| 1. Hodie Christus Natus Est |
| 2. Maria Durch ein Dornwald Ging |
| 3. Gabriel's Message |
| 4. The Cherry Tree Carol |
| 5. I Wonder as I Wander |
| 6. In the Bleak Mid-Winter |
| 7. Good King Wenceslas |
| 8. Because All Men are Brothers |
| 9. Edelweiss |
| 10. Es Wird Scho Glei Dumpa |
| 11. "Twas in the Moon of Wintertime |
| 12. Dona Nobis Pacem |
| 13. Ding Dong Merrily On High |
Editorial Reviews
Von Trapp applies her flawless soprano to songs that are far from typical caroling fare.....stunning... haunting.. jazzy ...breathtaking...
Product Description:
Christmas Song is an imaginative blend of soothing medieval hymns, haunting Gregorian chants and sumptuous, centuries-old carols from around the world. Elisabeth, lead vocalist and guitarist, has arranged the selections along with the support of her talented collaborators, cellist Erich Kory and pianist Charles Eller.
From the first cut, a 7th century Gregorian chant, Hodi Christus Natus Est, the sound is rich with quiet beauty. In Because all Men are Brothers [ a poem by Tom Glazer gorgeously set to J.S. Bach's Saint Matthew Passion ] Ms. von Trapp's ethereal, crystalline voice is tenderly illuminated by Mr. Kory's resonant cello. Throughout this captivating CD, luminous sensitivity combines with a rich musical pedigree.
Elisabeth von Trapp. grand daughter of the famous Baroness, selected all 13 pieces in the collection. She says, " Music has permeated my childhood. We lived, breathed and studied music. My fondest memories are when our farmhouse filled with friends and family and the air resounded with Christmas song. This collection contains some of my favorites.
Mellifluous carols from the Basque, England, France, Austria and Appalachia are combined with popular favorites including Good King Wenceslas. Elisabeth's exquisite voice is accompanied by a superlative arrangement of guitar, cello, keyboard, piano, percussion and Native American flute. The only direct acknowledgement of her family's Sound of Music fame is a soulful rendition of Edelweiss.
Elisabeth von Trapps Christmas Song, bends Christmas traditions - just a bit.
Christmas Song
Christmas Song,Elisabeth von Trapp
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Disney's Greatest 3
Various Artists Manufacturer: Disney ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006EXKT Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La GorceCustomer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Disney songs are the best.......2006-03-18
Great Disney Music.......2006-02-21
Not as good as Vol 1 and Vol 2.......2005-09-11
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The Best of the Three Tenors
Luciano Pavarotti , Placido Domingo , Jose Carerras , Zubin Mehta , and James Levine Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00004UB8A Release Date: 2002-06-11 |
Tracks:
- 'O sole mio
- Funiculi, funicula
- Libiamo ne' lieti calici (Brindisi)
- Sous le ciel de Paris
- Torero quiero ser
- Parlami d'amore, Mariu
- Manha de Carnaval
- Lolita
- Dicitencello vuie
- Core 'ngrato
- Because
- You'll Never Walk Alone
- Singin' In The Rain
- Maria
- Tonight
- 'O paese d' 'o sole
- Cielito lindo
- Ochi tchorniye
- Caminito
- La Vie en Rose
- Mattinata
- Wien, Wien, nur du allein
- Amapola
- Lippen schweigen
- Brazil
- Sous les ponts de Paris
- Torna a Surriento
- Nessun dorma
- La donna e mobile
Amazon.com
Back in 1990, three of the world's most celebrated tenors--namely, José Carreras, Plácido Domingo, and Luciano Pavarotti--combined forces to create the Three Tenors, now celebrated on a best-of CD. They gave their first concert in Rome. The event was recorded and went on to become one of the best-selling classical titles of all time.This latest release brings together tracks from that night in Rome (including "Nessun dorma" and a competitive rendition of "O sole mio") with music performed in a 1994 concert in Los Angeles and at the 1998 event in Paris where the Three Tenors sang to an audience of thousands with the Eiffel Tower as their backdrop.
