I Think Of Home

Track Listings

 
1. Take Your Time
2. Plant A Garden
3. Across the Summer's Flowered Fields
4. Secluded Pooling Stream
5. The Wind Is Up
6. Beach Babes
7. Beach Tag
8. Deep Forest Journey
9. Bottomland
10. Draw Me Out
11. I Think Of Home
12. Porch Blues
13. Hear My Cry
14. Breeze At Eventide
15. Windblown
16. So Glad
17. Someday I'll Visit Spain
18. A Quiet Walk

Product Description

About the Artist
At an early age, Dan spent long hours listening to a 50's era Zenith console, playing and replaying the the one 45 rpm single each of Eddie Arnold and Fats Domino, and the 78's of Dinah Shore and Haydn's "Surprise" Symphony. The imprint on an impressionable young mind was profound, and you might say he never recovered.

Over the years Dan performed/recorded with Phil Keaggy (Grammy nominee and Dove award winner), Robin Kessinger (1985 National Flatpicking Champion), Nedra Talley Ross (Ronettes), Phil Madeira (Nashville songwriter, recording artist) Lance DeMers (Hannah's Prayer), John Fischer, Jenny Allinder, Ted Sandquist and others. But it wasn’t until the late 1990's that Dan began to concentrate on his own music, culminating in the release of Dan’s first CD, INTO THE FLOW, in 2001. I THINK OF HOME builds on that foundation with the inclusion of many vocal tracks, the thoughtful lyrics resembling poetry set to music. Joni Mitchell in a coonskin cap? Well, not exactly. While earthy and real, the content has depth that will draw you back for yet another listen.

The Dominion Post has described Dan's playing as "guitar genius" and by Ben Ohmart of Music Dish as "luscious."

"Dan Cunningham plays his guitar the way a man loves a woman---with heart and caring and affection." Richard Fuller

Product Description:
Poetic songs of wonder and beauty playfully wrapped in the rich textures of acoustic guitar, cello and harp.

Subtitled "We journey, yet feel the tug of home", "I Think Of Home" recounts our journeys in life and the longings for home we carry with us. The expressive use of acoustic guitar, cello, and celtic harp is punctuated by vocals and occasional bass, drums, fiddle and clarinet. The lyrics take us to a private place seldom visited in the hustle of our day, and still make space for some fun. This music of a "New Appalachia" draws on a diverse vocabulary of styles. Part instrumental, part vocal, the lyrics are poetry from a deep well of experience.

I Think Of Home,Dan Cunningham,Pickndawg,Award winning acoustic songs wrapped in the rich textures of guitar, cello and harp.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Land of My Fathers: 100 Great Welsh Choir Favourites
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    Land of My Fathers: 100 Great Welsh Choir Favourites

    Manufacturer: Castle Pulse
    ProductGroup: Music
    Binding: Audio CD

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    1. Favourite Welsh Choirs
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    ASIN: B0009SOFXG
    Release Date: 2005-08-01

    Tracks:

    1. Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
    2. Land of My Fathers - Caerphilly Make Voice Choir
    3. Dies Irae
    4. Men of Harlech
    5. You'll Never Walk Alone
    6. Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
    7. Old Folks at Home
    8. Il Liza Jane
    9. Faust/Soldier's Chorus - Caerphilly Make Voice Choir
    10. Vergine Degli Angeli
    11. Ballard of Rourke's Drift - Cwt-Y-Collen Choir
    12. My Hero
    13. God Bless the Prince of Wales - Caerphilly Make Voice Choir
    14. German Mass/Gloria
    15. German Mass/Sanctus
    16. Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
    17. All Through the Night - Caerphilly Make Voice Choir
    18. Arwelfa
    19. Invictus
    20. Softly as I Leave You

    Tracks:

    1. Diolch l'R L
    2. Hine E Hine (Maori Lullaby)
    3. Pererin Wyf (Amazing Grace)
    4. Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
    5. Memories of Martha
    6. I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
    7. Myfanwy - Treorchy Male Choir
    8. Tales of Hoffman/Barcarolle
    9. Creation's Hymn
    10. In the Spirit!
    11. Shall We Gather at the River
    12. Nos a Bore
    13. Very Best Time of Year
    14. Soon Ah Will Be Done
    15. Thanks Be to God
    16. Flower That Shattered the Stone
    17. Rhys - Treorchy Male Choir
    18. Where Shall I Be?
    19. Bywyd y Bugail
    20. Lord's Prayer

    Tracks:

    1. Ave Maria
    2. Pearl Fishers/Divine Brahma
    3. She Was Beautiful (Cavatina) - Treorchy Male Choir
    4. Cymru Fach
    5. Nidaros
    6. Jacob's Ladder - Treorchy Male Choir
    7. Watching the Wheat
    8. Pan Ddaw y Saint (When the Saints Go Marching In)
    9. Misbles/Stars
    10. Rachie
    11. Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
    12. There Is a Balm in Gilead
    13. Rise Up Shepherd and Foller
    14. My Lord, What a Mornin'
    15. Bryn Myrddin
    16. Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
    17. Finnish Forest (Suomen Salossa)
    18. Nabucco/The Glory of Israel
    19. Ride the Chariot
    20. Tydi a Roddaist - Treorchy Male Choir

    Tracks:

    1. Y Nefoedd
    2. Phantom of the Opera/Think of Me
    3. Morte Christe (When I Survey the Wondrous Cross)
    4. By Babylon's Wave
    5. I'm Gonna Sing
    6. Where Could I Go But to the Lord?
    7. Holy City - Treorchy Male Choir
    8. Mefistofele: Ave Signor, Degli Angeli
    9. Senzenina (Zulu Chant)
    10. That's All I Want from You
    11. Deep Harmony - Treorchy Male Choir
    12. Give Me Jesus
    13. Just a Closer Walk with Thee
    14. My Wish for You
    15. Jeptha/Waft Her Angels
    16. Mose in Egitto/Prayer
    17. Be Still My Soul (Finlandia Hymn)
    18. God's Choir in the Sky
    19. Floral Dance - Treorchy Male Choir
    20. Smilin' Through

    Tracks:

    1. Calon Lan
    2. True Love
    3. Mor Fawr Wyt Ti (How Great Thou Art)
    4. Aberystwyth
    5. Comrades in Arms
    6. Cats/Memory
    7. They Led My Lord Away
    8. State Fair/It's a Grand Night for Singing
    9. When I Fall in Love
    10. Let's Face the Music and Dance
    11. Windmills of Your Mind
    12. How Soon
    13. Non Nobis Domine
    14. Rhythm of Life
    15. Kalinka
    16. Sound an Alarm
    17. Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
    18. Turandot/Nessun Dorma
    19. Christus Redemptor
    20. Ann Evening's Pastorale

    Album Details

    Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
    Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
    Average customer rating: 5 out of 5 stars
    • Arguably "The Best" English "Merry Widow "
    Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

    Manufacturer: Class. for Pleas. Us
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00009KHY2
    Release Date: 2003-09-02

    Customer Reviews:

    5 out of 5 stars Arguably "The Best" English "Merry Widow ".......2006-09-12

    This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

    The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.
    The Juliet Letters
    Average customer rating: 4.5 out of 5 stars
    • The definition of Musical Genius
    • Epistolary reflections on Costellian themes...
    • Beauty? Truth? You Can't Handle Either!!
    • Deep and moving music from Elvis Costello.
    • Give it a Try
    The Juliet Letters

    Manufacturer: Warner Bros / Wea
    ProductGroup: Music
    Binding: Audio CD

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    1. For the Stars
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    ASIN: B000002MI4
    Release Date: 1993-01-19

    Tracks:

    1. Deliver Us
    2. For Other Eyes
    3. Swine
    4. Expert Rites
    5. Dead Letter
    6. I Almost Had A Weakness
    7. Why?
    8. Who Do You Think You Are?
    9. Taking My Life In Your Hands
    10. This Offer Is Unrepeatable
    11. Dear Sweet Filthy World
    12. The Letter Home
    13. Jacksons, Monk And Rowe
    14. This Sad Burlesque
    15. Romeo's Seance
    16. I Thought I'd Write To Juliet
    17. Last Post
    18. The First To Leave
    19. Damnation's Cellar
    20. The Birds Will Still Be Singing

    Amazon.com

    Good on Elvis for risking the ridicule of a blinkered pop world with this unprecedented (for him, certainly, and most anyone short of Kurt Weill) and quite lovely album of bitchy, wise, and funny art songs accompanied by strings. His freshest, most evolved work in years. --Jeff Bateman

    Customer Reviews:

    5 out of 5 stars The definition of Musical Genius.......2007-05-22

    If/when this ever is reprinted you MUST purchase it. It is beautiful in ways that I can't describe. For a writer/musician who is known for writing some amazing pieces, this is his pinnacle.

    You will sob. You will laugh. You will rage. You will be haunted.

    From a purely musical perspective, when you listen to this CD you are in the presence of great genius.

    Listen to it alone, at least at first. Listen in the dark and let the imagery flow over you like fog.

    4 out of 5 stars Epistolary reflections on Costellian themes..........2006-01-16

    Elvis Costello (Declan MacManus) has done his fair share of collaborations in the past decade. From the Grammy-award winning project with Burt Bacharach in 1998 to 2001's subdued "For the Stars" with Anne-Sophie von Otter Costello has branched out from his rock roots in diverse directions. "The Juliet Letters" from 1993 was the first in a long line of such collaborations. Costello and the Brodsky Quartet were brought together by mutual appreciation (Costello went to Brodsky Quartet concerts while the Brodsky Quartet attended Costello concerts). And Costello's now ex-wife Cait O'Riordan provided the epistolary theme for the project. She spotted a newspaper article about a professor that responded to letters addressed to "Juliet Capulet". Costello then presented the article to the quartet for inspiration. The group of five ended up writing all of the music and words (though much of the music is credited to "MacManus"). The results fall somewhere between classical song cycles and Beatle-inspired "string rock" (a la "Yesterday" and "Eleanor Rigby"). Feelings of melancholy and anger pervade most of the songs. The strings punctuate these feelings perfectly. Fans of Costello's rock music probably won't find much to appreciate here. But the album contains many of the same classic Costello themes and vocal styles utilized in his rock.

    Like a Richardson novel, letters provide the basis for the project. Failed and frustrated relationships abound. "Thank you for the flowers / I threw them on the fire / And I burned the photographs that you had enclosed / GOD they were ugly children" Costello sings venemously on the driving "I Almost Had a Weakness". After all, nothing seeps loneliness more than an unanswered love letter. But more than love gets the treatment here. Other songs include a suicide note ("Dear Sweet Filthy World"), a letter from a soldier to a stranger ("I Thought I'd Write to Juliet"), a bizarre experiment in selective exhumation ("Damnation's Cellar"), a reflection on separation ("Why?"), and a letter full of hope in the face of despair ("The Birds Will Still Be Singing"). Many songs explore the sad one-sided nature of letter writing. And no song responds to any other song. This fills the songs that deal with ineffable questions with an almost desparing isolation. But not everything is doom and gloom. "This Offer is Unrepeatable" picks up the mood with a humorously exaggerated letter from a scam artist (and it more than a little resembles the Tom Waits' classic "Step Right Up"). The final song injects some hope into the stark themes in the manner of "Old Man River": "Banish all dismay / Extinguish every sorrow / If I'm lost or I'm forgiven / The birds will still be singing". So in the end, things aren't as bad as they seem. The world goes on regardless of our ephemeral concerns. And as long as the world goes on hope exists.

