Crossing America [Explicit Lyrics]

The Nation
...the tone is bitter, and the writing a kind of sardonic naturalism restrained by profound literary awareness.

Product Description:
In the 1950s Leo Connellan hitchhiked across America, a bum and a drunk, scribbling notes about his travels on scraps of paper. Eventually he sobered up and rewrote these scraps as a hitchhiking epic, Crossing America, first published in 1976, which ends with a brutal and lyrical account of a bum's rape of a bag lady. Near the end of his life (he died in 2002) Leo met a group of young musicians from the arts collective Hoobellatoo, who recorded Leo reading the entire poem. They then traveled the country with a barebones mobile studio packed into a car, recording music to accompany the poem. This record presents Leo's readings (in his Skid Row Elmer Fudd twang), with each pause between the poem's 29 sections illustrated with a musical interlude, ranging in feel from old-time fiddle to post-bop jazz to swaggering rock to tone poem. Consider it spoken word, punctuated by musical miniatures that add up to an experimental folk symphony.

Crossing America [Explicit Lyrics]

Crossing America,Leo Connellan,Skuntry.com

Average customer rating: Sad Really Sad An excellent movie themes antology by ELMER BERNSTEIN Excellent Great Film Music Fun, Powerfull music

The Essential Elmer Bernstein Film Music Collection Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Jerry Goldsmith: 40 Years of Film Music The Wild West: The Essential Western Film Music Collection Varese Sarabande 25th Anniversary Celebration Way Out West: The Essential Western Film Music Collection, Vol. 2 John Barry: The Collection ASIN: B0007XTQ14 Release Date: 2005-06-07

Tracks:

1. The Magnificent Seven
2. To Kill A Mockingbird (Suite)
3. The Buccaneer (Overture)
4. Walk On The Wild Side
5. An American Werewolf In London (Metamorphosis)
6. The Age Of Innocence (End Titles)
7. The Comancheros
8. Ghostbusters
9. Heavy Metal (Taarna's Theme)
10. Johnny Staccato
11. True Grit (Rooster Cogburn/A Warm Wrap-Up)
12. Hollywood And The Stars
13. Zulu Dawn (River Crossing)

Tracks:

1. The Great Escape
2. The Man With The Golden Arm
3. Far From Heaven
4. The Sons Of Katie Elder
5. Airplane (Suite)
6. The Shootist (Main Title)
7. Hawaii (Overture)
8. The Birdman Of Alcatraz (Finale)
9. The Hallelujah Trail (Overture)
10. The Bridge At Remagen
11. Thoroughly Modern Millie (Sky-Hi)
12. The Scalphunters
13. The Ten Commandments (Overture)

Album Description

*A specially priced 2CD set with over 110 minutes of some of the greatest film music in the history of cinema.

*New digital recordings in spectacular and sound performed by the acclaimed City Of Prague Philharmonic Orchestra and National Youth Jazz Band.

*Includes world premiere recordings from "The Birdman Of Alcatraz," "Thoroughly Modern Millie," "Airplane!" and "An American Werewolf In London."

*In 2004 the world of cinema lost one of the most iconic figures in film composing. In a career that spanned half-a-century and over 250 films, Elmer Bernstein was responsible for writing the music to many of the greatest and most loved movies of all time ranging from "The Ten Commandments," "The Magnificent Seven" and "The Great Escape," through to "True Grit" and "Airplane!" This collection has been lovingly created and compiled as a tribute to a genius and true master of the art of film scoring.

Customer Reviews:

Sad Really Sad.......2007-05-13

These CDs don't meet the standards I would have expected from Elmer Bernstein's wonderful film music.
*Boring*
It just didn't have the energy one would expect from "The Magnificent Seven" and "The Man with the Golden Arm". I think the City of Prague and National Youth Jazz Orchestras were bargain orchestras used to make an inexpensive CD set of one of my favorite film composers. The conducting and arrangements were what made this an obviously bad album.

An excellent movie themes antology by ELMER BERNSTEIN.......2007-05-10

Silva Screen Records, presents this antology of the music from the late great composer/conductor ELMER BERNSTEIN, who supervised this recording just before die.
Played the The City of Prague Philharmonic Orchestra, and conducted by his one time assistant James Fitzpatrick
Recorded in HDCD and Dolby Surround

Excellent.......2007-04-22

it's unfortunate that more tracks weren't able to be recorded as theree was a good 15-20 minutes of space remaining on both discs. Regardless, this is an excellent sampler, especially in conjunction with Varese's Bernstein sampler including rare stuff like the Black Cualdron.


With regards to this silva set, these recordings range back to 1994, with Sons of Katie Elder and True Grit being recorded for a John Wayne CD and Bridge At Remagen for a CD of classic War themes. The Great Escape was also recorded for that CD, but producer James Fitzpatrick opted to record a new arrangement (same with Magnificent Seven). In '97, The Buccaneer for included on a Swashbucklers disc, while Heavy Metal was on the popular 'Space and Beyond' compilation. In '98, the world premiere recording of Airplane first appeared on a DISASTERS film disc. So while it may technically be the world premiere RECORDING it certainly is not the world premiere CD RELEASE of that recording. Ghostbusters was included on Space 3: Beyond the Final Frontier, the second followup to the popular 'Space and Beyond'. Fast forward to 2002 and 4 recordings first appeared on WAY OUT WEST: ESSENTIAL WESTERN FILM MUSIC COLLECTION VOLUME TWO, those being The Comancheros, The Hallelujah Trail, The Scalphunters and The Shootist. Man With the Golden Arm and Walk on the Wild are from Silva's JAZZ IN FILM cd.


