| 1. Glass Stories |
| 2. Ruidoso Sunrise |
| 3. Coffee Drinker's Lullaby |
| 4. Rose's Lament |
| 5. Strawberry Fields Forever |
| 6. Lord of the Dance |
| 7. Not in Kansas Anymore |
| 8. Bonny Portmore |
| 9. Loch Lomond |
| 10. Ashokan Farewell |
| 11. Van is Still the Man |
| 12. Craigielee (Waltzing Matilda) |
| 13. The Shakes |
| 14. The Parting Glass |
Editorial Reviews
About the Artist
Donal Hinely learned the obsolete art of glass playing --which dates back to the days of Mozart-- from his older brother Terry Hinely, a self taught glass player. Together in 1988 they formed Glasnots, a group which played traditional Irish and original music and featured Terry on the glasses and Donal on guitar and vocals. In 1994, Donal moved to Nashville to pursue his career as a singer/songwriter but continued to record and perform with Glasnots. In the spring of 1997, Terry Hinely was killed in a car accident. The following year, Donal picked up the instrument that his brother had pioneered and today carries on the family tradition, playing an eclectic repertoire of traditional tunes from the British Isles, classical music, and original compositions for thousands of people each year at festivals, street fairs, and special events. Hinely has also earned recognition for his stirring songs and honest performances as a singer/songwriter Nashville. His 2003 release We Built a Fire was on several top ten Americana lists and was praised by both mainstream and independent press.
Product Description:
Infused by the unique sound of the glass harmonica, Glass Stories (2004) presents a hypnotic mixture of traditional and original music accompanied by cello and guitar. Glass Stories is Texas singer/songwriter Donal Hinely's third CD with Nashville producer and cellist David Henry who has worked with a wide range of artists including Cowboy Junkies, Josh Rouse, Vienna Teng, and Guster. The music Hinely coaxes from his home-made instrument--often called the glass harmonica--is lilting and ethereal. The haunting tones are produced by rubbing wet fingers across the rims of water-tuned wine glasses and brandy snifters and bring to mind the sound of a violin, a flute, an organ, or even at times a steel drum. On this offering, the glasses and cello blend to breathe new life to such classics as "Loch Lomond", "Ashokan Farewell", "Lord of the Dance", "The Parting Glass, " and the Beatles favorite "Strawberry Fields Forever." There are also a good number of original pieces including the standout title track and the Henry penned "Coffee Drinker's Lullaby." The marriage of the glasses with Henry's stellar cello seems a natural one with each instrument occupying its own harmonic range yet complimenting each other perfectly. The overall mood is quiet and reflective, though Hinely's "The Shakes" and "Not in Kansas Anymore" and Henry's aforementioned "Lullaby" are playful without breaking the spell.
When he asks for requests, most people plead for Stairway to Heaven or (heaven forbid) Freebird, but I always request an original. To my joy, the original he always plays is "Ruidoso Sunrise" which is included on this CD. The song has a melancholy feel, but its warmth is anything but sad.
His rendition of "Strawberry Fields Forever" would make Mr. Lennon smile. The ending song, "The Parting Glass" is a version of the beautiful song that the RenFest cast sings at the conclusion of the day and is a perfect ending for this incredible collection of magic.
This sole release from the U.S. prog band Cathedral got swallowed up in the sea of disinterest that started brewing against prog in general in the late 1970's. Recorded in 1978, and re-released on the Syn-Phonic label around 1990, this hard-to-find cd has frequently been mentioned in the same breath as cd's from other similarly obscure American bands such as Yezda Urfa, Mirthrandir, Hands, and I might add Arabesque. This 45-minute gem is comprised of 5 songs in the 6-12 minute range, mostly driven along by aggressive Chris Squire-like bass lines, and complex polyrhythmic drums and percussion. The music is frequently in the Yes "Relayer" style, with great Howe-like guitar lines, and decent keyboards that focus more on mellotron and string synths than virtuoso soloing. You'll also hear some Gentle Giant and Genesis influences (but you'll also hear here what Anglagard must have been spending a lot of THEIR time listening to before they recorded their early 1990's albums!).