The 22 tracks making up The Best of the Three Tenors range from operatic standards, such as the joyful "Brindisi" from La Traviata, to popular songs like "Singin' in the Rain" and "You'll Never Walk Alone" (from Carousel). There are no solos on this disc; each piece is performed by all three singers. And with plenty of applause and cheering to be heard, not to mention the sense of fun in the singers' voices, the disc captures the atmosphere of these extraordinary musical events. --Rebecca Agnew
Customer Reviews:
Not bad.......2006-03-18
The best from the three greatest..........2005-08-11
There are no solos on the cd. I think I've read somewhere that they felt there had been enough "three tenors cd's" and if they were to release yet another one it would be one containing what the audience demands, the three of them joining forces and performing together in the songs.
The result, in my opinion is highly recommendable. The three voices blend perfectly together. I have to admit that I have a personal favourite among the tenors and that I would never buy an entire recording featuring only one of the two others, but I recognize their talents and -as stupid as it may sound- since they are performing together I can also appreciate the other two. (I like them too, but in smaller doses....)Some people have commented on their problems with mastering the english language. If anything, I think it just adds to their charm. By the way, who is perfect??
The songs on this cd is a mixture of beautiful songs, heartwrenching songs, toe-tapping songs and powerful songs. It's wonderful to just listen to the beauty in the three voices. It's fun hearing Pavarotti pushing his "high-note-button" in "O sole mio" and Carreras and Domingo copying his stunt. I have no idea what they're singing about in "Manha de Carnaval", but boy does it sound romantic...... And "Dicitencello vuie" brings tears to my eyes (even if I'm still left in the dark when it comes to understanding the meaning of the words...) In "Because" Carreras takes my breath away when singing "because God made thee mine, I'll cherish thee...through light and darkness, through all time to be, and pray his love may make our love divine...." (What woman wouldn't like to hear those words..??!?) Their rendition of "You'll never walk alone" should satisfy some of the soccer-fans since it's the anthem of a European football-club and "Nessun Dorma" will probably satisfy the rest of the soccer-fans, being the antheme of the 1998 world soccer championship. In short, there should be something for every taste on this cd.
It's a very "versatile" cd. You can play it almost everywhere. You can sing along to it in the car, you can dance around the house to it while doing your chores, you can put your feet up and unwind after a hectic week. Or you can write an Amazon review while listening to it.... (Feel free to add suggestions of your own here.....)
To make a long story short - a very enjoyable cd!
Just Like the Real Thing!.......2005-07-14
Powerful and moving!.......2004-10-21
Great Compilation.......2003-07-16
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The 3 Tenors in Concert 1994
Manufacturer: Atlantic / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000002IZE Release Date: 1994-08-30 |
Tracks:
- Le Cid: O Souverain, O Juge, O Pere
- Maravilla: Amor, Vida De Mi Vida
- Werther: Pourquoi Me Reveiller
- Spring Is Here: With a Song In My Heart
- Granada
- Non Ti Scordar Di Me
- 'A Tribute to Hollywood': My Way
- Tribute To Hollywood: Moon River
- Tribute To Hollywood: Because
- 'A Tribute to Hollywood': Singin' In the Rain
- Tu, Ca Nun Chiagne
- Pagliacci: Vesti la Giubba
- Turondat: Nessun Dorma!
- 'Around the World': America
- 'Around the World': All I Ask Of You
- 'Around the World': Funiculi, Funicula
- 'Around the World': Sous Les Ponts De Paris
- 'Around the World': Brazil
- 'Around the World': Be My Love
- 'Around the World': Marechiare
- 'Around the World': Lippen Schweigen
- 'Around the World': Santa Lucia Luntana
- 'Around the World': Those Were the Days
- 'Around the World': Te Quiero Dijiste
- 'Around the World': Torna A Surriento
- Encores: La Donna E Mobile
- Encores: Libiamo Ne' Lieti Calici
Amazon.com
It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience. Much of the fun and flavor of the concert is dependent on seeing the action, though, and without the visuals you notice flaws in the singing much more. Domingo comes off as the more solid performer, and his voice is in far better shape than the other two. But if you crave big, high, and loud--and you don't take your opera too seriously--you'll love this disc. --David VernierCustomer Reviews:
Un gran concierto.......2005-07-19
Give em a 3.5.......2004-01-25
This event, like the first one in Rome, has a magnificent setting but, like Rome, the show was marketed mainly to the American audience. They still include the dreadful "Maria" with the hilarious pronunciation and even added "With a Song In My Heart" (or, as Carreras is wont to sing, "Weeth a Soeeng een My Haht"). Though some may deride the choice of encores, they were almost perfect. The Three Tenors, despite their prior celebrity, are creations of our culture of entertainment in ways that Caruso could only dream about.