The remaining tracks were all newly recorded for this release. They are of course the strongest tracks, seeing as the City of Prague Philharmonic has improved over time. I do wonder though why they did not include the older arrangements of Great Escape and Mag. Seven as bonus tracks.

I also recommend the simultaneously released '40 years of Film Music: Jerry Goldsmith' for another great set honoring a late great film composer.

Great Film Music.......2007-03-09

This is a great recording of some of the best film music ever. From the
great westerns to the Theme from Airplane to music he did for television,
Bernstein was one of the greatest.

Fun, Powerfull music.......2007-02-17

It's great! It brings back memories of my dad. He loved John Wayne and the old cowboys of the Magnificent Seven. But it's nice just to listen and relax (it's not all cowboy music).

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Ludwig van Beethoven The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: More expensive than the other Essential but worth it. Excellent compilation of an important composer. "film composer Dimitri Tiomkin gave his all and then some"

The Alamo: The Essential Film Music Collection Dimitri Tiomkin Manufacturer: Silva America ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Tiomkin: Red River The Essential Elmer Bernstein Film Music Collection Way Out West: The Essential Western Film Music Collection, Vol. 2 The Wild West: The Essential Western Film Music Collection Giant ASIN: B00022MBNK Release Date: 2004-07-13

Tracks:

1. Night Passage
2. Tension At Table Rock
3. High Noon
4. The War Wagon
5. The Wild Wild West: Main Theme
6. The Wild Wild West: The Ballad Of Jim West
7. Gunfight At The O.K. Coral
8. Rio Bravo
9. Rawhide
10. Red River
11. The Unforgiven: Across The Texas Panhandle
12. The Unforgiven: The Need For Love
13. The Unforgiven: Horse Ballet
14. The Young Land
15. Duel In The Sun

Tracks:

1. The Fall Of The Roman Empire: Overture
2. The Fall Of The Roman Empire: The Fall Of Love
3. The Fall Of The Roman Empire: Pax Romana
4. 55 Days Peking
5. Land Of The Pharaohs
6. Circus World (The Magnificent Showman)
7. Dial M For Murder
8. Strangers On A Train
9. Giant: Main Title
10. Giant: Love Theme
11. Giant: The Jett Rink Theme
12. The High And The Mighty
13. Wild Is The Wind
14. The Guns Of Navarone

Tracks:

1. Cyrano De Bergerac
2. The Well
3. Friendly Persuasion
4. Town Without Pity
5. It's A Wonderful Life
6. Tarzan And The Mermaids
7. The Thing From Another World
8. The Alamo: Overture/Prologue
9. The Alamo: Davy Crockett
10. The Alamo: Tennessee Babe
11. The Alamo: The Battle Of The Alamo
12. The Alamo: The Green Leaves Of Summer
13. The Alamo: Finale

Tracks:

1. Giant: This Then Is Texas
2. Rawhide: Rawhide
3. High Noon: Do Not Forsake Me
4. Night Passage: Follow The River
5. Giant: The Ballad Of Jett Rink
6. Friendly Persuasion: Thee I Love
7. It's A Wonderful Life
8. Wild Is The Wind
9. The High And The Mighty
10. The War Wagon: The Ballad Of The War Wagon
11. Rio Braco
12. The Young Land: Strange Are The Ways Of Love
13. The Wild Wild West: The Ballad Of Jim West
14. The Wild Wild West: The Wild Wild West

Amazon.com

Dimitri Tiomkin was one of the most prominent composers of Hollywood's Golden Age and beyond, his career spanning a half-century and some of America's most classic films. This sprawling, four-disc anthology (its title a marketing nod to the modern remake of one of Tiomkin's notable collaborations with John Wayne) features new digital recordings of full-bodied performances by the City of Prague Orchestra and Festival Chorus, the most ambitious and comprehensive tribute to the composer yet attempted. There's something here for film score buffs (rarities like a suite from his sci-fi genre-defining Thing From Another World and the "Main Theme" for the pilot of TV's Wild, Wild West) and novice alike; indeed one could scarcely ask for a more complete overview of Tiomkin's robust orchestral oeuvre. Divided into four chapters, disc one chronicles how the Ukrainian immigrant concocted a rich Western film heritage (including such genre landmarks as Red River, High Noon, Gunfight at the O.K. Corral and Rio Bravo) from largely European traditions, while the next two CD's cover his rousing work for epics and thrillers of every stripe, and collaborations with Hitchcock, Wayne, Capra, Stevens and more. The concluding disc pays homage to Tiomkin the unlikely pop tunesmith, via his hit vocal themes to Rawhide, Wild is the Wind and High Noon's "Do Not Forsake Me." --Jerry McCulley

Customer Reviews:

More expensive than the other Essential but worth it........2007-04-22

This is an excellent set of music of Dimitri Tiomkin's music! The 4th disc is short (at just over 30 minutes), but thats because it is just the vocal versions of tracks which appeared in instrumental form throughout the first 3 discs. Whenever you buy a silva screen compilation, the first thing you ask yourself is 'when were these recordings made' and 'do I have these tracks on other compilations? Thankfully, this set has TONS of new recordings, but there is some recycled stuff and they are as follows:

Dial M For Murder is from the 1993 History of Hitchcock Vol. I, while Strangers on a Train is from 1995's History of Hitchcock Vol. II.

