After The Ball [Import]

Track Listings

1. Horses

2. New Orleans Shuffle

3. Beverly

4. Om Shanthi Norris

5. I Wish I Knew How It Would Feel to Be Free

6. When You Wore a Tulip (And I Wore a Big Red Rose)

7. Hawaiian Two-Step

8. Bucktown Stomp

9. Candy Man

10. After the Ball

Tracks:

Overture
Show Boat: Act One, Scene One - Cotton Blossom: Niggers all work on d Mississippi... (Stevedores, Gals, Queenie, Steve, Pete, 1st Mincing Miss, 2nd Mincing Miss, Beaux, Girls & Boys)
Show Boat: Act One, Scene One - Cotton Blossom: 'Andy!!!...' (Parthy, Windy, 1st Mincing Miss, 2nd Mincing Miss)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Here comes the Show Boat parade!...' (Boy, Girls, Boys, Andy, Parthy)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'Hey Julie...' (Pete, Julie, Steve, Parthy, Andy, Ellie)
Show Boat: Act One, Scene One - Cap'n Andy's Ballyhoo: 'It's a man...' (Ellie, Ravenal, Vallon)
Show Boat: Act One, Scene One - Where's the Mate for Me?: Who cares if my boat goes upstream... (Ravenal, Magnolia)
Show Boat: Act One, Scene One - Make Believe: Only make believe I love you... (Ravenal, Magnolia, Vallon)
Show Boat: Act One, Scene One - Ol' Man River: 'Oh, Joe!...' (Magnolia, Joe, Men)
Show Boat: Act One, Scene Two - Can't Help Lovin' Dat Man: 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Act One, Scene Three - Life on the Wicked Stage: Why do stage struck maidens clamor... (Ellie, Girls)
Show Boat: Act One, Scene Three - Till Good Luck Comes My Way: The man who ventures with chance... (Ravenal, Men)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': Mis'ry's comin' aroun'... (Queenie, Women, Joe Magnolia, Julie, Men, Solo Bass)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Take her up, Rubberface!...' (Andy, Julie, Steve, Magnolia, Parthy, Ellie, Windy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Hello, Windy...' (Vallon, Andy, Magnolia, Steve, Julie, Windy, Ellie, Parthy)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'You needn't all look at us...' (Steve, Colored Chorus, Andy, Parthy, Magnolia, Ellie, Frank)
Show Boat: Act One, Scene Four - Mis'ry's Comin' Aroun': 'Looks like a swell...' (Andy, Parthy, Frank, Ravenal, Julie, Magnolia, Steve, Joe)

Tracks:

Show Boat: Act One, Scene Five - I Would Like to Play a Lover's Part: Her face is fair to look upon... (Boys, Girls, Ellie, Frank)
Show Boat: Act One, Scene Five - I Might Fall Back on You: Little girl, you are safe with me... (Frank, Ellie, Girls)
Show Boat: Act One, Scene Five - Queenie's Ballyhoo: 'Is de theatre fillin' up, Cap'n Andy?...' (Queenie, Andy, Colored Chorus)
Show Boat: Act One, Scene Six - Villain Dance
Show Boat: Act One, Scene Seven - You Are Love: 'That you, Nola?...' (Ravenal, Windy, Magnolia, Parthy)
Show Boat: Act One, Scene Eight - Finale Act One: Oh tell me, did you ever!... (Firls, Boys, Chorus, Andy, Women, Men, Negro Women, Magnolia, Parthy, Vallon, Pete)
Show Boat: Act Two, Scene One - At the Fair: When we tell them about it all... (All, 1st Barker, Boys, Girls, Chorus, 2nd Barker, Men, 3rd Barker)
Show Boat: Act Two, Scene One - Why Do I Love You?: I'm walking on the air, dear... (Magnolia, Ravenal, Chorus, Andy)
Show Boat: Act Two, Scene One - In Dahomey: Dyunga doe!... (Dahomey Villagers, White Chorus)
Show Boat: Act Two, Scene Three - Convent Scene: Alma Redmptoris Mater... (Nuns, Mother Superior, Ravenal, Kim)
Show Boat: Act Two, Scene Four: 'All right, Jake...' (Jim, Jake, Julie)
Show Boat: Act Two, Scene Four - Bill: I used to dream... (Julie)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): Fish gotta swim, birds gotta fly... (Magnolia)
Show Boat: Magnolia's Audition - Can't Help Lovin' Dat Man (Reprise): 'Whaddaya say, boss?...' (Frank, Jim, Magnolia, Jake)
Show Boat: Act Two, Scene Six - Trocadero Opening Chorus: Let's make the new year... (Chorus)
Show Boat: Act Two, Scene Six - Apache Dance
Show Boat: Act Two, Scene Six - Goodbye, My Lady Love: So you're going away... (Frank, Ellie)
Show Boat: Act Two, Scene Six - After the Ball: 'Ladies and Gentlemen...' (Jim, Drunk, Andy, Magnolia, A Man, All)
Show Boat: Act Two, Scene Seven - Ol' Man River (Reprise): Ol' Man River... (Joe)
Show Boat: Act Two, Scene Seven - Hey, Feller!: When you yen for a gent... (Queenie, Chorus)
Show Boat: Act Two, Scene Eight - You Are Love (Reprise): 'That you, Nola?...' (Ravenal)

Tracks:

Show Boat: Act Two, Scene Nine: Cottom Blossom (Reprise): Cotton Blossom... (Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: Now up in the northern land... (Kim, Chorus)
Show Boat: Act Two, Scene Nine - It's Getting Hotter in the North: 'Say, Cap'n Andy...' (Frank, Ellie, Andy)
Show Boat: Act Two, Scene Nine - Finale Ultimo: 'Hello, Gay...' (Andy, Hope, Ravenal, Girl, Man, Magnolia, Old Lady, Chorus)
Show Boat: Appendix - Pantry Scene (Act One, Scene Two; deleted - 1927): 'What cher doin' all by yourself, Miss Nola?...' (Queenie, Magnolia, Julie, Joe, Servants)
Show Boat: Appendix - Waterfront Saloon Scene (Act One, Scene Three; deleted - 1927): 'Number four, black!...' (Voice (off), Ravenal, Loungers, Gambler)
Show Boat: Appendix - Yes, Ma'am (Act One, Scene Three; unused - 1927): Bet your hat... (Girls, Ellie)
Show Boat: Appendix - Kim's Imitations (Why Do I Love You?): (Act Two, Scene Nine; Ziegfeld Production - 1927): Why do I love you?... (Kim, Chorus)
Show Boat: Appendix - Dance Away the Night (Act Two, Scene Nine; London - 1928): Music in the air... (Kim, Girls, Boys)
Show Boat: Appendix - A Pack of Cards (Act One, Scene Six?; unused - 1927): One night as I sat by my fireside so weary... (Magnolia)
Show Boat: Appendix - The Creole Love Song (Act One, Scene Seven; unused - 1927): 'That you, Nola?...' (Ravenal, Windy, Magnolia)
Show Boat: Appendix - Out There in an Orchard (Act Two, Scene Four; unused - 1927): There was a sun sinking slowly in the west... (Julie)
Show Boat: Appendix - Gallivantin' Aroun' (Universal Film - 1936): Liza Matilda HIll... (Magnolia, Chorus)
Show Boat: Appendix - I Have the Room Above Her (Universal Film - 1936): 'Seems to me I've seen that stocking someplace...' (Ravenal, Magnolia)
Show Boat: Appendix - Ah Still Suits Me (Universal Film - 1936): 'Joe! Dere you go again!...' (Queenie, Joe)
Show Boat: Appendix - Nobody Else But Me (Act Two, Scene Nine; 1946 Revival): I was a shy, demure type... (Kim, Chorus)

Amazon.com

John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.")

Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi

Customer Reviews:

An American Treasure.......2007-03-03

When PBS showed the 1989 Paper Mill Playhouse production of Showboat, my five year old daughter fell in love with musical theater. To this day we never miss a production of Showboat, West Side Story, Music Man, Oklahoma or the rest of the great American musicals. These 3 discs are the closest you can ever hear to the original in 1927 and the recordings are leaps and bounds above any movie version or revival cast. Listening to Bill or Make Believe you almost want to cry at what Kern and Hammerstein were able to create.

I defy anyone to come up with another Broadway production that has three songs in a row better than Make Believe, Ol' Man River and Can't Help Lovin' Dat Man (West Side Story's Maria, America and Tonight are the best three in a row of a movie musical) and it's a shame that no movie version of Showboat can compare to this version. The first act is full of songs that are as good as any ever sung on a stage and I can't think of another production with a first act that compete against the big 3 plus Cotton Blossom, Where's The Mate For Me, Life On The Wicked Stage, Till Good Luck Comes My Way, Misry's Comin' Aroun', You are Love, Act One finale and Why Do I Love You?. You just don't want to have the music stop.

If you don't like opera you won't like this version. Sung the way Kern and Hammerstein wrote them, you can't help but feel the operatic nature of these songs. Tough noogies because Showboat is above all an opera disguised as a Broadway play and no sweetening should be allowed.

The four leads are all superb, Frederica von Stade as Nola especially. The booklet contains the complete libretto and allows a different way to appreciate the music.

If you buy just one version of Showboat you need this one. If you have other versions of Showboat you need this one. As a matter of fact, anyone with ears to hear needs this version. A true American treasure.

DON'T DESPAIR. IT'S BEEN REISSUED!!!!!.......2006-11-16

One of the great recordings of musical theatre ever. Although it's no longer available on EMI Angel, it was reissued in October, 2006, as an EMI Classic's "Great Recordings of the Century." It's been "Digitially Remastered at Abbey Road Studios from the Original Masters" and "noise-shaped via the Prism SNS system for optimum sound quality." If ART remastering does for this recording what it has done for other EMI Classics in my library, then it should sound superb. However, I understand the booklet is not as detailed as the one in the original 3-disc release.

Thank you, EMI.

I would hope other labels would follow suit and remaster and reissue other examples of classic American musical theater. It would be a pity if our children, grandchildren, and future generations were unable to savor "110 in the Shade" or "Little Mary Sunshine" or . . . . . . . . . (fill in the blanks.)

An American tragedy...........2006-02-06

This is the first of the great American musical plays, and probably remained unchallenged until the mid-1950s when West Side Story appeared. The term "musical comedy" does not apply. The few laugh lines are subsumed by the terrible sense of loss and disaster that work throughout the story. At its core is homelessness, the destruction wrought by racism, bad choices, human weakness, and reconciliation. The cast?--this was one of the few crossover recordings I've ever heard that actually worked. The trio of Jerry Hadley, Frederica von Stade, and Teresa Stratas is a marvel; Stratas in particular seems to have had a patented Dark Cloud that shadowed her. It's perfect for Julie Dozier Laverne. And the late Bruce Hubbard brings a magnificent dignity and voice to Joe--his singing of "Ol' Man River" amy not efface Paul Robeson, but can stand beside it.

