Like Water

Editorial Reviews

Anne - CDBaby.com
...lyrics are inspiring, the harmonies are beyond perfect and the music and orchestration are masterful.

Product Description:
Paul Kamm & Eleanore MacDonald's 8th CD, Like Water, is a masterful tapestry of tale telling, truth saying, love making....woven with intricate guitar work over spare production, ethereal harmonies, strong vocals and poetic imagery ... songs of relationship ... songs of dissent ... music that makes one feel OK about thinking and feeling deeply, outside the box. Modern Folk Music.

Like Water

Like Water,Paul Kamm and Eleanore MacDonald,Freewheel Records,Folk,Miscellaneous,their own gentle yet persuasive style of combination of storytelling, luscious melody and haunting harmony with love, peace, justice and dreamy arrangements thrown into the mix...
Like Water For Chocolate
Average customer rating: 4.5 out of 5 stars
  • Almost...
  • Classic
  • Common+J Dilla = Perfection
  • Water & Chocolate...An Awesome Mixture! (Rating: 9 out of 10- - 4.5 stars)
  • Classic Hip-hop
Like Water For Chocolate
Common
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD

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Experimental RapExperimental Rap | Rap & Hip-Hop | Styles | Music
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ASIN: B00004S51H
Release Date: 2000-03-28

Tracks:

  1. Time Traveling (A Tribute To Fela)
  2. Heat
  3. Cold Blooded
  4. Dooinit
  5. The Light
  6. Funky For You
  7. The Questions
  8. Time Travelin' Reprise
  9. The 6th Sense
  10. A Film Called (Pimp)
  11. Nag Champa (Afrodisiac For The World)
  12. Thelonius
  13. Payback Is A Grandmother
  14. Geto Heaven Part Two
  15. Song For Assata, A - (featuring Cee-Lo)
  16. Pops Rap III...All My Children

Amazon.com's Best of 2000

It's no coincidence that most top 40 rappers are under 25: rap revels in misspent youth. Which makes Common's adventures in adulthood so interesting. He's an astounding lyricist, always has been. But with Like Water for Chocolate he's made the tricky transition from b-boy to b-man without losing the magic. Chocolate may be a mature album, but it ain't stern: hilarious, poetic, musical, and intensely personal, this is Common at his finest. --Lizz Mendez Berry

Amazon.com

How can such a self-righteous rapper be so much fun to hear? Common, like so many carrying the banner for alternative hip-hop, casts himself as the enemy of all things commercial ("That jiggy shit is over / The war is on, I only wanna be a soldier / I'm holdin' on to a culture"), yet he also insists on getting paid. Like Water for Chocolate is full of such contradictions: while often exciting, Common also maddens with his casual homophobia and sneers at those he sees as lesser artists. He doesn't lack a sense of humor, though, as witnessed by the likes of "A Film Called (Pimp)" (featuring MC Lyte) and titles such as "Payback Is a Grandmother." The latter track is something of a conceptual coup, expanding Common's pro-family message into the realm of a cinematic revenge fantasy against some thugs who rob one of his relatives. Such displays of imagination--and the thick, layered funk throughout--ultimately make this a superbly playable disc. --Rickey Wright

Customer Reviews:

4 out of 5 stars Almost..........2007-02-15

Isn't Common supposed to be the "thinking man's MC"? Maybe I simply expect too much, then. More articulate than your average rapper, Common still gets his carefree homophobic jabs in when he can ("In a circle of faggots, your name is mentioned"), and manages to begin his Grammy-nominated love song "The Light" with a couplet ("I never knew a love like this / Gotta be something for me to write this") which, in effect, says that his beloved is wonderful because, and to the extent that, she inspires him -- not the other way around. Two lines in, the song is already more about his love for his own lyrical gift than for his beloved -- which wouldn't be a problem, necessarily, if it weren't for the song's heartbreaking tenderness and would-be-earnestness suggesting that this wasn't what was intended at all. Apparently he's cleaned up his anti-gay act on subsequent albums, but he still keeps coming just close enough to true lyrical brilliance to disappoint time and again: two records later, on "Be", he laments the current social and political situation in America, but can't help including whack MC's among his list of otherwise profound societal ills. It's a shame that the words and music, on both of these records, are so almost-consistently excellent that the weaknesses really glare.

5 out of 5 stars Classic.......2007-02-07

This album never left the CD player in my car for a month. This by far one of my favorite albums.

5 out of 5 stars Common+J Dilla = Perfection.......2006-12-19

When I first listened to this album I knew I was in for a treat. Not only is one of the coolest Hip-Hoppers in the game spittin'(Common), but the freshest producer in the game(J Dilla aka Jay Dee RIP) on the beats.

