Marianne [Box set] [Import]

1. Whatcha Gonna Do?

2. So True Blues

3. Marianne

4. U.S.Adam

5. Rollin' Home

6. Everybody Loves Saturday Night

7. Lonesome Rider

8. Goodbye Chiquita

9. Champagne Wine

10. South Coast

11. Hot Crawfish

12. Red Sundown

13. Yermo's Nightmare And Yermo Red

14. The Sky Is High

15. Send For The Captain

16. Don't Hurry Worry Me

17. True Love And Tender Care

18. Tina

19. The Sweet Sugar Cane

20. I Won't Tell (& Roberta Lee)

See all 177 tracks on this disc

Marianne,Easy Riders,Bear Family,Folk,Rock

Average customer rating: fanatastic! the very best Katerina- an inspiration for the last 11 years WONDERFUL!! Very well done

Vivaldi's Ring Of Mystery Manufacturer: Children's Group ProductGroup: Music Binding: Audio CD General | Children's Music | Styles | Music General | Classical | Styles | Music Similar Items: Beethoven Lives Upstairs Mr. Bach Comes To Call Mozart's Magnificent Voyage Tchaikovsky Discovers America Mozart's Magic Fantasy: A Journey Through 'The Magic Flute' ASIN: B00000212N Release Date: 1991-09-24

Tracks:

1. Spring, I, RV.269
2. Piccolo Concerto, II, RV.443
3. Medley: Arriving At the Pieta/Autum, I, RV.293/Guitar/Flute Sonata, I, RV.52
4. Violin Concerto In A Minor, I, RV 356
5. Winter, II, RV 297
6. Medley: Guitar Concerto, II, RV.93/Alma Del Core
7. Medley: Venice By Day/Guitar Concerto, III, RV.93/Autumn, III, RV.293/Il Gardellino, RV.90/Double Trumpet Concerto, III, RV.537/Piccolo Concerto, III, RV.443/Concerto For Two Oboes, Two Clarinets, III, RV.559
8. Medley: Sonata For Two Violins, II, RV.50/'Farnace', RV.711
9. Violin Concerto in A Minor, II, RV.356
10. Medley: Island Of The Dead/Autumn, II, RV.293/Summer, III, RV.315
11. Medley: Island Of the Dead/Autumn, II, RV.293/Summer, III, RV.315
12. Medley: Il Gardellino, RV.90/Beatus Vir, RV.597/Alma Del Core/Violin Sonata In F Major, I, RV.20
13. Medley: Concert Preparations/Piccolo Concerto, I, RV 443/Guitar Concerto, III, RV 93/Double Trumpet Concerto, I, RV.537
14. Medley: Conclusion: Double Orchestra Concerto, II, RV.585/Guitar Concerto, II, RV.93

Product Description

THE STORY: A young violinist, Katarina, arrives at the orphanage where Vivaldi was music director. Aided by Giovanni the gondolier, she searches throughout Venice for clues to her mysterious past. THE MUSIC: Over two dozen excerpts, including Vivaldi's well-loved Four Seasons (with real sound effects), and guitar, piccolo, and trumpet concertos. Also featured are many of the violin pieces played by young violinists today.

Customer Reviews:

fanatastic!.......2006-06-17

This story is great! I'm a Suzuki violin player and this tape has great recordings of many of the songs. Not only are there wonderful recordings, but the story is full of suspense and is very enjoyable to listen to. Ever since i was a toddler, I listened to it and now that I am in my early teens i still find it a really good story. I find myself listening over and over to it. After listening to it dozens of times it still is just as good and never gets tiring to listen to. If you are thinking of buying a story on cd this is definatly the one to get! Both you and your child will love it! I know that my mom and I do!

the very best.......2006-05-01

I started listening to this story since before I can remember, when it was just a tape. I am 20 years old, and Vivaldi's Four Seasons is still my favorite classical work. I had other classical tapes as a kid, but this is the one I remember most and remember well. The story is just amazing of Katerina, and it is an easy way for young kids to sit and listen to classical works, while still being entertained by an audio book. I recommend this to all parents out there for their children.

Katerina- an inspiration for the last 11 years.......2005-12-29

My daughter first listened to this tape at age 3. We listened to this tape (and when it wore out, a CD) constantly. As a young Suzuki violin student, the character Katarina inspired my daughter's desire to be able to play the A Minor Concerto that Katarina plays upon her introduction to the girls in the orchestra of the School of the Pieta. When she was five, she arranged all of her Barbies into an Orchestra, and put a red-headed stuffed animal as the conductor, Vivaldi. Similar to children mentioned in other reviews, by the time she was six, having listened to this series (and other classical music) frequently, she could identify the orchestral work of most of the major composers, and place the work of obscure composers in the appropriate time period.

We never tired of this CD, and I will now puchase it for a young niece. If you want to purchase something you and your family will treasure, this is the one.

WONDERFUL!!.......2005-10-27

I am now 17 years old and listened to this when it wasn't even a CD it was a tape. Yet the music on this CD still haunts me. Vivaldi is one of my favorite composers and I think this is the CD that started it all. The story is enchanting (though perhaps a little cliche at times) and I must admit that I have listened to it again and again. In fact the last time I listened to it was driving around last sunday. I would reccomend this to anyone and unlike barney I think the parents can really enjoy it too.

Nora via. her fathers account

Very well done.......2004-08-30

My daughter is 3 and loves this CD. She goes to sleep many nights listening to it and love the characters in the story. I think it is a great way to humanize the composers, by letting them listen to wonderful music and a very entertaining story as well.

In our home, we don't place much value on television, computer games etc..., but we LOVE books and stories. If I can't be there reading to my child, this is DEFINITELY the next best thing.

Average customer rating:

Jerry Hadley - Golden Days - Tenor hits from the Golden Age of Operetta Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Romberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Hadley, Jerry | ( H ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: The World Is Beautiful: Viennese Operetta Arias In the Real World Famous Opera Duets Jerry Hadley: Vienna When I Grow Too Old to Dream ASIN: B000003FQQ Release Date: 1994-08-16

Tracks:

1. Song of the Vagabonds
2. I'm Falling in Love With Someone
3. Streets of New York
4. Neapolitan Love Song
5. Desert Song/One Alone
6. Every Day Is Ladies' Day with Me
7. Donkey Serenade
8. Softly, As in a Morning Sunrise
9. Drinking Song
10. When You're Away
11. I Love to Go Swimmin' With Wimmin
12. I Might Be Your Once-In-A-While
13. Marianne
14. Serenade
15. Indian Summer
16. When I Grow Too Old to Dream
17. Gypsy Love Song
18. Golden Days - Jerry Hadley, Mario Lanza

Average customer rating: A jarring comeback... ballad of lucy jordan, great song A great synthesis of late 70's rock Still loving it, after all these years cool classic

Broken English Marianne Faithfull Manufacturer: Island ProductGroup: Music Binding: Audio CD General | Alternative Rock | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Adult Alternative | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Before the Poison Marianne Faithfull's Greatest Hits 20th Century Blues Kissin' Time Vagabond Ways ASIN: B000001FSP Release Date: 1990-06-15

Tracks:

1. Broken English
2. Witches' Song
3. Brain Drain
4. Guilt
5. The Ballad Of Lucy Jordan
6. What's The Hurry?
7. Working Class Hero
8. Why D'ya Do It?

Amazon.com

Marianne Faithfull had been effectively written off as a one-hit wonder when she reappeared in 1979 to shock everyone with this dark masterpiece. Gone was the bland choirgirl voice of "As Tears Go By," replaced by an instrument that, although ravaged by drink, drugs, and hard living, had gained in expressiveness. The music, which sounded like a synthesizer phalanx hijacked by depressed punks, was perfectly suited to these songs of disillusionment ("Ballad of Lucy Jordan") and loss (the title track). Most powerful was a "Working Class Hero" that matched John Lennon's original sneer for sneer, and an X-rated response to infidelity ("Why D'Ya Do It") that could've been torn from Bill Clinton-inspired headlines. --Ben Edmonds

Album Description

Aussie reissue combines her landmark 1979 album, 'Broken English' with the 1994 compilation, 'Faithfull A Collection of Her Best Recordings', together in one package. Standard jewel case & digipak with original artwork come housed together in a slipcase.

