About the Artist
Big Blow and the Bushwackers are just your typical tuba, didjiridu, mandolin, accordion, trumpet band backed up with strong percussion to make you shake your can and sing along with. The group originally formed ten years ago with the purpose of exploring the various sound possibilities of the Australian instrument, the didjiridu (pronounced di-ju-re-doo). Since then the group has been influenced by celtic ballads, roots blues, mutated polkas, world jams and satirical originals.
Product Description:
HANDY is the 4th release from the Buswackers. The recording is chock full of the various styles from an Irish jig to an original polka to a roots blues song by Blind Willie Johnson. Sure, it's hard to catagorize, but it will keep your toes tapping and keep you smiling.
Handy,Big Blow and the Bushwackers,Wedgie Records,Just your typical high energy world, roots and original music performed on mandolin, tuba, didgeridoo, accordion, more brass, lots of percussion and hand-made instruments.
Average customer rating:
- awesome!!!!
- Only one decent song
- Stunningly good Score!
- Track 14 / Worth the price of the CD
- A few standout tracks, but difficult to recommend on the whole.
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The Island
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Batman Begins
- The Island
- Mr. and Mrs. Smith
- King Kong
- The Da Vinci Code
ASIN: B0009X766E
Release Date: 2005-07-26 |
Tracks:
- The Island Awaits You
- Where Do These Tubes Go?
- Sector 6
- Starkweather
- Agnate Ukuleles
- You Have A Special Purpose In Life
- Mass Vehicular Carnage
- Renovatio
- I'm Not Ready To Die
- This Tongue Thing's Amazing
- Mass Winnings
- The Craziest Mess I've Ever Seen
- Send In The Clones
- My Name Is Lincoln
- Blow
Amazon.com
After supplying something known as "additional music" to many films since the late 1990s, Steve Jablonsky seems to have become the go-to composer for director-producer Michael Bay. Jablonsky's score for Bay's sci-fi thriller The Island shows the influence of its producer, Hans Zimmer. "The Island Awaits You" sets up the mood, which is oddly muted for a movie directed by explosion-master Bay. Even a track titled "Mass Vehicular Carnage" is merely ominously low-key, oddly sounding like something by dank trip-hopper Tricky. Elsewhere, the electronic number "Starkweather" successfully creates a feeling of oppressive tension before integrating elements of the main theme. Unfortunately, in his effort to avoid big ka-booms, Jablonsky can be overly subdued; while nothing is jarring, nothing makes much of an impression either. Actually, there is one jarring thing on this CD, and it's the Prom Kings' nu metal/funk hybrid "Blow," tacked on at the end like an afterthought. --Elisabeth Vincentelli
Customer Reviews:
awesome!!!!.......2007-02-18
The brooding post modern industrial feel to the songs on this soundtrack give it a feel of epic proportions. I simplely love it!!!...dark,foreboding, and eerily brilliant on every track....thank you Mr. Jablonsky!
Only one decent song.......2007-01-15
There's only one coherent actual song on this CD. The rest is just a collection of sound effects and short music bits. If you want that one song, the nice one at the very end, fine, but it's too bad there aren't more like it. I think they could have done better. I remember liking the movie soundtrack a lot - I don't think it translates very well to CD, though.
Stunningly good Score!.......2006-11-10
This is a hauntingly good score to a pretty darned good film, which for whatever whim of the masses was less than well received. I you like taiko drums, fast paced and wonderfully executed "world beat" music, this is definitely the score for you, I've played it again and again and it only gets better with each listening.
Track 14 / Worth the price of the CD.......2006-11-04
I agree with other reviewers here -- much of the music on the CD is simply supplemental to the film, is forgetable, nothing really stands out, there is a lack of melody. Only one track (# 14) "My Name is Lincoln" -- stands apart, offering a theme, melody, choir and resolution -- it is a signature bit of composing that, for me, is really worth the price of the CD.
A few standout tracks, but difficult to recommend on the whole........2006-10-27
I'm afraid to say that I find this CD somewhat difficult to recommend as a whole. Steve Jablonsky is a prodigiously talented composer with a bright future; as his score to 'Steamboy' and trailer music and additional themes for Pearl Harbor attests. And although Jablonsky has done his job well here - the Island score works splendidly in the film - on CD the persistent throbbing electronica and pervasive percussion comes off so harshly as to the point of being too abrasive for the listen to be enjoyable (and I'm a big fan of electronica!)
In comparison to something like Spy Game by Harry Gregson-Williams, which is a deep, subtle and nuanced electronic score, the Island is stark and aggressive, with much repetition, few discernable themes, and occasional sequences of outright garish and incoherent noise generated mostly by garbled electric guitars. With all this in mind, I feel the CD generally hovers around the two star mark.
However, there are a couple of BIG standout moments; namely 'The Island' theme itself; first featured on the opening track, and then later on track 10 and elsewhere, has a beautiful, haunting, ethereal quality to it, reminiscent of the opening minute of 'Injection' from the M:I-2 score. Similarly, 'This Tongue Thing's Amazing' and 'You Have a Special Purpose in Life' have long, stretches of warm orchestral music that are decidedly enjoyable and memorable.
Finally - and most importantly - the finale, 'My Name is Lincoln' is such a standout track that it deserves special attention. It's a warm, uplifting, inspiring theme which borrows heavily upon Gladiator's 'Now We Are Free', but with an epic choral backing which pushes it to even greater heights. It's incredible, probably one of my top 10 favourite film score tracks of all time, seriously.
If ever there was an album that you should consider purchasing as individual mp3 tracks, this one is it - a purchase of tracks 1, 2, 6, 10 and 14 will pretty much cover 95% of all the good bits.
Average customer rating:
- Salute to America
- A good choice but...
- Ho-Hum
- "Boston Pops".. Alway's do the Job!