This has to be one of my favorite albums of all-time. Ive got all of J Dilla's stuff and all of Commons stuff and nothing hits me like this. All the beats are just flowing and Common's voice flows. This is the way Hip-Hop should be...

Track Ratings:
1- Time Travelin' - Smooth Introduction with some Nigerian Flare 10/10 (Produced by Jay Dee and others)
2- Heat - Another kickin' beat with Common on key 8/10 (Produced by Jay Dee)
3- Cold Blooded - Love the transition on this from the intro to the main beat, and Common spits some fire on this track with an appearence from Rahzel and Black Thought 10/10 (Produced by D'Angelo, ?uestlove, Kelo and The Roots)
4- Dooinit - Nice hook on this track, Dilla puts on one of his nicest beats of the album. Common delivers a stong lyrical performance once again. 10/10 (Produced by Jay Dee)
5- The Light - One of Commons best lyrical performances on the album, "I never call you my b**** or even my boo
-There's so much in a name and so much more in you" 10/10 (Produced by Jay Dee)
6- Funky For You - Bilal and Jill Scott are featured on this track, smooth beat. 10/10 (Produced by Jay Dee and James Poyser)
7- The Questions - Nice lyrics, repetitive hook. 8/10 (Produced by Jay Dee and James Poyser)
8- Time Travelin' Reprise - Interlude track here that is very chilled out with a cool snare. (Produced by Jay Dee and others) 10/10
9- The 6th Sense - DJ Premier of Gang Starr comes up on the beat here and Bilal on the hook. A very real song tellin' it like it is. 10/10 (Produced by DJ Premier)
10- A Film Called (Pimp) - The great MC Lyte spitting here, great beat. 10/10 (Produced by Jay Dee)
11- Nag Champa (Afrodisiac For The World) - Real smooth laidback beat with Common spitting cool as ice. 10/10 (Produced by Jay Dee)
12- Thelonius - Slum Village appears on this track. Dope Beat 10/10 (Produced by Jay Dee)
13- Payback is a Grandmother - Good story from Common on this track on another tight Dilla beat. 10/10 (Produced by Jay Dee)
14- Geto Heaven - Laidback beat with a tight piano. 10/10 (Produced by D'Angelo, ?uestlove and James Poyser)
15- A Song for Assata - Deep song about Assata Shakur here. Cee-Lo performs on the track. 10/10 (Produced by James Poyser)
16- Pop's Rap III... All My Children - Something that Common does on some of his albums, His dad tells it like it is over a jazzy beat. 10/10 (Produced by Karriem Riggins)

Real breath of fresh air here from all the mainstream radio southern junk. If your a fan of real hip hop you should get this and even if your not this is one album everyone should have.

4 out of 5 stars Water & Chocolate...An Awesome Mixture! (Rating: 9 out of 10- - 4.5 stars).......2006-11-17

Common's "Like Water For Chocolate" was in my opinion his second best album he came out with. This was my first album I bought by him. When he came out with "The Light" somewhere in 2000, I really kept a close watch on him, because his rhymes really made my head nod. Listening to "Like Water For Chocolate" most of the production was very soulful, something that Common fans were starting to get used to hearing from him after the previous "One Day It'll All Make Sense" album.

Common's rhymes on this album are excellent. Listening to him on the song "Doonit", Common can really spit some flames. On the song "A Song For Assata", Common tells a short bio of a black panther named Assata Shakur, with a nice sounding beat that works perfectly.

Guest wise is awesome. This was the first time I gotten into Jay-Dee (R.I.P.) production which is on some of this album. Jay Dilla would also help Common with the chorus on the song "Heat". Roots' members Black Thought and Rahzel would do the chorus to "Coldblooded". Mos Def would come and spit some rhymes for the song "Questions". DJ Premier produces the best song on here "The 6th Sense" which is one of the best songs I've heard from Common. MC Lyte and Common would play the pimp & prostitute roles by swaping verses on the song "A Film Called Pimp". Bilal would song the chorus to two songs "Nag Champa" and "Funky For You". The latter song would also have Jill Scott as well. Macy Gray (or D'Angelo...depending on when you bought this) would hook up for the third single "Geto Heaven". And Slum Village comes in for the song "Thelonious". Some of the guests were not on point (i.e. Slum Village), but they make a great addition to the album. Oh, I can't forget his pops Lonnie Lynn on the song "Pap's Rap III". I actually enjoy those tracks, if you ask me.

