A Night's Tale [Live] [Import]

Track Listings

1. All the Way/A Very Smelly Grubby Little Oik

2. Nine Feet Underground

3. Medley: Dabsong Conshirtoe/All Aboard/Where But for Caravan Would I/O C

4. Nightmare

5. I Know Why You're Laughing

6. For Richard

Editorial Reviews
Album Description
CD issue of what was previously a DVD only release. The British progressive rock act captured live at the Patriots Theater, Trenton, New Jersey. Featuring the best ever live incarnation of the band, founding members Pye Hastings, Richard Coughlan & David Sinclair together again with Geoff Richardson on Viola, Doug Boyle (from Robert Plant's band), Jim Leverton & percussionist Simon Bentall. Classic Rock Productions. 2002.

Tracks:

Adagio In G Minor
Jesu, Joy OF Man's Desiring
Moonlight Sonata - Adagio sostenuto
March Of The Toreadors (Carmen)
Celebrated Minuet
Polovtsian Dance No. 1 (Prince Igor)
Cradle Song
'Minute' Waltz
Suite Bergamasque: Clair de Lune
Largo
Pomp And Circumstance March No. 1
Rhapsody In Blue - Andante And Finale
Peer Gynt Suite: Morning
Messiah: Hallelujah Chorus
Liebestraum
Cavalleria Rusticana: Intermezzo
A Midsummer Night's Dream: Wedding March
'Masterpiece Theater' Theme: Rondau (First Symphonic Suite)
The Great Gate Of Kiev

Tracks:

Eine klein Nachtmusik - Allegro: Eine kleine Nachtmusik - Allegro
Orpheus In The Underworld: Cancan
Carmina Burana - O Fortuna
Canon In D
Lietenant Kije Suite - Troika
Turandot: Nessun dorma
Rhapsody On A Theme Of Paganini - 18th Variation: Rhapsody On A Theme Of Paganini- 18th Variation
Bolero - Conclusion
The Tale Of Czar Sultan: Flight Of The Bumblebee
William Tell Overture - Finale
Carnival Of The Animals: The Swan
Gymnopedie No. 3
Ave Maria
Blue Danube Waltz
Thus Spake Zarathustra - Sunrise
Firebird Suite - Finale
1812 Overture - Finale: 1812 Overtune - Finale
Fantasia On 'Greensleeves'
Anvil Chorus (II Trovatore)
The Four Seasons - Largo From 'Winter'
Die Walkure: Ride Of The Valkyries

Amazon.com

For those who want the most remembered passages of classical music's best-loved works, here's a package for you. On this bargain priced double-CD, you'll find music from 40 different classical composers; for the most part, the recordings excerpted here are some of the very best. Of course, you only get one Bach sampling (Jesu, Joy of Man's Desiring, played by the Orpheus Chamber Orchestra) and one Mozart (A Little Night Music conducted by Herbert von Karajan), but this is still a nice collection--perhaps the starting point for a budding collection of classical music. This set's downfall? Unfortunately, though the liner notes discuss the evolution of classical music chronologically, the tracks are programmed in alphabetical order by composer's last name. This makes for some startling transitions! Emil Gilels's reflective performance of the Adagio from Beethoven's "Moonlight" sonata is followed by the crashing cymbals and bombast of Carmen's "March of the Toreadors," a recipe for a heart attack if there ever was one. Still, there's something here for everyone and the liner notes even explain what movies this music can be found in. A nice touch. --Jason Verlinde

Customer Reviews:

Waste of money.......2006-01-12

Watch out for the volume leveling mentioned in another review. Surely the compliers could have come up with a better sort order than by composer. The change in tempo/volume between pieces makes it impossible to enjoy. My two CD's ended up in the trash.

Ken

Great Music Compilation.......2005-08-15

This is a great CD full of many songs that you will recognize and enjoy. If you are someone who likes classical music but doesn't necessarily know which songs or which composers you like, then this CD is for you. You will likely recognize many of the songs as the classical songs you would have picked out to be your favorites.

If you like classical music don't buy this CD........2005-03-11

Most of the tracks were chopped down to 3-4 minutes so some of the best parts of the compositions are missing. I don't know what I was thinking trying to buy 40 classical songs on two CD's. If you really want to enjoy the music you would do better to purchase a CD with fewer, but better quality tracks.

A must for anyone wanting the staples of classical music.......2005-02-23

In my years of experience teaching Fine Arts to high school students, I know that the majority, if not all, of the music included on this album is commonly used in collge music appreciation courses. This is an excellent sample of truly all the "greatest hits" of classical music. My students enjoy listening to the music and have later told me when take their required music apreciation courses in college that they "already know it all" because of this CD! The recordings are clear, the selections are passionate, and the listener will gain a familiarity with all of the most commonly heard classical music used in tv commercials, movies, etc.
I recommend this album, along with the boxed set, "Age of the Classics" for anyone who is interested in becoming familiar with the most famous staples of classical music.