Gorgeous!.......2005-08-26

Simply gorgeous! The most unforgetable music and the best voices! An album for all time!
M. J. Conrades

Defective disc........2005-08-15

I received this item on July 27, 2005. I played it on my portable CD player and found out that Disc 2 of the set was defective. It kept on skipping on my CD player. So, I returned it for a refund.

Average customer rating:

Mrs Henderson Presents
Absolutely infectious!!!
A Creation and Recreation of Nostalgia
Mrs. Henderson Presents
Upbeat and Fun!

Mrs. Henderson Presents

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Oldies | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Movie Scores | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Musicals | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
Similar Items:

Mrs. Henderson Presents (Widescreen Edition)
Casanova
From Now On
Ladies in Lavender
Memoirs of a Geisha

ASIN: B000CC3SDC
Release Date: 2006-01-03

Tracks:

Overture
Bored with Widowhood
Letting in the Sunshine
Revuedeville
Persuading Tommy
Sweet Inspiration
Vivian Van Damm
Goody Goody
After the Ball
Shilling for the Hour
Joyride
Fall of France: La Marseillaise
Blitz: Bombing/The Grecian Frieze/Defiance
Babies of the Blitz
Blue Nightfall
Girl in the Fan
All the Things You Are
Elegy
Sails of the Windmill
Girl in the Little Green Hat

Customer Reviews:

Mrs Henderson Presents.......2007-05-16

A very enjoyable and at times funny movie. Judi Dench gives one of her best perfomances with excellent support from the other cast members. This is a movie one could watch several times and never tire of it. AAA+++

Absolutely infectious!!!.......2007-03-28

From start to finish, MRS. HENDERSON PRESENTS is the finest collection of solid standards and George Fenton's own recreated time-period evocations,fully fleshed and skillfully performed and recorded.The talents of singer Will Young will not go unnoticed, especially in his heartbreaking rendition of ALL THE THINGS YOU ARE.Your toes will be tapping,your lips will be smiling and you will be glad that this soundtrack and wonderful film are yours!You will be transported to WW2 England and you will be humming these tunes day and night.

A Creation and Recreation of Nostalgia.......2006-04-23

George Fenton has put together a musical score for the completely delightful MRS. HENDERSON PRESENTS that is a combination of original music deeply influenced by the time of the film (London during WW II) and some of the best 'old favorite songs' from that time. In the film the music is always present, whether in the performances on the Windmill Theater stage or in the lyricism of the acting by Judi Dench, Bob Hoskins and crew.

Fenton includes such terrific oldies as Johnny Mercer's 'Goody Goody', Charles Harris' 'After the Ball', Noel Gay's 'Letting in the Sunshine', Frank Loesser's 'Blue Nightfall', and Jerome Kern's 'All the things you are'. He segues these pieces with his own fine orchestrations and the result is a score that not only enhances the mood of the film, but one that stands alone as a recording. The various performers include Camille O'Sullivan, Charlene Ford, Ciaran Connolly, Elise Audeyev, Frances Garvey, Frank Lawson, Joseph McMurray, Kate Power, Matthew Hart, Melody Squire, Rachel Lawrence, Sir Thomas Allen!, Sophie Brown, The O'Brien Sisters, Vanessa Barmby, Vicki Davids, and Victoria Hay.

This is a recording to conjure up memories not only of a successful film but also of a time when music conveyed a lot of emotion during times of stress. Highly recommended. Grady Harp, April 06

Mrs. Henderson Presents.......2006-03-24

Met ALL my expectations, having seen/loved the film - especially the orchestration, arrangements, and vocals. Sound quality superb.
I've played this CD for others - of all age groups - all agree it's a defininte winner.

Upbeat and Fun!.......2006-03-22

Love this CD for the nostalgia! My favorite track is "All the Things You Are" by J.Kern and O.Hammerstein. This year's Oscar telecast produced a montage of film clips to this track including the last scene from "Mrs. Henderson Presents" and it was so emotion granting as is the song. Many of the other songs are from a time period right before WWII, but they are just fun and upbeat -- it was the depression, people needed to be uplifted with such such songs as "Letting in the Sunshine" and "Goody Goody." Judi Dench was asked by someone in the bleachers at the Oscars how it felt to be nominated this year for Mrs. Henderson, and she answered back, "just listen to the soundtrack darling!" How great is that???!!!!

After The Ball plus Highlights from Vaudeville

Average customer rating:

After the Ball
Edwardian Songs presented in a beautiful way
Oh, Miss Dall'Armi wasn't the first!
A triumph!
The Gilded Age Album of Albums

After The Ball plus Highlights from Vaudeville
Joan Morris & William Bolcom
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Moonlight Bay: Songs as Is Songs as Was
On the Level, You're a Little Devil--Songs of Vaudeville and Tin Pan Alley
Gershwin: Piano Music
Sing Gus Kahn
Knockout Drops

ASIN: B000005IY5
Release Date: 1990-10-25

Tracks:

After The Ball
Good Bye, My Lady Love
A Bird In A Gilded Cage
Under The Bamboo Tree
On The Banks Of The Wabash, Far Away
Those Wedding Bells Shall Not Ring Out
I've Got Rings On My Fingers
Come Down Ma Evenin' Star
I Don't Want To Play In Your Yard
Will You Love Me In December As You Do In May?
Meet Me In Saint Louis, Louis
Love's Old Sweet Song
Waltz Me Around Again Willie
Wait 'Till The Sun Shines, Nellie
Vaudeville: I Don't Care
Vaudeville: Shine On, Harvest Moon
Vaudeville: Yip - I - Addy - I - A!
Vaudeville: Let The Rest Of The World Go By
Vaudeville: May Irwin's
Vaudeville: I Wonder Who's Kissing Her Now

Customer Reviews:

After the Ball.......2007-05-24

This Cd was very enjoyable. Joan Morris' voice was clear and flexible, William Bolcom's piano was crisp .
I enjoyed the musical choices- a good montage of the era.