    This CD contains a lot of very beautiful and moving music. Two violins, a viola, a violincello, and voice provide all of the instrumentation. Costello branched out into something very different here. And not all of his fans appreciated it. Regardless, in retrospect "The Juliet Letters" pointed to the future. This year Costello will tour orchestra halls. Not only that, he also wrote a full orchestral score ("Il Sogno"). Strings appear more frequently in his recent music. And year by year he seems to embrace "classical" music more intensely. Still, he hasn't abandoned rock and pop (as "When I Was Cruel" and "The Delivery Man" testify). Though this early collaboration remains somewhat underappreciated, it nonetheless fully showcases Elvis Costello's diverse, adaptable, and broad musical scope. Costello will doubtless appear somewhere on the list of accomplished twentieth and twenty-first century musicians.

    5 out of 5 stars Beauty? Truth? You Can't Handle Either!!.......2006-01-06

    The reason the Costello/Brodsky collaboration "Juliet Letters" is such a difficult listen is also why its the MOST SINGULARLY BRILLIANT ALBUM IN THE ENTIRE ELVIS COSTELLO DISCOGRAPHY! And this declaration is coming from a man who could write a thesis on "Armed Forces" and "Imperial Bedroom" in his sleep! The idea of setting "letters" to music has certainly been done before, but Costello sticks his neck out, both as a composer and singer in ways he'd never done before. Accompanying yourself with just a string quartet (no snarling guitars or euphonious keyboard filigrees,) is the surest way to test your mettle as a vocalist. And sure, sometimes Costello's voice isn't exactly the strongest, but like say, Billie Holliday it always seems to occur precisely when the lyric calls for it: check out "Who Do You Think You Are?" or "The Birds Will Still Be Singing" and you'll hear exactly what I mean. Even his ode to a chain letter, "This Offer Is Unrepeatable" serves up a cheeky bit of satire worthy of "Three Penny Opera." Of course, you can only experience this album sporadically - could anyone watch "Death Of A Saleman" or "Long Day's Journey Into Night" repeatedly without losing one's mind? Emotionally-wrought exercises like "Letters" take a lot out of you, even when you're merely the observer (or listener,) rather than the participant. But that's what makes the journey, however bittersweet, one worth taking.

    5 out of 5 stars Deep and moving music from Elvis Costello........2005-06-18

    The Juliet Letters is a moving colaboration from Elvis Costello and the Brodsky String Quartet. His deep vocals are complemented by the string quartet. This album is
    neither fish nor fowl (classical or pop) it's just a musical
    exercise. The strings are some of my favorite compositions,
    (viola, cello and violin). Elvis Costello not only got the Brodsky Quartet a bigger audience but he inspired them to
    write their own music (a third of the songs are composed by the Quartet).

    While it might not be everyones cup of tea, the music is brilliant and Elvis reaches octave levels I thought I would never imagine he could ever attain. Maybe sometime in the near future he'll work with them again. I applaud him for taking such a bold step in making a non-commercial album.

    Highly recommended.

    3 out of 5 stars Give it a Try.......2004-03-03

    I've been listening to a lot of Philip Glass and Steve Reich lately,and its caused me to go back to this album to give it another go.Previously I thought that it was an interesting experiment which hadn't worked out very well.Now I think that it is a good album for rockers and classical music lovers to use to stretch their ears a little.So called crossover albums are usually horrifying-does anyone else remember that album that Procol Harum did with the Edmonton Symphony Orchestra? Elvis flatly denounces the concept in the liner notes.And not everything on this album works.It isn't the brilliant work that some of the other reviewers seem to think that it is.But it is a worthwhile experiment and a work that should be given a fair chance.Rockers and classical music lovers tend to be snobbish and dismissive of one another.This is a good work for them to live with for a while.When Elvis and the Brodsky's click-on "Jackson Monk and Rowe" or "Romeos Seance"-the results are as beautiful and valid as anything either of them have ever done.
    Three stars because some of this simply doesn't work. But this is a work anyone who likes Elvis or the Brodsky's should have in their collection.
    Leonard Bernstein: The 1953 American Decca Recordings
    Average customer rating: 0 out of 5 stars
    • It's wonderful to have Bernstein back, but the performances fall short
    • Come back Lennie, we need you
    • For Bernstein enthusiasts, it's like owning a gold mine
    • Bernstein's Early American Recordings
    Leonard Bernstein: The 1953 American Decca Recordings

