to a friend unknown

Track Listings
1. turning the earth    
2. american town    
3. freeway    
4. hard bargain    
5. #7    
6. anyway    
7. vertigo    
8. the long walk    
9. there you go    
10. busride    
11. hurry    
12. did you hope    

Editorial Reviews
From the Label
From Desert Desolation to Brooklyn Blight, Robert Becker Takes a Hard Road

Wasting by the roadside like tire treads torn from life passing by are the remnants of relationships Robert Becker explores in his self-released To A Friend Unknown. Becker knows a thing or two about the waste wrought of devastating endings, the freshest of which was the recent dissolution of the Gin Blossoms, whom with he had recorded.

Becker's songs read like pages off of a road trip diary of love getting lost on the way home to Brooklyn from the Arizona desert via a bad patch in Omaha. The title, To A Friend Unknown is amplified and darkened in its subtitle: 'For all the friends found & lost; known and unknown'. Still, one song offers promise of new friends yet to be found and this is Robert Becker's on-ramp to explore new territory.

Becker is best known for his piano fills on the Gin Blossoms' hit, "Until I Fall Away" written by Robin Wilson and recorded on "New Miserable Experience". On To A Friend Unknown, he sings and plays acoustic guitar and keyboards, accompanied by Whiskeytown's Mike Daly on lap steel, organ and electric guitar, Kenneth Schalk on percussion and five-string fretless bass, and Mike Bearle on dobro. Now touring behind the release, he is accompanied by Alex Tobias on fiddle.

Becker's vocal qualities have been likened to those of Gordon Lightfoot, and he refers to himself as a folk singer. This record, though, has more in common with Son Volt's cryptic twilight allusions and the production qualities of a Tom Petty record stripped to primary colors and bleached by the sun.

Becker previously has played and recorded on "Personality Crisis", with Arizona rockers The Luminarios (Houses In Motion 1992), the Omaha band Shovelhead, and Brooklyn pop outfit The Quandaries. He has also recorded some piano work for the recently released Sand Rubies' CD, "Return Of The Living Dead". Recent tour dates have presented him with such acts as Richard Buckner, 6 String Drag, and Sean Lennon among others

About the Artist
native brooklynite robert becker grew up playing piano as well as a variety of instruments. after high school he headed west to the fertile musical ground of northern california, working in several seminal outfits as a keyboardist until hooking up with the gin blossoms from tempe, az in 1991. his piano work found its way onto their multi platinum `new miserable experience' release (A&M records, 1992) as well as the luminarios' `personality crisis' (houses in motion, 1992)on which he also cowrote... read more

Album Description
emerging folk/alternative singer songwriter. gray matte packaging with handwritten text and design and layout by c.o.m.a. graphics

to a friend unknown

to a friend unknown, Music, Robert Becker
Holocaust Cantata
Average customer rating: 4 out of 5 stars
  • A Timely Performance
  • Outstanding; a soon to be classic
  • Uninspired tedium
  • Holocaust Cantata: A Five Star Work of Art
  • An excerpt from my liner notes...
Holocaust Cantata

Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Opera & Vocal | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Composers of the Holocaust: Ghetto Songs & Instrumental Works
  2. MUSIC FROM THE HOLOCAUST
  3. Rossini: Petite Messe solennelle
  4. Music in the Holocaust: Confronting Life in the Nazi Ghettos and Camps (Oxford Historical Monographs)
  5. Forbidden Music: Music from Theresienstadt

ASIN: B000031VRF
Release Date: 1999-11-23

Tracks:

  1. The Prisoner Rises
  2. Singing Saved My Life
  3. Song Of The Polish Prisoners
  4. The Execution Of The Twelve
  5. In Buchenwald
  6. A State Of Seperation
  7. The Train
  8. Singing From Birth To Death
  9. The Striped Ones
  10. There's No Life Like Life At Auschwitz
  11. Tempo di Tango
  12. Letter To Mom
  13. Song Of Days Now Gone
  14. Passacaille For Cello And Piano
  15. Even When God Is Silent
  16. A Child's Journey: An Accidental Meeting
  17. A Child's Journey: I Once Had A Friend
  18. A Child's Journey: There Are No Stars In The Sky
  19. Is Not A Flower A Mystery?
  20. We Remember Them

Album Description

The Holocaust Cantata uses the words and music of actual concentration camp inmates to create a wholly original and powerful work. Using material found within the archives of the United States Holocaust Memorial Museum, Donald McCullough's Holocaust Cantata traverses one of the bleakest episodes in human history. Yet the piece also evokes a sense of music's life-affirming power, even in the face of absolute despair, to express what words alone cannot.

McCullough discovered the material within the vast Aleksander Kulisiewicz collection in the museum's archives. Kulisiewicz himself had performed as a kind of camp troubador during his own incarceration at Sachsenhausen, and, after the war, spent several years interviewing fellow survivors about music in the camps, gathering together the scattered remnants of this music.

As McCullough painstakingly sifted through this material-much of which was uncatalogued-the arresting melodies and compelling testimonies that make up the Holocaust Cantata gradually began to emerge. "I wanted the Cantata to speak with a sense of immediacy," says McCullough, explaining his decision to set the choral texts and spoken testimonies in English, and his hope is that the piece may "transform statistics into people in the minds of the Cantata's listeners, and perhaps be a part of making it more difficult for such a horror ever to occur again." The Washington Post, reviewing the world premiere in March 1998, called it "an experience that should linger long in the audience's memory and should be regularly revived."

Customer Reviews:

5 out of 5 stars A Timely Performance.......2001-11-18

In August of 2001, the choral group I sing with began practicing this work for performance on Veteran's Day Nov 11. We rehearse on Tuesday nights. As we all know on Tuesday Sept 11 the world change forever. Of course rehearsal was cancelled. When we returned the next Tuesday - a piece that we all thought was so powerful became more so. The first song contains the words "the fires burning, the iron furnace..". The paralells to what happened were evident. As one of the reviewers noted " so this can never happen again", well it has, only much faster, in one single day. Hate caused both events. People need to hear this CD and really listen to the words of the songs and the narration, and maybe we can prevent this from happening again and again. A MUST HEAR FOR ALL THE PEOPLE OF THE WORLD. The music and lyics came from the hearts and the lives of the prisoners.This is a beautiful tribute to them.

5 out of 5 stars Outstanding; a soon to be classic.......2000-05-04

Beautifully written and performed! This recording and an encore live performance of this inspiring work were downright demanded by audiences after the premiere. I rate it a "strong buy."

1 out of 5 stars Uninspired tedium.......2000-04-28

McCullough has appropriated other people's material, "choralized" it, and appears to be attempting to capitalize on a wave of political correctness to buy himself a Grammy nomination. There are a few nice tunes scattered throughout this tedious piece, but overall the interpretation is lifeless, unimaginative, and uninspired, almost clinical. Here's hoping that victims of the Shoah can find a more suitable expression of their music than McCullough has tried to give them. They deserve better than this.

5 out of 5 stars Holocaust Cantata: A Five Star Work of Art.......2000-01-07

For me, the Holocaust Cantata is one of those artistic representations of that cataclysmic period that evokes an even stronger picture of the horrors of the Holocaust then do many pictures in newspapers and museum exhibits. I think this is because the Cantata is poetry-it's message sounds a spare and powerful truth. I am grateful to Mr. McCullough for his vision and energy in bringing about the Holocaust Cantata.