Customer Reviews:

A jarring comeback..........2007-06-22

Marianne emerged in the mid-60's as a nervous soft voiced songstress with folk inclinations, which separated her from the more pop oriented female artists of the day (Petula Clark, Cilla Black, etc.). Her couple of albums were largely folk song covers with sparse instrumentation (comparable to Pentangle a few years later). The endearing image was her singing perched on a stool on the show Shindig! with John Mark (later of Mark-Almond) at her feet plucking his acoustic guitar.
Then came the ravages of her battle with the dark side. When seemingly she had disappeared entirely, she emerged with this dark but definitely musically modern work. And her voice! A contemporary rock writer compared it to Tallulah Bankhead in the middle of, well, a bad day. Rasp personified. "Why'd Ya Do It" was the mysterious album track that got all the attention, she appeared on Saturday Night Live with a shirt showing the song title, but did not perform it for obvious reasons. People had to listen for, I guess, the same reason they listened intently to "Louie Louie" but in this case the vulgarity in the message was pretty plain. All this aside, there was much here to simply enjoy, such as the magnificent "Ballad of Lucy Jordan." Marianne parlayed this LP into a much longer career than she originally seemed destined to achieve, as quite a few albums followed. Her involvement with Kurt Weill works is probably the closest match of her talents to material.

ballad of lucy jordan, great song.......2007-02-03

The only good song on this CD is the Ballad of Lucy Jordan, but it is a GREAT song!

A great synthesis of late 70's rock .......2006-11-17

Marianne Faithful made her real stamp on the music world with this album 25 years ago.
with her characteristic raspy voice and angry and cynical lyrics she brought out such rock hits as the famous country-style Ballad of Lucy Jordan , the introspective Guilt , the protest song Broken English , the eerie Witches Song , the fast-paced rocker Brain Drain, her version of the John Lennon hit Working Class Hero and the expletive-filled song of fury at infidelity , Why D'ya Do It?.
A great synthesis of late 70's rock . If you love good rock with a sharp edge , you have to have this.

Still loving it, after all these years.......2006-01-14

When I first bought this recording, in 79 or 80, it was seldom off my turntable, and lived in my car's tape deck on a continent-wide drive. Then I got it on CD, in the now-impossible-to-get combo with Strange Weather, which cracked one day. Now I have it again. And it's still one of the best recordings (of thousands) that I've ever listened to.

There are many highlights here, and I won't pick favorites, but am particularly amused by her cover of Shel Silverstein's (yes, the kids book author and Playboy cartoonist) Ballad of Lucy Jordan, as dark a reading of a really dark set of lyrics as you will ever find. I love the music (synthesizers and guitars and driving rhythm) and I love the arrangements.

Some years after Broken English I saw Marianne perform live at a club in Toronto. She came on stage in a twinset and a cultured English accent, the living personification of her first "beautiful songbird" incarnation (circa As Tears Go By), plus 20 years or so. Then she sang and it was back to the dark side of the world.

cool classic.......2005-10-09

what a great album. the music sounds like Blondie or The Police on downers and the intensity and unrest erupts to a boiling point on the furious album closer "Why D'ya Do It?" the touching "Ballad Of Lucy Jordan" is a fine a fine showcase for Faithfull's whiskey ravaged voice; giving the proceedings a kind of Billie Holiday-esque charm. a respectable contribution to the world of rock and still influential to many bands almost 25 years later!

Average customer rating: very good with minor flaws A 60s Nostolgia CD Fresh young Marianne at her best Beautiful 60's pop EveryoneOf These Tracks Was Recorded Before I Was Even Born!

Marianne Faithfull's Greatest Hits Marianne Faithfull Manufacturer: Abkco ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Pop Rock | Pop | Styles | Music Girl Groups | Oldies | Pop | Styles | Music British Invasion | Classic Rock | Styles | Music Similar Items: Broken English Before the Poison The Collection Marianne Faithfull Post Card ASIN: B000003BEP Release Date: 1990-10-25

Tracks:

1. As Tears Go By
2. County
3. This Little Bird
4. Summer Nights
5. Something Better
6. Come Stay With Me
7. Monday Monday
8. With You In Mind
9. Yesterday
10. Go Away From My World
11. Tomorrow's Calling
12. In My Time Of Sorrow
13. Is This What I Get For Loving You
14. I Have A Love
15. Some Other Spring
16. Sister Morphine

Customer Reviews:

very good with minor flaws.......2007-04-29

Some of the originality of several of these songs on this cd have been lost with the remastering, but all in all, this is still a pretty good cd.I normally don't buy remastered songs for the reason that they tend to lose their originality but after listening to cuts on these songs on the players offered they sounded quite good, there are better remasters out there though.

A 60s Nostolgia CD.......2007-03-09

If you had the vinyl album, you will remember that the Greatest Hits record had all of her radio hits. This is really the only collection to have since she didn't have a very long career. The CD has some added "cuts" to fill out the play time for CD format. Frankly, the added cuts aren't very good. Check out your old vinyl jacket cover for the origianl songs and stop the CD when you get to the last original song. Otherwise, this was a nice trip down memory lane.

Fresh young Marianne at her best.......2004-09-16

What can I say about Faithful's voice post 60s? She essentially went from one breed of singer (like a Nico, Vasthi, Ross Hannaman or other tonal folksy female singers) to another entirely just by "trashing" her voice smoking so much! Not even like Marlene Dietrich or Julie London who started out "youngish-sounding" and then the vocal damage added a bit of mystery to their later recordings; Faithful just (to me) sounds horrid trying to re-record anything she did from this era now! I agree that "Sister Morphine" would have been better replaced by her version of "I'm a Loser" which was still at her peak of youthful vocal quality. Also that this would be better titled as "Greatest from the 60's" or "Early Years", but one camp likes her later works, etc.. I'm just glad both levels were recorded in her singing career span and those that like each of her efforts can have that available.

Beautiful 60's pop.......2003-01-09

Fans of Faithfull's post-1980 work may not appreciate this breezy pop music, but if you love the kind of 60s/70s pop of artists like Petula Clark, Mary Hopkin and even Francoise Hardy, these tracks will totally enchant you. The music has the same dreamy quality as that of the aforementioned singers, and the choice of material is excellent - most of these songs have beautiful melodies and strong hooks, while the lyrics are often poetic too. It includes the Stones' As Tears Go By and the one that she co-wrote with Jagger/Richards, Sister Morphine, the only song that feels a bit out of place here in its dark subject matter, although her delivery is stunning. Quite appropriately, it rounds off this collection. Her version was released as a single some months before the Stones' version appeared on their Sticky Fingers album. Other famous compositions include The Beatles' Yesterday and the Mamas & Papas' Monday Monday, both very well rendered by Marianne. Other tuneful numbers include This Little Bird, Summer Nights and Come and Stay With Me, but my top favorites here are the three sad songs Go Away From My World, In My Time of Sorrow and the powerful Is This What I Get For Loving You? The production and arrangements perfectly complement her voice, to provide a wonderful listening experience. This is truly the crème de la crème of sixties pop and goes to show that pop music can be timeless too.

EveryoneOf These Tracks Was Recorded Before I Was Even Born!.......2002-11-30

.....and I loved it!! This is vintage Marianne at her best! There's only two losers here and those would be "Some Other Spring" and the dreadful "I Had A Love"....everything else is perrrfect though! Esp. "Come Stay With Me" "Go Away From My World" "Summer Nights" "Something Better"....Heck they're all good!!