I'm delighted that I was able to hook up with a copy of this cd a few years back, but it does not come without its share of shortcomings. The vocals are the weakest feature of the group, though I find the singer tolerable (and almost pleasant) when he sings within his range; in a few spots he sounds as if he's straining, and the dissonance of the vocal line can make the listening that much more uneasy in those places. Not a big problem, and certainly not atypical of some of the other groups mentioned above. Not surprisingly though, most reviewers (including myself) tend to enjoy the all-instrumental 7-minute "Gong" more than the other songs here. Also, I have to say that the production is not the greatest. This was probably not recorded in a top-notch studio; the overall sound contains some occasional "murkiness", and suffers from a lack of dynamics and crispness. This is ripe for a nice re-master re-issue.
Still, I believe this is an important - if not essential - album for its influence on U.S. (and Swedish!) prog, and I think it's a worthy endeavor for us prog lovers to recall and honor some of these obscure bands that had great musicians with the guts to attempt complex prog in a world that was quickly sinking into disco and punk. Get this if you can find it.
I value interesting music that is played and recorded well. This cd's rating was based on:
Music quality = 8.4/10; Performance = 8/10; Production = 7/10; CD length = 8/10.
Overall score weighted on my proprietary scale = 8.1 ("3-1/2 stars")
The group consisted of guitarist Rudy Perrone, vocalist Paul Seal, drummer Mercury Caronia IV, bassist Fred Callan, and keyboardist Tom Duncourt. If you're familiar with Anglagard and their 1992 album Hybris, you might hear some familiarities in the style of Cathedral. Anglagard didn't hide the fact that Stained Glass Stories had a big impact on that band. Of course the big thing missing on Stained Glass Stories is the Nordic influences, of course, since they were American, rather than Swedish. Cathedral went full-on British-style prog. Doncourt really laid it on thick with Mellotron, it's completely all over this album, he also played Hammond organ and electric piano. The most dominant tron sound here is the choir. Guitarist Rudy Perrone alternated between more acoustic styles and electric styles, not unlike Steve Hackett, while Fred Callan really laid it on thick with the Rickenbacker bass. There's also plenty of Moog Taurus bass pedals used throughout the album. The album starts off with "Introspect", which demonstrated that this band, like Anglagard some decade and a half later, would play one thing and go on to the next, going through many different changes, alternating between quiet and loud passages, going for the ensemble playing, rather than each band member trying to out-solo each other (Cathedral preferred each band member play together to avoid the spotlight, something Anglagard later did). While Anglagard tended to only occasionally used vocals (and it was in their native Swedish), Paul Seal tended to sing a lot more, in a rather dramatic style (I noticed a lot of these American proggers tended to have rather dramatic vocalists, check out Fireballet's Jim Cuomo, for example). "Gong" was the album's only instrumental cut, once again showing the high quality of the album. "The Crossing" has an almost Gentle Giant-like feel to it. "Days and Changes" shows that the band hadn't let up for anything. "The Crossing" is the only cut on the album where perhaps it dragged on a bit, but still not bad.
Cathedral's Stained Glass Stories is truly not only one of the greatest prog rock albums ever released in 1978, but one of the greats of prog rock, period. It's hard to believe anyone pulled off such a great album in an era where punk rock, disco and AOR were king, where the major prog rock acts like Yes, ELP and Genesis were starting to release what many regard were their worst albums in their careers (Tormato, Love Beach, ...And Then There Were Three...), not to mention Gentle Giant releasing Giant For a Day, again another album regarded as a career low-point. Also, it's not too surprising that Stained Glass Stories should be Cathedral's only album. There was no way they could top that album, for one thing, and the decline of prog was the reason why this great band had to throw in the towel. But Rudy Perrone did release a far more obscure solo album in 1981 called Oceans of Art, but few had heard that one (me included), but aside from that, little has been heard of the band since.
Any prog rock fan should own a copy of Stained Glass Stories.