Three tracks originate from 1994's "Music From the Films Of John Wayne". They are "The High and the Mighty", "The Alamo - Overture" and "The Alamo - Green Leaves of Summer".


Red River is from 1996's "How The West Was Won: Classic Western Film Scores Vol. One".

The Thing From Another World suite is from the excelllent 1998 set "Alien Invasion: Space And Beyond II"

Many tracks first appeared on "Way Out West: The Essential Western Film Music Collection Vol. Two". They are: "Duel In The Sun", "The Alamo (Davy Crockett)", "Friendly Persuasion", "Giant (Main Theme)", "Gunfight at the OK Corral", "High Noon", "Rio Bravo", and "The Unforgiven (The Need For Love)".

The rest of the tracks are brand spankin new, and most are not available on other discs, so snag this one up in a hurry!

Excellent compilation of an important composer........2004-07-16

This long overdue collection of Tiomkin standards and rarities is a must for any fan of symphonic music; albeit, for film or concert hall. As the liner notes clarify; these recordings are a real labor of love for James Fitzpatrick and the Silva Screen team. Tiomkin is; undoubtedly, one of the most difficult of composers to replicate. This recording comes extremely close to "hitting the nail on the head" particularly with tracks such as: "Across the Texas Panhandle" from the Unforgiven, The Entr'acte from Duel in the Sun, The Guns of Navarone, The War Wagon, and the main title and Jett Rink theme from Giant. This recording is a bargain, particularly for collectors who have sought after many of Tiomkin's composer conducted soundtracks (which are getting harder and harder to obtain). Listeners who enjoy this set should consider seeking out previous cd releases of the soundtracks to "The Guns of Navarone" (SONY, Varese Sarabande), "The Fall of the Roman Empire" (Varese Sarabande, PEG), "55 Days at Peking" (Varese Sarabande), and "The Alamo" :original soundtrack (still available on SONY-Legacy).

"film composer Dimitri Tiomkin gave his all and then some".......2004-07-13

Silva America presents the ultimate in film music during the illustrious career of an icon and legendary composer of film scores ~ "Alamo:Dimitri Tiomkin Essential Film Collection/O.S.T", featuring some long forgotten 53 cues that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.

Tiomkin was born in Ukraine, Russia [1894-1979] attended and graduated from St. Petersburg Academy[studied under the famed composer Glazunov] ~ had a degree in music as well as law ~ came to America in 1925, shown great interest for Native American music early in his film career.

Great fondness for "The Western" ~ "DUEL IN THE SUN" (1946) (Gregory Peck, Jennifer Jones, Joseph Cotton, Lionel Barrymore, Lilian Gish and Charles Bickford - one of biggest and successful epic Westerns ever, score & photography was simply breathtaking), "RED RIVER" (1948) (John Wayne, Monty Cliff and Walter Brennan - the Duke should have won an Oscar for his performance as the aging cantankerous cattle baron)"HIGH NOON" (1952)(classic film with Gary Cooper in his Oscar winning performance of Will Kane), "TENSION AT TABLE ROCK" (1956), "GUNFIGHT AT THE OK CORRAL" (1957)(Burt Lancaster as Wyatt Earp & Kirk Douglas as Doc Holliday pulled this off with the help of the Main Theme), "NIGHT PASSAGE" (1957), "RIO BRAVO" (1959) (top box office leaders John Wayne, Dean Martin, Walter Brennan and Ricky Nelson), "THE YOUNG LAND" (1959) (young Dennis Hopper), "RAWHIDE" (TV Series) (1959-66) (Eric Fleming as trail boss Gil Favor & Clint Eastwood as Rowdy Yates), "THE UNFORGIVEN" (1960) (Burt Lancaster, Audie Murphy and Audrey Hepburn), "THE WILD, WILD WEST" (TV Series) (1965-69)(Tiomkin's music never saw the light of day), "WAR WAGON" (1967) (John Wayne & Kirk Douglas starred) (beautifully melodic) ~ it's easy to see why Tiomkin loved Western lore.

Second disc contains The Epics ~ "LAND OF THE PHARAOHS" (1955) (Jack Hawkins as Pharaoh Cheops and a beautiful Joan Collins as his scheming wife), "55 DAYS AT PEKING" (1963) (Charlton Heston, David Niven and Ava Gardner is the all star cast), "THE FALL OF THE ROMAN EMPIRE" (1964) (featuring Alec Guinness as emperor Marcus Aurelius), "CIRCUS WORLD" (1964) (John Wayne, Claudia Cardinale and Rita Hayworth under the big top) ~ next we Hitchcock Thrillers with "STRANGERS ON A TRAIN" (1951) (a masterpiece film featuring Robert Walker and Farley Granger are both very convincing as we learn, never talked to strangers on a train or anywhere), "DIAL M FOR MURDER" (1954) (tense moments come from Grace Kelly, Ray Milland and Robert Cummings - they don't get any better than this) ~ finally Drama and High Adventure with "HIGH AND MIGHTY" (1954) (another outstanding performance by John Wayne, as the co-pilot of an airline whistling the haunting theme), "GIANT" (1956)(another big epic film with Rock Hudson, Elizabeth Taylor, James Dean and Chill Wills show us what it's like to be a Texan, with oil and money), "WILD IS THE WIND" (1957) (Anthony Quinn, Anna Magnani and Anthony Franciosa), "THE GUNS OF NAVARONE" (1961) (World War II film featuring Gregory Peck, Anthony Quinn, David Niven and Stanley Baker on a small Greek Island trying to outwit the Germans and a very big gun) ~ some of Tiomkin's most inspiring themes rise to the surface.

