Music

  1. Desert Wind
  2. Motor City Machine Music - An [UK-Import]
  3. Al B.Sure
  4. 6t'S Rhythm & Soul
  5. Wild! [UK-Import]
  6. Iceberg/Freedom of Speech
  7. Saying Something + Hold on Wer [UK-Import]
  8. Bild ansehen
  9. Return
  10. A View from 3rd Street
  11. I'm Breathless
  12. Hack
  13. No.1 Hip Hop / R&B Album [UK-Import]
  14. The Woman I Am
  15. Immaculate Collection [Vinyl LP]
  16. The No.1 Hard House Album [UK-Import]
  17. Royal Box
  18. Mosquito/See Through
  19. Listen and Dance Vol.2
  20. Seal [1991]
  21. Chorus
  22. Love Remembers
  23. As the Veneer of Dumbness Star
  24. All the Way
  25. Graffitti Bridge
Instruments of the Orchestra
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Instruments of the Orchestra
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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Sounds of Nature Sampler
Average customer rating: 5 out of 5 stars
  • Perfect To Fall Asleep To
  • 3-Dimensional Pure Nature Sounds
Sounds of Nature Sampler
Suzanne Doucet , and Chuck Plaisance
Manufacturer: Only New Age Music
ProductGroup: Music
Binding: Audio CD

EnvironmentalEnvironmental | New Age | Styles | Music
GeneralGeneral | New Age | Styles | Music
MeditationMeditation | New Age | Styles | Music
NatureNature | New Age | Styles | Music
ElectronicElectronic | Progressive | Rock | Styles | Music
Similar Items:
  1. Echoes of Nature: The Natural Sounds of the Wilderness
  2. Echoes of Nature: Morning Songbirds
  3. Mountain Streams
  4. Echoes of Nature: Ocean Waves
  5. Echoes of Nature: Thunderstorm

ASIN: B0009XFIX2
Release Date: 2005-07-12

Tracks:

  1. Ocean Waves
  2. Southern Swamp
  3. Rainstorms
  4. Desert Oasis
  5. Forest Morning
  6. Mountain Ranch
  7. The River
  8. Pine Forest
  9. Thunderstorm
  10. At the Lake
  11. Summer Nights
  12. Song of the (Humpback) Whale
  13. The Rainforest
  14. Bubbling Creek
  15. Rolling Thunder
  16. A Night in the Canyon
  17. Before the Storm
  18. Walk at the Beach
  19. Waterfall
  20. Wetlands

Album Description

The sounds for this series were recorded in 3D by Chuck Plaisance. His recording system is designed to simulate human hearing, using a binaural head microphone to capture depth, height, width, as well as directional movement. No special equipment is needed to get 3D sound from traditional stereo speakers. In fact, these albums will make your system - speakers or headphones - sound like it never has before. You are the experience.

All pieces contain compositions of pure Nature Sounds produced, arranged, edited and mastered by Chuck Plaisance and Suzanne Doucet. (aka Virtual Audio Environment).

Customer Reviews:

5 out of 5 stars Perfect To Fall Asleep To.......2006-07-20

I bought this CD because I didn't really know which type of sound I'd relax most too be it ocean, rain, forest, etc. Well I love all the sounds on this sampler, and I play it every night. My hubby says that 20 mins into the CD there's a rooster crowing, but I wouldn't know because by that time I'm already fast asleep. Great stuff!

5 out of 5 stars 3-Dimensional Pure Nature Sounds.......2005-11-21

This excellent compilation of 20 different Nature Sound albums was out of print, but is now finally available again through ONLY NEW AGE MUSIC(repackaged and remastered). This album creates a journey through different Nature scenes all recorded by Chuck Plaisance, with a special microphone that simulates human hearing. The sounds were then edited and composed, arranged and mixed like an orchestrated piece but still remain pure Sounds of Nature. Like Bernie Krause Doucet and Plaisance take essential Nature Sounds and recreate an ambience that takes you even deeper into the essence of Nature.
Complete Flanders & Swann
Average customer rating: 5 out of 5 stars
  • Return to Sanity
  • Have Some Madeira
  • British humour at its best
  • If you haven't heard this...
  • Gentle Satire
Complete Flanders & Swann

Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Songs of Michael Flanders & Donald Swann
  2. At the Drop of a Hat
  3. The Best of Flanders & Swan - A Transport of Delight
  4. Beyond The Fringe (1961 Original London Cast)
  5. Too Many Songs by Tom Lehrer

ASIN: B000006T4S
Release Date: 1997-04-30

Tracks:

  1. Warthog, The (The Hog Beneath The Skin)
  2. The Sea Horse
  3. The Chameleon
  4. Whale, The (Mopy Dick)
  5. Je Suis Le Tenebreux
  6. Songs For Our Time
  7. A Song Of The Weather - Flanders & Swann
  8. The Reluctant Cannibal
  9. Greensleeves
  10. Misalliance
  11. Kokoraki
  12. Madeira M'Dear?
  13. Too Many Cookers
  14. Built Up Area
  15. In The Bath (From 'At The Drop Of A Hat')
  16. Sea Fever
  17. The Hippopotamus Song

Tracks:

  1. The Gas Man Cometh
  2. Sounding Brass
  3. Los Olividados
  4. In The Desert
  5. The Sloth
  6. The Rhinoceros
  7. Kangaroo Tango
  8. Jaguar
  9. Dead Ducks
  10. The Elephant
  11. By Air
  12. Slow Train
  13. A Song Of Patriotic Prejudice - Flanders & Swann
  14. The Humming Bird
  15. The Portuguese Man-Of-War
  16. Sea Fever
  17. The Hippopotamus Song

Tracks:

  1. The Gas Man Cometh
  2. Sounding Brass
  3. Los Olividados
  4. In The Desert
  5. The Sloth
  6. The Rhinoceros
  7. Kangaroo Tango
  8. Jaguar
  9. Dead Ducks
  10. The Elephant
  11. By Air
  12. Slow Train
  13. A Song Of Patriotic Prejudice - Flanders & Swann
  14. The Humming Bird
  15. The Portuguese Man-Of-War
  16. The Wild Boar
  17. The Ostrich
  18. The Wompom
  19. Twice Shy
  20. Commonwealth Fair
  21. P** P* B**** B** D******
  22. Paris
  23. Eine Kleine Nacht Musik Cha Cha Cha
  24. The Hundred Song
  25. Food For Thought

Album Details

Fantastic Triple CD Box Set of the Recorded Works of One of Britain's Most Popular Comedy Duos. Their Keen Observations of Everyday British Life and Abilities to Exemplify them in Song Made them the Darlings of the UK. Cleverness, Wit and Absoute Hilarity were the Order of the Day, in Just About Any Style of Music. Pure Comic Genius on Three Discs!

Customer Reviews:

5 out of 5 stars Return to Sanity.......2005-07-27

Before Monty Python, before the Beatles, before "'Enery the Aigth Oi Am" there was the subtle, sweet, insdious humor of Flanders and Swann, and their lyrics remain part of the recognition rituals of Ivy Leaguers of the sixties. For any aging hippies or yuppies who find life WAY more stressful than we ever expected, and for whom the down side of alcohol, sex, and drugs has become apparent, I recommend listening several times to "In the Bath". It raises a cry for peace among the nations by inviting all the leaders to sit congenially steaming in a communal bathtub. And they reminding us of our essential self-interest when they add the proviso "as long as Swann and Flanders get the end without the taps." On those nights when we suspect that there isn't any point to it all, reach for the Flanders and Swann. They won't convince you there is any meaning to life, but they'll make it a lot easier to bear. Don't even try to do without it.

5 out of 5 stars Have Some Madeira.......2005-07-06

Not every line in Flanders and Swann has become part of our 37-year marriage, but many have. As our turntables fail, we are pleased that we can relive all the fun stuff we used to collect. Nothing is like this duo, especially what you usually hear as French horn by Mozart converted into "I found that horn go(r)ne." And, of course,
"Have some Madeira, m'dear" is an all-time favorite.

5 out of 5 stars British humour at its best.......2003-03-15

When I started out as a teacher of English, I had the most wonderful colleague as a mentor -- when she retired she gave me three LPs with much of what is on these CDs, and it must be one of the best gifts I have ever been given. Practically all of it makes me smile or laugh out loud (although I must admit that some, like The Armadillo and Slow Train, make me so melancholy that I can just feel my lower lip tremble and my eyes fill up). How can you beat lines like "Hail to thee, blithe Wompom", or "The English are moral, the English are good / And clever, and modest, and misunderstood"? I find they make great listening exercises for my teenaged students as well -- they consider it ancient, but incredibly funny!

5 out of 5 stars If you haven't heard this..........2003-01-16

The great comedic pairing of the late Michael Flanders (vocals) and Donald Swann (piano and occasional vocals) must surely rank among the hall of fame of comic singers and songwriters. Descended from the British music hall tradition, these two men wrote and performed music which still sparkles with wit today, some 40 or more years since it was recorded.

After being told to take up singing as a means of strengthening his polio-weakened lungs, the wheelchair-bound Flanders teamed up with pianist Swann and proceeded to write such classic songs as "The Hippo Song (Mud Mud Glorious Mud)", "The Gasman Cometh", "The Gnu Song", "A Transport of Delight" and many others. As well as a gently satirical spirit, all these songs feature the sublime wordplay and interplay of both men.

The first two discs of this box set are actual concerts - "At The Drop Of A Hat" and its successor "At The Drop Of Another Hat". Recorded at the height of the duo's popularity and form, the sound quality is surprisingly good for recordings this old.

"At The Drop Of A Hat" opens with three of the Flanders and Swann classics. "Transport Of Delight", a song in praise of the "97 horsepower omnibus" features the wonderful harmonies of the duo on lines like "any more fares" and Flanders' dead-on impression of a London busdriver "Geddardait, we're full right up inside". "Song of Reproduction" deals with the new, as it was then, stereo technology and features Flanders delivering an incredible monologue using every conceivable piece of audiophile jargon. "The Gnu Song" (in which "gnu" is pronounced phonetically) is a real treat. The audience's reaction to the reappearance of the gnu is superb.
As well as this opening trio, the disc features Flanders' snippets of "Songs For Our Time" (in which he experiments with conventions of hit songs), "Song of the Weather" (a rundown of English weather throughout the year), "The Reluctant Cannibal" (featuring Swann in the tititular role and the chorus "I can't eat people/I won't eat people/eatin' people is wrong"), Swann's foray into Greek folksong "Kokraki" and the justifiably famous "Madeira M'Dear". The performance ends with a rousing version of "The Hippo Song".
Flanders is in fine voice throughout and his comments introducing each song are delivered with deadpan accuracy. The story behind "The Gnu Song" is an absolute masterpiece. Flanders' monologue about the creation of "Greensleeves" is also superb - "'Greenfleeves'. That's an interesting name for a fong" (referencing old English script) being just a taste.

"Another Hat" begins in equally fine form with "Gasman Cometh" and "Ill Wind". "Gasman", presaged as "a tale of unending domestic upheaval", is sure to have most people who've ever dealt with unreliable tradesmen nodding in agreement, while "Ill Wind" is Flanders' attempt at setting words to a French horn concerto featuring the immortal lines "I lost that horn/lost that horn/lost that horn/found that horn/gorn". The performance continues with Swann's Russian/English song "In The Desert", the ending of which is truly side-splitting. "All Gall" (a reinterpretation of "This Old Man" to fit then-French President Charles de Gaulle) is a little dated but very cleverly done. "Song of Patriotic Prejudice", with its introduction and opening lines grabbing the audience's attention is another triumph, while the "Hippo Encore" is a great end to the performance.
Again Flanders is at his peak. His loving description of the Spanish olive-stuffers ("Olividados") and his superb story about flying ("By Air") are both brilliant examples of the shaggy dog story.
My favourite from both of these discs would have to be "First and Second Law". Flanders decides to educate Swann in elementary science and picks on the first and second laws of thermodynamics ("heat is work and work is heat" and "heat cannot of itself pass from one body to a hotter body") and the repetition of these phrases in time to Swann's barely-there piano accompaniment is one of the finest moments in British comedy.

The third disc is largely forgettable. It begins with a series of animal-related songs performed in a studio and without much of Flanders' rambling introductions. "Warthog" has its moments, while the others were clearly not performed in front of an audience for a reason. "Wompom" is also mildly diverting, presenting a story about a made-up substance which is the answer to everything.
The rest of the disc is then filled out with much earlier material in a rather poorly-recorded concert. "20 Tons of TNT" (related to the calculation the pair had done which gave that as the amount of TNT per person on the planet at the time) provides food for thought, but little more.

Is this box set for everyone? No. Much of the humour both within and without the songs does require a bit of background knowledge to what was going on in Britain and Europe at the time (1960s), John Profumo is referenced a few times as well as Charles de Gaulle and the Common Market, while a smattering of classical music knowledge can help out a bit with Swann's work and "Ill Wind". The fact that my grandfather (who's in his late 70s) recalls hearing these songs and laughing may give an indication as to the age of some of the subject matter. Equally the fact that "First and Second Law" references an awful lot of physics might do the same.

Nevertheless, for anyone who loves British humour done in a gentle manner or who is interested in the source of "mud mud glorious mud/nothing quite like it for cooling the blood", give these CDs some serious consideration.

5 out of 5 stars Gentle Satire.......2002-04-03

I've been singing Flanders and Swann every day In the Bath since I first heard them in 1964. If you don't know them, think Gilbert and Sullivan by way of English music hall and Noel Coward, with a bit of Tom Lehrer musical satire and classic Bob Newhart or Charlie Manna monologues. F&S commented gently on their times: "The purpose of satire, it has been rightly said, is to strip away the veneer of comfortable illusion and cozy half-truth. And our job, as I see it, is to put it back again." Quite simply the best comic songs and patter of the 20th century. Michael died in 1975, Donald in 1994. Goodnight, Mabel Figworthy, wherever you are.

Here are some samples of Michael's verbal wit.

Wordplay:
- "A Transport of Delight," their song of the pleasures of the double-decker bus "has recently been adopted as the theme song of the Underground resistance movement."
- Speculating that Henry VIII wrote Greensleeves: "and the royalties go to royalty."
- About a tennis referee late in the day: "the umpire upon whom the sun never sets."
- Explaining how he was hoisted in his wheelchair onto airliners by a fork lift: "Why they need a great machine like that to lift forks I do not know. Well, they're only plastic, now, aren't they?"
- On status symbols: "The object is to Gunga Din your neighbor: 'I'm a better man than you' is the acid test," and, "let's bang our status cymbals with the best."
- To a disenchanted cannibal: "You used to be a regular anthropophagi."
- Of a lecher: "And he said as he hastened to put out the cat, the wine, his cigar, and the lamps," while the girl "lowered her standards by raising her glass, her courage, her eyes, and his hopes."
- At the corrida d'olivas (the Andorran festival of olive stuffing, not to be confused with the Spanish corrida de toros, or bullfight): "And a great cry goes up of Ole! He has made an 'ol."
- "It's no good going up to a scientist and saying to him like you would to anybody else, 'Good morning, how are you, lend me a quid, and so on.' He'll just glare at you, or make a rude retort."

Throw-aways
- During the height of the cold war the Soviet Union sent the Moscow Ballet on a world tour. Donald sang one chorus of the Hippopotamus Song "mud, mud, glorious mud - nothing quite like it for cooling the blood" in Russian. Michael: "That should improve our cultural relations."
- During the 1963 Mandy Rice-Davies and Christine Keeler scandal: "None of that going around saying no smoke without fire. Nil cumbustibus, Profumo." Also, from "Friendly Duet," "such models of friendship are precious and rare, while the friendship of models is not."
- "Now if you're writing a musical, as I'm sure practically all of you are, . . ."
- Of Donald: "You know that no one has a higher regard for your music . . . than you do yourself. I merely meant that you are not great because you are not dead. If you wish to be great you must stop composing and start decomposing."
- "We never found a rhyme for (Soviet Premier Nikita) "Kruschev" until he was dead: Did he die or was he "pushed off"?"
- "We spent two dreadful, uh, delightful years, entertaining the Americans whose need, let's face it, is greater even than yours. Of course, when we're over there we say that the other way 'round."
- "No matter what you may say about the Germans, and who doesn't . . ."
- "Some of the songs that have made our names a household word, like slop-bucket . . ."
- "They've started testing cars now. They started at 10 years, then 5, now three. There's even some talk of having them tested before they leave the factory."

Absurdities
- "I'm delirious about our new oven fitted with the eye-level grill. This means that without my having to bend down the hot fat can squirt straight into my eye."
- A spectator during the construction of Stonehenge: "So, it's not going to be lived in. Well, that's something anyway. So what is it, then? It's a what?! A calendar?! A bit big for a calendar isn't it? You'd look pretty foolish with that on your desk."
- "Donald knocked himself out this morning. Got one of those new pop-up toasters. Nasty things."

Incredible multiple rhymes:
- "The fair hippoptama he aimed to entice from her seat on her hilltop above, as she hadn't got a ma to give her advice, went tip-toeing down to her love."
- Of Josephine: "Nonsense, said Bonaparte. She lives on her own, apart, in her own apartment."
- "Oh let us be married if our parents don't mind. We'd be happy and inseparable. Inextricably entwined. We'd live happily every after, said the Honeysuckle to the Bindweed."
- "And you'll always see a single lace-less left-hand leather boot. A bootless British river bank's a shock. We leave them there at midnight, you can track a member's route by the alternating print of boot and sock."

Desert Wind
Average customer rating: 4.5 out of 5 stars
  • A Rare Treasure
  • Middle East Music Meets Mainstream Pop With Excellent Result
  • The worst of Ofra Haza.
  • World-beat pop masterpiece
  • Less of the loud accompanyment please!
Desert Wind
Ofra Haza
Manufacturer: Sire / London/Rhino
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Shaday
  2. Kirya
  3. Ofra Haza 1997
  4. Fifty Gates of Wisdom: Yemenite Songs
  5. Temptations

ASIN: B000002LIK
Release Date: 1990-01-05

Tracks:

  1. Wish Me Luck
  2. Ya Ba Ye
  3. Middle East
  4. I Want To Fly
  5. Slave Dream
  6. Taw Shi
  7. Mm'mma (My Brothers Are There)
  8. In-ta
  9. Fatamorgana (Mirage)
  10. Da'asa
  11. Kaddish

Amazon.com

She's been dubbed "the Madonna of the Desert," and this record is the reason why. Haza came out of her '80s folk-fan circuit and returned to her beloved Israeli disco-pop with this highly produced set of songs that were clearly designed for the mainstream. She's got an incredible set of pipes, and they are readily in evidence here. Haza is a charmer when she sings, soaring above even the most trivial studio dubs and musical overloads that exemplify the backing tracks. There are more traditional recordings available from Haza, both predating and following this one, that accent her Israeli and Yemenite heritage. Desert Wind is for those looking for a heavier beat, a harder pop edge, and exotic samples rather than deeper roots. --Louis Gibson

Customer Reviews:

5 out of 5 stars A Rare Treasure.......2006-11-20

Many years ago, I found a tape in the discount bin by the artist Ofra Haza. It was Desert Wind. I had never heard of her but I was intrigued by the cover and frankly, the price. I bought it hoping that it would atleast be interesting and new. I was not disappointed. Ofra's voice blew me away. I had never heard anything like it before and have not since. Desert Wind is still, for me, her best album. Her voice soars in I Want To Fly and is haunting in Kaddish. She was really my first encounter with Middle Eastern music and I have never forgotten how utterly moved I was by her beautiful voice.

5 out of 5 stars Middle East Music Meets Mainstream Pop With Excellent Result.......2003-11-06

This CD is a wonderful mixture of middle eastern rhythm's
and mainstream pop. The music on this cd is both interesting and
exciting. Ofra Haza's singing is consistently superior in every respect to most other female pop vocalists. Her technical excellence, clarity of tone and pureness of pitch are at least equal to the best efforts of the best: Celine Dion, Sarah Brightman, Barbra Streisand. Ofra Haza poured
great depths of emotion into all her singing. With the majority
of her songs it is easy to discern that her soul is on full display, that she put her heart into her singing, and that the feelings expressed are genuine. She wrote much of her own music and most of her own lyrics. In "Desert Wind" the booklet provides a brief explanation of what each song is about. For example, the song "Fatamorgana" (Mirage), one of the best on this CD, tells the story of Ofra's mother traveling on foot through the desert to escape oppression in her native country. The CD provides a well balanced mix of fast paced and slower songs. The two standout fast paced songs are "Wish Me Luck," and "Middle East." Ofra typically put one or two very good songs at the end of her albums, and in this CD it is the excellent,relective "Kaddish." Overall, this is a very satisfying CD, and like almost all Ofra Haza's music, it
is worthy of many multiple listenings.

1 out of 5 stars The worst of Ofra Haza........2003-09-19

Having bought Shaday and Kirya by miss Haza, i bought Desert Wind with the notion that it would be as fantastic as the aforementioned. Boy was i wrong. Gone are the heavy Yemenite/Israeli beats and flavor, as is Haza singing in Hebrew. Instead, I found her beautiful voice swallowed up by abhorrent 80's synth-pop cheese and benal lyrical content, with Hebrew only in the chorus at most. There is not a single song, with the exception of "Slave Dream" that I could bear to listen to all the way through, and most of the songs are laughably bad. So, fans of Haza's other works, do yourself a favor and save your [money] and buy Shaday or Kirya. Unless you want a good laugh, then by all means, purchase away!

5 out of 5 stars World-beat pop masterpiece.......2003-06-20

I'll never forget the day I first heard this on cassette. My wife came home from shopping and put it on. I said "WOW, who is this??" And she said "I don't know who she is, they were playing her at the music store and I asked who it was and bought it. I think she's Arab." Then I saw Ofra Haza's picture on the cover and had to say "WOW" again. As we soon learned, she was a Yemenite Israeli, already world-famous (except in America) back then in 1990. We saw her in concert later that year and of course learned much more about her and her earlier music, particularly her groundbreaking "Fifty Gates of Wisdom (Yemenite Songs)".

Following "Fifty Gates" in 1987, Ofra Haza turned to a dance beat in "Shadday" (1988), an album, in my opinion, of derivative western dance-track sounds and only two stand-out songs. Then, a year later, she turns out "Desert Wind", this stunning, hook-laden, beat-driven, authentically Middle-Eastern album of passionate, meaningful songs, juxtaposing Hebrew and English verses, almost all written or co-written by her. Best are the danceable "Ya Ba Ye", "Middle East", "I Want to Fly" and "Taw Shi", and the gorgeous "Fatamorgana", "Da'asa" and "Kaddish". That's a lot of favorites for one album, but that's the kind of album this is. "Slave Dream" and "In Ta" take some getting used to, but even they turn into winners once you've managed to absorb them. "Kaddish" left hardly a dry eye in the house when she performed this in concert. "Middle East" has ironically the least middle-eastern melody of the dance tunes (i.e. it's in a major key), and it is a rousing song of hope for peace - even a love offering to the Palestinians. Ofra seems to put one such song on every album. Tragically, Ofra is gone, and we're all still waiting to hear popular songs of peace from the Palestinian side. Ofra would probably say keep hoping.

4 out of 5 stars Less of the loud accompanyment please!.......2002-08-07

Ofra's Haza's singing on this album is stunning, where we can hear her above the loud accompanyment. I just hope that with modern recording technology they will reissue her work with the background toned down so that we can enjoy the beautiful soaring voice. There was none like her. Whenever I hear Ofra's voice on a sound track I recognize it instantly. for my taste, it is the "dance club" rhythmic beat that it too loud. I prefer Kaddish and Slave Dream where the background music stays in the background.
Return to the Goddess
Average customer rating: 5 out of 5 stars
  • Goddess Music
Return to the Goddess

Manufacturer: Desert Wind Records/Goldenrod
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | New Age | Styles | Music
Similar Items:
  1. World Dance
  2. Kali Ma: Dances of Transformation

ASIN: B000A2H97U
Release Date: 2002-01-01

Customer Reviews:

5 out of 5 stars Goddess Music.......2007-06-27

This is the best Goddess Music I have ever heard! Beautiful vocals,melodies & harmonies. The music is enchanting,uplifting,heavenly. One feel like this music was sung in the Goddesss' temples,it puts you in another time & place.
World Dance
Average customer rating: 4 out of 5 stars
  • New Age Fusion at best
  • Awesome World Dance CDs from Desert Wind
  • Exercise to the Music of Desert Wind
  • Desert Wind's World Dance
  • Moving - In More Ways Than One!
World Dance
Desert Wind
Manufacturer: Desert Wind
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Jazz FusionJazz Fusion | Jazz | Styles | Music
GeneralGeneral | New Age | Styles | Music
MeditationMeditation | New Age | Styles | Music
GeneralGeneral | New Age | Indie Music | Stores | Music
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  1. Christmas: Rhythms of the Holy Land
  2. Kali Ma: Dances of Transformation
  3. Return to the Goddess
  4. Flute Fest
  5. Galactic Caravan: Intergalactic Bellydance

ASIN: B000028TXL
Release Date: 1997-09-30

Tracks:

  1. Sahara
  2. Celt-itelli
  3. Temple Dancer
  4. Diaspora from Spain
  5. Byr Demet
  6. River of Life
  7. Lotus Dancer
  8. Passion Drums
  9. Ancient Nights
  10. Sage Dancer
  11. Desert Rain
  12. Raj Drums
  13. Tree of Life
  14. Desert Breeze
  15. Mystic Dancer
  16. East of the Sea
  17. Power Flute

Tracks:

  1. Wind Drums
  2. Unity
  3. River Dancer
  4. Tabla Rocka
  5. Mirage
  6. Tribal Waltz
  7. Amazing Grace
  8. We're the Dancers
  9. Om Tara
  10. Sarasvati
  11. La Llorona
  12. Mother of Light
  13. Your Light Comes Through
  14. I Am
  15. Metaphysical Blues

Album Description

This 2-CD set contains over two and a half hours of beautiful original American music with Middle Eastern influences. It is a fabulous tool for dance teachers and students alike who can refer to the CD back for a quick reference to the length and rhythm of each song. Desert Wind is famous for world beat music with jazz, classical, and progressive rock influences. This CD set was made in response to dancer requests, and the rhythms include chiftitelli, ayoub (zaar), maqsoum, bolero, slow, medium and fast beladis, funky ayoub, masmoudi, maqsoum, khaleegy, slow and fast karsilama, saidi-swing, libi-rock, celtic jig, saidi-rock, India slow 7/4, tribal waltz, etho-rock, Mid-East funk, and Latin 6/8.

With an amazing blend of instruments and rhythms, this music is both uplifting and relaxing! Whether for dance or listening, Desert Wind's "World Dance" is work of art. This album includes a special guest appearance by violinist Doug Adams from Light Rain. It features awesome drum solos, passionate world rhythms, enchanting melodies and exquisite flute work. CD one is exclusively instrumental in response to dancers' requests, and there are songs with moving lyrics on CD 2. This CD set is not for dancers looking exclusively for the pure Egyptian genre. Yet hundreds of modern dance and belly dance professionals have acclaimed the World Dance (2 CD Set) as a "highly recommended" and "must have" addition for any music collection.

Customer Reviews:

2 out of 5 stars New Age Fusion at best.......2006-05-26

I purchased this based on other reviews and I must say that I almost wish I didn't.

I have to agree with the other reviewer, NOT very dancable. Maybe a veil piece here or there and a drum solo for a beginner dance class, but not for the intermediate or advanced dancer.

It is new agey music with ME drum rhythms forced together.

Maybe useful as background music at a hafla (party) when everyone is eating but not for when they want to dance.

Just not for me.

5 out of 5 stars Awesome World Dance CDs from Desert Wind.......2006-04-26

What an amazing find! Here is almost 2 1/2 hours of incredible Desert Wind music, recorded in the unique and passionate style for which Desert Wind is known. The back album cover has the names of many various and popular rhythms used by belly dancers. The thirty-two (32) songs are dance length, and there are drum solos to mix and match for complete routines ranging from fast 2/4 intros to drum breaks to slow and beautiful veil work. Musical styles range from rock to classical to jazz with the distinctive spice of Middle Eastern and Mediterranen scales, and of course ~the rhythms! Rami Ziadeh's hand drumming represents the best of Mid-East rhythm work, and Alan's uncanny ability to blend the traditions of East and West is a refreshing move in today's unsettled world. Lindy Gomez did a fabulous job with Alan's rendition of the Spanish traditional song called La Llorona, and Andalin's flute playing over the Middle Eastern rhythms on Wind Drums is exhilarating. The moods range from upbeat and exciting to mystical, even haunting and magical. If you don't love it ALL, as I do, then I believe you will find within this work at least some songs that call your name.

5 out of 5 stars Exercise to the Music of Desert Wind.......2006-03-25

Speaking strictly as a non-dancer but ardent fan of belly dance, I found the music on World Dance to be light, easy to listen to, and quite exotic -- a blending of the old world with the new. I am currently producing a fitness DVD for belly dancers, and I have selected several of the cuts on World Dance (Disk I) to accompany the stretching, breakdown, and workout segments of the program. We conclude with a rousing cabaret performance to "Temple Dancer." The music and movements fit like a hand in a glove. Desert Wind is a group of truly gifted musicians. If you really enjoy listening to Middle Eastern-style music, this is one CD set that you absolutely need to hear!

1 out of 5 stars Desert Wind's World Dance.......2006-01-30

Not the best for dancability. The rhythm and the melodies don't seem to go together. I would not recommend it.

5 out of 5 stars Moving - In More Ways Than One!.......2005-12-14

I received this about a month ago and haven't stopped playing it or dancing to it. I wanted this CD for belly dance, but it's so much more than that. In fact, if you're just building your music library as I am for belly dance, this may not be the best choice as one of your early selections if you want to shimmy to bounce all the coins off the belt - but it's still a must-have. Desert Wind's music is very flowing and enables the dancer's moves to merge with the music. This isn't just another new age CD - this band has their own unique sound. I honestly believe that if someone played one of their songs that I haven't heard before, I could identify them.

The rhythms are somewhat slow - not a lot of 'shimmy 'til your butt falls off' drumming here although there are some great medium/fast beats and an out of this world drum solo! The beats are strong and very easy to dance to. It is perfect for warm-ups and for taxim and slow moves with the veil or sword. I really love this music for spiritually focused dance or moving meditation. Best of all, it's suitable for just listening. It's both relaxing and uplifting at the same time.

The music on this CD moves the soul as well as the body. It is deep, beautiful and glorious - especially CD #2, which actually has a Middle Eastern rendition of Amazing Grace! If you're into or open to the Goddess, songs such as "Om Tara," "Sarasvati," "Mother of Light" and "Your Light Comes Through" are all incredible for devotion or for just feeling immersed in spirit. "I Am" is also very nice and the dramatic haunting beauty of "La Llarona" can not be put into words. It can bring one to tears, especially if you are familiar with the legend.

Desert Wind ends the collection with the hilarious, bluesy "Metaphysical Blues." There are over two hours of music for the price of one CD here. Highly recommended for moving body, mind and soul!
Kali Ma: Dances of Transformation
Average customer rating: Not rated
    Kali Ma: Dances of Transformation

    Manufacturer: Desert Wind Records/Goldenrod
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | New Age | Styles | Music
    Similar Items:
    1. World Dance
    2. Return to the Goddess

    ASIN: B000A2H93E
    Release Date: 2002-01-01
    Holidays & Epiphanies
    Average customer rating: 5 out of 5 stars
    • Ron Nelson - My Favorite Composer
    • Incredible!! The Best Ron Nelson Collection Around!!
    • Band Music to Treasure
    • HIFI sound and more
    • A Sonic Blockbuster!
    Holidays & Epiphanies
    Ron Nelson , and Jerry Junkin
    Manufacturer: Reference Recordings
    ProductGroup: Music
    Binding: Audio CD

    SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Symphonies | Classical | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
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    CompilationsCompilations | Classical | Styles | Music
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    1. Bells for Stokowski
    2. Trittico
    3. Arnold For Band
    4. Pomp & Pipes
    5. Copland: Fanfare; Symphony No3

    ASIN: B0000015AC
    Release Date: 1996-10-22

    Tracks:

    1. Rocky Point Holiday
    2. Sonoran Desert Holiday
    3. Passacaglia
    4. Courtly Airs And Dances: Intrada
    5. Courtly Airs And Dances: Basse Dance
    6. Courtly Airs And Dances: Pavane
    7. Courtly Airs And Dances: Saltarello
    8. Courtly Airs And Dances: Sarabande
    9. Allemande
    10. Lauds (Praise High Day)
    11. Aspen Jubilee
    12. Chaconne (In Memoriam...)
    13. Epiphanies (Fanfares and Chorales)

    Customer Reviews:

    5 out of 5 stars Ron Nelson - My Favorite Composer.......2004-08-06

    Having worked with Mr. Nelson personally, I find him and his music to be an inspiration to classical music composition of the 21st century. Nelson takes full advantage of the dynamic and aesthetic potential a wind symphony has to offer: from the light and fun "Rocky Point Holiday" to the dark and powerful "Epiphanies". This recording is a must-have for anyone having any taste in classical music.

    5 out of 5 stars Incredible!! The Best Ron Nelson Collection Around!!.......2003-11-14

    This is yet another example of one of the best band sounds on any audio recording. The Dallas Wind Symphony under the baton of Jerry Junkin and Ron Nelson himself produces an interpretation of some of Ron Nelson's masterwoks that is so spectacular that I challenge anyone to find a better one. I give this recording all of the praise that a collection of recordings of this caliber deserves. Well done Dallas Wind Symphony!This CD contains many examples of what a truly talented wind ensemble can do. This disc is a must-have item for any student of music or just someone who enjoys wind band music. Band Music just doesn't get much (if any) better than this. Once again: Well done Dallas Wind Symphony!!

    5 out of 5 stars Band Music to Treasure.......2001-05-01

    I love a good disc of band music. There are some real standards here--the Rocky Point Holiday and the Sonoran Desert Holiday especially. This disc features the Dallas Wind Symphony--a group that usually puts out a good CD. The notes are especially informative--a nice treat for band historians and enthusiasts. The Courtly Airs and Dances is a nice find--I found myself paritcularly engaged by the Saltarello and the Sarabande; as is the Passacaglia and the Chaconne. Another wonderful recording by Reference!

    5 out of 5 stars HIFI sound and more.......2000-04-20

    An EXCELLENT quality recording, especially the low organ pedal tones on the last track (16-32hz). The last 10 seconds of the CD has a continuous 16hz pedal C!

    5 out of 5 stars A Sonic Blockbuster!.......1999-02-04

    Reference Recordings has scored again with this delightful, challenging, life enhancing music by Ron Nelson. Bravo!
    Gaia, Earth Goddess
    Average customer rating: Not rated
      Gaia, Earth Goddess

      Manufacturer: Desert Wind Records/Goldenrod
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | New Age | Styles | Music
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      1. World Dance

      ASIN: B000CAFQPC
      Release Date: 2002-01-01
      Forever in Love
      Average customer rating: 4.5 out of 5 stars
      • Pleased
      • A wedding minister's review
      Forever in Love

      Manufacturer: Compendia
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000000BM6
      Release Date: 1997-04-22

      Tracks:

      1. Prelude: Air For The 'G' String - Royal Philharmonic Orchestra
      2. Prelude: Jesu, Joy Of Man's Desiring - St. Louis Brass Quintet
      3. Prelude: On Wings Of Song - Nancy Enslin
      4. Prelude: Bach's Arloso - St. Louis Brass Quintett
      5. Prelude: Bach's Prelude In C Major - Christiane Jaccottet
      6. Prelude: Large From 'Xerxes' - London Festival Orchestra
      7. Seating Of The Mothers: Schubert's Ave Maria - Nancy Enslin
      8. Seating Of The Mothers: Bach/Gounod's Ave Maria - Nancy Enslin
      9. Seating Of The Mothers: Sheep May Safely Graze - Philip Brunelle
      10. Processional: Bridal March From 'Lohengrin' (A. K. A. 'Here Comes The Bride') - Lubljana Radio Symphony Orchestra And Chorus
      11. Processional: Pachelbel's Canon In D Major - Collegium Aureum
      12. Processional: Trumpet Voluntary - Lyn Larsen
      13. Processional: Trumpet Tune In C Major - Carlo Curfey
      14. Lighting Of the Unity Candle: O Perfect Love - Nancy Enslin
      15. Prayer (After The Exchange Of Vows And Rings): The Lord's Prayer - Karyn List/Nancy Enslin
      16. Recessional: Wedding March From 'A Midsummer Night's Dream' - London Festival Orchestra
      17. Recesionnal: Finale ('Ode To Joy') From Beethoven's Symphony No.9, 'Choral' - Nancy Enslin
      18. Recessional: Le Rondeau ('Masterpiece Theatre' Theme) - Collegium Aureum
      19. Recessional: Alla Hornpipe From 'Water Music' Suite - London Festival Orchestra

      Tracks:

      1. Prelude: When I Fall In Love (Sleepless in Seattle) - Spectrum
      2. Prelude: (Everything I Do) I Do It For You - Spectrum
      3. Prelude: Unchained Melody 'Ghost' - Van Craven
      4. Prelude: Endless Love - FLORIDA SYMPHONIC POPS
      5. Prelude: The Wind Beneath My Wings (A. K. A. Hero) From 'Beaches' - Van Craven
      6. Prelude: Through The Eyes Of Love From 'Ice Castles' - Karyn List/Nancy Enslin
      7. Seating Of The Mothers: Forever In Love - Spectrum
      8. Seating Of The Mothers: Save The Best For Last - Spectrum
      9. Processional: A Time For Us From 'Romeo And Juliet' - Nancy Enslin
      10. Processional: Vangeli's Hymne - Nancy Enslin
      11. Lighting Of The Unity Candle: I Love You Always Forever - Spectrum
      12. Lighting Of The Unity Candle: One Hand, One Heart From 'West Side Story' - FLORIDA SYMPHONIC POPS
      13. Lighting Of The Unity Candle: The Wedding Song (A. K. A. There Is Love) - FLORIDA SYMPHONIC POPS
      14. Lighting Of The Unity Candle: All I Ask of You From 'The Phantom Of The Opera' - Van Craven
      15. Lighting Of The Unity Candle: Whither Thou Goest - Karyn List/Nancy Enslin

      Customer Reviews:

      4 out of 5 stars Pleased.......2006-07-31

      I was very pleased with this product, my sister recently got married and I was responsible for the music.... I am happy that I made this selection, everyone was happy with the music chosen for the ceremony, I would recommend it to any one looking for wedding music

      5 out of 5 stars A wedding minister's review.......2000-01-16

      I just love this album. I am a wedding minister and many couples ask me about music for their ceremony. I am happy to recommend they buy this album for a wonderful selection of wedding music both traditional and contemporary performed by orchestras, keyboardists, harpists and others including a lovely soprano. One disc is traditional wedding selections and the other is contemporary. The selections are arranged in the order of a ceremony with choices for each part of the ceremony. The CD would be appropriate to use in a wedding if live music is not planned. I plan to add a link to this site from my website just so couples can check this album out for themselves.

      Music:

      1. Killer
      2. La Califfa
      3. Pure Chilled Moods
      4. Bad / Dangerous
      5. Black Music Explosion [UK-Import]
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