- Full-Spirited
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Salute to America
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Similar Items:
- The Very Best Of The Boston Pops
- I Love a Parade John Williams
- Stars & Stripes Forever and the Greatest Marches
- Swing Swing Swing
- Sousa's Greatest Hits
ASIN: B0000047JW
Release Date: 1995-04-16 |
Tracks:
- Candide (Overture)
- New York, New York (America Medley)
- Lonely Town (America Medley)
- America (Ameriaca Medley)
- Battle Hymn of the Republic
- American Salute
- America the Beautiful
- This Land is Your Land
- 76 Trombones
- St. Louis Blues March
- Strike Up the Band
- When the Saints go Marchin' In
Customer Reviews:
Salute to America.......2006-07-27
Very similar in quality and music to I Love A Parade and a very upbeat reminder of why we are a patriotic nation. The arrangements and quality of the songs are great.
A good choice but..........2005-06-29
It is not the best CD that I have bought but it is an honest one. The orchestration is good, the choice of tunes is excellent and the tunes are well played. As you know, it is always difficult to say : I like it or I hate it because hearing a CD is a question of personal point of view. In my case, I may not say that I like it or I hate it, I prefer some other orchestration but it us a good CD.
Ho-Hum.......2005-06-08
I wanted some rousing marching music. This album is half asleep. The sound quality is poor. Apparently Mr. Williams writes better music than he conducts.
"Boston Pops".. Alway's do the Job!.......2001-10-03
John Williams/Boston Pops.. Salute to America.
And they do! They salute America! This is a wonderful C.D
Battle Hymn of the Republic, is great..
New York, New York,will bring tears to your eyes!
12 renditions in all..
All these are performed wonderfully, and well worth the money!
I would recommend this to anyone who loves patriotic music, it will stir the heart and soul of Americans....
Full-Spirited.......2000-09-02
I'm a classical music/opera person for the most part. But I find this CD entralling. Even the organization of the CD is ideal-almost like a symphony--with the rousing Candide Overture and the musical medleys at the beginning, the patriotic songs as the B section, and the Dixieland and other music from American musicals to finish up. And I particularly like the orchestration of the medleys. A wonderful CD.
Average customer rating:
- Could anything be better Needs 2000 stars
- A "Must Have" for Lovers of Satchmo, Blues, or Jazz!!
- The Beauty of Classical Jazz
- Armstrong Plays Handy
- The Best Blues of Louis Armstrong,WC Handy & Co.
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Louis Armstrong Plays W.C. Handy
Louis Armstrong and His All-Stars
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Similar Items:
- Satch Plays Fats: The Music of Fats Waller
- The Great Summit: The Master Takes
- Ellington At Newport 1956
- The Hot Fives & Sevens
- W.C. Handy's Beale Street--Where The Blues Began
ASIN: B000002ADP
Release Date: 1997-03-25 |
Tracks:
- St. Louis Blues
- Yellow Dog Blues
- Loveless Love
- Aunt Hagar's Blues
- Long Gone (From The Bowlin' Green)
- The Memphis Blues (Or Mister Crump)
- Beale Street Blues
- Ole Miss Blues
- Chantez Les Bas (Sing 'Em Low)
- Hesitating Blues
- Atlanta Blues (Make Me One Pallet On Your Floor)
- George Avakian's Interview With W.C. Handy - W.C. Handy
- Loveless Love (Rehearsal Sequence)
- Hesitating Blue (Rehearsal Sequence)
- Alligator Story
- Long Gone (From The Bowlin' Green) (Rehearsal Sequence)
Amazon.com essential recording
A wonderful meeting of two institutions of American music, this 1954 album was the finest recording of Louis Armstrong's later career, with the great trumpeter-singer turning to material that was very close to his roots. Both W.C. Handy and Armstrong had a complex relationship with the blues, an essential source for both Handy's popular songs and Armstrong's improvisational art, and these recordings touch on the heart of the matter. On "Yellow Dog Blues," a product of Handy's own early and chance encounter with the rural blues, there's a majesty that recalls Armstrong's early recordings with Bessie Smith. Armstrong is clearly inspired by the classic material and the chance to stretch out on record, and his regular band of the period joins in perfectly. Trombonist Trummy Young, clarinetist Barney Bigard, pianist Billy Kyle, and singer Velma Middleton contribute stellar solos and support, while bassist Arvell Shaw and drummer Barrett Deems do an exceptional job of keeping the slower tempos rock steady. This is a deeply moving and consummately executed performance. --Stuart Broomer
Customer Reviews:
Could anything be better Needs 2000 stars.......2007-06-29
This album is one of the best recordings of any kind I have ever heard. Now I have thousands of recordings, write seriously about music, and have a lot of Louis, but this is one of those CDs that are simply hard to get out of the player. Forget about the historical significance of the recordings, the extras which include a few rehearsal cuts with the band getting itself ready, a fine excerpt from an interview with Handy, and a nice little joke--not necessarily one that could be told on network television--by Louis, and the well documented notes.
The sound here is great. It has some of the best of Louis's sound in the late 1940s and early 1950s, when despite the All-stars claims to reproduce the orginal pre-Swing sound of Armstrong's earlier groups, Louis shows the way he truly swung in both singing in playing far beyond the youthful athletics of the Chicago recordings. These blues swing so nice warm and easy, although some like his great recording of "The Saint Louis Blues" swing very hard. If you want to learn the basics of swing rhythm at a reasonable pace, I would advise listening to these recordings and trying to play along with them. (Of course, I would also recommend the great piano and rhythm section sides Basie cut to get out of his Decca Contract in the mid 1930s.)
There is something soooooo much more joyous about these recordings than any of Louis's recordings of these or similar tunes in the 1920s and 1930s. His voice and trumpet playing no longer strain but are sure of the mastery of the material. Both he and vocalist Velma Middleton seem to be really enjoying themselves with this material.