    Manufacturer: Deutsche Grammophon
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00067GKF6
    Release Date: 2005-02-08

    Customer Reviews:

    3 out of 5 stars It's wonderful to have Bernstein back, but the performances fall short.......2006-11-26

    These 1953 mono recordings catch Bernstein a decade after his famous debut with the NY Phil. and five years before he became their youngest-ever condcutor. It's great to hear that warm, comforting voice again, although his analyses--especially the longest one devoted to the Brahms Fourth--aren't as polished as they would become. He gets pedagogical at times and runs us through a rote example-and-explanation formula. Even then, howeer, colorful Bernstein touches peek out, and we are reminded of the man who taught an entire generation to venerate classical music.

    For me, the performances themselves fall short. They were often recorded in a rush, sometimes late at night after a summer concert. I know that the Stadium Sym. is actually the NY Phil., but they don't sound particularly fine, and Bernstein's interpreatations, though vigorous, often border on the slapdash. Plowing through Beethoven's 3rd, Dvorak's 9th, Schumann's 2nd, Brahms' 4th and Tchaikovsky's 6th, I found few sparks of originaity, much less genius. This is a tough admission from one of LB's geat admirers, but there you are. The original recorded sound is also a bit thin and harsh.

    5 out of 5 stars Come back Lennie, we need you.......2006-02-22

    This box is worth its price just for the five talks. Bernstein at this stage had a teaching style rather more stilted than the chatty sage of later years, but the combination of authority, insight and infectious enthusiasm is unique. Entertainingly offhand about the New World, he's at his best on the music he reveres most, i.e. Beethoven, Schumann, and Brahms, the first movement of whose Fourth Symphony gets a particularly in-depth analysis that left me yearning for more. Practically anyone could enjoy and learn from these talks - they're fascinating fun without a whiff of down-dumbing. When the classical and the popular cross over nowadays, the results are usually compromised and crass, but with Bernstein there doesn't even seem to be a gap to be crossed over - just a passion to share these wonders with as many people as possible. We need his all-embracing talent and vision today more than ever.

    Then there are the performances. I'm not the biggest fan of mono symphonic recordings, but these positively leap down your ears, unmannered, committed and electric. It's hard to believe what was achieved under the hasty recording conditions described in the booklet. The sound is a little fierce, but good enough to make this set a wonderful gift for any open-minded but symphonically ignorant acquaintance. I can easily imagine it turning someone on to classical music.

    4 out of 5 stars For Bernstein enthusiasts, it's like owning a gold mine.......2005-06-19

    This new album set is something that I had heard of, but never dared to hope would be released on CD. It consists of Leonard Bernstein's very first recordings of Beethoven's Symphony No. 3 (the "Eroica"), Dvorak's "New World Symphony", Schumann's Symphony No. 2, Brahms' Fourth Symphony, and Tchaikovsky's "Pathetique" Symphony. They are all conducted by Bernstein and played beautifully by an orchestra which bills itself as the New York Stadium Symphony Orchestra, but which is really the great New York Philharmonic, using the name that they gave themselves during summer concerts.

    The performances are a revelation, because they demonstrate conclusively that Bernstein did not always "exaggerate" or "overinterpret" great music, as critics frequently claim. His performances here are very, very direct and straightforward, more like Fritz Reiner or Toscanini than like Bernstein.

    If this album contained only Bernstein's early performances of these symphonies, it would be interesting, but it might not really attract that much attention, since he re-recorded all of these pieces in stereo in later years, and with the same orchestra.