Average customer rating: Beautiful with excellent sound engineering and singing Beautiful performances and some nice surprises Heavenly Marvelous sound Gorgeous choral voices surrounding you

Chanticleer: Magnificat (A Capella Works by Josquin, Palestrina, Titov, Victoria, and Others) Chanticleer , William Cornysh , John Taverner , Claudio Monteverdi , Vasily Polikarpovich Titov , Tomas Luis de Victoria , Vassili Polikarpovich Titov , Giovanni Pierluigi da Palestrina , Josquin Desprez , and Marianne Kach Manufacturer: Teldec ProductGroup: Music Binding: Audio CD All Works by Cornysh | Cornysh, William | ( C ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Taverner | Taverner, John | ( T ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music Sacred & Religious | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Chanticleer | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Madrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music Similar Items: Mysteria Sing We Christmas Chanticleer: A Portrait Our American Journey Wondrous Love: A World Folk Song Collection ASIN: B00004SDN3 Release Date: 2000-07-11

Tracks:

1. Ave Maria
2. Ave Maria, Mater Dei
3. Magnificat
4. Stabat Virgo Maria
5. Maria, Quid Ploras
6. The Angel Cried Out
7. Regina Caeli Laetare
8. Alma Redemptoris Mater
9. Ave Maris Stella
10. O Thou Joy Of All The Sorrowful
11. Ave Regina Caelorum A 8
12. Ave Maria A 4
13. Salve Regina A 5

Amazon.com

In the wake of its previous, Grammy-winning disc of contemporary madrigals (Colors of Love), the all-male a cappella ensemble that calls itself Chanticleer--in homage to Chaucer's Canterbury Tales --comes home to roost in this theme album of early music. After all, this is the territory that Chanticleer first staked out when the group banded together in 1978, and the return is most welcome. Magnificat offers manifold rewards, from the sensitive, imaginative culling of its program to the warmth and lithe interweaving of vocal layers in its execution (vividly recorded in splendid 20/24-bit process at the Skywalker Ranch)--not to mention the capsule music history that it traces. Like depictions of the Annunciation in medieval and Renaissance paintings, musical settings of texts that are centered on Mary abound during this period. Chanticleer's anthology includes familiar gems (the hymn "Ave Maris Stella"), but the group is delightfully unpredictable in many of its choices: examples of the polychoral sacred music of Russian Vasily Titov, contrafactum reworkings of two Monteverdi madrigals to Marian texts, and a full Magnificat setting by Tudor master John Taverner. The latter gives a microcosm of Chanticleer's vocal versatility, presenting stern, unadorned plainsong side-by-side with melodies that blossom like tendrils. Or listen to the ensemble's dynamic control, from the exultant climaxes of the Titov choral concerto to the achingly beautiful, held diminuendo on the second Monteverdi piece. Most impressive of all is that Chanticleer manages to avoid the bane of a cappella groups--a bland, homogenized sameness of sound--through its subtle variations in color and thoughtful musicality. A real treasure. --Thomas May

Customer Reviews:

Beautiful with excellent sound engineering and singing.......2007-06-27

I got what I wanted ---some absolutely beautiful compositions with exquiste voices.
Should be a grammy nominee

Beautiful performances and some nice surprises.......2005-06-17

This is a nice anthology of Renaissance music encompassing key composers of both the Prima and Seconda Prattica, including one or two less known names. The uniting theme is that of they are all in praise of the Virgin Mary. Most of these works are old war horses such as the Josquin Ave Maria which is beautifully performed. Their tempo for the Josquin is similar to that of the spacious approach of the Hilliard Ensemble, and unless you like this music performed at breakneck speed you will likely find this performance perfectly satisfying. If you are interested in an anthology of Renaissance music then this is a great choice, however for those of us with a strong interest in music of this period what really makes this essential listening is the two extraordinary pieces by Vasily Titov.

Titov composed at the time of Tsar Peter the Great's modernisation drive in Russia. He brought in composers from the West and Titov's music represents a marriage of the Italian compositional styles of the Seconda Prattica with the traditions of the Russian Orthodox Church. Like the grand architecture of St Petersburgs, and the Hermitage this is an fascinating mixture of Western influences with distinctly Russian ones. The twelve part polychoral writings have some of the dark solemnity of Russian Orthodox music while clearly being heavily influenced by the likes of Monteverdi, Gabrielli, Lassus and Palestrina. Perhaps a more authentically Russian approach to this music would have given far more prominence to the basses, but this still has trumendous impact. It makes it strange that there is so much interest in composers such as Tchaikovsky, Rachmaninov, Moussorsky, Shostakovich and the like but the Early Music movement have yet to catch up with Eastern Europe - Titov is very easily their equal and I would welcome more substantial recordings devoted to exploring this neglected composer.

This is a great recording recommended both to a general audience as well as to lovers of Renaissance music alike. The recorded sound is natural and full bodied. You can pick out individual voices in the chorus without them being drowned into an amorphous porridge of sound - a sign of a good recording. Still, I have heard wider sound staging and a wider dynamic range, so for all its virtues this is almost - but not quite - audiophile quality. Clearly a SACD format DSD recording would have been preferable.

Heavenly.......2003-01-04

This is one of my first two DVD-audio discs. Some tracks are recorded from the audience perspective, with the choir across the front and cathedral ambience all around, and those are beautiful, but I gotta say I love the, "choir-around the room" recordings a little more. Track 3 in particular has the choir "doubled" with parts recorded seperately with the choir at the rear of the cathedral, a then they moved 'em all down front, and stuck the tracks together through the magic of digital editing. I don't have a DVD-audio player yet so I'm just listening to the compressed Dolby 5.1 tracks. Can't imagine it sounding any better, though. Get this disc. Seriously, do it so you can go to heaven!

Marvelous sound.......2002-03-08

This recording wraps you up in a gorgeous sonority, and I'm only listening in stereo. I can't wait to hear it when I fill out my speaker ensemble.

Gorgeous choral voices surrounding you.......2002-02-03

I hesitated to buy this disc until a friend told me he knew one of the members of Chanticleer; then again I also had nothing like it in my collection. The sound is rich and resonant. You should know it is recorded realistically, in a variety of soundfields, i.e. sometimes there is a processional from front to rear, sometimes choruses on upper left/right, or from all around you, depending on the material. If that sounds disconcerting be assured it isn't. This is a beautiful and soothing disc with a nice variety to it, and the sound is wonderful.

Average customer rating: It's all here An excellent box-set Wonderful recordings, slightly marred by lack of texts

Grieg: Complete Music with Orchestra Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Incidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Cantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music Scandinavian Languages | Languages | Opera & Vocal | Styles | Music Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music Deutsche Grammophon: Music | Specialty Stores | Music Similar Items: Mendelssohn: 5 Symphonies; 7 Overtures Saint-Saëns: Les 5 Symphonies Berlioz: Complete Orchestral Works Debussy, Ravel: Orchestral Works Strauss: Orchestral Works ASIN: B00005KK4O Release Date: 2002-05-14

Tracks:

1. Con in a, Op.16: 1. Allegro Molto Moderato - Lilya Zilberstein
2. Con in a, Op.16: 2. Adagio - Attacca - Lilya Zilberstein
3. Con in a, Op.16: 3. Allegro Moderato E Marcato - Quasi Presto - Andante Maestoso - Lilya Zilberstein
4. In Autumn, Op.11 - Gothenburg SO/Neeme Jarvi
5. Symphonic Dances, Op.64: 1. Allegro Moderato E Marcato - Gothenburg SO/Neeme Jarvi
6. Symphonic Dances, Op.64: 2. Allegretto Grazioso - Gothenburg SO/Neeme Jarvi
7. Symphonic Dances, Op.64: 3. Allegro Giocoso - Gothenburg SO/Neeme Jarvi
8. Symphonic Dances, Op.64: 4. Andante - Allegro Molto E Risoluto - Gothenburg SO/Neeme Jarvi

Tracks:

1. From Holberg's Time, Op.40: 1. Prld: Allegro Vivace - Gothenburg SO/Neeme Jarvi
2. From Holberg's Time, Op.40: 2. Sarabande: Andante - Gothenburg SO/Neeme Jarvi
3. From Holberg's Time, Op.40: 3. Gavotte: Allegretto - Musette: Un Poco Mosso - Gavotte - Gothenburg SO/Neeme Jarvi
4. From Holberg's Time, Op.40: 4. Air: Andante Religioso - Gothenburg SO/Neeme Jarvi
5. From Holberg's Time, Op.40: 5. Rigaudon: Allegro Con Brio - Gothenburg SO/Neeme Jarvi
6. Two Elegiac Melodies, Op.34: 1. The Wounded Heart: Allegretto Espressivo - Gothenburg SO/Neeme Jarvi
7. Two Elegiac Melodies, Op.34: 2. Last Spring: Andante - Gothenburg SO/Neeme Jarvi
8. Two Melodies, Op.53: 1. Norwegian: Allegro Risoluto - Poco Tranquillo - Gothenburg SO/Neeme Jarvi
9. Two Melodies, Op.53: 2. The First Meeting: Lento - Gothenburg SO/Neeme Jarvi
10. Two Nordic Melodies, Op.63: 1. In Folk Style: Andante - Gothenburg SO/Neeme Jarvi
11. Two Nordic Melodies, Op.63: 2. Cow-Call: Andantino/Peasant Dance: Allegro Molto Vivace - Allegro... - Gothenburg SO/Neeme Jarvi
12. Two Lyric Pieces, Op.68: 1. Evening In The Mountains: Andantino - Marten Larsson
13. Two Lyric Pieces, Op.68: 2. At The Cradle: Allegretto Con Moto - Gothenburg SO/Neeme Jarvi
14. Lyric Ste, Op.54: 1. Shepherd Boy: Andantino Espressivo - Gothenburg SO/Neeme Jarvi
15. Lyric Ste, Op.54: 2. Bell-Ringing: Andante - Gothenburg SO/Neeme Jarvi
16. Lyric Ste, Op.54: 3. Norwegian March: Allegretto Marcato - Gothenburg SO/Neeme Jarvi
17. Lyric Ste, Op.54: 4. Notturno: Andante - Gothenburg SO/Neeme Jarvi
18. Lyric Ste, Op.54: 5. March Of The Trolls: Allegro Marcato - Gothenburg SO/Neeme Jarvi