It must be stressed that Handy's real contribution was the combination of the Blues with the level of arrangement and composition that professional Black entertainers of his time--a time of a great explosion of both professional skill, knowledge, diversity of style, and polish--had obtained. His Blues including selections on this piece like "The St. Louis Blues" and "The Memphis Blues" and the immortal "Beale Street Blues" often combined Blues with all sorts of music popular at the time especially Ragtime, the reigning popular music of Handy's time in Memphis, with traces of Latin music like the habenero tango strain in the St Louis Blues. Yet, while quite willing to copyright these products of Black folk culture and create his own publishing business based on them (one of the first the realize the money in getting songs recorded as well as selling sheet music, Handy was insistent about the folk sources of his blues, as well as the fact that they were what Black folks demanded to dance to.
Getting Louis, himself a product of the generation that saw Jazz emerge as the child of the marriage of Blues and Ragtime given the tools of the high level of musicianship and formal musical knowledge consumated by Handy and his generation, to record these tunes was a stroke of Genius. You can hear Louis feeling happy and at home, but you can also hear a special reverence for the music, the time and the point of the music, as well how much BETTER the development of Jazz and Swing in the decades since Handy's days had made his ability to play these songs. It is no wonder that Handy himself cried tears of joy when he heard these recordings.
George Avakian who produced both the original recordings and the 1996 reissue on CD, spent about twenty years hunting down the best of the original recordings and takes, before rereleasing this really high quality recording.
A nice, wonderful, historic album that is pure joy and fun.
A "Must Have" for Lovers of Satchmo, Blues, or Jazz!!.......2007-04-22
Given the fact that WC Handy and Satch had parallel careers and Handy's compositions and Pops' magic are a natural combination, that alone makes this a "no-brainer" for anyone looking for great jazz. But in this particular package, there are several alternative takes as well as rehearsal "patter" that gives the listener a glimpse into what a Satchmo record date was like, as well as what a craftsman he was in his art! The "Alligator Story" is worth the price of the CD itself!! Listening to this disc deepened my love for the man and his music if that was even possible. This is a must have for the novice listener as well as the seasoned fan. Go ahead...."Place in Cart"....you'll be glad you did!
The Beauty of Classical Jazz.......2006-08-13
What a magnificent CD!
I heard this album in the LP form at the beginnings of my explorations into jazz but, as the CD era started, I was warned that the 80's CD of "Armstrong plays W. C. Handy" contains inferior alternate versions.
The producer George Avakian explains in this 1997 CD what happened and how painstaking and meticolous research and restoration resulted in this issue, basically equall to the original album, although the recording company had lost not only masters but the back-up copies as well. So, all the compliments go to Mr. Avakian, the producer and the restorer of this music.
This is one of my favorite jazz albums and I feel it proves that Louis in the 50's could very well reach his Hot fives and Hot seven hights. Whether it is "Loveless love", "Chantez les-bas" or the ingenious and rightly famous "St. Louis Blues", Satchmo shines both through the clear sound of his trumpet and through the expressive groan and grumble of his vocal chords (how do such divine voices come about? Did he work on it or was it a gift?).
His accompanying ensemble is also great, particularly the explosive trombonist Trummy Young, who was rightly famous for his work in Lunceford's big band in the swing era, but seems liberated in Satchmo's All-stars concept - he propelles ensemble choruses and plays inspiring solos (Bigard is also great but his best work was done in the swing era with Ellington).
It is quite amazing that critics in the 50's didn't take Satchmo seriously enough but so it goes with music, cinema or anything else: Artists who still develops their concept when younger cats follow completely different leaders often go unnoticed. Fortunatelly, Armstrong was able to attract some of the non-jazz crowd and become popular entertainer, so he had a great amount of artistic liberty.
Additional attractions of this seminal album are rehearsing sequences and short interviews with Satchmo and W. C. Handy.
Armstrong Plays Handy.......2006-07-06
Great Album. Five stars.
Armstrong plays Handy, and does it brillantly. What more needs be said?
The Best Blues of Louis Armstrong,WC Handy & Co........2006-01-30
I generally prefer more modern jazz to Louis Armstrong;but there are generally exceptions to anything-and this is really beautiful stuff.The cd kicks off with a terrific version of Handy's timeless classic,'The St. Louis Blues' with Armstrong playing and singing with Velma Middleton-and keeps kickin'.Also included are interviews of Armstrong and Handy-and the sound will blow you away..
Average customer rating:
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High Society: Jazz Masterpieces from the Dixieland Era
Manufacturer: Opening Day Ent
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ASIN: B000Q364L0
Release Date: 2007-06-12 |
Average customer rating:
- not to great
- Not so bad, 100 tunes for 4$
- You get what you pay for.
- Now I know why there were no song samples to listen to ...