On disc three ~ as we continue with Drama and High Adventures "IT'S A WONDERFUL LIFE" (1946) (James Stewart, Donna Reed, Thomas Mitchell, Lionel Barrymore and Ward Bond with wholesome warm and endearing themes from our favorite composer), "TARZAN AND THE MERMAIDS" (1948) (in his 12th film as Tarzan, Johnny Weissmuller still had what it takes to swim and defeat the man-god Balu - Weissmuller and Tiomkin the perfect combination for this Tarzan adventure), "CYRANO DE BERGERAC" (1950) (Jose Ferrer stars as Edmond Rostand's famous swordsman with a even more famous nose), "THE WELL" (1951) (intense cues give the film musical triumphs in final scenes), "THE THING FROM ANOTHER WORLD" (1951) (exciting Howard Hawks film with a score to match), "FRIENDLY PERSUASION" (1956) (director William Wyler shows the life and times of a Quaker family played by Gary Cooper, Dorothy Mcguire and Anthony Perkins during the American Civil War, very touching), "THE ALAMO" (1960) (big budget epic western with Big John Wayne it's producer, director and star as Davy Crockett with a haunting and never to be forgotten "The Green Leaves of Summer"), "TOWN WITHOUT PITY" (1961) (Kirk Douglas in a post-war Germany story, blends jazz themes with Tiomkin signature arrangements) ~ Tiomkin always made the difference when it came to scoring a film.

The last and final disc four ~ The Tiomkin Vocal Songbook featuring "This Then is Texas" (Giant), "Rawhide" (Rawhide), "Do Not Forsake Me" (High Noon), "Follow the River" (Night Passage), "The Ballad of Jett Rink" (Giant), "Thee I Love" (Friendly Percuasion), "It's A Wonderful Life", "Wild Is The Wind", "The High and the Mighty", The Ballad of the War Wagon" (The War Wagon), "Rio Bravo", "Strange are the Ways of Love" (The Young Land), "The Ballad of Jim West" (The Wild Wild West), "The Wild Wild West" (The Wild Wild West) ~ many were hit makers of the day and in the top ten.

Outstanding performances by The City of Prague Philharmonic Orchestra (Nic Raine, Paul Bateman, Mario Klemens - are the conductors), Crouch End Festival Chorus (David Temple - choir master), featuring vocals by Jason Howard and Keith Ferreira ~ hats off to James Fitzpatrick (producer), Reynold da Silva (executive producer), Olilvia Tiomkin Douglas, John Waxman, Rick Clark and Gareth Williams (associate producers) ~ all film producers and directors welcomed the legendary composer with open arms for their forthcoming projects ~ the "film-score-buff" collectors are ecstatic about this four disc release on the essential film music collection of DIMITRI TIOMKIN, the arrangements and performances are top notch inclusive of HDCD/Dolby Surround.

When listening to the music of a film, you had the feeling of the storyline, characters and convictions of the whole picture, they'll never be another to come this way again ~ Silva America has outdone themselves on this one, it is definitely a five star film score box set...gotta love it!

Total Time: 4-CD-Set ~ Silva America 811 ~ (7/13/2004)

Average customer rating: Sensory Reliving of a Lost Time Makes me smile.

Homespun America: Mid-19th Century Brass Band, Social Orchestra & Choral Group Music Gioachino Rossini , Ferdinand Herold , Anonymous , New Hutchinson Family Singers , Hosea Ripley , Gary William Friedman , Stephen Foster , James Sanderson , Gary Bordner , and Allen Vizzutti Manufacturer: Vox (Classical) ProductGroup: Music Binding: Audio CD Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Marches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Marches | Miscellaneous | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Similar Items: Early American Choral Music, Vol. 1 The American Brass Band Journal American Angels Turn-of-the-Century Cornet Favorites Music of the American Revolution: The Birth of Liberty ASIN: B000001K3V Release Date: 1995-04-16

Tracks:

1. Eaton's Grand March
2. Giorno D'Orrore (Semiramide)
3. Free And Easy
4. Les Rendezvous Waltzes
5. Galop
6. Serenade - Departed Days
7. Waltz
8. Quickstep - Blues
9. Congo's Quickstep - Manchester Cornet Band (Concert Of July 1, 1858)
10. Crossing The Grand Sierras - New Hutchinson Family Singers
11. The Famous Quadrilles
12. The Fireman's Polka - New Hutchinson Family Singers
13. Uncle Sam's Farm
14. King Alcohol
15. Don't Stay Away
16. The Vulture Of The Alps
17. The Old Granite State - New Hutchinson Family Singers

Tracks:

1. Hope Told A Flattering Tale - Manchester Cornet Band
2. The Pauper's Funeral - New Hutchinson Family Singers
3. Calomel
4. The Peri Waltzes
5. Felina Redowa de Salon
6. The Guards Waltzes
7. The Quaker Medley Set Quadrilles
8. The Hand Organ Polka
9. The Old Folks Quadrille
10. Peter's Quickstep - Manchester Cornet Band
11. Get Off The Track - New Hutchinson Family Singers
12. Excelsior
13. The Fourth Of July Overture
14. May Heaven's Graces - Manchester Cornet Band
15. Hail To The Chief

Customer Reviews:

Sensory Reliving of a Lost Time.......2007-04-03

I bought this originally because I play trumpet and saw Vizzutti's name on the list of artists. Of course, he's excellent, but what's really special here is that you can close your eyes and be back in the town park in small town America of the 2nd half of the 19th century when every town had a band while they waited for TV to be invented. I have a photo of my ancestors posing with the Mount Pleasant Mills (PA) band in the early 20th century and feel I'm there when I hear this music.

Makes me smile........2004-09-03

This is a 2 Disc set of charming 19th Century American music of the "everyday" variety: polkas, quadrilles, waltzes...tunes like "Pop Goes the Weasel" played sweetly and without a hint of irony. If you're looking for sophisticated concert music, look elsewhere. This is the music Americans were playing and hearing in park bands, "social orchestras", etc. Highlights include stunning performances by trumpet virtuoso Alan Vizutti on E-flat cornet. Also notable are the vocal quartet recreations of the spiritual songs and abolitionist anthems of the Hutchinson Family Singers. This collection is like a lively little piece of American history on disc, elegantly performed by all invloved. The 27-page booklet is crammed with interesting information.

Average customer rating: More than a single. Very good electronica Great electronic stories... Brilliant! Excellent Album

The Story of Our Lives The Echoing Green Manufacturer: A Different Drum ProductGroup: Music Binding: Audio CD General | Dance & DJ | Styles | Music Electronica | Dance & DJ | Styles | Music Dance Pop | Dance & DJ | Indie Music | Stores | Music 4-for-3 Dance & DJ | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: The Evergreen Collection The Winter of Our Discontent Music From the Ocean Picture The Evergreen Annex Songs of Innocence and Experience - Hope and Science ASIN: B0002CKCRW Release Date: 2004-06-10

Tracks:

1. The Story of Our Lives (Epic)
2. Winter (Sequencia Mix)
3. The Story of Our Lives (Echo Image Mix)
4. Seaside
5. The Story of Our Lives (Syrian Mix)
6. Blind (What Just Happened?)
7. The Story of Our Lives (Virtual Server Mix)
8. The Sparrows and the Nightingales (with Sheltershed)
9. The Story of Our Lives (Technoman SF Mix)
10. Fall Awake (Random Access Memory Mix)

Album Description

The song "The Story of Our Lives" became somewhat of an anthem in the synthpop underground, and certainly a favorite off of The Echoing Green's popular album "The Winter of Our Discontent". This 10-track EP/CD features several new versions of the song, plus some tasty extras. The first remix is an extended version which keeps much of the same flavor as the original, but starts and ends with a beautiful piano solo. The other versions aim squarely at the dance floor with high-energy beats.

Bonus tracks include the all-new song "Seaside", plus a great cover version of the popular Wolfsheim song "The Sparrows and the Nightingales", plus additional remixes of other popular songs, "Winter", "Fall Awake" and "Blind".

Customer Reviews:

More than a single........2006-02-20

This may be the 'single' for the song "Story of Our Lives," but this 10-song album carries more than the song and a radio mix!

The album starts with an 8-minute epic remix of the title track, with four more remixes by Echo Image, Syrian, Virtual Server, and Tecnoman SF. But you could tell that from looking at the song listing above. The epic's synthpop sound fills the room with even a modest stereo system, the other remixes take a little drum 'n bass and bring bouncing melody into the picture.

The 5 extra tracks include 3 more remixes. Sequencia took the somber "Winter" track and made it jump with a darkish trance sound. Variant made "Blind" see a whole new light with a halting groove that'll electrify the space between your ears. The harsh sound of the new "Fall Awake" remix by Random Access Memory rounds out the remixes.

And if remixes weren't enough, Joey put 2 pieces of new material on this album! Seaside is a gentle synthpop ballad in the vein of "Heidi's Song" from _Winter_of_Our_Discontent_. Whereas EG worked with Sheltershed to put together the dark and motivating "The Sparrows and the Nightingales" which makes you question your purpose in life.

A little darker than their early material, this Echoing Green release deserves more credit than just being called a 'single.'

Very good electronica.......2005-07-16

I have always been into electronic music but all I have been introduced to lately is Joy Electric, and Code of Ethics which while good are somewhat underwhelming given their reputation. This however was an awesome album that I enjoy as much as Andy Hunter.

Great electronic stories..........2005-02-15

This EP is filled with great new versions of the title track - the "Epic" mix is over 8 minutes long and I really recommend to check this one out! Sound quality is also top notch here with full bass power. Remixes were done from DJs around the world! As a bonus you'll get the b-side "Seaside" which comes in a dance rock outfit with real drums (song was not on the last album)! Electronica act Sheltershed helped to make a new version of "The Story & The Nightingales" originally a Electronica/Gothic hit from Germany. Here it comes in a fast club sound with slightly shattered vocals which gives a nice "rough" feeling. All in all this CD is fantastic addition to any Echoing Green fan collection ...and beyond!