Edwardian Songs presented in a beautiful way.......2005-07-09

A most excellent CD with a beautiful singer and brilliant pianist
presenting an unsual collection of lovely songs. I was unable to
purchase in the UK and thank Amazon for making it possible.

Oh, Miss Dall'Armi wasn't the first!.......2005-02-03

Great to hear a singer able (and willing) to perform this kind of music: it make the songs I knew from music sheets come alive. This performance has (with a slightly different repertoire, and a different backing) been equalled recently by Jody Dall'Armi, with the Paragon Ragtime Orchestra (CD "On the Level, You're a Little Devil")

A triumph!.......2003-03-30

Thirty years after this wonderful collection appeared, it still warms hearts and wets eyes across generations. This classic recording is likely to be around forever, and it certainly deserves to be. Joan Morris provides full emotional commitment along with smart style and a beautiful voice. William Bolcom is an ideal accompanist: he's obviously of a heart with Morris but never intrudes.

One overlooked asset of this recording is the superb sonics. Listen through state-of-the-art speakers and subwoofer, and the space in the room is recreated extraordinarily well. You will seldom hear piano and voice recorded this well.

You may not admit it to your friends, but you'll listen to this masterpiece over and over. It goes straight to the Hall of Fame.

The Gilded Age Album of Albums.......2001-03-21

I first bought this album as a record in the early 1970's, and enjoyed it over and over. I tried to buy another copy but couldn't find it and gave up years ago. Suddenly I find... it and I can hardly wait to get it once more.... and with bonus tracks, too. Great! The best thing about this recording was how authentic it sounded... not "updated" in style or rendition, but with the genuine music hall ambiance that one would imagine these catchy tunes must have sounded like at the time. I guarantee if the CD is half as good as the record, this is a real treasure! There are 2 songs that were recreated for Judy Garland in "Meet Me in Saint Louis", and the originals as Joan Morris sings them will give you visions of the old Vaudeville theatre, complete with peanut gallery.

Average customer rating:

carousel
The Ideal Merry-Go-Round

Carousel Memories

Manufacturer: Dynamic Recording
ProductGroup: Music
Binding: Audio CD

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Pop | Styles | Music

General | Easy Listening | Pop | Styles | Music

Orchestral Pop | Easy Listening | Pop | Styles | Music

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Marches | Miscellaneous | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music

General | Pop | Indie Music | Stores | Music

Easy Listening | Pop | Indie Music | Stores | Music
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Good Old USA Carousel Music Vol. 1
Good Old USA Carousel Music Vol. 2
Fair Organ Follies
Wurlitzer Christmas Carousel Music Vol. 1
Clown and Midway Calliope Music Vol. 1

ASIN: B00005V7GA
Release Date: 2002-01-01

Tracks:

A Smile Will Go A Long, Long Way
The Petite Waltz
Die Regimentskinder
With The Wind and Rain In Your Hair
Nights Of Gladness
Espanita Waltz
Three Little Fishes
Scatter Brain
Beer Barrel Polka
Over The Top
Royal Trumpeters
Say It Again
Georgia On My mind
After the Ball
Unter Dem Siegesbanner
Just A Gigolo
The Sidewalks of New York
Deep Purple
Liberty Bell
Trisch-Trasch
The Kings Horses and The Kings Men
Sweet Rosie O' Grady
The Carousel Waltz (Recorded on Moving Carousel)

Album Description

More marches, waltzes, and fox trots in this recording of the New Verbeeck Band Organ at Seabreeze Park in Upstate New York. On a hill above scenic Lake Ontario, the music of the band organ can be heard on the breezes drifting over the blue water. Twenty-three tunes bring back the sounds of summer from Seabreeze Park - the whirling carousel and prancing horses spin around to the music of childhood, and this fabulous recording captures the wonderful memories. Grab the popcorn, and come for a ride! This completely digital recording is crystal clear and an oversized insert includes pictures and fond memories of Merrick Price - to whom the album is dedicated. The last song was recorded on the carousel while it was moving - an innovative idea that captures the sensation of really being on the ride is enhanced by wearing headphones. This piece of Americana in music - a must for the audio collector, carousel enthusiast, or fan of mechanical music, is a one-of-a-kind gift item.

Customer Reviews:

carousel.......2007-01-03

Carousel Memories does not have the luster that I had expected. The music is not as clear as I would have liked, however, it does have some good qualities that make it worth while to listen.

The Ideal Merry-Go-Round.......2005-07-18

This is a recording by and for merry-go-round lovers. It assembles 23 tracks of mostly characteristic carousel music, played upon a newly constructed band organ handmade by Belgian Johnny Verbeeck to replicate the old Wurlitzer 165 destroyed by a fire around 1995. The fire also claimed most of the carousel itself, which was rebuilt using some restored parts from the original (PTC#36). The recording site is Seabreeze Park on Lake Ontario in upper New York.