    What makes this set so valuable is that it contains his long out-of-print lectures on these symphonies, and far from what the previous reviewer claims, they never become boring and monotonous. No musician in our time, or maybe even in the history of music, was a better or more articulate and sensitive lecturer on music than Leonard Bernstein. His legendary appearances on the "Young People's Concerts" did more for the appreciation of classical music than all the "Beethoven's Wig" albums combined. (If you don't know what "Beethoven's Wig" is, check it out and shudder at how far music appreciation has fallen since Bernstein's death.)

    Bernstein had a unique ability to make classical music accessible to everybody, without ever condescending to the listener or cheapening the music. His lectures on this album, previously only available to 1950's Book of the Month Subscribers (except for part of the Beethoven lecture, which is the only one that Bernstein did re-record in stereo), are invaluable both to music students and to those who are willing to listen. All of the lectures included cover all four movements of the symphonies discussed, except for the Brahms; that one is just as extensive as the others, but it covers only the first movement of the symphony.

    However--be warned, the lectures do have a flaw that the symphonies themselves do not, and that is why I have subtracted one star.

    The symphony recordings are obviously remastered from magnetic tape, but the lectures have been transferred from LP's. Thus, you will be able to hear an occasional click or pop from time to time, and there is a clearly audible "skip" on the Brahms lecture. It is NOT the CD being defective, or the laser beam on your player skipping; it is clearly the lecture recordings themselves. Deutsche Grammophon, which released this CD set, is very honest about the source of the transfers to compact disc, and is to be commended for this. (They mention it in the last page of the accompanying booklet.) But this shouldn't deter anybody from buying this enormously important Bernstein set.

    4 out of 5 stars Bernstein's Early American Recordings.......2005-04-02

    The most recent batch of DG's "Original Masters" box sets boasts several titles that will leave classical collectors rejoicing, "Leonard Bernstein: The 1953 American Decca Recordings" foremost among them. This 5CD set features Lenny in his earliest recorded performances of some of his trademark works -- Beethoven's 3rd, Dvorak's 9th, Schumann's 2nd, Brahms' 4th and Tchaikovsky's 6th Symphonies. Bernstein would later re-record all of five these symphonies with the NYPO (btw, the Stadium Symphony Orchestra of New York IS the NYPO) to greater acclaim for Columbia, but these early accounts capture a brilliant young conductor at the threshold of greatness. Also after each performance, Bernstein offers a musical analysis, simplifying what the listener just heard as only he could, which is again something the conductor would become famous for in years to come. Well then, if this is such a great set, why the four-star rating? First, while the performances sound very good, these are 1953 mono recordings and the casual fan needs to be aware that analog and digital stereo recordings of these works by the conductor do exist, and are generally preferable. Second, the musical analysis is a nice touch, but certainly does not warrant repeated listenings, as does the music. In fact, nearly half of the contents of these five discs is LB talking, and it could have been filled with music instead, or simply sold as a less expensive 3CD set. However, these shortcomings aside, "Leonard Bernstein: The 1953 American Decca Recordings" is another outstanding release in a fine series.
    Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
    Average customer rating: 3 out of 5 stars
    • A touching English Butterfly
    Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
    Giacomo Puccini , Yves Abel , Cheryl Barker , Paul Charles Clarke , and Simon Birchall
    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B00005QF3K
    Release Date: 2001-11-20

    Tracks:

    1. Act I: Introduction - Cheryl Barker
    2. Act I: 'So The Walls And The Ceiling...' - Ann Taylor/Stuart Kale
    3. Act I: 'I Think Your Honour's Smiling' - Jean Rigby/Ann Taylor/Stuart Kale
    4. Act I: 'It Can't Be Much Further Now!' - Gregory Yurisich/Stuart Kale/Ann Taylor
    5. Act I: The Whole World Over - Ann Taylor/Gregory Yurisich
    6. Act I: 'Fate Can't Crush Him' - Ann Taylor/Gregory Yurisich
    7. Act I: 'Is The Bride Very Pretty?' - Gregory Yurisich/Stuart Kale/Ann Taylor
    8. Act I: 'True Love Or Fancy' - Ann Taylor/Gregory Yurisich
    9. Act I: 'See Them! They're Climbing The Summit Of The Hill!' - Gregory Yurisich/Cheryl Barker/Gregory Yurisich
    10. Act I: 'We Are Honoured' - Cheryl Barker/Ann Taylor/Gregory Yurisich/Stuart Kale
    11. Act I: 'The Imperial Commissioner' - Stuart Kale/Ann Taylor/Cheryl Barker/Simon Birchall
    12. Act I: 'Oh, Indeed, My Friend, You're Lucky!' - Gregory Yurisich/Cheryl Barker
    13. Act I: 'Come, My Beloved' - Ann Taylor/Cheryl Barker/Stuart Kale
    14. Act I: 'My Fate I Have To Follow' - Cheryl Barker
    15. Act I: 'Silence! Silence!' - Stuart Kale/Roland Wood/Cheryl Barker
    16. Act I: 'Congratulations' - Roland Wood/Ann Taylor/Gregory Yurisich/Frances Brett/Clive Bayley/Stuart Kale
    17. Act I: 'Dearest, My Dearest, Weep No More' - Roland Wood/Ann Taylor/Jean Rigby
    18. Act I: 'Evening Is Falling...' - Roland Wood/Ann Taylor/Jean Rigby
    19. Act I: 'Child, From Whose Eyes The Witchery Is Shining' - Ann Taylor/Cheryl Barker
    20. Act I: 'Ah, Love Me A Little' - Cheryl Barker/Ann Taylor
    21. Act II Part I: 'Izaghi Izanami' - Jean Rigby/Cheryl Barker
    22. Act II Part I: 'One Fine Day' - Cheryl Barker

    Tracks:

    1. Act II Part I: 'Come, Let's Enter' - Stuart Kale/Gregory Yurisich/Cheryl Barker
    2. Act II Part I: 'Yamadori, And Has your Unrequited Love Not Yet Released You? - Cheryl Barker/D'Arcy Bleiker/Gregory Yurisich/Stuart Kale
    3. Act II Part I: 'Now, At Last!' - Gregory Yurisich/Cheryl Barker
    4. Act II Part I: 'Just Two Things I Could Do' - Cheryl Barker/Gregory Yurisich
    5. Act II Part I: 'This Child! This Child, Then!' - Cheryl Barker/Gregory Yurisich
    6. Act II Part I: 'Do You Know, My Darling' - Cheryl Barker
    7. Act II Part I: 'I Must Be Going' - Gregory Yurisich/Cheryl Barker/Jean Rigby
    8. Act II Part I: 'Ah! Ah!' - Stuart Kale/Jean Rigby/Cheryl Barker
    9. Act II Part I: 'Look, It's A Man-of-war!' - Jean Rigby/Cheryl Barker
    10. Act II Part I: Flower Duet: 'Shake The Cherry Tree' - Cheryl Barker/Jean Rigby
    11. Act II Part I: Humming Chorus - Geoffrey Mitchell Choir
    12. Act II Part 2: Prelude - Jean Rigby/Cheryl Barker
    13. Act II Part 2: Daybreak Over Nagasaki - Jean Rigby/Cheryl Barker
    14. Act II Part 2: 'It's Morning' - Jean Rigby/Cheryl Barker
    15. Act II Part 2: 'Who Is It?...' - Jean Rigby/Ann Taylor/Gregory Yurisich
    16. Act II Part 2: 'I Know For Such Misfortune There Is No Consolation' - Gregory Yurisich/Jean Rigby/Ann Taylor
    17. Act II Part 2: 'Farewell, Oh Happy Home!' - Ann Taylor/Gregory Yurisich
    18. Act II Part 2: 'Then Will You Tell Her?' - Ann Taylor/Jean Rigby
    19. Act II Part 2: 'Suzuki, Where Are You?' - Cheryl Barker/Jean Rigby
    20. Act II Part 2: 'You, Suzuki, You're Always So Faithful' - Cheryl Barker/Jean Rigby
    21. Act II Part 2: 'Viper! I Want You To Answer' - Cheryl Barker/Jean Rigby/Gregory Yurisich/Ann Taylor
    22. Act II Part 2: 'Your Little Fluttering Heart Is Beating' - Jean Rigby/Cheryl Barker
    23. Act II Part 2: 'Death With Honour Is Better Than Life With Dishonour' - Cheryl Barker