A great compilation.......2005-02-09

This cd somes up some of the greatest pieces of instrumental (and is some cases choral) music ever written. It is a great starter for a beginning classical music lover or a quick and easy all-in-one for those of us who study classical music for a living. I highly recommend this cd to anyone who wants to love or already does love classical music.

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Average customer rating:

A good gift for novice

Passion - Most Famous Orchestral Spectaculars [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Scherzo | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

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Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Marches | Miscellaneous | Styles | Music

Box Sets at 30% Off | Blowout Music | Stores | Music

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Similar Items:

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]
Little Night Music - Ultimate Mozart Collection [20 CD Set]
Rendezvous of Angels - Concert Collection [20 CD Set]
Classical Masterpieces of the Millennium [20 CD Set]
Classical Evolution: Spanish Guitar Music

ASIN: B00012QLTQ
Release Date: 2003-12-09

Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Pomp And Circumstance March No. 1 In D Major - London PO; Solti, G.
Karelia Suite: Alla marcia - Philharmonia Orchestra
Jubel March - Vienna PO; Boskovsky, W.
Funeral March Of A Marionette - Orchestra Of The Royal Opera House, Covent Garden
Tannhauser: Grand March - Philip Jones Brass Ensemble; Howarth, E.
Rinaldo: March - English Chamber Orchestra
Saul: Dead March - English CO; Bonynge, R.
Aida: Grand March - Philip Jones Brass Ensemble
Radetzky March - Vienna PO; Boskovsky, W.
Marche militaire - Wiener Philharmoniker
Athalia: War March Of The Priests - Vienna PO; Dohnanyi, C.v.
The Nutcracker: March - National Philharmonic Orchestra
The Love For Three Oranges: March - London PO; Weller, W.
Le Prophete: Coronation March - London Philharmonic Orchestra
La Damnation de Faust: Hungarian March - Chicago SO; Solti, G.
Persian March - Wiener Philharmoniker
Aladdin Suite: Oriental Festive March - San Francisco SO; Blomstedt, H.
The Ruins Of Athens: Turkish March - Carlo Curley
The Occasional Oratorio: March - San Francisco SO; Blomstedt, H.
Pomp And Circumstance March No. 4 In G Major - London Philharmonic Orchestra

Tracks:

Crown Imperial (Coronation March) - London PO; Norrington, R.
Music For The Funeral Of Queen Mary: Funeral March - Baroque Brass Of London
Prince of Denmark's March (Trumpet Voluntary) - London PO; Norrington, R.
March - Philip Jones Brass Ensemble
Marche triomphale - London PO; Norrington, R.
Egyptian March - Wiener Philharmoniker
Joyeuse March - Swiss Romande Orch; Ansermet, E.
Napoleon March - Wiener Philharmoniker
A Midsummer Night's Dream: Wedding March - Montreal SO; Dutoit, C.
Russian March - Wiener Philharmoniker
Carmen, Suite No.2: Marche des contrebandiers - Montreal SO; Dutoit, C.
The Tale Of Tsar Saltan: March - London Symphony Orchestra
Mlada: Procession Of The Nobles - Kingsway Orch; Camarata, S.
Spanish March - Wiener Philharmoniker
Things To Come: March - National PO; Herrmann, B.
Washington Post - Philip Jones Brass Ensemble
Entry Of The Gladiators - National PO; Herrmann, B.
Colonel Bogey - Philip Jones Brass Ensemble
The Dam Busters - National PO; Herrmann, B.
The Stars And Stripes Forever - Philip Jones Brass Ensemble

Customer Reviews:

Solid Basic March Collection.......2006-08-07

Great solid basic collection, a real bargain with mostly outstanding performances. Having played several in bands and orchestras and sung one (the Rimsky Mlada), I have a good idea how they should go. As other other commentators say, there are better individual recordings, such as anything by Fennell and the Eastman band. The organ pieces just don't do this music justice, although a real cathedral organ can come close, but that's beyond these discs. The Nielsen Aladdin March is the new one for me. Berlioz by Solti is great! Buy it!