Synopsis: Carreras stands out, Domingo substitutes volume for quality and Pavarotti soars when he doesn't have to.
The Most Enjoyable Evening IN !!!!!!!!!!!.......2003-05-01
Hmmmm...........2002-04-21
Last Encore of songs missing off C.D........2002-02-06
Many thanks for your time,
With kind regards,
Pam Sargeant.
Average customer rating: |
The Most Soothing Lullabies In The Universe
Manufacturer: Denon Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0001NBNE8 Release Date: 2004-04-06 |
Tracks:
- CHOPIN: Piano Concerto No. 1, Larghetto
- DEBUSSY: Clair de Lune
- MANFREDINI: Concerto grosso in C, I. Largo (Pastorale)
- MOZART: Eine Kleine Nachtmusik, Andante
- BEETHOVEN: Moonlight Sonata, Adagio
- BACH: Goldberg
- SIBELIUS: Swan of Tuonela
- LISZT: Liebestraume
- SCHUMANN: Dreaming
- MASSENET: Meditation from "Thais"
- VAUGHAN WILLIAMS: Greensleeves
Tracks:
- HANDEL-WEINER: Sicilienne
- A. CORELLI: Concerto grosso in G, Pastorale
- VERDI: "When the evening becomes peaceful"
- CHOPIN: Three Preludes
- MOZART: Clarinet Concerto in A, II. Adagio
- BRAHMS: Piano Sonata No. 3, II. Andante espressivo
- TCHAIKOVSKY: Swan Lake (excerpt)
- MENDELSSOHN: Three Songs Without Words
- MAHLER: Symphony No. 3, IV. Sehr Langsam
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Christmas Songs
Diana Krall , and Clayton-Hamilton Jazz Orchestra Manufacturer: Verve ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000B7BRMM Release Date: 2005-11-01 |
Tracks:
- Jingle Bells
- Let It Snow
- The Christmas Song
- Winter Wonderland
- I'll Be Home For Christmas
- Christmas Time Is Here
- Santa Claus Is Coming To Town
- Have Yourself A Merry Little Christmas
- White Christmas
- What Are You Doing New Year's Eve
- Sleigh Ride
- Count Your Blessings Instead Of Sheep
Amazon.com
As the song goes, "Merry Christmas" has already "been said many times, many ways." Diana Krall's Christmas Songs is a worthy--though not particularly unique--addition to the holiday catalog. On it, she excels with an approach mastered long ago: elegant delivery that gives extra polish to a very familiar lineup. Some might find her style frosty at times, but that will come as a relief to those who want their carolers to cut through some of the holiday treacle and create a festive, yet grown-up vibe. And Krall does show off her playful side with little, personal touches. In "Winter Wonderland" she promises to "frolic and play the Canadian way," which should draw smiles from her native land. (That'll mean toasting the holiday with Molson, eh?) Elsewhere, she ends "Jingle Bells" with the girlishly giddy statement, "I'm just crazy about horses." Well can't argue with that. --Leah WeathersbyCustomer Reviews:
Christmas Songs.......2007-05-13
YeeHaa. Merry Christmas........2007-02-22
Helluva voice.
Nice take on some well-worn standards.
This and the Vince Guarldi Charlie Brown Christmas album are the only two Christmas albums that should be given to everybody who ever bought a CD player, Ipod, whatever.
Nice dress.
Elvis Costello (Mr. Diana Krall) better thank God every day.
I proudly listen to this album at non-Christmas times of the year, by the way. When it plays at work, someone almost always stops and says "Who is THAT?"; never "Why are you listening to Christmas music in June?". That's the power of the voice and arrangements we're dealing with, here.
Thank you for coming into my life, if only as a beautiful voice. And what a voice!
If you like Diana Krall you'll probably hate this review........2007-01-26
Rather than write it off as just average I decided to give it a whirl again for Christmas '06, and had the same reaction. Guys might like this CD for her recumbent "come hither and unwrap THIS present" look and posture on the CD packaging, but there's little to come hither for inside.