In another review I mentioned that that CD offered a partial and rather idealized carousel experience, for it could only provide the sound, and that sound was much more refined and free of ambient noise than would be encountered during an actual carousel ride. That comment applies as well to this recording, and perhaps more so, for the band organ in a typical operating carousel never sounded so good as the one here. This instrument has a remarkably lovely, sweet tone and, being brand new, is in perfect condition. The rolls used were obtained from no less a source than the Library of Congress, and represent a very choice selection.

The music itself includes mostly waltzes, marches, polkas, and one-time popular songs, such as Beer Barrel Polka, Sweet Rosie O'Grady, Liberty Bell, and Scatter-Brain. Less to be expected, but supremely apt, is the fine waltz from Richard Rodger's overture to the musical show Carousel. This last was experimentally recorded on the moving carousel, and thus provides an especially realistic auditory image.

For merry-go-round and band organ enthusiasts this recording might well occupy a place of honor in their CD collection. For those who desire a more realistic, though less ideal, recording I would recommend the old 1973 Takoma Records release "Last Chance on the Merry-Go-Round" (# A 1038), which I believe is no longer in the catalog. (Takoma Records was acquired in 1995 by Fantasy Records.) My personal copy of A 1038 is an LP, and I suspect no CD version was ever released. That recording was made at the carousel on the pier at Santa Monica, California, shortly before the pier was to be demolished. (Thus the title of the recording.) Since it was made while the carousel was actually in operation, the sounds of bystanders and children, along with the carousel drive motor are included. I don't know what ever became of that carousel or its band organ, but would guess they were moved to some collection somewhere. In any case, I have fond memories of wandering along the pier on a fine Saturday afternoon and watching and listening to the carousel and its excited young customers.

Average customer rating:

Fabulous
Dream Come True
IT DESERVES 6 STARS
Show Boat

Show Boat (1988 Studio Cast Highlights)
Jerome Kern , Jerry Hadley , Bruce Hubbard , Teresa Stratas , David Garrison , Frederica von Stade , John McGlinn , and London Sinfonietta
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Little Mary Sunshine (1959 Original Off-Broadway Cast)
Brigadoon (1947 Original Broadway Cast)
110 in the Shade (2007 Broadway Revival Cast)
Camelot (1960 Original Broadway Cast)
South Pacific in Concert from Carnegie Hall

ASIN: B000002RR9
Release Date: 1990-05-08

Tracks:

Show Boat: Overture
Show Boat: Cotton Blossom
Show Boat: Where's The Mate For Me?/Make Believe
Show Boat: Ol' Man River
Show Boat: Can't Help Lovin' Dat Man
Show Boat: Life On The Wicked Stage
Show Boat: Till Good Luck Comes My Way
Show Boat: I Might Fall Back On You
Show Boat: Queenie's Ballyhoo
Show Boat: You Are Love
Show Boat: Finale Act One
Show Boat: At The Fair
Show Boat: Why Do I Love You?
Show Boat: Bill
Show Boat: Goodbye, My Lady Love
Show Boat: After The Ball
Show Boat: Hey, Feller!
Show Boat: Finale Ultimo

Amazon.com

This one-disc reduction of John McGlinn's monumental three-CD version of Show Boat provides 75 minutes of highlights in a package dubbed the "Broadway Show Album." McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including the original orchestrations, and conducts a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly-wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." John McGlinn's full version is a staggering achievement and a recording for the ages, but this single disc is also splendid listening. --David Horiuchi

Customer Reviews:

Fabulous.......2002-10-03

Let me start off by saying that my first experiences with Show Boat came through the splendid 1951 MGM movie version. Having never seen Show Boat performed live on stage, this CD pretty much brings the live experience home (and note I said 'this' CD; the full 3-disc set would be just short of actually being front row center). The immortal Kern/Hammerstein score is one of my favorites (right up there with My Fair Lady, The Sound of Music, Annie Get Your Gun, and Brigadoon) and is definately one of the greatest ever written for the musical theater.

Since Show Boat does not have an official original cast album, I suppose that this one suffices quite well. All original orchestrations are used here and the music is as it was on opening night in 1927. This is the most complete version available (whether you go with the full set or just this disc). The 1946 revival cast album is the oldest 'complete' album and is nice when paired with this disc to give one a sense of how Show Boat sounded in the early days.

I really didn't care much for this CD at first, but after listening to it a couple more times, I like it better and better each time. McGlinn certainly did right by this one! I'm not too familiar with most of the cast (save for Frederica Von Stade and Paige O'Hara), but they're all great. You'd think that this is a recording of a live performance, not just a studio album. Fantastic singing is had thoughout. McGlinn also did a great job with Brigadoon 3 years later, and did he not have a similar effort with Annie Get Your Gun as well?

I still think that the MGM movie version and its soundtrack album are the best but this rendition is definately not bad! Highly recommended. But if you can, pick up a copy of the movie soundtrack or of the 1946 revival album for comparison.