Bold and brassy mixes well with the rest.......2004-08-14

I am impressed most by the variety in 40 Famous Marches on 2 CDs, a Double Decca release. The performers include Philharmonic Orchestras, a Brass Ensemble, Chamber Orchestra, organ, Symphony, and for nine selections, the Wiener Philharmoniker. I am not sure if the word schmaltzy ought to be applied to any of this, but the Wiener Philharmoniker often exhibits a unique sound which is not quite the same as any of the other selections. The final five selections are all performed by the Philip Jones Brass Ensemble under Elgar Howarth in ADD/DDD format in 1983 and 1985. Two of those five are rousing marches by John Philip Sousa, another called `Entry of the Gladiators' is typical of songs played by live bands at circuses, and the remaining two are from movie soundtracks. `Colonel Bogey' is famous from the movie about British prisoners of war building a railroad bridge for the Japanese in World War Two, the Bridge over the River Kwai.

The major source of variety in these 40 selections is that many of them are taken from operas and even a ballet, Tchaikovsky's famous `The Nutcracker--March.' I originally found this collection when I was searching for `Funeral March of a Marionette' by Charles Gounod (1818-1893) which has a theme that is famous from its use by a television series hosted by Alfred Hitchcock. If you can't remember how that goes, you ought to buy this collection and listen for it early: it is selection 4 on the first CD. The main theme was fun to play and easy to learn in a book of piano lessons, but the rest is quite whimsical and worth listening to, and people who play organ with pedal notes might still be able to find music for playing the entire arrangement, difficult though it is for someone like me, who becomes confused when too many things are going on at the same time.

There was something on this CD that sounded weird, and I had to check to see what it was, and it was just someone playing the organ, but he was trying to play `The Ruins of Athens -- Turkish March' by Ludwig van Beethoven (1770-1827).

Something by Handel sounds so much like the beginning of a movie that I expect someone to start singing, `The hills are alive with The Sound Of Music,' but this CD is something else. The first CD starts and ends with marches from `Pomp and Circumstance' by Edward Elgar, so people who have been to a lot of graduation ceremonies will be expecting plenty of familiar music. The 6:32 time is slightly longer than the Wagner's `Tannhauser -- Grand March' on the first CD, but long graduation ceremonies may play it even longer, until all the diplomas are handed out.

Verdi, Strauss, Schubert, Prokofiev, Berlioz, these famous composers might be recognized by people who know music, but the `Wedding March' by Felix Mendelssohn is famous with everybody for what it is used for. If you haven't heard it lately, maybe you should hear it a few times so you won't be so nervous the next time it comes around.

40 Famous Marches - a great collection!!.......2003-11-21

This is a wonderful collection. What a wide collection of exciting pieces, all in one affordable package!! It encompasses so many composers and styles, from the majesty of Elgar and Walton, to upbeat Sousa to schmaltzy Strauss. It also includes such classic marches as Meyerbeer's Coronation, a pinnacle of the French opera style, the timeless Wedding March of Mendelssohn, and the brilliant organ piece, Marche Triomphale of Sigfrid Karg-Elert. There are also some interesting oddball selections like the mysterious Things to Come of Bliss (composed for the H.G. Wells film), the jaunty Chabrier marche, and oriental flair of Nielsen's Aladdin.
In reading some of the other criticisms, it is true that the Philip Jones Brass Ensemble perhaps is not the best or most noted ensemble. However, overall, the pieces they play are either Sousa or patriotic-sounding tunes. Their only forays into the true classical realm are the Grand Marches from Tannhauser and Aida, and they are not half bad. So don't let those pieces keep you from buying the CD - 1) because most of the songs they do play are great and 2) they only play in 1/4 of the music....

Classics on Parade.......2003-05-01

If you're looking for a collection of marches from classical music, this would be a fine one to get.
It contains recordings made from 1958 to 1996 by some of the world's great orchestras, plus several numbers by the Philip Jones Brass Ensemble, and four arranged for organ.
The first 35 marches include many of the best-known classical marches, plus three "coronation" marches, written as far back as the end of the seventeenth century (The Prince of Denmark's March) up to 1954 (The Dam Busters). The last five pieces are "popular" marches played by the Jones Ensemble.
The liner notes give a nice history of marches, including where most of the ones in this collection fit into that scenario.
A great collection of marches by classical and popular music "masters".

Too, too much Philip Jones Ensemble.......2003-04-17

A mixed bag of music, 40 FAMOUS MARCHES compiles a good many marches - some not too common.

The CD has it's high points:
1. Chicago Symphony (under Solti!) playing Berlioz's Hungarian March (love that trombone excerpt - BAM!)
2. London Philharmonic playing Prokofiev's "The Love for Three Oranges" March
3. Elgar's Pomp and Circumstance No. 1 (also London Philharmonic)

BUT... There's some real stuff on here, too. I must concur with a prior reviewer: FAR TOO MUCH Philip Jones Brass Ensemble. Case in point - Sousa's Stars and Stripes Forever, as played by PJBE is completely devoid of the energy and fire it needs. The trombone countermelody at the end is just NOT THERE (you'll strain to hear it). There's just no way this is right. PBJE is great in their setting, but this is just not it.

