Willow Tree

Track Listings

1. Forever Changing

2. Silver Dagger

3. Something New

4. Willow Tree

5. Wildwood Flower

6. On Her Way

7. Gift

8. Reflections

9. Every Night

10. Quiet Passing

Willow Tree, Music, Kristi Bartleson, Folk, Folk & Traditional, Pop

The Ultimate Gilbert & Sullivan Collection
Average customer rating:

Well worth the price

Not Exactly "The Ultimate" Collection...

Where's the chicks?!?!

Not quite the ultimate....

Great Music - Questionable Selection

The Ultimate Gilbert & Sullivan Collection
Arthur Sullivan , Isidore Godfrey , Royston Nash , New Symphony Orchestra of London , Royal Philharmonic Orchestra , Colin Wright , Donald Adams , George Cook , Gillian Knight , Jean Hindmarsh , Jeffrey Skitch , John Ayldon , John Reed , Joyce Wright , Kenneth Sandford , Lyndsie Holland , Owen Brannigan , Pauline Wales , Peggy Ann Jones , Thomas Round , Valerie Masterson , and D'Oyly Carte Opera Company
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Brannigan, Owen | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
General | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
Operettas | Opera & Vocal | Styles | Music
The Decca Records Store | Specialty Stores | Music
Similar Items:

The Best of Gilbert & Sullivan

Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury

Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack

Topsy-Turvy

The Best of Gilbert & Sullivan

ASIN: B000007OU0
Release Date: 1998-06-09

Tracks:

H.M.S. Pinafore: We Shall Sail The Ocean Blue
H.M.S. Pinafore: I'm Called Little Buttercup
H.M.S. Pinafore: My Galant Crew, Good Morning
H.M.S. Pinafore: I'm The Monarch Of The Sea
H.M.S. Pinafore: When I Was A Lad
H.M.S. Pinafore: Nevermind The Why And Wherefore
H.M.S. Pinafore: Kind Captain, I've Important Information
H.M.S. Pinafore: Carefully On Tip - Toe Stealing
H.M.S. Pinafore: For He Is An Englishman
The Pirates Of Penzance: I Am The Very Model Of A Modern Major - General
The Pirates Of Penzance: When A Felon's Not Engaged In His Employment
The Pirates Of Penzance: With Cat Like Tread
The Sorcerer: My Name Is John Wellinton Wells
The Gondoliers: Take A Pair Of Sparkling Eyes
Patience: If You're Anxious To Shine
The Mikado: If You Want To Know Who We Are
The Mikado: A Wand'ring Minstrel I
The Mikado: Behold The Lord High Executioner
The Mikado: As Someday It May Happen
The Mikado: Three Little Maids From School Are We
The Mikado: The Sun Whose Rays Are All Ablaze
The Mikado: Here's A How - De - Do!
The Mikado: From Ev'ry Kind Of Man Obedience I Expect
The Mikado: A More Humane Mikado Never Did In Japan Exist
The Mikado: The Criminal Cried As He Dropp'd Him Down
The Mikado: The Flowers That Bloom In The Spring, Tra La
The Mikado: On A Tree By A River A Little Tom Tit
The Mikado: There Is Beauty In The Bellow Of The Blast
The Mikado: For He's Gone And Married Yum-Yum

Customer Reviews:

Well worth the price.......2006-04-13

I love this CD. No, despite its name it is not the "ultimate" collection, as scarcely could be expected from a single CD. It is heavy on Mikado, as others have stated. It leaves out things I would have included and includes things I would have left out. But the performances are wonderful, traditional and all you expect from G&S. Considering the low price, it is well worth including in your G&S collection ... as PART of your collection. After the disappointment of the godawful Opera World video series (Don't buy it!) this CD is a joy and a relief.

Not Exactly "The Ultimate" Collection..........2004-12-23

It seems that a collection of Gilbert & Sullivan music that has the name "The Ultimate Collection" in its title would boast a wide range of music, but I found the selection disappointing. Half of the tracks are songs from The Mikado, and the other half is divided between five... yes, FIVE other operettas. This means that the representation from each operetta is awfully scant. I would have liked to see less Mikado and more of everything else, and perhaps some highlights from the more obscure operettas (Princess Ida and The Sorcerer, namely).

In addition, while most of the music is very well performed, some of the vocalists either go a bit overboard or, at the very opposite end, seem to lack expression. For example, this Nanki-Poo (in The Mikado) seems to be overly occupied with vibrato. Katisha's voice is annoying, and The Mikado's low voice often seems to lack feeling and humor. The other idiosyncracies, like the very frightening evil laughing during "A More Humane Mikado" and hissing during "Three Little Maids" really bug me.

Then again, I'm new to Gilbert and Sullivan, and was introduced to the music through the Topsy Turvy soundtrack, which has a noticeably less operatic style, and hardly includes "stage noise"... so perhaps all this is the norm. Do listen to the tracks for yourself, though, before you purchase the CD. Personally, I find that the Topsy Turvy soundtrack, while considerably less ecompassing, is much lighthearted and easier listening.

Where's the chicks?!?!.......2003-05-15

It wouldn't be G&S if not for the ladies - so where are they? How could they leave out Mabel's aria - or Josephine's!? The only female aria included on this disc comes from Mikado, which is the least exciting (if G&S could be un-exciting) of the three! Everything else on the recording is great, but I am still quite disappointed.

Not quite the ultimate...........2002-03-25

This is a great collection, but unfortunately it doesn't have songs from all the works of G&S. Most notably, there is nothing from the "Yeoman of the Guard". I still reccommed it however as John Reed is wonderful!!

Great Music - Questionable Selection.......2002-02-05

It's an ongoing challenge to find a recording of Gilbert and Sullivan that combines premium musicality and great theatrical performance. This recording is a true gem on both fronts. My only complaint is that for a "Best of" collection, this compilation is Mikado-heavy and scarcely touches on highlights from other masterpieces, particularly The Pirates of Penzance. This would be my favorite G&S CD of all time, of only it included tracks like "When the Foeman Bares his Steel," "Poor Wand'ring One," and "Dry the Glist'ning Tear," but then again, I guess there's no real consensus as to which are Gilbert and Sullivan's best works, and there are too many to fit on one CD.

Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury

Average customer rating:

The Best Of Gilbert And Sullivan
Pure delight
Delicious G&S samplings abound here.
Fine Intro to G&S

Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Nicholas Folwell , Arthur Sullivan , Marie McLaughlin , Rebecca Evans , Anthony Rolfe Johnson , John Mark Ainsley , Alwyn Mellor , Anne Howells , Barry Banks , Eric Garrett , Felicity Palmer , Gareth Rhys Davies , Janice Watson , Julie Gossage , Neill Archer , Pamela Helen Stephen , Peter Savidge , Richard Stuart , Richard Suart , Richard Van Allan , Sir Thomas Allen [baritone] , Sir Charles Mackerras , and Welsh National Opera
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

The Ultimate Gilbert & Sullivan Collection
Topsy-Turvy - The Music of Gilbert & Sullivan: From the Original Motion Picture Soundtrack
The Best of Gilbert & Sullivan
The Complete Annotated Gilbert & Sullivan
The Gilbert and Sullivan Overtures

ASIN: B000003D1Y
Release Date: 1996-01-23

Tracks:

A Wandering Minstrel I
Behold The Lord High Executioner!
Three Little Maids From School Are We
Braid The Raven Hair
The Flowers That Bloom In The Spring
On A Tree By A River, A Little Tom-tit Sang, 'Willow, Tit-willow'
For He's Gone And Married Yum-Yum
We Sail The Ocean Blue
I'm Called Little Buttercup
My Gallant Crew
When I Was A Lad
Things Are Seldom What They Seem
Never Mind The Why And Wherefore
Climbing Over Rocky Mountain
Poor Wand'ring One
How Beautifully Blue The Sky
I Am The Very Model Of A Modern Major-General
When The Foeman Bares His Steel
Ah, Leave Me Not To Pine
With Cat-Like Tread
Is Life A Boon?
I Have A Song To Sing, O!
Were I Thy Bride
Oh, A Private Buffoon Is A Light-Hearted Loon
When A Wooer Goes A-Wooing
When I, Good Friends, Was Called To The Bar
A Nice Dilemma We Have Here
Oh, Joy Unbounded

Customer Reviews:

The Best Of Gilbert And Sullivan.......2004-03-15

At the end of the 19th century (1870's, 80's and 90's) the compatible duo of librettist and composer Gilbert and Sullivan popularized the pre-Broadway entertainment of Savoy opera. These were light operas or operettas whose content was satire and comedy, full of bouncy melodies and beautiful singing, highly entertaining theatrical works staged at London's Savoy theatre. Gilbert and Sullivan did not always get along and in fact there was a time when they ended their professional relationship because personal conflicts surfaced. But they managed to create the world's most beloved light operas, over 40 of them. Their most famous are what I call the Big Three- The H.M.S. Pinafore, The Pirates Of Penzance and The Mikado. Other works include their first hit Trial By Jury, The Yeomen Of The Guard, Princess Ida, The Gondoliers, Patience and several others. A standard signature of Gilbert and Sullivan was in the colorful cast- a comic actor with a special kind of baritone voice, a canary-like and sweet-voiced coloratura or lyric diva, a mezzo soprano with strong chest register and a lyric tenor as the romantic hero. On this album, English conductor Sir Charles Mackerras, a popular figure in the classical music scene and opera, guides the Chorus and Orchestra Of the Welsh National Opera in generally well-delivered performances of excerpts from the operas The Mikado, The H.M.S. Pinafore, The Pirates Of Penzance, Yeomen Of The Guard and Trial By Jury. Although I feel that the recordings made by the D'Oyly Carte Opera Company, with Isodore Godfrey conducting and starring the best cast of the Gilbert and Sullivan repertoire- the singers of the 60's and 70's- tenor Phillip Potter, soprano Valerie Masterson, baritone John Reed, Donald Adams and mezzo soprano Christine Palmer. Their version of the Pirates Of Penzance and the Mikado far outshine the Welsh National Opera in technical mastery and vibrant tone color.

But these are fine excerpts. Especially appealing is the famous and cheerful "Three Little Maids From School Are We", a trio that imitates Japanese style melody. Most of the Mikado does this, for it was inspired by Japanisme or the new fashion in Victorian England- everything Japanese, from prints to paintings to poetry. Gilbert and Sullivan simply "Japanized" their English operettas. The Finale "For He's Gone To Marry Yum Yum" is an ebullient and pleasant finale. Not featured here is the domineering and powerful Katisha, a figure who stands out in the Mikado.

The H.M.S. Pinafore is Gilbert and Sullivan's most popular work. The sea chanty "We Sail The Ocean Blue" opens the opera with appropriate atmosphere and it seems to fit perfectly with the other scene in which the Captain greets his crew and they sing his praises "My Gallant Crew..I am the Captain Of The Pinafore". A beautiful melody that seems to come out of a romantic Offenbach tune is "I"m Called Little Buttercup". The finale, not featured here, is also very engaging "For He Is An Englishman" which can almost resemble a British national anthem. The Yeomen Of The Guard was Gilbert and Sullivan's "serious opera" eventhough it remains very Savoyard. The plot deals with Tudor England and takes place at the London Tower. "I have a song to sing" makes use of what can be taken for an English ballad of the Renaissance. Trial By Jury, about the eccentric and hilarious activity of a court trial, has a sextet that although different in composition, has the sextet "Che Mi Frena" from Donizetti's Lucia Di Lammermoor in mind. All in all, an excellent recording sure to delight young and old.

Pure delight.......2003-08-02

--Gilbert & Sullivan--
William Gilbert and Arthur Sullivan were a match made in heaven, yet on earth their pairing seems even with hindsight a most unlikely coupling. Both were destined for other things, Gilbert in fact for decidedly non-musical careers. Introduced by a mutual friend, Fred Clay, the fledgling lyricist Gilbert met the military-band-leader's son Sullivan and together continued to conspire to inspire the delights of audiences from high Victorian times down to the present, as their work in musical theatre comedy continues to provide merriment throughout the English-speaking world and beyond.