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100 Favorite Patriotic Songs
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- America's Favorite Patriotic Songs
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ASIN: B0000A1HT8
Release Date: 2003-08-12 |
Tracks:
- America the Beautiful
- All Quiet on the Potomac Tonight
- Ballad of the Green Berets
- On Top of Old Smokey
- Coyote Warrior
- Semper Fidelis
- Breeze from Alabama
- Onward Christian Soldiers
- Come Where My Love Lies Dreaming
- Patriot
- Sweet Betsy from Pike
- Marines' Hymn
- America Is
- When Johnny Comes Marchin' Home
- Happy the Soldier
- American Trilogy
- Home Sweet Home
- Washington Post March
- Enraptured I Gaze
- Jeannie With the Light Brown Hair
- Yellow Rose of Texas
- Over There
- Simple Gifts
- Liberty Bell
- Star Spangled Banner
Tracks:
- God Bless the USA
- Yankee Doodle Dandy
- Katy Cruel
- I Vow to Thee My Country
- King Cotton
- Beautiful Dreamer
- America
- American Patrol
- Mine Eyes Have Seen the Beauty
- Mohican Dream
- Red, White and Blue
- Some Folks
- Liberty Song
- Pomp and Circumstance
- Hail to the Chief
- Bennington Rifles
- Peace on the Battlefield
- I've Been Working on the Railroad
- Under the Double Eagle
- Red River Valley
- My Country 'Tis of Thee
- Camptown Races
- Wild Blue Yonder
- Hands Across the Sea
- Fanfare for the Common Man
Tracks:
- Stars and Stripes Forever
- Living in America
- Home on the Range
- Old Colony Times
- Clementine
- Invincible Eagle
- Ring Ring de Banjo
- Yankee Doodle
- Largo from "The New World"
- To a Wild Rose
- Hail Columbia
- Alexander's Ragtime Band
- Gettysburg
- Carry Me Back to Old Virginny
- Capitan
- Prairie Daughter
- Little Brown Jug
- Marching Through Georgia
- Entertainer
- Steamboat Around the Bend
- Revolutionary Tea
- Cassions Keep Rollin' Along
- Johnny Has Gone for a Soldier
- Amazing Grace
- Grand Old Flag
Tracks:
- God Bless America
- National Emblem
- Soldier, Soldier Won't You Marry Me
- Anchors Away
- Oh, Susannah
- Tramp, Tramp, Tramp
- Toast
- Dixie
- St. Louis Blues
- Appalachian Spring
- Bonnie Blue Flag
- Old Hundreth
- Swanee River
- Battle Cry of Freedom
- U. S Field Artillery
- Sidewalks of New York
- Chester
- Auld Lang Syne
- Kingdom Come
- My Old Kentucky Home
- Hail to the Spirit of Liberty
- Battle Hymn of the Republic
- Shenandoah
- Abraham's Daughter
- This Land Is Your Land
Customer Reviews:
not to great.......2007-04-04
We were disappointed with this CD, but for the price I guess we can't expect much. I didn't care for the new style presentation of the songs. I like a more traditional rendering.
Not so bad, 100 tunes for 4$.......2005-06-22
I red the comments of two other people who have bought this 4 CD BOX SET and it is not really so bad. I will even add that there are some excellent tunes. However, I must agree with the fact that few tunes seem to have been recorded 40 or 50 years ago, mainly when you hear the scratches of an old turntable but it is just 2 or 3 tunes. Furthermore, if you do not know American music, it is a good BOX SET to buy if you consider that you received 4 CD for 4$ including 100 tunes. On these 4 CD, I have heard some orchestration that I have never heard before and I consider that they are different but interesting. Any way, after hearing these 100 tunes, you will say to yourself that you like this tune, this other tune, this other tune and so on and you will be able to buy a more expensive CD with the tunes that you like. However, I have bought many CDs in the last few weeks and as you know, there are always some tunes that you like and some tunes that you do not like on every CD that you will buy. So, don't buy it at 25$ but at 4 or 5$ dollars, it is a very good choice for 100 tunes.
You get what you pay for........2004-07-04
You get what you pay for. The singers put their own spin on the singing of each song. If you didn't hear the words you would not recognize some of them. Even some of the music sounds like a bad recording of music played on a turntable. Definitely not worth the price.
Now I know why there were no song samples to listen to ..........2004-07-04
I wish this review had been here when I was thinking of purchasing it. I guess you get what you pay for. If you are thinking of buying this, you are better off recording your own CDs (or at least buying one that you can listen to a sampling of the songs). This album includes songs that were mere recordings of the songs playing on an old record player. It's almost so unbelievable that it is funny.
Average customer rating:
- Steamboy lets off wonderfull steam
- Delightful score
- So Good!!! And Not Evil!!!!!!!!!! And it's WAY better than dumb Chicken Little!!! I hate Chicken Little!
- Steamboy sountrack
- A delightful surprise!
|
Steamboy
Manufacturer: Domo Records
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
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Similar Items:
- Steamboy - Director's Cut (Widescreen Edition)
- Eragon (Soundtrack)
- Blood Diamond
- Rescue Dawn
- The Da Vinci Code
ASIN: B0007NBAB8
Release Date: 2005-03-08 |
Tracks:
- Manchester 1866
- The Chase
- Unexpected Meeting
- Scarlet
- Raid By The Airship
- London World Exposition
- The Ateller Of Ray
- Crystal Palace Waltz
- Ray's Dilemma
- The Sortie Of Scotland Ground
- Fight In the Exposition Ground
- Launch!
- Temptation
- Fly In The Sky
- Two Delusions
- Collapse And Rescue
- Ray's Theme
Customer Reviews:
Steamboy lets off wonderfull steam.......2007-04-05
Beautiful. Even this word doesn't give Steamboy justice. Steve Jablonsky is a very brilliant man, creating lush atmospheres, deep tones, frantic intensity, and a wonderful main theme.
Lush atmospheres/deep tones: the music sounds great. Listened to on the computer, stereo, iPod, PSP, car, the music is clear. The atmosphere of the music is nowhere near Japanese, even though the actual movie is considered Anime. The music is very, should I say, American, and there isn't a trace of Japanese. The tones are deep, setting up the mood very quickly. On Track 01, Manchester 1866, the music starts off with a beautiful piano segment. Then, adventure kicks in and the music is fast, upbeat, and never fails to amaze. You can close your eyes and picture a far away city, filled with colorful people, flags waving in the air, and airships in the sky. With Track 02, Chase, the music starts off with quick violins, and then throughout the 5 minute song, the music grows more and more frantic, violin a'blazing, drums a'pounding, piano banging! Its really intense, and I love intense music, but the thing that sets Steamboy apart is that it mixes lush violin with the frantic drums. I cannot describe it. Same as in Track 05, Raid By The Airship, I feel like I'm frantically dodging bullets while trying to stay afloat in the air, or even running from very dangerous people through a mall. Its wonderful.
