| 1. Parade Polka |
| 2. Stormy Clouds Polka |
| 3. Snappy Polka |
| 4. Aunt & Uncle Oberek |
| 5. Open the Window Polka |
| 6. Be My Girl Polka |
| 7. Picnic Polka |
| 8. Strolling Girl Polka |
| 9. Raindrops Polka |
| 10. Idzie La La Polka |
| 11. Lovers Waltz |
| 12. Psiakrew Polka |
| 13. Temptation Polka |
| 14. At The Border Polka |
| 15. Adam & Eve Polka |
| 16. Swir-Swir Mazurka |
| 17. Tuba-Wish me Luck-Caledonia Polka Medley |
| 18. After Midnight Polka |
Editorial Reviews
In this recording youll hear Tommy Kula-Jerry Rajewski & Wayne Sienkowski, the current Ampol-Aires along with former members Roman Travers and Dick Zimber. Plus some of Chicagos Favorite polka personalities like Lucy Bartoszewski-Johnny Hyzny-Wally Skibinksi and others including Freddy K from New Jersey.
The whole project was produced by K & C Events of Chicago, owned by Keith & Camille Stras. Keith, a 26 year veteran of Chicagoland Polka Radio & Television as well as a 1999 Inductee into the IPA Polka Music Hall of Fame®. "This group has been together for over 50 years now, this is a very special tribute" says Stras. Gary Rhamy of Peppermint Records of Youngstown, Ohio did the recording.
Product Description:
Chicago's Favorite Polka Band The Ampol-Aires are performing LIVE on This CD that celebrates the bands 50th Anniversary. Artists include former and current members.
Past-Present & Forever,Ampol-Aires Orchestra,K & C Events
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Past, Present & Future [w/ Bonus DVD]
Rob Zombie Manufacturer: Geffen Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000AVBDS Release Date: 2003-09-23 |
Tracks:
- Thunder Kiss '65
- Black Sunshine
- Feed the Gods
- More Human Than Human
- Super Charger Heaven
- I'm Your Boogieman
- Hands of Death (Burn Baby Burn)
- The Great American Nightmare (with Howard Stern)
- Dragula
- Living Dead Girl
- Superbeast
- Feel So Numb
- Never Gonna Stop (The Red Red Kroovy)
- Demon Speeding
- Brickhouse 2003 (with Trina)
- Pussy Liquor
- Blitzkrieg Bop
- Two-Lane Blacktop
- Girl on Fire
Tracks:
- Thunder Kiss '65
- More Human Than Human
- Dragula
- Living Dead Girl
- Superbeast
- Never Gonna Stop (The Red Red Kroovy)
- Feel So Numb
- Demonoid Phenomenon
- Return of the Phantom Stranger
- Spookshow Baby
Customer Reviews:
Simply Awesome!.......2007-05-21
amazing collection.......2007-02-20
A must Have.......2007-02-10
Doesn't have his best songs..........2007-01-26
Past, Present, and Future.......2007-01-19
Average customer rating: |
Past Present Future
Baby Anne Manufacturer: Moist Music ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000R3PDJI Release Date: 2007-07-10 |
Tracks:
- BQ2 - Baby Anne
- Drum Trip - Kaotic Chemistry
- Heat Seekaz - Maestro Fresh Wes
- The Ride Inside - Layizon
- Get Busy - DJ Rose
- Halfway To There - System22
- Let It Ride - Direct
- I Wanna Rock - Baby Anne
- Too Far - Chakra Blue
- Al-Naafiysh (The Soul) - Hashim
- Pictures - Sneaky Sound System
- Besame - Barcelona Boys
- Disappear - Josh Money
- Falling - Honeyroot
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HIStory: Past, Present and Future, Book I
Michael Jackson Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000029LG Release Date: 1995-06-20 |
Tracks:
- Billie Jean
- The Way You Make Me Feel
- Black Or White
- Rock With You
- She's Out Of My Life
- Bad
- I Just Can't Stop Loving You
- Man In The Mirror
- Thriller
- Beat It
- The Girl Is Mine
- Remember The Time
- Don't Stop 'Til You Get Enough
- Wanna Be Startin' Somethin'
- Heal The World
Tracks:
- Scream
- They Don't Care About Us
- Stranger In Moscow
- This Time Around
- Earth Song
- D.S.