--The Music--
This collection includes highlights from five of the most popular Gilbert & Sullivan operettas: The Mikado, HMS Pinafore, The Pirates of Penzance, The Yeoman of the Guard, and Trial by Jury. The arrangements and orchestrations are delightfully energetic and clear; the characterisation and vocal qualities of the leads are perfect for their roles. The haughty if misplaced Lord of the Admiralty has the perfect combination of insecurity and pompous officiousness. The Plaintiff and the Defendant in the Trial are perfectly cast. This is a collection of highlights - at least three but no more than seven songs each, but this gives a good flavour of the music. The recordings on this collection come from complete performances by Mackerras and the WNO.

--Sir Charles Mackerras--
Mackerras is one of the geniuses of the twentieth century musical scene. Having a conducting career that includes the Hamburg Opera, the English National Opera (formerly Sadlers Wells Opera), and the Welsh National Opera (the performers for this piece), he has also conducted major orchestras on the continent of Europe and in the United States. The holder of many major awards and honourary doctorates, he has devoted much time and energy to the preservation and performance of eighteenth and nineteenth century music, as well the restoration of historical musical venues, such as the Estates Theatre in Prague, scene of the original production of Don Giovanni (Mackerras conducted the opera there to commemorate the bicentenary of the death of Mozart).

--Welsh National Opera Orchestra and Chorus--
The seeds of the WNO were planted in Cardiff during World War II by music lovers; the first performances occurred a year after the war's end, with Cavalleria rusticana and Pagliacci on the bill, with Faust the next night. Popular appeal was so great that the WNO was established, later adding choruses in both Cardiff and Swansea. The professional chorus was established in 1973, with a strength that matches the orchestra. They continue an ambitious performance schedule for recording and live events; Mackerras remains the Conductor Emeritus, as the WNO continues under the direction of Carlo Rizzi. The list of awards the WNO has won over the years is staggering - they are a world class institution by any measure.

--Other performers--
Notable singers such as Richard Stuart, Rebecca Evans, Felicity Palmer, John Mark Ainsley and Anne Howells lead the chorus with stunning vocals and clever characterisations of the parts they play. Many (such as Stuart and Evans) play the leading roles across several of the pieces of the disc.

--Liner Notes--
The liner notes give a good introduction and biographical information about Gilbert and Sullivan, as well as synopses of the five pieces presented here. It does not, unfortunately, include any information about Mackerras, the WNO Orchestra and Chorus, or the other special performers. It also does not include the lyrics to the songs. Were the quality of the CD not so great, this might cost it a star in rating.

--Overall Impressions--
I play this CD in my car, in my home and in my office frequently. It is a great sing-along work and a great comedic relief from the stresses of the day. The music is bubbly and clear; the recording quality is excellent and crisp. I recommend this to any Gilbert & Sullivan lover, any fan of musical comedy, opera and operettas, and anyone who delights in good music.

Delicious G&S samplings abound here........2003-05-06

The first thing I should be saying is "What an infectuous G&S CD." Indeed this is, with this fine sampling of the peppy and bright Mackerras series. I know I have praised its "Mercedes-Benz quality" elsewhere on these pages, but that doesn't stop me from saying that everyone is in fine voice. This generously filled CD may only focus on five operas, but at least you can savour a reasonable choice sampling of delights from each one. Of particular interest is Richard Suart's patter-baritone parts and the soaring lyric soprano of Rebecca Evans. The selection on this disc is filled with a mixture of familiar favourites and lesser-known gems such as the female choruses in Mikado and Pirates. Mackerras is a true G&S conductor, but one who always springs rhythms crisply, and adopts peppy tempo for the fast bits. The one drawback is that this selection is far too infectuous that you'll want to shell out money to buy the full 5-CD Mackerras cycle - an incredible bargain with most of the operas fitted onto one disc each. But still, this is at least a decent G&S sampling for beginners, capped with Steven Ledbetter's copious liner notes. It will leave you wanting to say "dammit I'm going to play it again."

Fine Intro to G&S.......2000-12-30

This is the perfect CD for those who may not be familiar with G&S, or for the initiated who want a smattering but don't have the mother of all CD changers. The difficulty with any G&S Greatest Hits CD is determining which pieces to leave off; while one could easily point to any number equally good bits, it would be difficult to argue about the quality of the choices included. The only problem, such as it is, is that after listening to it I am usually induced to go back and listen to the whole opera anyway. The Mackerras recordings are uniformly excellent. I have read elsewhere the criticism that they are too 'operatic' for light opera. If by this it is meant that the singers are too good, then I leave it to the discretion of the listener when the singing becomes too good to be enjoyable.

Average customer rating:

Delighful Hvorostovsy
The Power of Voice, The Music for the Soul
a cup half full, but still splendid
Here is proof that Russian vintage only gets better with age
Excellent

Kalinka: Russian Folk Songs
Dmitri Hvorostovsky , and Russian Traditional
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Moscow Nights
I Met You, My Love
Where Are You, My Brothers?
Dmitri Hvorostovsky - Russian Songs of the War Years
Dmitri Hvorostovsky - Passione di Napoli

ASIN: B00000HY87
Release Date: 1999-01-12

Tracks:

Russian Folk Songs: Kalinka
Russian Folk Songs: Barinya
Russian Folk Songs: Ach Ti Slishesh Li (Ah! Do You Hear, My Dearest Fiend)
Russian Folk Songs: Na Gorushkye (On Little Mountain, On The Mountain)
Russian Folk Songs: Khorovodnaya (Round Dance)
Russian Folk Songs: Shto Zatumanilas (Why Have You Misted Over, Clear Sunset)
Russian Folk Songs: Ya Vstretil Vas (I Met You)
Russian Folk Songs: Ivushka (The Little Window)
Russian Folk Songs: Kak Menya Mladu (How Was I, A Tender Young Maiden?)
Russian Folk Songs: Kachelniye (Rhyming Song)
Russian Folk Songs: Uzh Ti Polye (Ah, You Field)
Russian Folk Songs: Shto Bye Belaya Berioza (As Never White Birch Tree)
Russian Folk Songs: Ne Slijshno Shuma Gorodskogo (The Noise Of The Town Cannot Be Heard)
Russian Folk Songs: Vtyomnon Leyse (In The Dark Forest)
Russian Folk Songs: Uzh Kak Pal Tuman (Already The Fog Has Descended)
Russian Folk Songs: Ach Vij Sini (Ah, Shady Spot)
Russian Folk Songs: Veniki (Birch - Broom)
Russian Folk Songs: Vyhozhu Adin Ya Na Dorogu (I Set Off Alone Down The Road)

Amazon.com

Dimitri Hvorostovsky, born and bred in Siberia, has Russian folk music in his soul. So do about 100 million other Russians, of course, but they don't have his magnificent voice. When his artistry is joined with that of the Saint Petersburg Chamber Chorus, the result is hard to beat, especially when the arrangements were made by such composers as Shostakovich and Rimsky-Korsakov. Don't expect happy songs, although some of the offerings on this disc, such as the title song "Kalinka," have their rollicking passages. In characteristic fashion, the lyrics dwell plaintively on laments for lost love or melancholy recollections of the Russian countryside. Unusually for a Russian chorus, the Saint Petersburg ensemble is not dominated by the lower-pitched male voices but by the women, blissfully free from stridency, who swell their cadences in the way so typical of Russian liturgical music. The disc is accompanied by the Russian text and a useful English translation, although both suffer from minor errors. --Ed Killham

Customer Reviews:

Delighful Hvorostovsy.......2007-03-31

I heard the CD Kalinka. I've never stopped admiring this wonderful Russian bsritone. I went to his concerto here in Mexico, several months ago. I was in Heaven

The songs are chosen with care and love, and it reminds me always of my so wonderful stay in Russia (3 years). This really is from "Russia with love". The thrilling voice of Hvorostovsky gives me the chills and makes me dream. Thanks for a wonderful and delightful record.

This Cd is not the "academic" version of the Red Army, pleasant as well. This is fresh, bucolic and belongs to the people that are in the enourmous fields of corn in Russia and Ukraine. It is naive, with the beauty of naivite.

Hvorostovky is versatile and in the songs que needs to be sweet, plassionate or melancholic he achieves it masterly!!!!!

Eugenia LizaldeBest of the Red Army Choir

The Power of Voice, The Music for the Soul .......2005-05-09

Listening to these eighteen Russian folk songs, artistically arranged and vocalized, one feels that the musical border between folksong and opera has somehow been melted away, and what are heard are the best aspects of both. There is something very special in Russian folk music. Dmitri Hvorostovsky and St Petersburg Chamber Choir have grasped the spirit of it with their heartbreaking vocal force. Whether it is the melancholy melodies; the somber harmonies; or the primordial elements, they pierce directly through your heart and get to your soul... Simply wonderful!

a cup half full, but still splendid.......2004-05-22

With his rich and powerful dark honey voice, Dmitri Hvorostovsky is one of the greatest operatic baritones alive, and as an interpreter of Russian music, no singer can top him; his exquisite renditions of folk melodies, as well as the rapturous songs of Tchaikovsky and Rachmaninoff on his other recordings are sublime.
Here he is backed not by an orchestra, but by St. Petersburg Chamber Choir, and together they present a superb collection of traditional melodies.

Unfortunately for those of us who are big Dmitri fans, he only sings on 10 of the 18 tracks, and though the chorus is excellent, his magnificent voice would have made these songs even better; the "chorus only" tracks are 4-5, 8-10, 14, and 16-17.
The popular title track, "Kalinka", has probably been included in practically every film with a Russian theme I have ever seen and is instantly recognizable, and some of the others are rare gems, but all of them will be enjoyed by anyone who appreciates Russian music.

My absolute favorite is the final "Vihaztu adin ya na darogu" ("I set off alone down the road"), which with its beautiful melody and soulful singing is glorious. Dmitri recorded this song for his first CD of folk songs in 1991, with the Ossipov Russian Folk Orchestra, with balalaikas instead of a chorus to back him; both versions are wonderful, but with this one having the edge, as I think he sings it on this recording with more emotion.
Total running time is 56'41.

Here is proof that Russian vintage only gets better with age.......1999-06-06

Dmitri Hvorostovsky has outdone himself, which means his admirers are in for a treat. Maturity only adds depth to his interpretations of Russian folk songs, now on a larger scale than on the earlier CD 'Dark Eyes'. His musicianship is such that he blends in perfectly with the superb St. Petersburg Chamber Choir whenever this is called for. Marvelous stuff here - highly recommended.

Excellent.......1999-05-14

Worth congratulating Philips that here (as in several more recent releases) "Russian Text" really means that, in cyrillic not transliteration. Timing 56'40.

Phase 4 Stereo: Gilbert & Sullivan: HMS Pinafore / D'Oyly Carte Opera Company

Average customer rating:

Great CD's
A much maligned joy!
A Pinafore performance that deserves more acceptance
A good Pinafore, bird, boards and brine included
A fun, lighthearted, well-done musical comedy.

