of *The Wind and the Lion* has no wish to sit. We've heard the theme from the first *Star Trek* movie endlessly; why not a variation on the nasty elegence of the Klingon theme from that and subsequent *Star Trek* films? Goldsmith also wrote other incidental music for *The Man from U.N.C.L.E.* -- so why not a re-visit of "The Man from THRUSH" (or the original program music "THRUSH Raid") and suchlike?
*The Film Music of Jerry Goldsmith* is reasonably good, but by no means the best to be had. It whets the appetite, but doesn't satisfy.
Average customer rating:
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Singers of Imperial Russia, Vol. 4
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
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Bellini, Vincenzo
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| Tchaikovsky, Peter Ilyich
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ASIN: B000000WMO
Release Date: 1993-11-15 |
Tracks:
- Queen of Spades/Act 3. What Is Our Life? - Aleksandr Mikhajlovich Davydov
- Juive/Act 4. Rachel, Quand du Seigneur - Aleksandr Mikhajlovich Davydov
- Segreto - Aleksandr Mikhajlovich Davydov
- Donkey and the Nightingale - Fable - Aleksandr Mikhajlovich Davydov
- Africana/Act 4. O Paradis - Aleksandr Mikhajlovich Davydov
- Night ("Why Do I Love Thee, Night?"), Op. 6 No. 9 - Aleksandr Mikhajlovich Davydov
- A: Celeste A (Act 1) - Aleksandr Mikhajlovich Davydov
- Peurs de Perles/Act 1. Je Crois Entendre Encore - Aleksandr Mikhajlovich Davydov
- Cavalleria Rusticana/O Lola, Tu Ch'hai di Latti (Siciliana) - Aleksandr Mikhajlovich Davydov
- Leave Me! (Gypsy Song) - Aleksandr Mikhajlovich Davydov
- Dubrovsky: O Give Me Oblivion - Aleksandr Mikhajlovich Davydov
- Queen of Spades/Act 1. Forgive Me, Bright Celestial Vision - Aleksandr Mikhajlovich Davydov
- Carmen/Act 4. C'est Toi? C'est Moi! - Aleksandr Mikhajlovich Davydov, Evgenija Ivanovna Zbrueva
- In the Wild North - Aleksandr Mikhajlovich Davydov, Vladimir Kastorsky, Maria Michailova
- She Was Yours - Aleksandr Vladimirovich Bogdanovich
- Far off, Far Off - Aleksandr Vladimirovich Bogdanovich
- Demon: On Desire's Soft Fleeting Wing - Aleksandr Vladimirovich Bogdanovich
- Rusalka: Unwillingly to These Sad Shores, Prince's Cavatina (Act 1) - Aleksandr Vladimirovich Bogdanovich
- Eugene Onegin: Whither, Whither (Act 2) - Aleksandr Vladimirovich Bogdanovich
- Ruslan and Ljudmila/Act 1. There Is a Distant Country - Aleksandr Vladimirovich Bogdanovich
- Princesse Lointaine: Love Is a Delightful Dream - Aleksandr Vladimirovich Bogdanovich
- Little Slippers/Does the Maiden Hear? - Aleksandr Vladimirovich Bogdanovich
- What Happiness! - Aleksandr Vladimirovich Bogdanovich
Tracks:
- Faust: Ah! Je Ris de Me Voir Si Belle en Ce Miroir (Jewel Song) - Antonia Vasil'evna Nezhdanova
- Traviata: Ah, Fors' Lui.../Follie, Follie...Sempre Libera (Pt. 2) - Antonia Vasil'evna Nezhdanova
- Peurs de Perles: Comme Autrefois - Antonia Vasil'evna Nezhdanova
- Dobrynja Nikitich: Zabava's Aria - Antonia Vasil'evna Nezhdanova
- Romet Juliette: Je Veux Vivre Dans Ce R - Antonia Vasil'evna Nezhdanova
- Perle du Brl: Charmant Oiseau - Antonia Vasil'evna Nezhdanova