- Money
- Come Together
- You Are Not Alone
- Childhood (Theme From 'Free Willy 2')
- Tabloid Junkie
- 2 Bad
- History
- Little Susie
- Smile
Amazon.com
HIStory's 2 CDs (one hits, the other new) were Jackson's attempt to connect his glorious past to a dodgy present and--given it's commercial and artistic performance--cast a shadow on his future. Conceived as his formal coronation as the "King of Pop," HIStory's second disc instead presents Jackson as an epauletted, single-gloved Richard III. By turns paranoid, angry, bitter, sentimental, and, in one instance, possibly anti-Semitic, HIStory was less a collection of songs than a case history. A few tracks--mostly those produced by Jimmy Jam and Terry Lewis--are sleek, modern pop/soul, but too much of HIStory has the overblown vacuousness of a musician who knows his time is past, but is unsure as to how to react to the situation. --Steven MirkinCustomer Reviews:
Love The Oldes.......2007-06-29
Michael Jackson Lovers.......2007-06-27
Not bad but...........2007-02-20
I liked They Don't Care About Us, Stranger In Moscow, Earth Song, You Are Not Alone, Come Together, and Little Susie. They are all excellent tracks and I enjoyed them greatly. Scream, This Time Around, History, 2 Bad, and Smile are all average songs acceptable as filler
D.S., Money, Childhood , and Tabloid Junkie are very much junk.
Please Michael we all know you need privacy and tabloids are not treating you right and you had a "bad" childhood. I am sick and tired of hearing these type of songs over and over which are similar to old ones. So please stop nagging and make unique music
Definitely Makes History.......2007-01-16
HIStory Is Great.......2006-12-27
This album mixes anger for injustice, racial equality, saving the planet and love. It is a truly wonderful album & Mike expands his musical abilities by producing the whole album and playing most of the instruments on the album.
Favorite Track - "Scream" feat. Janet Jackson
Least Favorite Track - "Little Susie"
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Past to Present 1977-1990
Toto Manufacturer: Sony ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000026VZ Release Date: 1990-08-13 |
Tracks:
- Love Has The Power
- Africa
- Hold The Line
- Out Of Love
- Georgy Porgy
- I'll Be Over You
- Can't You Hear What I'm Saying
- Rosanna
- I Won't Hold You Back
- Stop Loving You
- 99
- Pamela
- Animal
Customer Reviews:
SIMPLY TOTO!!.......2007-05-05
Past to Present 1977-1990 by Toto.......2006-11-10
Great New Songs!.......2006-06-25
-.......2006-04-16
I'll be over you is an example of a toto song with good vocal, lyric, music and barrels of emotion. I think this is a truly beautiful track and once you develop enough to listen to these songs for what they are (love songs in the truest sense - could be about your dead mum!) you will see that toto are a great band on the whole. This cd is 1990 so obviously it suffers a bit from the digital of then. Ironically the songs like Rosanna that loads who buy this seem to love are the kind that suffer most compared to the vinyl releases which is only a credit to what decent tracks they are. Ones like I'll be over you translate perfectly to cd and remain as beautiful on this cd as they are on the 45 12' single.
I mean really though, generic? Of all things you could call toto how could you call them generic. Do you listen to the musicianship. The human energy put into the keyboarding, the drumming by the least generic and possibly best drummer to ever walk the face of earth. Solo's by lukather? I think you should listen again.
My thoughts on this disc are that its not perfect no, it is `artistic' as an album is and not designed/may not satisfy `best of' customers/ fast forward happy listeners (that's maybe why it's not called best of- or greatest hits.