And, it's a long CD overflowing with pieces that titillate the eye, but not the ear: compositions with endearing names like Little Suite In Fifteen Pictures (with cute titles that lure you in, like, "Lullaby Under the Stars," "Sleigh Ride," "Romance," "Serenade on the Water" and "L'Adieu") or Stories For Piano ("A Giddy Girl," "In the Sad House," "Under the Table," etc.) and Encounters (Ballet Suite for Piano). Yet, all are sadly lacking in any kind of musical charm or content that might even hold your interest for five minutes. These are not the genre pictures of MacDowell's Woodland Sketches, Grieg's Lyric Pieces, Schumann's Kinderscenen or Tchaikovsky's Album For The Young.
It's all so mundane, unfortunately, that you'd have to have the patience of Job to wade through the homogeneity here.... or be unwillingly duct-taped to your couch.
Massively disappointing music featuring an excellent pianist, excellent sound and a phenomenal playing time. But to what end? Well, I suppose, giving the devil his due, it was enterprising of Naxos to allow us the opportunity to "hear" these Ibert works, regardless of their merit or lack thereof. And I suppose, as well, that this matters equally.
[Running time: 68:12]
Donal Hinely learned the obsolete art of glass playing --which dates back to the days of Mozart-- from his older brother Terry Hinely, a self taught glass player. Together in 1988 they formed Glasnots, a group which played traditional Irish and original music and featured Terry on the glasses and Donal on guitar and vocals. In 1994, Donal moved to Nashville to pursue his career as a singer/songwriter but continued to record and perform with Glasnots. In the spring of 1997, Terry Hinely was killed in a car accident. The following year, Donal picked up the instrument that his brother had pioneered and today carries on the family tradition, playing an eclectic repertoire of traditional tunes from the British Isles, classical music, and original compositions for thousands of people each year at festivals, street fairs, and special events. Hinely has also earned recognition for his stirring songs and honest performances as a singer/songwriter Nashville. His 2003 release We Built a Fire was on several top ten Americana lists and was praised by both mainstream and independent press.
Product Description:
Infused by the unique sound of the glass harmonica, Glass Stories (2004) presents a hypnotic mixture of traditional and original music accompanied by cello and guitar. Glass Stories is Texas singer/songwriter Donal Hinely's third CD with Nashville producer and cellist David Henry who has worked with a wide range of artists including Cowboy Junkies, Josh Rouse, Vienna Teng, and Guster. The music Hinely coaxes from his home-made instrument--often called the glass harmonica--is lilting and ethereal. The haunting tones are produced by rubbing wet fingers across the rims of water-tuned wine glasses and brandy snifters and bring to mind the sound of a violin, a flute, an organ, or even at times a steel drum. On this offering, the glasses and cello blend to breathe new life to such classics as "Loch Lomond", "Ashokan Farewell", "Lord of the Dance", "The Parting Glass, " and the Beatles favorite "Strawberry Fields Forever." There are also a good number of original pieces including the standout title track and the Henry penned "Coffee Drinker's Lullaby." The marriage of the glasses with Henry's stellar cello seems a natural one with each instrument occupying its own harmonic range yet complimenting each other perfectly. The overall mood is quiet and reflective, though Hinely's "The Shakes" and "Not in Kansas Anymore" and Henry's aforementioned "Lullaby" are playful without breaking the spell.