Tracks:

1. Peer Gynt, Op.23: No.1. At The Wedding - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
2. Peer Gynt, Op.23: No.2. Halling - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
3. Peer Gynt, Op.23: No.3. Springar - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
4. Peer Gynt, Op.23: No.4. The Abduction Of The Bride: Ingrid's Lament - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
5. Peer Gynt, Op.23: No.5. Peer Gynt And The Herd-Girls - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
6. Peer Gynt, Op.23: No.6. Peer Gynt And The Woman In Green - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
7. Peer Gynt, Op.23: No.7. Peer Gynt: 'Great Folk May Be Known By The Mounts That They Ride' - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
8. Peer Gynt, Op.23: No.8. In The Hall Of The Mountain King - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
9. Peer Gynt, Op.23: No.9. Dance Of The Mountain King's Daughter - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
10. Peer Gynt, Op.23: No.10. Peer Gynt Hunted By The Trolls - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
11. Peer Gynt, Op.23: No.11. Peer Gynt And The Boyg/No.12. The Death Of Ase - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
12. Peer Gynt, Op.23: Act III: Prld - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
13. Peer Gynt, Op.23: Act III, Scene 4 - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
14. Peer Gynt, Op.23: No.13. Morning Mood - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
15. Peer Gynt, Op.23: No.14. The Thief And The Receiver - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
16. Peer Gynt, Op.23: No.15. Arabian Dance - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
17. Peer Gynt, Op.23: No.16. Anitra's Dance - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
18. Peer Gynt, Op.23: No.17. Peer Gynt's Ser - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
19. Peer Gynt, Op.23: No.18. Peer Gynt And Anitra - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
20. Peer Gynt, Op.23: No.19. Solveig's Song - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
21. Peer Gynt, Op.23: No.20. Peer Gynt At The Statue Of Memnon - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
22. Peer Gynt, Op.23: No.21. Peer Gynt's Homecoming: Stormy Evening On The Sea - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
23. Peer Gynt, Op.23: No.22. Shipwreck - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
24. Peer Gynt, Op.23: No.23. Solveig Sings In The Hut - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...

Tracks:

1. Peer Gynt, Op.23: No.24. Night Scene - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
2. Peer Gynt, Op.23: No.25. Whitsun Hymn: 'Blessed Morn' - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
3. Peer Gynt, Op.23: No.26. Solveig's Cradle Song - Barbara Bonney/Urban Malmberg/Marianne Eklof/Carl Gustaf Holmgren/Maria Andersson/Monica Einarson...
4. Sigurd Jorsalfar, Op.22: Hornsignaler (Fanfares) - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
5. Sigurd Jorsalfar, Op.22: No.1. Act I: Prld - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
6. Sigurd Jorsalfar, Op.22: No.2. Borghild's Dream - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
7. Sigurd Jorsalfar, Op.22: No.3. The Matching Game - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
8. Sigurd Jorsalfar, Op.22: No.4. The Northland Folk - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
9. Sigurd Jorsalfar, Op.22: No.5. Homage March - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
10. Sigurd Jorsalfar, Op.22: No.6. Interlude I - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
11. Sigurd Jorsalfar, Op.22: No.7. Mellomspill II - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
12. Sigurd Jorsalfar, Op.22: No.8. The King's Song - Kjell Magnus Sandve/Gosta Ohlin's Vox Ens/Gosta Ohlin/Pro Musica Chm Chor
13. Funeral March In Memory Of Rikard Nordraak: Lento - Gothenburg SO/Neeme Jarvi
14. Norwegian Dances, Op.35: 1. Allegro Marcato - Gothenburg SO/Neeme Jarvi
15. Norwegian Dances, Op.35: 2. Allegretto Tranquillo E Grazioso - Gothenburg SO/Neeme Jarvi
16. Norwegian Dances, Op.35: 3. Allegro Moderato Alla Marcia - Gothenburg SO/Neeme Jarvi
17. Norwegian Dances, Op.35: 4. Allegro Molto - Gothenburg SO/Neeme Jarvi

Tracks:

1. Sym in c: 1. Allegro Molto - Gothenburg SO/Neeme Jarvi
2. Sym in c: 2. Adagio Espressivo - Gothenburg SO/Neeme Jarvi
3. Sym in c: 3. Intermezzo: Allegro Energico - Gothenburg SO/Neeme Jarvi
4. Sym in c: 4. Finale: Allegro Molto Vivace - Gothenburg SO/Neeme Jarvi
5. Land-sighting, Op.31 - Hakan Hagegard/Men's Voices Of The Gothenburg Sym Chor
6. Olav Trygvason, Op.50: Scene I: No.1. Skjult I De Mange Manende Navne/No.2. I, Som Op Af... - Hakan Hagegard/Gothenburg Sym Chor/Mats Nilsson/Randi Stene
7. Olav Trygvason, Op.50: Scene II: No.3. Ej Er Det Nok/No.4. Tak, At I Talte - Anne Gjevang/Gothenburg Sym Chor/Mats Nilsson/Hakan Hagegard
8. Olav Trygvason, Op.50: Scene III: No.5. Giv Alle Guder Gammens Og Glaedes-Skal/No.6. Alfer Og... - Gothenburg Sym Chor/Mats Nilsson

Tracks:

1. Old Norwegian Melody With Vars, Op.51: Poco Tranquillo - Gothenburg SO/Neeme Jarvi
2. Old Norwegian Melody With Vars, Op.51: Tema. Andantino Espressivo - Gothenburg SO/Neeme Jarvi
3. Old Norwegian Melody With Vars, Op.51: Poco Allegro, Ma Tranquillo - Gothenburg SO/Neeme Jarvi
4. Old Norwegian Melody With Vars, Op.51: Energico - Gothenburg SO/Neeme Jarvi
5. Old Norwegian Melody With Vars, Op.51: Allegro Leggiero - Gothenburg SO/Neeme Jarvi
6. Old Norwegian Melody With Vars, Op.51: Poco Andante - Gothenburg SO/Neeme Jarvi
7. Old Norwegian Melody With Vars, Op.51: Maestoso - Gothenburg SO/Neeme Jarvi
8. Old Norwegian Melody With Vars, Op.51: Allegro Scherzando E Leggiero - Gothenburg SO/Neeme Jarvi
9. Old Norwegian Melody With Vars, Op.51: Andante - Gothenburg SO/Neeme Jarvi
10. Old Norwegian Melody With Vars, Op.51: Andante Molto Tranquillo - Gothenburg SO/Neeme Jarvi
11. Old Norwegian Melody With Vars, Op.51: Presto - Gothenburg SO/Neeme Jarvi
12. Old Norwegian Melody With Vars, Op.51: Tempo Di Menuetto - Gothenburg SO/Neeme Jarvi
13. Old Norwegian Melody With Vars, Op.51: Allegro Marcato - Gothenburg SO/Neeme Jarvi
14. Old Norwegian Melody With Vars, Op.51: Tempo Di Valse - Gothenburg SO/Neeme Jarvi
15. Old Norwegian Melody With Vars, Op.51: Adagio Molto Espressivo - Gothenburg SO/Neeme Jarvi
16. Old Norwegian Melody With Vars, Op.51: Finale. Allegro Molto Marcato - Gothenburg SO/Neeme Jarvi
17. Old Norwegian Melody With Vars, Op.51: Finale. Pomposo - Gothenburg SO/Neeme Jarvi
18. Old Norwegian Melody With Vars, Op.51: Finale. Prestissimo - Gothenburg SO/Neeme Jarvi
19. Old Norwegian Melody With Vars, Op.51: Finale. Andante Molto Tranquillo - Gothenburg SO/Neeme Jarvi
20. The First Meeting - Barbara Bonney
21. From Monte Pincio - Hakan Hagegard
22. A Swan - Barbara Bonney
23. Spring - Barbara Bonney
24. Henrik Wergeland - Hakan Hagegard
25. The Mountain Thrall, Op.32 - Hakan Hagegard
26. Before A Southern Convent, Op.20 - Barbara Bonney/Randi Stene/Women's Voices Of The Gothenburg Sym Chor/Mats Nilsson
27. Bergliot, Op.42 - Rut Tellefsen

Customer Reviews:

It's all here.......2006-04-14

Norwegian-born Edvard Grieg has created many works for the orchestra, and this 6-CD box set contains almost all of them. Neeme Jarvi handles the Gothenburg Symphony Orchestra and the choirs very well. The sound is crystal clear and has the perfect digital sound for every CD player/stereo.