Phase 4 Stereo: Gilbert & Sullivan: HMS Pinafore / D'Oyly Carte Opera Company
Arthur Sullivan , Arthur Jackson , Thomas Lawlor , Ralph Mason , Valerie Masterson , Donald Adams , John Reed , Christene Palmer , John Ayldon , Pauline Walkes , James Walker , and Royal Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

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Similar Items:

Gilbert & Sullivan: The Pirates of Penzance
Gilbert & Sullivan; The Mikado
Gilbert & Sullivan: Iolanthe
Gilbert & Sullivan: The Mikado
HMS Pinafore: or The Lass That Loved a Sailor Vocal Score

ASIN: B0000042GK
Release Date: 1997-11-11

Tracks:

HMS Pinafore: Overture
HMS Pinafore - Act I: We Sail The Ocean Blue
HMS Pinafore - Act I: Hail, Men-O'-Wars' Men
HMS Pinafore - Act I: I'm Called Little Buttercup
HMS Pinafore - Act I: Aye, Little Buttercup - And Well Called
HMS Pinafore - Act I: But, Tell Me - Who's The Youth?
HMS Pinafore - Act I: The Nightingale Sighed
HMS Pinafore - Act I: A Maiden Fair To See
Ah, My Poor Lad, You've Climbed Too High
My Gallant Crew, Good Morning
HMS Pinafore: I Am The Captain Of The Pinafore
HMS Pinafore - Act I: Sir, You Are Sad!
HMS Pinafore - Act I: Sorry Her Lot Who Loves Too Well
HMS Pinafore - Act I: My Child, I Grieve To See
HMS Pinafore - Act I: Over The Bright Blue Sea
HMS Pinafore - Act I: Now Give Three Cheers...I Am The Monarch Of The Sea
HMS Pinafore - Act I: When I Was A Lad I Served A Term
HMS Pinafore - Act I: You've A Remarkably Fine Crew
HMS Pinafore - Act I: Ah! Sir Joseph's ATrue Gentleman
HMS Pinafore - Act I: A British Tar Is A Soaring Soul
HMS Pinafore - Act I: It Is Useless - Sir Joseph's Attentions Nauseate Me
HMS Pinafore - Act I: Refrain, Audacious Tar
HMS Pinafore - Act I: Can I Survive this Overbearing?
HMS Pinafore - Act I: O Joy, O Rapture Unforeseen
HMS Pinafore - Act I: This Very Night
HMS Pinafore - Act I: Let's Give Three Cheers For The Sailor's Bride

Tracks:

HMS Pinafore - Act II: Entracte
HMS Pinafore - Act II: Fair Moon, To Thee I Sing
HMS Pinafore - Act II: How Sweetly He Carols Forth
HMS Pinafore - Act II: Things Are Seldom What They Seem
HMS Pinafore - Act II: Incomprehensible As Her Utterances Are
HMS Pinafore - Act II: The Hours Creep On Apace
HMS Pinafore - Act II: A Simple Sailor, Lowly Born
HMS Pinafore - Act II: Madam, It Has Been Misrepresented To Me
HMS Pinafore - Act II: Never Mind The Why And Wherefore
HMS Pinafore - Act II: Sir Joseph, I Cannot Express To You My Delight
HMS Pinafore - Act II: Kind Captain, I've Important Information
HMS Pinafore - Act II: Dick Deadeye - I ank Yoiu For Your Warning...Carefully On Tiptoe Stealing
HMS Pinafore - Act II: Hold! Pretty Daughter Of Mine
HMS Pinafore - Act II: In Uttering A Reprobation
HMS Pinafore - Act II: Now Tell Me, My Fine Fellow
HMS Pinafore - Act II: Farewell, My Own
HMS Pinafore - Act II: A Many Years Ago
HMS Pinafore - Act II: Then I Am To Understand
HMS Pinafore - Act II: O Joy, O Rapture Unforeseen
The Pirates Of Penzance: Hold, Monsters
The Pirates Of Penzance: I Am The Very Model Of A Modern Major-General
The Pirates Of Penzance: With Cat-Like Tread
The Pirates Of Penzance: When the Foeman Bares His Steel
Ruddigore: Ruddigore - There Grew a Little Flower (Dame Hannah) (Sir Roderic Murgatroyd)
The Mikado: A Wand'ring Minstrel I
The Mikado: A More Humane Mikado
The Mikado: Three Little Maids From School Are We
The Mikado: On A Tree By A Willow, 'Tit Willow'
The Mikado: The Flowers That Bloom In The Spring

Customer Reviews:

Great CD's.......2005-09-20

I love the versions of "I Am The Very Model Of A Modern Major-General" and "When I Was A Lad". The lyrics were fairly easy to understand and the vocals were fun and spunky, just as Gilbert & Sullivan should be:). I have no complaints (even the price was right); all in all two great CDs.

A much maligned joy!.......2001-01-20

This recording dating from 1971 is now realised on CD with superb sound quality. The cast was probably the last great line up of the late years of the former D'Oyly Carte Company.

John Reed does appear tired and stale, this is due to the closeness of the recording making for a 'radio broadcast' effect. Thomas Lawler as Capt Corcoran (at the time husband of Pauline Wales, Cousin Hebe) is excellent. I remember seeing this cast in performance, minus Valerie Masterson, who was brought in as guest artiste for the recording. They were superb then, with particular mention of the brilliant Christene Palmer (a fantastic Katisha in The Mikado), Arthur Jackson who had a great presence on stage and was a superb Pooh-Bah, his round tones suit admirably the role of Carpenters-Mate.

Ralph Mason, as Ralph Rackstraw (pronounced as Rafe, a Victorian English idiosyncracy) made a superb attempt at all the parts he played in repertory, of particular note being Earl Tolloller in Iolanthe.

This recording is worth the purchase to recall or find for the first time the last glimpses of this much lamented troupe. Except for the weak John Ayldon, Dick Deadeye, who does not have the satanic glitter of the late Donald Adams or Darrell Fancourt, the rest are superb. A pity the newer, yet fresher company does not have the subtlety of tradition or performance quality. Ah well, lack-a-day! we can't have everything...Can we?

A Pinafore performance that deserves more acceptance.......2000-11-25

Ever since D'Oyly Carte made this wonderful recording of Pinafore in 1971, it has been given somewhat unfair critiques, including one that called it "infamous." That criticism came about because of the distorted sound on the original LP issue, but things seem to have improved with this CD reissue, allowing the performance to be heard more clearly. Nevertheless, the artistic distinction of the performance still manages to shine through brightly, and this alone can contribute to the winning appeal of its admirers.