- Harold: Hush Thee, Dear One, Slumber Well (Adele's Cradle Song) - Antonia Vasil'evna Nezhdanova
- Ruslan and Ljudmila: Ah, Thou My Fate - Antonia Vasil'evna Nezhdanova
- Snade ("Sing, Smile, Slumber") - Antonia Vasil'evna Nezhdanova
- Sadko: Sleep Went Along the River (Cradle Song) - Antonia Vasil'evna Nezhdanova
- Life for the Tsar: It Is Not for That That I Grieve - Antonia Vasil'evna Nezhdanova
- Peurs de Perles: Brahma, Grand Dieu - Antonia Vasil'evna Nezhdanova
- Bolero ("O My Dear, Charming One") - Antonia Vasil'evna Nezhdanova
- Snow Maiden/With Friends to Gather Berries - Antonia Vasil'evna Nezhdanova
- Huguenots: O Beau Pays de la Touraine - Antonia Vasil'evna Nezhdanova
- Mireille/O Lre Hirondell
- Fra Diavolo/Quel Bonheur! - Antonia Vasil'evna Nezhdanova
- Golden Cockerel/Hail to Thee, Sun! - Antonia Vasil'evna Nezhdanova
- Tsar's Bride/Act 4. Mad Scene. Look There, Above Your Head - Antonia Vasil'evna Nezhdanova
- Barbiere Di Siviglia: Una Voce Poco Fa - Antonia Vasil'evna Nezhdanova
- Serenata ("Vola, O Serenata") - Antonia Vasil'evna Nezhdanova
- I Vespri Siciliani: MercDilette Amiche - Antonia Vasil'evna Nezhdanova
- How Fair This Spot, Op. 21 No. 7 (Rachmaninov); the Rose and the ... - Antonia Vasil'evna Nezhdanova
Tracks:
- Life for the Tsar/Act 3. Quartet. The Rose That Blooms - Andrej Labinsky, Maria Michailova, Galina Ivanovna Nikitina, Lev Sibirjakov
- Night (Folksong) - Lev Sibirjakov
- Boris Godunov/Act 1. In the Town of Kazan - Lev Sibirjakov
- Life for the Tsar: What About a Wedding? (Act 1) - Lev Sibirjakov
- Oh, If Mother Volga - Lev Sibirjakov
- Why Was I Born? (Convict's Song) - Lev Sibirjakov
- Askold's Tomb: In Olden Days Our Forefathers Lived - Lev Sibirjakov
- Sonnambula/Act 1. VI Ravviso, O Luoghi Ameni - Lev Sibirjakov
- Midnight Review - Lev Sibirjakov
- Demon/Prologue. Accurs World - Lev Sibirjakov
- Seafarers - Lev Sibirjakov, Eugene Witting
- Elegy ("When, My Soul") - Aleksandr Dormidontovich Aleksandrovich, Lev Sibirjakov
- lian Harps - Nikolaj Artem'evich Shevelev
- Merchant Kalashnikov/The Merchant's Aria - Nikolaj Artem'evich Shevelev
- Halka: Aria of Janusz - Nikolaj Artem'evich Shevelev
- Enchantress/Act 2. Aria. Ah, The Image of That Enchantress! - Nikolaj Artem'evich Shevelev
- Tear Trembles, Op. 6 No. 4 - Nikolaj Artem'evich Shevelev
- Queen of Spades: I Love You, Dear (Eletsky's Aria, Act 2) - Nikolaj Artem'evich Shevelev
- Louder Than the Song of the Lark, Op. 43 No. 1 - Nikolaj Artem'evich Shevelev
- Demon/Act 2. O'er the Airy Ocean - Nikolaj Artem'evich Shevelev
- Askold's Tomb: In Olden Days Our Forefathers Lived - Nikolaj Artem'evich Shevelev
- Song of Triumphant Love/Arioso. O Pure Creature - Nikolaj Artem'evich Shevelev
- Eugene Onegin: Should I Decide on Domesticity (Act 1) - Nikolaj Artem'evich Shevelev
- Demon/Act 2. Do Not Weep, Child - Nikolaj Artem'evich Shevelev
- Festival During the Plague/Hymn. When Powerful Winter, Like a Vigilant
- Captive in the Caucasus/Aria - Nikolaj Artem'evich Shevelev
Average customer rating:
- Groundbreaking James Bond Soundtrack
- A stunning, well-assembled set
- Now meet James Bond... secret agent 007!...