Have Diana Krall over for the holidays. .......2007-01-21
Christmas Songs/Diana Krall.......2007-01-19
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Peace Like a River
James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell Manufacturer: Mormon Tabernacle ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00020H9W0 Release Date: 2004-06-22 |
Tracks:
- Sweet Peace
- Be Still, My Soul
- Peace Like a River
- All Things Bright and Beautiful
- Lord Is My Shepherd
- This Is My Father's World
- Wayfarin' Stranger
- Lord, Make Me an Instrument of Thy Peace
- Swing Low, Sweet Chariot
- Deep River
- Lamb
- Child's Prayer
- It Is Well With My Soul
- Count Your Blessings Instead of Sheep
- Gaelic Blessing
- Thou Gracious God, Whose Mercy Lends
- Come, Let Us Anew
Customer Reviews:
Beautiful.......2007-06-14
A few bright spots, but also some disappointments.......2007-01-19
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.
This CD Deserves SIX Stars!.......2005-11-05
every good adjective .......2005-08-06
Fabulous!.......2005-05-29
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Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
Manufacturer: Decca ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00000428D Release Date: 1996-07-23 |
Tracks:
- Dum pater familias
- La Bouree
- The Sylvan And Oceanic Delights Of Posilipo: Gagliarda
- Quen a Virgen ben servira
- Bransles de Villages
- Carmina Burana: Katerine collaudemus
- The Sylvan And Oceanic Delights Of Posilipo: La scesa de' Pastori dal Monte
- Orientis partibus
- Volte
- Llibre Vermell: Stella Splendens
- Carmina Burana: Tempus est iocundum
- The Sylvan And Oceanic Delights Of Posilipo: Ballo de Cigni
- Carmina Burana: Bache, bene venies
- Lux optata claruit
- Ballet Incerti
- Non e gran causa
- Passo e mezzo - Saltarello Giorgio
Customer Reviews:
Rennaissance music at it's finest!.......2007-06-29
a voice teacher and early music fan.......2007-02-04
This is a varied group of works, some dances, some strictly instrumental and some accompanied vocal.
The role of dancing, as you might suspect, was enormously important in this era. 'Le Bouree' showcases the dance music of the composer Michael Praetorius. The 'Bransles de Villages' is of French origin and features 2 violins, 2 violas, a cello, a great bass viol, hurdy-gurdy and 2 lutes. 'La scesa de Pastori dal Monte' is an Italian dance by Andrea Ansalone. Another dance written by Michael Praetorious was the 'Volte' which actually involved 4 short dances. It was considered not respectable because of the close contact between the dancers.
The strictly instrumental songs are : 'Dum pater familias' is called a pilgrim song, and it was religious in nature. And, of course, all the dance songs are instrumental.
The vocally oriented songs are: 'Quen a Virgin ben servira' is a song taken from a collection of songs about the miracles attributed to the Virgin Mary.-Three of the songs are from the famous 'Carmina Burana' manuscript.- 'Orientis partibus' is from the 'Feast of fools'which was a feast held by the church itself in which the status of the church herarchy was reversed as inferior clergy assumed the role of their superiors.-'Stella Splendours' is another pilgrim song; this song was sung by pilgrims who went to worship as the Shrine of the Virgin at Montserrat.
I always trust the quality of a CD when Philip Pickett and the New London Consort are involved. This album is very interesting, but I would hope that this would be classified as the more "pop" type music of the period. Also, I don't think that I personally would call it early music, as is indicated in the accompanying booklet. Today that term brings to mind Monteverdi, Cavalli, Palestrina, the Scarlatti's, up to and including Handel and Bach etc.. Just a personal reaction on my part. This is a very well put together disc.
A good sampler of New London Consort's work.......2006-12-20
Excellent renditions of lively 'old music'........2005-11-23
This is really the sort of thing you would expect to hear from a travelling troupe of minstrals, but not from a solo artist, as practically every performance involves several instruments and voices.
Some tracks will sound especially familiar, as they are very similar to Carl Orff's 'Carmina Burana', inspired by medieval texts.
Compared to many recordings of music from Shakespeare's time, this collection is superior and well worth the investment.
A Treasure of the Time Period.......2005-08-11
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Mendelssohn: Songs Without Words, etc.
Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000001GYC Release Date: 1997-04-15 |
Tracks:
- Lieder ohne Worte op. 19: No. 1 In E Major - Andante con moto
- Lieder ohne Worte op. 19: No. 2 In A Minor - Andante espressivo
- Lieder ohne Worte op. 19: No. 3 In A Major 'Hunting Song' - Molto allegro e vivace
- Lieder ohne Worte op. 19: No. 4 in A Major - Moderato
- Lieder ohne Worte op. 19: No. 5 In F Sharp Minor - Piano agitato
- Lieder ohne Worte op. 19: No. 6 In G Minor 'Venetian Gondola Song' - Andante sostenuto
- Lieder ohne Worte op. 30: No. 1 In E Flat Major - Andante espressivo
- Lieder ohne Worte op. 30: No. 2 In B Flat Minor - Allegro di molto
- Lieder ohne Worte op. 30: No. 3 In E Major - Adagio non troppo
- Lieder ohne Worte op. 30: No. 4 In B Minor - Agitato e con fuoco
- Lieder ohne Worte op. 30: No. 5 In D Major - Andante grazioso
- Lieder ohne Worte op. 30: No. 6 In F Sharp Minor 'Venetian Gondola Song' - Allegretto tranquillo
- Lieder ohne Worte op. 38: No. 1 In E Flat Major - Con moto
- Lieder ohne Worte op. 38: No. 2 In C Minor - Allegro non troppo
- Lieder ohne Worte op. 38: No. 3 In E Major - Presto e molto vivace
- Lieder ohne Worte op. 38: No. 4 In A Major - Andante
- Lieder ohne Worte op. 38: No. 5 In A Minor - Agitato
- Lieder ohne Worte op. 38: No. 6 In A Flat Major - Andante con moto
- Lieder ohne Worte op. 53: No. 1 In A Flat Major - Andante con moto
- Lieder ohne Worte op. 53: No. 2 In E Flat Major - Allegro non troppo
- Lieder ohne Worte op. 53: No. 3 In G Minor - Presto agitato
- Lieder ohne Worte op. 53: No. 4 In F Major - Adagio
- Lieder ohne Worte op. 53: No. 5 In A Minor 'Folksong' - Allegro con fuoco
- Lieder ohne Worte op. 53: No. 6 In A Major - Molto allegro, vivace
Tracks:
- Lieder ohne Worte op. 62: No. 1 In G Major - Andante espressivo
- Lieder ohne Worte op. 62: No. 2 In B Flat Major - Allegro con fuoco
- Lieder ohne Worte op. 62: No. 3 In E Minor 'Funeral March' - Andante maestoso
- Lieder ohne Worte op. 62: No. 4 In G Major - Allegro con anima
- Lieder ohne Worte op. 62: No. 5 In A Minor 'Venetian Gondola Song' - Andante con moto
- Lieder ohne Worte op. 62: No. 6 In A Major 'Spring Song' - Allegretto grazioso
- Lieder ohne Worte op. 67: No. 1 in E Flat Major - Andante
- Lieder ohne Worte op. 67: No. 2 In F Sharp Minor - Allegro leggiero
- Lieder ohne Worte op. 67: No. 3 In B Flat Major - Andante tranquillo
- Lieder ohne Worte op. 67: No. 4 In C Major 'Spinning Song' - Presto
- Lieder ohne Worte op. 67: No. 5 In B Minor - Moderato
- Lieder ohne Worte op. 67: No. 6 In E Major 'Wiegenlied' - Allegretto non troppo
- Lieder ohne Worte op. 85: No. 1 In F Major - Andante espressivo
- Lieder ohne Worte op. 85: No. 2 In A Minor - Allegro agitato
- Lieder ohne Worte op. 85: No. 3 In E Flat Major - Presto
- Lieder ohne Worte op. 85: No. 4 In D Major - Andante sostenuto
- Lieder ohne Worte op. 85: No. 5 In A Major - Allegretto
- Lieder ohne Worte op. 85: No. 6 In B Flat Major - Allegretto con moto
- Lieder ohne Worte op. 102: No. 1 In E Minor - Andante, un poco agitato
- Lieder ohne Worte op. 102: No. 2 In D Major - Adagio
- Lieder ohne Worte op. 102: No. 3 In C Major - Presto
- Lieder ohne Worte op. 102: No. 4 In G Minor - Un poco agitato, ma andante
- Lieder ohne Worte op. 102: No. 5 In A Major - Allegro vivace
- Lieder ohne Worte op. 102: No. 6 In C Major - Andante
- Kinderstucke op. 72: Allegro non troppo
- Kinderstucke op. 72: Andante sostenuto
- Kinderstucke op. 72: Allegretto
- Kinderstucke op. 72: Andante con moto
- Kinderstucke op. 72: Allegro assai
- Kinderstucke op. 72: Vivace
- Gondellied: Allegretto non troppo
- 2 Klavierstucke: Andante cantabile
- 2 Klavierstucke: Presto agitato
- Albumblatt op. 117: Allegro
Customer Reviews:
FORGOTTEN (BY ME) BEAUTIES.......2007-05-14
This recording was made in the early 1970s; however, DGG has done a wonderful job of transferring them to the CD format--the sound is rich, lush and clear.