Dream Come True.......2002-08-22

First, "Showboat" is my all time favorite Musical, from the '40's and '50's when my mother took us to the movies every Sunday. I have video tapes of the 1951 MGM version with Howard Keel and Kathyrn Grayson, as well as the earlier movie version. A few years ago, I saw a TV special on the making of the three Disc complete remake of Showboat, true to the original score. I tried to get a cy of it but no local store could help me. Then through the magic of computers and AMAZON.com, I obtained the three disc set plus this single CD, which I treasure. This one is the best, without doubt. Now I have the complete version of songs and music I only vaguely remembered from the TV special. I wish someone would make a movie just like this version so I could have it on DVD. The whole cast and orchestra are awesome, especially Frederica von Stade. I have since bought other CDs of her work. Buy the three disc set if you can afford it, it has a thick booklet with the actual score and dialogue. But if you cannot, buy this CD. This is the ultimate, the prototype Broadway musical.

IT DESERVES 6 STARS.......2001-06-29

I can't thank enough all the people responsable for this terrific revival cast album.Here is a perfect example of how you should do a classic show and maintain the original intentions of the writer and the composer.If they were alive,JEROME KERN and OSCAR HAMMERSTEIN would have been proud of the way their masterpiece have survived them.It is impossible to imagine a better version of the show;this is the definitive one.It's funny when you think of it,most people know the songs by heart,yet it seems that we rediscover the show with this version.Suddently ,we are in 1927 and mister ZIEGFELD is scared like hell that he will loose a lot of money with this;but that's strangely the situation in which the modern AMERICAN musical was born.

Show Boat.......2000-09-10

I really like this recording! The voices are really great. I especially liked "Can't Help Lovin' Dat Man." I would recommend this CD to everyone who likes the show and musical theatre.

The Essential Hyperion (Label Highlight Compilation)

Average customer rating:

A MUST BUY!!!
Great music, Excellent Value!
This truly is essential!

The Essential Hyperion (Label Highlight Compilation)
Henry Purcell , Charles Villiers Stanford , Sheppard, John , Haydn, Joseph , Satie, Erik , Schumann, Robert , and Shostakovich, Dmitri
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Essential Hyperion, Vol. 2
Glass Harmonica
Mendelssohn: Piano Trios Op. 49 & Op. 66
Essential Purcell

ASIN: B000002ZDX
Release Date: 1995-02-13

Tracks:

Concerto For Two Trumpets, 1687: Allegro
Abdelazer: Rondeau
Who Can From Joy Refrain?: A Prince Of Glorious Race
The Morning: The Glitt'ring Sun
The Ephesian Matron, Or The Widow's Tears: Vaudeville
Magnificat In G
Libera Nos
Cantigas de amigo: My Love's Coming Home
My Lady, You Do Great Wrong
Locus iste
Symphony No 14 In A: Tempo di Minuetto
Symphony No 94 In G (The 'Surprise' Symphony): Finale
Gymnopedie No. 1: Gymnopedie No. 1 (Orchestrated By Debussy)
Liederkreis op. 39: Waldesgesprach
Album Leaf In Waltz Form
Prelude And Fugue In A, Op. 87, No. 7
Phil The Fluter's Ball
Piano Concerto In C Sharp Minor, Op. 30: Allegro
O salutaris hostia
Da quel sembiante, D. 688, No. 3
Sonata In G Minor, Op. 5, No. 5: Vivace
Clarinet Quartet No 1 In E Flat, Op. 2: Rondo
String Sextet In A, Op. 48: Furiant
Sherzo In A minor, Op. 81, No. 2
Come You, Mary, Op. 21, No. 2
Chorale Prelude 'Nun freut euch, lieben Christen g' mein'
Deus in adiutorium
Sortie In E Flat

Customer Reviews:

A MUST BUY!!!.......2001-03-03

If I had to choose one CD to spend a month locked in isolation with, this would be the one. Its varied but it flows well together. It's restive and soothing. The quality is beyond excellent!!! At the price, anyone is a fool not to own it, and give it lavishly as gifts. Its gorgeous, lush and fabulous! Everyone that hears it in our home, falls in love with it!

Great music, Excellent Value!.......2000-07-26

Rarely can one buy so much good music for so little. This compilation features almost 80 minutes of high quality music.

This truly is essential!.......1999-10-23

What a brilliant idea from one of our leading record companies! On this disc, they have assembled a programme of highlights from their vast collection of choral, vocal, orchestral, and solo instrumental music that is very satisfying. As with most CDs of this sort, it is a case of some tracks not appealing as much as others- I for instance am a lover of choral music so the gorgeous renditions of Stanford's "Magnificat" by St. Paul's Cathedral Choir or John Sheppard's divine motet "Libera Nos" by the Sixteen are obvious preferences of mine. However, whether you seek dyed-in-the-wool orchestral classics as Haydn's "Surprise" Symphony, less familiar works performed by period artists (such as "'E irei Madr'a Vigo" by ancient Spanish composer Martin Codax), or snippets of breathtaking instrumental solos (such as the rousing performance of Lefebure-Wely's "Sortie in E flat" which is sadly only an excerpt), this disc is bound to have something on it for you. And all of it is finely recorded.

Average customer rating:

I waited for this for five years
Excellent collection but BIG PUBLISHING MISTAKE!
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
SUCH MAGICAL MUSIC OF THE NIGHT!
A Must Have for Sir Andrew fans

Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Gold: The Definitive Hits Collection
The Very Best Of Andrew Lloyd Webber: The Broadway Collection
Evita (Original London Cast)
Andrew Lloyd Webber - The Royal Albert Hall Celebration
Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)

ASIN: B00005R5UJ
Release Date: 2001-11-20

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Hazel Flagg (1953 Original Broadway Cast)

Average customer rating:

NOT A GREAT SHOW, BUT FUN, NONETHELESS . . . .