As I said before Common dropped a dope album in 2000. People say this is the best album he's made. I agree so, in his mature state, but it would be hard to top the classic "Ressurection" which dropped back in 1994. Although if you want to hear some soulful hip hop, as well as being a fan of Common music, this is one album you cannot pass up. Soulful production, and some nice rhymes, it's hard to go wrong with this one.


Lyrics: A+
Production: A
Guest Appearances: B+
Musical Vibes: A
Overall: A

Favorite Tracks: Time Travelin (Both the original and reprise), Coldblooded, Doonit, The Light, Funky For You, The Questions, The 6th Sense, A Film Called Pimp, Nag Champa, Thelonious, Geto Heaven, A Song For Assata

Honorable Mention Track: Pop's Rap III

Favorite Common Albums From Best To Worst:
1. Ressurection
2. Like Water For Chocolate
3. Be
4. One Day It'll All Make Sense
5. Can I Borrow A Dollar
6. Electric Circus

Peace Everyone!!

5 out of 5 stars Classic Hip-hop.......2006-09-28

This is about as pure as hip-hop gets. Real, unadulterated beats, eloquent verses, and fresh hooks make this album an instant classic. The fact that this album flies under the radar shows how misguided pop culture is.

"It's the questions. It's the questions, girl. It's the questions. It's the questions, come on.."
25 Handel Favorites
Average customer rating: 4 out of 5 stars
  • 25 Handel Favorites
25 Handel Favorites

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004Y6SY
Release Date: 2000-09-05

Tracks:

  1. Hallelujah Chorus (Messiah)
  2. Pastorale (Messiah)
  3. Bourree (Music For The Royal Fireworks) - Anthony Newman
  4. Overture (Water Music)
  5. Adagio E Staccato (Water Music)
  6. Allegro I (Water Music)
  7. Air (Water Music)
  8. Bourree (Water Music)
  9. Hornpipe (Water Music)
  10. Aria (Con Grosso No. 12 In B Minor)
  11. Grand Fugue No. 3 In B Minor - Anthony Newman
  12. Chorus & March (Judas Maccabaeus) - Anthony Newman
  13. Allegro II (Concerto Grosso No. 5 in D Major)
  14. Allegro V (Concerto Grosso No. 5 in D Major)
  15. Overture (Music For The Royal Fireworks)
  16. La Paix: Sarabande (Music For The Royal Fireworks)
  17. La Rejouissance: Allegro (Music For The Royal Fireworks)
  18. Minuet (Music For The Royal Fireworks)
  19. Silent Worship (Tolomeo) - Mary Ann Hart
  20. Lascia Ch'io Pianga (Rinaldo) - Madeline Tsingopoulos
  21. And The Glory Of The Lord (Messiah)
  22. For Unto Us A Child Is Born (Messiah)
  23. All We Like Sheep (Messiah)
  24. Why Do The Nations (Messiah)
  25. Worthy Is The Lamb (Messiah)

Customer Reviews:

4 out of 5 stars 25 Handel Favorites.......2007-01-12

Absolutely what I expect of Handel! Good stuff, if this is your "bag".
Russell Watson · The Voice
Average customer rating: 4 out of 5 stars
  • Unsure
  • A tenor for the masses
  • A wonderful voice
  • Opera for the Masses
  • There will be copycats but Russell Watson is an Original!
Russell Watson · The Voice
Russell Watson , Stephen Warbeck , Giuseppe Verdi , Lucio Dalla , Zucchero , Cesar Franck , Ernesto de Curtis , Umberto Giordano , Nigel Hess , Russell Gordon Alistair / Mahoney Gary / Watson , Paul Simon , William / Ure, James Allen Christopher / Cann Warren / Currie , Luigi Denza , Freddie Mercury , Giacomo Puccini , Ennio Morricone , John Themis , Richard Harvey , and Caroline Dale
Manufacturer: Decca
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Binding: Audio CD

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ASIN: B00005B7JD
Release Date: 2001-04-17

Tracks:

  1. Nella Fantasia
  2. Amor Ti Vieta
  3. Pelagia's Song (Captain Corelli's Mandolin)
  4. Caruso
  5. Miserere
  6. Panis Angelicus
  7. Non Ti Scordar Di Me
  8. La Donna E Mobile
  9. Saylon Dola
  10. Someone Like You
  11. Bridge Over Troubled Waters
  12. Vienna
  13. Funiculi
  14. Barcelona (With Shaun Ryder)
  15. Nessun Dorma!

