Keep It to Yourself [CD-single] [Import]

Track Listings

1. Keep It To Yourself (Radio Edit)

2. Keep It To Yourself (Album Version)

Editorial Reviews
Album Description
Taken from the 2000 album, 'Another World'. The title track is backed with the Radio Edit version. Hypertension. 2003.

Tracks:

His Voice
Statued
Shores Of Avalon
Beelzebubba
Guardian Angel
Sacrifice
Lace
Slow Burn
As A Man Thinks

Customer Reviews:

Great Debut Solo Album from James Labrie.......2005-01-09

Keep it to Yourself is the debut solo album of Mullmuzzler, which is Dream Theater vocalist James Labrie's solo project. Labrie decided put this disc out in 1999 when he was approached by the Magna Carta label executives. Supporting him on the instrumentation (and songwriting) were Shadow Gallery and Magellan members as well as many others. Don't be fouled by the "solo album" tag since there is plenty of room for each musician to display their skilled musicianship and add their creative input in the songs.

Labrie's biggest songwriting partner is without doubt Dali's Dilemma keyboardist Matt Guillory (who plays even a bigger role on the second Mullmuzzler disc). Guillory is an extremely accomplished musician; not only does he play his instrument perfectly, but he is also a terrific composer who brings each song a new dimension. Feel free to check out the debut Zero Hour record if you want to hear him cut loose and shred his heart out. Guillory co-wrote three songs on Keep it to Yourself, namely the first two songs "His Voice" and "Statued", plus the experimental "Lace". The first two tracks are easily my favourite numbers on this disc, and I believe it's because of the undeniable Guillory influence. Both songs are relatively heavier and more dynamic than the others and filled with meticulous orchestration, sparse piano and keyboard work with calculated bass by Bryan Beller and excellent guitar runs by Mike Keneally (Zappa, Vai, Beer for Dolphins). James Labrie's vocals on this album are significantly different than his stuff with Dream Theater. This is understandable, since Mullmuzzler gives him the chance to do things he can't do in DT and experiment with new musical ideas. "Statued" picks up where "His Voice" leaves off and delves into a thunderous drum attack by one of the world's greatest drummers, Mike Mangini (Extreme, Steve Vai, Annihilator), and showcases more liberate bass lines from guitarist Mike Keneally's bandmate. The song has several stop-and-start sections with mood and tempo shifts. I really enjoy the sense of contrast exhibited in this tune.

Each song has something different to offer. "Shores of Avalon" may be one of the more accessible tracks. It begins with nice Egyptian riffing and gives way to a beautifully composed, warm guitar solo played by Mike Keneally. No wonder why Frank Zappa called him "his best student ever". Check this guy's solo albums out as well. It's not just chops like Steve Vai; this guy writes MUSIC. Needless to say, this being a solo effort, there is a strong emphasis on vocal arrangements, and since it's Terry Brown of Rush and Fates Warning fame who handles the crisp production here, lots of subtleties shine through. Besides "Shores of Avalon", "Guardian Angel", "Sacrifice", and "Slow Burn" were also co-written by Shadow Gallery members. Their input is easily recognisable, especially Carl-Cadden James'. Give a listen to the mathematic guitar run on "Guardian Angel" (sounds like Gary Wehrkamp loves that) or the dense acoustics on the ballads "Sacrifice" and "Slow Burn", the latter which features a poignant guitar solo.