If you want to hear some beautiful compositions that are played most beautifully, buy this recording.
MENDELSSOHN'S 48.......2006-09-01
It was high time in any case that I had a complete set of these lovely works. My collection up to now had only stretched to 14 of them, but - I have to say it again - those 14 are enough to teach me the difference between fine performances and great ones. Barenboim's accounts should be easily good enough for most of us most of the time, and in addition to the Songs he throws in the Children's Pieces plus a few other short numbers that Mendelssohn, for reasons known principally to himself, chose not to publish. With one solitary exception, Barenboim's touch is affectionate, warm and beautiful, and is well served by the 1974 recording. Speeds adopted sound about right to me in general, and the interpretations offered are full of insight and loving care, and free from eccentricity or egotism. Barenboim can be powerful when he needs to be, but the requirement for power is very limited in what we have here, and the overall impression that the set leaves is rightly one of tact, sympathy and enthusiasm. My single regret concerns my own favourite of all the Songs - the Duetto op 38/6. Something goes quite unaccountably wrong here. I'd call the speed too fast in the first place, and I would have liked the pseudo-voices brought out more strongly against the arpeggio accompaniment, but the real affront to my sensibilities comes when the two voices sing forte in octaves, and Barenboim bangs out the melody in a bad-tempered and cacophonous way that reminds me of one of Kissin's off-days.
One botched effort out of 58 is not a bad ratio nevertheless. I can play the Duetto to my own satisfaction anyway, or I can listen to it on my old Turnabout LP played by Guiomar Novaes. Novaes seems to be all but forgotten these days, but she was a great player, recognised as such by no less than Debussy when she was a teenager. Her idea of the Duetto is slower than mine, indeed for an amateur like me the piece, which lies beautifully and naturally under the hands, seems practically to dictate its own speed. However it's not the tempo that makes the impression. In this piece as in many others starting with the very first of all the Songs, what transfixes me is the haughty and highlighted clarity of Novaes's melodic line and the magnificence of her left-hand tone. It also happens that in the disc that accompanies the biography of Serkin by Stephen Lehmann and Marion Faber there are two of the Songs in Novaes's selection - a solemn and gripping op 62/1 and a coruscating Spinning Song worthy of Horowitz or Cziffra for virtuosity. The point is simply this - there is an aura of greatness that surrounds the playing of Serkin and Novaes in practically anything they do. Admirable as he is, Barenboim is not quite in that league, although I don't consider the balance of advantage to be totally one-sided, and it may be that Barenboim actually makes a more appealing job of the Spring Song.
Nevertheless I have only 14 of the Songs from Novaes, and all of two from Serkin, in somewhat antiquated sound at that. Barenboim gives me all 48 plus some bonus extras, played with love and appreciation of the soul of this beautiful and affecting music. This is a set I am going to be returning to for solace and balm to the spirit, I can tell already. The recorded sound is not wondrous, but it's good 1974 quality. The liner note is from the distinguished pen of Joan Chissell, but I can't say it seems to me to amount to much. Moreover she nails her colours to the mast with the ringing challenge `No 19th-century composer exceeded Mendelssohn in respect for Classical tradition, and such ordered modes of expression as fugue...' I dispute this strenuously. Not only are Mendelssohn's fugues not his best or most professional work, as Tovey makes very clear, they are inferior in respect for classical precedent and thoroughness of workmanship to Schumann's, as the same sage also points out. Besides which Brahms was a musical scholar of minute and profound learning, particularly steeped in the great German musical tradition, to an extent that Mendelssohn never rivalled. What Mendelssohn can claim is to be sui generis, what he does best he does better than anyone, and some of his most intimate musical thoughts are to be found in the Songs Without Words. For the pleasure and comfort they bring me I thank Mendelssohn's shade and the loving and expert guidance of Barenboim.