For the long works, the Piano Concerto is attention-grabbing and beautiful. The Symphonic Dances and the Norwegian Dances are lively and tremendously extraordinary. The lesser-known Symphony in C Minor should be more recognized, as it is as powerful as other symphonies, like Mahler's first and Beethoven's sixth. For the short works, In Autumn and Landkjenning can be best described as sheer masterpieces.

For Peer Gynt, it is good to hear the first digitally-recorded authentic version. The suite version is just not enough for that full listening experience. NOTE: if you want to buy a Peer Gynt that includes the complete dialogue, I would recommend conductor Ole Kristian Ruud's version with the Bergen Philharmonic Orchestra; the dialogue lengthens the 90-minute work by two hours.

To know the rest is to listen to them straight through. All the works in this box set (especially the Piano Concerto) should be a possession for all Grieg-lovers.

A+

An excellent box-set.......2003-08-30

This box-set a must have for any Grieg lovers.
Neeme Jarvi is very good.

In first CD, there is a powerful performance of Piano Concerto by Zilberstein.She is also great in F.Liszt recordings (at DG Classics). In second CD, works for string orchestra (including, famous Holberg Suite) to be found. And in 3rd and 4th CDs, marvellous recordins of Peer Gynt and Sigurd Jorsalfar (Sigurd, the Crusader)to be found.This works are the first recordings of complete score. Still, speakers to be present at Peer Gynt.And Funeral March for R. Nordraak is very influence in 4th CD.The wind ensemble of Gothenburg Symphony Orchestra is very good...

In 5th CD, there is an unknown work by Grieg: Symphony in C-minor. This work written in early period, but didn't perfomed often. Still, this work's name is "Forbidden Symphony"...And then, a majestic work "Land-Sighting" to be found. This is very successful choral work of composer and he written in a heavenly tone:E Major...And then, there is an unknown work again, an incomplete opera: "Olav Trygvason"... Grieg written this work on a libretto by his friend, Bjornson (a famous poet of Norway), but he could finish first act...

And in last CD, there are other vocal works, and his beatiful work: "Old Norwegian Melody with Variations". And then, 5 Songs to be found. This songs originally written for voice and piano (like other many songs) but he later orchestrated these works.And the first song "The First Meeting" was discovered in 80's and still, they used a new edition, published from new founded manuscript, so this is the first recording of Grieg's beatiful song.

In other words: this box-set is excellent and Highly recommended.

Wonderful recordings, slightly marred by lack of texts.......2003-04-09

Jarvi has been a fine advocate of Scandinavian music over the last 30 years. Even of those such as Grieg and Sibelius who you would think no longer needed advocacy. Most of these recordings were warmly welcomed on their releases and several won awards. And it's nothing but a pleasure to see them reappear again. The orchestral playing is sumptuous, but the real stand out is the singing of Barbara Bonney on several CDs.

This is now the fourth or fifth release for some of these CDs, first came the individual volumes, then the full price box, then releases on budget DG Classikon, and now a Collector's Edition box at half the price, but sadly minus the texts to CDs 2,3 and 6. This won't matter so much in the orchestral songs, CD6, where the texts to Bergtekne, Bergliot etc. are available in other releases or on the Lieder web page, but CDs 2 and 3 are currently the only complete recording of Peer Gynt and the sung or spoken texts are not available outside sheet music collections. Personally (as someone more interested in the vocal music than the orchestral) I would try and locate the original volumes, but at least DG has given those who don't feel the extra expense is justified a cheaper option.

Further recommendation: Anne Sofie von Otter's recording of the Haugtussa song cycle.

Average customer rating: Favored Recording of Grieg Powerfull and quiet.

Grieg: Peer Gynt Suites Nos. 1 & 2; Lyric Suite; Sigurd Jorasalfar Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Grieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Bonney, Barbara | Divas | Opera & Vocal | Styles | Music Grieg, Edvard | C to G | Featured Composers, A-Z | Opera & Vocal | Styles | Music CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Deutsche Grammophon: Music | Specialty Stores | Music $7.99 and Under | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Grieg, Edvard | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music Bonney, Barbara | ( B ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Similar Items: Grieg: Peer Gynt Suites/ Holberg Suite Respighi: Pini di Roma/Feste Romane/Fontane di Roma Mendelssohn: A Midsummer Night's Dream Grieg: Piano Concerto - Sonata Op. 7, Lyric Pieces Opp. 43, 54 & 65 Strauss: Also Sprach Zarathustra, Don Juan / Karajan ASIN: B000001GBH Release Date: 1990-03-30

Tracks:

1. Peer Gynt, Op. 23: Suite No. 1: 1. Morning Mood
2. Peer Gynt, Op. 23: Suite No. 1: 2. es Death
3. Peer Gynt, Op. 23: Suite No. 1: 3. Anitra's Dance
4. Peer Gynt, Op. 23: Suite No. 1: 4. In The Hall Of The Mountain King
5. Peer Gynt, Op. 23: Suite No. 2: 1. The Abduction Of The Bride
6. Peer Gynt, Op. 23: Suite No. 2: 2. Arabian Dance
7. Peer Gynt, Op. 23: Suite No. 2: 3. Peer Gynt's Homecoming
8. Peer Gynt, Op. 23: Suite No. 2: 4. Solveig's Song
9. Lyric Suite, Op. 54: 1. Shepherd Boy
10. Lyric Suite, Op. 54: 2. Bell-Ringing
11. Lyric Suite, Op. 54: 3. Norwegian March
12. Lyric Suite, Op. 54: 4. Notturno
13. Lyric Suite, Op. 54: 5. March Of The Trolls
14. Sigurd Jorsalfar, Op. 56: 1. In The King's Hall
15. Sigurd Jorsalfar, Op. 56: 2. Intermezzo: Borghild's Dream
16. Sigurd Jorsalfar, Op. 56: 3. Homage March

Customer Reviews:

Favored Recording of Grieg.......2002-03-18

I am most fond of much of Grieg's works, especially Peer Gynt and Sigurd Jorsalfar.

This is the consummate recording for me. His rendering of the Peer Gynt Suite is outstanding. In addition to the choral contributions which other recordings omit (this adds much to "The Hall of the Mountain King) Jarvi's pace on Morning Mood and The Hall of the Mountain King is simply the best. Morning Mood on other recordings is played too fast, which at the end looses the awesomeness of morning sunrise to this reviewer.

The Gothenburg Symphony performs magnificently, with due accolades given to the woodwinds and horns for their subtle, exquisite performance.

I would consider this or an equivalent on Grieg to be a needed part of one's classical collection. It is one of my favorites.

Powerfull and quiet........2002-01-30

Great performance and also great recording. Dynamics and mood. Superb album.

Average customer rating: Beautiful voices, beautiful songs Beautiful Music - Good Perfomances Superb singing A KISS Romberg never sounded better!