Hazel Flagg (1953 Original Broadway Cast)

Manufacturer: Sepia Recordings
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007ULKSY
Release Date: 2004-09-27

Tracks:

Overture - Orchestra
A Little More Heart - Benay Venuta
The World Is Beautiful Today - Helen Gallagher
The Rutland Bounce - Jule Styne
I'm Glad I'm Leaving - Helen Gallagher
Hello, Hazel - Benay Venuta
Every Street's A Boulevard In Old New York - Jack Whiting
How Do You Speak To An Angel? - John Howard
Autograph Chant - Chorus
I Feel Like I'm Gonna Live Forever - Helen Gallagher
You're Gonna Dance With Me, Willie - Helen Gallagher
Who Is The Bravest? - Male Chorus
Salomee - Dean Campbell
Everybody Loves To Take A Bow - Jack Whiting
Laura De Maupassant - Helen Gallagher
Finale - The Entire Company
Bonus Track: How Do You Speak To An Angel? - Eddie Fisher
Bonus Track: I Feel Like I'm Gonna Live Forever - Sunny Gale
Bonus Track: Salomee - Dinah Shore
Bonus Track: I Feel Like I'm Gonna Live Forever - Guy Lombardo & His Royal Canadians
Bonus Track: Hello My Baby - Benay Venuta
Bonus Track: When Frances Dances With Me - Benay Venuta
Bonus Track: Waltz Me Around Again Willie - Benay Venuta
Bonus Track: Come Josephine In My Flying Machine - Benay Venuta
Bonus Track: Rings On My Fingers - Benay Venuta
Bonus Track: After The Ball - Benay Venuta

Customer Reviews:

NOT A GREAT SHOW, BUT FUN, NONETHELESS . . . ........2007-06-20

HAZEL FLAGG is a curious animal. The show, ' . . . a satire on the manipulation of people, especially the general public," is based on Ben Hecht's screenplay for the 1937 Carole Lombard/Frederick March vehicle, "Nothing Sacred," itself based on a story by James Street. Hecht is also responsible for the musical's book, with lyrics by Bob Hilliard. Jule Styne, fresh from the success of HIGH BUTTON SHOES and GENTLEMEN PREFER BLONDES, not only wrote the music but acted as the show's producer as well.

HAZEL's disappointing 190 performances (compared to over 700 for each of the previous shows) can be blamed on that old Broadway bugaboo: bad book. "The show did lose something in its transformation to a musical. The songs and dances tended to drag what was originally a fast moving story and, as many other show writers have found, satire is something that rarely works as a musical. Ben Hecht, who was successful as a playwright, was not at ease with a libretto and the inexperienced producer should have recognised this and brought in help. Even so, Jule Styne's score, whilst not quite top notch Styne, does include the enchanting 'How Do You Speak to an Angel?' and the popular 'Every Street's a Boulevard in Old New York." (from the liner notes by Rexton S. Bunnett)

Marc Miller, writing in "The TheaterMania Guide to Musical Theater Recordings," says HAZEL FLAGG was " . . . intended as Helen Gallagher's stepping-stone to stardom in the title role of a Vermont lass who's thought to be dying of radium poisoning and is transported to New York by EVERYWHERE magazine for a supposed last fling. (Guess what happens to her prognosis.) Gallagher works very hard here, and her contralto belt is strong and secure. She's supported by such Broadway reliables as Benay Venuta, Jack Whiting, . . . and Thomas Mitchell (who doesn't sing a note but took home a Best Musical Tony anyway). . . . the show does sport amusingly elaborate vocal arrangements by Hugh Martin."

The score is not nearly as dull as Mr. Miller would like us to believe. In addition to "Angel" and "Every Street," the score includes "I Feel Like I'm Gonna Live Forever," "You're Gonna Dance with Me, Willie," and the rather bizarre "Laura de Maupassant," all delivered in fine style by Ms. Gallagher. And "Salomee," here sung by Dean Campbell, became a minor hit for Dinah Shore.

The CD is blessed with a bunch of fun bonus tracks: a young, in-wonderful-voiced Eddie Fisher singing "How Do You Speak to an Angel?", Dinah Shore's recording of "Salomee," Guy Lombardo and the Royal Canadians performing "I Feel Like I'm Gonna Live Forever," and six tracks by Ms. Venuta, including "When Frances Dances with Me" and "Waltz Me Around Again, Willie" ("Willie Fitzgibbons who used to sell ribbons/and stood up all day on his feet/Grew very spooney on Madeline Mooney,/Who'd rather be dancing than eat./Each evening she'd tag him, to some dance hall drag him,/And when the band started to play,/She'd up like a silly and grab tired Willie,/Steer him on the floor and she'd say,/Waltz me around again, Willie . . . " What fun. The bonus songs alone are worth the price of admission.

Sunset Boulevard: The Classic Film Scores of Franz Waxman

Average customer rating:

waxman is the man!
Nostalgia and then some
Franz Waxman Tribute
Wonderful compilation of vintage Waxman
Franz Waxman's Music is Magic

Sunset Boulevard: The Classic Film Scores of Franz Waxman

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003EMA
Release Date: 1991-06-11

Tracks:

Prince Valiant
A Place In The Sun
The Bride Of Frankenstein
Sunset Boulevard
Old Acquaintance
Rebecca
The Philadelphia Story
Taras Bulba

Customer Reviews:

waxman is the man!.......2007-05-10

i love waxman's music. i think of his work in the same way i think of kurt weill's music. the melodies are so rich, so complex and the harmonies stir the soul. the diversity of musical genres both covered was also wide and rich.

but as much as love the gerhardt/rca recordings, i am not fond of the selection of works chosen to respresent waxman. it is good to know that there are many other cds of waxman's work out on the market to be found and appreciated.

but i do like the 'elegy for strings' from old acquaintance, the ' a place in the sun' suite and 'sunset boulevard'.