5 out of 5 stars An excerpt from my liner notes..........1999-11-25

I was present at the March 1998 Kennedy Center premiere of this extraordinary work, and subsequently wrote the liner notes for the CD. Because of the unusual nature of this recording-which I think captures the haunting beauty of this work-I believe that others would be interested in reading an excerpt from my notes on the music. Please note that I am posting this material with the permission of the composer, Donald McCullough:

Notes on the Music

It is well-known that during the Holocaust inmates wrote music while incarcerated in concentration camps. Much of it has since been recorded. At Theresienstadt, for instance-the infamous "Paradise Ghetto"-the Nazis organized an orchestra made up of young musicians who had studied under such luminaries as Leos Janacek and Arnold Schoenberg. Most of these musicians, among them such promising students as Gideon Klein and Viktor Ullmann, perished during the Holocaust, leaving behind but a few pieces, composed under duress and co-opted by the Nazis for their own propaganda purposes. What might they have eventually accomplished had they survived? Such classical music-beautiful as it is-was the product of formally trained musicians. What about the music of the common man-music embraced by the whole community and passed secretly by aural transmission-music that carried with it powerful words revealing different aspects of camp life, or expressing the inmates' innermost feelings, of mourning, or resistance, or patriotism? Was there other Holocaust music, akin to the spirituals that sprang from slavery in America, that spoke with the same startling immediacy to express the agony of the victims of the Nazi regime?...

McCullough's [quest to answer this question] began with a call to Bret Werb, musicologist at the United States Holocaust Memorial Museum, who revealed the existence of the Aleksander Kulisiewicz collection in the museum archives. Kulisiewicz had traveled about Europe during the postwar period collecting and preserving what he could of the music that had emerged from the Holocaust concentration camps, but little was known about the music itself.

McCullough's first task, then, was to immerse himself in the collection, playing through the hundreds of tunes. He was encouraged to find that they contained some compelling melodies, and for the first time he began to wonder whether a choral cantata-perhaps reflecting the role of music in the camps or evoking the daily lives of these people-might emerge from the material. But he still had no idea what lay within the accompanying text.

At some point, someone had added a rough, English-language index to the collection, but the materials themselves were mostly in Polish. Marcin Zmudzki, a young Pole, was engaged to sift through the mountain of texts. McCullough told the translator that he was interested in anything that had to do with camp life, especially as it related to music. As he recalls, "It was my good fortune that not only was Marcin an excellent translator, but also he had a sense for poetry and thus grasped, very quickly, the type of material I was seeking."

In addition to music, Kulisiewicz also collected interviews, articles, and letters that had anything to do with camp life. With this wealth of material, McCullough decided to place between each musical arrangement readings that also spoke of life in the camps. After considering and rejecting literally hundreds of documents, he finally decided that he had what he needed from the archives. But in a sense, the real work was just beginning. "Because I wanted the Cantata to speak with a sense of immediacy," says McCullough, "I thought it should be sung in English. But before I could arrange a single note of it, I needed to have singable translations. Here I employed the talents of lyricist Denny Clark, who at first worked with Marcin, getting a word by word translation. Knowing which words appear on which notes is important in keeping the overall impact of the song." A trained singer himself, Clark was able to make transliterations to ensure that the best vowels for singing fell on the proper notes, all while remaining faithful to the original text. It was an immensely complicated task....

A few words about the structure of the Cantata. As you listen you should not look for a plot, as such. Because each song and reading represents a different person, a different place, and a different time in the Holocaust experience, you should be wary about viewing the entire piece as a streaming narrative. Nonetheless, certain common truths will begin to emerge, and no doubt others will come to you with each successive hearing. Among these is the certainty that these are nakedly honest responses to the most unthinkable of acts. Sometimes the responses are jarring; who could find humor amid such horror? And yet humor-albeit dark in nature-undoubtedly exists within this work. Nevertheless the inmates' responses never sink to the level of triteness. For them, music functioned as something much more than just a light in the darkness; its very existence was a form of spiritual resistance in an environment where such resistance risked instant extermination.

McCullough's hope is that this work may "transform statistics into people in the minds of the Cantata's listeners, and perhaps be a part of making it more difficult for such a horror ever to occur again." In the end, for me, the work flows inexorably back to its source: it is the voice of humanity, crying out to be heard.
More Songs My Father Taught Me
Average customer rating: Not rated
    More Songs My Father Taught Me

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    ASIN: B00009L817
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      To a Friend Unknown
      Average customer rating: Not rated
        To a Friend Unknown
        Robert Becker
        Manufacturer: China Grade
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Alternative Rock | Styles | Music
        GeneralGeneral | Rock | Styles | Music
        ASIN: B00005YLM9
        Release Date: 1999-09-07

        Tracks:

        1. Turning the Earth
        2. American Town
        3. Freeway
        4. Hard Bargain
        5. #7
        6. Anyway
        7. Vertigo
        8. Long Walk
        9. There You Go
        10. Busride
        11. Hurry
        12. Did You Hope
        to a friend unknown
        Average customer rating: 5 out of 5 stars
        • A Glimpse of the Celestial
        • Excellent debut by Passionate American
        to a friend unknown
        Robert Becker
        Manufacturer: China Grade
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Alternative Rock | Styles | Music
        GeneralGeneral | Folk | Styles | Music
        GeneralGeneral | Folk | Indie Music | Stores | Music
        ASIN: B00000JB9R
        Release Date: 1999-06-01

        Tracks:

        1. turning the earth
        2. american town
        3. freeway
        4. hard bargain
        5. #7
        6. anyway
        7. vertigo
        8. the long walk
        9. there you go
        10. busride
        11. hurry
        12. did you hope

        Album Description

        emerging folk/alternative singer songwriter. gray matte packaging with handwritten text and design and layout by c.o.m.a. graphics

        Customer Reviews:

        5 out of 5 stars A Glimpse of the Celestial.......1999-11-24

        Robert Becker's CD release, To A Friend Unknown, is as expansive as the western skyline, managing at once to be intensely personal in its probing of interior horizons, yet remaining solidly universal in its appeal. Becker's songs are well-wrought urns, polished with craftsmanship, each growing from modest beginnings into spacious and organic odysseys. His lyrics tend toward a bareness and one gets the feeling that Becker has weighed each word carefully, trimming any unnecessary words, and stringing them together in richly imagistic utterances that are supremely understated. His compositions are sophisticated in their complexity--deceivingly straight-faced on the surface, yet irony lurks in the depths: "What was the flavor of all that hurry?" Becker's CD seems to work between the terrestrial hardships of life and the celestial impulses of our aspirations. Like the tree sketched on the CD's back cover, we are able to grow toward the light, to seemingly unreachable heights. Becker opens a musical space in which we may experience a robust air and witness fresh horizons as his lyrics push at the drooping ceiling of containing thoughts, and simultaneously clear the freeways where we can meet new friends on similar journeys. To A Friend Unknown is a vastly compassionate voice which raises the most overlooked of questions to places of critical importance. Becker's music invests in the common person, evoking in his listener a celebration of even the most common of everyday sights. His tender simplicity has the capacity to paradoxically forge a strong sense of individuality as well as community. Becker's compassionate concern is a lantern in the night, a train whistle giving rise to hope, "Like a freight train whistle in the dead of night, I can hear him out there but he's nowhere in sight." Fortunately for lovers of good music, Becker has been sighted, and the record of this sighting is burned onto the intensly affective tracks of To a Friend Unknown -- a CD must for those who would glimpse the world through a poet's eye.

        5 out of 5 stars Excellent debut by Passionate American.......1999-06-28

        An alt.country album or a folk album? A little bit of both by this passionate singer/songwriter. Sparse production and instrumentation lends authenticity to his observational songs about life. Outstanding songs include American Town and Freeway. A must for fans of Jackson Browne.
        The Holy City: Favorite Inspirational Hymns and Songs
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          Manufacturer: Heritage Recordings
          ProductGroup: Music
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