Music of Sigmund Romberg Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD Romberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Similar Items: Ah, Sweet Mystery of Life: The Songs of Victor Herbert The Desert Song / The New Moon The Student Prince (1952 Studio Cast) Great Hits from Sigmund Romberg The New Moon (2003 Encores! Revival Concert Cast) ASIN: B000002SDG Release Date: 1990-10-25

Tracks:

1. The Student Prince: Students' Marching Song - Drinking Song - Come Boys (Kirsten)
2. The Student Prince: Arrival At Heidelberg - In Heidelberg Fair - Gaudeamus igitur (MacRae, Kirsten)
3. The Student Prince: Deep In My Heart, Dear (Kirsten, MacRae)
4. The Student Prince: Serenade (MacRae)
5. The Student Prince: Just We Two (MacRae, Kirsten)
6. The Desert Song: The Riff Song (MacRae)
7. The Desert Song: Why Did We Marry Soldiers - French Military Marching Song (Kirsten)
8. The Desert Song: Romance (Kirsten)
9. The Desert Song: The Desert Song (MacRae, Kirsten)
10. The Desert Song: Let Love Go - One Flower - One Alone (MacRae)
11. The Desert Song: The Sabre Song (Kirsten, MacRae)
12. The New Moon: Marianne (MacRae)
13. The New Moon: The Girl On The Prow (Kirsten)
14. The New Moon: Softly, As In A Morning Sunrise (MacRae)
15. The New Moon: One Kiss (Kirsten)
16. The New Moon: Stouthearted Men (MacRae)
17. The New Moon: Wanting You (MacRae, Kirsten)
18. The New Moon: Lover, Come Back To Me (Kirsten)
19. The New Moon: Try Her Out At Dances

Customer Reviews:

Beautiful voices, beautiful songs.......2006-10-06

Sigmund Romberg isn't in fashion today, but he was one of the founders of what became modern musical comedy, and in listening to this compilation of songs from three of his best-known operettas, you can understand why. Kirsten's soaring soprano and MacRae's rich baritone combine flawlessly to give the very feel that contemporary audiences must have gotten when they attended a performance of a Romberg work (MacRae also starred in the film version of "Desert Song"). The best pieces on the disc are the duets, some of which can give you authentic chills ("Deep in My Heart, Dear," "Wanting You"), and MacRae's thrilling solos ("Serenade," "The Riff Song," "Marianne," "Stouthearted Men," and the tango-esque "Softly, As in a Morning Sunrise"), but Kirsten's renditions of "Romance," "The Saber Song," "The Girl on the Prow," "One Kiss," and the classic "Lover, Come Back to Me" are almost equally good. I've replayed this collection at least 20 times in the last month and I'll do it again. If hearing it doesn't it make you want more Romberg, your tastes are obviously not for classic operetta. Highly recommended.

Beautiful Music - Good Perfomances.......2006-03-25

Kirsten was a first class opera singer who sings this music with technique, voice and style. MacRae has a pretty voice- but I miss the true operatic baritone depth, volume of sound and range of Merrill, Tibbett or Nelson Eddy in this music.

Superb singing.......2005-05-11

This album is not a "performance" but a studio recording of music from three operettas by the great Sigmund Romberg. The singing is superb. Gordon MacRae is a known quantity from his role in the movie version of "Oklahoma" and his voice is never disappointing. Dorothy Kirsten is less well known these days but her voice is well suited for operetta. This album is a deal as it contains most or all of the music of Sigmund Romberg and his lyricists for three operettas, "Desert Song", "New Moon" and " Student Prince". The only quibble with the album is that it begins with the weakest selection ("Student Prince") and if one plays it all the way through it's a long wait for "Desert Song" and the extraordinarily tuneful "New Moon". Most of the tunes are known these days (if at all) from instrumental "mood music" recordings. The singing of MacRae and Kirsten is enunciated well enough so one may enjoy lyrics as well, by the likes of Oscar Hammerstein III. The inclusion of all three operettas gives this album an advantage of the often mix-and-match approach to many available Macdonald & Eddy recordings.

A KISS.......2004-02-21

SUNG BY MARIO LANZA, HE IS AND WILL BE THE GREATEST TENOR OF THIS GENERATION AND THE NEXT GENERATION TO COME.THIS MANS VOICE WAS ONLY PARTIALLY DEVELOPED,IF ONLY AT THE HOLLYWOOD BOWL IN 1947,IF ONLY HE WOULD HAVE TURNED HIS BACK ON MGM AND CONCENTRATED MORE ON ORERA HE WOULD HAVE REACH THE HIS GOAL,OPERA.I HEARD HIS VOICE WHEN I WAS 6 YEARS OLD.I DOH"T THINK HE DIED OF A HEART ATTACK,HE WAS HELPED.I AM 62 YEARS OLD, AND HAVE WAITED FOR ANOTHER VOICE LIKED MARIO LANZA BUT SO FAR NONE HAS MATERALIZED.

Romberg never sounded better!.......2003-09-24

I am one of those who, as a great fan and collector of operetta songs, find this album (actually a compilation of 3 LPs from 1963) the single most brilliant one ever recorded.

There are very few singers who could get so completely into the spirit of the songs and characters of operettas as Gordon MacRae. A technically magnificent voice with a phenomenal range, vibrant intensity and great warmth and sincerity - the rare singer whose performances all felt spontaneous and who could go from caressing the ear one moment to singing in the most powerful tones the next - all in a glorious legit voice of course. His rousing numbers like "The Riff Song" from The Desert Song and "Stout-Hearted Men" from New Moon are so exilarating that they actually conjure up a larger-than-life vision. His haunting "Softly as in the Morning Sunrise" obliterates all other versions and in terms of passion expressed in song, it would be difficult to surpass his rendition of the Desert Song.

Kudos also of course to the everlasting charm, grace and talent of the great Dorothy Kirsten who sounds perfectly convincing and fetching as the youthful heroines she portrays even though she was already fiftyish at the time this was recorded. Her solos of "One Kiss", "Romance" and "Lover Come Back to Me" are nothing short of superb and convey the longing of her characters beautifully. Truly enchanting.

As someone who loves to compare as many versions as possible of the great musicals and operettas, I can truthfully say that I have never heard more exquisite versions of those songs anywhere. While many versions I have heard elsewhere seemed either over the top or emotionally detached, these ring with true romantic ardor and the arrangements are beautiful. If the beautiful duets like "Wanting You" from New Moon and "Deep in My Heart, Dear" from The Student Prince don't send shivers up your spine, nothing ever will. They litterally take your breath away.

I do feel, however, that a couple of the songs from the earlier MacRae version (from the early 50s) of The Student Prince rank a bit higher than the songs from this version if only for the fact that the arrangements of the "Student Marching Song and The Drinking Song" were livelier and performed not just by the chorus as they are here, but led by Gordon MacRae at his very best. I miss hearing him on those when I play this CD. (Most of the songs from his earlier versions of The Desert Song and The Student Prince are available on various CD compilations. His earlier version of New Moon has not been released on CD yet, but can be found on vinyl).

The Robert Wagner chorale is absolutely outstanding and does a splendid job throughout.

(Please note that the original vinyl albums of each show featured additional songs not included in this compilation and a finale medley).

Yes, I would definitely recommend this album to anyone who loves operettas, melodious songs and rich singing voices!

Average customer rating: The Desert Song/The New Moon Two classic operettas on one CD Stupendous Operettas Finally Available

The Desert Song / The New Moon Sigmund Romberg , Oscar Hammerstein II , Otto Harbach , Kitty Carlisle , Wilbur Evans , Felix Knight , Jeffrey Alexander Chorus , Thomas Hayward , Jane Wilson , and Lee Sweetland Manufacturer: Decca Broadway ProductGroup: Music Binding: Audio CD Romberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: The Student Prince (1952 Studio Cast) Music of Sigmund Romberg The New Moon (2003 Encores! Revival Concert Cast) Roberta & Vagabond King Desert Song (1953) ASIN: B00006AWBJ Release Date: 2002-07-30

Tracks:

1. Opening Chorus and Riff Song - From The Desert Song (Romberg / Harbach / Hammerstein II) with Kitty Carlisle, Wilbur Evans, and Felix Knight
2. French Military Marching Song
3. Romance
4. Then You Will Know
5. The Desert Song
6. Finale of Act I
7. One Flower Grows Alone in Your Garden
8. One Alone
9. The Sabre Song
10. Finale: French Military Marching Song & One Alone
11. Overture - From The New Moon (Hammerstein & Romberg) with Thomas Tibbett Hayward, Lee Sweetland, and Jane Wilson
12. Marianne
13. The Girl on the Prow
14. Softly, As in a Morning Sunrise
15. Stouthearted Men
16. One Kiss
17. Wanting You
18. Lover, Come Back to Me

Customer Reviews:

The Desert Song/The New Moon.......2005-10-06

I have loved the music of The Desert Song since I first saw it, starring Dennis Morgan, in the cinema many, many years ago, and then the Gordeon McCrae version on TV. I think the Dennis Morgan one was better, or perhaps I may be prejudiced as I have an unfortunate tendency to prefer original versions (how many subsequent productions have proved superior? Not too many).
However, back to the CD. To listen to this super CD is pure pleasure, a real nostalgia trip. Although I had never heard of the musical The New Moon, I was very surprised to realise that the music was almost a familiar to me as from The Desert Song. Aha, the joys of listening to the old fashioned wireless when I was a little girl!
Gloria Little,
Queensland, Australia

Two classic operettas on one CD.......2004-02-03

Decca Broadway's operetta series providing remastered reissues of eight classic recordings from the 1940s/50s is most welcome. Many of these operettas have no other available recordings on Cd, and these Decca albums have been out-of-print since the late 1960s.