Even despite the fact that John Reed gives a memorable performance of the Ruler of the Queen's Navee, his portrayal seems to have deteriorated a little bit. This is due to the obvious staleness of his voice (well, it was a feature of all the D'Oyly Carte recordings that were made from the 1968 Pirates onwards, so you mustn't blame him!) and his deteriorating diction. Some of the words were not pronounced clearly, as in his character's famous comical autobiographical song, and there is evidence of sloppiness of hte notes in places. The other major drawback is John Ayldon's Deadeye. Like all D'Oyly Carte recordings to which he contributed, this one was ruined by the unpleasant gruffness of his voice. His portrayal seems not to match Donald Adams on every level. However, for the rest of the cast, there is much to please the ear. Thomas Lawlor makes as first-class a Captain as Jeffrey Stitch, Gordon Sandison or Thomas Allen, but even though he has a slightly heavy and dark-timbred voice, he nevertheless manages to remove it from this recording. He is certainly better suited to this role than to Deadeye, the role he played on the New Sadler's Wells recording. Ralph Mason makes a heady-toned Rackstraw, and he certainly is a joy to hear on record, determined to win the hand of Josephine, who is memorably characterised by the best G&S prima donna, Valerie Masterson. She sings with a full-blooded mature soprano voice with which she gives a melancholy air to her opening ballad and blood to her grand operatic scene. She is certainly better than Jean Hindmarsh, if only by a small margin, even though the twitter in the latter's voice does not hurt at all. And lastly, I would like to highlight the underrated Christene Palmer's fruity portrayal of Little Buttercup, which is on par with Gillian Knight and Felicity Palmer. The rest of the cast is splendid, the choral singing as well-disciplined as the orchestra, and James Walker paces the tempi nicely, with some small quibbles that don't matter a lot. The recording has transferred well to CD, and the sound effects kept to a minimum, to help give a sense of atmosphere. The dry recording is also characteristic of all D'Oyly Carte recordings made from their 1968 Pirates onwards. The major complaint is the Spectacular fill-ups which don't seem to fit in with Pinafore, as they are too improperly chosen and the tempi too slow. If the CD ends with The flowers that bloom in the spring, it does not give a definite sense of an ending.

Overall, I would safely say that while this is not necessarily a first-choice, its artistic merits shine through compellingly to make it be one. Let me advise you to ignore the Spectacular items by programming them out. Anyone who wants a standard D'Oyly Carte performance will be well pleased with this.

A good Pinafore, bird, boards and brine included.......1998-09-30

This CD release of an early 70s recording has been given something of a reprieve from the original branding of it as "the most infamous Pinafore". The added sound effects of seagull, creaking timbers and the sea sloshing against the ship's sides seems mostly to have been forgiven. These aural props are only present between songs and when present provide a pleasant theatrical quality to the recording. D'Oyly Carte is in good form here and the close microphone Phase 4 recording makes audibility excellent - something Gilbert would have appreciated if the Savoy had offered anything as good.

A fun, lighthearted, well-done musical comedy........1998-09-24

This recording of Pinafore is well done. The listener can really get a sense of the enjoyment the singers experience in this show. It brought back pleasant memories of my own cast experience.

Average customer rating:

Typical of Cambridge Singers--A good thing
Beautifully Lyrical Folk Melodies a la Rutter
The Lark touches my own heart!
Rolicking English folk music

The Lark in the Clear Air

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

A Cappella | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music
ASIN: B0000031HX
Release Date: 1993-09-13

Tracks:

I know where I'm going
She moved through the fair
The lark in the clear air
Down by the sally gardens
Dashing away with the smoothing iron
The spring time of the year
The sprig of thyme
The bold grenadier
The British Grenadiers
The dark eyed sailor
The keel row
The girl I left behind me
Just as the tide was flowing
The cuckoo
O waly, waly
She's like the swallow
The lover's ghost
Willow song
The willow tree
Wassail song
The miller of Dee
O can ye sew cushions
Afton water
Golden slumbers

Amazon.com

A whole disc of choral arrangements of folk tunes could be too much--except in this case, the choir is the excellent Cambridge Singers, and the well-chosen arrangements cover a variety of composers and styles. Among the arrangers are Rutter, Vaughan Williams, and Daryl Runswick; the repertoire includes a hauntingly gorgeous "She moved through the fair" and 23 other selections. --David Vernier

Customer Reviews:

Typical of Cambridge Singers--A good thing.......2005-06-14

This is very typical of John Rutter and the Cambridge Singers. Superbly performed, meaning not too forceful or too delicate. Diction and tone excellent. The folk song is not necessairly as entertaining or enjoyable as some of their other repertoire, nor is it as meaningful, but it still a powerful listening experience. The money for this recording will be well spent. The arrangements, well chosen, showcase beautiful, evocative choral singing. Vaughan Williams' arrangements are best, and he is well known for his arrangements of folk songs. Rutter's are good, but his harmonies are too often predictable or saccharine.

Best are: Dashing away with the smoothing iron (5), The Dark Eyed Sailor (10), The Girl I Left Behind Me (12), Just as the tide was flowing (13), O waly, waly (15)

Beautifully Lyrical Folk Melodies a la Rutter.......2000-09-28

This is a collection of Irish, Scottish, and English folk songs beautifully caressed by The Cambridge Singers under the masterful direction of John Rutter. He seems to possess an uncanny ability to create a uniquely lush and lyrical sound with a choir.

In listening to these songs, I find that they have the capacity to simultaneously evoke feelings of melancholy and joy, and, ultimately leave me to conclude that I have been visited by sheer beauty.