Amazon.com

Russell Watson's story is a classic rags-to-riches fairy tale: The former welder, after years of singing in pubs and clubs, traveled from Salford, his hometown, to London. He turned up unannounced at the Decca offices and was promptly signed up by one of the most important classical labels in the world. Vocal coaching followed, as did a number of successful live appearances supporting Cliff Richard. Now, we have this recital CD, which explores a wide range of musical styles. Watson's Italian is a little ponderous in tracks such as "Amor Ti Vieta," but this is more than offset by his captivating and utterly natural-sounding tenor voice. The inevitable popular arias are here, namely "La Donna è Mobile" and "Nessun Dorma," sung with a refreshing and youthful vitality. Pop tracks, including Ultravox's classic 1980s hit "Vienna" and a witty cover version of "Barcelona" sung with former Happy Mondays frontman Shaun Ryder, sit comfortably on the disc. Watson performs them with integrity, not simply paying lip service to the music of his generation. Watson has the potential to do for classical music what Jamie Oliver has done for cookery, and there are few people who won't find this debut CD appealing. --Rebecca Agnew

Album Details

Full Length LP from the British Tenor that Shot Straight to the Top of the UK Classical Charts. Features Many Beautiful Renditions of Classical and E-z Listening Standards, plus a Version of 'nessun Dorma', which Watson Often Sings Before High-profile English Soccer Matches.

Customer Reviews:

3 out of 5 stars Unsure.......2006-01-07

I'm glad that musical artists besides opera singers are encouraging the art of opera. I also like some of his more upbeat selections as well. In my opinion though, I couldn't listen to his CD for very long. A couple of his arias sounded a bit splatty at times, and back in the throat at others. I don't claim to know everything about opera, I'm only in highschool, but his sound seemed quite pushed in places.
When all is said and done,however, I hope more people will come to know and love opera through his music.

5 out of 5 stars A tenor for the masses.......2005-11-07

I hesitate to add my two cents where others have commented in such number. Still, there are a couple of observations I'd like to pass along, hoping they provide further insight into the phenomenon of Russell Watson and his singing.

First of all, I bought this CD never having heard of Mr. Watson--I just liked the looks of it and thought I'd give it a try. So my perception was based solely on what the CD offered. And I liked it! Both the first time and the next several times. (If I want to get analytical, I can find flaws here and there, but somehow I always enjoy hearing it. Period.)

Why do I like it? For a starter, the performances are musical, interesting, exciting, and aesthetically appealing--and that's my first test of quality. (What good is the greatest, most refined, rendition if you find your attention wandering?) Next, I think Watson's musical instincts (and those of whoever else assisted in creating this CD) are pretty much dead-on. There isn't one track I don't like, though some are clearly my favorites.

OK, the operatic bits don't sound like Pavarotti or Domingo, whom I also love very much. So what? Who says there has to be only one way to do an aria? This music is good enough to support a variety of interpretations. (Now if I could only afford one CD, I'd have to be more demanding.)

This is music for regular people, not necessarily for the elite, and I'm enough of a musical democrat to welcome it. If Watson didn't emerge from a high-class musical background, but still found his way to this music, I say more power to him! He must have an inborn feeling for it, and enough of a voice to perform it convincingly.

We've known a few other tenors from humble musical settings who've risen to popular acclaim (e.g., Mario Lanza). They happen to hear some fine tenor singing and find they can imitate it, and not too badly. With a little encouragement they keep at it, take a few lessons, and soon they're on their way. Where they go from there depends on talent, luck, and choices. I don't know where Watson's career will go in the long run, but I like this initial CD (and the two or three following it).

One concern I felt in listening to "The Voice" was for the voice itself. It seemed to me that Watson might have been forcing it too much, in heroically belting out those high notes. From what I now read, that concern was well founded, for Mr. Watson has had to undergo throat surgery. I hope his recuperated voice will retain the excitement and charm we have grown accustomed to and will serve him (and us) for many years.

4 out of 5 stars A wonderful voice.......2005-05-28

I'd just like to say that while most of the opera purist lot criticize his "untrained voice", they are completely neglecting to say that the beauty of his voice is completely NATURAl. He is a man with a naturally beautiful voice, not one worked on for dozens of years in a conservatorium. Personally, that in itself is commendable. Yes, his pronunciation is not exactly perfect, but I think that this adds to his charm - how his gift (and yes, it is a gift) to him from welding to living out his dream.

Opera purists are a dying race. Making opera accessible to other people is not a crime. I have been brought up in a house filled with music, quite a lot of opera. And I do not think that making opera more accessible is a bad thing. Bringing a more youthful image to opera is a very positive thing. We are seeing a whole generation of artists with wonderful voices, ridding opera of its middle aged image.