While understandably 'past to present' means greatest hits to a lot of you, to other's it means a `vision' of what's gone on. A reflection on toto `from back then till now'
Get the essential toto if you are hoping to find a personal fav track you aren't sure is here, or if you are one of those hungry people, you like big big cd's that contain lots of avenues. This is album art. I think it is a great start and a great cd I highly recommend to anybody.
Toto. Studioperfection to the smallest fingertip........2006-02-14
it a good listen. Track 2 Africa with it`s ethnical drum beat in the beginning, and the cool "low key" vocal set`s the standard for this 80 ths hit song from Toto. Overcool studioperction this one. Track 3 Hold the Line has it all, from the beginning with the hammering on the keyboard to the last drumbeat, it lift`s you up. One of the few tracks with "fuzz" on the guitar`s which makes a glimmer touch with a small breezee of "light heavy metal" for a change. Track 4 Out of Love, sorry to say is a let down. A big one too. When this Cd came out in 1990, this track was unrelased. This ballad is a stream of cliches. Anyway with Track 5 Georgy Porgy we are back in business again with this funky song, with fresh rythmic drum beat for a change. Track 6 I`ll be over you is a nice ballad for but has much of the same problems that Track 4 has, some boring perfection elements that drag`s it down, but other wise fine.
Track 6. Can you hear what i`m saying is also a previously unreleased track, but this one shine`s for a change. It` has a certain "jazzy funk rock rythm "beat which lift`s it up. Track 8 Rosanna is a classic. Classic Toto at his best. It`s a well composed gem, which shines on every beat. Track 9 I wont hold you back is anyway a stream of cliches, when it comes to ballad sing/song writing. It`s slow ok,but this is to much "sugar cake" to spark a shimmer. Track 10 Stop Loving You, has a great instrumental synth beginning, but then it`s suddenly change`s into an ok funky beat song, with some great instrumental elements included. Track 11 99, is an early ok funky song, which sparks here and there, but it`s easily forgotten. Track 12 Pamela is a likeable song which hold`s the standard, execpt for the overkilled synth sound from the 80 ths which pop`s up here and there. Track 13 Animal is total out of t line. This sound`s like poor man`s "disco funk". The theme goes around and around, and doesn`t kick off. But anyway. Toto shines most of the time and is a great introduction to the band for beginners. Toto is anyway studioperfection to the smallest fingertip, either you like it or not.
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Past, Present And Future
Al Stewart Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B0000032V0 Release Date: 1992-08-18 |
Tracks:
- Old Admirals
- Warren Harding
- Soho (Needless To Say)
- The Last Day Of June 1934
- Post World War Two Blues
- Roads To Moscow
- Terminal Eyes
- Nostradamus
Customer Reviews:
Past Present and Future.......2007-05-16
Past, Present, and Future in the past........2007-05-14
Great second half.......2006-12-19
Released in 1974, this is Al Stewart's fifth album, depending on how you are counting. It is 42 minutes long and the transition to CD is very good.
This album had two killer tracks, the 8 minute Roads To Moscow and the 9 minute Nostradamus. In between those 2 songs was the very good 3 minute Terminal Eyes, which reminds of the Beatles Come Together or I Am the Walrus, but not quite as wierd.
The first side of the album consisted of some boring, tedious songs. It seems like Al Stewart is at his worst when he sings about the Navy (just like Lord Granville on the Year of the Cat).
This was one of those LP's where you played only one side. You listened to the other once, and would never play it again. There were many like that in rock history, like Iron Butterfly's In-A-Godda-Da-Vida or Rare Earth's Get Ready.