Glass Stories,Donal Hinely,Scuffletown Records,A hypnotic mixture of traditional and original instrumentals infused by the unique sound of the glass harmonica accompanied by cello and guitar.,Folk,Miscellaneous,Neo-Traditional Folk
Average customer rating: 
|
Glass Stories
Donal Hinely Manufacturer: Scuffletown Records ProductGroup: Music Binding: Audio CD  General
| Folk
| Styles
| Music
General
| Miscellaneous
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
General
| Folk
| Indie Music
| Stores
| Music
Similar Items:
ASIN: B0007XAR5I Release Date: 2004-10-01 |
Tracks:
- Glass Stories
- Ruidoso Sunrise
- Coffee Drinker's Lullaby
- Rose's Lament
- Strawberry Fields Forever
- Lord of the Dance
- Not in Kansas Anymore
- Bonny Portmore
- Loch Lomond
- Ashokan Farewell
- Van is Still the Man
- Craigielee (Waltzing Matilda)
- The Shakes
- The Parting Glass
Product Description
Infused by the unique sound of the glass harmonica, Glass Stories (2004) presents a hypnotic mixture of traditional and original music accompanied by cello and guitar. Glass Stories is Texas singer/songwriter Donal Hinely's third CD with Nashville producer and cellist David Henry who has worked with a wide range of artists including Cowboy Junkies, Josh Rouse, Vienna Teng, and Guster. The music Hinely coaxes from his home-made instrument--often called the glass harmonica--is lilting and ethereal. The haunting tones are produced by rubbing wet fingers across the rims of water-tuned wine glasses and brandy snifters and bring to mind the sound of a violin, a flute, an organ, or even at times a steel drum. On this offering, the glasses and cello blend to breathe new life to such classics as "Loch Lomond", "Ashokan Farewell", "Lord of the Dance", "The Parting Glass, " and the Beatles favorite "Strawberry Fields Forever." There are also a good number of original pieces including the standout title track and the Henry penned "Coffee Drinker's Lullaby." The marriage of the glasses with Henry's stellar cello seems a natural one with each instrument occupying its own harmonic range yet complimenting each other perfectly. The overall mood is quiet and reflective, though Hinely's "The Shakes" and "Not in Kansas Anymore" and Henry's aforementioned "Lullaby" are playful without breaking the spell.Customer Reviews:
EERILY MAGICAL.......2005-12-18
When he asks for requests, most people plead for Stairway to Heaven or (heaven forbid) Freebird, but I always request an original. To my joy, the original he always plays is "Ruidoso Sunrise" which is included on this CD. The song has a melancholy feel, but its warmth is anything but sad.
His rendition of "Strawberry Fields Forever" would make Mr. Lennon smile. The ending song, "The Parting Glass" is a version of the beautiful song that the RenFest cast sings at the conclusion of the day and is a perfect ending for this incredible collection of magic.
Average customer rating: 
|
Stained Glass Stories
Cathedral ProductGroup: Music Binding: Audio CD General
| Hard Rock & Metal
| Styles
| Music
ASIN: B0002547E8 Release Date: 2004-01-20 |
Customer Reviews:
A collector's item, a hidden gem...but a masterpiece?.......2007-05-17
This sole release from the U.S. prog band Cathedral got swallowed up in the sea of disinterest that started brewing against prog in general in the late 1970's. Recorded in 1978, and re-released on the Syn-Phonic label around 1990, this hard-to-find cd has frequently been mentioned in the same breath as cd's from other similarly obscure American bands such as Yezda Urfa, Mirthrandir, Hands, and I might add Arabesque. This 45-minute gem is comprised of 5 songs in the 6-12 minute range, mostly driven along by aggressive Chris Squire-like bass lines, and complex polyrhythmic drums and percussion. The music is frequently in the Yes "Relayer" style, with great Howe-like guitar lines, and decent keyboards that focus more on mellotron and string synths than virtuoso soloing. You'll also hear some Gentle Giant and Genesis influences (but you'll also hear here what Anglagard must have been spending a lot of THEIR time listening to before they recorded their early 1990's albums!).
I'm delighted that I was able to hook up with a copy of this cd a few years back, but it does not come without its share of shortcomings. The vocals are the weakest feature of the group, though I find the singer tolerable (and almost pleasant) when he sings within his range; in a few spots he sounds as if he's straining, and the dissonance of the vocal line can make the listening that much more uneasy in those places. Not a big problem, and certainly not atypical of some of the other groups mentioned above. Not surprisingly though, most reviewers (including myself) tend to enjoy the all-instrumental 7-minute "Gong" more than the other songs here. Also, I have to say that the production is not the greatest. This was probably not recorded in a top-notch studio; the overall sound contains some occasional "murkiness", and suffers from a lack of dynamics and crispness. This is ripe for a nice re-master re-issue.
Still, I believe this is an important - if not essential - album for its influence on U.S. (and Swedish!) prog, and I think it's a worthy endeavor for us prog lovers to recall and honor some of these obscure bands that had great musicians with the guts to attempt complex prog in a world that was quickly sinking into disco and punk. Get this if you can find it.