Frantic intensity: Ok, so this is the thing that sets a soundtrack apart from all the others. Is the music intense? Steamboy, I have to admit, is one of the most intense soundtracks I've listened to. I haven't seen the movie, but instead, picture and map out the events in my mind. Action songs such as Chase, Raid By The Airship, Fight In The Exposition Ground, Launch!, and Fly In The Sky, all contain frantic violin. And to top it off, the music stays with you. Unlike the soundtrack to Aeon Flux, Steamboy manages to heat things up, while creating memorible themes, instead of just drums that are all over the place.
The Wonderful theme: Track 17, Ray's Theme, is very original. It is what you would expect from an adventure movie, and Jablonsky manages to capture the heart of the era in the theme. The action themes, like I stated earlier, are very good. The filler stuff inbetween, I guess you could call that a theme. It is not too bad either.
Main Theme(Ray's Theme):*****
Action Theme:*****
Filler Stuff Theme:****
The samples don't do this music justice. No matter what other Soundtrack you have your eye on, just forget about it for now, and pick up this rare jem that will never stop mesmerizing.
Colbster
Delightful score.......2006-02-08
Steve Jablonsky composes a wonderful animated film in the infamous Media Venture tradition. It you're a fan of Zimmer's, Gregson-Williams and Powell's work on animated films, you'll love this one.
A few of the highlight tracks include:
"The Chase" is where Ray's theme is played at a fast pace against the clanking of sticks.
"Fly in the Sky" is where Ray's theme is played boldly as Ray uses the steam pack to go rescue his friend from the giant, flying fortress.
"Collapse and Rescue" is the longest track of the album and most recognizable as being pulled from Zimmer's Pearl Harbor score. Although the variations of the track are similar to Zimmer's, this song is played to increase tension during the destruction of the fortress thing.
"Ray's Theme" is, well, Ray's theme. It's a nice little melody to close the album.
The rest of the score is good too just that the tracks above are the ones that stood out for me.
If you're a collector of Media Venture scores for animated flicks, get this one. The import version is pricy but no different from the commercial release. The only difference is the album artwork. You decide if the import worth twice or more than the asking price for the commercial album release.
So Good!!! And Not Evil!!!!!!!!!! And it's WAY better than dumb Chicken Little!!! I hate Chicken Little!.......2005-12-09
This one was quite a surprise for me since i wasn't expecting much musicaly from this movie. To those of you who saw "Akira", the music was alright... there was like three or four good musical tracks on the cd, but the rest was mostly just ambient. But when I saw "Steamboy" and I heard the music, it captivated me on the spot, and I was glued to the screen the whole time.
The Score to "Steamboy" is superb! I listen to it very often, along with the Kameo soundtrack. Both soundtracks are quite listenable for all ages, there is no questionable lyrics or any adult content... just joshin' ya! These are MUSICAL, not lyrical. But there are those "FREAKY" parents out there who think all things like this are "bad", or "evil". It is not in any way. This musical material could even spawn musical interest in childern! Intcerdible!!!! WOW!!!! SO COOL!!!! Chikka chikka Boom boom!!!!.....
later,
dark
ps Chicken Little IS SOOOOO STUPID!!!!!!!! He tries to copy "Napoleon Dynamite"!!! Which is MUCH better than dumb old Chicken dumby!
Steamboy sountrack.......2005-09-03
You don't have to be an anime fan to appreciate this fine soundtrack. The music really fits the content of the movie and helps move the story. Well orchestrated and moving, a real treat to the ear.
A delightful surprise!.......2005-05-09
As a rule, I don't expect much from composers coming out of Media Ventures. Occasionally they surprise me, as was the case with Harry Gregson-Williams, but for the most part, they never really develop their own musical voices -- one need only listen to almost any score by Nick Glennie-Smith, Klaus Badelt or Trevor Rabin to realize how interchangeable most of their work is. After hearing his fantastic contribution to Hans Zimmer's score for TEARS OF THE SUN (the best cue on the album) and his profoundly disappointing score for THE TEXAS CHAINSAW MASSACRE, I wasn't quite sure what to expect from STEAMBOY. But whatever I did or didn't expect, I was in for a delightful surprise. This hidden gem is a terrific piece of music. Not the most sophisticated composition in the world, but its nonstop energy and fun have made it one of my most frequently listened-to CDs over the weeks since I bought it. Stylistically, think early James Horner or Michael Kamen. The score's backbone is the beautiful "Ray's Theme," which pops up time and again and gets an absolutely gorgeous arrangement at the end of the CD, but in addition to this fantastic theme, there's a huge amount of fun action music. Surprisingly for a composer coming from MV, there's not a whole lot of brass, and the synths are minimal -- what there is is a lot of fun exciting stringwork, quick ostinatos, that sort of stuff, with enough variation and enough quiet material interspersed to keep it interesting. The second half of the CD is almost nonstop action; I'd point out highlights, except almost every single track is a highlight. From beginning to end, this CD is a wonderful listen. If you enjoy James Horner's THE ROCKETEER, Harry Gregson-Williams' SINBAD: LEGEND OF THE SEVEN SEAS, or any fun, fast film music -- don't overlook this one. Take a chance on it. I guarantee it'll be worth it.