Bravo, Russell! You're doing a great job.

PS: Opera purist, I can assure you Russell does not spend a sleepless night on account of your whining. So I suggest you learn to deal with the new youth of opera.

5 out of 5 stars Opera for the Masses.......2005-04-25

Talented Watson brings a youthful, casual elegance to opera which will appeal to opera lovers and novices alike.

Some critics are hard on him for pandering to the pop aspects of modern operatics, but I wouldn't call him a sell out at all, as he certainly has the vocal skills to back up his commercial appeal.

5 out of 5 stars There will be copycats but Russell Watson is an Original!.......2005-03-04

One listen to the voice and it will offer you a true appreciation for this hybrid singer. I call him a hybrid singer because he is one of the new generation singers that have the range to sing beatiful, classical pieces as well as pop songs. Russell has the looks of a boy band star but he chose, instead, to follow his heart and bring beautiful, european music to the world's attention. While I have heard comparisons to Josh Groban let me just set the record straight. Russell Watson is the original while Josh Groban, who needs a good barber, is the copy. Russell's first album, the voice, was released in April 2001. Josh Groban's cd was released in May 2002. Both singers have worked with some of the same producers but there is no true comparison when you hear the range and beauty of Russell's voice. He truly could have been an opera singer and has performed in a few operas in europe. I wont bother to get technical about this cd. It truly is one of my favorites in an extensive mixed cd catalog that I own. What I will say is to listen to a few sample tracks and understand what so many of us in the U.S. and abroad already know: Russell Watson is King!
Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Average customer rating: 5 out of 5 stars
  • Great CD
  • Simply the Best
  • Inconsistent, but mostly excellent
  • "Celebration" is not strong enough a word
  • A maginificent evening, a magnificent album
Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FDW
Release Date: 1993-02-23

Tracks:

  1. Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
  2. Evening Introduction--Bill Irwin
  3. Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
  4. Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
  5. Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
  6. Being Alive--Patti LuPone
  7. Good Thing Going--The Tonics
  8. Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
  9. Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
  10. Anyone Can Whistle--Billy Stritch
  11. Water Under the Bridge--Liza Minnellli, Billy Stritch
  12. Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

  1. Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
  2. Sooner or Later--Karen Ziemba
  3. Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
  4. Green Finch and Linnet Bird--Harolyn Blackwell
  5. The Ballad of Booth--Patrick Cassidy, Victor Garber
  6. Broadway Baby--Daisy Eagan
  7. I Never Do Anything Twice--BETTY
  8. With So Little to Be Sure Of--Jerry Hadley, Carolann Page
  9. Not a Day Goes By--Bernadette Peters
  10. Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
  11. Send in the Clowns--Glenn Close
  12. Old Friends--Liza Minnelli
  13. Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

4 out of 5 stars Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

5 out of 5 stars Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

4 out of 5 stars Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

5 out of 5 stars "Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

5 out of 5 stars A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Songs of Free Men/ A Paul Robeson Recital
Average customer rating: 4.5 out of 5 stars
  • Robeson on wax
  • The voice, the sound quality and the interpretation
  • A Voice from the 40s, often dated, often moving
  • Robeson at his best
  • some of the greatest songs of the last century
Songs of Free Men/ A Paul Robeson Recital

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Paul Robeson Live at Carnegie Hall
  2. Ballad for Americans
  3. Ol' Man River: His 25 Greatest
  4. Paul Robeson - Here I Stand
  5. Spirituals

ASIN: B0000029YJ
Release Date: 1997-12-09

Tracks:

  1. Balm in Gilead
  2. Chassidic Chant
  3. Quiet Flows The Don: From Border To Border
  4. Quiet Flows The Don: Oh, How Proud Our Quiet Don
  5. Elijah, Op. 70: The Lord God Of Abraham
  6. The Purest Kind Of Guy
  7. Joe Hill
  8. The Peat-Bog Soldiers
  9. The Four Insurgent Generals
  10. Native Land
  11. Song Of The Plains
  12. Cradle Song
  13. Within Four Walls
  14. By An' By
  15. Sometimes I Feel Like A Motherless Child
  16. John Henry
  17. Water Boy
  18. My Curly Headed Baby
  19. Mah Lindy Lou
  20. Wagon Wheels
  21. The House I Live In
  22. Showboat: I Still Suits Me
  23. Sylvia
  24. Showboat: Ol' Man River
  25. Porgy And Bess: It Ain't Necessarily So