I value interesting music that is played and recorded well. This cd's rating was based on:
Music quality = 8.4/10; Performance = 8/10; Production = 7/10; CD length = 8/10.
Overall score weighted on my proprietary scale = 8.1 ("3-1/2 stars")
Totally essential American prog rock.......2005-11-29
The group consisted of guitarist Rudy Perrone, vocalist Paul Seal, drummer Mercury Caronia IV, bassist Fred Callan, and keyboardist Tom Duncourt. If you're familiar with Anglagard and their 1992 album Hybris, you might hear some familiarities in the style of Cathedral. Anglagard didn't hide the fact that Stained Glass Stories had a big impact on that band. Of course the big thing missing on Stained Glass Stories is the Nordic influences, of course, since they were American, rather than Swedish. Cathedral went full-on British-style prog. Doncourt really laid it on thick with Mellotron, it's completely all over this album, he also played Hammond organ and electric piano. The most dominant tron sound here is the choir. Guitarist Rudy Perrone alternated between more acoustic styles and electric styles, not unlike Steve Hackett, while Fred Callan really laid it on thick with the Rickenbacker bass. There's also plenty of Moog Taurus bass pedals used throughout the album. The album starts off with "Introspect", which demonstrated that this band, like Anglagard some decade and a half later, would play one thing and go on to the next, going through many different changes, alternating between quiet and loud passages, going for the ensemble playing, rather than each band member trying to out-solo each other (Cathedral preferred each band member play together to avoid the spotlight, something Anglagard later did). While Anglagard tended to only occasionally used vocals (and it was in their native Swedish), Paul Seal tended to sing a lot more, in a rather dramatic style (I noticed a lot of these American proggers tended to have rather dramatic vocalists, check out Fireballet's Jim Cuomo, for example). "Gong" was the album's only instrumental cut, once again showing the high quality of the album. "The Crossing" has an almost Gentle Giant-like feel to it. "Days and Changes" shows that the band hadn't let up for anything. "The Crossing" is the only cut on the album where perhaps it dragged on a bit, but still not bad.
Cathedral's Stained Glass Stories is truly not only one of the greatest prog rock albums ever released in 1978, but one of the greats of prog rock, period. It's hard to believe anyone pulled off such a great album in an era where punk rock, disco and AOR were king, where the major prog rock acts like Yes, ELP and Genesis were starting to release what many regard were their worst albums in their careers (Tormato, Love Beach, ...And Then There Were Three...), not to mention Gentle Giant releasing Giant For a Day, again another album regarded as a career low-point. Also, it's not too surprising that Stained Glass Stories should be Cathedral's only album. There was no way they could top that album, for one thing, and the decline of prog was the reason why this great band had to throw in the towel. But Rudy Perrone did release a far more obscure solo album in 1981 called Oceans of Art, but few had heard that one (me included), but aside from that, little has been heard of the band since.
Any prog rock fan should own a copy of Stained Glass Stories.