"Roads to Moscow" is a masterpiece, but Bruce K. got it wrong!.......2006-09-12
How can a guy get it so very wrong? One listen to this exceptional track clearly clues the listener into the time period and circumstance of the story. I cannot believe that you ever listened to this record Bruce, and if you did you should be ashamed of yourself for writing a review as wreckless as this. It is clear that you simply "made this up", perhaps after listening to the first 30 seconds of the song, or more likely, bought your information from some college term paper web site, the kind that cause their customers to flunk out of school. Sadly, people including myself have relied on your reviews to make buying decisions. This shows us that you are nothing but a fraud and should not be allowed to participate in this forum ever again.
An Overlooked Musical Gem.......2006-08-07
The best known tracks are "Roads To Moscow" and "Nostradamus" which both got some FM air play in the 70s and established Al Stewart's name among a small cult following before his 1976 album "Year Of The Cat" earned him a Top 10 spot.
Al Stewart is a great songwriter who always comes up with great lyrics. He also has a strong interest in historical subjects and that interest often finds its way into his songs.
"Nostradamus" is about the 16th French seer whose visions of the future have been the subject of countless books, articles and documentaries.
"Roads To Moscow" is about a nameless Russian soldier in WWII who is captured by the Germans, escapes, makes his way back to Russian lines and is treated as a spy and/or a traitor because he was captured and survived. The Soviet political commissars send him to a prison camp in Siberia. It's a great song; read your own interpretations into the story.
Bottom line: this album is a musical gem which never achieved the recognition it deserved. It deserves your attention; buy it.
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Resurrections: Past, Present and Future
Pettidee Manufacturer: Beatmart Recordings and Soldier Sound ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B000OHZKF4 Release Date: 2007-05-08 |
Tracks:
- I'm a Vet
- The Bands Up
- Dope Boy
- I Can't - Leon Timbo
- Throw Ya Hands Up
- Static
- Uh! Oh!
- No Wed, No Bed
- We Ain't Scared
- Blood Shed
- My Life
- Medley: From the Heart/Soul Food
- All Alone
- Choppin' Blades
- Untitled Track
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Trinity (Past, Present and Future)
Slum Village Manufacturer: Priority Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00006BXO7 Release Date: 2002-08-13 |
Tracks:
- Intro 1
- Intro 2
- Insane
- What Is This
- Tainted
- La La
- All-Ta-Ment
- Disco
- Trinity (Interlude)
- One
- Hoes
- Star (Interlude)
- Star
- Slumber
- Let's
- S.O.U.L.
- 80's Skit
- Unisex
- Love U Hate
- Get Live
- Harmony
- Who Are We (Interlude)
- Fall In Love (Bonus Track)
- Silent
- Silent
- Silent
- Bonus Track #1
Amazon.com
Slum Village's sophomore album has as many bright moments as it does miscues. Designed to illustrate the group's rise from the Detroit underground, the album's spotty production takes too long to get you throbbing while the villagers manifest. Emcees T3 and Baatin's stepped-up flow is noteworthy, and newcomer Elzhi adds a rougher, battle-ready element to the mix, but at times his gangsta clichés don't mesh with his cohorts' green-tea-and-a-backrub Casanova personas. Though the overall production is uneven, young-Turk beatmakers Karieem Riggins and Waajeed O'Bryant shine on tracks like "La La" and "Tainted," which build on the momentum created by the group's debut, Fantastic, Vol. 2. Unfortunately, Trinity all but excludes founding member-producer Jay Dee, and in the end, Jay Dee's three contributions eclipse all others. We're left wondering what Trinity would have sounded like if all three original members were still in cahoots. As it stands, Trinity's overall vibe comes off like an often misguided attempt to inherit the kingdom A Tribe Called Quest helped build and De La sold. --Arno KazarianCustomer Reviews:
Garbage.......2005-11-30
innovation........2005-03-18
while im at it, check out everything else you can get your hands on by anyone associated with this group.
dweles "subject" lp is up there with any other classic, elite soul album, and if you can find his "rize" demo, that is definitely worth the purchase.
elzhi has a mixtape out called "witness my growth" that should tide you over until he drops his solo project, if that day ever comes. the mixtape has some of the best lyrical content ive heard.
watch out for nick speed too. i gotta shout out nix productions. this dude is coming up fast, and before you know it, youll be seeing his production credits in jewel cases all across the spectrum. hes got a marvin gaye sample called "well alright" that is just waiting to blow.
and of course, cop anything slum v. "dirty district" is a nice compilation of raw material featuring a bunch of underground mcs. and of course "fantastic vol 2" and "detroit deli", and their j-88 joint too.