This set offers a classic DESERT SONG recording with Felix Knight, Wilbur Evans and Kitty Carlisle. Some of the dialogue is hysterical: "I Can't kill you" says Kitty before she sails into "I Love You" in the first act finale. It's silly but it's fun.

THE NEW MOON is a more or less straight reading of seven numbers from the score (plus a nicely arranged Overture conducted by Victor Young) performed by a solid cast.

Sound quality on both operettas is quite good considering the age of the original masters: DESERT SONG is 60 years old now.

Stupendous Operettas Finally Available.......2002-10-18

THE DESERT SONG/THE NEW MOON reissue on Decca Broadway Operettas series is as welcome as a spring day. Despite the limited range of the mono sound of both releases, the CD double play should make a welcome addition to any theater lover's music library.

Of the two, THE NEW MOON comes off best with absolutely stunning baritone singing by Lee Sweetland on "Marianne" and "Stouthearted Men" and finer but less impressive work by Jane Wilson and Thomas Hayward on the other familiar numbers. And they are very familiar. Even if you've never seen this show (or the altered film version with Jeannette MacDonald and Nelson Eddy), you'll have heard many of these songs as background music or featured in the film DEEP IN MY HEART, the story of composer Sigmund Romberg.

THE DESERT SONG gives a nice representation of its score hampered only by Kitty Carlisle's tremulous soprano waverings. Wilbur Evans and Felix Knight carry off the male roles with great artistry.

With these shows almost never being revived (except for their film versions, the latter made in 1953 with Gordon MacRae and Kathryn Grayson), this CD is a most welcome treat.

Average customer rating: Good -- but not great Outstanding, yet Affordable Mahler Set Ignore the name(s): Listen to the Music! An exceptionally fine bargain best overall cycle

Mahler: Symphonies 1-10; Das Lied von der Erde Manufacturer: EMI Classics ProductGroup: Music Binding: Audio CD All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Romantic | Symphonies | Forms & Genres | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Similar Items: Mahler: Symphonies Nos. 1-9; Adagio Mahler: Symphony No. 2 in c minor [Hybrid SACD] Prokofiev: The Complete Symphonies Beethoven: Piano Sonatas (Complete) [Box Set] Mahler - The Symphonies plus Das Lied von der Erde Boxset / Leonard Bernstein, Wiener Philharmoniker, London Symphony Orchestra, Israel Philharmonic Orchestra ASIN: B000BQ7BX2 Release Date: 2006-01-10

Tracks:

1. I. Langsam, Schleppend, Wie Ein Naturlaut - Im Anfang Sehr Gemachlich - Kolner Rundfunk-Sinfonieorchester
2. II. Kraftig Bewegt, Doch NIcht Zu Schnell - Kolner Rundfunk-Sinfonieorchester
3. III. Feirlich Und Gemessen, Ohne Zu Schleppen - Kolner Rundfunk-Sinfonieorchester
4. IV. Sturmisch Bewegt - Kolner Rundfunk-Sinfonieorchester
5. I. Allegro Maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck - Krisztina Laki

Tracks:

1. II. Andante Moderato. Sehr Gemachlich - Krisztina Laki
2. II. In Ruhig Fliessender Bewegung - Krisztina Laki
3. IV. Urlicht: Sehr Feierlich, Aber Schlicht - Krisztina Laki
4. V. Im Tempo Des Scherzo. Wild Herausfahrend - Krisztina Laki
5. Wieder Sehr Breit - Krisztina Laki
6. Ritardando...Maestoso. Sehr Zuruckhaltend - Krisztina Laki
7. Wieder Zuruckhaltend - Krisztina Laki
8. Langsam, Misterioso - Krisztina Laki
9. Etwas Bewegter - Krisztina Laki
10. Mit Aufschwung, Aber Nicht Eilen - Krisztina Laki

Tracks:

1. I. Kraftig. Entschieden - Gwendolyn Killebrew
2. II. Tempo Di Menuetto - Gwendolyn Killebrew
3. III. Comodo. Scherzando - Gwendolyn Killebrew
4. IV. Sehr Langsam - Gwendolyn Killebrew

Tracks:

1. V. Lustig IM Tempo UNd Keck Im Ausdruck - Gwendolyn Killebrew
2. VI. Sehr Langsam - Ruhevoll - Empfunden - Gwendolyn Killebrew
3. I. Bed Achtig. Nicht Eilen - Lucia Popp
4. II. In Gemachlicher Bewegung. Ohne Hast - Lucia Popp
5. III. Ruhevoll - Lucia Popp

Tracks:

1. IV. Sehr Behaglich - Lucia Popp
2. I. Trauermarsch (Im Gemessenem Schritt - Streng - Wie Ein Kondukt) - Kolner Rundfunk-Sinfonieorchester
3. II. Sturmisch Bewegt, Mit Grosster Vehemenz - Kolner Rundfunk-Sinfonieorchester
4. III. Scherzo (Kraftig, Nicht Zu Schnell) - Kolner Rundfunk-Sinfonieorchester
5. IV. Adagietto (Sehr Langsam) - Kolner Rundfunk-Sinfonieorchester
6. V. Rondo - Finale (Allegro) - Kolner Rundfunk-Sinfonieorchester

Tracks:

1. I. Langsam - Allegro - Kolner Rundfunk-Sinfonieorchester
2. II. Nachtmusik I - Kolner Rundfunk-Sinfonieorchester
3. III. Scherzo: Schattenhaft - Kolner Rundfunk-Sinfonieorchester
4. IV. Nachtmusik II. Andante Amoroso - Kolner Rundfunk-Sinfonieorchester
5. V. Rondo - Finale - Kolner Rundfunk-Sinfonieorchester

Tracks:

1. I. Allegro Energico, Ma Non Troppo - Kolner Rundfunk-Sinfonieorchester
2. II. Scherzo. Wuchtig - Kolner Rundfunk-Sinfonieorchester
3. III. Andante Moderato - Kolner Rundfunk-Sinfonieorchester

Tracks:

1. IV. Finale: Sostenuto - Allegro Moderato - Kolner Rundfunk-Sinfonieorchester
2. I. Andante Comodo - Kolner Rundfunk-Sinfonieorchester
3. II. Im Tempo Eines Gemachlichen Landlers - Etwas Tappisch Und Sehr Derb - Kolner Rundfunk-Sinfonieorchester

Tracks:

1. III. Rondo Burleske: Allegro Assai. Sehr Trotzig - Kolner Rundfunk-Sinfonieorchester
2. IV. Adagio: Sehr Langsam Und Noch Zuruckhaltend - Kolner Rundfunk-Sinfonieorchester
3. I. Adagio - Kolner Rundfunk-Sinfonieorchester

Tracks:

1. Veni, Creator Spiritus - Maria Venuti
2. Imple Superna Gratia - Maria Venuti
3. Infirma Nostri Corporis - Maria Venuti
4. Accende Lumen Sensibus - Maria Venuti
5. Veni, Creator Spiritus - Maria Venuti
6. Gloria Patri Domino - Maria Venuti
7. Poco Adagio: Waldung, Sie Schwankt Heran - Maria Venuti
8. Ewiger Wonnebrand - Maria Venuti
9. Wie Felsenabgrund Mir Zu Fussen - Maria Venuti
10. Gerettet Ist Das Edle Glied - Maria Venuti
11. Uns Bleibt Ein Erdenrest - Maria Venuti
12. Hier Ist Die Aussicht Frei - Maria Venuti
13. Hochste Herrscherin Der Welt - Maria Venuti
14. Dir, Der Unberuhrbaren - Maria Venuti
15. Bei Der Liebe, Die Den Fussen - Maria Venuti
16. Neige, Neige, Du Ohnegleiche - Maria Venuti
17. Blicket Suf Zum Retterblick - Maria Venuti
18. Alles Vergangliche - Maria Venuti

Tracks:

1. I. Das Trinklied Vom Jammer Der Erde - Marjana Lipovsek
2. II. Der Einsame Im Herbst - Marjana Lipovsek
3. III. Von Der Jugend - Marjana Lipovsek
4. IV. Von Der Schonheit - Marjana Lipovsek
5. V. Der Trunkene Im Fruhling - Marjana Lipovsek
6. VI. Der Abschied - Marjana Lipovsek