- Nice soundtrack from his old spy-era
- John Barry Is The Best! Definitely deserves five stars.
|
From Russia With Love
Original Soundtrack
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
Movie Scores
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Movie Soundtracks
| Soundtracks
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Similar Items:
- Goldfinger
- The Man With The Golden Gun (1974 Film): Original Motion Picture Soundtrack
- On Her Majesty's Secret Service
- Thunderball
- You Only Live Twice
ASIN: B00000DRBW
Release Date: 1991-07-01 |
Tracks:
- Opening Titles/James Bond is Back/From Russia...
- Tania Meets Klebb
- Meeting In St. Sophia
- The Golden Horn
- Girl Trouble
- Bond Meets Tania
- 007
- Gypsy Camp
- Death Of Grant
- From Russia With Love - Matt Monro
- Spectre Island
- Guitar Lament
- Man Overboard/Smersh In Action
- James Bond With Bongos
- Stalking
- Leila Dances
- Death Of Kerin
- 007 Takes The Lektor
Amazon.com
From Russia with Love was a linchpin event for maestro film composer John Barry. After his first Bond score, Dr. No, yielded a stunning main theme but little else of substance, Barry went great guns for Russia, composing a richly stylized soundtrack packed with adventurous melodic lines and taut, inventive arrangements. Though Barry didn't actually write the main Bond theme (that credit goes to old-guard conductor Monty Norman), he takes that familiar tune in some fascinating directions here, applying unorthodox instrumentation and elements of indigenous Russian music. Barry has never been as suspenseful a composer as, say, Bernard Hermann, but he excels with some downright chilly passages on Russia. The score solidified his role as an essential element of the Bond mystique. It also marked the beginning of an intensely prolific period for Barry, a period that would earn him the distinction as one of the 20th century's greatest film composers. From his Bond-film work to The Ipcress File to Midnight Cowboy (and many sublime points between), Barry's mid- to late-'60s canon is without peer. Russia was his springboard. --Matt Hanks
Customer Reviews:
Groundbreaking James Bond Soundtrack.......2004-09-10
John Barry firmly establishes himself in the musical annuls of cinema history with this classic soundtrack. The FROM RUSSIA WITH LOVE soundtrack is an example of exceptional film scoring and a very satisfying album drawing on all the elements of the film's score to deliver a product that musically runs the gamut of rhythm, romance, intrigue and flavorful vignettes of the film's locale. FROM RUSSIA WITH LOVE is considered to be one of the better Bond films in the series. John Barry began his "official" scoring duties in tandem with his screen credit on FROM RUSSIA WITH LOVE bringing a highly recognizable and definitive substantiating sound to the Bond series that distinguished it with his unique and inimitable musical style. That has been a hallmark, which brings a cohesive quality to the whole series even in Barry's absence. John Barry not only firmly incorporated his prowess as a film composer with this soundtrack but also demonstrated his ability to establish his own unique sound on compositions composed by others. The driving "From Russia With Love - main title" from track 1. and the romantically erotic "Bond Meets Tania" from track 6. with a melody composed by Lionel Bart inimitably have that "Barry Sound" stamped on them. Once again Barry also demonstrated his unique and definitive musical handling of "The James Bond Theme" on track 14. with "James Bond With Bongos" while his "007 Theme" heard on tracks 7. and 18. bring a staccato and drive to the force of this James Bond classic. One of my favorite pieces on this CD is Track 13. "Man Overboard - Smersh in Action" which captures both the beauty and suspense ever present in the world of James Bond.
A stunning, well-assembled set.......2003-08-03
The first James Bond film, 1962's "Dr. No," had achieved a nice balance between the plot and Monty Norman's Jamaican-influenced music. However, the soundtrack album itself was more a collection of songs than a traditional movie soundtrack with shifting movements. (And it was bogged down with a couple too many retreads.)
The "From Russia With Love" soundtrack album (1963) gets it right. The themes are shining and original, and even when composer John Barry revisits certain themes, he manages to rework them to make them sound fresh.
"From Russia With Love" was the first Bond movie with Barry as its lead composer (though the theme song itself was penned by Lionel Bart). The brilliant mood-building and no-punches-polled orchestrating style Barry showed when reworking Norman's "James Bond Theme" for "Dr. No" permeates "Russia." Almost every selection is potent, well-arranged and effective, from the opening instrumental melding the title song with the Bond theme, to the final track, "007 Takes the Lektor."
Some of the best tracks on this CD are the vaguely menacing "Tania Meets Klebb;" "James Bond With Bongos" (used as Bond arrives in Istanbul for his mission); and the tense, bombastic "007," which first appears in the middle of the CD and is revised even more punchily as "007 Takes the Lektor."