Extreme Trash.......2004-08-08
not much to say here.......2004-06-27
Past meh!, Present meh!, The Future Doesn't Look Bright.......2004-05-18
Detroit underground group Slum Village was producer Jay Dee's side project to his production and other efforts. On their second CD, Dilla has now left the group and it was just MC's Baatin & T3. One might think a group founded by a beatmaker who has worked with the likes of Common, ATCQ, and The Pharcyde would be as entertaining and ill on the mic as those kats. Sadly they aren't. Baatin & T3 both have skills ranging from bellow to average at times. Their topics are generally skirt chasing and other BS that wouldn't be so bad if the lyrics were strong. Without Jay Dee's production and no notable guest appearances I was even more sceptical of this release than I was their first. Luckily they did do one key thing to improve the group, they brought in the young hungry rapper, Elzhi. He has that distinct Detroit delivery at times and strong battle rap lyrics that the group desperately needed. So my emcee fears are actually put down a little, but still what about the beats? The production for the most part is handled by a group of relatively unknown producers (Curtis Cross, Karriem Riggins, Waajeed O'Bryant, and T3 himself) but Jay Dilla hasn't totally left them high and dry (he does 3 tracks) and DJ Hi-Tek and Scott Storch lend their hands (1 song each). All in all the production is polished, smooth and soulful but it feels underdeveloped. Although the guests aren't as star studded as Fantastic, DJ Dez's cuts are complimentary to the production where featured and Dwele's vocals are a nice touch as well. The album also has the makings of an interesting concept labelling the songs: past, present and future. Although it's an interesting idea it isn't fully realized because there doesn't seem to be a pattern in the labeling. Now I'll discuss the meat and potatoes or lack there of...
Insane ~ After two intros "Insane" gets things started with Baatin & Elzhi sharing the mic. I was expecting a really energized track with the title being insane and it being the opening track. Unfortunately the beat done by Waajeed O'Bryant is a fairly repetitive muted horn sounding synth that doesn't veer too much from the same path. It does build a head nodding vibe but not much else. Baatin kinda puts me to sleep on this track with his slow flow and whiny delivery. Elzhi comes and steals the show with his second rapid verse.
Tainted ft/ Dwele ~ All three MC's drop verses on this one. To me Elzhi doesn't actually steal the show totally here. Him & T3 drop relationship type verses, which are both decent. T3 talks about how he is better than most dudes in the love department who's love isn't real. Elzhi in a real short spit talks about his views on relationships. Baatin is the glue in this joint. His middle verse between them converses about the fake love in the industry. Dwele's sultry voice lays down the chorus which is really captivating combined with the beat. For the beat itself Karriem Riggins really comes through. He uses hollow sounding percussion, flowing soft organ, and deep loving bass. The vocals and production work together to create a kool, smooth and classic feel.
Disco ~ `Disco" was a good choice for a single, but the remix with Timbaland doesn't really work. This LP version is produced by T3 and has a mindless appeal to it. Utilizing funky keys and bass but it ultimately comes off kinda weak. It's a club oriented track that doesn't just want you dancing in the club but in the barber shops too. It's fun, but really a cheap thrill. Unfortunately it lacks any substance and falls flat.