Average customer rating: 
|
Ibert: Complete Piano Music
Hae-Won Chang Manufacturer: Naxos ProductGroup: Music Binding: Audio CD Ibert, Jacques
| ( I )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Toccatas
| Forms & Genres
| Classical
| Styles
| Music
Scherzo
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Guitar
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
CDs Under $7
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
4-for-3 Classical
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
ASIN: B00004SSJC Release Date: 2000-05-16 |
Tracks:
- Scherzetto
- Piece Romantique
- Toccata Sur Le Nom D'Albert Roussel
- L'espiegle Au Village De Lilliput
- Francaise: 'Guitarre' Pour Le Piano
- Le Vent Dans Les Ruines
- Prelude
- Rondo
- Le Gai Vigneron
- Berceuse Aux Etoiles
- Le Cavalier Sans-Souci
- Parade
- La Promenade En Traineau
- Romance
- Quadrille
- Serenade Sur L'eau
- La Machine A Coudre
- L'Adieu
- Les Crocus
- Premier Bal
- Danse Du Cocher
- La Meneuse De Tortues D'or
- Le Petit Ane Blanc
- Le Vieux Mendiant
- A Giddy Girl
- Dans La Maison Triste
- Le Palais Abandonne
- Bajo La Mesa
- La Cage De Cristal
- La Marchande D'eau Fraiche
- Le Cortege De Balkis
- Les Bouquetieres
- Les Creoles
- Les Mignardes
- Les Bergeres
- Les Bavardes
Customer Reviews:
IBERT.... UNINSPIRED.......2001-08-06
And, it's a long CD overflowing with pieces that titillate the eye, but not the ear: compositions with endearing names like Little Suite In Fifteen Pictures (with cute titles that lure you in, like, "Lullaby Under the Stars," "Sleigh Ride," "Romance," "Serenade on the Water" and "L'Adieu") or Stories For Piano ("A Giddy Girl," "In the Sad House," "Under the Table," etc.) and Encounters (Ballet Suite for Piano). Yet, all are sadly lacking in any kind of musical charm or content that might even hold your interest for five minutes. These are not the genre pictures of MacDowell's Woodland Sketches, Grieg's Lyric Pieces, Schumann's Kinderscenen or Tchaikovsky's Album For The Young.
It's all so mundane, unfortunately, that you'd have to have the patience of Job to wade through the homogeneity here.... or be unwillingly duct-taped to your couch.
Massively disappointing music featuring an excellent pianist, excellent sound and a phenomenal playing time. But to what end? Well, I suppose, giving the devil his due, it was enterprising of Naxos to allow us the opportunity to "hear" these Ibert works, regardless of their merit or lack thereof. And I suppose, as well, that this matters equally.
[Running time: 68:12]
|
Average customer rating: 
|
Down by the Drowning Creek
Christian Lopez Manufacturer: Fiddlebone Records ProductGroup: Music Binding: Audio CD General
| Folk
| Styles
| Music
ASIN: B000CAGXOK Release Date: 2005-01-25 |
Tracks:
- Miller's Daughter
- Patrick Delaney
- Bounty Jumper
- Under the Mountain
- Julia Bulette
- One Fine Spring Day
- Little Red Cap
- Mossy Grove
- Cold Frosty Morning
- Vesey's Hotel
Average customer rating:
|
Short Stories/Stained Glass
Steve Gibbons Manufacturer: Road Goes on Forever ProductGroup: Music Binding: Audio CD General
| Folk
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Rock
| Imports
| Stores
| Music
Similar Items:
ASIN: B00005RFH4 Release Date: 2001-11-19 |
Tracks:
- Leader Of The Band
- Now Youre Leaving
- The Last Farewell
- One Of These Days
- Alright Now
- Youve Gotta Pay
- Bye By Buffalo
- Brown Girl
- Until She Comes Home
- Dont Wanna Let You Down
- Trouble
- Lamb To The Slaughter (Bonus Track)
- Im Going Home (Bonus Track)
- Tired Clock (Bonus Track)
- Take It Easy
- Youre A Big Girl Now
- The Last Farewell
- Oh What A Thrill
- Grace
- Looking Glass In The Rain
- One Day
- Looking For The Heart Of Saturday Night
- New Leather Shoes
- Stolen Hearts
- Hey Buddy
- Man In The Long Black Coat
- Immaculate Conception
- Where Was I Last Night (Bonus Track)
- Smoky Joes (Bonus Track)
Album Description
2 original albums by Birmingham rocker, reissued with 5 bonus tracks 'Lamb To The Slaughter', 'I'm Going Home', 'Tired Clock', 'Where Was I Last Night' & 'Smoky Joe's. Musicians include Albert lee & Jerry Donahue. 2001.Album Details
These Albums were Released 25 Years Apart from Each Other and this Release Now Makes them Available for the First Time in Wide Distribution.Music Album:
- God & the FBI [Import]
- Great Day - A Cappella Negro Spirituals
- Heaven and Earth
- Ho! For the Kansas Plains
- Hugs and Smiles, Papillion
- Inside out: The Ima Sessions
- It's All or Nothing [Import]
- It's Jack the Lad [Import]
- Johnny Cash [CD-single] [Import]
- Little Animals