Runtime: 60:56
Average customer rating:
- Solid introduction to W. C. Handy's work
- handy beginnings
- Ragtime to jazz
- Irreplaceable History, And Fun Old Music
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W.C. Handy's Memphis Blues Band
W.C. Handy
Manufacturer: Memphis Archives
ProductGroup: Music
Binding: Audio CD
General
| Blues
| Styles
| Music
Traditional Blues
| Blues
| Styles
| Music
General
| Blues
| Indie Music
| Stores
| Music
Similar Items:
- W.C. Handy's Beale Street--Where The Blues Began
- Louis Armstrong Plays W.C. Handy
- King Oliver's Creole Jazz Band: The Complete Set
- Father of the Blues: An Autobiography (Da Capo Paperback)
- Jelly Roll Morton: 1926-1930
ASIN: B000003UE3
Release Date: 1994-06-28 |
Tracks:
- Fuzzy Wuzzy Rag
- Snakey Blues
- Ole Miss Rag
- That Jazz Dance
- The Old Town Pump
- Moonlight Blues
- Hooking Cow Blues
- Bunch O Blues
- Sweet Child
- Livery Stable Blues
- St. Louis Blues
- Yellow Dog Blues
- Muscle Shoals Blues
- She's A Mean Job Blues
- Gulf Coast Blues
- Farewell Blues
Album Description
William Christopher Handy "The Father of the Blues," was born in Florence, Alabama, on November 16, 1873. As a young boy, Handy had an almost insatiable desire to learn more about music. While the Florence Concert Band practiced inside the local barber shop, Handy would peek through the windows and play his cornet, along with the help of a fingering chart displayed on a blackboard. In 1893, he organized a vocal quartet and travelled to Chicago, St.Louis and Evansville, Indiana, ending up in Henderson, Kentucky, where he joined Mahara's Colored Minstrels. Handy stayed on the road for the next seven years, save two years spent at A&M College in Huntsville, Alabama, where he taught music. The year 1903 found W.C.Handy leading the "Knights of Pythias" Band in Clarksdale, Mississippi. One afternoon in Tutwiler, Mississippi, he heard an itinerant musician playing a guitar with a knife blade and singing "Going where the Southern Crosses the Yellow Dog." (The Southern and The Yellow Dog were railroad lines). Handy made a particular mental note of the singer and his unique songs and style and moved to Memphis. Trying to keep in step with the demand for music in Memphis, Handy organized his own band to compete for the more lucrative jobs in a burgeoning musical community. There was, however, stiff competition with the likes of Eckford and Higgins' Imperial Orchestra and Bynum's Superb Orchestra. The mayoral race in 1909 saw a ticket with three candidates and three bands. Handy and his band were hired by the Crump campaign to draw and entertain the crowd's (E.H.Crump had a huge political machine that ran Memphis for most of the first half of the twentieth century). Handy turned to the blues form, and to that itinerant street musician for his composition "Mister Crump" (this song would later be retitled "The Memphis Blues." In 1913, Theron Bennett, a Denver publisher, reissued "The Memphis Blus" with lyrics added by George A.Norton. The song was a huge success, however, Handy was misled by Bennett and Phillips into thinking the song has flopped and, consequently, sold the copyright for $50.00. Undaunted, Handy went back to writing and produced "St.Louis Blues" in 1914, a song which has been one of the most recorded songs in history and has been hailed as the "National Anthem of the Blues." In September of 1917, Handy, along with four band members from Memphis, made the trip to Chicago. There, Handy acquired 4 Chicago musicians and 4 others who had previously played under his direction. With the band assembled, Handy's Orchestra of Memphis headed to New York to make their first recordings. For the first time in over three quarters of a century the recordings of W.C.Handy have been preserved and are available from Memphis Archives in this unique collection.
---Richard James Hite
Customer Reviews:
Solid introduction to W. C. Handy's work.......2007-06-13
The CD's notes begin by saying: "William Christopher Handy, `The Father of the Blues,' was born in Florence, Alabama on November 16, 1873." He began his musical career in earnest in 1893. One of his best known works, "St. Louis Blues," appeared in 1914; it is described as "one of the most recorded songs in history and has been hailed as the `National Anthem of the Blues.'" It seems to me that his music crosscuts ragtime, jazz, and blues.
The recording quality varies from poor to adequate. Many of the cuts are very scratchy but on a par with the technology of the time period. The various works were recorded between 1917 and 1923.
Some illustrations: "Moonlight Blue" is played at a more stately pace. There is an orchestra of 12 persons (plus Handy as Conductor and Coronet player). The resulting sound is distinctively Handy's. No vocals. There is some nice piano playing (apparently by Charles Hillman).
"St. Louis Blues"--the musicians are unknown (except for Handy). The tune begins with some bawdy brass and the song is taken at a quick pace. It is, in effect, most infectious. Overall, the playing is pretty crisp, although is sounded to me like things got a little loose toward the middle. Nonetheless, a lot of fun to listen to, scratchy sound and acoustic technology notwithstanding.
"Yellow Dog Blues" is another sprightly paced tune. After listening to a number of cuts, one can begin to pick up what might be called the W. C. Handy "sound."
Finally, "Muscle Shoal Blues." Again, an infectious tune, well played.
This represents a useful beginning to the work of W. C. Handy. This is the first CD I have ever heard of his work, so I can't say how it compared with any other recordings. But it seems, to me, like a very nice introduction to his body of work.
handy beginnings.......2007-05-14
I do a jazz radio show, as well as fill in on a blues/roots one here in Sydney. Not only is this a useful CD to have, it is musically interesting, falling between ragtime and jazz. Hearing the real thing from back in the day is lovely and there is not all that much(Archeophone Records is one place to go)out there. In part, because much never made it into an acoustic recording laboratory of the time [check out the books by Lynn Abbott and Doug Seroff for more on that]. Truly "dinosaurs in the morning".