One ~ A lot of songs other than the singles "Tainted" and "Disco" have a heavy filler vibe to them. They often sound appealing, they just don't have that extra element that separates average from good. "One" is a song that doesn't seem to be geared as a single but it doesn't seem to be filler either. It is purposefully crafted as solid piece of work. Jay Dee shows up for the production on this joint. The problem is it really stands out and makes the other music look pedestrian. He lends almost a dark effect, with paranoid jazz keys, booming strings like a cello, choppy drums and rolling bass. There is also some good wordplay on behalf of SV using the theme of "one" consistently throughout the song.
Trinity (Interlude) ~ Right in here you get the bulk of quality on the album ending here. This cut has the three kats basically telling everyone where they have come from to the place they are at. Curtis Cross does his thing on the boards to make a hard bass driven beat with nice synthesizers and nice turntable work from DJ Dez (nothing outstanding mind you).
This is a pretty bad album there just isn't enough here to justify 23 tacks. They could do some things to make a better release as a whole in my opinion. Firstly let Elzhi do most of the rapping, T3 is pretty average and undistinguishable, Baatin has ok flow and his own delivery. Baatin has left the group now so I don't think we'll be hearing much from him. They should add a full producer to the group, T3 does an alright job on his songs so he should possibly handle a couple of joints on the next one. The producers they used were alright but Karriem Riggins is really the only one that sticks out. I liked the rest of his work with SV & Common as well. Get better Dj's on your ish, Dez is ok but nothing to write home about in my humble opinion. Get more guests on your albums for variety. I think if they don't make serious moves they will fade away. 2 stars, buy it if you like it after a listen. Peace, love & soul...
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Past, Present & Futures
Chick Corea New Trio Manufacturer: Stretch Records ProductGroup: Music Binding: Audio CD Similar Items:
ASIN: B00005ATMU Release Date: 2001-04-10 |
Tracks:
- Fingerprints
- Jitterbug Waltz
- Cloud Candy
- Dignity
- Rhumba Flamenco
- Anna's Tango
- The Chelsea Shuffle
- Nostalgia
- The Revolving Door
- Past, Present & Futures
- Life Line
Amazon.com
Chick Corea is a musician of extraordinary abilities and sometimes maddening shifts in artistic perspective. On Past, Present & Futures, he returns to the trio format that gained him some early renown in 1968 with Now He Sings, Now He Sobs. This time, instead of Roy Haynes and Miroslav Vitous, he's got drummer Jeff Ballard and bassist Avishai Cohen. Like most Corea sidemen, they are gifted players, though lacking the personality of someone such as Stanley Clarke or Barry Altschul. Past, Present & Futures only partially fulfills its title. Corea rows into the mainstream, drawing from Fats Waller's jazz standard "Jitterbug Waltz" to original compositions that owe more to Chick's post-bop roots than to his avant-garde or fusion strains. While much of the music is extremely competent and buoyantly played, only a few tracks lift off, such as "Dignity," with its off-center melancholy, and improvisations that take some pieces deeper. On "Chelsea Shuffle" a hard-bop homage to his old stomping grounds in Chelsea, Massachusetts, you can hear the Horace Silver soul-groove sound that was influencing Corea at the time. Every few years, people think Chick Corea has lost it, and every few years Chick does an album that shows that he may not be on the bleeding edge anymore, but he hasn't lost a thing. --John DilibertoCustomer Reviews:
It's all about the tunes...death to standards!.......2006-10-07
Chick's Still Innovative.......2005-09-26
Chick Corea seems to have been going for this sound for a while, with albums like Akoustic Band, but I think he achieves it with better success here. Some of the compositions here are unlike any other jazz I have ever heard. Songs like "Fingerprints" and "Chelsea Shuffle" have a ton of rhythmic punches (in the case of the blues "Fingerprints," the punches are the main theme), and incredible group interplay is present here, with many cases of piano/bass doubling the same line in the composition (other tunes that do this include "Dignity," "Revolving Door," and "Cloud Candy"). The songs on this album seem to require a very precise group interplay, and the musicians pull it off beautifully.