Portraits at exhibition!.......2006-04-09
The Songs without words conform ostensibly, a great stylistic and conceptual unity. It could not be other way, noticing the fact John Field was essentially the grandfather of the nocturnes for piano and Chopin the most expressive and intimate explorer of the human soul, Mendelssohn had all those variables in mind and decided to create a portrait album. As other artists as Liszt and Goethe the exerted fascination after being in Venice would work out as febrile inspiration. Every little page of this kaleidoscopic reflects different state anima; they are structured and interweaved similarly respect Robert Schumann with his Carnival or Childhood scenes; with profound lyric and evocative accent, destined to recreate the tourist memory. He achieved then to make a voluminous album of feelings but without that marked introspective mood of Frederic Chopin, for instance.
Daniel Barenboim decided to record these ebb tide piano pieces with personal conviction and lyric imagination. The result was simply refulgent and deeply inspiring.
Second-tier Mendelssohn and Boringboim to boot.......2002-10-21
Excellent!.......2002-02-18
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Christmas Extraordinaire
Mannheim Steamroller , George Frideric Handel , Irving Berlin , James R. Murray , Pyotr Il'yich Tchaikovsky , Noel Regney , Christmas Traditional , Ray / Livingston, Jay Evans , Catalan Traditional , Alfred S. Burt , Felix Bernard , Robert Burns , and Chip Davis Manufacturer: American Gramaphone ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005NNDK Release Date: 2001-10-30 |
Tracks:
- Hallelujah - from 'The Messiah'
- White Christmas
- Away In A Manger
- Faeries - from 'The Nutcracker'
- Do You Hear What I Hear?
- The First Noel
- Silver Bells
- Fum, Fum, Fum
- Some Children See Him
- Winter Wonderland
- O Tannenbaum
- Auld Lang Syne
Amazon.com
Chip Davis's Mannheim Steamroller hasn't lost any ground in the six years since their last Yuletide offering. Christmas Extraordinare is another innovative and heartfelt collection of seasonal treasures played on a combination of 18th-century instruments and modern-day synthesizers, drums, and electric guitars. While not the first to marry different ages of musical instruments, Davis and his cohorts use them with imagination and an intensity that gives new life and drama to this rather inert genre. For material, Mannheim Steamroller asked their fans to choose their favorite holiday selections and vote on their Web site. The results of the poll are a fine mix of old and new--with slightly more emphasis on the modern--ranging from the bracing "Fum, Fum, Fum," a traditional Catalan carol, to Tchaikovsky's "Faeries" from The Nutcracker. Mannheim Steamroller imbues this beloved song with an almost militaristic edge, grounding it with an ominous tuba that gives the usually fey "Dance of the Sugar Plum Fairies" an edgy tension. "Winter Wonderland" is a spectacular work, bordering on prog rock, as if Emerson, Lake & Palmer had re-formed to whip up a winter blizzard gone amok. While most of the Mannheim Steamroller's Christmas albums are largely instrumental, Davis has employed the considerable talents of University of Michigan's Glee Club to sing on "O Tannenbaum," respectfully fading their elegant, full vocals around the pristine voice of Johnny Mathis, elevating this German carol to a cinematic peak. Don't miss out on the clever liner notes, which give the reader a whimsical, anecdotal history of the 12 songs. --Jaan UhelszkiCustomer Reviews:
Mannheim Steamroller.......2007-01-10
I like it.......2006-12-18
Wonderful Christmas tunes from Mannheim Steamroller.......2006-12-06
Christmas Extraordinaire.......2006-02-26
Doesn't Really meet the test of time.......2006-01-05
In retrospect, I wish I had gotten FRESH AIRE, which I recognize as having some of my favorite Mannheim Steamroller songs. I'm not throwing this CD away, but it won't be on the top of my Christmas music pile either.