Peter B. Lowry
Ragtime to jazz.......2004-10-15
Magnificent performances that, to my ears, document the evolution of ragtime to jazz. "Fuzzy Wuzzy Rag" (a piece blatantly borrowed from "Maple Leaf Rag"!) may very well be an example of pre-Original-Dixieland-Jazz-Band jazz, albeit recorded after that group's first waxings. Delayed history, I'm guessing. If "Fuzzy Wuzzy" hasn't gotten its proper historical due, perhaps the title has something to do with it. (Couldn't the composer have called it "Omnivorous-Mammal Stomp," or something?) Seriously, "Fuzzy" is ragtime gone wild, lively and contrapuntal as can be. The Six Brown Brothers, cranked up. Paul Whiteman, wired. No improvisation within earshot, but much early jazz, after all, had precious little ad-libbing. First-rate musicianship, including a bowed double bass that apparently gave the 1917 recording horn fits. Columbia-label 78s from this period are no gift to modern pick-ups; in light of this, the restored sound is quite good. Handy's place in jazz history is due for reevaluation.
Irreplaceable History, And Fun Old Music.......2000-04-08
If you're familiar with the typical ragtime orchestra sound, and like it, you're in for a real treat. This is a very spirited group, and it makes other bands of the era (Art Hickman, Isham Jones, early Paul Whiteman) sound stoic and stale.
First became aware that W.C.Handy had recorded these "big band" sides when I saw the original entry in a Columbia Records catalog from 1918. All of the sides that he recorded then are featured on this CD, plus some he recorded in the early 1920's (for another label).
Sadly, the original masters were not used - commercial copies of uneven quality were the only source material available. Considering that, this reissue is nicely done, but be advised of the scratches and wear noises.
Though I could wish for better sound quality, I am well pleased with the fact that these indespensible ragtime orchestra sides are available once again.
Average customer rating:
- A FINE SOUNDTRACK.
- Great
- Better as Background Music
- surprising score from a multitalented man
- Captures the Times
|
Flags of Our Fathers
Manufacturer: Milan Records
ProductGroup: Music
Binding: Audio CD
Quartets
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- Letters from Iwo Jima
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ASIN: B000IOM1TG
Release Date: 2006-10-17 |
Tracks:
- The Photograph
- I'll Walk Alone - performed by Dinah Shore
- Knock Knock - (Kyle Eastwood, Michael Stevens, Andrew McCormack, Graeme Flowers)
- Wounded Marines
- The Thunderer - (John Philip Sousa)
- Armada Arrives
- Goodbye Ira
- Symphony In G Minor, 3rd Movement - (Wolfgang Amadeus Mozart)
- String Quartet Opus #6, 2nd Movement - (Joseph Haydn)
- Inland Battle
- Flag Raising
- Any Bonds Today? -(Irving Berlin)
- Summit Ridge Drive - performed by Artie Shaw and His Gramercy Five
- Vic'try Polka - (Sammy Cahn and Jule Styne)
- The Medals
- Platoon Swims
- Washington Post March - (John Philip Sousa)
- Flags Theme
- End Titles Guitar
- End Titles
Amazon.com
As if delivering Oscar-winning films were not enough, Clint Eastwood is one of the few directors to also compose much of his movies' soundtracks; even more impressive is that he's able to work within distinct genres, from jazz to country to Hollywood-style neoclassical. With help from orchestrator Lennie Niehaus, Eastwood creates a compelling soundtrack to the WWII drama Flags of Our Fathers, combining Eastwood originals (including son Kyle's contribution on "Knock Knock") with Philip Sousa marches; classical pieces by Mozart and Haydn; and period-defining pieces by the likes of Dinah Shore ("I'll Walk Alone"), Irving Berlin (a new recording of "Any Bonds Today?"), and Artie Shaw ("Summit Ridge Drive"). These are fairly minimal but it's nice to see them eschew the usual war-movie tropes--like the movie itself. --Elisabeth Vincentelli
Album Description
Flags of Our Fathers tells the life stories of the six men who raised the American flag at the Battle of Iwo Jima, a turning point in WWII. The film is based on the bestselling book of the same name, written by James Bradley and Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company.
Customer Reviews:
A FINE SOUNDTRACK........2007-02-12
The soundtrack to "Flags of our Fathers" is a fine recording of music from the Oscar-nominated film. The strength of the album lies in the period songs, which are arranged beautifully by the artists who perform them. Clint Eastwood's orchestral score is another matter. It's got some fine moments (Like in "Wounded Marines," "Inland Battle," and the theme), but is a let-down overall. It's hard to know who to recommend this to. If you've enjoyed Clint's soundtracks before, then you'll probably like it.
Grade: B+
Great.......2007-02-01
I don't see how this album could possibly get lower than a 4. It's melody is haunting and emotional. Sure, there is a lot of era-filler music, but those pieces are good too. Clint's actual score is great, especially "wounded marines" and "end titles."
My mother almost comes to tears every time she hears the music, and I've often heard her humming it when she thinks no one is around.
All in all, it is a magnificent cd, keep up the good work Clint.
Better as Background Music.......2006-11-22
While this is an interesting mix, it works better as part of the film experience. To listen to the music, without the film accompanying, causes it to lose much of the impact. One thing film makers almost never get right is the spirit of the vocals in movies about the 1930s and 1940s. The female trio, in the war bond drive scenes, sounds like a contemporary imitation of the vocalists from that era. They don't sound authentic and I have heard many vocalists (solo or mixed voices) from the 1930s and 1940s on compact disc. This happens with orchestras attempting to recreate that era even when playing those arrangements. One orchestra that gets it absolutely right is the Dutch orchestra The Beau Hunks. So it can be done. Check them out on Amazon.
surprising score from a multitalented man.......2006-11-01
In addition to being a talented filmmaker,Clint Eastwood is an accomplished musician,and this score shows it.There have been several other posters here lambasting Mr.Eastwood for scoring his own pictures and screaming "He's no(insert composer name here)".Don't pay any attention to them.While he may not be in the class of John Williams or others as a composer,this is a melodic and highly effective score that fits the film and is well-performed under the brilliant baton of Lennie Niehaus.The main piano theme is memorable.This is a great companion to
his "Mystic River" and "Million Dollar Baby".