But the best track is "Stalking," used in the pre-credit sequence during which villain Red Grant stalks Bond on Spectre Island. Using the chord sequence of the Bond theme, "Stalking" builds up to a powerful, brassy climax and then a relaxing resolution.
The quibbles with this album are minor; the track "Leila Dances," which luckily didn't make the movie itself (the music for the belly-dancer sequence in the movie is much more imaginative). "Leila Dances" is so repetitive and unoriginal as to be dull, a rare criticism of a Barry-composed tune. And Matt Monro's warm vocal version of the theme song is marred by a dated 60s sound mix (most of the instruments in one channel and Monro in the other) -- and some tape rewind noise that somehow made the final cut.
But it's hard to find many faults with this impressive album -- one that perfectly mirrors the excitement and daring of Agent 007 himself. In his first stab at scoring a Bond film, Barry came up with a classic that holds up surprisingly well four decades later.
Now meet James Bond... secret agent 007!..........2002-11-14
The 2nd movie with some of the best music ever! Matt Munro performs to the title song, and it charted at #20 in the UK charts. The opening music is truly exciting as are many of the other tracks on this CD. The Golden Horn, although not featured in the movie is a stunning piece by itself, as is Girl Trouble.
One of the most popular pieces on this CD is 007. This piece is truly exciting, and has been featured in other James Bond movies such as Moonraker. 18 tracks. A chart-topping hit single. Famous music. It all adds up to a fabulous soundtrack that should be in everyone's home!...
Nice soundtrack from his old spy-era.......2002-10-02
First of all I don't agree with some people that say in Internet 007 themes are ofensive or poorly written. See this CD for example, Matt Monroe may be a bit too romantic for some fans but I still think it sounds quite good.
Now about the original score- that's a must for any person who likes Bond music, cause this is one of the best. Altough there some parts of music missing I won't be involving it in my rating.
It fully recreates one of my fave Bond movs and pure spy-sound. Take for instance tracks like 007 takes the Lektor and Bond With Bongos, and you'll feel like Bond himself, at least I did. Specially Bongos-that sounds so cool, when Bond arrives at the airport!
There are fine variations of the main theme(I love the lyrics, but I must admit John Barry improves them in a instrumental way) in tracks Tania Meets Klebb and Bond meets Tania, the first one is more mysterious.
Other tracks- Meeting at St Sophia (eerie), Girl Trouble(too exciting to be a woman fight music!), Gypsy Camp(nice guitars), Spectre Island(one of the best), Man Overboard/Smersh in Action(creepy SMERSH theme again), Stalking(amazing theme for one of the best pre-title sequence), Death of Kerim(too bad there wasn't more "train" music).
You'll be surprised with some tracks that don't appear in the mov, but don't worry- you'll get used to it, as a kind of pause or relaxing part.
Overall a very good score that true Bondians should have.
P.S: I'm not hoping for some complete rerelease as some guys do. I know there's not 100% music of the film in it, but what we've got is very good. I know there's Bond Back in Action, but those themes don't sound like in the movie.
John Barry Is The Best! Definitely deserves five stars........2002-04-22
This is a great soundtrack. FROM RUSSIA WITH LOVE is the soundtrack that really begins to show the great music in the James Bond series. All the tracks are good and capture the mood of the movie really well.
Track one, Opening Titles is one of the best music pieces played for the titles in the James Bond movies. It mixes the wonderful instrumental of the From Russia With Love theme with the great James Bond theme.
Some highlights are:
The thrilling "Meeting In St. Sophia" which perfectly captures the mood of the scene inside St. Sophia's. The beautiful "Bond Meets Tania" which is a beautiful version of the From Russia With Love theme played primarily by violins and harps. "James Bond With Bongos", the music played as Kerim Bey's driver drives James Bond to see Kerim Bey, which is a great, upbeat version of the James Bond theme. "Stalking" which is a tense theme played for the pre-credits scene in the movie, and finally "007 Takes The Lektor" which is an exciting and fast-paced song played while 007 takes the Lektor, and which would be played in future Bond films like Thunderball and Moonraker.
The rest of the soundtrack is good, and despite the fact that it is missing music from the Zagreb train scene, it is still an excellent soundtrack. Definitely a must buy for James Bond music fans, or for anyone who likes good movie soundtracks.
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