"Beelzebubba" is the strangest (but also one of the most progressive) songs on the record. It eerily reminds me of Devin Townsend's "Bad Devil" on his Infinity record. The song portrays all aspects of jazz, prog rock and post-pop without getting too serious. Lyrically it's a satire on Clinton and his 'affair' at the White House. Like I said, the chorus sounds like Devin Townsend, which I like, since Devin is a godly musician as well. Not all songs are fun though; actually it's just "Beelzebubba" that has a joky tone to it. The song "His Voice", for example, is about finding out that a close friend was in need of help, yet, unfortunately being unable to notice that. I read somewhere that Labrie actually wrote it for a friend of his who committed suicide. Trent Gardner from Magellan lends his talents to the two most bizarre compositions on the album, one of them being "Beelzebubba" and the other one being the longest song "As a Man Thinks". Unfortunately I'm not a big fan of that one, as it seems a bit odd in structure, except its closing with that static keyboard work by Guillory. I also have to mention Matt Guillory's somewhat unexpected intro on "Lace" where he dabbles with electronic elements. In short, Keep it to Yourself expands upon creative songwriting and a plethora of interesting instruments including trumpet, saxophone, trombone and horn. Since most of the album was written via exchanging ideas through emails, long-distance phone calls, etc., this was merely a taste of what's to come. Labrie explored with deeper ideas on the second Mullmuzzler CD, which is also highly recommended.

Do not Keep it to Yourself!!!.......2004-02-10

Man, talk about a great CD! I wasn't really sure what to expect when buying this CD, other than LaBrie's voice. This CD is in my regular rotation.

The CD opens guns blazing, a fiery synth riff that gives way to a more subtle, subdued lyrical exchange. The power from the beginning interweaves itself throughout the first track. Great synths, driving drums, and amazing guitar work. The whole ensemble is stapled together by LaBrie's unique voice. A lot of layering is done. LaBrie harmonizes himself many times on this CD.

Dream Theater is what this CD purchase stemmed from. Expect the same power in the music... fast and technical. Perhaps not as intricate as Dream Theater, but the dynamic changes are really nice. A lot of changing back and forth from driving lines to a more mellow, then building back to the drive.

Lots of great bass work on this CD. Overall, good music, held together by a good singer. EXCELLENT work by LaBrie. One of my favorite CDs!

A great album from a virtuosic singer and band.......2002-11-04

...First of all, this band is not supposed to sound like Dream Theater, and if you really listen to it, you will find that it does not. The various instrumentalists offer very different playing styles from the members of DT, especially the drummer, Mike Mangini,who played with Extreme, a band radically different from DT. Mike Kineally is a phenomenal guitar player, just ask a medium to ask Frank Zappa (Kineally was in his band). The only common thread is James LaBrie, who (miracle of miracles!) IS the singer for Dream Theater! Secondly, the album was not an effort to sound like Dream Theater or be compared to DT in any way. On the contrary, James L. was attempting to do something different, apart from DT. I think he succeeded very well. This album is full of exciting and beautiful music.
"Beelzebubba" has to be one of the most unique and quirky songs out there today, it is fantastic. "Guardian Angel" has a great groove, and "As A Man Thinks" has some great moments, with some nice harmonies from James. If you can get it through your skull that this is not supposed to be DT, you will find this to be a wonderful album.

Very good, but no Dream Theater..........2001-07-10

Don't get me wrong, James Labrie writes a great song. Maybe he was lost in the over indulging likes of Dream Theater and he felt the need to really do his own thing. Trouble is, much of this disc sounds like DT. While there are some sweet lullibies in "Sacrifice" and "Slow Burn", the other songs have that rocking progressive attitude we've come to know & love with LaBrie's tenure with DT. The first 3 songs ("His Voice", "Statued", and "Shores of Avalon") fire out of the shoot with a hard & crunchy feel. The middle of the disc slows down a bit and then it ends with the least inspired & noisy untitled cut labeled "As A Man Thinks". Overall a very good effort by LaBrie & Co, and it does rival those early songs of a young DT. But if you listen to the supporting Mullmuzzler cast, you'll realize that their musicianship, tho very competent, can't compete with DT's peerless Petrucci, Portnoy, Myung & Rudess.

Great vocals, lots of diversity........2001-03-18

James LaBrie's excellent solo project shows that he's more than just a phenomenally talented singer, but he's a solid songwriter as well. With Dream Theater, LaBrie's songwriting is rather undervalued among his virtuoso peers, but here you really see what he's made of.