Brilliant!.......2004-09-08

"The Story of Our Lives" is the best yet! I saw these guys play in Salt Lake City over Labor Day weekend 2004 and they were fantastic. I bought several of their CDs at the concert and highly recommend them. This is my favorite.

Excellent Album.......2004-07-12

Another amazing effort from one of the best (if not the best) Christian syth-pop/electronica bands. This album has a significantly darker feel than their traditional sound, but I think it's their best work yet. As always, the lyrics are deep and the the music's entrancing...a must have for any electronica fan.

Average customer rating: A Rebuttal and Praise small reservations, but that's only because I'm biased This should be the post-ultimate thing you hear. Harry Partch CD US Highball Kronos Quartet David Barron and Kronos do justice to a masterpiece

Harry Partch: U.S. Highball Kronos Quartet , and Composer: Harry Partch Manufacturer: Nonesuch ProductGroup: Music Binding: Audio CD Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Kronos Quartet | ( K ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Opera & Vocal | Styles | Music Similar Items: The Harry Partch Collection Volume 3 The Harry Partch Collection, Volume 1 Peteris Vasks: String Quartet No. 4 The Harry Partch Collection, Volume 4 The Harry Partch Collection, Volume 2 ASIN: B0000AN4FH Release Date: 2003-08-19

Tracks:

1. Leaving Carmel, Californi-el
2. Leaving Imlay, Neva-day
3. Wait For The Next Drag
4. Crossing Great Salt Lake, U-take
5. There Are Rides On The Highway At Green River
6. Did I Ever Ride Freights? Huh!
7. Leaving Little America, Wyo-ma
8. North Platte, Nebras-katte

Album Description

U.S. Highball is one of the first underground masterpieces in American music. Partch's work explores what, decades later, would be called a 'subculture' - the hoboes, who traveled across the U.S. in search of work or new experience, defying social conventions and the strictures of civilized society. The recording on this CD is not U.S. Highball in any of Partch's (three) versions, but an arrangement for voice and string quartet made for Kronos in 1997 by Ben Johnston, a composer who studied and worked with Partch and with whose own music Kronos has had a long and fruitful relationship. Slipcase. Nonesuch. 2003.

Customer Reviews:

A Rebuttal and Praise.......2007-01-06

There have been comments and concerns with this CD in saying that it may not be in keeping with the original composition. What has been egregiously overlooked in previous complaints is the simple fact that Harry Partch was never actually in keeping with his OWN original compositions. Though most people think of an ensemble of Harry Partch instruments and performers as the true rendition of this piece, it must be realized that it first came out simply for microtonal guitar and voice--Harry traveled around to colleges and did solo performances of it! It then took on several various iterations, expanding up to, at one point, ten individual performers. Harry Partch was constantly reworking this piece, and, had he never died, would probably still be rearranging it. This particular arrangement was a commission written specifically for the Kronos Quartet, and was arranged by a former protege of Partch's. It remains as true as possible to Partch's original notes, styles and intentions. Seeing how faithfully this has been converted to string quartet is truly inspiring.

The Kronos Quartet does an absolutely incredible job managing all of the subtleties of this work. Microtonality is not easy!

I highly highly recommend this CD.

small reservations, but that's only because I'm biased.......2006-08-03

I cringe a little whenEVER I see a Partch transcripted for something other than his original instrumentation. I think that's because Partch's work at creating his own music and theatre for that music was so creative and unique that I never tire of it and want to see newer recordings using those wonderful music machines just so I know that Partch's ideas won't fade in time and remain only in some select recordings.

I'm still getting over Kronos taking my favorite Partch piece, Barstow, and stringifying it on Howl, USA, but in all honesty Kronos does justice to Partch. It shouldn't seem too suprising--Kronos has made their reputation by doing string quartet work that doesn't always sounds like string quartet. Since they've reinvented the string quartet, it would seem feasible that they could reinvent Partch FOR string quartet.

I'm not wholly buying into it yet, but I also know that far worse could have been done to Partch in this recording, so I credit Kronos for the efforts they took to keep the spirit of the original composition alive. A central connection here seems to be the common desire to make truly American music that doesn't just glom off of European traditions. In doing this, Partch set to music notes of his own hobo trip, to put American experience to music. Though Kronos will always in the end sound a little too polished for the raw nature of Partch's work, I thank them for keeping his name relevant in contemporary music.

Thank you, Kronos.

This should be the post-ultimate thing you hear........2005-10-01

Can't really criticize the performance because the composition was so terrible. Often one can say that one's musical purchases are simply a matter of taste. In this case, I can say that this music is bad on an absolute scale. Really, if you like this kind of stuff, hang out with some homeless people. I think I've seen this performed live outside the methadone clinic. You can check there, too.

Harry Partch CD US Highball Kronos Quartet.......2005-09-20

The whole deal was top notch. Price, speed and quality. Could not have asked for more. Very, very pleased.