Amazon.com

There was nothing like the Robeson sound, ever. To describe his deep, rich, perfectly equalized instrument is futile. Go instead to "Balm in Gilead," the opening track, and see if you can listen to the last pianissimo phrase without falling to pieces. Robeson was at his best when the music was slow and the words contained spiritual or social messages. Faster, lighter fare like Kern's "I Still Suits Me" or Gershwin's "It Ain't Necessarily So" find the serious-minded singer out of his element, lacking irony and swing. "Old Man River," though, gets a simple, dignified treatment. It's Songs of Free Men, though, that will just keep Robeson's artistry rolling along, especially in Sony's astonishing transfers. --Jed Distler

Customer Reviews:

4 out of 5 stars Robeson on wax.......2007-06-19

I found this album in a thrift store last week, for a couple of dollars. It's the original pressing on four 78 RPM records, in a gatefold format. It's in pristine condition. I really bought it for the incredible cover art, although I hope to be able to listen to it in this format at some point.

5 out of 5 stars The voice, the sound quality and the interpretation.......2004-09-24

Put this on your stereo and if it is good enough the depth and richness of Robeson's voice will make your fillings rattle and your chest rumble. The power of his voice is awesome. This CD is superbly recorded with no audible noise at normal listening levels.

4 out of 5 stars A Voice from the 40s, often dated, often moving.......2002-09-01

"Red diaper babies" have greeted this disc with nostalgic joy, and it captures a time and an aesthetic and a political belief with precision. Anyone interested in the emotional life of the pro-Soviet left of the 1940s should buy this disc. It's something like Henry Wallace set to music. There is much more to Robeson than that, however, and Sony has given us Robeson whole: there are songs by American masters of the musical, there are labor songs, religious songs, as well as the kind of faux-folk songs which the butcher supreme Josef Stalin encouraged and which were not taken seriously inside the USSR (except at gunpoint!!) but which were taken up by dupes around the world. This is Robeson at his least savory - willing propagandist for a vile mass murderer. Songs such as "Native Land" (fittingly, Robeson is referring to the Soviet Union) and the Red Army song are the equivalent of the "Horst Wessel Song", anthems of murder, and it is difficult to listen to the worst of them without retching. On the other hand, Robeson's commitment to American folk culture was real. "Balm in Gilead" is deeply beautiful; "John Henry" is heroic; "By an' By" is both resigned yet hopeful. "Joe Hill" captures an era in labor history. Anyone interested in American popular song should hear these. Turning to Broadway, his "Old Man River" is very fine, though Robeson changed the lyrics for political reasons and Leonard Warren has done the song better. I disagree with the editorial reviewer: "I Still Suits Me" is wonderfully playful and shows Robeson using his gorgeously rich voice to tease and poke fun. However, Marc Blitzstein's "Purest Kind of a Guy" is beyond saving - another example of Robeson recording an unworthy song by a political fellow-traveller. Ugh. But for every miss there are two hits. Robeson performs Mendelssohn's Elijah with nobility, and sings his favorite song, "Water Boy", with joyous pride: "There ain't no hammer that's on these mountains that rings like mine, boys, that rings like mine."
No one need have any fears about the mono sound quality. The orchestra in the second half of the program is at times a little dwarfed by Robeson's voice, but it generally sounds clean and colorful, and the great artist's voice rings like no other.

5 out of 5 stars Robeson at his best.......2000-05-12

It's hard to believe that most of these recordings pre-date the advent of magnetic tape: the CD transfer is superlative. The songs and performance are beyond reproach. Notable is the imaginative packaging in miniature 'record album' format, complete with the original cover art, and a replica of the original Columbia record label applied to the CD.

In response to a previous question: Robeson's performance of Danny Boy (Londonderry Air) can be found on the Vanguard LP entitled "Robeson" (VRS-9037).

5 out of 5 stars some of the greatest songs of the last century.......2000-05-05

In the 1940s, before rabid McCarthyism and racism had taken its toll on him, Robeson made these wonderful recordings of spirituals, classics and pop tunes. Accompanied by the solo piano of the incomparable Lawrence Brown, or by an orchestra, the songs ring out with pride, dignity, skill and unmatched integrity. The shameful treatment that Robeson was subject to from American authorities certainly seem grotesquely absurd to a modern listener. The wonderful version of "The House I Live In" included on this cd should forever kill off any suspicion that Robeson did not love his country deeply. This album ought to be heard by millions of people, world wide. Robeson's voice is nothing less than a glorious high point in 20th century music, and it's hard to think of any recording capturing it to greater advantage.
Eight String Religion
Average customer rating: 4.5 out of 5 stars
  • Eh
  • Deeply moving masterpiece
  • d.d. always does it right
  • Bland uninteresting music
  • Cello Music To Heal The Soul...
Eight String Religion
David Darling
Manufacturer: Wind Over The Earth
ProductGroup: Music
Binding: Audio CD

