I'd Rather Dance With You [CD-single] [Enhanced] [Import]

1. I'd Rather Dance With You (Radio Mix)

2. I'd Rather Dance With You (Cornelius Remix)

3. I'd Rather Dance With You (The After Dark Parliamix)

4. Misread (Acoustic Session)

5. I'd Rather Dance With You (Video)

Tracks:

More Than You Know
It Could Happen To You/Here's That Rainy Day
My Funny Valentine
How Are Things In Glocca Morra?
Have You Met Miss Jones/Nobody's Heart
In Our Little Boat
As Time Goes By
My Melancholy Baby
It Only Happens When I Dance With You
Angel Eyes
In The Wee Small Hours Of The Morning
It Might As Welll Be Spring
The Second Time Around
Dance Of Life

Customer Reviews:

Intimate and tuneful.......2005-01-14

I'm an admirer of Previn as both classical and jazz musician, and in both categories he excels. This album has the same intimate, highly musical quality that you'll find in Keith Jarrett's The Melody at Night with You. What I appreciate about both is the fact that the pianist's invention always serves the music; it's never obtrusively artful or showy. Highly recommended. Do yourself a favor and get Jarrett's disc to go along with this.

Underrated Previn.......2002-01-14

Andre Previn has always been an underrated jazz pianist. Because of his astonishing variety of successes as a classical conductor, pianist and composer; a film composer; a songwriter; and a performer of romantic cocktail music, he has been eyed suspiciously by the jazz community. In fact, his Tatum-like virtuosity, and his wildly unique and often playfully humorous piano style has made him one of the most interesting, innovative, and entertaining jazz pianists around. His many trio albums on Contemporary Records in the '50s (with Red Mitchell and Shelly Manne) still hold up as some of the best of their kind. But like Rodney Dangerfield, he never gets any respect. Thus, even his most kind critics are likely to throw darts at "Ballads" as too sweet and not swinging. Nonsense! It's not Monk, but it is nevertheless a beautiful set and a loving tribute to some of the greatest songwriters in Tin Pan Alley. Previn squeezes out every harmonic nuance of each song, yet he sounds like he's playing off the cuff in his living room late at night just to amuse himself. Previn may not swing like Teddy Wilson or Oscar Peterson on this offering, but I can't imagine any serious listener being left unmoved by his version of Burton Lane's "How Are Things In Glocca Morra?" It's simply gorgeous. Previn's amazing talents and his proficiency in many musical styles all come together in this unjustly overlooked CD. Give it a chance!

What happened?.......2001-10-03

THe magic is gone. After reading the liner notes, I learned that someone at the studio asked Previn to make an album of just ballads. BIG MISTAKE. I think he was not in the mood.

Average customer rating:

Excellent performer
A unique project
Gershwin historical, manic, perfect, archival
Definative

Authentic George Gershwin, Vol. 1-4

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B0001Z2RSC
Release Date: 2004-08-24

Tracks:

Swanee
Come To the Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-bum-Bo
Nobody But You
Limehouse Nights
Drifting Along With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Concerto In F

Tracks:

Sweet And Low-Down (I)
That Certain Feeling (I)
Looking For A Boy
When Do We Dance?
Sweet And Low-Down (II)
That Certain Feeling (II)
Irish Waltz
Do, Do, Do
Someone To Watch Over Me
Clap Yo' Hands
Maybe
Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
Meadow Serenade
My One And Only
'S Wonderful/Funny Face
He Loves And She Loves
An American In Paris
Liza
Strike Up The Band
Embraceable You
I Got Rhythm (I)
I Got Rhythm (II)

Tracks:

Of Thee I Sing
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Overture
Isn't It A Pity?
Variations On 'I Got Rhythm'
I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
III. Fugue: Murder Of Crown, Act III Scene 1
IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay

Tracks:

Girl Crazy Overture
French Ballet Class
Dance Of The Waves
Slap That Bass
Walking The Dog
I've Got Beginner's Luck
They All Laughed
They Can't Take That Away From Me
Shall We Dance
By Strauss
I Can't Be Bothered Now
The Jolly Tar And The Milkmaid (1st Version)
Put Me To The Test
The Jolly Tar And The Milkmaid (2nd Version)
Stiff Upper Lip
A Foggy day (In London Town)
Nice Work If You Can Get It
Things Are Looking Up
I Was Doing All Right
Love Walked In

Customer Reviews:

Excellent performer.......2007-03-09

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.

A unique project.......2006-11-23

Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

Gershwin historical, manic, perfect, archival.......2006-06-12

First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

Definative.......2005-07-23

Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.