David Barron and Kronos do justice to a masterpiece.......2003-11-19

The performance by David Barron and the Kronos Quartet of Harry Partch's landmark "US Highball" provides an experience of precise abandon. This entertaining, demanding, and thoroughly original work is given a performance in which the highlight is certainly Mr. Barron's expressive reading of Partch's gem of a text, in which vignettes narrating the hobo's life appear as brief scenes, sometimes hilariously funny, as in the statement by an old man emerging from a piano crate, who tells the gathering of hobos who have just arrived in his train yard, "I used to be a bum once"; or the hobo who observes concerning the passing motorists, "They don't stop much, do they?" Mr. Barron's ability to modulate his inflection, accent, and tone with the greatest flexibility, while still articulating the words so that they are always intelligible, bring a vitality to the performance which Partch clearly intended, and it is this vitality which, supported by the Kronos' standard excellence, makes this performance an experience to be treasured. This reviewer has driven across the country on several occasions, and the performance captured wonderfully the sense of changing vistas and conditions characteristic of such journeys.

Average customer rating: The Quintet Returns

Double Blues Crossing Gerry Hemingway Quintet Manufacturer: Between-the-Lines ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Jazz | Styles | Music Jazz | Imports | Stores | Music Similar Items: News on the Rail Winter Birds Waltzes, Two-Steps, & Other Matters of the Heart Definition of a Toy Time Lapse ASIN: B0009I8QC2 Release Date: 2005-09-13

Tracks:

1. A. Buddy Luckett's Dream By The Dry Grass Pt.1/B. Where The Once Never Blues
2. Buddy Luckett's Dream By The Dry Grass Pt.2
3. Don't Melt Away Pt. 1 & 2
4. It Ain't Slippery But Its Wet
5. Joe Cracklin Left This Before The River Got Him
6. Rallier
7. Night Town/Tent
8. Slowly Rising

Album Description

Gerry Hemingway's quintet presents its new, promising Double Blues Crossing, a one-hour trip through the spheres of Hemingway's compositions that promises a great listening experience!

Customer Reviews:

The Quintet Returns.......2005-09-15

Drummer, composer and bandleader Gerry Hemingway reformed his classic European Quintet for this session. Perhaps best known to casual jazz fans as Anthony Braxton's drummer in his 1980s quartet, Hemingway has a bountiful discography which his old European Quintet takes up a hefty chunk of. While now spending more time with his American quartet and other, smaller ensembles, Hemingway decided it was time to reform this classic group to tackle some new material with some new techniques. Although Hemingway has integrated sampling technology into his acoustic units in the past, perhaps most successfully on his "Perfect World" suite from 1996, (which also featured a similar quintet line-up) here he uses it with a newfound subtlety and nuance that borders on the sublime.

The album's self-titled centerpiece, a seven part suite, launches the album utilizing this technology. Beginning with the scratchy rhythm of an old vinyl record playing folksy fiddle tunes, this sample is embellished by loops and delays until Kermit Driscoll enters on electric bass with a line that complements the sampled phrase. The rest of the ensemble chimes in with a buoyant riff eventually leading into quiet improvisation, call and response sections and solo cadenzas. The suite features bluesy smeared trombone lines, frenzied cello work-outs, stately clarinet improvisations and the sort of written ensemble counterpoint that is typically reserved for advanced chamber music. The sampling makes a reprise at the close of the suite to conceptually bring it full circle.

"Night Town/Tent" is the most "classical" sounding piece on the record, its pointillistic classicism featuring delicate marimba playing and metered string responses. Frank Gratkowski's jaunty Dolphy-esque bass clarinet solo opens "Rallier" until the rest of the band gradually enters to build from soaring lines to a monstrous swinging riff. It is reminiscent of Hemingway's old quintet writing and a joy to hear again. Featuring an elastically modulated rhythm that veers from casual swing to manic flight, the piece is a tour de force for the ensemble including a phenomenal drum solo from the leader.

"Slowly Rising," closes the album on a pleasantly familiar note. A folksy African Highlife of sorts with a pleasantly laconic beat, poppy bass, simple cello ostinato counterpoint and gentle theme and variations soloing between the horns, it is becoming something of a tradition in Hemingway's discography. Both 1996s "Perfect World" and 2003s "Devil's Paradise" closed with similar pieces.

Hemingway's music is complex, but at its core, it is also heartfelt and truly beautiful. A welcome return and immediately enjoyable in a way that some advanced avant garde music is not, here's hoping that "Double Blues Crossing" finds the audience a talented artist like Hemingway deserves.

Average customer rating:

Crossing the Line Pat LaBarbera Manufacturer: Jazz Compass ProductGroup: Music Binding: Audio CD Bebop General | Bebop | Jazz | Styles | Music Hard Bop | Bebop | Jazz | Styles | Music General | Jazz | Styles | Music ASIN: B000AQKXXI Release Date: 2005-10-25

Tracks:

1. Crossing The Line
2. Yours Or Mine Or Blues
3. Mind Games
4. There's A Lull In My Life
5. While My Lady Sleeps
6. It Used To Be
7. Bye Ya

Average customer rating:

Crossing America Manufacturer: Skuntry.com ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music General | Jazz | Styles | Music General | Folk | Indie Music | Stores | Music General | Jazz | Indie Music | Stores | Music ASIN: B0000ALQBP Release Date: 2003-06-01

Tracks:

1. Hitchhiked America (Pops Farrar)
2. Crossing America, I (Leo Connellan)
3. Still Think of Her (Rich Hibbs)
4. Crossing America, II (Leo Connellan)
5. Minook, Illinois (Seth Timbs)
6. Crossing America, III (Leo Connellan)
7. Green Vermont (Three Fried Men)
8. Crossing America, IV (Leo Connellan)
9. In from Freezing (Nate Shaw)
10. Crossing America, V (Leo Connellan)
11. No Place for a Young Dumbbell (Esser Bros.)
12. Crossing America, VI (Leo Connellan)
13. Do Not Be a Fool, Be Aware (The Dave Stone Trio)
14. Crossing America, VII (Leo Connellan)
15. Liquor's Got Your Lust (The Dave Stone Trio with Seth Timbs)
16. Crossing America, VIII (Leo Connellan)
17. You Stem. You Bum. (Nate Shaw)
18. Crossing America, IX (Leo Connellan)
19. Tokyo (Three Fried Men)
20. Crossing America, X (Leo Connellan)
21. Rain and the Sea (Geoff Seitz and Dave Landreth)
22. Crossing America, XI (Leo Connellan)
23. Horror is Easy (Geoff Seitz and Dave Landreth)
24. Crossing America, XII (Leo Connellan)
25. Lost in Ascent (the bog at Horseshoe Lake and a jet plane)
26. Crossing America, XIII (Leo Connellan)
27. Cheyenne (Fred Friction with Three Fried Men)
28. Crossing America, XIV (Leo Connellan)
29. Loneliness and Guitar Strums (JohnMacEnulty and Steve Allain)
30. Crossing America, XV (Leo Connellan)
31. Gas Pedal Foot (One Good Cool One)
32. Crossing America, XVI (Leo Connellan)
33. Betrayed in a Pail (One Good Cool One)
34. Crossing America, XVII (Leo Connellan)
35. What We White Men Will Pay for in Hell (Eric Markowitz and Dave Stone)
36. Crossing America, XVIII (Leo Connellan)
37. Wet Dust of His Bones (Dave Stone and William Teague)
38. Crossing America, XIX (Leo Connellan)
39. Whistled on a Halo (Nate Shaw and Heidi Dean)
40. Crossing America, XX (Leo Connellan)
41. The Apple Country (Rosco Gordon & The Rotten Dogs)
42. Crossing America, XXI (Leo Connellan)
43. Ridding the Community of Vagrancy (Three Fried Men)
44. Crossing America, XXII (Leo Connellan)
45. Just One More Mountain (Brian Henneman with Three Fried Men)
46. Crossing America, XXIII (Leo Connellan)
47. Truce with Silence (Three Fried Men)
48. Crossing America, XXIV (Leo Connellan)
49. Just Around the Corner from Night (Chuck Hatcher)
50. Crossing America, XXV (Leo Connellan)
51. The Town of Her Dollhouse (Jeffrey Hoard and Victoria Gough)
52. Crossing America, XXVI and XXVII (Leo Connellan)
53. Proudly on Everybody's Lips/Washington Post (The Gateway Brass Quintet)
54. Crossing America, XXVIII (Leo Connellan)
55. Alice in Eleven Dresses (Dave Stone)
56. Crossing America, XXIX (Leo Connellan)

Album Description

In the 1950s Leo Connellan hitchhiked across America, a bum and a drunk, scribbling notes about his travels on scraps of paper. Eventually he sobered up and rewrote these scraps as a hitchhiking epic, Crossing America, first published in 1976, which ends with a brutal and lyrical account of a bum's rape of a bag lady. Near the end of his life (he died in 2002) Leo met a group of young musicians from the arts collective Hoobellatoo, who recorded Leo reading the entire poem. They then traveled the country with a barebones mobile studio packed into a car, recording music to accompany the poem. This record presents Leo's readings (in his Skid Row Elmer Fudd twang), with each pause between the poem's 29 sections illustrated with a musical interlude, ranging in feel from old-time fiddle to post-bop jazz to swaggering rock to tone poem. Consider it spoken word, punctuated by musical miniatures that add up to an experimental folk symphony.

Average customer rating:

DoublePlays: In Search Of/California Crossing Fu Manchu Manufacturer: Festival ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music Alternative Metal | Hard Rock & Metal | Styles | Music General | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Rock | Imports | Stores | Music ASIN: B0009SQ4ZI Release Date: 2005-05-24

Tracks:

1. Regal Begal
2. Missing Link
3. Asphalt Risin'
4. Neptune's Convoy
5. Redline
6. Cyclone Launch
7. Strato-Streak
8. Solid Hex
9. Falcon Has Landed
10. Seahag
11. Bargain
12. Supershooter

Tracks:

1. Separate Kingdom
2. Hang On
3. Mangoose
4. Thinkin' Out Loud
5. California Crossing
6. Wiz Kid
7. Squash That Fly
8. Ampn'
9. Bultaco
10. Downtown in Dogtown
11. Wasteoid

Album Description

The 'Double Play' range features two original albums packaged together in a slipcase at a great price! In search of & California crossing. Available from July 1 - September 30 ONLY!

Music Album:

1. DocFest: A Tribute to Doc Watson and His Musical Partners Merle Watson and Jack Lawrenc
2. Each Little Thing [Import]
3. Finland: Modern Tradition
4. Finnegan Wakes [Import]
5. Flowers of Edinburgh
6. Give a Damn: The Transatlantic Years
7. Go Slowly All the Way Round the Outside
8. Heart Made of Glass
9. Heat the Hoose
10. High Clouds

Music Album