Avant Garde & Free JazzAvant Garde & Free Jazz | Jazz | Styles | Music
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Similar Items:
  1. Dark Wood
  2. Cello
  3. Musical Massage: Balance
  4. Musical Massage: In Tune
  5. Epigraphs

ASIN: B00005JAE8
Release Date: 2001-03-21

Tracks:

  1. Soft Light
  2. Clouds
  3. Sweet River
  4. Minor Blue
  5. Only One Wish
  6. 8 String Religion
  7. Sojourn
  8. Remember

Album Description

8 String Religion is a timeless masterpiece by composer/cellist David Darling. The album combines David's cello, piano and vocal improvisations with sound engineer/producer Mickey Houlihan's nature recordings. It features eight nature-oriented pieces that evoke the unity of nature, humanity and music.

Customer Reviews:

3 out of 5 stars Eh.......2007-03-16

I suppose it depends what you're looking for.

The "inspiration" in these compositions seems to be a mantra-like repetitiveness, with very slow drawn-out development, and serendipitous improvisations coming and going.

So if you're looking for a trance-inducing envelope of sound, with a little tinkering here and there (with nothing too challenging), then this is a nice CD.

If you're looking for engaging cello, go Yo-Yo, Rostapovich, Cassales, just to name a few. If you're looking for excellence in composition or improvisation, go just about anywhere else.

5 out of 5 stars Deeply moving masterpiece.......2007-01-16

There are no words adequate to describe the experience of listening to this CD, a deeply moving masterpiece of composition, instrumentation and expression, at times soaring to unexpected heights, at others quietly reaching contemplatively into the depths of one's heart and soul bringing great inner peace...it may bring tears to your eyes with its sheer beauty.

5 out of 5 stars d.d. always does it right.......2005-07-15

ive been listening to david darling since his early days on ecm, own all of his
things, but till now have been allergic to the 'new age' look of, say, his 'cello
blue' and that sort -and couldnt discern WHY hed 'break it up' that way- ecm to
new age- until i listened to the itemd i didnt have. the man can simply do no
wrong. i own pretty much everything (no joke) but invariably when people are
passing thru my apt, house, car, office and hear something from dd, they WANT
it- thats everyone from rockers to classicists.
be sure to check out the magnificent 'epigraphs'(ECM) with pianist ketil bjornstad.
stephen spera

3 out of 5 stars Bland uninteresting music.......2002-12-19

I don't understand the rave reviews for this CD. The music is rather bland and insipid. I had just finished listening to the Beethoven late quartets before I previewed the Darling, so this CD simply paled in comparison. I suppose it would be okay as background music, but it is not a CD one would want to spend time listening to.

5 out of 5 stars Cello Music To Heal The Soul..........2001-06-28

This cd should be selling off the shelves at a rapid pace. This is actually a reissue that was previously on HEARTS OF SPACE label. Music that will touch your soul and change your way of listening immediately. The key tracks are: #2, #3, #4, #9. Be sure to spread the word... David Darling is an amazing artist and hope that more of his work becomes famous...
Broadway: America's Music 1935-2005
Average customer rating: Not rated
    Broadway: America's Music 1935-2005

    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

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    Similar Items:
    1. Broadway - The American Musical (PBS Series)
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    3. The Warmth of the Sun
    4. White Nights
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    ASIN: B000B8I93Q
    Release Date: 2005-10-18

    Tracks:

    1. Oh What a Beautiful Mornin'
    2. Summertime
    3. I Could Write a Book
    4. It Never Entered My Mind
    5. I Can Cook Too
    6. Make It Another Old Fashioned, Please
    7. If I Loved You
    8. My Heart Belongs to Daddy
    9. Thou Swell
    10. I Left My Heart at the Stage Door Canteen
    11. There's No Business Like Show Business
    12. South American Way

    Tracks:

    1. Shall We Dance
    2. Ohio
    3. Luck Be a Lady
    4. Mack the Knife
    5. There's a Small Hotel
    6. Once in Love with Amy
    7. Yodel Blues
    8. Lazy Afternoon
    9. There Must Be Somethin' Better Than Love
    10. You're Just in Love
    11. Now Is the Time

    Tracks:

    1. Impossible Dream
    2. Love Makes the World Go 'Round
    3. Try to Remember
    4. Put on a Happy Face
    5. I Say Hello
    6. Happiness
    7. She Loves Me
    8. What Kind of Fool Am I?
    9. Shy
    10. Consider Yourself
    11. Poor Little Person

    Tracks:

    1. Magic to Do
    2. They're Playing My Song
    3. I Don't Know How to Love Him
    4. I Won't Send Roses
    5. Good Morning Starshine
    6. Don't Cry for Me, Argentina
    7. Hard Candy Christmas
    8. Diamonds Are a Girl's Best Friend
    9. Won't You Charleston with Me?
    10. Applause

    Tracks:

    1. Phantom of the Opera
    2. Memory
    3. On My Own
    4. Muddy Water
    5. How Could I Ever Know
    6. American Dream
    7. I Know Him So Well
    8. Dr. Jazz
    9. Me and My Girl
    10. Suddenly Seymour

    Tracks:

    1. Mamma Mia!
    2. Popular
    3. Seasons of Love
    4. Oh, the Thinks You Can Think
    5. Whatever Lola Wants
    6. Crazy
    7. How Deep Is Your Love
    8. Stars
    9. People Like Us
    10. I Go to Rio
    Wave Hands Like Clouds
    Average customer rating: 5 out of 5 stars
    • Really Beautiful
    Wave Hands Like Clouds
    Buedi Siebert
    Manufacturer: Real Music
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | New Age | Styles | Music
    MeditationMeditation | New Age | Styles | Music
    Adult AlternativeAdult Alternative | Pop | Styles | Music
    Similar Items:
    1. The Light Dance
    2. Om Mani Padme Hum
    3. Touching Silk
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    5. Quiet Fire: Zen Moods for the Spa Experience

    ASIN: B0001MZ7JG
    Release Date: 2004-04-06

    Tracks:

    1. From the Distance
    2. Life Breath
    3. Waterplay
    4. Building Chi
    5. The Gentle Way
    6. Flight on Cloud Horse
    7. Temple on Green Mountain
    8. Song of the Nightingale
    9. Buddha Arrives
    10. Inside the Heart
    11. Into the Distance
    12. Oneness

    Album Description

    Earlier in 2004, Buedi Siebert released the CD Om Mani Padme Hum....Here it appears that the always-interesting Siebert is right on track with this slice of East meets West with a greater emphasis on the Land of the Rising Sun. Once again there are meditative qualities but it is delivered in a production and writing style that emphasizes spatial versus spiritual. As a result this album is as enjoyable as 2003's sleeper The Light Dance.

    There is no doubting the commercial and meditative qualities that are both present on this CD. This is well reflected in the artwork that integrates elements of nature with the spiritual world.

    This German musician is largely known for his work on the flute as well as several other woodwind instruments. However, the first portion of the album concentrates on the large Chinese zither that creates a plucked string sound so prominent in many musical genres of the Eastern culture. The instrumentation is very bare and stripped down, giving the listener much time to ponder and reflect. An exception to this rule is the song "Waterplay" that includes nominal embellishments of what sounds like a distant saxophone or clarinet. Buried in the mix are superfluities that never distract from the naked feel of this album. "Building Chi" continues with this arrangement and progression but this time the flute master steps forward.

    Speaking of the flute master, skip forward to the utterly serene "Temple On Green Mountain". It is like a beautiful moment of solitude under the shade of a huge oak tree. And this moment is even further extended as the track merges into the 10-minute long "Song Of The Nightingale".

    It appears that the album continues with the nature soundtrack accompaniment courtesy of the track "Into The Distance". Initially, there is a musical theme that fades about halfway through then the nightingale returns accompanied by a soft serene stream. Am I strolling through a sophisticated exotic Japanese garden? The music certainly transports me there ever so gently.

    With "Wave Hands Like Clouds", Siebert scores again.

    Customer Reviews:

    5 out of 5 stars Really Beautiful.......2006-01-31

    I wanted the kind of music I hear in movies like Crouching Tiger, Hero, Last Samurai, etc. But I didnt want the "soundtrack" that was composed. This music reminds me of what I hear in chinese and japanese restaurants, as well as in some of the more asian influenced spas I've been to. Lots of flute and strings, very calming, centering, happy.
    Handel: The Masterworks (Box Set)
    Average customer rating: Not rated
      Handel: The Masterworks (Box Set)

      Manufacturer: Brilliant Classics
      ProductGroup: Music
      Binding: Audio CD

      TriosTrios | Chamber Music | Classical | Styles | Music
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      ASIN: B00062FLI8
      Release Date: 2004-11-30

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