The Lark touches my own heart!.......2000-04-27

In this review I am going to be exceptionally candid! This CD is a wonderfully arranged and performed set of traditional songs that will be treasured by any lover of this delicate yet vigorous music. I was a child of post war England in a poor suburb of South East England and our music teacher used to make us sing these songs which came from The National Song Book and from the folk song collectors, notably Vaughan Williams who put so much of this national flavor into his two collections, 'The English Hymnal' and 'Songs of Praise'. Before our generation the BBC had set up a radio programme called 'Listen with Mother' which we followed the established tradition of listening to them in those years of austerity (its funny you know, but we did not seem to get bored like they do today) on November evenings when the pea souper fogs swirled around the blue mercury lamps as the coal glowed orange in the grate. This music transported us to May mornings, harvesting, landscapes peopled with grenadiers, young love sick swains tip toeing in forbidden rooms at night etc. from these bleak afternoons and gave us the promise of the return of the season when we will be able to walk the Downs under blue skies once more. They also made us think that we were part of a continuum of being young, loving, having children and growing old and dying on this misty offshore island as hundred of generations had done before us. This self-consciousness of these characteristics that made us English and in their understated passion they revealed to us the promises of adulthood together with its victories, disillusionments and inevitable tragedies. Alas, the powers that dictate the conventional wisdom today have consigned these songs to the trash basket of history in the name of multiculturalism and globalism. The songs are not sung today as they appear too ethnocentric in a pluralistic society for our contemporary captains of society. This is a shame for those of us with no real English blood could still participate and enjoy these lovely songs that summon up the freshness of a spring morning or the pangs of a spurned lover in a few lines of beautifully stated verse. These are universal feelings that just happened to be in an English setting, which was where we were! The arrangements here are sublime, particularly 'She moved through the Fair' which always moves me to tears. The subject 'What are the English?' is a current topic for the UK is still settling down after Devolution and finding its own identity. They could do worse than playing 'The Lark in the Clear Air' to answer this question tout court. Please buy, but be warned: this stuff can be dangerously upsetting in its waves of nostalgia. It is like meeting a long lost (and forgotten) friend. That is an (almost lost) part of yourself.

Rolicking English folk music.......1999-06-13

Beautifully sung under Rutter's usual masterful directions. Dashing Away with the Smoothing Iron and the Dark Eyed Sailor were my favorites.

Average customer rating:

A wonderful sampler of music

The Cambridge Singers Collection

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

John Rutter Collection
Requiem & Magnificat/Rutter, Cambridge Singers
The John Rutter Christmas Album
Cambridge Singers a Capella
Awake

ASIN: B0000031IA
Release Date: 1993-06-14

Tracks:

Trois chansons de Charles d'Orleans: 1. Dieu! qu'il la fait bon regarder
Trois chansons de Charles d'Orleans: 2. Quant j'ai ouy le tabourin
Trois chansons de Charles d'Orleans: 3. Yver, vous n'estes qu'un villain
The Keel Row
The Willow Tree
Regina Caeli Latare: Regina caeli laetare
Ave Maria
Laudi alla Vergine Maria
Caroline Ashton: Magnificat In G
Te Deum In C
Remember Not, Lord, Our Offenses
Christe Jesu, pastor bone
O beatum et sacrosanctum diem
Lay A Garland
Fancies: Riddle Song
Five Childhood Lyrics: Sing A Song Of Sixpence
Suite Antique: Waltz (From Suite Antique)
The Wind In The Willows: The Wind In The Willows (Opening Extract)
Magnificat (First Movement)

Customer Reviews:

A wonderful sampler of music.......2005-09-23

This disc is a sampler of other Cambridge Singers discs. The tracks on the album were recorded at different times and places, including the regular venues for the Cambridge Singers such as the Lady Chapel at Ely Cathedral and the Great Hall of University College School, London.

--Music--
Selections on this disc come from eight different Collegium recordings, representing a wide range of the Cambridge Singers' work. Pieces here include secular and sacred work, ancient and modern. There are a cappella and accompanied pieces. Composers represented here include Stanford, Bruckner, Verdi, Debussy, Taverner and Purcell, as well as a number of pieces by John Rutter himself. The latter pieces include the first movement of Rutter's wonderful 'Magnificat'.

Guest performers include the King's Singers and the City of London Sinfonia, Richard Baker as a narrator and Wayne Marshall on the organ.

The music is very well done; Rutter's ear for tone and balance is superb, and his building of this ensemble of singers has retained a consistent beauty and grace through the years. Their best pieces are liturgical and religious pieces, but there is a good deal of power and fun in the secular and folk songs.

--Liner Notes--
The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is much biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

TROTTIN' TO THE FAIR: Songs and Ballads by Sir Charles Stanford

Average customer rating:

TROTTIN' TO THE FAIR: Songs and Ballads by Sir Charles Stanford

Manufacturer: Campion Cameo
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

General | Opera & Vocal | Styles | Music
ASIN: B0000264RA
Release Date: 1999-10-26

Average customer rating:

Shakespeare's Songbook, Vols. 1 & 2

Manufacturer: Azica
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
Similar Items:

Shakespeare's Songbook
Songs and Dances from Shakespeare
Shakespeare Songs
Shakespeare's Musick (Songs & Dances from Shakespeare's Plays) / Pickett, Musicians of the Globe
William Shakespeare's Hamlet (Two-Disc Special Edition)

ASIN: B0002IQL08
Release Date: 2004-07-06

Tracks:

Ah Robin (Round)
And Let Me The Cannikin Clink
And Will He Not Come Again
Be Merry, Be Merry
Black Spirits
Blow, Blow Thou Winter Wind
Bonny Sweet Robin
But Shall I Go Mourn
Can'st Thou Not Hit It
Come Away
Come Away, Hecate
Come Live With Me
Come O'er The Burn
Come Thou Monarch (Version 2)(Round)
Come Unto These Yellow Sands
A Cup Of Wine
Farewell, Dear Heart
Fathers That Wear Rags
Fear No More
Fie On Sinful Fantasy
Fill The Cup (Round)
Flout 'Em And Cout 'Em (Round)
Fools Had Ne'er Less Grace
For I'll Cut My Green Coat
The Friar And The Nun
Full Fathom Five
The George Alow (Version 1)
Get You Hence
The God Of Love
Hark, Hark The Lark
Have I Caught My Heavenly Jewel
Heart's Ease
Hold Thy Peace (Version 2)(Round)
Honor, Riches
I Am Gone Sir
I Loathe The I Did Love
It Was A Lover And His Lass
Jepha
Jog On
Jolly Shepherd (Round)
King Stephen Was A Worthy Peer
Lawn As White
Love, Love, Nothing But Love (Version 2)
The Master, The Swabber (Version 2)
No More Dams
An Old Hare Hoar (Version 1)
O Mistress Mine (Version 1)
Orpheus With His Lute
O Sweet Oliver
Pardon Goddess Of The Night
Roses Their Sharp Spines
Sigh No More, Ladies
Some Men For Sudden Joy (Version 1)
Take, O Take Those Lips
Tell Me, Where Is Fancy Bred
That Sir Which Serves
There Dwelt A Man In Babylon (Version 1)
There Was Three Fools
Three Merry Men (Round)
Tomorrow Is St. Valentine's Day
Under The Greenwood Tree
Up And Down (Round)
Urns And Odours Bring Away
Walsingham
Was This Fair Face
Wedding Is Great Juno's Crown
What Shall He Have (Round)
When Arthur First In Court
When Daffodils Begin To Peer
When Daisies Pied
When Griping Grief
When Icicles Hang By The Wall
When That I Was And A Little Tyne Boy
Where The Bee Sucks
While You Here Do Snoring Lie
Who Is Silvia
Why Let The Strucken Deer
Willow, Willow (Version 1)
Will You Buy Any Tape
The Woosel Cock
You Spotted Snakes