    Amazon.com

    This performance, the only one available in English, is problematic. Best is Yves Abel's leadership of the orchestra, which sounds wonderful, imbuing Puccini's lush score with just the right exoticism and emphasis. But aside from Gregory Yurisch's fine Sharpless, the singers don't please. Paul Charles Clarke as Pinkerton is lacking stylistically and vocally, and as Butterfly, Cheryl Barker sounds under strain and never pretty. While she has the power and feeling for the big second-act climax (the sighting of the ship), she never for a moment sounds fragile or girlish, not even in the all-important early scenes. English or not, this set isn't in the running. Stick with Callas or Scotto in Italian, and follow the libretto. --Robert Levine

    Customer Reviews:

    3 out of 5 stars A touching English Butterfly.......2002-03-27

    Anyone familiar with Cheryl Barker's Butterfly will be interested in hearing this recording. I have heard her in the role twice - in Auckland and London - and her voice has filled out as the years have gone on. She hasn't a large italianate soprano; the sound is too slender somehow. Yet there is the paradox - it has great carrying power and a decent cutting edge to make itself heard above the orchestral climaxes. What really impresses is the sense of vulnerability and moral strength she imparts, making sense of the big moments of the secong act. The sound in Act one is gorgeous (and a super D flat in theentrance aria) and she differentiates impressively between the child-bride and the embittered woman of the two acts.

    She is surrounded by a mixed supporting cast. Jean Rigby is maternal, warm and affecting as Suzuki. Gregory Yurisich makes Sharpless' dilemma more understandable than usual, rather than being completely ineffectual. Paul Charles Clarke perhaps illustrates Pinkerton's arrogance with a degree of vocal swagger, but the sound is rough-hewn and unlovely save for some moments in the love duet. Stuart Kale's Goro is suitable ingratiating and oily.

    Abel's conducting is the other chief draw of this set. That he has experience of the score in the theatre means that his pacing is really superb, and the lush orchestration is given its due, the potent intermezzo during the overnight vigil sounding suitably ominous.

    This won't replace the classic Butterfly recordings, but in the absendce of any new ones recently, and for acceptable diction in an English version, it is certainly worth the (not very high) price. Recommended.
    A.E. Housman: A Shropshire Lad, Complete in verse and song
    Average customer rating: Not rated
      A.E. Housman: A Shropshire Lad, Complete in verse and song
      Alan Bates , Anthony Rolfe Johnson , and Graham Johnson
      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      Baroque Dance SuitesBaroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande
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      ASIN: B00005S85Q
      Release Date: 2001-12-11
      The String Quartet Tribute to Dido
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        Manufacturer: Vitamin Records
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B0001GOH66
        Release Date: 2004-03-30

        Tracks:

        1. Thank You
        2. Sand In My Shoes
        3. Don't Leave Home
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        Product Description

        1. Here With Me
        2. Thank You
        3. Hunter
        4. Take My Hand
        5. White Flag
        6. Don't Think Of Me
        7. I'm No Angel
        8. Life For Rent
        9. Sand In My Shoes
        10. Don't Leave
        11. Home
        12. All You Want
        13. Waiting For You (Original Composition)

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          louie bellson
          Manufacturer: jazz heritage
          ProductGroup: Music
          Binding: Audio CD

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          ASIN: B000LYDWJQ

          Product Description

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          Phantasmic Broadway
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            Manufacturer: Nome Co.
            ProductGroup: Music
            Binding: Audio CD

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            4. Selections from Jesus Christ Superstar:
            5. Selections from Les Miserables:

            Album Description

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            Music Album

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