Customer Reviews:

Good -- but not great.......2007-07-07

Having listened intently to this set two times now, once with scores in hand, once without, I have to give this set less than a 5 star rating. The sound is adequate, compressed at times, muddy at others. The later symphonies fare better than 1 & 2. Conducting is fine: very straightfoward and unfussy. Plays it straight. And maybe that's a problem. The sixth in particular never really scales the heights or depths. Same story with 8. Layout is weird, but economical. My biggest beef is the orchestral execution. There are a LOT of bloopers that should have been fixed. In a live concert you can accept, even expect, some error in music this difficult. But on recordings they become very irritating. I grant that most people would never notice any, but if you have a good ear and really know this music there are some problems. The worst is an abundance of wrong notes in the 4th movement of the 7th, which otherwise is a superb version -- one of the best. Another easy to spot example occurs at the end of the 6th: why did the cellos leave the bass clarinet to fend for itself just a few bars before the end? Why didn't someone fix this?
I'm glad I heard this set, but there are better, albeit more expensive. As a complete set there isn't any that is altogether perfect, but Solti/Decca, Haitink/Philips, Kubelik/DG and deWaart/RCA come closer.

Outstanding, yet Affordable Mahler Set.......2007-06-10

If you are looking for a great Mahler set that doesn't give you the Walletdämmerung syndrome, yet you also want excellent musicians and soloists and a conductor with a most refreshing and philosophically true understanding of Mahler's music, I would recommend that you purchase this box set of Mahler symphonies with Gary Bertini. Although Gary Bertini was not a big name in the recording industry, he was deemed as a highly esteemable conductor in Europe. His Mahler offers a completely different sound from what you would hear from Bernstein, Abbado, Walter, and Klemperer, much closer to what Rafael Kubelik did with his Mahler, but Bertini offers a degree of transparency in his music that you cannot hear in any other conductor. Despite the transparency, his Mahler does not lack passion. If you want to know what I mean, you must listen to his Symphonies no. 1,2,4,5,6,7,8, and 9. These renditions are ranked with the very best Mahlerians in a very competitive field. Bertini is also supported by an ensemble of an extremely high calibre--the WDR or the Kölner Rundfunks Orchester. They play with a finesse and a grace that rivals the very best Mahler orchestras, including the Vienna Philharmonic, the Bavarian Radio Symphony, and the Concertgebouw. In terms of virtuosity and beauty, the orchestra offers some of the most glorious playing and a crystalline sound balance that you would want in a world-class German orchestra.

The soloists are all excellent too. You have Florence Quivar, Paul Frey, Lucia Popp, Julia Varady, Julia Hamari, and Alan Titus, among others. You must simply hear the alto part that Quivar sings in the Resurrection Symphony!

Included in this already sparkling box set is a Das Lied von der Erde with Marjana Lipovsek and Ben Heppner. While I will always love Klemperer, Ludwig, and Wunderlich, I think this Das Lied von der Erde comes close to being one of the very best recordings of the work. Heppner sings with his usual golden tone and security, and sings the tenor's songs with an abandon and an elan that makes his interpretation very attractive. Lipovsek sings the mezzo parts with a tragically imbued tone that improved over her recording with Solti years earlier. You must listen to what she does in the Abschied. I have never heard a more resentful and reflective understanding of this very complex movement other than Christa Ludwig, Janet Baker, and Kathleen Ferrier.

All in all, a Mahler box set that everyone should get along with Haitink, Chailly, and Kubelik.

Ignore the name(s): Listen to the Music!.......2007-05-07

Gary Bertini and the Cologne Radio Symphony? The Mahler symphonies have been recorded in toto by many of the "biggest" names in music Leonard Bernstein (three times), Solti, Kubelik, Haitink and so on with the best known orchestras in the world ---- Vienna Philharmonic, Concertgebouw, New York Philharmonic, Chicago Symphony, Berlin Philharmonic, and so on and so on. I've given away my bias by those I've chosen to list and the sequence I've put them in.
And along comes a little known conductor, now deceased, with an orchestra I would not rank with those above; and by virtue of their sheer musicianship they belong alongside all the above. Mr. Bertini's performances hew closer to Mr. Kubelik and Mr. Haitink in being moderate in both tempo and phrasing. At the same time, Mr. Bertini still beings a far greater feeling of intensity and passion than either. Mr. Bertini's performances have a sweep and a grandeur that places them on the same plane as Mr. Bernstein's performances without entirely going "over the top" as Mr. B. was inclined to do.
No: Bertini's recording of the Sixth Symphony does not take us emotionally to the depth of Mr. Bernstein's last recording (DG digital). Nor has Mr. Solti's magnificent performance of the Eighth been surpassed. But I were asked to choose one cycle to live with for the rest of my life, it would be this one.

An exceptionally fine bargain.......2007-03-26

Gary Bertini's EMI Mahler cycle is more or less contemporary with Tennstedt's Mahler cycle on the same label. But, according to the gossip, the company decided to keep Bertini in the vaults since the former and LPO where more publicly known. In my view, however, Bertini's set is clearly superior. The orchestra - Kölner Rundfunk Sinfonieorchester - is outstanding, far better than LPO, and so are most of Bertini's interpretations as well.

Considering that Bertini and the orchestra are not among the obvious "stars", it is an exceptional sleeper. In fact, Bertini was virtually unknown before this cycle made him famous, post mortem.

The cycle combines both live and studio recordings. The live ones were recorded in Japan where the audience knows how to behave. Excellent stereo sound adds to the pleasure.

But one could note that some of Bertini's tempi are among the slowest on record. The final movement of symphony no. 9 stops at 28:34, which is ten minutes more than Walter's 1939 classic. It's even a few seconds slower than Chailly's very slow account on Decca. The finale of the third is six minutes longer than Tennstedt's on EMI. But the adagietto in the fifth stops at just above 10 minutes, so Bertini is not consistently very slow when Mahler's music may invite sentimental conductors to drag. Unlike such conductors, however, Bertini has the ability to keep tension during a long breath, bringing forth interesting details in contextual balance.

Thus the performances of symphonies 1, 5, 7, 8, 9 and Das Lied von der Erde are outstanding, challenging almost every recording in the current catalogue. The remaining symphonies are also convincingly presented, in perfectly consistent performances.

However, one irritating thing with this set is that the fourth symphony is divided over two discs. That EMI decision was not necessary. The cycle could still fit on 11 CDs with a different editing. The policy for all record companies should be to avoid unnecessary splitting.

At a super-bargain price, this is of course the first choice among boxed sets, especially the contemporary ones. All the recordings in this box have something that attracts repeated listening. This is true of Gielen's outstanding cycle too (Hänssler), but it requires you to pay four times the price. Still, Kubelik (DG) remains my favourite cycle. But Bertini's is better recorded.

Warmly recommended!

best overall cycle.......2006-12-09

There's little that I could add to the testimonials that have already been written here . While none of these performances would be an absolute first choice for me, save Bertini's Mahler 8th (which IS extraordinary), all of them have an amazing consistantcy in style, sound quality, and orchestral execution. The inclusion of a really fine "Das Lied von der Erde", expertly sung by Ben Heppner and Marjana Lipovsek, makes this a clear front runner. While Bertini didn't record a complete Mahler 10th symphony (finished by Deryck Cooke and others), his M10 Adagio is outstanding - giving the feeling of completeness on to itself. In fact, other than Leonard Bernstein, I can think of no other conductor who has been so satisfying in capturing the complete emotional range of Mahler's symphonies; going from the fresh and youthful first symphony (and Bertini is truly fresh and youthful); working on up to the cosmic orgasm that is the 8th symphony (and Bertini is cosmically orgasmic here), and still making the drastic shift to the zen-like, other-worldliness of the so-called farewell trilogy: "DLvdE", 9th symphony, and 10th symphony adagio. He runs the entire gamut, Janet.

Much positive has been written about Gielen's fine Mahler cycle. But his box set doesn't include his recording of the Cooke 10th (Chailly's does!), which is really a very good 10th. It's also more expensive. In addition, getting Gielen's Mahler 6th separately also gives you a really fine performance of Alban Berg's "Three Pieces For Orchestra" - a very natural coupling for that dark work. Better to pick and choose with Gielen, I think. If you want a box, get the Bertini.

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