Tracks:

Awake, Awake
Battle Of Agincourt
Bride's Goodmorrow
Broom
Callino
Carmen's Whitle
Chi Passa
Come Kiss Me, Kate (Round)
Come Thou Monarch (Version 1)
Cup Of Wine (Version 1)
Damon
Daphne
Diana (2 Versions)
Dulcina
Eglamore
Eighty-Eight
Fortune My Foe
George Alow (Version 2)
Glass Doth Run
Goddesses
Go From My Window
Greensleeves (2 Versions)
Guy Of Warwick
Hem Boys (2 Versions)
Hey Ho for A Husband (2 Versions)
Hobbyhorse
Hold Thy Peace (Versions 1 & 3)
Hunt's Up
I Cannot Come Every Day (2 Versions)
In Crete
In Peascod Time
Jack Boy (Round)
King Cophetua
King Lear
King Solomon
Light O Love
Loath To Depart (2 Versions)
Love, Love (Version 1)
Master, Swabber (Version 1)
Mounsier Mingo
Mounsieur's Almaine
My Mind To Me
Nutmegs (Of All The Birds)
Nutmegs (Wooing Of The Baker's Daughter)
O Death (2 Versions)
Old Hare Hoar (Version 2)
O Mistress Mine (Version 2)
O' The Twelfth Day Of December
Oyster Pie
Peg A Ramsey (2 Versions)
Phillida (3 Versions)
Please One
Pyramus
Queen Dido (2 Versions)
Ratcatcher
Rich Jew
Robin Goodfellow
Robin Hood
Rogero
Rowland
Sellenger's Round
Shore's Wife (2 Versions)
Sick, Sick (3 Vesions)
Some Men For Sudden Joy (Round)
There Dwelt A Man (Version 2)
Titus Andronicus
Tom A Bedlam (2 Versions)
Troilus
Troy Town
Wellady
Whenas We Sat In Babylon
Where Is The Life
Whoop
Why Let The Strucken (If Care Do Cause)
Willow, Willow (Version 2)
Will Ye Buy A Fine Dog
With A Fading

Average customer rating:

For You, For Me

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
ASIN: B000B66PNO
Release Date: 2005-10-04

Tracks:

THE BOATMAN'S DANCE (MINSTREL SONG)
THE DODGER (CAMPAIGN SONG)
LONG TIME AGO (BALLAD)
SIMPLE GIFTS (SHAKER SONG)
I BOUGHT ME A CAT (CHILDREN'S SONG)
THE LITTLE HORSES (LULLABY)
ZION'S WALLS (REVITALIST SONG)
THE GOLDEN WILLOW TREE (ANGLO-AMERICAN BALLAD)
AT THE RIVER (HYMN TUNE)
CHING-A-RING-CHAW (MINSTREL SONG)
SHENANDOAH
A SIMPLE SONG
SEENA
'BESS, YOU IS MY WOMAN NOW'
'FOR YOU, FOR ME, FOR EVERMORE'
A WOMAN IS A SOMETIME THING FROM PORGY AND BESS
HOME BLUES
BIDIN' MY TIME
ALL THROUGH THE DAY FROM CENTENNIAL SUMMER
THE WAY YOU LOOK TONIGHT FROM SWING TIME
ALL THE THINGS YOU ARE
EVERYBODY SAYS DON'T
IN PRAISE OF WOMAN
ALWAYS

Average customer rating:

Bliss

Samuel Barber: Choral and Organ Works

Manufacturer: Guild
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

A Cappella | Folk | Styles | Music
Similar Items:

Samuel Barber: Capricorn Concerto; A Hand of Bridge; Intermezzo from Vanessa
Samuel Barber: The Lovers; Prayers of Kierkegaard

ASIN: B00002698D
Release Date: 2000-08-18

Tracks:

Reincarnations: Mary Hynes
Reincarnations: Anthony O Daly
Reincarnations: The Coolin
Under The Willow Tree
The Virgin Martyrs
A Stopwatch And An Ordnance Map
Reincarnations: Agnus Dei
Two Choruses From Antony And Cleopatra: On The Death Of Antony
Two Choruses From Antony And Cleopatra: On The Death Of Cleopatra
Twelfth Night
The Monk And His Cat
Sure On This Shining Night
Heaven-Haven
Let Down The Bars, O Death
To Be Sung On The Water
Choral Prelude On Silent Night
Wondrous Love
Happy Birthday

Customer Reviews:

Bliss.......2002-11-29

This is the best album I have ever heard. I have sung several of Barbers choral works and rapture still fills me when I hear these works. The lyrics parity all I have said about the composition. If you are in doubt, just listen to a single track.

Music Album:

Music Album

1. Forever Changing
2. Silver Dagger
3. Something New
4. Willow Tree
5. Wildwood Flower
6. On Her Way
7. Gift
8. Reflections
9. Every Night
10. Quiet Passing