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Prelude: The Best of Charlotte Church
Charlotte Church Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006LFGG Release Date: 2002-11-26 |
Tracks:
- Pie Jesu from Requiem
- My Lagan Love
- In Trutina (from Carmina Burana)
- Panis Angelicus
- Amazing Grace
- Just Wave Hello
- La Pastorella (The Little Shepherdess)
- She Moved Through The Fair
- Ave Maria
- Dream A Dream (w/ Billy Gilman)
- The Flower Duet
- Haba
- The Prayer (w/ Josh Groban)
- All Love Can Be
- It's The Heart That Matters Most
- Tantum Ergo
- Bridge Over Troubled Water
- Sancta Maria
Amazon.com
Need more evidence of the record industry's obsession with youth? Consider that budding Welsh diva Charlotte Church was a ripe, old 16 when this, her first greatest-hits anthology was released. Spanning her first four releases, as well as some outside collaborations and unreleased material, this 18-track collection underscores the soprano's seemingly boundless potential--as well as some potential career obstacles ahead. Her crystalline, still-maturing voice is best showcased on classically oriented works like Andrew Lloyd Webber's "Pie Jesu," Franck's "Panis Angelicus," and her now-ubiquitous rendering of Delibes' "Flower Duet." She also excels on folk traditionals such as "She Moved Through the Fair" and "My Langan Love." But overwrought productions like the already-dated "Dream a Dream" and "Habanera," a faux-flamenco take on Bizet, nearly get the best of her. Still, her promising duet with fellow young phenom Josh Groban on "The Prayer" and her mature, dreamy reading of A Beautiful Mind's "All Love Can Be," as well as strong performances on the previously unreleased "It's the Heart That Matters Most" and "Bridge over Troubled Waters," are ample evidence of her potential for rewarding pop crossover--if she doesn't retire by 21. --Jerry McCulleyCustomer Reviews:
A Beautiful, Relaxing Project.......2007-06-15
I love her rendition of "Amazing Grace". She also did good on covering "Bridge Over Troubled Water", though I was disappointed she didn't try the high note on the verses as Garfunkel did. My favorite on the project was "It's the Heart That Matters Most".
If I want some beautiful sounding music to relax to while I'm working, this would be a very good project for that.
It just cannot be the end for Charlotte's classical career! :(.......2006-08-20
Her beginning pieces (Pie Jesu, My Lagan Love, In Trutina, Panis Angelicus, and Amazing Grace) were sung at the beginning of her classical career, and you can hear her flat vowels and shaky low notes. You can also hear it in "She Moved Thru the Fair". It's really annoying!
La Pastorella is a beautiful song to sing, and Church masters it beautifully! Just Wave Hello - the Ford Anthem, is also a beautiful piece, with amazing work from the orchestra.
Ave Maria is a complete annoyance! Church lays on the high notes too much, putting too much emphasis on them, and it's an annoyance! Her vowels are also flat on the high notes - I just hate it!
Dream a Dream is a very nice piece, leaning more towards the pop scene. Church still seems to make it work, and I would listen to it all day!
The Flower Duet is a beautiful song, but Church's vocals are strained, which makes it hard to listen to with a smile on your face! It's still beautiful!
The Prayer (w/ Josh Groban) is a very nice piece, originally sung by Celine Dion. She's still a little bit flat here!
All That Love can Be is sung beautifully, completely smooth and connected. The vocals are flawless and have a mezmerizing effect.
It's the Heart that Knows is a pop piece that Church sings with strong vocals. It's just showing us that she's ending her career as a classical superstar!
Tantum Ergo, Bridge Over Troubled Water, and Sancta Maria, are all beautiful pieces!
I am a Charlotte Chruch fan, no doubt, but I really didn't like this album! I still wish that she would stay with opera, but I guess dreams don't come true! I wouldn't advise you to buy this CD - but as long as you have Voice of an Angel, Charlotte Church (the Self Titled Album) and Enchantment, there's no need for this CD!
Sorry Charlotte!
Charlotte Church.......2006-07-29
Somewhat decent but still mediocre.......2006-06-07
Charlotte's voice is very well trained - maybe too trained. From a very young age she's been hitting the same notes as Sarah Brightman. But I feel that Charlotte's over-worked and not to mention overdone voice has been declining tremendously.
But I guess none of this really matters now because I haven't heard her do anything classical for a while. If you want to listen to Charlotte now, go find the song 'Crazy Chick.'
If you want to listen to other angel voiced sopranos, I'd go with Sarah Brightman or Renee' Fleming.
R&B For Charlotte .......2006-05-07
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