Nostalgia and then some.......2006-02-20

Many times the score makes the movie. In this case Franz Waxman Film Scores contributed well. However as a stand alone collection this really does not have a place other than a once in a while listen to remember the particular movies.

Each piece is preformed well by the National Philharmonic Orchestra. However I do not see situation for listening to this album. It does not make good driving musing or reading music, or just sitting and listening to music. This does have a place if you are collecting various composers' works.

The list includes:
Prince Valiant (1954)
A Place in the Sun (1951)
The Bride of Frankenstein (1935)
Sunset Boulevard (1950)
Old Acquaintance (1943)
Rebecca (1940)
The Philadelphia Story (1940)
Taras Bulba (1962)

Many of the scores are used again in later movies. You can hear scores of Franz Waxman in about three hundred movies.

Franz Waxman Tribute.......2005-10-12

This CD sounds splendid. It is very rich and moving. A PLACE IN THE SUN is beautiful. REBECCA is very pensive and very much what you may expect in a Hitchcock film. However, the best cut on this CD is from TARAS BULBA. What a piece of music. It is both rousing and inspirational. Outstanding!

Wonderful compilation of vintage Waxman.......2003-04-12

Charles Gerhardt was just the right conductor to revive these classic scores from the prolific film composer, Franz Waxman: His lush, melodramatic interpretations of the music do not fit every genre, but he feels right at home here with the sweeping melodies of the silver screen.

A good selection of Waxman's film music can be found here, including his most acclaimed, Sunset Boulevard. (It certainly has a sparkle that Joel McNeeley's recent rerecording seemed to lack, even if the score is not present here in its entirety.) Other highlights are the stirring themes of Prince Valiant and the eerie and sinister tones of his score for The Bride of Frankenstein. A particular favourite of mine is Rear Window, sadly absent here, though to my knowledge only one recording exists (Lalo Schifrin and the San Diego Pops, Hitchcock: Master of Mayhem): Fans can take solace in the fact that one of the Rear Window tunes appears here in its earlier form as we heard it in A Place in the Sun.

If you are a film music buff, this is definitely worth a place in your collection. Gerhardt captures the essence of Waxman perfectly.

Franz Waxman's Music is Magic.......2001-10-02

This CD is a wonderful place to start your collection of Franz Waxman film music.

Tracks:

Mother Machree
Kathleen Mavourneen
Killarney
Dear Little Shamrock
Ave Maria
Little Love, A Little Kiss
Macushla
Wearing of the Green
Where the River Shannon Flows
Eileen Alannah
Molly Brannigan
Low Back'd Car
I'll Sing Thee Songs of Araby
Angels Guard Thee

Tracks:

My Wild Irish Rose
Serenata
Come into the Garden, Maud
Turn Ye to Me
Somewhere a Voice Is Calling
Beautiful Isle of Somewhere
Barcarolle
Sunshine of Your Smile
When Irish Eyes Are Smiling
Rose of Tralee
Ireland, Mother Ireland
Mother O' Mine
Bard of Armagh
Irish Emigrant

Tracks:

I Hear You Calling Me
Star of the County Down
Londonderry Air
She Moved Thro' the Fair
Believe Me, If All Those Endearing Young Charms
Kerry Dance
South Winds
By the Shortcut to the Rosses
Fairy Tree
Harp That Once Thro' Tara's Halls
Garden Where the Praties Grow
I Dream of Jeannie With the Light Brown Hair
Bantry Bay
Dawning of the Day

Customer Reviews:

Legendary selections by a legendary voice.......2004-03-24

With special emphasis on the variety presented in this collection, this album has a broadness of scope that will appeal to anyone who appreciates the magic of the human voice.
McCormack was perhaps the most popular entertainer in the world during his career, comparable with the superstars of today, only richer in the currency of his day.
Though purists may have criticized his shift to the popular venue as opportunism, and perhaps desertion of his training in the classical tradtions, he was simply presenting what people wanted to hear. Whether he set a pattern of career management followed by modern entertainers or was simply happiest when the accolades flowed over him matters not. The talent and richness are his legacy to us.
His range and vocal dexterity are well illustrated and represented by this larger than usual collection, and anyone with a particular favorite tune in his rather loose genre will likely find it here.
After a journey through this collection, listeners may well gain another special melody or two for addition to their personal list of "best ever" songs and singers.
Although it may be considered a bit foolish, some will choose this album for only one or two tracks. Some call that trait wasteful, but when a jewel of performance is played again and again, the teardrop may fall once more, and the heart will thrill yet again.
This album will please many musical palates, even those who claim no special fondness for "Irish Tenors."

Music Album:

Music Album

1. Horses
2. New Orleans Shuffle
3. Beverly
4. Om Shanthi Norris
5. I Wish I Knew How It Would Feel to Be Free
6. When You Wore a Tulip (And I Wore a Big Red Rose)
7. Hawaiian Two-Step
8. Bucktown Stomp
9. Candy Man
10. After the Ball