Tracks:

Overture
In My Own Little Corner
Spread A Little Happiness
A Dream Is A Wish Your Heart Makes
Raise A Ruckus
Impossible/Suddenly It Happens
The Ball
What Has Love got To Do With Getting Married
A Lovely Night/Ten Minutes Ago
Do I Love You Because You're Beautiful?
Midnight
On the Steps Of The Palace
Once I Was Loved
If The Shoe Fits
Tell Hm Anything
The Stepsisters' Lament
Finale

Customer Reviews:

Back to when I believed in fairy tales...........2002-09-30

If you could, just for a moment, return to the days when fairy godmothers were real, when you really could turn four white mice into four white horses - then just buy this CD for a few smiles, a lot of memories, and the original Rodgers and Hammerstein tunes. This CD took me way back to when magic was there, and now it makes me wonder, everytime I listen to it, if maybe the magic isn't still there? Maybe I should just call on my fairy godmother..... A true heirloom of a CD.

The Glass Slipper Fits!.......2001-04-21

This is an excellent compilation of songs that express the longings, fears and exuberance of the Cinderella story. Rather than just relying of the romantic side of the myth, producer Bruce Kimmel adds depth to the story by including songs from The Slipper and The Rose and Sondheim's Into the Woods as well as the Disney and Roger & Hammerstein Cinderella versions.

When Susan Egan plans her strategy in "Promise Him Anything" and Pamela Winslow expresses her fear in "On the Steps of the Palace," the listener becomes aware of Cinderella's human side. Likewise, when Christa Moore shares her fantasy world "In My Own Corner" and Christina Noll expresses her thrill of her dream coming true in "Impossible/Suddenly It Happens," the listener is reminded of the powerful message of Cinderella's theme: dreams DO come true.

Fortunately, the compilation does not exclude humor as well. "The Stepsister's Lament" by Farah Alvin and Alet Oury is hilariously poignant; the lyrics "Why would a fellow want a girl like her? A frail and frocky beauty!" could be the alltime wallflowers' lament. And Jonathan Freeman's "What Has Love Got to Do with Getting Married?" is a droll piece of practical cynicism to his Prince son. (The song reminds me of the film Moonstruck. When Olympia DuKakis asks her daughter Cher, "Do you love him?" When Cher answered affirmatively, her mother muttered, "That's bad.")

Also, the musical bridges add to the suspense of the Cinderella story. "Midnight", "The Ball," and "If The Shoe Fits" from Prokofiev's ballet are beautifully orchestrated and remind the listener that the Cinderella myth is adaptable for many forms of entertainment.

I was a little disappointed that "So This is Love" and "The Work Song" was not included, but I guess I'm partial to the Disney version. The 1950 cartoon was my first introduction to Cinderella, and to my delight, my nephew enjoyed it as well thirty years later.

Nevertheless, this CD shows the timeless appeal of the Cinderella myth. Its beauty, humor and suspense is contained here in this magnificent collection.

Magical collection fit for a princess!.......1999-04-13

I was thrilled to come across this collection. One of my favorite movies, The Slipper and the Rose, had been out of print for many years. This CD includes 4 of the songs from that movie and though not by the original artists, just as good. The songs range from the whimsical to the romantic to a few comic gems, all from various stage and film Cinderella scores. "Tell Him Anything" from the Slipper and the Rose, a powerful song filled with longing and despair is sung movingly by Susan Egan, a nice change of pace from the cheerier, more sparkling numbers.

The score from Rogers and Hammerstein's Cinderella is so charming and catchy it's fun to hear it again by new artists. The performers, all apparently Broadway singers (?), are all beautifully performed with exuberance and style. The orchestration is lush and appropriate to the material.

Fabuloso!!!! A must have!!!!.......1998-08-11

This is an AWESOME cd. It has songs from the original Rodgers and Hammerstein version, the Disney version, and Into the Woods. This is a faboulos collection of songs. Definetly buy it. NOW!!!!!

Average customer rating:

I can name that tune in three notes
A Fabulous CD
Mega-Sampler! This really does have 99 tracks!
Fun Sampler
Useful.

Idiot's Guide to Classical Music

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

1. All the Way/A Very Smelly Grubby Little Oik
2. Nine Feet Underground
3. Medley: Dabsong Conshirtoe/All Aboard/Where But for Caravan Would I/O C
4. Nightmare
5. I Know Why You're Laughing
6. For Richard