Captures the Times.......2006-10-26
This soundtrack is a very good integration of director Eastwood's music with traditional patriotic music and music of the WWII era. Overall, this soundtrack captures the time and place and the lives affected by events. As a soundtrack album of the film, this CD works effectively.
Average customer rating:
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Pops Stoppers: Greatest Hits of the Boston Pops Orchestra
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
All Works by Ellington
| Ellington, Edward Duke
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| Gershwin, George
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| Porter, Cole
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ASIN: B0000041CP
Release Date: 1995-05-16 |
Tracks:
- Sophisticated Ladies (Medley) - A Tribute to Duke Ellington:: Sophiscated Lady - Take the 'A' Train - Mood Indigo - It Don't Mean A Thing
- When The Saints Go Marchin' In
Customer Reviews:
Pops Stoppers.......2007-05-06
Thank you for sending this--excellent recording. Great music, and enjoyed by all generations in our family...from 19 yrs.....to 90 yrs....We all have enjoyed it so much.....Thank you...
Average customer rating:
- Got to like it
- A gleaming vision of brass sound
- wow
- Essential CD
- The Best "Best of" the Canadian Brass
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The Essential Canadian Brass
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
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| Mozart, Wolfgang Amadeus
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| Pachelbel, Johann
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Similar Items:
- Best of the Canadian Brass
- The Christmas Album
- Super Hits: Canadian Brass
- Go For Baroque! - The Canadian Brass
- Red Hot Jazz: The Dixieland Album
ASIN: B00000413N
Release Date: 1992-08-11 |
Tracks:
- Zarathustra Fanfare - (From 'Also sprach Zarathustra')
- Concerto For Two Trumpets In C: Allegro
- Concerto For Two Trumpets In C: Largo
- Concerto For Two Trumpets In C: Allegro
- Canzone prima a 5
- Turkish Rondo (Rondo alla turca)
- Fugue In G Minor 'Little'
- Beale Street Blues
- Il Barbiere di Siviglia: Largo al factotum - From 'Il barbiere di Siviglia'
- Serenade K. 361: Theme, Interludes And Re-Variations
- The Flight Of The Tuba Bee - From 'The Tale Of Tsar Saltan'
- La Virgen de la Macarena (Traditional)
- Die Dreigroschenoper: Cannon Song
- Amazing Grace - (Traditional)
- Tuba Tiger Rag - (Traditional)
- Toccata And Fugue In D Minor
- Prelude No. 2, BWV 847 From 'The Well-Tempered Clavier': Be-bop Bach
- Prelude No. 8, BWV 853 From 'The Well-Tempered Clavier': Blue Bach
- Fugue No. 2, BWV 847 From 'The Well-Tempered Clavier': Dixie Bach
- Canon
- The Saint's Hallelujah - (Traditional)
Customer Reviews:
Got to like it.......2007-02-01
When I heard samples from this CD, I really wanted to get it. However, when I did and listened the full versions I did not seem to like them that much. There are several pices that I totally do not care for, a few I really like (especially, Bach's pieces), and some I got used to. Overall, I like the CD, but not as much as I though I would.
A gleaming vision of brass sound.......2005-10-18
The Canadian Brass have been a lively and fun force in music for decades, since being brought together in Toronto 'by a gleaming vision of brass sound'. They are now world famous, having delighted and dazzled people in concerts all over the globe. One of the problems for a group such as this is the lack of repertoire readily available, so the group has become expert at arranging pieces for other instruments for their ensemble. They have also commissioned a good number of pieces of their performance.
One such commission is found on this recording, entitled 'The Well-Tampered Bach', a take-off on the Bach work 'The Well-Tempered Clavier'. This is a setting of various pieces by J.S. Bach for brass quintet and drums, worked by Luther Henderson for the ensemble's 1985 appearance in Toronto. Henderson is a frequent arranger and composer for the Canadian Brass, having also put together the 'Tuba Tiger Rag', reminiscent of the World War I era, and jazz pieces like 'Beale Street Blues'.
More traditional composers are represented in arrangement for brass, such as a more standard arrangement for Bach's Fugue in G minor, Mozart's Turkish Rondon, and pieces from Gabrieli, Vivaldi, Strauss, Rossini, Rimsky-Korsakov, and Pachelbel.
The disc has a wonderful blend of pieces classical and modern, 'proper' composition and traditional/folk inspiration, and a very lively and powerful presentation of all the music.
wow.......2001-07-20
This CD is amazing. It's a shame more people don't know about this incredible group. I'm a brass player and I just learned of these guys a few months ago. If you like classical music or brass music, this is a must own!
Essential CD.......2000-12-12
If you like the sound of brass and if your tastes run the gamut from Gabrieli to Handy, with stops hither and yon, this CD is essential to your collection. In it, the Canadian Brass demonstrate their amazing ability to play the early Baroque masters right along side the early jazz masters -- and make it seem perfectly natural! In the process, a bit of Rimsky-Korsakov, Mozart and Lord knows what gets thrown in for good measure. Plus, they play a rousing rendition of Bach's "Little Fugue in G Minor." If the music on this CD doesn't get you going, you need to immediately go to the ER at the nearest hospital!
The Best "Best of" the Canadian Brass.......1999-10-26
If you buy one Canadian Brass CD, buy this one. It contains the widest variety of musical eras and styles. Our favorite CB song, Beale Street Blues is hard to find, but on this CD. There are serious, classical selections and fun songs such as the "Tuba Tiger Rag" and "Flight of the Tuba Bee". This is Brass Quintet music at its best!
Music Album:
- Hearts and Rivers
- Hum of the Wheels
- If Ever I Return, Pretty Peggy-O
- If Words Were Stones
- In the Year 2000
- Incredible Shrinking Band
- Instrumental
- Listen - Open to the Call
- Little Dog
- Live at the Town and Country Club 1986 [Live]
Music Album