LaBrie sounds excellent, visceral and strong and confident, far better than Dream Theater's Falling Into Infinity, which was released not-so-long before this. His emotional expression is also impeccable, which is one of the reasons I love Dream Theater so much. Nowhere is this more evident than on the nondescript ballads. Mullmuzzler's trips into the tunnel of love may have been awfully banal had the vocals not brought them up a few notches.

Tracks:

Top Hat, White Tie and Tails
How Deep Is the Ocean?
It's a Lovely Day/Isn't It a Lovely Day
Blue Skies
Always
They Say It's Wonderful
No Strings
Song Is Ended
Stepping Out With My Baby
Let Yourself Go
Cheek to Cheek/Let's Face the Music and Dance
Marrying for Love/The Girl That I Marry
What'll I Do
Puttin' on the Ritz
Abraham
Change Partners
Heatwave
I've Got My Love to Keep Me Warm
Count Your Blessings
White Christmas

Album Description

Quality music at a great price, this collection features 20 tracks including 'How Deep Is The Ocean', 'No Strings', 'Puttin' On The Ritz' & 'Heatwave'. The Swingles have, unusually, incorporated electric keyboards, horns and drums into their usually acappella approach, resulting in some thoroughly modern interpretations of Berlin's classics. Castle Pulse. 2003.

Customer Reviews:

Doesn't work for me........2006-05-04

I LOVE the Swingle Singers. The first time I heard them sing Bach back in the 60's I was driving a car and I was so blown away that I had to pull off the road. And I LOVE Irving Berlin's music; his message is simple and direct and tuneful. And therein lies the rub. To me, the jazz vocal styles, the contemporary harmonies and the whimsical utterances of the Swingle Singers go together with Irving Berlin's music like oil and water; they just don't mix. The words and melodies are those of Irving Berlin but the end result isn't Irving Berlin. Admittedly this is one man's opinion, and others might take great pleasure in the Swingle Singers' unfailing virtuosity and inventiveness. But if you anticipate the straighforward tunes and emotional directness in Berlin's music, you are apt to be disappointed.

Average customer rating:

Keep It to Yourself
Sonny Boy Williamson
Manufacturer: Hits Unlimited
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music
ASIN: B00000E7PN
Release Date: 1991-08-05

Average customer rating:

Keep It to Yourself
Geoff Gascoyne
Manufacturer: Candid Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music
Similar Items:

Pointless Nostalgic
Mind Trick
Twentysomething
Jamie Cullum - Live At Blenheim
Catching Tales

ASIN: B000BHANZ4
Release Date: 2006-04-18

Tracks:

Raggedy Ann
Love Won't Let Me Wait featuring Jamie Cullum
God Only Knows featuring Jamie Cullum
E Flat Triangle
Spring Is Here
Shapeshifter
Tribulation
All My Tomorrows featuring Trudy Kerr
Lament
Keep It To Yourself
I'll Sing You
Somebodys Gotta Move featuring Georgie Fame
Theme From 'The Terminal'
Scrapple From The Apple
Frankie & Johnny [bonus track]

Average customer rating:

Fantastic

Songs My Grandmother Taught Me

Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

General | Oldies | Pop | Styles | Music
ASIN: B00005ABNR
Release Date: 2001-03-27

Tracks:

A Hundred Years From Now
Good Night
Answer The First Rap
Birds
When Church Is Out
When My Ships Come Home
To Understand
Her Greatest Charm
A Perfect Day
A Present From Yourself
Shadows
A Little Pink Rose
The Pleasure Of Giving
June And December
Your Song
Keep Awake
Just A-Wearyin' For You
God Remembers When The World Forgets
A Good Exercise
Because Of The Light
Have You Seen My Kittie?
First Ask Yourself
Until God's Day
Were I
Still Unexprest
Roses Are In Bloom
When They Say The Unkind Things
I Love You Truly
At Morning, Noon, And Night
A Song Of The Hills
Making The Best Of It
Nothin' But Love

Customer Reviews:

Fantastic.......2007-04-25

Pardon me if I'm a bit biased, but William Hughes and Peggy Balensuela are fantastic people and amazing teachers. Who knew that I would find recordings of my professors on here?

The Columbia Albums of Irving Berlin, Vol. 1-2

Average customer rating:

The Columbia Albums of Irving Berlin, Vol. 1-2

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Easy Listening | Pop | Styles | Music
ASIN: B0000AHEU8
Release Date: 2003-09-02

Tracks:

It's A Lovely Day Today/Blue Skies
Maybe Its Because I Love/I Got Lost
You'd Be Surprised/I'll See You In Cuba
Always/Remember
Shaking The Blues/Play A Simple/Alexander's
Here's No Business/Got The Sun/Girl I Marry
Say It Will Music/Cheek To Cheek
It's A Lovely Day Tomorrow/ Now It Can Be Told
This Year's Kisses/Be Careful! Its My Heart
Lady Of The Evening/ Better Luck Next Time
Steppin' Out With My Baby/ You're Just In Love
Let's Face The Music/Say It Isn't So
How Deep Is The Ocean/I Never Had A Chance
Change Partners/Mandy
You Can't Brush Me/Everybody Step/Waiting At The End
Soft Lights/They Say It's Wonderful
Puttin' On The Ritz/Marie
I've Got My Love To Keep Me/Top Hat
What'll I Do/All Alone
A Pretty Girl/Isn't This A Lovely Day
Lazy/I'm Getting Tired So I Can Sleep
I'm Playing With Fire/Let's Have Another Cup
Heat Wave/Let Yourself Go
The Piccoline/No Strings

Album Description

Full Title - The Columbia Albums Of Irving Berlin Vols. 1 & 2. Composer, conductor, arranger Frank DeVol scored more than fifty movies and is best known as the composer for the theme songs for the TV series 'My Three Sons', 'The Brady Bunch' and 'Family Affair'. In the 1940s DeVol was an arranger for Dinah Shore, Tony Bennett, Rudy Vallee, Vic Damone and Doris Day. Frank DeVol received multiple Emmy Awards and Academy Award nominations for his extensive body of work. Irving Berlin's medleys featured are 'Always/Remember', 'A Pretty Girl/Isn't It A Lovely Day' and 'Say It With Music/Cheek To Cheek'. 24 tracks. Collectables 2003.

Average customer rating:

English is an asset and a drawback
You Will Love Opera After Hearing Carmen In English
A wholly credible "Carmen" -- finally!
I love Carmen!

Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
Similar Items:

Mozart: The Magic Flute
The Barber of Seville / B. Ford, D. Jones, A. Opie; G. Bellini [in English]
Verdi: La Traviata
Mozart: The Marriage of Figaro
Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00007JGRN
Release Date: 2003-03-11

Tracks:

Prelude
In The Plaza
Just Look At That Delicious Morsel
Here Come Our New Soldier Boys
Jose! There Was A Girl Here Looking For You Just Now
Off With You Old Soldier Boys
Corporal! Sir!
We Have Heard The Bell Summon Us To Meet Here
Ah, Just Look!
But Why Hasn't She Come, Our Carmencita?
Love's A Bird Wild As Any Rebel
Carmen! We Will Follow You High And Low!
The Cheek Of It!
Give Me News Of My Mother!
Your Dear Mother And I Were Leaving Church This Morning
I See My Mother's Face!
Wait A Moment - I'm Going To Read The Letter
Come And Help
So, Corporal: Tell Me What Happened
Well, Carmencita: What Do You Have To Say For Yourself?
Where Are You Taking Me?
There's An Old Bar In The City
Careful - It's Lieutenant!
Entr'acte
From Far Away Mysterious Sounds
Bravo, Bravo! More! Keep Dancing!
Hurrah! Hurrah! The Torero!
Who's That? It's Escamillo, The Bullfighter From Granada
Hurrah! Hurrah! The Torero!
You're Most Kind
We'll Come With You, Senor Torero
Toreador, Be Ready!
At Last! We Got Rid Of Them As Quickly As We Could
There's A Little Job That We're Starting!
Being In Love Is Not A Reason

Tracks:

To Bid You Welcome To Our Bar
La La La La La La La La...
Back To Camp!... Go At Once!
That Flow'r You Threw To Me I Treasured
No, It's Not Love At All!
Hello! Carmen!
Lieutenant Fair, It's True
The Sky Above The Open Road
Entr'acte
Keep Going, Dear Old Friend, Kep Going!
Right! Let's Stop For A While
Shuffle! Cut Them!
In Vain You Would Avoid The Bitter Things They're Saying
You're Back!
As For That Man, It Should Be Easy!
Is This The Place?
I Say That There's Nothing To Fear
It's Him! I'm Sure It's Him Over There!
Escamillo Is My Name, And I Come From Granada
She Had A Lover Here
Hola! Hola! Jose!
You Should Take Care, Carmen
Alas! Jose, Your Mother Is Ill
Entr'acte
A Few Cuartos! A Few Cuartos!
Here They Come! Here They Come!
If You Love Me, Carmen
It's You! It's Me!
Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

A pleasure, then, for the Carmen naive or a novelty for the Carmen-acquainted. I nearly wrote Carmen-weary - but I don't think it's possible.

Keep It to Yourself
Average customer rating:
Keep It to Yourself
Gerry Rafferty
Manufacturer: Hypet
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music
General | Rock | Styles | Music
ASIN: B00008RCKA
Release Date: 2003-07-01

Tracks:

Keep It To Yourself (Radio Edit)
Keep It To Yourself (Album Version)

Album Description

Taken from the 2000 album, 'Another World'. The title track is backed with the Radio Edit version. Hypertension. 2003.

Keep It to Yourself - Arkansas Blues Vol. 1: Solo Performances

Average customer rating:

Keep It to Yourself - Arkansas Blues Vol. 1: Solo Performances
Various Artists
Manufacturer: Stackhouse Recording
ProductGroup: Music
Binding: Audio CD

General | Blues | Styles | Music

General | Compilations | Blues | Styles | Music

Acoustic Blues | Blues | Styles | Music
ASIN: B000CSUM4Y
Release Date: 2006-02-21

Tracks:

King Biscuit Time (Opening Theme) - W.C. Clay
Keep It to Yourself - W.C. Clay
Someday Baby Blues - W.C. Clay
Standing at My Window - W.C. Clay
I'll Take Care of You
Roaring Twenties Rag - Nelson Carson
Hill Country Blues - Nelson Carson
Old Time March - Mack White
John Henry - Willie Wright
Standing Around Crying - Willie Wright
Willie's Blues - Willie C. Moore
Hello Central - Herbert Wilson
That's Boogie! - Trenton Cooper
Educator's Blues - Trenton Cooper
Fish Tail Theme - Trenton Cooper
Let Me Play with Your Poodle - CeDell Davis
Lonely Nights - CeDell Davis
Big B Boogie - CeDell Davis
How Much More? - CeDell Davis
Natchez Burning - Willie Wright
What'd I Say - W.C. Clay
King Biscuit Time (Closing Theme) - W.C. Clay

Average customer rating:

Keep It to Yourself
Reuben
Manufacturer: Xtra Mile
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music
ASIN: B000APR65C
Release Date: 2005-09-12

Tracks:

Keep It To Yourself
Karen

Album Details

Another Slab of Good-time Balls Out Rock Music Taken from their Second Album `very Fast Very Dangerous', Following the Chart-bothering Single `a Kick in the Mouth'.

Music Album:

Music Album

1. Keep It To Yourself (Radio Edit)
2. Keep It To Yourself (Album Version)