Average customer rating:

'Swonderful and Fascinatin'

The Authentic George Gershwin, Vol. 1-3

Manufacturer: White Line
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B00000I85Q
Release Date: 1995-10-17

Tracks:

Swanee
Come To The Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-Bum-Bo
Nobody But You
Limehouse Night
Drifting Alone With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Con in F

Tracks:

Tip-Toes: Sweet And Low-Down (I)
Tip-Toes: That Certain Feeling (I)
Tip-Toes: Looking For A Boy (I)
Tip-Toes: When Do We Dance? (II)
Tip-Toes: Sweet Low-Down (II)
Tip-Toes: That Certain Feeling (II)
Irish Waltz (Three-Quarter Blues)
Oh, Kay!: Do,Do,Do
Oh, Kay!: Someone To Watch Over Me
Oh, Kay!: Clap Yo' Hands
Oh, Kay!: Maybe
Three Prlds: No. 1, Allegro Ben Ritmato E Deciso/No. 2, Andante Con Moto/No. 3, Allegro Ben Ritmato
Strike Up The Band: Meadow Serenade
Funny Face: My One And Only
Funny Face: 'S Wonderful/Funny Face
Funny Face: He Loves And She Loves
An American In Paris
Show Girl: Liza
Strike Up The Band: Strike Up The Band
Crazy Girl: Embraceable You
Crazy Girl: I Got Rhythm (I)
Crazy Girl: I Got Rhythm (II)

Tracks:

Of Thee I Sing Ov
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Ov
Isn't It A Pity?
Vars On 'I Got Rhythm'
Porgy And Bess Ste (Catfish Row): I. Catfish Row: Intro-Jasbo Brown (Complete)...
Porgy And Bess Ste (Catfish Row): II. 'I Got Plenty O' Nuthin''...
Porgy And Bess Ste (Catfish Row): III. Fugue: Murder Of Crown, Act III Scene I
Porgy And Bess Ste (Catfish Row): IV. Hurricane: Intro, Act II Scene 3...
Porgy And Bess Ste (Catfish Row): V. Good Morning, Brother...
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay

Customer Reviews:

'Swonderful and Fascinatin'.......2001-09-24

A slim volume of Gershwin's own arrangements of his popular songs exists, and has been recorded by many pianists. Unfortunately, these arrangements exist for only a scant few of Gershwin's songs, and they are rather abbreviated and dare I say it? Unsatisfying. Enter Jack Gibbons. Mr. Gibbons has meticulously researched George Gershwin's own playing of these pieces, from old radio shows, movie soundtracks, and other archival sources and he plays them exactly the way the composer did. He kids you not about "authentic". This is about as close as you can get to the source, and the recorded sound is spectacular. Bravo!

Average customer rating:

I'd Rather Dance With You
Kings of Convenience
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Indie & Lo-Fi | Alternative Rock | Styles | Music

General | Folk | Styles | Music

General | Rock | Styles | Music

Rock | Imports | Stores | Music
ASIN: B0002TA93C
Release Date: 2004-11-02

Tracks:

I'd Rather Dance with You [Radio Mix]
I'd Rather Dance with You [Cornelius Remix]
I'd Rather Dance with You [The After Dark Parliamix]
Misread [Acoustic Session]
I'd Rather Dance with You

Finnissy: Gershwin Arrangements, More Gershwin

Average customer rating:

Gershwin filtered through a modern master
not the Finnissy I know

Finnissy: Gershwin Arrangements, More Gershwin

Manufacturer: Metier
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B00004S920
Release Date: 2000-03-15

Customer Reviews:

Gershwin filtered through a modern master.......2004-01-08

Michael Finnissy is finally getting his due, and this recording is one of a number of excellent recent ones that show him at his quirky best. Finnissy has completely rethought these old standards, going much further than simply taking the melodies and inserting new chords underneath them. Some freedom with the rhythms echo some of the grand old piano transcriptions from the past -- an interesting reference and high praise. And the textures here are crucial: all of the piano lines are important, from top to bottom, and Ian Pace's intelligent renderings make all of this audible.

I hope this disc, as well as Pace's other Finnissy recordings, will push the composer's profile even higher. Many of these would make clever encores in the right context. (And I look forward to those recitals!) Some listeners may find it difficult to absorb too much of this recording at once, since it's all quite concentrated. Three or four of these arrangements at one time might be recommended for newcomers. Nevertheless, this is an outstanding example of Finnissy's creative mind coupled with Pace's exemplary artistry.

Sound quality by Metier is excellent, with Finnissy's complexity put forth with wonderful clarity. A witty, enlightening and very persuasive disc.

not the Finnissy I know.......2000-04-13

Ian Pace is a marvelous pianist of the new or old complexity. He has the entire repertoire of the new under his fingers and mind. He can a be a bit passive however in the live performances I've heard in Chicago in particular. Well he is new to the scene. Finnissy on the the other hand has been making constructing,concocting and mesmerizing those who follow this music for quite some time. Like preaching to the already converted. His music taps nicely into post-modernist thinking, the mileau of utilizing borrowed found objects,already in the world- material but transformed and transmogrified in such a way that the metamorphosis becomes something quite relevant,brilliant and unexpected from the materials given, much like Kafka's insect. Finnissy's piano music is quite literally impossible to play, I don't know who can play it including everyone here mentioned. When for instance you have 72 tones against 57, resulting in an asymmetrical odd bit of musical irrationality(at least within the Western canon)who can do that? . The computer I'm on now the Finale software can play that without a flinch. Gershwin here is not transformed interestingly enough, at least from the perspective of Finnissy's other master piano concoctions like the Verdi Transcriptions or the English Country Tunes. Both those works made the materials sink and respond opaquely,virtuositically becoming part of the blizzards of tones, and filigreed moments scouring and traversing the entire register of the piano. The Gershwin here by contrast seems like a tired pianist sitting in a lounge trying to recapture an old dust-ladened flame, Casablanca? .

Music Album:

Music Album