The sound of this album is also quite different from most of his other ones; the atmosphere here is very light with lots of space and emphasis on higher notes. It reminds me of classical music, particularly impressionism, and it also reminds me of Bill Evans's approach, but the songs themselves are very unlike anything Evans would play. Chick also features interludes between solos on this album, such as "Cloud Candy," "Dignity," and "Rhumba Flamenco." It think ultimately it is his emphasis on group interplay and treating each instrument as having a part of the melody (rather than doing a standard jam-session type of arrangement) that makes this album really stand out and work well.
The album is mostly originals with one standard: "Jitterbug Waltz" by Fats Waller. However, Chick's treatment of this song is no different from the rest of the material on this album; group interplay and delicate touches. If I never heard the tune before, I'd think it was one of Chick's on this album. It is a very impressive arrangement of this song.
Standouts on this album include the incredibly catchy and punchy "Fingerprints," "Dignity" with its delicate approach and amazing use of space and repeating bass lines throughout the head and the solos (similar to something off Three Quartets, but not in atmosphere), the bluesy and swinging "Chelsea Shuffle," and the Latin and rhythmic "Rhumba Flamenco."
It is awesome to hear that Chick Corea is still trying out new ideas for jazz. Often, jazz artists innovate once and then spend the rest of their careers just exploring those innovations rather than moving on. I think Chick has the right idea in trying to push the music to places it hasn't been yet; it is albums like this that show me that jazz may not be dead yet. I recommend it to all Chick fans; you will not be disappointed.
An instant classic.......2005-02-10
Excellent trio playing.......2002-07-19
His sidemen on this recording- Cohen and Ballard- aren't as well known as Pattitucci and Weckl (from the "Akoustik" album) nor do they have chops quite as flashy, but I think this is the more musical, more lyrical album of the two. The "Akoustik" album was at its best when Corea was playing solo; here, the interplay between Corea and his sidemen is much more intimate, more communicative.
A fine recording of a fine performance.
inventive and engaging.......2002-06-08
The three form one cohesive unit, it seems as though they are reading each others' minds - the interplay and development of musical ideas happens among the three of them as though every note were written down ahead of time, but it always sounds spontaneous.
This album grabbed my attention from the very beginning and didn't let go until the bitter end. I enjoyed every minute of it.
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Past and Present '76-'96
The Teens Manufacturer: Bmg/Hansa ProductGroup: Music Binding: Audio CD ASIN: B00000B2DB Release Date: 1996-11-04 |
Tracks:
- Gimmie Gimmie You Love '96
- Here I Stand [New Version]
- On the Radio
- Walking on Sunshine
- Tutti Frutti
- Gimmie Gimmie Gimmie Gimmie Gimmie Your Love
- We Are the Teens
- We'll Have a Party Tonite 'Nite
- It's Good to Have a Friend
- 1-2-3-4 Red Light
- Give Me More
- Never Gonna Tell No Lie to You
- Gypsy Caravan
- New York
- Eloise
- Get Out of My Mind
- Automatic World
- Cover Girl
- If You Walk Away
Customer Reviews:
Past And Present ý76 - ý96 (28.10.1996 BMG).......2004-02-22
My favourite tracks are:
15New York 4:15
18Automatic World 3:13
Both songs are written by DIETER BOHLEN
Average customer rating: |
Dancin' Masters: Past and Present
The Bollock Brothers Manufacturer: Dressed to Kill ProductGroup: Music Binding: Audio CD ASIN: B00005MKDG Release Date: 2001-08-14 |
Tracks:
- Brigitte Bardot
- Berlin Bunker
- Don't Call Us - We Call You
- Son Of A Bitch
- Into The Night
- Oscar Wilde
- Joseph (Dream Interceptor)
- Earth Healer
Album Description
UK digitally remastered reissue of the erratic punk parodist's 1994 album. Repackaged in a slipcase with an eight page booklet. Tracks include 'Brigitte Bardot', 'Berlin Bunker' & 'Don't Call Us - We Call You'. Eight tracks.Music Album:
