Music
- Ja, der Wein, Den Ich Mein
- Hermann Leopoldi in Amerika
- Doppelkonferencen
- Schallplattl Vor'M Mund - Höhepunkte aus Drei Legendären Kabaretprogrammen
- Moritäten Oder das Morden Hört Nimmer auf
- Die Schule der Gatten
- Armin Berg in Seinen Originalaufnahmen
- Fritz Muliar Liest Polgar, Friedell und Roda Roda
- Erinnerungen An Hermann Leopoldi
- Au Weia
- Blutende Herzen
- Out of Niederndodeleben
- Aschebeschõr (1997)
- Classic Comedy
- Ursli Pfister - a Pure Joy
- March for Glory
- Erich Müsam: Ich Lade Euch Zum Requiem
- Ich Hab Noch Einen Kiffer in Berlin
- Singt Graßhoffs Bellman
- Jandls Dilemma
- Staffabruck
- Alles Albert (Einstein Wie Ihn Keiner Kennt)
- Cocktails for Two
- Finish
- Wou Issn Is Hirn?
Average customer rating:
- A Major Document of an Incredible Oeuvre...
|
Schubert: Lieder
Manufacturer: Deutsche Grammophon
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Similar Items:
- Schubert: The Piano Sonatas
- Beethoven: Piano Sonatas
- The Schubert Song Companion
- Schubert: Schwanengesang; 4 Lieder
- Schubert: The String Quartets
ASIN: B000AYQCIK
Release Date: 2005-12-13 |
Customer Reviews:
A Major Document of an Incredible Oeuvre..........2007-03-12
.
Of over 600 songs, Fischer-Dieskau and Gerald Moore realized over three-quarters: these are those. Gerald Moore was of course as important to this project as Fischer-Dieskau.
DGG's sound is excellent.
This set is a remarkable document of art.
.
Average customer rating:
- A justly famous first-generation "Der Rosenkavalier".
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R. Strauss: Der Rosenkavalier (abridged)
Manufacturer: Naxos
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- Puccini: Madama Butterfly
- Massenet: Werther
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- Bach: Sonatas for Unaccompanied Violin
ASIN: B00006I05G
Release Date: 2002-10-22 |
Customer Reviews:
A justly famous first-generation "Der Rosenkavalier"........2003-01-20
As one who heard two of the principals in this famous old recording (Schumann and Olszewska at the end of their careers), I ought perhaps to lead off a discussion and review of this latest of its reissues.
By 1933 it was becoming clear that this most delectable and brilliantly scripted opera was likely to retain a permanent place in the international repertory. EMI's leading producer, Fred Gaisberg, had attended performances in London and Vienna given by a notable cast of singers usually conducted by Bruno Walter, and he commenced planning for a Vienna recording. As with most opera recording projects, however, there needed to be compromises. Firstly, the opera was too lengthy to record and issue on 78s. Secondly, the idea of having Strauss himself conduct it had to be abandoned because he demanded too high a fee. Lehmann's recording contracts allowed her to be included, but neither Bruno Walter as conductor nor Delia Reinhardt as the preferred Octavian could be engaged. Ultimately the project went ahead and an abridged version of the opera, reduced to about half its total duration, was recorded and released on thirteen 78s.
In 1951, on BBC radio, I heard Elisabeth Schumann play the recording of the final duet in this opera. She introduced it as follows: "I must let you into a little secret concerning this record. When we were making these records in Vienna Lotte Lehmann forgot two notes she had to sing. You may recall that just before the final duet Sophie's father remarks to the Marschallin how amazing young people are and the Marschallin replies, 'Ja, ja'. With the trio over, Lotte Lehmann thought her part in the recording was over and retired to her country house near Vienna. There were too many complications involved in getting Miss Lehmann back and so I sang the two words 'Ja, ja'. You must admit I did it very well." Subsequent research has revealed that the final duet was in fact the first item of the project to be recorded, on the first morning of the schedule, and that Lotte Lehmann had not yet arrived. Nevertheless Schumann did substitute for her great friend and colleague and the "take" was approved immediately.
Seventy years later, this splendid Mark Obert-Thorn reissue allows this recording to be heard with greater ease and clarity than ever before. Even so, listeners must bear in mind that recording techniques of the 1930s were barely adequate for capturing the richness of the orchestral score or the intricate vocal textures of the many trios and duets. Singing styles, moreover, differ from today's: both Richard Mayr and Elisabeth Schumann lay the portamento on very thickly. It is, nevertheless, a justly famous cast and one that became closely associated with the opera almost (but not quite) from the time of its 1911 premiere.
Lehmann's Marschallin meets all the requirements of the part. Womanly, wise, accepting of disappointment and generous in her nobility, this Marschallin commands attention throughout. Having exactly the kind of silvery voice and enchanting personality that match the role of Sophie, Elisabeth Schumann makes Sophie a more dominant character than is often the case. How well she depicts girlishness after acknowledging the presentation of the silver rose ("I am looking forward to being married? Are you looking forward too?", and how well she ticks off Baron Ochs in the final act ( "I've done and finished with you")! Happily, almost all Sophie's music was retained in this abridged recording. Maria Olszewska's Octavian is perhaps more impressive for purely vocal richness than for character insights. Richard Mayr, Viennese born and bred, created the part of Baron Ochs at the opera's Vienna premiere in 1911 and remained its most celebrated exponent until the time of his death not long after this recording was made. Much of his part of the opera is omitted in this recording but enough remains to show his fluency in the Viennese accent and some highly musical clowning.
Both Lehmann and Mayr are represented in individual extracts from this opera, which Naxos provide as an appendix to this recording.
Average customer rating:
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Great Voices of the Early Years (Box Set)
Manufacturer: Deutsche Grammophon
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ASIN: B00000DI2N
Release Date: 1998-11-10 |
Tracks:
- Rigoletto: 'Pari siamo!
- Rigoletto: 'Cortigiani, vil razza dannata'
- Otello: 'Niun mi tema'
- Pagliacci: 'Recitar!...Vesti la giubba'
- Cavalleria Rusticana: Siziliana 'O Lola ch'hai di latti la cammisa'
- Mattinata
- Otello: 'Tu?! Indietro! fuggi!'
- La Boheme: 'Quando men vo soletta per la vie'
- Rigoletto: 'Caro nome'
- La Fille Du Regiment: Tirolienne: 'Qu'est-ce que c'est que j'entends?'
- Rigoletto: 'La donna e mobile'
- TOSCA: 'Recondita armonia'
- La forza del destino: 'Oh, tu che in seno agli angeli'
- Aida: 'I sacri nomi di padre'
- TOSCA: 'E lucevan le stelle'
- L'Elisir d'Amore: 'Una furtiva lagrima'
- Il Barbiere di Siviglia: 'Una voce poco fa'
- Il Barbiere di Siviglia: 'La calunnia e un venticello'
- TOSCA: 'Vissi d'arte'
- Madame Butterfly: 'Un bel di vedremo'
- Turandot: 'Nessun dorma'
Tracks:
- Parsifal: 'Ich sah das Kind an seiner Mutter Brust
- Lohengrin: In fernem Land
- Die Meistersinger von Nurnberg: Morgenlich leutchtend im rosigen Schein
- Parsifal: Des Weihgefasses gottlicher Gehalt
- Das Rheingold: Weiche, Wotan, weiche!
- Rienzi's Prayer: Allmacht'ger Vater, blick herab
- Die Meistersinger von Nurnberg: Was duftet doch der Flieder
- Die Meistersinger von Nurnberg: Wahn, Wahn, uberall Wahn
- Der fliegende Hollander: The Dutchman's monologue
- Die Walkure: Ein Schwert verhiess mir der Vater
Tracks:
- Undine: Nun ist's vollbracht!
- The Merry Wives of Windsor
- The Magic Flute
- The Magic Flute: Ein Madchen oder Weibchen
- The Magic Flute: In diesen heil'gen Hallen
- The Magic Flute: O Isis und Osiris
- The Abduction From The Seraglio: Konstanze, dich wiederzusehen
- Gasparone: O wenn ich doch ein Rauber war
- Maria, mari: Schon strahlt die Nacht im Silberschein
- Martha: Letzte Rose
- Martha: Ach so fromm
- Liebe bei Hof: Man nehme zwei Herzen
- Chianti Song: Chianti-Lied
- Eine Nacht In Venedig: The Gondolier's Song
- The Land Of Smiles: Dein ist mein ganzes Herz
- Der Rosenkavalier: Hab' mir's gelobt - Ist ein Traum, kann nicht wirklich sein
- Der Freischutz: Einst traumte meiner sel'gen Base ... Trube
- Die Lustigen Weiber von Windsor: Als Bublein Klein an der Mutterbrust
- Ariadne auf Naxos: An Ihre Platze, meine Damen und Herrn!
Tracks:
- Feldeinsamkeit Op. 86 no. 2
- Epiphanias
- Fruhlingsfahrt Op. 45 - No. 2
- Auftrage Op. 77 No. 5
- Adelaide Op. 46
- An die Hoffnung Op. 32
- An Schwager Kronos D 369
- Erlkonig D 328
- Auf Flugeln des Gesanges Op. 34 No. 2
- Eifersucht und Stolz from Die schone Mullerin D 795
- Die drei Zigeuner, Searle 320
- Meeresleuchten Op. 145 No. 1
- Verborgenheit
- Wiegenlied Op. 49 No. 4
- Traum durch die Dammerung Op. 29 No. 1
- Allerseelen Op. 10 No. 8
- An die Musik D 547
- Der Musensohn D 764
- Am Grabe Anselmos D 504
- Traume from Wesendonck - Lieder
- Des Kindes Gebet from Schlichte Weisen Op. 76 No. 22
- Herzenstausch from Schlichte Weisen Op. 76 No. 5
Tracks:
- Winterreise D 911: Gute Nacht
- Winterreise D 911: Die Wetterfahne
- Winterreise D 911: Gefrorne Tranen
- Winterreise D 911: Erstarrung
- Winterreise D 911: Der Lindenbaum
- Winterreise D 911: Wasserflut
- Winterreise D 911: Auf dem Flusse
- Winterreise D 911: Ruckblick
- Winterreise D 911: Irrlicht
- Winterreise D 911: Rast
- Winterreise D 911: Fruhlingstraum
- Winterreise D 911: Einsamkeit
- Winterreise D 911: Die Post
- Winterreise D 911: Der greise Kopf
- Winterreise D 911: Die Krahe
- Winterreise D 911: Letzte Hoffnung
- Winterreise D 911: Im Dorfe
- Winterreise D 911: Der sturmische Morgen
- Winterreise D 911: Tauschung
- Winterreise D 911: Der Wegweiser
- Winterreise D 911: Das Wirtshaus
- Winterreise D 911: Mut!
- Winterreise D 911: Die Nebensonnen
- Winterreise D 911: Der Leiermann
Amazon.com
Deutsche Grammophon is lucky in that World War II didn't slow classical recordings in Germany as it did in the United States but stimulated them: It was essential for wartime morale. Thus, if you can get past any repugnance related to these recordings' genesis, there's a huge amount to enjoy. There's a disc of lieder by all the prewar greats (Franz Volker, Tiana Lemnitz, Erna Berger, and Heinrich Schlusnus), a disc of Wagner featuring young Hans Hotter, opera and operetta performances by Berger and Helge Roswaenge, and a disc showing how the German singers gave Italian opera a distinctively Nordic but highly communicative edge. The set is crowned by a complete Winterreise that was recorded by Peter Anders in 1945 (and sounds it): the cultivated tenor's anguished performance embodies a Germany facing the abyss. --David Patrick Stearns
Average customer rating:
- The inimitable Tauber sings lieder
|
A Programme of Lieder
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
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ASIN: B00007DWLQ
Release Date: 2003-01-21 |
Customer Reviews:
The inimitable Tauber sings lieder.......2003-02-13
In Volume 1 of this series, Tauber sang from Viennese operetta primarily, the repertoire for which he was best known. In this issue he sings standard lieder recital fare, an area where he was just as talented. But his career as a purveyor of Viennese charm often co-opted his ability to sing 'serious' music, much as being an 'Irish tenor' took over the career of John McCormack. Here, though, he makes up for that, and in wonderful style. Just listen to Schumann's 'Im wunderschönen Monat Mai' or 'Ich grolle nicht' and you'll see what I mean. Or 'Träume' from Wagner's Wesendonck Lieder. I almost forget to breathe when he sings Richard Strauss's 'Morgen.' The only small quibble I'd have is that Tauber's strong Viennese accent sometimes intrudes in literature we generally hear with more standard hochdeutsch pronunciation.
These performances were originally published on the German Odeon label and had a great deal of surface noise. Wizard recording producer Ward Marston has cleaned up and burnished their sound inobtrusively. The performances themselves are, of course, self-recommending, and particularly at this bargain price.
Average customer rating:
- Wonderful addition to the early Romantic Opera CDs
- Louis Spohrs great romantical Opera
|
Louis Spohr: Faust (1852 Version)
Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001RXN
Release Date: 1994-03-22 |
Tracks:
- Overture
- Nr. 1 Introduktion und Duett: Act One: In Sinnenlust so sinnlos leben (Faust, Mephistopheles)
- Nr. 1 Introduktion und Duett: Act One: Ha! Du wahntest, armer Tor (Faust, Mephistopheles)
- Nr. 2 Rezitativ: Act One: Wohlan, hinweg aus diesem Sinnentaumel! (Faust, Mephistopheles)
- Nr. 3 Rezitativ und Arie: Act One: Der Holle selbst will ich Segen entringen (Faust)
- Nr. 3 Rezitativ und Arie: Act One: Liebe ist die zarte Blute (Faust)
- Nr. 4 Trinklied und Rezitativ: Act One: Der Wein erfreut des Menschen Herz (Fausts Freunde)
- Nr. 4 Trinklied und Rezitativ: Act One: Der Wein soll leben (Faust Freunde)
- Nr. 5 Rezitativ und Duett: Act One: O weine nicht, du holdes Maschen (Faust, Roschen)
- Nr. 5 Rezitativ und Duett: Act One: Folg dem Freunde mit Vertrauen (Faust, Roschen)
- Nr. 6 Rezitativ und Ensemble: Act One: Schnell rettet Euch! (Faust, Mephisto, Roschen, Fausts Freunde)
- Nr. 6 Rezitativ und Ensemble: Act One: Fort! Die Holle trennt auf ewig uns! (Faust, Mephisto, Roschen, Fausts Freunde)
- Nr. 7 Szene und Arie: Act One: Die stille Nacht entweicht (Kunigunde)
- Nr. 7 Szene und Arie: Act One: Ja ich fuhl es, treue Liebe (Kunigunde)
- Nr. 8 Rezitativ: Act One: So heiter, schone Grafin? (Gulf, Kunigunde)
- Nr. 9 Rezitativ und Arie: Act One: Hier meine Freunde (Gulf mit Chor)
- Nr. 9 Rezitativ und Arie: Act One: Ja, hoffe Kunigunde (Gulf mit Chor)
- Nr. 10 Terzett: Act One: lch kann nicht ruhn (Roschen, Franz, Mephistopheles)
- Nr. 11 Rezitativ und Finale: Act One: Hier ist das Schloss, wir sind am Ziel (Tutti)
- Nr. 11 Rezitativ und Finale: Act One: Nun wohlan! lch halte Wort (Tutti)
Tracks:
- Nr. 12 Introduktion: Blocksbergszene
- 'Brenne, Laterne, nahe und ferne'
- Nr. 13 Chor, Rezitativ und Kavatine: 'Sende, Himmel, Segensfulle'
- Nr. 13 Chor, Rezitativ und Kavatine: 'Durft' ich mich nennen sein eigen'
- Nr. 14 Rezitativ: 'Komm Roschen, lass uns fliehen!'
- Nr. 15 Rezitativ und Arie: 'Was fuhl ich!' 'O ich Tor! lch kann hier fragen?'
- Nr. 16 Rezitativ und Arie: 'lch bin allein'
- Nr. 16 Rezitativ und Arie: 'Wie dich nennen, seltsam neues Sehnen'
- Nr. 17 Finale: 'Lang mogen die Teueren leben'
- Nr. 17 Finale: 'lch freue mich des Anteils'
- Nr. 17 Finale: 'Nein, nein, nein'
- Nr. 18 Introduktion, Rezitativ und Arie: 'Wie bin ich dieser Menschenmaske satt'
- Nr. 18 Introduktion, Rezitativ und Arie: 'Still noch einmal dein Verlangen'
- Nr. 18 Introduktion, Rezitativ und Arie: 'In nachtlicher Stille'
- Nr. 19 Rezitativ: 'lch bin erschopft, ich kann nicht weiter'
- Nr. 20 Finale: Welch ein Wahn hat mich verblendet'
- Nr. 20 Finale: 'Sprecht! Wo find ich den Geliebten?'
- Nr. 20 Finale: 'Er naht, bald ist erreicht mein Ziel!'
- Nr. 20 Finale: 'Verlassen, allein, weh mir!'
Customer Reviews:
Wonderful addition to the early Romantic Opera CDs.......2007-06-14
If you enjoy the music of the early Romantics, this two CD set is a wonderful buy. A hundred years ago in this country, vocal recitals flourished. The programs of singers often included arias from the operas of Weber, Spohr, and Beethoven's "Fidelio." These recitals are much less common now and today most opera companies struggle for funds and cannot "afford to take a chance" on rare gems; the standard fare for a four or five opera season being "Boheme," "Traviata," and "Barber," etc. But fortunately the age of the CD has brought many wonderful recordings of almost all of Weber's operas and even those of more obscure composers such as Marschner. Hopefully this recording of "Faust" will be followed by other Spohr operas. Amazon has wonderful recordings of the complete violin concertos and the symphonies and a good deal of Spohr's chamber music. Little outside of the "Violin Concerto #8" is ever heard in public, but you will enjoy this recording. The Overture would be a welcome opening for any symphony concert. There are beautiful arias and duets throughout that rival the melodies of Gounod's opera of the same title. Especially beautiful are the arias for Kunigunde "Ja ich fuhl es, treue Liebes" in Act 1 and Act Two's Recitative and Aria "Wie dich nennen," with a beautiful clarinet obligato not unlike Mozart's in "La Clemenza de Tito." Gorgeous music that only owners of this recording will enjoy.
Louis Spohrs great romantical Opera.......2001-01-09
This recording of Spohr's Faust is performed by very good singers (of the small Opera in Bielefeld/Germany). Diane Jennings is perfect in the role of Kunigunde and she lives the comlete character by her voice. The main character is sungen by Michael Vier, a warm and soft barritone. Bat the best performer is Eelco von Jordis, Mephisto himself... It is great to listen to Mephisto's words, which will Faust last kill. In this recording you are feeling the emotions of the acteurs, you become part of the opera. The "Rezitativ-Fassung" von 1852 shows, that Louis Spor (Amazom named him Ludwig) is much more than a simple violin-teacher. The Overture e.g. is a complex work.
Average customer rating:
- The best live Parsifal from Bayreuth
- Superb Parsifal
- An Apostate redeemed
- A good recording...GREAT performance!
- A MUST for Vickers fans
|
Wagner: Parsifal
Manufacturer: Melodram
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Binding: Audio CD
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- Wagner: Die Walküre
ASIN: B000001ZOP
Release Date: 1997-07-01 |
Tracks:
- Parsifal: Erster Aufzug - Vorspiel
- Parsifal: He! Ho! Waldhuter ihr! (Gurnemanz, Ritter)
- Parsifal: Seht dort die wilde Reiterin! (Knappen, Ritter, Kundrry, Gurnemanz, Amfortas)
- Parsifal: Recht so! - Habt dank! (Amfortas, Ritter, Gurnemanz, Kundry)
- Parsifal: He! Du da! (Knappen, Kundry, Gurnemanz)
- Parsifal: Ja, wann oft lange sie uns ferne blieb (Gurnemanz, Kundry, Knappen)
- Parsifal: O, wunden - wundervoller heiliger Speer! (Gurnemanz, Knappen)
- Parsifal: Titurel, der fromme Held (Gurnemanz)
- Parsifal: Vor allem nun: der Speer... (Knappen, Gurnemanz, ritter)
- Parsifal: Gewiss! Im Fluge treff ich, was fliegt! (Parsifal, Gurnemanz, Knappen, Ritter)
- Parsifal: Ich hab eine Mutter (Parsifal, Gurnemanz, Knappen, Ritter)
Tracks:
- Parsifal: Vom Bade kehrt der Konig heim (Gurnemanz, Parsifal)
- Parsifal: Mein Sohn Amfortas (Titurel, Amfortas)
- Parsifal: Enthullet den Gral! (Titurel, Amfortas)
- Parsifal: Durch Mitleid wissend (Titurel)
- Parsifal: Wein un Brot des letzten Mahles ...
- Parsifal: Was stehst du noch da? (Gurnemanz, Parsifal)
- Parsifal: Zweiter Aufzug - Vorspiel
- Parsifal: Zweiter Aufzug - Die Zeit ist da (Klingsor)
- Parsifal: Zweiter Aufzug - Herauf! Herauf! Zu mir! (Klingsor, Kundry)
- Parsifal: Zweiter Aufzug - Furchtbare Not! (Klingsor)
- Parsifal: Zweiter Aufzug - Haha! Gefiel er dir wohl (Klingsor, Kundry)
- Parsifal: Seine Wunde tragt jeder nach heim! (Klingsor)
- Parsifal: Hier! Hier war das Tosen! (Madchen)
- Parsifal: Ihr schonen Kinder (Parsifal, Madchen)
- Parsifal: Wie duftet Ihr hold! (Parsifal, Madchen)
- Parsifal: Parsifal! - Weile! (Kundry, Parsifal, Madchen)
- Parsifal: Dies alles hab ich nun getraumt? (Parsifal, Kundry)
Tracks:
- Parsifal: Ich sah das Kind an seiner Mutter Brust (Kundry, Parsifal)
- Parsifal: Wehe! Wehe! Was tat ich? (Parsifal, Kundry)
- Parsifal: Amfortas! - Die Wunde! (Parsifal)
- Parsifal: Gelobter Held! (Kundry, Parsifal)
- Parsifal: Nun such ich ihn von Welt zu Welt (Kundry)
- Parsifal: Auf Ewigkeit warst du verdammt (Parsifal, Kundry)
- Parsifal: Vergeh, unseliges Weib! (Parsifal, Kundry, Klingsor)
- Parsifal: Dritter Aufzug - Vorspiel
- Parsifal: Dritter Aufzug - Von dorther kam das Stohnen (Gurnemanz)
- Parsifal: Dritter Aufzug - Dienen ... Dienen! (Kundry, Gurnemanz)
- Parsifal: Dritter Aufzug - Heil dir, mein Gast! (Gurnemanz)
- Parsifal: Dritter Aufzug - Heil mir, dass ich dich wieder finde! (Parsifal)
Tracks:
- Parsifal: Zu ihm, des tiefe Klangen ich auserlesen wahnen darf (Parsifal, Gurnemanz)
- Parsifal: O Gnade! Hochstest Heil! O Wunder! (Gurnemanz)
- Parsifal: Und ich - ich bin's (Parsifal, Gurnemanz)
- Parsifal: Du wuschest mir die fusse (Parsifal)
- Parsifal: Wie dunkt mich doch die Aue heut so schon! (Parsifal, Gurnemanz)
- Parsifal: Ich sah sie welken (Parsifal, Gurnemanz)
- Parsifal: Geleiten wir im bergenden Schrein (Amfortas)
- Parsifal: Ja! Wheh! Wheh! (Amfortas)
- Parsifal: Mein Vater! Hochgesegneter der Helden! (Amfortas)
- Parsifal: Nur eine Waffe taugt (Parsifal)
Amazon.com essential recording
Compared to Knappertsbusch's stodgy, lethargic Bayreuth Parsifals from the 50s, this 1964 performance, Knappertsbusch's last, is quite different. Textures have lightened, tempos are faster, and Wagner's long arcs soar instead of sag. These qualities characterize Knappertsbusch's "official" 1962 Philips Parsifal, but 1964 has a better cast. Hotter relishes Gurnemanz's long, inward monologues, while, by contrast, Vickers projects the title role with wound-up intensity. Thomas Stewart's Amfortas bears his tortured burden with more dignity than usual, and the unsung (no pun intended) Barbro Ericson is as complete, complex, and affecting a Kundry as one can get. If you've been hankering for a Knappertsbusch parsifal, this is the one. Fine mono broadcast sound, but no texts. --Jed Distler
Customer Reviews:
The best live Parsifal from Bayreuth.......2005-10-02
The Amazon reviewer has made every crucial point about this live 1964 recording, including his less than starry-eyed view of the lackluster Knappertsbusch. I had long ignored Parsifal becasue of its seemingly endless drone, until Karajan brought out the incredible contrasts, orchestral colors, and surging pulse that Kna missed in every single performance we have of his--at least this 1964 version, although still quite slack at times, is faster than his usual.
As everyone else has commented, Vickers is an incomparable Parsifal. The role is fiendishly difficult and in some ways unrewarding, given how much standing around the tenor must do while Gurnemanz sings for ten or twenty minutes at a go. Vickers is the only true Heldentenor voice we have in this part, so it's a glorious opportunity to hear someone who isn't a surrogate for that kind of voice, as Windgassen, Jess Thomas, and domingo are (it must be said that on stage Parisfal is one of Domingo's most moving roles).
Superb Parsifal.......2004-09-05
Though from a live performance at Bayreuth in 1964, this is a superb recording of Parsifal. Jon Vickers (in my book, the greatest tenor of the 20th century) is outstanding in the title role and Hans Hotter is equally outstanding as Gurnemanz. The rest of the cast is very good and Knappertsbusch, conducting his last opera performance, does a superb job. The sound is much better than I have heard on many other "live" recordings--clear, even though monaural. The balance between the orchestra and singers is good. There is little or no audience noise--none at the end, whether it was because of audience respect for the performance or a re-recording of this bit, I cannot tell. (Only once have I experienced an entire audience remaining completely silent until the last note has died away--a Gotterdammerung in San Francisco in the 1970s. Perhaps this Bayreuth audience was equally respectful.) The only problem is the lack of a libretto--minor unless one has no other recording of Parsifal. This is an A+ performance, and I am absolutely delighted with it.
An Apostate redeemed.......2003-05-30
For a long time, I had a lot of trouble with this opera-it always seemed long , drawn out. This performance changed the way I viewed Parsifal. This performance is involving, at times thrilling, and never, repeat, never dull. All the performers seem to be on an "on" night, from Knappertsbusch himself, right down to the last grail Knight. Being a live performance only seems to push everyone to do better. Vickers and Knappertsbusch seem to consistently breath as one, and the result is , well, just WOW. Maybe not a newcomers first choice because of the live performance in (outstanding) mono sound, but for the rest of us who are nutbars about Wagner, this is one to seriously consider
A good recording...GREAT performance!.......2000-07-15
This performance, Knappertbusch's last operatic performance, is a real treat! Kna conducts with his usual perfect pacing and grandeur, and the sound is very good...too bad it's in mono as opposed to the marvelous Philips recording two years earlier. Hotter sings well, although his voice is considerably darker and thicker than in '62. Thomas Stewart also sings well, although I couldn't get over the impression that this was a young singer near the beginning of his career. Barbro Ericson seems a bit heavy and unyielding as Kundry. Standing head and shoulders above all and placing himself on equal terms with Kna is Jon Vickers. His Parsifal is simply one of the most earth shattering portrayals of the role on record. His Act 2 transformation, from naïve and "pure fool" to Redeemer of the Holy Grail is amazing. Here, finally, is a Parsifal who suffers, agonizes and emerges in sublime triumph over temptation. His Act 3 narrative, "Zu ihm, des tiefe Klangen" is riveting. The 1962 Philips is the better recording...glorious sound, more consistent performances throughout the entire cast, but Kna and Vickers together are so profound, so authoritative that this recording is a definite "must-have".
A MUST for Vickers fans.......1999-08-21
This is Vickers' night. I don't mean to knock the rest of the cast and yes, it was KNA's last performance at Bayreuth, but Vickers makes this a unique experience. Hotter, Neidlinger, KNA and his troupe of flowermaidens, are as usual--this recording sounds like several others as far as they are concerned. Thomas Stewart's performance was workman-like but unremarkable.
Vickers is, well, Vickers. The master of the gradual climax, gigantic and fully supported in all registers, recognizably free with his vibrato and glissando, a little grainy at times, passionate and introspective. I seem to recall reading somewhere that he objected to the role for religious reasons but I can't confirm this. (If you know anything about it, please write me.) In any case, he sounds as if he'd been thinking carefully about the role for a long time. Also thought-provoking, strong and well-centered in her role was Barbara Erikson.
There's some static in the printing. But I keep coming back to this performance.
Average customer rating:
- Great album except for the Title Track
|
Anton Karas
Manufacturer: Tuxedo
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- The Very Best of Anton Karas
- Third Man & Other Original Recordings
ASIN: B000005MZ6
Release Date: 1996-03-26 |
Tracks:
- Der Dritte Mann - The Third Man
- Hier in diesem Land
- Maderl fein, sag nicht nein
- Die Madis, die Madis
- Da geh ich ins Maxim
- Komm' mit mir ich tanz mit Dir
- Im Leben geht alles hubsch langsam
- Im Salzkammergut
- Was kann der Sigismund dafur...
- Nimm mich mit in Dein Kammerlein
- Legt Dein Handchen fest in meine Hand
- Dein ist mein ganzes Herz
- Tanzen mocht ich
- Tarantella
- Als gebluht der Kirschenbaum
- S'Glucherl: S'Gluckerl
- Kussen ist keine Sund
- Warum hat jeder Fruhling ach nur einen Mai
- Aus der Operette die Blume von Hawai
- Vilja Lied
- Lindenbaum
Customer Reviews:
Great album except for the Title Track.......2000-05-02
The third man theme orchestration on the first track is simply awful (bad enough to be humorous)! The rest of the CD is delightful with just zither with accordian accompanyment. There might be other instruments, but I'm not sure. Karras used a zither that was especially built for him which produced a very full and rather aggressive sound. He also repeatedly plucked the strings in many songs to produce a sustaining tone. I find that style of playing very interesting. "The Third Man" is one of my favorite movies. The opening credit showing Karras' hands playing the zither is, in my opinion, one of the great graphic achievements of that era. Most of the album is made-up of various themes from Strauss and operetta strung together. Each track may contain 3-5 themes. My favorite theme is #2 on track 21. The good original analog recording is nicely transferred to digital with little noise and appropriate dynamic range. Listening to this recording is like taking a quick trip to one of my favorite cities--Vienna!
Average customer rating:
- An encyclopedic collection of Schubert songs by a singer and pianist with encyclopedic knowledge of Schubert songs
- Make up your mind to this journey.
- Make up your mind to this journey.
|
Franz Schubert: Lieder, Volume I
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Franz Schubert: Lieder, Vol. 3
ASIN: B000001GHD
Release Date: 1993-03-23 |
Tracks:
- Lieder, Vol. I: Leichenfantasie D. 7
- Lieder, Vol. I: Der Vatermr D. 10
- Lieder, Vol. I: Der Jg am Bache D. 30
- Lieder, Vol. I: Totengrrlied D. 44
- Lieder, Vol. I: Die Schatten D. 50
- Lieder, Vol. I: Sehnsucht D. 52 - Ach, aus dieses Tales Grunden
- Lieder, Vol. I: Verklng D. 59
- Lieder, Vol. I: Pensa, che questo istante D. 76
- Lieder, Vol. I: Der Taucher D. 77
- Lieder, Vol. I: Andenken D. 99
- Lieder, Vol. I: Geistern D. 100
- Lieder, Vol. I: Erinnerung (Totenopfer) D. 101
Tracks:
- Lieder, Vol. I: Trost. An Elisa D. 97
- Lieder, Vol. I: Die Betende D. 102
- Lieder, Vol. I: Lied aus der Ferne D. 107
- Lieder, Vol. I: Der Abend D. 108 - Purpur malt die Tannenhugel
- Lieder, Vol. I: Lied der Liebe D. 109
- Lieder, Vol. I: Erinnerungen D. 98
- Lieder, Vol. I: Adelaide D. 95
- Lieder, Vol. I: An Emma D. 113
- Lieder, Vol. I: Romanze D. 114 - Ein Fraulein klagt'im finstern Turm
- Lieder, Vol. I: An Laura, als sie Klopstocks Auferstehungslied sang D. 115
- Lieder, Vol. I: Der Geistertanz D. 116
- Lieder, Vol. I: Das Mhen aus der Fremde D. 117
- Lieder, Vol. I: Nachtgesang D. 119 - O gib, vom weichen Pfuhle
- Lieder, Vol. I: Trost in Trn D. 120
- Lieder, Vol. I: Schrs Klagelied D. 121
- Lieder, Vol. I: Sehnsucht D. 123 -Was zieht mir das Herz so?
- Lieder, Vol. I: Am See D. 124 - Sitz' ich im Gras
- Lieder, Vol. I: Auf einen Kirchhof D. 151
- Lieder, Vol. I: Als ich sie err sah D. 153
- Lieder, Vol. I: Das Bild D. 155
- Lieder, Vol. I: Der Mondabend D. 141
- Lieder, Vol. I: Loda Gespenst D. 150
Tracks:
- Lieder, Vol. I: Der Ser D. 149
- Lieder, Vol. I: Die Erwartung D. 159
- Lieder, Vol. I: Am Flusse D. 160
- Lieder, Vol. I: An Mignon D. 161
- Lieder, Vol. I: N des Geliebten D. 162
- Lieder, Vol. I: Sers Morgenlied D. 165
- Lieder, Vol. I: Amphiaros D. 166
- Lieder, Vol. I: Das war ich D. 174
- Lieder, Vol. I: Die Sterne D. 176 - Was funkelt ihr so mild mich an
- Lieder, Vol. I: Vergebliche Liebe D. 177
- Lieder, Vol. I: Liebesrausch D. 179
- Lieder, Vol. I: Sehnsucht der Liebe D. 180
- Lieder, Vol. I: Die erste Liebe D. 182
- Lieder, Vol. I: Trinklied D. 183 - Ihr Freunde und du, gold'ner Wein
- Lieder, Vol. I: Stimme der Liebe D. 187 - Abendgewolke schweben hell
- Lieder, Vol. I: Naturgenuss D. 188
- Lieder, Vol. I: An die Freude D. 189
- Lieder, Vol. I: Der Jg am Bache D. 192
- Lieder, Vol. I: An den Mond D. 193 - Geuss, lieber Mond
- Lieder, Vol. I: Die Mainacht D. 194
- Lieder, Vol. I: An die Nachtigall D. 196 - Geuss nicht so laut
- Lieder, Vol. I: An die Apfelbe, wo ich Julien erblickte D. 197
- Lieder, Vol. I: Seufzer D. 198
- Lieder, Vol. I: Liebestelei D. 206
Tracks:
- Lieder, Vol. I: Der Liebende D. 207
- Lieder, Vol. I: Der Traum D. 213
- Lieder, Vol. I: Die Laube D. 214
- Lieder, Vol. I: Meeres Stille D. 216
- Lieder, Vol. I: Grablied D. 218
- Lieder, Vol. I: Das Finden D. 219
- Lieder, Vol. I: Wandrers Nachtlied D. 224 - Der du von dem Himmel bist
- Lieder, Vol. I: Der Fischer D. 225
- Lieder, Vol. I: Erster Verlust D. 226
- Lieder, Vol. I: Die Erscheinung D. 229
- Lieder, Vol. I: Die Tchung D. 230 - Im Erlenbusch, im Tannenhain
- Lieder, Vol. I: Der Abend D. 221 - Der Abend bluht
- Lieder, Vol. I: Geist der Liebe D. 233 - Wer bist du, Geist der liebe
- Lieder, Vol. I: Tischlied D. 234
- Lieder, Vol. I: Der Liedler D. 209
- Lieder, Vol. I: Ballade D. 134
- Lieder, Vol. I: Abends unter der Linde D. 235
- Lieder, Vol. I: Die Mondnacht D. 238
- Lieder, Vol. I: Huldigung D. 240
- Lieder, Vol. I: Alles um Liebe D. 241
- Lieder, Vol. I: Das Geheimnis D. 250 - Sie konnte mir kein Wortchen sagen
- Lieder, Vol. I: An den Fr D. 245 - Wilkommem, schoner Jungling
- Lieder, Vol. I: Die Baft D. 246
Tracks:
- Lieder, Vol. I: Der Rattenfer D. 255
- Lieder, Vol. I: Der Schatzgrr D. 256
- Lieder, Vol. I: Heidenrin D. 257
- Lieder, Vol. I: Bundeslied D. 258
- Lieder, Vol. I: An den Mond D. 259 - Fullest wieder Busch und Tal
- Lieder, Vol. I: Wonne der Wehmut D. 260
- Lieder, Vol. I: Wer kauft Liebesgr? D. 261
- Lieder, Vol. I: Der Goldschmiedsgesell D. 560
- Lieder, Vol. I: Der Morgenkuss D. 264
- Lieder, Vol. I: Abendstchen. An Lina D. 265
- Lieder, Vol. I: Morgenlied D. 266 - Wilkommen, rotes Morgenlicht
- Lieder, Vol. I: Der Weiberfreund D. 271
- Lieder, Vol. I: An die Sonne D. 272 - Konigliche Morgensonne
- Lieder, Vol. I: Tischlerlied D. 274
- Lieder, Vol. I: Totenkranz f Kind D. 275
- Lieder, Vol. I: Abendlied D. 276 - Gross und rotentflammet
- Lieder, Vol. I: Die Frchkeit D. 262
- Lieder, Vol. I: Lob des Tokayers D. 248
- Lieder, Vol. I: Furcht der Geliebten D. 285
- Lieder, Vol. I: Das Rosenband D. 280
- Lieder, Vol. I: An Sie D. 288
- Lieder, Vol. I: Die Sommernacht D. 289
- Lieder, Vol. I: Die frrr D. 290
- Lieder, Vol. I: Dem Unendlichen D. 291
- Lieder, Vol. I: Ossians Lied nach dem Falle Nathos' D. 278
- Lieder, Vol. I: Das Mhen von Inistore D. 281
- Lieder, Vol. I: Labetrank der Liebe D. 302
- Lieder, Vol. I: An die Geliebte D. 303
- Lieder, Vol. I: Mein Gruss an den Mai D. 305
- Lieder, Vol. I: Skolie D. 306 - Lasst im Morgenstrahl des Mai'n
- Lieder, Vol. I: Die Sternenwelten D. 307
- Lieder, Vol. I: Die Macht der Liebe D. 308
- Lieder, Vol. I: Das gest Gl 309
- Lieder, Vol. I: Die Sterne D. 313
- Lieder, Vol. I: Nachtgesang D. 314 - Tiefe Feier schauert um die Welt
- Lieder, Vol. I: An Rosa I D. 315 - Warum bist du nicht hier
- Lieder, Vol. I: An Rosa II D. 316 - Rosa, denkst su an mich?
- Lieder, Vol. I: Schwangesang D. 318 - Endlich steh'n die Pforten offen
Tracks:
- Der Zufriedene D. 320
- Liane D. 298
- Augenlied D. 297
- Geistes-Gruss D. 142
- Hoffnung D. 295 - Schaff', das Tagwerk meiner Hande
- An den Mond D. 296 - Fullest wieder Busch und Tal
- Rastlose Liebe D. 138
- Erlk D. 328
- Der Schmetterling D. 633
- Die Berge D. 634
- Geneit D. 143
- An die Natur D. 372
- Klage D. 371
- Morgenlied D. 381 - Dic frohe neubelebte Flur
- Abendlied D. 382 - Sanft glanzt die Abendsonne
- Der Flng D. 402
- Laura am Klavier D. 388
- Entz an Laura D. 390
- Die vier Weltalter D. 391
- Pfled D. 392
- Die Einsiedelei D. 393
- An die Harmonie D. 394
- Die Herbstnacht (Die Wehmut) D. 404
- Lied D. 403 - Ins stille Land
- Der Herbstabend D. 405
- Der Entfernten D. 350
- Fischerlied D. 351
- Sprache der Liebe D. 410
- Abschied von der Harfe D. 406
Tracks:
- Lieder, Vol. I: Stimme der Liebe D. 412 - Meine Selinde
- Lieder, Vol. I: Entz D. 143
- Lieder, Vol. I: Geist der Liebe D. 414 - Der Abend schleiert Flur und Hain
- Lieder, Vol. I: Klage D. 415 - Die Sonne steigt, die Sonne sinkt
- Lieder, Vol. I: Julius an Theone D. 419
- Lieder, Vol. I: Klage D. 436 - Dein Silber schien durch Eichengrun
- Lieder, Vol. I: Frlied D. 398 - Die Luft ist blau
- Lieder, Vol. I: Auf den Tod einer Nachtigall D 399
- Lieder, Vol. I: Die Knabenzeit D. 400
- Lieder, Vol. I: Winterlied D. 401
- Lieder, Vol. I: Minnelied D. 401
- Lieder, Vol. I: Die frebe D. 430
- Lieder, Vol. I: Blumenlied D. 431
- Lieder, Vol. I: Der Leidende D. 432
- Lieder, Vol. I: Seligkeit D. 433
- Lieder, Vol. I: Erntelied D. 434
- Lieder, Vol. I: Das grosse Halleluja D. 442
- Lieder, Vol. I: Die Gestirne D. 444
- Lieder, Vol. I: Die Liebesgr D. 446
- Lieder, Vol. I: An den Schlaf D. 447
- Lieder, Vol. I: Gott im Fre D. 448
- Lieder, Vol. I: Der gute Hirt D. 449
- Lieder, Vol. I: Die Nacht D. 358 - Du verstorst uns nicht
- Lieder, Vol. I: Fragment aus dem Aeschylus D. 450
- Lieder, Vol. I: An die untergehende Sonne D. 457
- Lieder, Vol. I: An mein Klavier D. 342
- Lieder, Vol. I: Freude der Kinderjahre D. 455
- Lieder, Vol. I: Das Heimweh D. 456 - Oft in einsam stillen Stunden
- Lieder, Vol. I: An den Mond D. 468 Was schauest du so hell
- Lieder, Vol. I: An Chloen D. 462 Bei der Liebe reinsten Flammen
- Lieder, Vol. I: Hochzeit-Lied D. 463
- Lieder, Vol. I: In der Mitternacht D. 464
- Lieder, Vol. I: Trauer der Liebe D. 465
- Lieder, Vol. I: Die Perle D. 466
Tracks:
- Lieder, Vol. I: Liebesend D. 473
- Lieder, Vol. I: Orpheus D. 474
- Lieder, Vol. I: Abschied D. 475
- Lieder, Vol. I: R D. 476
- Lieder, Vol. I: Alte Liebe rostet nie D. 477
- Lieder, Vol. I: Harfenspieler I D. 478
- Lieder, Vol. I: Harfenspieler III D. 480
- Lieder, Vol. I: Harfenspieler II D. 479
- Lieder, Vol. I: Der K in Thule D. 367
- Lieder, Vol. I: Jrs Abendlied D. 368
- Lieder, Vol. I: An Schwager Kronos D. 369
- Lieder, Vol. I: Der Ser am Felsen D. 482
- Lieder, Vol. I: Lied D. 483
- Lieder, Vol. I: Der Wanderer D. 493
- Lieder, Vol. I: Der Hirt D. 490
- Lieder, Vol. I: Lied eines Schiffers an die Dioskuren D. 360
- Lieder, Vol. I: Geheimnis D. 491
- Lieder, Vol. I: Zum Punsche D. 492
- Lieder, Vol. I: Am Bache im Fre D. 361
- Lieder, Vol. I: An eine Quelle D. 530
- Lieder, Vol. I: Bei dem Grabe meines Vaters D. 496
- Lieder, Vol. I: Am Grabe Anselmos D. 504
- Lieder, Vol. I: Abendlied D. 499
- Lieder, Vol. I: Zufriedenheit D. 362
Tracks:
- Lider, Vol. I: Herbstlied D. 502 - Bunt sind schon die Walder
- Lider, Vol. I: Skolie D. 507 - Madchen entsiegelten, Bruder, die Flaschen
- Lider, Vol. I: Lebenslied D. 508
- Lider, Vol. I: Leiden der Trennung D. 509
- Lider, Vol. I: Alinde D. 904
- Lider, Vol. I: An die Laute D. 905
- Lider, Vol. I: Frohsinn D. 520
- Lider, Vol. I: Die Liebe D. 522 - Wo weht der Liebe hoher Geist?
- Lider, Vol. I: Trost D. 523 - Nimmer lange weil'ich hier
- Lider, Vol. I: Der Schr und der Reiter D. 517
- Lider, Vol. I: Lob der Trn D. 711
- Lider, Vol. I: Der Alpenjr D. 524
- Lider, Vol. I: Wie Ulfru fischt D. 525
- Lider, Vol. I: Fahrt zum Hades D. 526
- Lider, Vol. I: Schlaflied D. 527
- Lider, Vol. I: Die Blumensprache D. 519
- Lider, Vol. I: Die abgeblinde D. 514
- Lider, Vol. I: Der Flug der Zeit D. 515
- Lider, Vol. I: Der Tod und das Mhen D. 531
- Lider, Vol. I: Das Lied vom Reifen D. 532
- Lider, Vol. I: Tich zu singen D. 533
- Lider, Vol. I: Am Strome D. 539
- Lider, Vol. I: Philoktet D. 540
- Lider, Vol. I: Memnon D. 541
- Lider, Vol. I: Auf dem See D. 543
- Lider, Vol. I: Ganymed D. 544
- Lider, Vol. I: Der Jg und der Tod D. 545
- Lider, Vol. I: Trost im Liede D. 546
Customer Reviews:
An encyclopedic collection of Schubert songs by a singer and pianist with encyclopedic knowledge of Schubert songs.......2005-10-25
I bought this collection from a mail order firm in 1993, and can only call it "an encyclopedic collection of Schubert songs by a singer and pianist with an encyclopedic knowledge of Schubert songs."
I don't listen to these discs track to track, but rather selected tracks and keep this 9 disc set in my collection as an encyclopedia, for reference, rather than to listen to for hours on end.
This collection doesn't contain any of the 3 great Schubert song cycles: "Schwanengesang", "Die Schone Mullerin", or "Winterreise." Most of these songs are less than 5 minutes in length, but some are as long as 20 minutes, with Recitative/Aria/Recit./Aria pattern. Each disc is 70 minutes or more, making for a lot of music. Going dollar for music, it's a good deal!
I am very thankful for this release. Dietrich Fischer-Dieskau (born 1925) seemed inexhaustable, making many lieder and opera recordings in the late 1960s/early 70s when these recordings were made for DG. His partnership with pianist Gerald Moore lasted many years, and they recorded many of these same lieder for EMI.
I won't attempt to go into detail describing different songs in this large collection, but if you love great singing and Schubert lieder, consider this as an investment in eternity. If you only want a disc of "Greatest hits" of this genre, consider the DG "Originals" release of Fischer-Dieskau with both Gerald Moore and Jorg Demus in different tracks.
You can tell I'm biased in favor of Herr Fischer-Dieskau and his singing, which is always beautiful here. I also love Schubert as sung by Hermann Prey (1929-1998): Philips Eloquence, and Decca (deleted); Janet Baker (Hyperion, with Graham Johnson); and Hans Hotter (EMI, with "Schwanengesang.")
Make up your mind to this journey........2001-02-07
Since this set of Schubert lieder (3 boxes, 21 cds in all) has become a legedary classic, I don't think I should make any comment. But just a suggestion to those who want to embark on these discs.
Make up your mind on this journey. On facing such a tome record arranged and sung chronically, it's useless and wrong only to listen to some famous lieder or discs or just listen randomly. You should spare a long period of time, begin by listening from the very first disc to the last disc. And, during the period do not listen to any lied of other composers. Then gradually, lied by lied, disc by disc, you will forget this is Fischer-Diskau and Moore---This is a real life of a great soul! You are really touching and breathing with a great soul! Feel the sound of schubert, feel his struggle, his emotion, his feeling, his hate and love. Feel how those youthful spontaneous and raw lieder gradually developed into fully ripened masterpieces. Such wonderful experience belongs only to really patient listeners.
It took me about 2 full weeks to listen to the whole 21 discs. Fischer-Diskau and Moore chose the "Abschied(Farewell)" to be the last lieder read (this song happened to be the only lied of Schubert to be recite with piano accompaniment, and which was composed during his final years). Thus the whole hundreds of lieder, or the whole life of Schubert, ended on this lied, farewell to the earth. It began with "Leb wohl, du schoene Erde (Goodbye, you beautiful Earth)". I will forever remember when I finally came into this lied, on the first words of Diskau's "Leb wohl, du schoene Erde" I trembled and cried from the very first note to the last note. My god, it's untouchable granduer.
Make up your mind to this journey........2001-02-07
Since this set of Schubert lieder (3 boxes, 21 cds in all) has become a legedary classic, I don't think I should make any comment. But just a suggestion to those who want to embark on these discs.
Make up your mind on this journey. On facing such a tome record arranged and sung chronically, it's useless and wrong only to listen to some famous lieder or discs or just listen randomly. You should spare a long period of time, begin by listening from the very first disc to the last disc. And, during the period do not listen to any lied of other composers. Then gradually, lied by lied, disc by disc, you will forget this is Fischer-Diskau and Moore---This is a real life of a great soul! You are really touching and breathing with a great soul! Feel the sound of schubert, feel his struggle, his emotion, his feeling, his hate and love. Feel how those youthful spontaneous and raw lieder gradually developed into fully ripened masterpieces. Such wonderful experience belongs only to really patient listeners.
It took me about 2 full weeks to listen to the whole 21 discs. Fischer-Diskau and Moore chose the "Abschied(Farewell)" to be the last lieder read (this song happened to be the only lied of Schubert to be recite with piano accompaniment, and which was composed during his final years). Thus the whole hundreds of lieder, or the whole life of Schubert, ended on this lied, farewell to the earth. It began with "Leb wohl, du schoene Erde (Goodbye, you beautiful Earth)". I will forever remember when I finally came into this lied, on the first words of Diskau's "Leb wohl, du schoene Erde" I trembled and cried from the very first note to the last note. My god, it's untouchable granduer.
Average customer rating:
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Prima Voce: Schöne and Tauber in Operetta
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000037JU
Release Date: 1992-12-02 |
Tracks:
- Paganini: Schones Italien Erst Gedenk' ich Dein - Richard Tauber
- Paganini: Gern Hab' Ich Die Frau'n Gekusst - Richard Tauber
- Die Schone Galathea: Trinklied - Lotte Schone
- Die Schone Galathea: Was Sagst Du? Ich Lausche - Lotte Schone
- Das Dreimaderlhaus: Zu Jeder Zeit - Richard Tauber
- Das Dreimaderlhaus: Nicht Klagen - Richard Tauber
- Die Fledermaus: Spiel Ich Die Unschuld Vom Lande - Lotte Schone
- Der Lustige Krieg: Was Ist An Einem Kuss Gelegen? - Lotte Schone
- Indigo Und Die Vierzig Rauber: Bacchanale - Lotte Schone
- Cagliostro in Wein: Zigeunerkind, Wie Glanzt Dein Haar - Lotte Schone
- Grafin Mariza: Gruss' Mir Mein Wien - Richard Tauber
- Der Arme Jonathan: Ach, Wir Armen Primadonnen! - Lotte Schone
- Der Vogelhandler: Ich Bin Die Christel Von Der Post - Lotte Schone
- Der Obersteiger: Ja Dort In Den Bergen - Lotte Schone
- Der Trompeter Von Sakkingen: Behut' Dich Gott, Es War' Zu Shon Gewesen - Richard Tauber
- Zigeunerliebe (Mariska): Hor Ich Cymbalklange (Lied Und Czardas) - Richard Tauber
- Das Land Des Lachelns: Von Apfelbluten Einen Kranz - Richard Tauber
- Die Lustige Witwe: Lippen Schweigen (Ballsirenen-Walzer) - Richard Tauber
- Die Zirkusprinzessin: Wenn Man Das Leben Durchs Champagnerglas - Richard Tauber
- Geschichten Aus Dem Wienerwald - Richard Tauber
Average customer rating:
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The Art of Lotte Schöne, 1924-31
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000023Q4
Release Date: 1996-08-20 |
Tracks:
- Figaros Hochzeit: Ihr, Die Ihr Triebe Des Herzens Kennt
- Don Juan: Ich Weiss Ein Mittel
- Die Hugenotten: Ihr Edlen Herren Allbier
- Die Fledermaus: Mein Herr Marquis
- Die Fledermaus: Spiel' Ich Die Unschuld Von Lande
- La Boheme: Dort In Paris
- Der Vogelhandler: Ich Bin Die Christel Von Der Post
- Der Obersteiger: Ja, Dort In Den Bergen
- Die Geisha: Der Verliebte Goldfisch
- Die Geisha: O Tanz', Du Kleine Geisha
- Die Geisha: Lieb', Lieb' So Wunderschon
- Die Schone Galathee: Trinklied
- Die Shone Galathee: Was Sagst Du? Ich Lausche
- Der Lustige Krieg: Was Ist An Einem Kuss Gelegen
- Indigo: Bacchanale
- Der Arme Jonathan: Ach, Wir Armen Primadonnen
- Cagliostro In Wien: Zigunerkind, Wie Glanzt Dein Haar
- Der Vogelhandler: Rheinwalzer
- Dorfschwalben Aus Osterreich: Walzer Op.164
- An Der Schonen Blauen Donau: Walzer Op.314
- Carneval: Valse Caprice
Tracks:
- Cosi Fan Tutte: Schon Ein Madchen Von Funfzehn Jahren
- Die Zauberflote: Ach, Ich Fuhl's, Es Ist Verschwunden
- Don Pasquale: Presto Io Son
- L'invito: Bolero
- Die Lustigen Weiber Von Windsor: Nun Eilt Herbei
- Der Hirt Auf Dem Felsen
- Rigoletto: E Il Sol Dell' Anima
- Rigoletto: Tutte Le Feste Al Tempio
- Ein Maskenball: Mit Starrem Angesicht Blickt Sie Nach Oben
- Manon: Leb' Wohl, Mein Liebes Kleines Tischchen
- Manon: Folget Dem Ruf, So Lieblich Zu Horen
- Die Fledermaus: Mein Herr, Was Dachten Sie Von Mir?
- G'Schichten Aus Dem Wiener Wald: Walzer
- La Boheme: Quando M'en Vo
- La Boheme: Donde Lieta Usci
- Madame Butterfly: Eines Tages Seh'n Wir
- Madame Butterfly: Deine Mutter Soli Dich Im Arme Tragen
- Turandot: Signore, Ascolta
- Turandot: Tu Che Di Gel Sei Cinta
Music:
- Knallinger'S Telefonthriller
- Spike Jones Is Murdering the Classics
- Im Scharfen Eck
- Time to Stand a Star [UK-Import]
- Herr Holm, Dienstlich
- Live in Gelsenkirchen
- Zapped!-Austria Edition
- Megajeck 3
- Spass aus Unner Hutzenstub'
- Lügen Ist Menschlich
Music